- 8 hours ago
Western Drama
Category
📺
TVTranscript
00:03scenes.
00:30Use family against you.
00:32I had a son.
00:33Find the prison officer's family.
00:35You think these people are going to come after us?
00:38Someone's there.
00:39It's too late.
00:41Go to the destination.
00:42Say Tibor sent you, and you want to see Sebastian.
00:45We're going to need cash to make it to London.
00:47You killed him.
00:48We killed him.
00:50You know what it takes to survive.
00:52You will have to decide how much blood in your hands you can live with.
01:15It's okay, Gorgeous.
01:17Let it out.
01:20Let it out.
01:30Let it out.
02:00Let it out.
02:06Our turn.
02:18Can I help?
02:20I hope so.
02:21I'm looking for a man.
02:22Five foot nine, brown eyes, dark cropped hair.
02:25He may have come in here with a young woman.
02:27Love.
02:28Love.
02:30Well, sorry for you.
02:32Been there myself.
02:33Trust me.
02:35But what people do in that room, well, that's their business.
02:38All right?
02:40So he's here.
02:44Let me guess.
02:46Paneer, tikka, bangan, bata, and a masala chai.
02:51What do you have?
02:51What do you know?
02:52What do you know, though?
02:54Oh.
02:54I don't know.
03:34Food's here.
03:38He said he'd call us when it arrived.
04:00Police. Shots have just been fired at the Sandman Motel.
04:03If we can't trust him, it's you. We can't trust him.
04:05Get the money.
04:45Oh my God.
04:50I just don't want to trust him!
04:54I was told to die.
04:54You'd love to die.
04:54I've been a sick boy
04:54I saw it.
04:54Oh, my God.
05:44Oh, my God.
06:01Oh, my God.
06:24This is a police service.
06:26Are you able to give me more information?
06:29Hello, sir?
06:30Can you hear me?
06:32We are sending a response team to your location now.
06:34There you are.
06:35Walker, move!
09:41Hello?
09:47Hello?
09:51Whoa.
09:53Whoa.
09:54Chibor sent us.
09:59Just, just...
10:01Sebastian.
10:03We're here to see Sebastian.
10:06Yes?
10:11Can't be too careful.
10:14Can't be too careful.
10:43Michael wants to handle the merchandise with his bare hands
10:46Make sure it's real
10:49Okay
10:51Your old man always used to handle the face-to-face
10:53People used to deal with it
10:56I can handle it
10:58Set it up
10:59Already have
11:01I'll be doing the talking
11:03This is the big one after all
11:04Just letting you know out of courtesy
11:10Well, I need just a picture of efficiency
11:13Passing messages along like a champ
11:23Just the man
11:27How's it all going?
11:30Everything's fine
11:31But there's been a change
11:35Tebbet's gone
11:36Campbell's put me in charge of the investigation
11:40Well, congratulations, Will
11:42No excuse for not finding them now, eh?
11:50What?
11:50Well, I have all Glazen
11:52You're my kid
11:52Oh, no
11:55Never mind
11:56What?
11:56No
11:57No
11:58No
11:58No
11:58No
11:59Yeah
12:14No
12:14I don't know.
13:05Nancy, it's me.
13:08Boss?
13:09I need a favour.
13:12He was suspended.
13:13This case has taken everything, my marriage and now my career.
13:16If you think I'm a Pegasus mole, you should hang up right now.
13:20Oh, I see Campbell's crew is still camped to her side.
13:24Nancy, seriously, how long have we known each other?
13:30What can I do?
13:33Pavel Ivanov, the renewable energy engineer that Stone got out of Belarus.
13:38He was developing high-heat-resistant polymers for wind turbines.
13:42I'm not sure I'll follow you.
13:44That's the kind of material designed to withstand exposure to extreme temperatures without warping.
13:49Do me a favour.
13:50See if it matches what the weapons on that drone are made of.
13:53I'm on it.
13:53Good girl.
13:55How's the team?
13:56All over the place.
13:57I'm preparing a briefing on Amartold.
14:00Full background check.
14:01The works feels like a wild goose chase.
