Purushaha Movie Director Veeru Vulavala Exclusive Interview

Mana entertainment

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Transcript

00:00Hello Sir! Welcome and thank you so much Veeru Sir!

00:03First of all, Men's Under gave the dedicated for the good cinema.

00:08You want to show a man oriented cinema?

00:11You want to show a man oriented cinema?

00:12But you all are trying to show cinema.

00:15You can balance your own way.

00:17It's a very bad emotion.

00:20You can talk about a situation in real life.

00:23Why do you have to tell me?

00:24I'm very simple.

00:26I'm sure you have to tell me what you have in life.

00:27It's been a lot of inspiration for me.

00:29But anyways, congratulations sir.

00:30First of all, I'm doing this for the individual.

00:32I hilariously enjoyed it.

00:33If you have a thousand dollars,

00:35you can connect the characters.

00:37You can connect the characters.

00:39So, you can connect the characters.

00:42It's a complete feel.

00:43It's not a lesson for you.

00:45You can do it.

00:47First of all, thank you so much.

00:50How do you respond to the audience?

00:53I'm not an expert.

00:57But I don't feel the same.

01:00I don't have any feelings.

01:01Before my arisen, after I arisen.

01:03I have a lot of feedback.

01:07So, I'm going to get a chance.

01:08So, there's a bit of a tension.

01:09I mean,

01:11this is a theater experience.

01:13I want to bring my audience a little bit.

01:15I'm going to get the response to everything.

01:19There's a lot of tension.

01:22I want to get a lot of tension.

01:25The first time director is the journey of the first time director.

01:30But I don't think it's going to be a bit of a tension.

01:32I think it's going to be a bit of a conflict.

01:36So, when I came to the director, I was going to be a bit of a tension in the theater.

01:45But in the theater, there are many friends and friends.

01:51So, it's going to be a bit of a comedy.

01:54When I came to the theater, I was going to be a bit of a jazz.

01:59I was very happy.

02:02Some of you are worried about this scene.

02:08In the second half, there is a tiling shop and a bedroom scene.

02:13When I came to the theater, I was going to tell the audience.

02:19I was going to be a bit of a response.

02:22I was going to be scared.

02:25I was going to be scared.

02:26I was going to be scared.

02:31But I was going to be scared.

02:36Because I was very proud of you.

02:38You're not that.

02:39You're not that-less.

02:39You don't think that the audience is, you don't have the line from that line.

02:42Who doesn't seem to be a cringe-mиной.

02:43But if you have fans, you can't see that.

02:47You can see the audience.

02:48You'll come to the music.

02:48But you want to see the audience if you look in the theater.

02:52But it's a good thing.

02:53It's a good thing.

02:54It's a good thing.

02:56It's a good thing.

02:57It's a good thing.

02:59It's a good thing.

03:02I'm going to talk to you.

03:06I'm not a mother now.

03:08She's been a 2-3 years old.

03:11But I don't have a life in my mind.

03:14I don't have a life anymore.

03:17I don't think you have a life anymore.

03:20Okay.

03:21I guess you have to talk about it.

03:24I guess you have to talk about it.

03:26I don't want to see you,

03:28I haven't discussed anything.

03:30But you want to think about yourself and I feel like this.

03:32Correct.

03:32This is my own mind.

03:38What's wrong?

03:38I don't want to see what you do.

03:39What you do, what you do, what you do.

03:41What you do as a wife, your mother,

03:43Who do you care about?

03:45I think that's what I wanted to do. I think that's what I wanted to do when I was a

03:49little bit of art.

03:50Yes.

03:52When I was in the 8th class, I was in the Bommal.

03:57Okay.

03:57I had a great book, sir.

04:01Ranjivgarh photos.

04:02Yeah, I had a lot of photos.

04:03I had a lot of drawings.

04:06Even if I had a lot of drawings, I didn't want to think about it.

04:09I didn't want to think about it.

04:11I didn't want to think about it, but I didn't want to think about it.

04:20Yes.

04:21I am sure.

04:23I don't know.

04:25I didn't want to do the same thing, so I took the same thing.

04:27Okay, sir.

04:29My friends and friends, I tell everyone,

04:30he's a very sensible director of the film industry.

04:33He's very sensible director of the writing.

04:35I think that it's very sensible.

04:38It's very interesting to me.

04:40But it's common timing.

04:42It's also a lot of writing.

04:43I really like Rajan Chvas,

04:47I like the movie,

04:49I like the movie,

04:51but I like the movie,

04:54I don't like the story,

04:58I don't like the story,

05:00I like the story.

05:01I was able to do something fun.

05:03That's why I was able to make the work and make the sensibilities of the sensibilities.

05:10I was able to make them mix.

05:15But you've seen cinema music,

05:17you've seen a sensible writing,

05:19or a comic writing.

