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LegalDramaDaily
  • 6 hours ago
It All Comes With The Cold Water
Transcript
00:02:47It's just a dream.
00:02:49You're okay.
00:02:54Let me see you.
00:03:00Don't be so scared.
00:03:04No.
00:03:08I'm just uncomfortable.
00:03:11Don't be so uncomfortable.
00:03:19I'm just uncomfortable.
00:03:20I'll take care of you.
00:03:24As we like.
00:04:04The sun is shining, shining over me, paradise is in my mind, and I can see the sea, I ain't
00:04:24in my mind, and I can see the sea, I can see the sea, I can see the sea, I
00:04:33can see the sea,
00:04:41see the sea, what's the weather saying?
00:04:46Sunnyside!
00:04:50The Cubs have spoken!
00:04:53So, do I get you for the whole day?
00:04:57No, I've got a viewing for a gallery at 6 or 10 at the Harbor.
00:05:02The harbour?
00:05:03Mm-hmm.
00:05:05There's already a gallery in that area, you know?
00:05:08Mm.
00:05:12Not to justify staying, you know?
00:05:16Yeah.
00:05:18I'm just saying, take your time.
00:05:21As long as we stay here in Mum's apartment,
00:05:23there's no rent we need to pay.
00:05:29Your family.
00:05:34Your family.
00:05:35Your family.
00:05:39Oh.
00:05:42Be gone!
00:05:43Out of my kitchen!
00:05:44I'm just saying, no rush.
00:05:46Just be patient.
00:05:48Patience, patience, patience.
00:05:50Patience, patience.
00:06:01I feel like we should start revisiting some old places.
00:06:09Maybe one from the really early days.
00:06:12Mm-hmm.
00:06:18This one.
00:06:21One from the back.
00:06:24One from the back.
00:06:37One from the back.
00:06:38I was going to give you a second.
00:06:38One from the back.
00:06:38And you can see there.
00:06:40Up to the back.
00:06:40Two.
00:06:40One from the back.
00:06:48One from the back.
00:08:17Oh, God.
00:08:20You know, it was the first time you went to this beach.
00:08:25I knew I loved you.
00:08:30You know, it was the first time you fully opened up in front of the lens.
00:08:48I think up until then, you'd always been aware of me being there.
00:08:56I remember being so stirred.
00:09:02There was a sadness to your movements.
00:09:05And look, it was the same again today.
00:09:13Don't you ever get bored of taking photos of me?
00:09:17Never.
00:09:20What about the buyers?
00:09:27I'm going to go take a shower.
00:09:54I'm going to go take a shower.
00:09:54I'm going to go.
00:09:57I'm going to go.
00:10:16Let me see you.
00:10:53Let me see you.
00:11:16Let me see you.
00:11:53Let me see you.
00:12:22Let me see you.
00:12:45Let me see you.
00:12:55I can always tell when you've borrowed my stuff.
00:13:17Where have you been?
00:13:22I didn't catch his name.
00:13:27Have you been to your apartment at all?
00:13:40Let's go.
00:13:56Let's go.
00:13:59Let me see you.
00:14:26Let me see you.
00:14:49Let me see you.
00:14:59Freya!
00:15:28Freya!
00:15:34What the fuck?
00:15:36Are you fucking mad?
00:15:46Let me see you.
00:15:56Let me see you.
00:15:58Let me see you.
00:16:00Let me see you.
00:16:10Let me see you.
00:16:24Let me see you.
00:16:24Let me see you.
00:16:24Let me see you.
00:16:25Let me see you.
00:16:47Let me see you.
00:16:55Let me see you.
00:16:57Let me see you.
00:16:57Let me see you.
00:17:10My home?
00:17:11Yeah. Your place.
00:17:17Hey.
00:17:20The end of the day, when I met you at the swings,
00:17:25where'd you been?
00:17:31Mum's apartment.