14:04Who was there?
14:06O'Neill.
14:08O'Neill.
14:10O'Neill.
14:25No, you're not doing that.
14:27Going what?
14:28You're not killing whoever's in that lorry so you can steal it.
14:30Well, you have a very low opinion of me.
14:33Actually, I was going to pay them to take us to London.
14:35That's just going to make him ask questions.
14:36Well, I need more insulin soon, so I would better come up with something.
14:40Okay, so we just talked to him.
14:41We appeal to his better nature.
14:44I'll do it.
14:47Give me your hand.
14:49Don't say a word.
14:50It's all yours.
14:51Hi.
14:52Hello?
14:54Hi.
14:55Sorry.
14:55We've just gotten into an accident a few miles back.
14:58Just wondering if you can help us.
14:59I'm not the A.A., love.
15:01Our phones are fucked.
15:03We need to get back to London as soon as possible.
15:06No taxi either.
15:08Maybe you're a good Samaritan.
15:20You all right, love?
15:23Not really.
15:24No.
15:25I need to get back to London.
15:26I need to get to my daughter.
15:30This is her.
15:31She's six months old.
15:36It's a different fellow in picture.
15:43Yeah.
15:46Yeah.
15:47You're right.
15:50Okay, I'm a prison transport officer.
15:52I need to get this man back to London.
15:54And the only reason I'm doing any of this is to get back to my daughter.
15:58My name is Amber.
15:59What's her name?
16:00What's her name?
16:01Paul.
16:01Paul.
16:02Okay.
16:02Great to meet you, Paul.
16:03Five grand.
16:04I said I'd handle this.
16:05We're out of time.
16:07Half now, half when we get there.
16:09But we need to leave immediately.
16:14Sure.
16:14I'll leave.
16:22No stops.
16:24No questions.
16:35It's nothing to sit on.
16:37I've just come back from my job.
16:41Take these.
16:43My granddaughter gave them to me.
16:45It's better than sitting in dark, yeah?
16:50Right.
16:51Okay, then.
17:08Better nature up my ass.
17:10He was about to take us.
17:11Rice.
17:12He was.
17:14Seems kind.
17:16Well, your...
17:17Sub-story didn't work.
17:20You may seem kind, but fate is what moves it.
17:25You must write it.
17:28You must write it.
17:39You must write it.
17:41Oh, my God.
18:11Hope you sleep well.
18:12Yeah, thanks.
18:13Something smells good.
18:15Won't be ready till lunch.
18:19There is a fresh pot of coffee.
18:21Yeah, I'll take some coffee.
18:24Do you mind if I make a bottle up for the baby?
18:26She'll be awake in like ten minutes or so.
18:29Like clockwork, aren't they?
18:31Yep.
18:36Little clockwork terrorists.
18:44So you got caught up with Tibor?
18:46Yeah, I mean, we've never actually met, but...
18:50I'm sorry, how do you know him?
18:54We go way back.
18:56But I haven't seen him in years.
19:01Milk?
19:02Sugar?
19:03To smoke.
19:05Please.
19:07So, um...
19:12Uh, who's Sebastian?
19:21Just an empty bone I used to use.
19:26Silly Sebastian.
19:28Whenever one of us would do...
19:32something silly.
19:57I don't know about you, but the question I'm asking myself is...
20:01who is Amber Todd?
20:07Never an officer's dying...
20:08when that convoy was hit, yet she got stoned out that tunnel...
20:11like she was dancing through raindrops.
20:15So is she one of us...
20:17or another one of them?
20:21Now, Nancy's put together a brief...
20:22that you all should have received by now.
20:25Use it.
20:27Now, we have two days to put Tibor's stone on the stand.
20:32We need to move fast.
20:34Let's get to work.
20:54Do you really believe that about Todd?
20:59You want it fresh thinking?
21:00Okay.
21:00You want it fresh?
21:17Anil?
21:18He wants to see you.
21:40Three minutes.
21:49You're taking a big risk asking me to come here.
21:52One of my people was in police custody.
21:54She was caught with a firearm.
21:56Nina drag us.
