00:00Hello, sir. Welcome to ANS. First of all, congratulations for the owner. That's about
00:03the reason. Thank you.
00:05A very well-written script, but not on the usual thing. There is a RBI governor
00:24about the owner. In a crisis, the out-of-box decision makes the country out-of-box decision.
00:34When we talk about heroes, we take an actor or a politician or a social activist.
00:46But I think that the first time we work on a new sector behind the curtain,
00:52we talk about such a person, such a department, which is a very crucial department of policy,
01:01which is the country. And it's a very engaging script. I didn't have any other reasons to say no to
01:17it.
01:17Rather, I thought that this will be an education. We are talking about in 1991.
01:24Kuwait and Iraq was a war. It was a big crisis in Gulf countries.
01:29So this is a situation that we are talking about. And our country is a problem.
01:40It's a crisis that we are talking about. So this is a crisis that we are talking about.
01:51and learning the terms,
01:54this is a huge, humongous task.
02:00Because I am not a economist,
02:01I have been a poor mathematics,
02:03so my work has increased,
02:06and I am interested in my videos and materials
02:10to be able to study and see.
02:12It was a very helpful help.
02:14I always feel that you are very deep in there.
02:18You react to your own thing,
02:20then you take your own free time to profession,
02:23then you respond.
02:25Because an actor has a luxury
02:26that he has to be in one's life,
02:28and he has to be in one's life.
02:32What about your skills?
02:34How did you teach financial structures?
02:38What has it done to you personally?
02:41I am not made of the RBI building.
02:44I am not made of the RBI building.
02:46I am not made of the RBI government.
02:48Nobody is getting anywhere.
02:51Rightfully so.
02:52Because because we have no idea
02:53what we are making films.
02:55So we do not have accessionable people.
02:58The department is that.
03:00Any way,
03:01the department will not get to be taken.
03:05So that we are being so restrictive.
03:06It's a very restrictive zone.
03:09So we have the things available, S. Venkta Ravennan,
03:14and the materials in that time.
03:18And now I'm going to take a few pages,
03:24so that if I need to refer this to the basic information,
03:29then I can do it.
03:30So if I need to refer this to the basic information,
03:31then I can do it.
03:36So if I need to refer this to the basic information,
03:41then I can do it.
03:44Yes, it was in 1991.
03:45It was the government of Chandrasekhar Ji.
03:47And you will be surprised that the government
03:50was given to Mr. Gandhi's recommendation.
03:55So further on,
03:58because there was an economic decision made,
04:00and then went to India,
04:02and then went to India,
04:02and then went to progress.
04:05In our industry,
04:07my film industry has affected the same thing.
04:09It's very apparent.
04:10I've had to use time.
04:12I don't know.
04:13It's very popular.
04:14It's very popular in India.
04:16It's very popular in India.
04:18That's a big thing.
04:19The post-liberalization
04:29things started happening.
04:32Because our reserve was empty.
04:35It was very popular.
04:37It was extremely popular in India.
04:39There was a huge impact.
04:54It was quite popular.
05:04liberal attitude towards the market. And then slowly, P.V. Narsimh Maharaj Ji,
05:12Pirda Abko, Banwohan Singh Ji, all those slowly, slowly, after that,
05:19they were going on the same path, on the same path. We also saw the benefit of it.
05:26And we were where we were, and where we reached.
05:31And because these numbers are made of numbers?
05:33Yes, I am very poor in numbers.
05:36Yes, I am very poor in numbers.
05:38One time, you enter into two things. You feel very, you like to stay away from it,
05:43and after that, it's like going down the rabbit hole. How was it for you?
05:48Yes, my director, my director, he is a very good actor.
05:54And he writes. So, when I was angry, he would come.
06:00So, when I was angry, I had a lot of research done.
06:03And if we didn't understand something, then immediately, we would talk about it.
06:10But till the time, I am not convinced. I can't convince the people.
06:14I can't make it interesting, exciting for the audience, for the camera.
06:19So, I am telling you, this was a very difficult film. It was one of the most difficult films that
06:24I have done.
06:25Because it has to do with economics, finances, because I had to make it very exciting,
06:32interesting and yet authentic and real. And one of the people of the world is your hero.
06:42And he is a reserved man. He is all occupied with numbers and all the policy decisions.
06:50So, to perform such a person, to perform such a person, to make it interesting and to make it interesting.
06:57So, how much of the Tamil people to keep it and how much of the people to keep it, how
07:02much of the people to keep it.
07:02Because eventually, we are making it primarily for the Hindi audience.
07:06So, these are all the things that we have been shooting, which we have been shooting.
07:12And from C2, you have also found that in the dictionary, you have also found something that you have done
07:16in the dictionary.
07:17I have tried very much. And I was very scared, very nervous.
07:21Because actors, especially as a person, I can't go wrong with my dictionary and accent.
07:32It becomes demeaning, especially for those people who speak the language.
07:38And if I live in Bihar, I know that I am offended when actors are offended.
07:44So, it is good to go to the minimum.
