- 9 hours ago
Man About Town 1939
Category
π₯
Short filmTranscript
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00:02:10Was you calling me, Mr. Temple?
00:02:14Oh, I'm terribly sorry, Rochester.
00:02:17I didn't mean to disturb your nap.
00:02:18Oh, that's all right, boss. I can get right back to where I was in no time.
00:02:23Well, while you're up, I'm gonna let you in on a little secret.
00:02:26Somebody's been ringing that doorbell,
00:02:28and I'm getting awfully curious about who it can be.
00:02:31Now, do you think you might find out?
00:02:32Oh, yes, sir, Mr. Barth.
00:02:35You know, even under the Wagner Act,
00:02:36it's the butler who answers the door, not the employer.
00:02:41Beg pardon, a radiograph for Mr. Temple, sir.
00:02:44Say that again?
00:02:45Radiograph for Mr. Temple.
00:02:47Boy, what an accent you got.
00:02:57Hey, I played that pretty well, didn't I?
00:02:59Uh, it's a radiogram for you, boss.
00:03:02Well, open it. It might be important.
00:03:03And I still say I played it pretty well.
00:03:13Uh, surprise. We beat it by a day.
00:03:17Try to meet us at boat train, arriving 5.30.
00:03:20Love from your entire cast and me too, Diana.
00:03:23Diane.
00:03:24P.S.
00:03:24Hey, give me that.
00:03:26P.S.
00:03:27How about tickets for two for good musical comedy tonight?
00:03:29Rochester, you know what this says?
00:03:31Sure I know. It says the show has arrived.
00:03:33The show has arrived? You missed the whole thing.
00:03:35It says she loves me.
00:03:36Who loves you?
00:03:37Diane, Miss Wilson.
00:03:38Can I see that again, boss?
00:03:40Sure. Go right ahead.
00:03:42It says love from your entire cast and me too.
00:03:46That don't mean nothing.
00:03:48Is that so?
00:03:49She said the entire cast so she wouldn't look too forward.
00:03:52I'm afraid you don't know much about women, Rochester.
00:03:54Well, I certainly knows the difference between I could go for you and how are you.
00:03:58Oh, yeah?
00:03:59Well, how about her wanting to see a show with me the very first night she's in town?
00:04:02Doesn't that prove anything?
00:04:03Sure. Prove she wants to see a show.
00:04:07Go get me my hat and coat.
00:04:08Yes, sir.
00:04:09And it's the last time I sign a butler to a seven-year contract.
00:04:20A great comedian, a great manager, and a great friend.
00:04:30Why don't you knock before you come in?
00:04:32What are you doing, keeping a diary?
00:04:35And roger, sir, I want dinner served for two in this room at seven o'clock.
00:04:38Yes, sir. What shall I order, the regular dinner?
00:04:41Regular dinner?
00:04:42Use a little imagination, Rochester.
00:04:44What would you order if you wanted to make an impression?
00:04:46Well, how about fish and chips and a couple of bottles of gin?
00:04:50Fish and chips and a couple of bottles of gin.
00:04:53Rochester, I want to make an impression on a girl, not a bunch of sailors.
00:04:56Well, uh...
00:04:57Now, look, I want the caviar, uh, champagne.
00:05:00Tell the waiter it must be at least a year old or it goes right back.
00:05:03Yes, sir.
00:05:03A lobster, grenadine of beef, and a nice green salad.
00:05:06I'll order the dessert later.
00:05:09And I think you'll admit it's a little bit better than fish and chips.
00:05:12Okay, Mr. Bob, you live your life and I'll live mine.
00:05:16That's a deal.
00:05:21Good evening, Mr. Temple.
00:05:23Good evening.
00:05:23I'd like to get two good seats for the casino review tonight.
00:05:25Certainly, sir. I'll have them for you.
00:05:27Fine. First row centre, if possible.
00:05:29Yes, sir.
00:05:29How's the weather outside?
00:05:31Oh, the fog's lifting, sir.
00:05:32Well, that'll be something.
00:05:33You know, I've been in London two weeks and haven't seen the sun yet.
00:05:36Where do you keep the sun here? In the British Museum?
00:05:39It's rather unusual weather.
00:05:41You should have been here last year.
00:05:43Should have been here last year.
00:05:43I know. They give me the same talk in California.
00:05:58Oh, excuse me.
00:06:00Will you get me a taxi right away, please?
00:06:01Oh, I'm sorry, sir, but I'm afraid you'll have to wait a bit.
00:06:04There aren't very many running on account of the fog, sir.
00:06:07Why? They told me inside that the fog had lifted.
00:06:09Only up to the ankle, sir.
00:06:10Oh. Then I won't need my rubbers.
00:06:13No, sir.
00:06:14Is it much of a walk to the station?
00:06:15I have to meet the American boat train.
00:06:16It's about a mile, sir. Straight ahead.
00:06:18Oh.
00:06:19Then all I have to do is follow my nose.
00:06:21If I can find it.
00:06:39Pardon me.
00:06:39Hey, can you tell me how far it is to the station?
00:06:41About a mile straight ahead.
00:06:43Oh, it's you, sir.
00:06:45Yes, it's you, too.
00:06:46Oh, so it's still a mile, eh?
00:06:48Yes, sir.
00:06:49Well, at least I haven't lost any ground.
00:06:56So this is London.
00:06:58Well, I guess there's no use waiting, Ted.
00:07:00Bob probably couldn't get through the fog.
00:07:03Lucky I kept those cabs.
00:07:05All right, everybody, let's get in these cabs.
00:07:07Remember, the Royal Hotel.
00:07:13Pardon me, which way is the railroad station?
00:07:15Straight ahead, sir.
00:07:16About three miles.
00:07:18Three miles?
00:07:19How do they ever move it in this fog?
00:07:26Thank you, Rochester.
00:07:28He ought to be here any minute, Miss Diana.
00:07:30I guess he lost you in that fog.
00:07:33I suppose Mr. Temple's been quite busy these last couple of weeks.
00:07:35Oh, me and him's been powerful busy.
00:07:38Mighty lucky we come on ahead.
00:07:40We've had to arrange for the theater and get the labor licenses.
00:07:44I still don't see why we ever brought the show over here.
00:07:47We was doing all right in the USA of America.
00:07:51I know, but it's certainly worth taking the chance to be internationally famous.
00:07:54Money isn't everything, Rochester.
00:07:56You must have heard that before.
00:07:57Oh, I've heard it before, but I still ain't convinced.
00:08:10Hello.
00:08:17Hello.
00:08:17Has there been any publicity on the show, Rochester?
00:08:19Oh, no, Miss Diana.
00:08:21Nothing in the papers.
00:08:22Just word of mouth.
00:08:23I mentions it to Mr. Bob, and he mentions it to me.
00:08:27Well, that's something.
00:08:31Diana!
00:08:36Bob!
00:08:41Gee, you look wonderful from down here.
00:08:43A gentleman always rises when there's a lady in the room.
00:08:47Yeah.
00:08:51Hey, you want to know something?
00:08:54You look wonderful from here, too.
00:08:57You don't look bad yourself.
00:08:59I've got half a notion to kiss you.
00:09:00Well, I got the other half.
00:09:10Hey, were my lips way up there?
00:09:14Gee, I'm sorry you missed us at the train.
00:09:16I'm sorry, too.
00:09:17I had an awful time not getting there.
00:09:20Oh, by the way, I've got those two tickets for the casino review tonight.
00:09:23First row of center.
00:09:27Thanks.
00:09:28Ted and I are just dying this evening of the show.
00:09:32Oh, you had planned on going with Ted?
00:09:35You wanted us to get some English atmosphere, didn't you, for the show?
00:09:39Well, yes, yes, and that's very thoughtful of you.
00:09:42And Ted, too.
00:09:44You know we'd do anything to help you put this show over.
00:09:48Oh, I didn't know I was so popular with my cast.
00:09:51I don't see why not.
00:09:53You know, Bob, you're really a pretty grand person.
00:09:56In fact, sometimes I wonder why I don't fall in love with you.
00:09:59Yeah, you know, I've kind of wondered about that myself.
00:10:02Oh, but we'd never make a go of it.
00:10:04I'm silly and romantic and you're so solid and respectable.
00:10:09Oh, but look, Diana.
00:10:11Gee, I don't have to be so respectable.