21:57I need you to get her out.
22:00That's impossible.
22:03You asked me to put strings on that, I could expose myself.
22:06I'm in charge now.
22:08You've got me exactly where you want me.
22:10Don't risk it.
22:10You told me what to do.
22:13I need her released.
22:17Why?
22:18Who the hell is she?
22:19An asset.
22:22She paralyzed one of my men when she was just a kid.
22:26He put his hands on her.
22:27Well, he tried to.
22:29She was with a group of workers we were bringing into the country.
22:32I think the word is trafficked.
22:38I've always had a knack for spotting raw potential.
22:41So I had Tiba Stone take her under his wing.
22:44Show her the ropes.
22:45She knows him better than anyone.
22:47There's no one else who can get close to him.
22:50Set her free.
22:52Locate Stone.
22:55She'll finish the job.
22:58Back on.
23:07How's your wife?
23:10Is she getting the treatment she needs?
23:12It's because I know how expensive that can be.
23:15You don't bring her into this.
23:16I didn't.
23:20You did.
23:21That's exactly my point on potential.
23:25When we discovered your wife's diagnosis, I knew right away that you'd do anything to save her.
23:37Here we are.
23:39Family is everything, isn't it?
23:43Anita and Saffron.
23:47I've done everything you've asked.
23:51I can deliver you, Stan.
23:52That's all.
23:54Enough.
23:55No more.
23:56I thought you'd say that.
24:01Check your phone, Will.
24:12Pretty young girl, your daughter.
24:15Fuck.
24:16Get Nina out.
24:17Use the NCU to locate Stone, and she'll handle the rest.
24:28I say you win, it's enough.
24:41Broker Breaker?
24:42Anyone got their ears on?
24:45Bit of company never hurts.
24:49This is Longshot.
24:50How you doing, ma'am?
24:51A fellow rogue ghost.
24:53Longshot, this is Midnight Rambler.
24:56Good to meet you, Rambler.
24:58Heading anywhere exciting?
25:00Nothing exciting about a northbound run with a trailer full of pallets.
25:04Who?
25:05I dare you believe me even if I told you, ma'am.
25:08Try me.
25:08Okay.
25:25So, where does this strong moral compass of yours come from?
25:29You mean the one that makes me uncomfortable killing people with my bare hands?
25:37Freud had a theory.
25:40Psychodynamics.
25:42Individuals may develop strong moral principles as defense mechanisms against their parents' behavior.
25:50Was your father a criminal, Amber?
25:52Is that what made you this way?
25:55I prefer Albert Mandura's social learning theory.
25:59If a child frequently witnesses law-breaking, being rewarded, or going unpunished, they may come to view such behavior as
26:06desirable.
26:07Was mommy a serial killer?
26:15This is fun.
26:19Oh.
26:29Oh.
26:35Oh.
26:38Oh.
26:46Oh.
27:06no no no no no i'm not with the team who attacked you if i was i'd have turned up
27:12with more than
27:12stolen case files in me dick in me hand i know you yeah my name is alex tebbett we spoke
27:18on the
27:18phone two days ago your ncu yeah well i was they think i'm the mole responsible for the attack and
27:27you and todd's family and a prison van look i need you and your team to help me can i
27:31come in
27:32they kicked you out and you think i'm gonna trust you i swear to god i'm offering you a chance
27:40to
27:49help save their lives
27:49tell them what you told me will o'neill the man that took my job is setting up your friend
28:00what makes you think he's bent
28:01one the intel that made us move stone early came from o'neill's department
28:06two o'neill was one of the few people who knew where ollie and mia were and three my sources
28:12told
28:12me he's feeding the ncu a lie that amber's working for pegasus by making her the suspect he can focus
28:18resources on investigating her on hunting her down he keeps their attention elsewhere while
28:24these ships intel to pegasus if o'neill is the mole then breaking it might be the only way to
28:30get
28:30amber back okay how do we break him then he'll want to interview you about amber and when he does
28:37bosh we prove his connection to pegasus by getting into his phone whoa whoa whoa just wait a second
28:43yeah that's a criminal defense film i know look i've heard what he says and i'm convinced i'm in
28:50but i'm not expecting any of you to put yourselves at risk if you're in i'm in what do we
28:55do when he
28:56interviews yeah you're distracting we can talk bollocks for five minutes while you nick his phone
29:07it's called storytelling and it's an art form are we really doing this amber yeah we are and joe
29:18we need to make these bastards pay breaker breaker this is midnight rambler so listen i just called a
29:26mate someone's been putting a word out they're looking for a man and a woman same as the pair you
29:31picked up
29:36he'll give you a hell of a lot more than five grand if you hand him over
29:41how much more
29:42how much more
29:51it's
29:51but it's not
29:55it's not
29:56it's not
30:05it's not
30:06it's not
30:09it's not
30:12Nina's still in custody.
