00:00First of all, welcome to INS.
00:02Thank you so much.
00:04First of all, what was the first reason for FISH-N-A-O-T-O-R-A-M?
00:08Yes, first of all, we are active and active in our work.
00:13The first reason was that we had a very big opportunity.
00:18So, FISH-N-A-O-T-O-R-A-M.
00:20This is true.
00:22But when we got a role,
00:25we didn't have a big role.
00:26We didn't have a chance to play Krishn-Barbhaan.
00:30Aamir Khan, Vijay Varma,
00:32in the interview, his favorite character,
00:35Krishn-Barbhaan, Thakur Ji.
00:37I think that I got the chance.
00:38I believe that you are the same.
00:40You are the same.
00:42Do you think that Krishn-Barbhaan's character played at the time,
00:46was there a big responsibility for you?
00:49Yes.
00:50Thankfully, I didn't feel like I was roleing at that time.
00:53Now, I feel like what has happened.
00:56Now, when the film was released,
00:59I have been feeling like,
01:01I think that our director and team
01:05had so much responsibility,
01:06and we didn't feel like we were able to do that.
01:09We had so much responsibility.
01:10Usually, we have seen Krishna's characters,
01:12we have seen Mahavarat,
01:13we have seen TV shows,
01:14we have seen Krishna's character,
01:17we have seen Krishna's character,
01:28we have seen a lot of people,
01:31and we have seen a lot of people,
01:32and we have seen a lot of people.
01:34When I heard this story,
01:36I was very happy to hear this story,
01:38because my understanding is,
01:40that this aspect,
01:41we don't have to explore this aspect,
01:44and a fresh story.
01:45When I realized that this story,
01:47I was very excited.
01:48I didn't feel like I was conscious,
01:51because we have to guide all the people
01:53that we don't have a wrong decision.
01:56We don't have to prepare our character,
01:58and we have to prepare our character.
01:59We have to be very successful,
01:59and we have to study this character,
02:01and to understand this character,
02:03and to be the right character,
02:04which we deserve,
02:06we have to pursue it.
02:08When Krishna's body language,
02:10the smile, the softness,
02:12and calmness are iconic.
02:14How do you achieve this grace?
02:17I have to say that,
02:19I have seen any character,
02:21and I have seen anyone in the first place.
02:23But,
02:25what I have seen in this film,
02:27and I have seen a lot of texts,
02:29and I have seen this film,
02:30and I have seen the text
02:32about how the sound of God,
02:35the eyes,
02:36the breath,
02:37the breath,
02:38the breath,
02:39the body language,
02:40I have seen all of these books,
02:42and I have studied the workshops.
02:43I have no reference point.
02:45I was very excited to try to copy someone's eyes.
02:53I understood that I would have forgotten the words of the audience.
03:02When the audience saw the appearance of Krishna's appearance,
03:06it will be a comparison to the TV's original Krishna portrayal.
03:10So, do you have a sleeper site before this pressure release?
03:15No, I didn't.
03:17Because, as I told you, when I was preparing this role,
03:21I didn't see it before the show.
03:24And it's ironic that I got this role.
03:27But when I got it, I decided that I will just read all the books
03:30and try to create a book with his body language.
03:36So, when I didn't have reference points, I didn't think I was afraid.
03:41Now, people are comparing.
03:43It's a different thing.
03:45In mythology, there are a lot of acquisitions.
03:48The makers and religions are commercialized.
03:50How do you see this criticism?
03:52Yes, I don't like that.
03:55First of all, I don't want it to be mythology.
04:00I want it to be history.
04:02Because we don't believe it, it's mythology.
04:04It's mythology.
04:05Our history is.
04:06The evidence is.
04:07It's a problem.
04:08If you go to the same country where we were,
04:11then the place we were,
04:13then the place we were covered in the text.
04:17I just want to say that,
04:20we want to do our youth to be trained.
04:23Where there is propaganda,
04:24then I'm very happy that we are going to be
04:33It is difficult to perform emotional scenes in VFX in the heavy environment
04:35when it is not in actual world.
04:41Look, there is a good thing that we tried to make a set.
04:44Of course, VFX was a green screen, but mostly it was a feeling.
04:48Because of the sets, they were made very good sets,
04:51and they were made big sets.
04:52But there is a little skill in our mental and imagination
04:55through our emotional scenes.
04:58The film is tax-free, and now we have a devotional response.
05:01So, what do you think that cinema can influence socially and spiritually?
05:07I think that cinema is the most influential medium in India, even in the world.
05:17There is a lot of responsibility to show this type of cinema.
05:21Our film is not with any propaganda.
05:23It is not with any propaganda.
05:25Because we are propagating ourselves from the world.
05:28And we are trying to help our religion and culture.
05:33So, yes, I do believe that there is a lot of responsibility.
05:35But if there is a responsibility, there is no harm.
05:37Sir, one more thing.
05:39Sir, you would like to know that this film is made in Hollywood.
05:44But there is no comparison in Hollywood.
05:46Because in India, there is no comparison in Hollywood.
05:50So, what do you think about this film?
05:52How much can we compare Hollywood?
05:54If you look at the technical aspects, I think it is incorrect.
05:58Because in the budget there is a lot of difference.
06:00But in terms of the content we are making,
06:03the devotion and intent, I think we are second to not.
06:08Lastly, if Lord Krishna is in the modern world in today's world,
06:12what do you think about the social media generation of love,
06:17ego and dharma?
06:19I think that my bio is on Instagram.
06:25I think that it is true that everyone is saying that
06:28it is true that it is true that it is true that it is true that it is true that
06:34it is true that it is true that it is true.
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