00:17:35I do go back sometimes.
00:17:40It's been yours for a few years now.
00:17:47I went to collect her ashes.
00:17:52I couldn't stand the thought of her being trapped in there with him.
00:17:56Did he see you?
00:17:58No.
00:18:01It was quick.
00:18:06What did you do with him?
00:18:10I released her into the sea.
00:18:16She would have liked the freedom.
00:18:21And you?
00:18:23Too afraid to leave the country.
00:18:25Too afraid to go home.
00:18:27You can't leave.
00:18:28You can't stay.
00:18:35Hey, are you cold?
00:18:38You're freezing.
00:18:40Come on.
00:18:41It's cold.
00:18:41No.
00:18:42No.
00:18:54Formal dress?
00:18:56No, no.
00:18:57Blanket.
00:18:59Blanket.
00:19:03thanks
00:19:09are you my snake or my ladder
00:19:16because sometimes you make me feel so shitty
00:19:23i'm sorry i make you feel that way
00:19:26i think you're trying to help
00:19:32look it's better if you can identify a snake
00:19:35and you know who to avoid
00:19:37there's nothing worse than falling down the board
00:19:40working your way back up to the top
00:19:42only to encounter the same person who's knocked you down before
00:19:47i should take that back
00:19:48even worse it's not moving at all
00:19:52we're spreading my mom's ashes not in action
00:19:57has anything changed
00:20:00no
00:20:02do you still need to sleep on my couch
00:20:06no progress no role no action
00:20:10i can't identify one snake
00:20:12yeah
00:20:16he's in my apartment
00:20:20your arms
00:20:23i need him gone
00:20:25finally
00:20:31i want my beautiful blue house back
00:20:44fuck the viewing let's go out
00:20:48but
00:20:50give the exact amount of time
00:20:52it takes for me to make a cup of coffee and drink it to get ready
00:20:55okay okay thank you
00:20:57the exact time i'll go get ready
00:21:03yeah
00:21:05yeah
00:21:05no i get you
00:21:07there's definitely similarities between the two
00:21:10i mean these were also taken on a beach
00:21:13the last ones did so well as well it's uh
00:21:25you know i can't do that
00:21:31because she can't
00:21:34because she can't come with me
00:21:37you know i
00:21:43yeah
00:21:45yeah no i look i understand all that just
00:21:50reschedule and
00:21:52tell them i'll be there for the next one
00:21:54okay
00:21:56all right
00:21:57thanks
00:22:06storage units
00:22:07storage units
00:22:10i feel bad
00:22:12i know you need somewhere for your stuff
00:22:15i'll be fine
00:22:19you look beautiful
00:22:23shall we go
00:22:30okay
00:22:31game time right
00:22:32lady on the other side of the street
00:22:34what yeah
00:22:35we've got three seconds to capture her story
00:22:37okay
00:22:37three two one
00:22:39bye
00:22:43she had a kid
00:22:45she's a mom
00:22:46by the way the kid was holding on to her
00:22:51i think i saw her hand but no ring
00:22:53she's a single mom
00:22:56nice catch
00:22:57and she's rich
00:22:59what do you know
00:23:00uh
00:23:01she had those like expensive supermarket bags
00:23:04you know how it could
00:23:06rich
00:23:07you're missing something
00:23:10no
00:23:11come back
00:23:11so
00:23:12it wasn't
00:23:14food and bags
00:23:15it was clothes
00:23:16really
00:23:17and anyone that reuses
00:23:18plastic bags
00:23:20or clothes as well
00:23:22not like that
00:23:23yeah right
00:23:24yeah interesting
00:23:27it's
00:23:28more about the
00:23:29the choices she's made
00:23:31to use
00:23:31those bags
00:23:32you know