30:14Well, we need to fix this.
30:15No, the adults are handling it.
30:18Her value is declining.
30:20How many times is she going to let stone slip through her fingers?
30:23Huh?
30:24She's becoming a liability.
30:29It's a little muck.
30:30What?
30:31Keep your mouth shut.
30:45Mikhail.
30:53Rough your days, huh?
30:55Some of us have to get our hands dirty every once in a while.
30:58Nice place.
31:01Are these originals?
31:03I'm into art.
31:05I'm into money.
31:06This is Harrison's son.
31:08Declan.
31:10How's your father?
31:11Yeah.
31:11Yeah, fighting the good fight.
31:16This is the future of absolute power.
31:21It's a next-gen plastic polymer.
31:23Stronger than metal, so it doesn't warp under heat.
31:27And?
31:28It fires repeat rounds.
31:33Try it.
31:36It's completely untraceable.
31:39Dismantled, they'll easily pass through any metal detector.
31:42Perfect for international shipping.
31:44If you catch my drift.
31:46Thank you for that, Declan.
31:50How many have you manufactured, and will they be ready for the day of action?
31:54We have 2,000 ready to go for the UK market.
31:56Another 10,000 ready by Friday for your European clients.
32:00Don't jump ahead of yourself.
32:02You assure me of more certainty about Harrison's release.
32:06My clients don't need to be connected to this highly publicized criminal investigation.
32:12Mr. Dempsey will walk.
32:15And if he doesn't, you can always close the deal with me.
32:19With respect, you're not your father.
32:22Harrison Dempsey is Pegasus.
32:25That's why I deal with him, and only with him.
32:29Well, that seems a little old-fashioned.
32:32With respect.
32:35Please.
32:37Please, ignore the boy.
32:38We are here to show you why you shouldn't be shopping anywhere else.
32:42The deal will not go through until Mr. Dempsey is released.
32:47Which he will be.
32:56Excuse me, Jackson.
32:57Of course.
33:04You're embarrassing us.
33:05Me?
33:06You're a fucking weak link.
33:08Begging for a deal that's already been done.
33:09We should be naming our fucking price.
33:11I'm going to show you the ropes, because that's what your old man wants.
33:13If you spook Mikai out and this deal falls through, we lose millions.
33:16Right, sort of, please, please, do me a favor, you silver spoon prick.
33:20Just shut the fuck up.
33:30Spook, where are you there?
33:31Told you they were powerful.
33:43Keep the gun, and I'll pay for the couch.
33:51I'll tell to my clients to have a little bit more patience.
33:55And I'll reach out to my European contacts.
34:02I'll reach out to my clients.
34:10I'll reach out to my clients.
34:11Some lorry driver's given us the location of Stone and the prison officer.
34:15Just when I thought my day couldn't get any better.
34:17Is Nina out yet?
34:18No, but the boss is on it.
34:20Okay. I'll deal with Stan myself.
34:27Here we go.
34:29Hello, everyone. Thanks for coming.
34:32Now, I don't need to look so worried.
34:35I just need to ask you all some questions,
34:36and as long as you're straight with me, there shouldn't be any issue.
34:43Miss Buckley, I'll start with you.
34:47So, phone's in here, please.
34:54Amber's in a lot of trouble, and I need to bring her in.
34:57I know the two of you qualified together.
35:00You care about her.