00:10:16Bob, you couldn't be anything else but.
00:10:21Rochester.
00:10:29Uh, did you want me to pick this hat up, boss?
00:10:32No, Rochester. I like it just where it is.
00:10:36Yes, sir.
00:10:41Hello, Rochester.
00:10:42Why, I'm Mr. Ted.
00:10:44Hiya, Bob.
00:10:45Welcome to Mary England.
00:10:47How's the big impresario?
00:10:48Oh, fine, fine.
00:10:49Did you have a nice trip?
00:10:50Did I?
00:10:50Four whole days on the boat with the most beautiful girl in the world.
00:10:53Mm, and that's not all.
00:10:54Tonight you're gonna take her to a great show.
00:10:56I got you those tickets.
00:10:57Yes, I've got them right here.
00:10:58Well, thanks.
00:10:59That's swell.
00:10:59How much do I owe you?
00:11:00Oh, no, no.
00:11:01This one's on me.
00:11:02What time do we start rehearsals?
00:11:03Tomorrow afternoon, right after lunch.
00:11:05And it's a dress rehearsal.
00:11:06Don't forget, we open next Monday.
00:11:08Good.
00:11:09So long, Bob.
00:11:10So long.
00:11:11Have a good time.
00:11:12Don't stay out too late.
00:11:15Good evening, sir.
00:11:16Where shall I arrange the tables, sir?
00:11:18The tables?
00:11:20Oh, the tables.
00:11:21The tables, yeah.
00:11:23Right over there.
00:11:25Ah, dinner for two.
00:11:28Is she nice, Bob?
00:11:29Who?
00:11:30Oh, she.
00:11:31She, yes, she's lovely.
00:11:32Lovely.
00:11:32Remember, I won't let anything serious happen unless I approve of her.
00:11:36Let him alone.
00:11:37Any girl is safe with Bob.
00:11:38So long.
00:11:39So long.
00:11:40See you tomorrow.
00:11:56Shall we wait and serve, sir?
00:11:58No, my man will serve.
00:11:59Very good, sir.
00:12:03Rochester, who told you to order all of this?
00:12:06You did, boss.
00:12:07Since when are you taking orders for me?
00:12:11Brought me everything but the girl.
00:12:14Two million dollars worth of caviar.
00:12:16Put that in the vault.
00:12:19Sure gonna be a shame to waste all this good food.
00:12:21Yeah.
00:12:24I think maybe I could kinda go for some of this myself.
00:12:27Get away from there.
00:12:28I'll find somebody to eat with me.
00:12:30Solid and respectable.
00:12:31I'll show her.
00:12:32You better show her fast, boss, or this stuff's gonna get awful stale.
00:12:36Hey, wait a minute.
00:12:36We've got chorus girls on this show, haven't we?
00:12:38You ain't gonna feed all this food to a chorus girl and me standing here practically starving, are you?
00:12:42Wait till I get one of those good-looking babies up here.
00:12:44Maybe that'll wake her up.
00:12:46Hello?
00:12:48Operator, connect me with Miss Susan Hayes, please.
00:12:51She's probably not in, I hope.
00:12:53Hello?
00:12:53Oh, hello, Susie.
00:12:55How are you?
00:12:55This is Bob.
00:12:57How about coming up and having dinner with me?
00:12:59Lobster, champagne, caviar, the whole works.
00:13:02Why, I'd love to, Bob, but I'm awfully tired.
00:13:05Really, I am.
00:13:06That was a long trip, you know.
00:13:08Oh.
00:13:09Well, of course, I understand.
00:13:11How about one of the other girls?
00:13:12Well, I'll see.
00:13:14Any of you kids want to have dinner?
00:13:16Champagne, caviar, and lobster.
00:13:18Sure.
00:13:19Who is it?
00:13:20Bob Temple.
00:13:22Oh, that's like going out with your Aunt Tilly.
00:13:24And with a chaperone yet.
00:13:26I'm sorry, Bob, but they're all out to dinner, except Myrtle and she's asleep.
00:13:31Hmm.
00:13:32Well, all right.
00:13:34Some other time, maybe.
00:13:44Well, what are you waiting for?
00:13:46Why don't you sit down?
00:13:47Yeah, man.
00:13:59Too solid and respectable.
00:14:01Just because I was brought up like a gentleman.
00:14:04I'll show her I can be just as big a cat as anybody else.
00:14:07If I wanted to pick up a strange girl...
00:14:21Why, Lady Trumbly, how are you?
00:14:28Hmm?
00:14:30I said, Lady Trumbly, how are you?
00:14:36Oh.
00:14:37Oh.
00:14:41I'm sorry, but I think you all must have made a mistake.
00:14:46Not, Lady Trumbly.
00:14:47Don't tell me there could be two women as beautiful as you.
00:14:53I'm sorry, but...
00:14:55Oh, I beg your pardon.
00:14:56You see, I'm Bob Temple.
00:14:59Not THE Bob Temple.
00:15:05Well, I suppose you could call me THE Bob Temple.
00:15:09You see, I met Lady Trumbly when she was in America last year.
00:15:13In Lake Plissid, I believe.
00:15:15Oh, that couldn't have been me.
00:15:16I went in Palm Beach.
00:15:20Oh, Palm Beach.
00:15:21Well, you've got quite a burn.
00:15:26Tell me, have you ever considered going on the stage, Miss...
00:15:30Uh, Miss, uh...
00:15:33Marshmallow.
00:15:34Hmm.
00:15:36No, I haven't.
00:15:37And you flatter me to death.
00:15:39Well, you know, the stage needs women like you, Miss Marshmallow.
00:15:42You interest me, Mr. Temple.
00:15:43Won't you sit down and rest your dogs?
00:15:46How vulgar.
00:15:48Well, how was I, Rochester?
00:15:50You can't miss Mr. Temple.
00:15:52Boy, that was a performance.
00:15:55Oh, no. That was just a rehearsal.
00:15:57Tonight, I'm going out and give a real performance.
00:16:00You mean I got to eat all this by myself?
00:16:02Yes, but I don't envy you.
00:16:04Because when you're dining alone, I'll be having fish and chips...
00:16:07with a strange, beautiful lady.
00:16:09So long, Marshmallow.
00:16:11Good luck, boss.
00:16:16Well, if I gotta, I gotta.
00:16:35Hey, boss.
00:16:37Go away.
00:16:38It's time to get up, Mr. Bob.
00:16:41It's almost lunchtime.
00:16:43Looks like you had a great night, boss.
00:16:45Yeah.
00:16:46Did you meet that strange, beautiful lady?
00:16:49I sure did.
00:16:50And did you go over and give her that sales talk?
00:16:53I sure did.
00:17:07Rochester, you are now looking at a broken-down Romeo as of last night.
00:17:16Lady Trumbly, how are you?
00:17:25My, my.
00:17:27Are you sure it was a woman who done that, boss?
00:17:30It was either a woman or a truck, Rochester.
00:17:32And I don't remember trying to pick up any trucks last night.
00:17:35Now, my little black cupid, if you'll run my bath for me...
00:17:38I'll go downstairs and get a bite to eat.
00:17:39Yes, sir.
00:17:43Good day, Mr. Timberl.
00:17:44I have a table for you.
00:17:44Fine.
00:18:03Are you all right, Mr. Timberl?
00:18:05Oh, perfectly.
00:18:08I'm very sorry.
00:18:09It was exceedingly clumsy of me.
00:18:12It certainly was.
00:18:15Yes, wasn't it?
00:18:42The telephone operator took this message for you, Lady Arrington.
00:18:53Would you care to order?
00:18:55No, thanks.
00:19:09Oh.
00:19:10Oh, good heavens.
00:19:12I didn't know that you'd hurt yourself.
00:19:14Well, it was a rather nasty spill.
00:19:18Yes, indeed.
00:19:19Well, you should put some beefsteak on that right away.
00:19:22I should?
00:19:23That's a nasty-looking eye.
00:19:25Oh, my eye.
00:19:26Oh, I...
00:19:29I, uh...
00:19:29I don't know what you must think of me being so rude to you.
00:19:32Oh, no.
00:19:33I thought you were positively charming.
00:19:36You see, I was a little upset.
00:19:37I waited half an hour for my luncheon date, and now I find that it's called off.