00:23:34from that supermarket
00:23:35specifically
00:23:37you know
00:23:37maybe
00:23:38maybe she dreams
00:23:40in another life
00:23:41to
00:23:41to be able to shop
00:23:43in the expensive supermarket
00:23:44you know
00:23:45that's the
00:23:46that's the story
00:23:47you know
00:23:48but for the moment
00:23:48she's just happy to
00:23:50live out the
00:23:52you know
00:23:53reusing of the bag
00:23:54essentially
00:23:55right
00:23:56yeah
00:23:57and that's like
00:23:58it's all about you once
00:24:00you know
00:24:01with you it's the same
00:24:02it's like
00:24:03everywhere i shoot you
00:24:04you have a different affliction
00:24:06for the place we shoot
00:24:08it's incredible
00:24:08it's uh
00:24:09yeah a different story
00:24:10you know
00:24:12okay
00:24:12these next two
00:24:13here
00:24:13quick
00:24:14oh no that doesn't count
00:24:17why
00:24:18this woman was my mom's nurse
00:24:21i know everything about her
00:24:23you don't say that
00:24:25it's not how it works here
00:24:27besides like
00:24:28i don't have that conversation
00:24:30of
00:24:30how i'm doing
00:24:34yeah
00:24:34i'll get you
00:24:35go on
00:24:37okay let's go
00:24:55i'll get you
00:24:56i'll get you
00:25:06i'll get you
00:25:07i'll get you
00:25:22Hey, a fella.
00:25:23Hey, buddy.
00:25:24How you doing?
00:25:24What's going on?
00:25:25I'm good.
00:25:26I'm good.
00:25:26Oh, fucking stinks in here.
00:25:27What's you been up to?
00:25:29Went to this wild pagan party the other night, man.
00:25:33All these hippies doing real hippie shit, you know?
00:25:35Dancing around the fire, taking shrooms.
00:25:39Hey, hippies are dirty, man.
00:25:41Who's left of it?
00:25:42Bro, don't think I blinked a wink in like 48 hours.
00:25:45All right.
00:25:47Well, that's it there.
00:25:48Yeah.
00:25:49Yeah, mate.
00:25:49Yeah, that's it.
00:25:50Yeah.
00:25:51Yeah.
00:25:53Oh, my God, man.
00:25:55Honestly.
00:25:56Thank you so much for that.
00:25:57I'm really grateful, dude.
00:25:58Yeah, yeah, no problem.
00:25:59It's a beautiful piece.
00:26:03I just feel like I'd be a lousy mentor if I didn't tell you the truth, you know?
00:26:09And the, um, I can't stop reminiscing about your editorial work, you know?
00:26:16I mean, you know, clearly you have an eye for the land, but the truth is landscape's just
00:26:22down your thing, man.
00:26:27Well, I'd have to disagree with you, man.
00:26:30I think, um, you know, I think there's definitely something here, you know?
00:26:38And with your encouragement and your mentoring, I can enchain that and truly find what it is
00:26:45is that I am missing, you know?
00:26:47It's like...
00:26:52There's no way.
00:26:54What's up?
00:26:58That's the girl from the beach the other day.
00:27:02Theo.
00:27:03Theo!
00:27:06Ugh.
00:27:07Fucking hell.
00:27:12Excuse me.
00:27:14Excuse me.
00:27:16Hi.
00:27:17Can I help you?
00:27:21I'm so sorry.
00:27:22I thought you were someone else, though.
00:27:25Okay.
00:27:26Sorry.
00:27:38Hey, fuck off, Whit.
00:27:40Oh, you're alright, mate.
00:27:42Did you catch her?
00:27:44It wasn't her.
00:27:45No.
00:27:46Oh, hoo hoo hoo.
00:27:48Doesn't matter.
00:27:49I'll tell you what.
00:27:51I've had a break in my need.
00:27:53Yes.
00:27:55What is it?
00:27:56I took this shit the other night with those hippie chicks.
00:27:59I connected to the earth that I walked upon.
00:28:02With every footstep, I felt his heart beat.