35:02Ollie and Mia, too.
35:04I need to locate her before something happens that can't be undone.
35:10Besides Ollie, all the people that she trusts are out there.
35:13I've no idea where she is.
35:22Freud also wrote an essay about grief of loss.
35:26Mourning him melancholia.
35:30And?
35:33How did your son die?
35:35What?
35:37Your son.
35:39I...
35:40I was lying about that.
35:42I never had a son.
35:46But you told me about him.
35:48I told you what you wanted to hear, Amber.
35:50I needed you to trust me.
35:52See, the moment I said dead, Jai, you create a backstory for my behavior.
35:58You let your guard down.
36:00So I tell you about Mia.
36:01So you'd have something to use against me.
36:04You needed something to cling to.
36:06That's what makes you so profoundly, predictably human.
36:13There is nothing redeemable about you.
36:21Tell me where Ollie and Mia are.
36:25The point of a safe house is not giving out the address.
36:28Tell me where they are.
36:29Calm.
36:29Tell me where they are, you fucking safe about!
36:31No!
36:33Listen to me.
36:34We agreed.
36:36You'll see your family after you get me to the old building.
36:40So you're keeping them hostage?
36:43I'm the only thing keeping them alive.
36:46Me and the person I sent them to.
36:52You should be a little more grateful.
37:22Marcus.
37:23Yeah?
37:24Shut up.
37:25Yeah.
37:27Yeah.
37:30Mate, um, it's a long shot, but, you know, I was thinking of the community, I just wondered,
37:35how did you land this gig?
37:37Good CV.
37:38Good CV.
37:39Yes.
37:41Mr. Razuma.
37:44Let's go.
37:47Yeah, I suppose you've got, like, qualifications coming out of your ears.
37:52Start the half with the police?
37:53Yeah.
37:54Have a CID for it.
37:55Oh, wow.
37:56CID.
37:58Cool, well, that basically changes our complexion.
38:01They're obviously looking for real skill.
38:04That's cool, that's cool, yeah.
38:06Fresh.
38:07Really?
38:08Is that what?
38:10I've got too much paper on here.
38:12It's changed.
38:14I mean, some of them might be done.
38:16Yeah, between studying the baby or what, um, I don't know how she does it.
38:23You see me?
38:23I can barely keep a pot plant alive.
38:25You know what I'm saying?
38:27It's mad, isn't it?
38:27I can see.
38:29All right, yeah, it's changed.
38:30Don't let it love me.
38:32It's a lovely view.
38:34It's a nice place to be in here.
38:37It's what we've seen.
38:38It's mad.
38:38It's mad, isn't it?
38:39What about her mother?
38:42What about her?
38:44Oh, I'm sure it's a...
38:46Oh, I'm sure it's a...
38:46You being the tight-knit unit you are, that she would have told you that her mother's incarcerated in Westhorn
38:53Prison for armed robbery.
39:07I'm...
39:09I'm...
39:10Yeah, yeah.
39:11Yeah, I know, of course.
39:13You're lying, Jamal.
39:14She kept it from you, didn't she?
39:24Are you sure that's the only thing she's hiding?
39:41I mean, honestly, you think you know a person, right?
39:48Look, you share the same scrapper carpet at work, you know, Secret Santa, which is me, by the way.
39:56Got her this really nice handmade paper dove.
40:00Where is she, Jamal?
40:01It's gone live over there.
40:02Folks are, it's actually...
40:03Where is she?
40:13I don't know.
40:22Mr. Hawkins?
40:25You know, well, I...
40:26You know, I just...
40:27I...
40:29You're talking me through all this.
40:31Colin, do you know what?
40:31I think I might just throw this.
40:33Throw my hat in the ring, I'll give the application.
40:35Go for it.
40:35Do you know what I think?
40:36Good luck.
40:37We won't cut out.
40:37What's the worst thing?
40:38Go for it.
40:39Yeah, you're worried about you.
40:40Great.
40:41You're talking to me.
40:42Oh.
40:51Uh, uh, excuse me.
40:54You okay, sweetheart?