00:19:41Oh, how fortunate.
00:19:42Now, my luncheon date was called off, too.
00:19:45Perhaps we could...
00:19:45Oh, no, no, no.
00:19:46No.
00:19:47I'm afraid not.
00:19:48Now, look.
00:19:49I'm solid and respectable, and you're probably hungry.
00:19:52So why not?
00:19:53Uh, you see, I...
00:19:56Yes.
00:19:57Yes, why not?
00:20:01Oh, fine.
00:20:04Well...
00:20:15Say, look at Bob.
00:20:16He's doing all right.
00:20:18Gee, this is fun.
00:20:19Yes.
00:20:20Well, I am hungry, and, uh...
00:20:22I didn't want you to get too bad an impression of England, Mr. Temple.
00:20:26Oh, I see you know my name.
00:20:28Oh, yes.
00:20:28I heard the waiter mention it when you stumbled.
00:20:31Oh.
00:20:31And I am Lady...
00:20:33Frumley?
00:20:33Oh, no.
00:20:34No.
00:20:35Lady Arlington.
00:20:36Oh.
00:20:38Oh, hello, folks.
00:20:39Hello, Bob.
00:20:40No.
00:20:46You aren't by any chance jealous, are you?
00:20:48Jealous of Bob?
00:20:50Don't be silly.
00:20:52But I'd hate to have him fall into the clutches of a certain type of blonde.
00:21:04What will you have, Mr. Temple?
00:21:06Uh, fish and chips and a couple of bottles of gin.
00:21:10Oh.
00:21:21Good afternoon, Lady Arlington.
00:21:22Good afternoon.
00:21:23Is my husband in?
00:21:23I'm sorry.
00:21:24Sir John left explicit orders not to be disturbed.
00:21:27A very important meeting.
00:21:28Oh, yes, I'm sure it must be.
00:21:29It can't be much longer.
00:21:31Sir John hasn't lunched yet.
00:21:33I know.
00:21:33I know.
00:21:34The rumor's all over town.
00:21:37And remember, if one word of this leaks out, I'll fire the whole organization.
00:21:41And that goes for you, too.
00:21:42Yes.
00:21:42Yes, sir.
00:21:42I want to see my attorneys this afternoon.
00:21:44Hello, darling.
00:21:46Hello?
00:21:47You keep me waiting an hour for lunch, then you calmly send word that you can't make it.
00:21:51And all you have to say is, hello?
00:21:52Well, I said, hello, darling.
00:21:55Darling squares everything, I suppose.
00:21:58Excuse me, dear.
00:21:58I'm getting Canada.
00:21:59You know, Canada, North America.
00:22:02Hello?
00:22:03Yes, I'll wait.
00:22:03I sometimes wonder why you ever married me.
00:22:06Because I'm desperately in love with the sweetest dear...
00:22:08Hello?
00:22:09Are you getting them, operator?
00:22:10This is what you're in love with.
00:22:12You spend all your life here.
00:22:14Hello, Canada?
00:22:15No, no.
00:22:15I want to talk to Jared.
00:22:17Yes.
00:22:18Oh, by the way, my dear, I invited the French industrialist Henri Dubois and his wife up for the weekend.
00:22:24That's splendid.
00:22:25I've never met them, but don't let that bother you.
00:22:29Well, I can't help it.
00:22:31Oh, hello?
00:22:31Hello, Jared.
00:22:32Sir John.
00:22:33Well, will you give me the daily figures for this month?
00:22:36What were you saying, dear?
00:22:37Oh, nothing.
00:22:38Nothing.
00:22:39I'll save it for tonight.
00:22:41You, uh, you will be home tonight, won't you?
00:22:44No, no.
00:22:45I've got to spend the night in town to work with the lawyers.
00:22:47Hello?
00:22:48Twenty-eight thousand, six hundred and forty-six dollars and twenty-two cents.
00:22:51You go ahead, dear.
00:22:52I can hear what you're saying, and I'm terribly sorry about that lunch.
00:22:55I had lunch with a very charming young man.
00:22:58Oh, that's fine.
00:22:59I always said the royals serve the best ten-shilling lunch in town.
00:23:02He was an actor.
00:23:03An American actor.
00:23:05Yes.
00:23:05What?
00:23:07All right.
00:23:07Skip the second and give me the third.
00:23:08You go ahead, dear.
00:23:09Tell me what you had for lunch.
00:23:11An actor in a large bowl of soup.
00:23:13Uh-huh.
00:23:13What kind of soup?
00:23:15I don't remember, but he was very charming, very attractive.
00:23:18He made violent love to me, and furthermore, I encouraged him.
00:23:22That's thirty-two thousand, three hundred and twenty-two dollars and eighty-four cents.
00:23:25Is that right?
00:23:25How about dessert?
00:23:27Oh, for dessert?
00:23:28I shot him.
00:23:29Did you really?
00:23:31Tea or coffee?
00:23:32I don't remember, but one of these days, I'm gonna shoot you, too.
00:23:36Good.
00:23:36That's fine.
00:23:38Go on, dear.
00:23:39Tell me, who was the lady you had lunch with?
00:23:54My, my.
00:23:55Is that the same one, or did you get a refill?
00:23:58It's the same one, Rochester.
00:24:00But if you must know, I had lunch with a strange, beautiful lady.
00:24:04You did?
00:24:06Congratulations.
00:24:07Who was she?
00:24:08Said her name was Lady Arlington.
00:24:10Lady Arlington.
00:24:12That's a good one.
00:24:13Uh, who'd you say you was?
00:24:15Prince Charming, Smarty.
00:24:17Did you get her phone number?
00:24:19Roger, sir.
00:24:20You never ask a title lady for her phone number.
00:24:22We just had lunch.
00:24:24Man, that's like reading one page and throwing away the book.
00:24:31Sorry I'm late, folks, but I was detained at lunch.
00:24:34And very pleasantly, too.
00:24:36You were doing all right in the restaurant, Bob.
00:24:38Where's the blonde?
00:24:39She's probably still eating.
00:24:41Very good, Miss Wilson.
00:24:42Very good.
00:24:43Now, going from my personal affairs to your career,
00:24:46how about running through your song for me?
00:24:48All right.
00:24:48Place again.
00:24:57One, two, three, four, four, four...
00:25:11...and I gave you an expensive vineyard to me.
00:25:14And I gave you a little too.
00:25:14And I gave you some love questions.
00:25:16From my circle of the village.
00:25:16I gave you a little too.
00:25:16And I gave you a small size and, and I gave you a little bit of this.
00:25:17You have to be a near, close to your home.
00:25:19I gave you a small cell to the house.
00:25:20You have to be a disposable car, and it's not that you have to be a busy car.
00:25:21I gave you a nice job.
00:25:25Your old lady, you have to be a great guy and you have to be a quiet side.
00:25:26And I gave you a trying to ask you,
00:25:26To be a double secret,
00:25:34No, I don't think so.
00:25:36Well, how about some lobster?
00:25:38Lobster? No.
00:25:41Thank you. I don't see anything there that I really want.
00:25:47I'm hungry for something,
00:25:50But it seems so far away
00:25:55That sentimental sandwich
00:25:56That we shared one day
00:26:01You're hungry for something
00:26:05Nothing fancy, nothing new
00:26:09One sentimental sandwich
00:26:14Coming out for two
00:26:18Gee, we were poor
00:26:22And though fate has changed our scenery
00:26:26Gee, the allure of that broken down old bean rings
00:26:35We're hungry for something
00:26:38Not for lobster, not for wine
00:26:42That sentimental sandwich
00:26:46That was yours and mine
00:27:15You know, I'm hungry for something
00:27:18Like one of those terrific dinners at the Ritz
00:27:23Hey, two coffees and one sandwich
00:27:27Yes, sir
00:27:28Take it easy
00:27:29We only got two bits
00:27:31You know, I'm hungry for something
00:27:35Like a big filet mignon en champignon
00:27:37And a bit of piscopier, too
00:27:39One ham on white
00:27:42One ham on white
00:27:43Look, cut it in half
00:27:46It's for two
00:27:48Broke though we are
00:27:50Broke though we are
00:27:51There's a charm that sees us through, dear
00:27:56Broke though we are
00:27:59I can feast my eyes on you, dear
00:28:03You know, someday we'll remember
00:28:05When we're wealthy
00:28:07Yes, and doing fine
00:28:11That sentimental sandwich
00:28:14That was yours and mine
00:28:18Give me more
00:28:34Gee, we were poor
00:28:38And though fate has changed our scenery
00:28:42Gee, the allure of that funny, broken-down old bean ring
00:28:53We're hungry for something
00:28:56Not for lobster, not for wine
00:29:01That sentimental sandwich that was yours and mine
00:29:18Hey, that was swell.