05:20I've seen it.

05:22I've seen it in a few.

05:23I've seen it in a few.

05:24I've seen it in a few.

05:26We've seen it in a few.

05:27I've seen it in a few.

05:28But it's a bit emotional.

05:33I've seen it in a few.

05:34You've seen it in two,

05:36you've seen it in two.

05:38It's good.

05:39As I have done it,

05:43I'm a little bit of a complete love story,

05:48I would like to make a light,

05:50you can make a comedy,

05:51In other words, we focus on comedy, and we focus on sensibilities and emotion, and we focus on emotion.

06:03So, as you know, it's a very nice scene in Japan.

06:07It's been revealed to us.

06:08We've seen a lot of the audience in Japan.

06:10We've seen a lot of that scene in Japan.

06:14We've seen a lot of it in Japan.

06:16We've seen a lot of it in Japan.

06:23We've seen a lot of it in Japan.

06:26We've seen a lot of it in the flashback.

06:27We've seen a lot of it.

06:31We've seen a lot of it in Kamala's story.

06:34We've seen a lot of it in Japan.

06:36Super.

06:37Sir, I would like to do this too.

06:39You have a lot of passion in the arts.

06:42You have a lot of fine arts.

06:43You have a lot of work in the art background.

06:45You have a lot of good ideas.

06:47So how do you do a lot of great mindset as a director?

06:50I am the artist.

06:54I'm the artist as an artist.

07:00I like to use a lot of fine arts.

07:09At the moment, I am the artist.

07:12There's not a lot of commercial art.

07:14I'm going to be doing things right now.

07:16But after through the industry,

07:20I told you were in the first time and then…

07:21I'm a very good hero of Arma Guru.

07:25I was first in the industry.

07:27I was making this then one day and then later on.

07:31After I started going on first, I thought,

07:35if there are no crafts in this industry,

07:38why are we doing it for the day?

07:39I think that's what I want to do in the moment.

07:41I have to select the first name of the lyrics.

07:47Wow!

07:49This is a surprise.

07:51Okay.

07:52I think I'm going to sing songs in the song.

07:54I'm going to sing songs in the song.

07:57And I've been singing the song in the song.

07:59I've been singing the song in the song.

08:01I've come to sing the song in the song.

08:02After that, I went to finance.

08:06I went to finance, and I went to finance.

08:09There was no other thing in the industry.

08:12I was trying to get a lot of money.

08:16My husband and my friend,

08:18I decided to get the title to first to make my title.

08:24He was going to get the title to first to title.

08:30When I was in the second year, I had a little bit of content in the first year.

08:38I had a little bit of content in the industry.

08:44But I was in the direction of the direction department.

08:48But I had a lot of trials.

08:49We had a couple of transfers, but we had a few transfers to play as well.

08:57We had a lot of transfers, but we had a few of them at the end.

09:00We had no titles, so if we had 10 titles and were the first 10 titles,

09:08then we had 100, I'd make that 100.

09:11We had a lot of different and many Directors in the production list.

09:18In the office.

09:20You know what I mean?

09:22I feel like I have a title.

09:24There is a lot of people like Hanurabi.

09:30There is a code editor.

09:31After that, I will show you a little bit.

09:36After that, I feel a lot of titles.

09:39I feel a lot of people.

09:40Wow!

09:42In the industry, I feel a lot of titles.

09:46I have a lot of titles.

09:47In the Taylor series,

09:50I have a lot of titles.

09:52I have a part to do in the Gap.

09:55I used to be doing a title,

09:59but after that, I did a friend.

10:04After that, I learned a friend and Puppets.

10:07The checkbox was taken into the direction.

10:07The checkbox was taken into the discussion of the director.

10:10You came to the script and discussion.

10:12I am a lot of guys.

10:14I was talking to a lot more areas.

10:16I was talking to people about a lot of other topics.

10:18Like the college.

10:22After that, I started off with a lot of things.

10:26Some people were arguing about the whole thing.

10:28I started to get an idea about the whole lot of things.

10:33That's how my journey was from Gotham.

10:40Yes, it was the first film.

10:42After that, it was a movie called Trijastner.

10:47Trijastner is a film for a long time.

10:51But it was a film called Maliravani.

10:55I was an associate director of the film.

10:58The film was a storyboard for the film.

11:03It was a success.

11:04Yes, it is a process. I was working on a author director, a producer, Rahul.

11:11I was working on a job.

11:15I was working on a full plan. I was working on a few departments,

11:23but I was working on a southern entertainment department.

11:29And then I started the journey as a director.

11:34Luckily, Malira was a film called Sexaside.

11:37After that, it was a film called S.A.R.K. Jersey.

11:41After that, it was a film called Jersey Jason.

11:43It was a film called Sexaside.