00:28:07There's no way.
00:28:09No.
00:28:09Theo, Theo, Theo!
00:28:10Theo, Theo.
00:28:12This shit is how legends are created.
00:28:16Think about it, right?
00:28:17We are bound by what physically exists.
00:28:20This shit was made so we could travel to realms beyond our own.
00:28:24I know what it's like to be on the cusp of finding artistic integrity.
00:28:28It's like knowing the meaning but unable to find the words.
00:28:32Constantly seeing the shadow of your brilliance but unable to find the object's source.
00:28:37Theo, hey, hey.
00:28:40Hey.
00:28:41I was lucky.
00:28:43I found mine at a young age.
00:28:44I was accepted by this land and its people.
00:28:47Do you want to find what you're missing in this country?
00:28:55Ask her.
00:28:57Come on.
00:28:59She'll tell you.
00:29:19Yeah, you're almost there mate, just up here.
00:29:37What do you think you want to take photos of?
00:29:41I don't really know.
00:29:49I thought landscapes, but there's nothing here for me.
00:29:58Don't offend the land. She listens. Do you like taking photos of people?
00:30:10I don't like shooting models to sell stuff.
00:30:18I like to capture moments through their expressions and subtleties.
00:30:33When the image becomes about a model trying to sell something, it loses the model's nuances.
00:30:41There's no language, no voice, no message behind their eyes.
00:30:47And all we're being told is to buy a product.
00:30:54Something's happening.
00:30:57Hey, stay focused. Breathe.
00:31:04What's inspired you lately?
00:31:11Red woman.
00:31:12Why did she inspire you?
00:31:17She appeared out of nowhere.
00:31:21Where did you see her?
00:31:23Stuck in a speech.
00:31:27The other place is haunted.
00:31:36I think...
00:31:37I think we need to go back to the camera.
00:31:43Hello, I just...
00:31:48I just need...
00:31:51I just need him.
00:31:54I just need him there.
00:31:56Theo.
00:31:56I just need a second.
00:32:03Theo, we're not done.
00:32:20Oh, my God.
00:32:23Oh, my God.
00:32:24Oh, my God.
00:32:38Oh, my God.
00:32:58Oh, my God.
00:33:20Oh, my God.
00:33:26It's horrible.
00:33:28It's horrible.
00:33:31You know, this landscape's just out of your thing, man.
00:33:37Oh, my face.
00:33:43Look.
00:33:46I...
00:33:47I...
00:33:49You see?
00:33:54Even in landscapes like this, the Earth is providing you with people.
00:33:59I'm not even sure if it's all right.
00:34:03You're missing her, boy.
00:34:04She is everywhere.
00:34:06Don't stay for me, for her, for the land.
00:34:09Leave to find the people.
00:34:19My hands are wet.
00:34:21With inspiration.
00:34:24If you stay, the paint will dry.
00:34:27You will dry.
00:34:28I...
00:34:33I should go.
00:34:37I think it's necessary.
00:34:43For you or for me.
00:34:45Hm?
00:34:48Are you even real?
00:35:03I think it's real.
00:35:04My thing is real.
00:35:12We should go.
00:35:15We should go.
00:35:16Find your balance.
00:35:18We should go.
00:35:19Find the people.
00:35:19soldiers.��라...
00:35:37I keep
00:35:37going to kill myself. You know...
00:35:41Jefag.
00:35:41I'm sorry. I love this
00:35:44place. Yeah,
00:35:46it's pretty... Pretty
00:35:48special. I don't know
00:35:49what you're
00:35:49talking about. Let's do it. What have
00:35:49Hmm?
00:36:33I found Shakespeare in Iceland, okay?
00:36:38Like Romeo or Julia?
00:36:41I am the Romeo.
00:36:43Just do the real thing.
00:36:46Really?
00:37:07I can't believe you.
00:37:10Whoa, whoa, whoa.