00:29:20And Ted, that part where you looked soulfully up at Diana. Gee, that was sure realistic.
00:29:27Speaking of soulful looks, who was that lady you had lunch with today?
00:29:30Oh, that really was a lady, and I'm glad you recognized it.
00:29:33She's Lady Arlington of the English aristocracy.
00:29:36If she's a member of the aristocracy, I'm Napoleon.
00:29:38Well, stick your hand in your vest because she is.
00:29:41Anyway, she was attractive. Didn't you think so, Diana?
00:29:44I really didn't get a very good look at her.
00:29:47Oh, you didn't? I thought you were counting her eyelashes.
00:29:50Where do you get that Lady Arlington stuff? You couldn't get near the English aristocracy.
00:29:55Oh, I couldn't, eh?
00:29:56Well, it might interest you to know that right now my tailor is making me a coat of arms.
00:30:00And with two pair of pants.
00:30:02Oh, Rochester.
00:30:04Uh, Rochester, I'm expecting a phone call from Lady Arlington.
00:30:08Uh, yes, sir. I'll let you know directly as she calls.
00:30:15Listen, Rochester, I want you to go back to the hotel, call me up and say you're Lady Arlington.
00:30:19Lady Arlington? Shall I put a dress on?
00:30:22No, don't bother. I'll use my imagination. Now hurry up.
00:30:25You mean I got to miss the rest of the rehearsal?
00:30:27Boss, you're ruining my professional career.
00:30:30Well, I'm afraid you'll have to choose between being my valet and being an actor.
00:30:34Yeah, I know, boss, but I don't get no applause for shining your shoes.
00:30:38Rochester, if you don't make that phone call immediately,
00:30:40you're going to enjoy the unique distinction of looking for two jobs at the same time.
00:30:45Okay, boss. Lady Arlington.
00:30:49I'm afraid tonight will be a little dull, but tomorrow the other weekend guests will be here and it'll be
00:30:53much livelier.
00:30:54My dear Lady Arlington, please do not worry about Arlington.
00:30:57No, you mustn't. Here we come interrupting all your plans.
00:31:00Oh, but you haven't really.
00:31:03I beg your pardon. Monsieur Dubois has wanted on the telephone to John's office.
00:31:08Oh, vous permettez.
00:31:09Me oui.
00:31:10I'll be but a moment.
00:31:12You will be but a moment or I will come and drag you back by the whiskers.
00:31:17You know, I have Henri on an allowance. One moment for business, two moments for me.
00:31:24Really?
00:31:25When I was first married, Henri is always away with the business, you know?
00:31:29Oh, yes. Yes, indeed, I know.
00:31:31So, one day when Henri come home late, he find me dancing with a charming young man.
00:31:35So, after that, Henri, he come home early.
00:31:39Yes, but your husband is French.
00:31:41Inside they are all jealous. I show you. Who is coming here for the weekend?
00:31:45Somebody you could make him jealous with?
00:31:49No, I'm afraid not. Can't think of anybody.
00:31:53Don't you know any poet? Poets are always good.
00:31:57The only poet I know is Shakespeare.
00:31:59Oh, no, no, no. He is no good. He's dead.
00:32:02Ah, well. No poet. Let's see. You have a good masseur, perhaps?
00:32:06No, I don't use one.
00:32:08Oh, no poet. No masseur. An actor. They are always good.
00:32:14No. I don't know an actor either.
00:32:18Yes, I do. I know one.
00:32:22Oh, one is enough.
00:32:24Oh, but no. I'm afraid I can't ask him. I don't know him very well, and my husband's never met
00:32:29him.
00:32:29Well, all the better. Ask your actor here, and if you cannot use him, I can.
00:32:34Come, my child. Let us telephone him at once.
00:32:40Hey, actor.
00:32:41Admiral, come here a minute. I want to talk to you.
00:32:43What you want?
00:32:44I don't like this at all.
00:32:46A lot of old stuff. We've got to have something new.
00:32:49This good actor. We do this 20 years.
00:32:51Well, I don't like it.
00:32:55Oh, you don't like it?
00:32:57No.
00:32:59Why you don't like it?
00:33:01Well, because it's old. Gee, you said yourself you've been doing it for 25 years.
00:33:05I say 20 years.
00:33:07Oh, 20 years. Oh, well, that's different. I thought you said 25.
00:33:11Hey, what am I thinking of?
00:33:14Say, you know, that's a pretty good act when you get close.
00:33:16Yeah, you were too close.
00:33:21Hello.
00:33:23It's for you, Mr. Temple.
00:33:25I wish you wouldn't interrupt me when I'm busy.
00:33:27Who is it?
00:33:28A Lady Arlington.
00:33:29Oh, Lady Arlington. Well, why didn't you say so?
00:33:32Well, what's she going to be calling me up for at this hour?
00:33:34Well, you never know.
00:33:36Hello, darling.
00:33:41Why, uh, yes, this is Lady Arlington.
00:33:50I know that you're going to think this is awfully presumptuous of me, but...
00:33:55Uh, come down tomorrow for the weekend?
00:33:57Why, I'd love to.
00:33:59Oh, that would be delightful.
00:34:02Uh, no, no, I've never met the Duchess.
00:34:04I bet $50 there's something phony going on around here.
00:34:07I'd bet another $50, but I don't think we'd have any takers.
00:34:10I'll take both bets.
00:34:11How could you prove it?
00:34:12You'd show up Monday and say you were at Lady Arlington's and met a Duchess.
00:34:17On the 510?
00:34:18Oh, I'm sure I can make it.
00:34:21Oh, Lady Arlington, would you like me to bring a couple of people from the show?
00:34:24They sing, you know.
00:34:25They might amuse the guests.
00:34:28Why, that would be marvelous.
00:34:30You sure they don't mind?
00:34:31No, not at all.
00:34:32It'll be a pleasure.
00:34:33And you won't have to worry about them.
00:34:35They can eat with the servants.
00:34:36Thank you very much.
00:34:37Goodbye, Lady Arlington.
00:34:41Well, folks, you've all been so good that tomorrow morning we're going to have a final rehearsal,
00:34:45and you can have the weekend off.
00:34:46Gee, the weekend off!
00:34:48Now, remember, tomorrow on the 510.
00:34:50And, Ted, for heaven's sake, when I introduce you to the Duchess,
00:34:53please don't say, hello, Duchy.
00:34:56Goodbye, everybody.
00:34:57Goodbye, Mr. Tabler.
00:34:58Well, I'm beginning to think that we're out $50 a piece.
00:35:01Me too, but I'm going to find out.
00:35:03Lady Arlington, the Duchess.
00:35:04Is Mr. Temple gone?
00:35:06Yes, he just left.
00:35:08Who wants him?
00:35:08Lady Arlington.
00:35:10Lady Arlington?
00:35:11Hey, give me that.
00:35:14Hello, Lady Arlington?
00:35:16Yep, this is me, boss.
00:35:18Lady Arlington is still.
00:35:22Baby, we're in $100 and a million laughs.
00:35:33Well, it won't be long now.
00:35:35I hope you brought that $100 with you, Ted.
00:35:37You know, I always like to tip the servants handsomely.
00:35:39Oh, I got it all right.
00:35:40But you don't mind if I don't hand it over till the last second,
00:35:43my Yankee blood, you know.
00:35:45Hmm.
00:35:45Well, I can wait, I guess.
00:35:50Oh, thank you very much.
00:35:52That's perfectly all right.
00:35:53Bob, I'm afraid I misjudged you.
00:35:55I didn't realize that in your own quiet way,
00:35:57you were able to get out of the way.
00:35:58You're a good bit of a ladies' man.
00:35:59Well, I never like to brag about those things.
00:36:02Oh, naturally.
00:36:04Tell me, is this thing serious?
00:36:05Do you expect to marry the girl?
00:36:07Oh, I hadn't thought of marriage.