11:45After that, it was a film called the cinema.

11:55After that, it was a story.

11:57It was a film called Sexaside.

12:05After that, it was a film called Sexaside.

12:10I was a film called Sexaside.

12:12I was a film called Comedy Cinema.

12:14I was a film called Love Story.

12:16It was a film called Sexaside.

12:17A few days later, I could tell you it's COVID.

12:22I said that during COVID, I began to produce a film called the script.

12:29The script is made of me.

12:31I was told to show a story about the movie.

12:35I'm talking about the movie as a movie.

12:37I love stories, I tell people about the movie,

12:40you know, a movie, you know, a movie, you know.

12:43You told them that movie, you know, a movie, you know.

12:45I just had the experience of the entertainment industry.

12:47I just met a little bit of a non-sync,

12:49I was doing one time,

12:53I had to do a whole thing

12:54I had to do a whole lot of the genre,

12:55I had to do a whole lot of the genre,

12:57I was doing a love story,

13:00I was doing a sports drama,

13:02a masuda horror.

13:04I was doing action elements,

13:08I was doing that as many genres,

13:11The film is a film and we're doing what's happening.

13:14So I'm doing a movie and a film too.

13:17I can't read anything about it, I can't read anything about it, I can't read anything about it, I can't

13:24read anything about it.

13:25So I'm doing a lot of things.

13:28So we're going to have to get to the same film.

13:30If you're looking at a producer,

13:34if you're looking at stories, it's going to connect anything.

13:38If you don't like cinema, you don't want to do cinema. I'm strong.

13:43One of the things I wanted to do is make a marriage.

13:47I don't want to do cinema. I'm strong.

13:55When I was in Masuda's cinema, I was in Masuda's office.

14:02for 30 minutes and people have been doing that film with full-blown images.

14:11We were doing great films in our audience.

14:14We were able to do work with other people.

14:20We were able to do good videos on our audience.

14:24We were able to make that video.

14:25We tried to make that video.

14:27Ok.

14:29Try, I can try.

14:31Try, I can try, I can try.

14:34Luckily, I've been taught a lot.

14:38I taught my first hero.

14:43I didn't get the audience to see.

14:45I didn't get any action or anything.

14:48I didn't get it.

14:50I did not get the audience to see.

14:54I didn't get the first cinema.

14:54I don't know what that is, but it's a small budget for the first film.

15:06I wanted to make a movie for the first film.

15:09I wanted to make a movie for the first film.

15:13This is the project starting.

15:16We started this, Hulk.

15:17He started with the Kati Mutu relationship in the moment.

15:24In a few years, I was like,

15:29when I started, everything did start my story.

15:31It was time to start my life.

15:34It dawned a little more about it.

15:37and we had the Kati Mutu relationship in the world.

15:41I think that should be the same.

15:45It's not the same thing.

15:48But the reason is that you can't do anything else.

15:50You can't do anything else in the room,

15:52or not at all.

15:57I don't want to go to the room.

15:59Then I will be in the next room.

16:02So, I will try it,

16:03in many cases.

16:03But I've got a lot of work out.

16:07You know, sir.

16:08I think that a director has a production of the audience

16:12and he's being able to get a lot of emotions.

16:15He's building the direction of action.

16:17He's building a mark.

16:18But, in a first film director,

16:20he has clarity about what he's handling.

16:23He's able to get a lot of the work in the industry.

16:27So, you're taking a lot of action.

16:28What is the correct answer to these two?

16:30That's correct.

16:33I don't know anything about it.

16:34I don't know anything about it.

16:35I don't know anything about it.

16:37So, in this film, I will make it both.

16:40Because it's a comedy and it's a emotion.

16:42It's a love and emotion.

16:44But I will make it both.

16:47I will make it both.

16:48But you can also explore this genre.

16:51Next watch is coming through.

16:52I will make it comedy.

16:59When you're looking at it,

17:02I'm talking a little bit about it.

17:05There's a scene in the Grammai.

17:05There's a scene in that scene.

17:07There's a comedy in that scene.

17:08There's a emotional scene.

17:10There's a movie that he has to go around.

17:13He has to talk to us and he has to talk to us.

17:15He's not a comedy.

17:16I'm making fun and he's really fun.

17:20Sir, can you explain yourself?

17:22Sir, as a title designer, it will evolve.

17:26If you are a student in Kottabangar, you will be able to learn more about it.

17:32I am a student in Kottabangar.

17:40I have a lot of students in my life.

17:45I have a lot of help from Anil Manu.

17:48I have a lot of help from Anil Manu.

17:50I have a lot of help from Anil Manu.

17:51I have a lot of help from Anil Manu.

17:55We have a lot of paintings and drawings.

18:01The story is that I have a lot of titles and posters.