00:37:11Don't, don't.
00:37:13I need to get that book quickly.
00:37:15Help me.
00:37:16I know.
00:37:16I know.
00:37:17I know.
00:37:19I know.
00:37:44I know.
00:37:45I know.
00:37:46I know.
00:37:48I know.
00:37:49I know.
00:38:03I know.
00:38:06I know.
00:38:13I know.
00:38:13I know.
00:38:14I know.
00:38:14I know.
00:38:27I know.
00:38:28I know.
00:38:28I know.
00:38:38I know.
00:38:40I know.
00:38:40I know.
00:38:40I know.
00:38:42I know.
00:38:44I know.
00:38:53I know.
00:38:57I know.
00:38:58I know.
00:39:05I know.
00:39:10There are other people in here, you know. Did you find anything?
00:39:15No.
00:39:17Okay, just be a sec. Okay?
00:39:37Do you like this?
00:39:38Yes, do you like this?
00:39:40Yes, do you like this?
00:39:40I like this.
00:39:41Yes, I like this.
00:39:42I don't know.
00:39:43I'm coming all the time.
00:39:44It's a bit of a book.
00:39:46Yes, of course.
00:39:48How much?
00:39:49Two and five.
00:39:50Yes.
00:39:51No, I get this.
00:39:52No, seriously, please.
00:39:54How much?
00:39:55Two thousand and five hundred.
00:39:56English?
00:39:57Two thousand and five hundred.
00:40:07Bye bye.
00:40:09Bye bye.
00:40:10Bye bye.
00:40:35Bye bye.
00:40:38Bye bye.
00:40:45Bye bye.
00:40:48Bye bye.
00:40:49Come on.
00:40:50We're late.
00:41:05Bye bye.
00:41:10Bye bye.
00:41:16Bye bye.
00:41:20Bye bye.
00:41:22Bye bye.
00:41:34That's
00:41:35What I've learned.
00:41:35Aww.
00:41:38Dúlir.
00:41:40They're saying we're a cute couple.
00:41:46I mean, how are you doing that?
00:41:48Yeah.
00:41:50You're getting a bit of a hit at you and...
00:41:53No.
00:41:54Guds.
00:41:56I mean, I've been to know him a very nice guy in my life.
00:42:00They were together and were just a lot.
00:42:03See, I'm thinking about it because I think she's going to hang the house it'll be nice.
00:42:08What?
00:42:14Are you going to tell me?
00:42:17Are you saying he's saying?
00:42:18No.
00:42:19No, we're just a bit of a ring ring.
00:42:22She's saying she said it in the end of the night,
00:42:25which was really good.
00:42:27That's Ravest.
00:42:29I just wanted to find a post-gab depleted for me.
00:42:31Well, you were just saying that you were going to come and get it.
00:42:36I send it to you and it's not a skill.
00:42:39No, you don't do that.
00:42:41No?
00:42:41No.
00:42:44That's what I have done.
00:42:48Get you said that I'm going to do it for you?
00:42:52No, I don't want to do that.
00:42:53It's just a joke.
00:42:57If I had to make a lot of money,
00:42:59then I've never been to you.
00:43:01No.
00:43:02And do you know how to make a lot of money?
00:43:04Yes.
00:43:04You're always a good person.
00:43:07Are we going to come?
00:43:09Look, friends.
00:43:12It never changes.
00:43:16It's beautiful.
00:43:19Yeah.
00:43:21Do you want to take a photo?
00:43:25No. I left my camera in the car.
00:43:29I'm going to ask you how to do it.
00:43:31I'm going to ask you how to do it.
00:43:48No.
00:43:51No.
00:43:52No.
00:43:55No.
00:43:56No.
00:43:57No.
00:43:57We don't miss you.
00:44:00No.
00:44:02No.
00:44:04No.
00:44:07I don't know.
00:44:09I don't know.
00:44:11I don't know.