00:36:10After all, a fella can't be expected to marry every girl he goes out with, can he?
00:36:14No, I guess not.
00:36:17If I did that, I'd have been arrested for a bigamy a long time ago.
00:36:21In fact, I could have been in prison at the age of 12.
00:36:27I didn't mean to eavesdrop,
00:36:29but I heard what you said about committing bigamy at the age of 12.
00:36:32That's a good one, isn't it?
00:36:36Oh, but that's not so funny about him.
00:36:38He's probably the greatest heartbreaker on three continents.
00:36:41Oh, Diana.
00:36:43Yes, sir, this man has probably broken up more homes than Contract Bridge.
00:36:47Oh, he doesn't look it.
00:36:49That's what's so funny about him.
00:36:51Yes.
00:36:53Well, I'm glad I've been warned.
00:36:55I'll never let you come into my house, young man.
00:36:58I'm too fond of my wife.
00:37:00You're very lucky not to know him.
00:37:02Why, tonight he's seeing a lady that...
00:37:05Well, if her name ever came out,
00:37:06it would be the biggest scandal England ever had.
00:37:09It might mean war.
00:37:11I wouldn't be surprised.
00:37:14You wouldn't be surprised.
00:37:18Well, I'm glad to have seen all of you.
00:37:21Especially this scoundrel here.
00:37:27Duffled?
00:37:28Say, this is Duffledum.
00:37:30Come on.
00:37:30Here you go, Chad.
00:37:32Beautiful country here, isn't it?
00:37:34Yes, sir.
00:37:41Well, I've certainly got to hand it to Bob.
00:37:43He's kept up this bluff longer than I thought anybody could.
00:37:46I don't like his confidence.
00:37:47If I hadn't heard Rochester on that phone.
00:37:50Oh, so you're getting off here, too.
00:37:52Yes.
00:37:53Well, I hope you'll enjoy it here.
00:37:54I'm staying over at Lady Arlington's.
00:37:57I beg your pardon.
00:37:58Did you say Lady Arlington?
00:38:00Why, yes.
00:38:00Do you know her?
00:38:01She happens to be a very intimate friend of mine.
00:38:03I'm going up there for the weekend.
00:38:05Oh, are you?
00:38:07What an odd coincidence.
00:38:08I happen to be going there myself.
00:38:11Well, say, that's swell.
00:38:14I beg your pardon.
00:38:15My name is Temple.
00:38:16Mr. uh...
00:38:18Mr. uh...
00:38:18Arlington.
00:38:19Sir John Arlington.
00:38:21I'm Lady Arlington's husband.
00:38:26Oh!
00:38:31Oh!
00:38:31Well, I'll...
00:38:32I'll be seeing you.
00:38:33Yes.
00:38:34Ted.
00:38:35Ted, I want you to...
00:38:36Well, Romeo, ten more minutes and a beautiful lady will be in your arms.
00:38:39She will not.
00:38:40Why, Bob, are you getting tired of your latest conquest already?
00:38:43Tan, I want you to meet a friend like...
00:38:44That's the trouble with you playboys.
00:38:46Women are just like toys to men like you.
00:38:48Beautiful countryside here, isn't it?
00:38:49Yes.
00:38:50Why, not less than an hour ago?
00:38:51You were telling me...
00:38:52Well, I'll be darned.
00:38:53Look, a cow with a monocle.
00:38:54There is not.
00:38:55There is too, and I'll leave it to Sir John Arlington.
00:38:57Lady Arlington's husband.
00:39:01Cover him!
00:39:18I've never been in a spot like this in my life.
00:39:21And all because you had to blow your mouth off.
00:39:23Me?
00:39:24What did I say?
00:39:25You practically said that no woman was safe if I was anywhere in the vicinity.
00:39:28Well, it was really you that said that.
00:39:31I just repeated it.
00:39:33And to whom did you repeat it?
00:39:35To him.
00:39:36To her husband.
00:39:37Maybe you can lie out of it.
00:39:39Tell Sir John that there's never been anything between you and Lady Arlington.
00:39:42What do you mean, lie?
00:39:43Are you implying that there has been anything between us?
00:39:46Well, I thought you...
00:39:47Oh, never mind what I said.
00:39:50I hardly know the woman.
00:39:52At one right, she'd have to call me up anyhow.
00:39:54She knew she was married.
00:39:57It's blackmail.
00:40:00Blackmail?
00:40:01Of course.
00:40:02Her husband is probably in cahoots with her.
00:40:05Well, that settles it.
00:40:10What are you doing?
00:40:11Getting out of here.
00:40:12That's what I'm doing.
00:40:12Can't do that, Bob.
00:40:13If you run out now, you're admitting you're guilty.
00:40:15Then when Arlington kills you, there's no jury in the world who'll convict them.
00:40:18Well, if Arlington kills me, I really won't care where they can do.
00:40:22Don't lose your nerve, Bob.
00:40:23We'll bluff it out.
00:40:24Yeah, how can we bluff it out with everything you've said?
00:40:27I don't know what I've said.
00:40:27I've said so many things.
00:40:29Yeah, and the most important thing you said was that the girl was gonna be here tonight at this party.
00:40:33All right.
00:40:33There'll be a lot of people here.
00:40:35Pick out a girl, play up to her.
00:40:36Arlington doesn't know what girl we're talking about.
00:40:38Pick out a girl, eh?
00:40:39Well, with my luck, she'll be married, and then her husband will kill me, too.
00:40:42No matter how you figure it, I'm a dead pigeon.
00:40:44Hello?
00:40:46Yeah, this is me, boss.
00:40:48Is that you?
00:40:50How are you making out the party?
00:40:52I'm making out fine.
00:40:53I'll tell you all about it when I get back.
00:40:54But right now, you've got to do something for me.
00:40:56Get the car and bring one of those showgirls up here.
00:40:59Well, I sort of plan on using the car myself.
00:41:03Oh, I just hate to ruin your weekend, Rochester.
00:41:06But I need the car, and besides, it happens to be mine.
00:41:09Well, it also happens to be out of gas.
00:41:11Out of gas?
00:41:12Well, it's full when I left.
00:41:14Yeah, I know.
00:41:15But them termites will drink anything.
00:41:18Never mind about the termites.
00:41:20Now get one of those showgirls and drive up here as fast as you can.
00:41:23Well, I don't know if I can get a hold of one of them showgirls, boss.
00:41:26You know, you told them they could have the night off.
00:41:29Well, say I've changed my mind.
00:41:30Say there's a special rehearsal.
00:41:32Say anything.
00:41:32But get the girl.
00:41:34Okay, boss.
00:41:35I'll try.
00:41:36Don't say you'll try, Rochester.
00:41:37You've got to do it.
00:41:38It's a matter of life and death.
00:41:40Is you in the jam, boss?
00:41:42I certainly is in the jam.
00:41:44And if you don't hurry out here, it might be too late.
00:41:47You know, you'll give me a terrible case of curiosity.
00:41:50Don't you want to give me no hint even?
00:41:53Yes, I'll give you a hint.
00:41:54Unless you're here with a girl inside of an hour, you're fired.
00:41:57You want a better hint than that, do you?
00:41:59Uh, no, sir.
00:42:00Oh, in Rochester.
00:42:01Yes, sir, Mr. Bob.
00:42:02Uh, put back that cigar.
00:42:04Yes, sir.
00:42:25Well, that was about the best dinner I've ever had.
00:42:28It was?
00:42:28And I was too nervous to eat anything.
00:42:31Every time I raised my fork to my mouth, I saw Arlington with his eyes on me.
00:42:35Hey, did you ever notice such cold, steely eyes on a man?
00:42:38That guy's a killer.
00:42:39How could you see his eyes?
00:42:41You were sitting about 40 feet from him.
00:42:43I used field glasses and shot up.
00:42:48Well, are you enjoying yourself, gentlemen?
00:42:51Yes, indeed, Sir John.
00:42:52Yes, yes.
00:42:53Oh, that's fine.
00:42:54What I always say is, enjoy yourself today, because tomorrow you may be dead.
00:43:01Well, that's a good way to feel, eh, Bob?
00:43:03Oh, it certainly is.
00:43:05You know, you have quite a place here, Sir John.
00:43:08Uh, yes, it is rather a nice place.
00:43:11And very convenient for business, too.