18:08I am a lot of happy.

18:09I am very happy.

18:10You will not be happy with that.

18:12I am unhappy with that.

18:17I feel like I have a lot of cinema, like Kottabangar, Ooi, a little bit of costume,

18:24Yuvatha, Prayaan, Kanchi, Yatra.

18:28I am doing a drawing and I am doing a lot of designing.

18:34They are doing a lot of digital.

18:37They are doing a lot of design, they are doing a lot of design,

18:42they are doing a lot of design, I am doing a lot of design for the first time.

18:49I am a lot of design.

18:50I am doing something amazing.

18:53Yatra is important.

18:56It is something I am talking about as a title,

18:57and then I can text the subject of the Russian reality.

19:02that I have seen a lot of things like that.

19:05I have seen a lot of things.

19:07I have seen a lot of things as I have seen a lot of footprint.

19:10I had seen a few people in the street and I have seen a lot of things.

19:16And then I could pass the footprint and I didn't know that.

19:21I could have tried to go a little bit.

19:24Then I can try it.

19:26I would like to ask a title, it would have been a lot of interest.

19:30I would like to draw a drawing.

19:35I would like to draw a pencil and spend a few days.

19:40I would like to try a little bit of a single idea.

19:42Then I would try to draw a little bit of a single idea.

19:46Then I would like to try an idea.

19:50he got a good title and I was told him to talk about the name.

19:52There was one who was watching the movie with a book titled Agent Saisari.

19:58Wow. That was a good one.

20:00Well, the title was the producer Rahul Gharu.

20:04He got a title and he got a title.

20:06He didn't leave it, he didn't leave it.

20:08He didn't leave it, he didn't leave it, he didn't leave it.

20:12He didn't leave it, he didn't leave it.

20:14But I tried it.

20:16But then this was the first title.

20:17No, no. I'm not a drawing. But I think I'm lucky.

20:22Asurane cinema, I feel a lot of fonts.

20:28Asurane, I feel a tattoo style.

20:31I feel a lot of it.

20:34Then I did a full shape.

20:35When I was in the college, I was doing a drawing in my college and I was doing a drawing

20:46in my college and I was doing a drawing in my college.

20:54A few years ago, we were talking about the same way.

20:57From this age, we were in a workshop and would look up to the shape.

21:04We could also look at the shape of the shape of the shape of the shape.

21:08We could learn how to apply the shape of the shape of the shape seen in the shape of the

21:11shape.

21:11But I said to him, I have to be told.

21:13Then I thought that English may be also for me.

21:17And what did you suggest trong book by Asura's title in Telegu English?

21:20The talent has not yet.

21:21Then I applied for the audience.

21:25If Asura had that, the English would choose Asura's title in English.

21:28But they were pretty.

21:28Right, they had a pretty good name.

21:30I also used to say that to him,

21:32he said, ''Viru', he said, ''Viru''.

21:35But when I saw these titles, I had a little bit of content.

21:41When I saw a jersey time, I saw some titles.

21:45Then, I saw a director or producers in the production house.

21:54I saw a designer and I saw a director.

21:59I saw a page, I saw a page.

22:05It's not that I saw a student as a student director.

22:08Since you are not in the industry, I didn't care about a student.

22:12In the industry, even though I had a double-off signature.

22:14Now, I thought that I got one with my family, like my parents.

22:18For Mealing Time, I went to a script prospect.

22:22I went to a redirect.

22:24As I did that, I wrote a title.

22:25If you were a TV writer, I would write a script.

22:27I will do it.

22:30You are the perfect industry to be used in the U.S.

22:33Because I have a opportunity to be used in the U.S.

22:43I am proud of the U.S.

22:45I am proud of the U.S.

22:48I am proud of the U.S.

22:49There is a talent.

22:49There is a lot of people who are serving the U.S.

22:52But if you use the U.S.

22:54You can reach the goal and plan your score.

22:57Because you are the perfect client.

22:59I am proud of the U.S.

23:03In 2012, I was a student.

23:04I am proud of the U.S.

23:05It is in 2016.

23:07You have made 4 films in this 14 years.

23:12You have made the movie for one year or 12 months.

23:16That is easy.

23:17But you have not survived the 8 years.

23:21Only industry.

23:22You have made the right titles.

23:24You have made the titles,

23:24like the script and story discussions.

23:28Not how many friends are from the cinema.

23:33They have made the wrong shop.

23:35In your own script,

23:37we have made the wrong script.

23:38Why not?

23:39We have made the wrong script.

23:39So why not survive?

23:41I am proud.

23:42What we have done is a great title card.

23:47If you want to give the best title card that you have made the hard work,

23:49I will put you too.

23:50I did.

23:52enquanto cinema maybe can't play a lot of cinema.