00:44:12I don't know.
00:44:34I don't know.
00:44:36I don't know.
00:44:47I don't know.
00:45:37I'm sorry if you felt excluded from the conversation today.
00:45:42It's fine.
00:45:57Are you hungry? I can cook you some food.
00:46:02You don't cook.
00:46:05I used to cook for my mom all the time.
00:46:13I don't need looking after her.
00:46:16I'm fine.
00:46:20You are in a bad mood, babe.
00:46:23I told you. I'm fine.
00:46:28Okay.
00:46:30You're right.
00:46:31I don't want to fight.
00:46:34But more importantly, I don't want to cook.
00:46:38I don't want to cook for my mom.
00:46:40I'm fine.
00:46:54I'm fine.
00:46:56I'm fine.
00:46:56I'm fine.
00:47:03I'm fine.
00:47:16I'm fine.
00:47:24How is she doing?
00:47:25I'm fine.
00:47:25I'm fine.
00:47:30I don't know.
00:48:01I want to see your face.
00:48:06Theo, let me see your face.
00:48:10Stop it!
00:48:13What the fuck is wrong with you?
00:48:15Hey, hey, hey.
00:48:16What the fuck?
00:48:17Was that too rough?
00:48:18What's up?
00:48:19Hey, calm down.
00:48:21What's going on inside your head, huh?
00:48:24You were acting the way he did.
00:48:29No, no, no, no, no, no, no.
00:48:32Don't compare me to him.
00:48:33Don't do that, Anna.
00:48:34Were you on the receiving end of that?
00:48:36Just now.
00:48:37Why would I act like the very man I spent so long trying to save you from?
00:48:42Come here.
00:48:44Come here.
00:48:50Come here.
00:48:51You...
00:48:52It's your nightmares.
00:48:54You...
00:48:57Let them get inside your head.
00:49:01I told you, I'd...
00:49:06Never let him back in, okay?
00:49:20You're okay.
00:49:28You're okay.
00:49:29You're okay.
00:49:39I don't know.
00:50:05You shouldn't really be mixing.
00:50:08I can handle it.
00:50:11I think I walked past the love of my life.
00:50:16What do you mean?
00:50:18And I didn't even stop to say hi.
00:50:22It was strange, though.
00:50:25Have you ever had that feeling of, like, walking past someone and...
00:50:31I just feel like you know them?
00:50:35Or you should know them.
00:50:37You can't pinpoint, like, from where or how.
00:50:44I should have stopped.
00:50:48I don't know why I didn't.
00:50:52I should have rolled the dice on.
00:50:55Maybe it was your ladder.
00:50:58My what?
00:50:59Yeah.
00:51:01Did you ever play the game snakes and ladders as a kid?
00:51:04No, my mom was a hippie, so we'd dance on the beach on weekends.
00:51:09Good woman.
00:51:13I'm sad I never met her.
00:51:17Yeah, she would have liked you.
00:51:23Snakes and ladders.
00:51:26Okay.
00:51:27So, it's a board game, and you have to race and get from one end of the board to the
00:51:34other by using your dice.
00:51:37On the board, are snakes and ladders.
00:51:41If you land on a ladder, you climb your way up the board.
00:51:45But, if you land on a snake, yeah, you fall down.
00:51:50Exactly.
00:51:51You go backwards.
00:51:55What if our journey is always set in stone, you know, like, no matter what, there's always this hundred square
00:52:04waiting for us beyond the board.
00:52:07But, it's the roll of the dice, our actions, that dictate how we get there, whether we meet a snake
00:52:15or a ladder.
00:52:24Two more, please, Bob.
00:52:25Thanks, mate.
00:52:27You know, capturing something truly remarkable.
00:52:32You know, something that would catch people's eyes, but the only thing that I've managed to catch is the back
00:52:39of someone's head.
00:52:42When exploring by myself, I found myself on this beach.