00:43:13Of course, it doesn't compare with our place in Scotland.
00:43:15But then we only go there for the shooting season.
00:43:19You shoot well?
00:43:21I don't like to brag about it, but that's one thing I really can do.
00:43:26I remember in America once I hit a deer that was a quarter of a mile away from me.
00:43:32Is something the matter?
00:43:35Oh, oh, no, no, no.
00:43:36I get these attacks occasionally.
00:43:39Well, I'd watch out for that if I were you.
00:43:41A friend of mine had the same thing.
00:43:43Died very suddenly, the poor fellow.
00:43:47Am I making you nervous?
00:43:48Oh, no, no, no.
00:43:49I was just trying to get the cup off of the saucer, you know.
00:43:58Yes, this poor fellow died without making a will,
00:44:00and had a lot of trouble with lawyers.
00:44:03By the way, have you made yours yet?
00:44:06What's the matter? Won't I have time?
00:44:08You never can tell.
00:44:09Here today and gone tomorrow, that's what I always say.
00:44:12Yeah, I say it, too. I say it.
00:44:16So, John, I think we should do a little work now, eh?
00:44:18I'll be with you in a moment.
00:44:19Well, I'll see you later.
00:44:20I can't tell you how much I enjoyed this little chat.
00:44:22Me, too.
00:44:23And take it easy.
00:44:25You're a long time dead, you know.
00:44:32Bob, you're shaking like a leaf.
00:44:34Shaking like a leaf?
00:44:35What's a leaf got to shake about?
00:44:37Mr. Temple.
00:44:38Yes?
00:44:40Your chauffeur is held on.
00:44:43Rochester.
00:44:44Now, who'd think I'd ever be happy to see him?
00:44:48Lead on, my friend.
00:45:00Good gracious.
00:45:18Yes, please.
00:45:20What do you think this is, Hyde Park?
00:45:24Hey, what's the meaning of this?
00:45:26Well, I hunted high and low, boss,
00:45:27and this was all of our show people I could find.
00:45:30Come here, Rochester.
00:45:31I want a quiet word with you.
00:45:33Yes, sir.
00:45:38Listen.
00:45:39I asked you to bring me one girl.
00:45:41One.
00:45:42And you bring me a dozen of them
00:45:43and those six musical pool players.
00:45:45Well, that's all I started to bring one girl,
00:45:47but none of them would come.
00:45:48So I told them, like you said,
00:45:50it was a rehearsal at Lady Arlington's.
00:45:52Then they all wanted to come.
00:45:54Rochester, that was a stroke of genius.
00:45:56Yes, sir.
00:45:59Is there anything the matter?
00:46:01I know I shouldn't have done this, Lady Arlington,
00:46:03but I thought your guests might enjoy
00:46:05hearing some American swing music from our company.
00:46:08Practically our entire company.
00:46:11I think that would be wonderful.
00:46:13What a pleasant surprise, Mr. Temple.
00:46:16Yes, wasn't it?
00:46:18Yes.
00:46:18Yes.
00:46:19Do have them come in.
00:46:21Hotchkiss.
00:46:21See that they're made comfortable.
00:46:22Will you?
00:46:23Very good, my lady.
00:46:25I'm sure you'll enjoy it.
00:46:33You're sweet.
00:46:34You're really cute.
00:46:36Come on, kids.
00:46:39While you take care of these people,
00:46:40I will take care of your actor.
00:46:42Then I turn him over to you and you do the rest.
00:46:46It's France and England together again, defending the home.
00:46:49You won't mind if I flirt with him a little myself.
00:46:52You know, my husband is in the study, too.
00:46:54I promise you, I won't be jealous.
00:47:00Bob, why should I pretend I'm in love with you?
00:47:02Never mind why.
00:47:03Just pretend for the night and I'll raise your salary $5 a week.
00:47:07I'm not that good an actress.
00:47:09Not for a small raise like that.
00:47:11Look, if I wanted a good actress, I'd get Helen Hayes.
00:47:14How about $10?
00:47:16$10?
00:47:17Would I have to kiss you?
00:47:19Well, later on in front of everybody.
00:47:21You know, as though you couldn't resist me.
00:47:23You'd be surprised how I could resist you for a $10 a week raise.
00:47:27Well, then what do you want?
00:47:29A dancing specialty beside my song.
00:47:32A dancing specialty?
00:47:33You can't dance that well.
00:47:34I know I can't, but it's either that or you don't get kissed.
00:47:39Oh, all right.
00:47:43There goes my show.
00:47:46Ah, Mr. Temple.
00:47:48Lady Arlington says I am to take care of you.
00:47:51Take care of me?
00:47:52Why? Am I in danger?
00:47:53Yes.
00:47:53You are in big danger.
00:47:56From whom?
00:47:57From me.
00:47:58Oh.
00:47:58I am a very dangerous woman.
00:48:01Yes.
00:48:01Come.
00:48:02I will show you how dangerous I am.
00:48:05Well, look, does your husband allow you to walk with strange men like this?
00:48:09Oh, no, no, no.
00:48:09He absolutely forbids it.
00:48:11But from what I hear, you are not afraid of husbands, eh?
00:48:14Well, yes and no.
00:48:16You know, this is about the most romantic place in the whole garden.
00:48:20Yes, it's very nice here.
00:48:22Won't you?
00:48:23Well, well...
00:48:26Well, yes.
00:48:28Oh, dear.
00:48:29Then what do you say to redeeming my preferred stock for a hundred and four?
00:48:32No, a hundred and four is too high.
00:48:35You're still too high.
00:48:37A hundred and four is too high.
00:48:39Well, I don't want to bargain.
00:48:41You know, if a man wanted to steal a kiss, this would be the ideal place.
00:48:46Nobody could see it.
00:48:51Don't say anything, my friend.
00:48:54Are you angry?
00:48:55Are you angry?
00:48:55Oh, no, no, no.
00:48:58Of course I'm not angry.
00:49:00Why should I be?
00:49:02Well, if you think a hundred and three is too much.
00:49:04A hundred and three is a fair price.
00:49:06As a matter of fact, it ought to be a hundred and four.
00:49:08No, no, no.
00:49:09A hundred and four is too much.
00:49:10I think a hundred and three.
00:49:11Well, let's split it.
00:49:13A hundred and three and a half.
00:49:14You sign the contracts first and I'll sign them after you.
00:49:17You are not very impulsive, Mr. Temple, are you?
00:49:21Oh, yes, I am.
00:49:22That's why I watch myself so carefully.
00:49:26Oh, there's our hostess.
00:49:30And now, if you will sign.
00:49:32All right.
00:49:34How about the common stock?
00:49:36Is that in your wife's name?
00:49:37Oh, no, that is my own.
00:49:39You know, this is really the most secluded spot in the garden.
00:49:43Well, so I've heard.
00:49:47What do you think would be your fair offer?
00:49:49Oh, no, no.
00:49:50You're selling.
00:49:51You name it.
00:49:54Well, what do you say?
00:50:01Well, I'm still waiting.
00:50:07Oh, Monsieur Dubois, is anything the matter?
00:50:20Just good fun, eh?
00:50:22Yes, yes.
00:50:24You didn't see who the girl was by any chance?
00:50:26Oh, no, no, no.
00:50:28Let's not look.
00:50:29It wouldn't be cricket, would it?
00:50:30That's right.
00:50:31It would not be cricket.
00:50:40Well, I'll be.
00:50:52Well, here's to our wives and sweethearts.
00:50:54Yes, to our wives and sweethearts.
00:50:56What we don't know about them won't hurt us, eh?
00:50:59Right on.
00:51:03Come in.
00:51:06What is it, Hotchkiss?
00:51:08The music has already begun, sir.
00:51:11I suppose we might as well go down and face the music.
00:51:13Oh, we promised.
00:51:26There's a man that hangs around the bandstand all night long.
00:51:30He's wacky.
00:51:31He's goofy.
00:51:32He's dizzy.
00:51:34He goes slightly crazy when they play his favorite song.
00:51:38Who is he?
00:51:39I ask him.
00:51:40Who is he?
00:52:09It's Fidget D. Joe.
00:52:12Can't read notes.
00:52:13Can't read notes.
00:52:13He's not that smart.
00:52:14But he knows every lick by heart.