23:56Look under the title, he is scoring the only part of my audience.

24:02He should have photo and film it.

24:04I am sure this is not a category of other films.

24:11I don't remember the title of my film.

24:13Of course, I haven't been able to play the title of the film.

24:16I don't know how to write the title, but after that, I asked him to write the title,

24:24I wrote a lot of the title, I wrote a lot of the title.

24:31Then I wrote a lot of the title, and then I wrote a lot of the title.

24:41So I wrote a lot of the title in the bookings.

24:45When I heard a lot of the title, I had a lot of the title.

24:53When I was the director, the author gave a lot of the title.

25:05I had to write a lot of the title, and I got a lot of the title.

25:09I always wanted to use it as a title.

25:17That's why I should take an actual title.

25:19I think that's why I'm taking the title.

25:31So, if you have an idea, you will be able to implement an idea, and you will be able to

25:34implement it any day, then you will be able to implement it.

25:36At the exact time, you will be able to be a director or a designer or a director or a

25:41director or a designer.

25:43Correct.

25:43So, what is it?

25:46This is a type of background of story.

25:48Okay.

25:49There is a little action, a thriller, or a poetic story.

25:53No, you can talk about an idea.

25:55Okay.

25:55To tell you, you are already a reference, and you will be able to do a title, or you will

26:03be able to do something.

26:04That is why you will be able to do something.

26:06So, if you are able to do something, then you will be able to do the same idea, the same

26:10idea or the same idea.

26:12Not to say anything, but you will be able to do something.

26:17This is a story about the story.

26:21Okay.

26:21You can see things in the same way.

26:24Okay, sorry, you try it.

26:26You can try it.

26:27What you want to do is you try it.

26:33Freehand.

26:34You try it.

26:36I have a few titles,

26:39I have to draw my pencil drawing,

26:40I have to pump it first.

26:43In the start,

26:45I have to pump these photos.

26:48But after that, there was an interest in your writing titles, or postures, or postures.

27:01I didn't know how to write this title.

27:03But I didn't know how to write this title.

27:06I didn't know how to write it in the beginning.

27:08I didn't know how to write this title.

27:12I didn't know how to write this title.

27:15But after that, I didn't know how to write this title.

27:20I didn't know how to write this title.

27:26I was told to take some of my friendship.

27:30I realized what I didn't know.

27:33I was told to teach the team.

27:34I was told to be sorry if I didn't know how to write this title.

27:40there too.

27:42So even if you want to be able to get into it,

27:45it's a good day.

27:47When I was born in my head, I was to be able to get into it.

27:51Even if you wanted to get into it,

27:53so that's not very difficult.

27:57When it was in the mid night,

28:03there was not always a good sort of post-religion.

28:05I also have to make a decision, I think.

28:09Wow!

28:11I am also bad.

28:14You also make anchor simple,

28:16I have to design a decision,

28:18If you make a title, you will pump it,

28:20and you can design it.

28:22That's it.

28:23I think, that's it.

28:24I also have to make a bad condition in the film.

28:30It was also a case of health problems in the hospital.

28:35At that time, it was a film title.

28:38It was a film, but it was a film.

28:41You told me that in Sikindra Paad Eswada hospital,

28:45in the reception of the printer,

28:49we had five papers in the printer.

28:51We had a pencil,

28:53and we had a few patients.

28:56We had a film title.

28:57We had a film in the hospital.

28:59It was a film, and we knew it.

29:02Two people were a great person.

29:07We had a friend,

29:08my mother, her ex-perger,

29:09and she was a girl.

29:14We did not do it.

29:16We did it.

29:18That's why I saw the title during midnight,

29:20and I knew it.

29:23I know that. I know that.

29:25I know that.

29:26That's the same thing.

29:28You can't do it.

29:30You can't do it.

29:31You can't do it.

29:32That's what I'm trying to do.

29:37After that,

29:42there's no title in the theatre.

29:46I think

29:46I'm going to do it.

29:49I'm going to do it.

29:50I'm going to do it.

29:51This is called a ''Urusha''.

29:53It means ''Maghavadh''.

29:54I don't know what a Polish title is.

29:59I'm going to do it and do it.

30:02I'm going to do it.

30:06It's always a great title.

30:07I'm going to draw a title.

30:07This story is called a ''Urushaha''.

30:08It made it very weird.

30:12I'm going to draw the title.

30:13I'm going to draw the title,

30:14but I'm going to draw a title.

30:16I'm going to draw a title.

30:20So that's right.

30:22Sir, if you have a student,

30:25you have not paid an offer for a one-year fee.

30:30In the finance college, join in.

30:33You have to pay for a one-year fee and join in.

30:38In the house, there is room.

30:40I am the man a friend.

30:43You are all finance students.

30:46In terms of the room, you have to pay for the customer.