07:46I always say that because you are making it Hindi, you have to give the essence of that language.
07:54You are not supposed to be completely indulgent about the accent.
07:59But then, it will take away the attention from the matter.
08:03That's why we have decided that we keep a lot of measured things when it comes to the language and
08:13the culture that the character belongs to.
08:17And if the same thing, I have observed that, what language you perform for that momentarily, for that period of
08:25time,
08:26it comes across as very authentic, it will be very authentic, it will be very authentic, it will be a
08:29serious.
08:30Yes, yes, yes.
08:31Exceptional addiction, credibility.
08:33Yes.
08:34What is the effect of the language, what is your performance?
08:37Do you listen to your subconsciously or do you pay too much attention?
08:40Now, look, we live in Mumbai.
08:45So, in Mumbai, Marathi's accent is different from each other.
08:52If it was Bikou Mahathir, it was a special way of his accent, it was different from each other.
09:10So, in all these things, we do not really work on each other.
09:15We do not have to be very similar.
09:18We do not have to work on each other.
09:32We do not have to work on each other.
09:34And we do not have to work on each other.
09:34So, if you look at the same thing,
09:36we do not have to work on each other.
09:40And moving forward, it's one of my favorite films.
09:45Yes, thank you.
09:52Lots of lovers have done God. How is it for you to work with Devashish Mashikh Mathira?
09:57I have both of us have given Devashish made his foray into the cinema with me.
10:07I would say, in the same way.
10:11Before that, he made a short film.
10:14I don't think they were on cinema camera.
10:17He made Tando before me.
10:23Tando became very successful on YouTube.
10:28And it has gotten so much of international laurels.
10:31Before that, there was a film called Devashish, Bosley.
10:38He didn't get a fund for him.
10:40I had put a fund for him.
10:43Because Devashish is not someone who was resourceful.
10:46I was the one who was already popular and working in the industry.
10:51But still, I was finding it very difficult to get fund for Bosley.
10:57So, it was time for him.
10:58So, he said, sir, I have a short film.
11:01He said, sir, I have a short film.
11:03He said, sir, give me a short film.
11:04He said, sir, give me two days.
11:04In two days, he wrote Tando.
11:06And then, we started moving.
11:08We got 30-35 lakhs.
11:11We made a film from here.
11:15When the money started to grow,
11:19we went to Bosley.
11:21Then, when Bosley was made,
11:22he sent me a story about Joram.
11:26And Joram then, we went to the story.
11:28So, Sharif Patel was the CEO of Zee Studio.
11:35I told him about it.
11:36He immediately agreed to do the film.
11:39Because he was somewhere with me,
11:42me and my conviction about the film.
11:45And it's one of my best performances.
11:47Yes, it has troubled me.
11:49It has tasted me.
11:50I mean, my body was on my shoulders.
11:54I mean, all the pain I was shooting,
11:57I mean, all the pain I was shooting,
11:58I was so immersive.
12:00But I'm so proud of that performance on the film.
12:04And in the beginning of the beginning of the year,
12:05you said, there was a war in the United States going on.
12:10The Deshpur, right?
12:11It was a very economic crisis.
12:13Now, IGZE economics comes in cycles
12:15for any country.
12:16India, USA, everywhere in the world.
12:25But given that India is so big,
12:27there is such a long civilisation industry,
12:29do you feel that it's ingrained in every Indian?
12:34And we come out of it without much of mind?
12:38If Sri Lanka can come out of a huge crisis,
12:42where people were on the road,
12:44the parliament was raided.
12:47Look at Nepal.
12:49These small countries have managed to come out of it.
12:52India has had its own share of experience.
12:57And they always manage to come out.
13:00And it's because of the people we always manage to come out.
13:03Because people here, they take the sense of the situation.
13:10Our middle class, lower middle class,
13:13they immediately restrict our needs.
13:19And I know that the world is going through a major conflict.
13:25And so is our country.
13:28I know that in the world,
13:28But we have to go through it,
13:31and there are many major issues,
13:32and in the past,
13:32But, in 2007, we had massive recession during the past.
13:36And then we are going out of it.
14:01I mean, they should know that there was a time when there was no Coke and Pepsi, there was no
14:08mall.
14:11So, we are talking about that time when, I don't think, in 1992, there was a match in the telecast.
14:23So, we are talking about that time.
14:26And you need to know that the people who are enjoying their lives,
14:36So, this is going to be quite an education for our young generation, Gen Z or Gen Alpha.
14:45Because I am not a student of economics.
14:49So, it becomes very important and crucial for me that whatever I talk has to be valid and authentic.
14:59I am tempted to ask one last question.
15:02As an artist, how do you lose curiosity?
15:04How does it drive your artistic expectations or your artistic?
15:08As an actor, you have to be curious.
15:10Curious about life, curious about the surroundings, curious about anything that is happening in this world,
15:20anything happening in this country.
15:24Because actors are, they don't need to be the expert of everything.
15:31But definitely, they should have basic information about all the aspects of the world and our society and our country.
15:40Thank you very much. Thank you.
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