00:52:16The great Skakowski of the second row.
00:52:20There he sits, throwing fits over all the latest hits.
00:52:24Whoa, ho, Fidget D. Joe.
00:52:36Fidget D. Joe.
00:52:39He doesn't care to dance or sing.
00:52:41When those swing cats start to swing.
00:52:44He's beating out that rhythm blow by blow.
00:52:48Fidget D. Joe.
00:52:50Just shakes his head from side to side.
00:52:53When Mr. Trump takes that right.
00:52:55Don't ask him what he's doing.
00:52:57He don't know.
00:53:05I'm was removed.
00:53:14See?
00:53:16He's obligations.
00:53:18To create a Witch Hillaryoy car.
00:53:21That's very interesting.
00:53:22If he's a 3,000 person.
00:53:25He takes that right.
00:53:26It reaches far away.
00:53:28If the Frau, happiness brings over.
00:55:03Goodbye.
00:55:04Goodbye.
00:55:04Goodbye.
00:55:08A kiss.
00:55:09A deal's a deal, you know.
00:55:11Goodbye, darling.
00:55:16Don't forget my name and lights.
00:55:19Goodbye.
00:55:20You little crook.
00:55:26Goodbye.
00:55:26Goodbye.
00:55:36Oh, just a moment.
00:55:38Do you do that with everybody?
00:55:40Why, I'm surprised at you, Sir John, asking such a question.
00:55:43That young lady happens to be my fiancΓ©e.
00:55:47You remember, I was talking about her on the train.
00:55:49FiancΓ©e?
00:55:50Yes.
00:55:51I wonder if that little girl knows what she's getting into.
00:55:58Well, Mr. Temple, Monsieur Dubois would like to see you in Sir John's study upstairs.
00:56:04Dubois?
00:56:04What does he want to do, kiss me too?
00:56:08I wouldn't know, sir.
00:56:13Is your name Rochester?
00:56:15Yeah, man.
00:56:16That's me.
00:56:17What an odd-looking person you are, aren't you?
00:56:22Well, I wouldn't talk, brother.
00:56:24You're the only man I ever saw that looked like he was sucking a lemon and wasn't.
00:56:30Follow me to your quarters, sir.
00:56:32I understand you're remaining over.
00:56:34Oh, that's fine.
00:56:35I ain't weekended in the country for some time.
00:56:38Say, this is a nice place you got here.
00:56:40No, it's not mine.
00:56:41I'm Hotchkiss the butler.
00:56:42Well, what do you know?
00:56:44That's my racket too.
00:56:46Racket?
00:56:47Yeah.
00:56:48How long you been doing this?
00:56:50I've been employed in this honorable profession for a number of years.
00:56:54As was my father before me and his father before him.
00:57:00My, my.
00:57:01Your family show is in a rut.
00:57:09Come with me.
00:57:18Come with me.
00:57:18Observe, my friend.
00:57:24You saw?
00:57:25I saw.
00:57:26But that is not all.
00:57:27It is like you conjugate a verb.
00:57:28I saw, you saw, and he saw.
00:57:33He saw?
00:57:34Need I say more?
00:57:36Time flies.
00:57:37Well, time has nothing on me.
00:57:38Thank you, my friend.
00:57:39Once more, America's indebted to France.
00:57:41I shall always remember a brave man under the husband's very nose.
00:57:46Well, if you ever get under a husband's nose, don't hesitate to call on me.
00:57:49Please, please.
00:58:02Wheelhole.
00:58:04But, her friend, you can't get under the husband's nose.
00:58:08There it is.
00:58:18You can't get under the husband's nose.
00:58:19I'll take the man and get under the husband's nose.
00:58:32Oh, a peeping Tom.
00:58:37Oh, but Diana.
00:58:53Well, thank you.
00:59:31They promised they would be here in time for the show, did they not?
00:59:34What's a promise among husbands? He cussed them nothing.
00:59:49Oh, a peeping Tom.
00:59:50Oh, a peeping Tom.
01:00:12Oh, a peeping Tom.
01:00:15Oh, a peeping Tom.
01:00:30Oh, a peeping Tom, say they are in love.
01:01:18Well, I hope we're off to a good start. Keep your fingers crossed, Rochester.
01:01:21Can't. I'm hanging on to my rabbit's foot.
01:01:27Well, for goodness sake, where'd you get that?
01:01:29I bought him. I figured if one rabbit's foot makes Lady Luck smile, four of them ought to make her
01:01:34hysterical.
01:01:36Hey, give me a foot. I'm gonna need it right now. Good luck, Diana.
01:01:43Guess I had the wrong foot.
01:01:45Well, you invite her up to a strange place and sneak out on her.
01:01:49I don't want to hear another word about what happened at Lady Ollington's.
01:01:53As far as I'm concerned, she's in the dim, dark past.
01:01:58As far as I'm concerned, she's in the front row center.
01:02:02What?
01:02:09You couldn't trade that rabbit in for a black hat, could you?
01:02:12Well, I'm going to take my pocket here.
01:02:35Strange enchantment feels the moon rise
01:02:41There's a breeze like sandalwood
01:02:45and wine
01:02:50Strange enchantment lies in your eyes
01:02:56Saying please, oh please, tonight be mine
01:03:03When the moon has gone in the blue dawn
01:03:09And we go wandering apart
01:03:19Darling, I'll be dreaming of this moment
01:03:26With a strange enchantment in my heart
01:03:44This will cost only a diamond ring, a mink coat, and about four nights sleep
01:03:52There we are
01:03:54Any more, Gibson?
01:03:56No, Sir John
01:03:57That's the last one
01:03:58Well, we are partners at last
01:04:01Partners at last
01:04:04Oh, I didn't realize we'd gone through this bottle
01:04:09Well, thank you and good night, Gibson
01:04:10Good night, Sir John
01:04:13A toast, Andre
01:04:14Now that we are partners
01:04:16May we have no troubles from our enemies
01:04:18And no secrets from each other
01:04:20Excellent, I agree to that
01:04:25All right
01:04:30My friend
01:04:32I don't think I've been quite fair with you
01:04:34Sir John, what do you mean?
01:04:37Oh, I didn't realize
01:04:39Here we are partners
01:04:40There must be no secrets
01:04:43I have something to confess
01:04:45Well, first let me tell you
01:04:48I have kept secrets from you, too
01:04:51No, no, your confession comes later
01:04:53This was my idea
01:04:54And I'm going to come clean first
01:04:56No, you do not even dream this
01:04:59This concerns that American
01:05:00That actor, Bob Temple
01:05:02I know whom he kissed on that bench
01:05:07You know?
01:05:08No, I saw
01:05:10You saw?
01:05:11With my own eyes
01:05:12Oh, I was afraid of that
01:05:14What do you intend doing?
01:05:16What can I do?
01:05:17If it were just some girl
01:05:18I would keep my mouth closed
01:05:20But a wife
01:05:21Yes, a wife, of course
01:05:23And whose wife?
01:05:25And whose wife?
01:05:26My partners
01:05:28What did you say?
01:05:29Oh, I know this will hurt you
01:05:31My friend
01:05:33But I must tell you
01:05:34I saw this snake kiss your wife
01:05:39You laugh
01:05:41You are hysterical
01:05:42You must control yourself
01:05:44But you do not blame me for telling you
01:05:46If it were my wife
01:05:47You would tell me, no?
01:05:49Oh, forgive me
01:05:51But that's what I was about to confess you
01:05:53What?
01:05:55I saw him kiss your wife
01:05:57My wife
01:05:57Yes
01:05:58Oh, no, no, no
01:05:59Oh, no, no, no
01:06:00Oh, no, no, no
01:06:01Oh, no, no, no
01:06:03I'm sorry
01:06:03I'm sorry, too
01:06:04My wife is a brunette
01:06:05This lady is a blonde
01:06:08Huh?
01:06:09A blonde?
01:06:10No, I saw him kiss your wife
01:06:12As you wish
01:06:13But I saw him kiss your wife
01:06:15Wait a minute. Are you positive?
01:06:17Beyond a doubt.
01:06:20Well, I...
01:06:24Henry, this man has been kissing both our wives, don't you see?
01:06:28But of course!
01:06:31We can't do this to us.
01:06:33I will cut his throat from ear to ear. Pink!
01:06:36Easy, easy.