30:48I am a Dustin Director.

30:49Okay.

30:50Friend.

30:51Your brother is in the room.

30:53So, you have done a film like Dustin Director.

30:57I don't think he's a Dustin Director.

30:59You have a film in a film in the room.

31:02You always have a student.

31:04You always have a student.

31:04You always have a job.

31:05I will teach you a little bit.

31:07I will teach you a little bit.

31:09I will teach you a lot.

31:14I will teach you a little bit.

31:18Then I went to college and I went to college and said,

31:22I was telling what he was going to do or what I was going to do.

31:28I said, I didn't know anything about him.

31:31Then he told me, I was telling him to do this.

31:34Then I went to a 100m room and I went to the room.

31:38I was working in the room and I called him.

31:40I called the phone.

31:41I was in a while,

31:43I went to the studio in the Sainthram 6th century.

31:47I was like,

31:48I didn't know how to do my family.

31:51I was like,

31:52I was like,

31:53I was like,

31:54I was like,

31:54because of how to set,

31:56and the 40th meeting were set.

31:57They sat at the first floor and fourth floor.

32:01I was like,

32:02I thought,

32:04I told my art, lettering, and designing.

32:10I designed it in a paper and designed it in a dharma-col sheet.

32:15I did it in 5 minutes and I did it in 5 minutes.

32:21I did it in 5 minutes.

32:24After that, I finally went to a college.

32:31I was working in a daily college.

32:36I went to 2.30am and 3.00am.

32:39I went to a bus at 3.00am.

32:40I went to a studio.

32:42I went to lunch at night.

32:46I went to a call sheet at night.

32:50I went to a school, Saturday, Sunday and holidays.

32:56I did it in the school.

32:58I was working in a school.

32:59I did it in college.

33:04I did it in a double-a-da-da-da-da-da-da-da-da.

33:07I did it in a problem.

33:09I went to a studio.

33:12I did it in a double-a-da-da.

33:13I did it in a school.

33:22There is also a Guru who is doing a lot of the work of the cinema.

33:24One way to do a lot of work in Harundad, Wakkamanga, Yoga.

33:29And all colleges were doing a lot of work in this cinema.

33:34They made some work in the film,

33:35I was able to get some college fees and books.

33:41In finance, there was also a lot of materials in the finance industry.

33:45There was also a lot of paint, brushes, and brushes.

33:49I was doing watercolour work in the college, and I was doing my job.

33:59Sir, I had to go to the college, but I didn't have to go to the college, but I didn't

34:04have to go to the college.

34:05I was doing a lot of creative, and I was doing a background work,

34:09so I would like to talk to my audience about my feelings.

34:13But what is your feeling?

34:14What is your feeling?

34:15Your feeling is that your wife is different.

34:18Because, when you make money, you can write script in the money.

34:23In the time we have a very rough position in the family,

34:27our wife and our friends,

34:31she knows the art is a lot, right?

34:34She's doing the art direction she does.

34:36She's doing this for a long time.

34:38She's doing this.

34:38I am very excited about a dance.

34:40I was young and I was like,

34:43I feel like I have a dance.

34:44I already have a dance.

34:48I don't want to go out in dance.

34:53I have never been in dance.

34:53I will be doing it.

34:54I will be doing it.

34:55I will be doing it.

34:57You can't go out in dance.

34:59You can't go out in dance.

35:01I will make it a strong art side.

35:06I think that there are 3 age backdrops in the past.

35:11After that, I was able to do that.

35:14I think that there are 3 age backdrops in the past.

35:24But the associate director has helped you with the direction of your direction.

35:28I'm going to go to Gautam.

35:30I'm going to go to a very happy journey.

35:33So, I think that I will close a lot.

35:37Gautam, sir, is the director.

35:40Do you know that you have five years?

35:42Do you know that you have a job?

35:44Okay.

35:45I know.

35:46My friend is the director.

35:49He is the director.

35:52I am the director.

35:54He is the director.

35:55He is the director.

35:56When you learn that we alright,

35:59He is the director.

36:00He is the director.

36:02He does not know what your director.

36:03He has to leave his working on me.

36:05He says the student is okay.

36:11Then he is the director.

36:14If someone is okay with his work.

36:16Then he is the director.

36:17So, we are often,

36:18talking about the same thing.

36:20I am not going to work on college.

36:22I am not going to work on the background.

36:24I was in the background, and I was in the direction department, and I was in the cinema industry.

36:32I was in the feeling of Gautam.

36:36When I was in the first film, I was in the first film.

36:41I was in the first film, and I was in the first film.

36:45I was in the dance part, and I was very happy.

36:49I was very close and friendly.

36:52As a result of my success, I was very happy to become a success.

36:56Malirava, when I was in the first film, I was in the first film.