40:57I'm sorry for all the missed calls.
40:59I just...
40:59To be good.
41:00I wanted to hear you voice.
41:02Yeah.
41:04Yeah.
41:25Have we arrived?
41:28This isn't one, then.
41:37Yeah, it's me.
41:39I'm here.
41:39What the hell?
41:48What are you doing?
41:49What's wrong?
41:50I need my shot.
41:54Paul!
41:55Paul, are you there?
41:57Come on, talk to me, Paul.
41:58Please, it's not too late.
42:00Just let us go.
42:02I can't.
42:02Come on.
42:03They will kill you.
42:05What's up?
42:05Listen, we can help you, Paul.
42:07Okay, we can help you, but you have to let us go right now before they get here.
42:16They've been told to give this to you.
42:20Hello?
42:21You okay?
42:22Fine.
42:24Sorry to let you down.
42:26You're getting another shot.
42:28I have a location for you.
42:30We got you, Paul?
42:31We got it.
42:32You're being released.
42:33No charge.
42:35Let's not have this conversation again.
42:37No loose ends.
42:39Understood.
42:41You're my most valuable asset, Nina.
42:43Now I can count on you.
42:45The things we're going to do together.
42:51Now give back the phone.
43:01Listen to me.
43:02Listen to me.
43:02You made a mistake, but you can fix this, okay?
43:04If you don't, we're all dead.
43:06Unlock the door.
43:08They put the payment 50 grand to hand you over.
43:12You are never going to see that money, Paul.
43:14Okay?
43:15It's not how these people work.
43:16I've seen what they're capable of.
43:20You are better than this.
43:24You are better than them.
43:26You don't know me.
43:27You don't know me.
43:28My job is dealing with criminals every fucking day.
43:31I know I'm a decent person when I see one.
43:33Fuck the money.
43:34Don't you want to see your granddaughter grow up?
43:36Oh, God.
43:46Oh.
43:48Oh.
44:01Wait, wait, wait, wait, wait, please, please don't, please.
44:05The fuck is this?
44:09Set him up.
44:11Do it.
44:13Fuck, silly.
44:15Please don't.
44:16I have nothing to, please, please, just let me go.
44:18Oh, please.
44:22Jesus, shall I make us all a cup of tea while we wait?
44:39Come on.
44:46Come on, come on, come on!
45:11What's this then?
45:18Okay, that's not for us.
45:25Sebastian.
45:28You found him then?
45:33Yeah, sorry, I'm...
45:36It's fine.
45:39Was he, uh, a relation?
45:44My husband.
45:47Kibo's father.
45:50Um...
45:51I'm so sorry, I...
45:53Don't be.
46:04He was a virus.
46:06He had to go.
46:10Kibo and I killed him together.
46:18Food's ready.
46:20I'm so sorry.
46:45I was like, honey.
46:56why didn't you wait for me i thought you were locked up this wasn't the moment to prove yourself
47:02how did the meet with michael go did you show him the product
47:08yeah it was a successful test
47:12where's miles are you fucking serious look it worked okay the car says his clients will wait
47:23for us so as long as the old man walks then we're all set and then what what do you
47:29mean
47:31you're smarter than people think but you can't do what i do that's why you'd make good partners
47:45yeah harrison will never let me run anything so your father doesn't see you but i do
47:51we kill tibor we take our share of the michael deal we set up our own
47:55fuck pegasus fuck harrison you and me
48:11all right
48:29the fridge
48:35insulin there
48:41give me the address give me the address give me the address of the safe house first
48:49i want my family back
48:53i want my family back
48:58g l three
49:02a x y
49:04g l three a x y
49:07yes
49:08you see
49:11you're learning
49:18no no no no no no no no no no no no no
49:20T-Bar! T-Bar! T-Bar!
49:29Okay. Here we go.
49:32You're gonna be fine.
49:33You're gonna be fine.
49:35You're gonna be fine.
49:38Okay?
49:41Fuck!
49:42Oh, fuck! T-Bar, please!
49:45Please! Please!
49:48T-Bar!
49:50You're gonna be fine.
50:40You're gonna be fine.
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