01:06:38We're due at the theater, aren't we?
01:06:40And our wives are there. Maybe being kissed by him. Come.
01:06:43Yes.
01:06:50Hello?
01:06:53Oh, hello, darling.
01:06:55And we'd like you to see at least part of the second act.
01:06:59Yes, we'll be right down, my dear.
01:07:08Your choice.
01:07:09I take this one.
01:07:12They are loaded.
01:07:14Oh, of course.
01:07:15I have not shot for a long time.
01:07:19Uh, pardon?
01:07:21By all means.
01:07:27And now to the theater.
01:07:29Well, let's not see you.
01:07:29Ha, ha, ha, ha!
01:07:42I hope you will be right there, don't know.
01:07:43Oh, it's at the theater.
01:07:43Ah, my dear.
01:07:43Oh, my dear.
01:07:44Oh, my dear.
01:08:23Oh, Diana.
01:08:24Yes?
01:08:25We're ahead.
01:08:27Congratulations.
01:08:28Thanks.
01:08:29You look lovely tonight, Diana.
01:08:31Thanks.
01:08:33Diana, I swear, Lady Arlington never meant anything to me.
01:08:36I only did...
01:08:36Look out.
01:08:37She might hear you.
01:08:38She's sitting in the front row, as you probably know.
01:08:41I don't care where she's sitting.
01:08:42Will you listen to me?
01:08:43In a word, no.
01:08:45Then when you listen to her, Lady Arlington...
01:08:46How can I?
01:08:47She and I don't travel in the same set.
01:08:49Well, look, if I get her backstage after the show, will you listen to her?
01:08:52Maybe I'll listen, but I don't promise to believe.
01:09:23I don't know.
01:12:02Come here with me.
01:12:11Here, give us that lady in the front row.
01:12:13The blonde filly?
01:12:14Yes, and she's not a filly.
01:12:15Her name's Lady Arlington.
01:12:20Her name is her Β§
01:12:51Our new sultan,
01:12:53Suleman the Ridiculous.
01:12:57My loyal subjects,
01:12:59fellow countrymen, gentlemen,
01:13:01and, uh...
01:13:03And, uh...
01:13:04Who are these girls, Allie Rochester?
01:13:06Them? Them's your wives.
01:13:08My wives?
01:13:09Well, looks like I hit the jackpot.
01:13:11Hello, girls.
01:13:13Hello, Salty.
01:13:15Very nice. Very nice.
01:13:17That's only the freshman team.
01:13:18The varsity's out scrimmaging.
01:13:20Oh, you mean there's more?
01:13:23Well, well, here comes the varsity team.
01:13:53Here comes the varsity.
01:14:02Bye.
01:14:05How are you Perez?
01:14:15Oh, well, here comes the varsity team.
01:14:19Well, and now I say there's aεͺε
,
01:14:20I never say it.
01:14:21The varsity team,
01:14:21That's also not the pl retrospective.
01:15:30You know, there's nothing like a quiet evening at home.
01:15:38Your majesty were two of your most loyal subjects.
01:15:41Well, thanks very much, boys.
01:15:43Now, what's on your mind?
01:15:45If it's not too much trouble, I want my wife back.
01:15:48Why, of course.
01:15:49So who's got your wife?
01:15:51You have your majesty.
01:15:52Oh.
01:15:54There she is.
01:15:55The second from the right, sir.
01:15:57Oh, you mean that cute one there?
01:16:00Yes.
01:16:01Her name is Toots.
01:16:02Well, that's fine.
01:16:03Suppose all husbands wanted their wives back.
01:16:05Where would I be?
01:16:09Take these men out and have them shot.
01:16:11All right, Sultan.
01:16:12You've got us.
01:16:12But I warn you, some husband is going to kill you very soon.
01:16:17Is that so?
01:16:19On with the dance.
01:16:20I shall have no more interruptions.
01:16:22I'm not afraid of any husband of the world.
01:16:24I'm not afraid of any husband of the world.
01:17:24I'll get rid of you.
01:17:34Paolo, I must call my broker.
01:17:41Come on, Cassie.
01:17:43Take me off.
01:17:44Off.
01:17:45Off.
01:17:53What's the matter, boss? Something happened?
01:17:55Sir John is out hunting, and it's not for grouse.
01:17:57My, my! What are we gonna do?
01:17:59I don't know, and I'd better do it quick.
01:18:01Hey, muscleman, I want to see you in my dressing room a minute.
01:18:03What's about you?
01:18:04I'm gonna give you a big job. I'm gonna make you my bodyguard.
01:18:06Bodyguard? What is a bodyguard?
01:18:07What do you think it is? Somebody that guards a body.
01:18:09A dead body?
01:18:10I don't know yet. I'm waiting for the inquest. Come on.
01:18:28Come on.
01:18:30Oh, I beg your pardon.
01:18:47Thank you, ΠΊΠΎΡΠΎΡΠΎΠ΅ he raised to me as said.
01:18:48Come on.
01:18:49Oh, man.
01:19:01Come on.
01:19:02Come on.
01:19:03Come on, man.
01:19:04Come on.
01:19:04Come on, man.
01:19:05Oh, man.
01:19:15The
01:20:58What are you doing here?
01:20:59Why, you invited us here.
01:21:01I know, but your husband's...
01:21:08Who you all want?
01:21:10Is that you, Rochester?
01:21:12Yeah, Miss Diana, that's me.
01:21:15Is Mr. Temple there?
01:21:16No, he all ain't in.
01:21:18You all got a message for him?
01:21:20Yes.
01:21:21Tell Mr. Temple that I just saw Rochester leaving the theater.
01:21:26My, my.
01:21:27I sure got back here fast, didn't I?
01:21:30Come on, Bob.
01:21:31Open the door.
01:21:32You said you wanted me to listen to some explanation.
01:21:37Later, Diana.
01:21:38I can't let you in now.
01:21:40I'm changing my clothes.
01:21:41Well, if you're changing your clothes, don't you think you ought to send those two ladies outside while you do
01:21:45it?
01:21:46This is your last chance.
01:21:47I'm going.
01:21:48Diana!
01:21:54I'm going.
01:21:55I stumbled.
01:21:56Well, this is quite a gathering.
01:21:59You've met Miss Wilson, and of course you've met your wives.
01:22:05And if you ladies will step outside a minute.
01:22:07Oh, no, please.
01:22:08This conference was called especially for me.
01:22:10For you?
01:22:11Yes.
01:22:12All right, Bob, let's have your explanations.
01:22:13Well, if everybody will stop acting like two-year-olds, I can settle this whole thing with one simple little
01:22:19question.
01:22:22Now, Lady Arlington, tell them.
01:22:24Have I ever made love to you?
01:22:27As no woman was ever made love to before.
01:22:30There you are.
01:22:31What?
01:22:33From that very first day in the restaurant, when you rushed over to my table and swept me off my
01:22:38feet.
01:22:39Who, me?
01:22:41And then when I told you that I was happily married.
01:22:43You threatened to kill yourself at my feet.
01:22:47I did?
01:22:48Then what then?
01:22:51What then?
01:22:53After all, he was too young to die.
01:22:56Too young to die?
01:22:58No, he isn't.
01:22:59Ah!
01:23:02Excuse me.
01:23:03Mrs. Temple?
01:23:04Junior's been crying for you.
01:23:06Oh, thank you, Rochester.
01:23:08Mrs. Temple?
01:23:10Junior?
01:23:11Baby or no baby, I...
01:23:14Quiet.
01:23:15Now look what you've done.
01:23:16You've awakened Junior.
01:23:18Come here.
01:23:21Oh, don't sleep my baby.
01:23:24John, dear.
01:23:25It was all my fault.
01:23:27And after all, you can't make an orphan out of this poor little child.
01:23:30La-la, la-la, la-la, la-la.
01:23:34Oh, do you see my baby?
01:23:37Oh, yeah.
01:23:38Let's get out of here.
01:23:39Come here, please.
01:23:40La-la, la-la, la-la.
01:23:45Excuse me, Mr. Bob, but the baby's folks want him back.
01:23:48Are you through with him?
01:23:49Yes, Rochester.
01:23:50And you're the first one to know.
01:23:52Someday, Miss Wilson and I expect to have one just like it.
01:23:55You do?
01:23:57My, my.
01:24:25My, my.
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