37:02When people told me they were very angry and I was very happy,

37:09They were very happy to come for this film.

37:10And we were very happy to come for the film.

37:15But my success was a very good success.

37:17I was able to mention a lot of my writing in that film.

37:20I was able to mention a lot of my love story.

37:25When I was given a custom, I was able to make a storyboard.

37:30When I was in the beginning and ending, I was able to make a drawing,

37:34I was able to make a short story.

37:36I was able to make a lot of happy.

37:42But after that, I was a high education as well.

37:46I was able to make one great film and I was able to make a tour.

37:51I was able to make a show in that film in a single seat.

37:54Then I came for that film in a 4 o'clock and I was able to make a show.

38:02I was able to make a call like that,

38:05so I made one of the two films in single seats.

38:06When I was working in a film, I would like to start a track.

38:16When I was doing that film, it was sports.

38:20I was doing that film as a team department.

38:26I was doing that with success and confidence.

38:32I was doing a co-director for the first year, but I was doing a national awards.

38:38I was doing a lot of high awards.

38:44I was doing a little bit of emotion, and I was doing a lot of good things.

38:51But still I did not know about Gautam's nd of course, but I did not know that I was doing

38:57a lot of good things.

39:01I did not know about cinema and direction.

39:10I don't have anything to do with it.

39:12Because I have a complete art bag.

39:15Art, art, art.

39:16It's like a letter or a bomb.

39:20But I don't have any script.

39:24But I've seen Gautam in the office.

39:28I've seen a few times in the evening.

39:30I've seen a few times in the evening.

39:32I've seen a few times.

39:34I've seen a few times.

39:36My first name is Daili.

39:40The pass.

39:44I get a full title of the script.

39:45If you follow them,

39:50you might like that and you can call them a guru.

39:54I must forgive them.

39:58But I think that.

40:00You say that I am a guru.

40:02I'm a guru.

40:03And you're losing theirheartedness and the rest of it.

40:07They didn't feel like having a lot of pride, But they couldn't sit here and see how they were there.

40:11They had a lot of feeling and there's no feeling.

40:17Well, that was why this was not an art department, they had a title.

40:21And then the teacher said, So that's why I can tell you that.

40:29And you're not so serious, that's why I can tell you that.

40:33In that video, I will start the script writing in the radio.

40:46After that, I will finish the first of the script.

40:51After that, I will finish the script.

40:53After that, I will finish the script.

41:01I will finish the script.

41:02I will finish the first thing.

41:06I will finish the whole script.

41:08After I finish the first part, I will finish the first.

41:08Because I will finish, you will finish it, you will finish it.

41:14You are and you will finish it.

41:16It will finish it.

41:20If you think it will finish the whole script,

41:23you will finish right now.

41:26After all of my friends,

41:27After I said that, I was going to fix the ride, so I was going to write the first script,

41:34and I was going to write the first script.

41:35And we just got to write the second script.

41:38But when I started the COVID script, I was going to start the whole script.

41:44I was going to work with my mother and my family.

41:47My wife and my wife were going to work with my mother.

41:49I was going to go to my door and go to my house and go to my house.

41:55I was going to start the whole script and start the whole script.

42:01I was going to work with my mother and my mother and mother and mother.

42:04I was going to write the first script to my mother.

42:09I was going to write the first script to the COVID ive.

42:11It was a good idea.

42:17This is Gautam.

42:21After the start of the year, it was a good start.

42:26It was a good start of the year.

42:31I was a friend of mine.

42:34I was a co-director of this film.

42:37I was in trials.

42:40I was a trust in the jersey.

42:41I trust that I am 100% of my friends.

42:49Plus, I am a friend of mine.

42:51I am a friend of mine.

42:57But I am a friend of mine.

43:03I am a friend of mine.

43:11And I am a friend of mine.

43:12I am a friend of mine.

43:16I am a friend of mine.

43:17I am a friend of mine.

43:18When I am a friend of mine...

43:22I work as a young man.

43:34I am married.

43:37I was married.

43:39So I don't know if you have a name,

43:41but at the start,

43:44you will be from India,

43:46and you will be from there,

43:47and you will be from there.

43:50Sir, I am family.

43:53I think I have your family.

43:55I have a family in Gershye,

43:56and I have a family that I have to ship,

44:02and then I'll ship you from Hyderabad.

44:03I was going to take a little light-bound and we were going to take a look at my mother's

44:09shoes.

44:10We were going to take a look at the jersey of all of the Hindi shoes in Mumbai.

44:16Sir, I was going to take a look at my wife's shoes.

44:19I was going to take a look at the customer's shoes.

44:24We were going to take a look at the school.

44:27But then, we decided to go and go and run.

44:32I was interested in that but I was interested in what I did.

44:38I thought, OK, but I didn't have any problem with that.

44:44I didn't have any problems in school.

44:46I was interested in that.

44:49I started working on the other family.

44:50So, I think that's a great journey.

44:54Sir, I think that's a great journey in Jersi.

44:57It's also a culture in Masoodha trailer.

44:59But then, we will be in Paradise.

45:04So, I think that's a great journey in Jersi.

45:08I can't tell you what it is. I can't tell you what it is.

45:10That's why I want to say that I'm like, I've been working at Masuda and I have been doing a

45:15lot of work in Jersey time.

45:19I've been doing a lot of work in Masuda and I have been launching a trailer.

45:22Even though it's not a good job, I've been doing a lot of work in my life.

45:28I've been doing a lot of work in Srikanthika and I've been doing a lot of work in Srikanthika.

45:37So, I think that's a great deal.

45:45Great, sir.

45:46Let's talk about the next plans, sir.

45:47Purusha has launched a lot of responses.

45:51The audience has a lot of good news.

45:53So, what are the next plans, sir?

45:55The next plans,

45:57The next plans,

46:04After 2-3 months,

46:06I think that's the right one.

46:09The next plans,

46:12I will be able to learn a new story.

46:15After all,

46:17I will be able to learn a fantasy story.

46:20After all,

46:21I will be able to learn a love story.

46:22I think that's the story about the reason.

46:24I want to talk about this story.

46:27I will tell you about the first thing about the love story.

46:31I'm sure that's the best story.

46:34I'm trying to tell you about the story.

46:34That's the way I work.

46:36If you know the emotion,

46:41and feel the emotion in the road,

46:42and feel the beginning,

46:45I'm trying to learn a lot about this story.

46:47I learned a lot about the IE guide, and I learned a lot about the love story, so I learned

46:59a lot about the love story.

47:00I learned the first and second love story.

47:07There's two stories.

47:09Now, I've written about the Bon Strip.

47:13I'm a big one, a small one, a small one, a small one, a small one, a small one, a

47:21small one.

47:22I'm a big one.

47:24I've given the offer that I've given the offer.

47:28I've written about 6-7 different things with Bon Strip.

47:34I think it's been a long time to create, but I think it's been a long time for many producers

47:38in the industry.

47:40Every year, when I started this year, when I started this year, I started this year in 2016.

47:51Every year, I started this year in December 31st.

47:59Every year I started this year.

48:01When I started this year, when I started this year, when I started this year, I started this year.

48:12That's why I started this year.

48:15Because I started this year, I started this year 20 pages.

48:19I think it's about 50-200 pages, but I started this year as a side page.

48:24I started this year, and I started this year, and I started this year.

48:32So I started this year and started this year.

48:35I was excited to turn my eyes to become the assassin story and the love story.

48:43I started this year and started this year.

48:48I started this year and started this year and started this year.

48:51I started this year since my life was in the city.

48:55You're a comedy fan and you're a comedy fan.

48:59But you're also, sir,

49:01VTV Ganesha and Vennil Kishwar,

49:03but you're a good actor.

49:06If you're doing a mid-range film,

49:10you're a bad actor.

49:12You're a bad actor, sir.

49:13That's definitely easy.

49:17We started a good title card and

49:19we started a good film.

49:21I'm going to play a good banger.

49:22I was in the audience and I was in the audience.

49:24I was a great success.

49:25But I was thinking,

49:26I was curious about how you can talk about this.

49:29I was thinking of being creative,

49:31but I thought it was a bit of a doubt.

49:34I was thinking about that.

49:36They were talking about that.

49:37They were talking about respect.

49:39I think that respect is the way we are in the family.

49:43I think that I'm thinking about that.

49:45I was thinking about that.

49:46I felt that I was feeling a little bit of speed.

49:49But as the director of the Amarayth, they also have a lot of attention to me.

49:56I thought, what I wanted to do, is that we can handle a lot of things.

50:04We can handle it and we can handle it.

50:06We can handle it and we can handle it and we can handle it.

50:11We have a lot of challenges that we have to offer.

50:17I am not a guru, but a disciple.

50:22I am not a guru, but I am a disciple.

50:24Thank you so much Vishnu.

50:26We have a great success.

50:29I hope that Vishnu will reach out to us and be positive.

50:34If you choose, you will be able to reach out to us.

50:36You will be able to reach out to us.

50:39Can you chat to us?

50:41You will know that when our audience is missing,

50:43as we go into town,

50:45let me introduce the theatre to us.

50:50Asking to the theatre.

50:53Give us the hearts to the theatre.

50:58Thank you, sir.

50:59Don't say family's family.

51:03I hope you enjoy it and enjoy it a little bit, and enjoy it a little bit.

51:07I hope you enjoy your family and enjoy it in this summer.

51:14Thank you so much.

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