00:52:50And way down the coastline was this woman in a red dress.
00:52:56It was utterly mesmerising.
00:53:02I saw her for a few seconds, but I mean, she was, she was the holy grail of beauty.
00:53:11I mean, I don't think I've ever seen anything like it in my life, ever.
00:53:17You know?
00:53:22Well, it's like, it was like, when I started photography, right, I gave myself this, like, three-second window to,
00:53:29you know, decide the narrative of the subject.
00:53:31And approaching her, it just, it just felt like I'd seen her before.
00:53:35It was, yeah, it was something I've never felt.
00:53:40I mean, like I knew her, and yet, I, I don't.
00:53:43I, what do you think my final square is?
00:53:47For you?
00:53:50Mm.
00:53:52Just like my sister.
00:53:55Balance.
00:53:59Right.
00:54:06Is it weird that, that's exactly what I felt, in that moment?
00:54:16Like, something had been restored?
00:54:20Mm.
00:54:22Mm.
00:54:22Mm.
00:54:23Mm.
00:54:23Mm.
00:54:25Mm.
00:54:28Mm.
00:54:30You can't mourn the what-ifs in life.
00:54:34You can't miss what you never had.
00:54:40But what if I'm mourning the potential of happiness?
00:54:45Is that a what-if?
00:54:51Can I mourn the fact that the alcohol in this can is now, in fact, calm?
00:54:59I'm gonna go get some more.
00:55:01I'm gonna go get some more.
00:55:01Yes.
00:55:01Yes, you, you can mourn that, okay.
00:55:03Hey, no, no, no, I think, I think, I think you've had enough.
00:55:07I'm sorted.
00:55:09Come here, come here, come here, come here, come here.
00:55:11What is this?
00:55:13You changed everything, but the one thing it's got.
00:55:18What is this?
00:55:20Sand?
00:55:21Sand, you know what I should do?
00:55:24What?
00:55:25I should get a tattoo.
00:55:26Uh, absolutely not.
00:55:28Yeah, I should get it, like, here.
00:55:31That is a terrible, terrible idea.
00:55:35You're so boring.
00:55:36You're just sitting here at the corner of a party, watching everyone else have fun.
00:55:42You know what, I'm gonna go get a tattoo.
00:55:45Anna!
00:55:47Anna!
00:55:48Fuck off!
00:55:50Sorry for being a buzzkill, man, it's just, like, I don't know, dude, when I...
00:55:57Before I came to Iceland, there was just, like, this feeling, you know, it was, like, a magnet attracting me
00:56:02to the land.
00:56:03I knew it was the next step, you know, in my life, and I saw your photos and magazines, and
00:56:08Good Fall, I'm in Lager, Aurora, and I was, like, that's, this is the one, this is the place to
00:56:13be, and...
00:56:15Yeah, if I'm being honest, I just...
00:56:19I'm not so sure yet, man.
00:56:21I really am sorry.
00:56:23My year-long guide around this island didn't have upped your high expectations, your highness.
00:56:27No, no, no, no, it's not, nothing to do with you, you've been...
00:56:31Actually, aren't that, you've been exceptional, I mean, yeah, if it wasn't for you, I probably wouldn't be here anymore,
00:56:37but, uh...
00:56:39Yeah, it's just more of an internal thing, I just need to...
00:56:44Cheers to that pal.
00:56:46Eh?
00:56:48Go on with the show.
00:56:50Cheers.
00:57:01Cheers.
00:57:02I can feel now I'm in trouble
00:57:12If you believe it, come see me in my home
00:57:23And see, I'm out of time
00:57:32I feel close to you
00:57:35Anna! Anna!
00:58:17I'm looking for something more...
00:58:25More modern, more visceral, you know?
00:58:33What is that?
00:58:36Oh, this is a...
00:58:39This was taken today, it's actually just a catalogue material
00:58:44It's tragic
00:58:47It's not...
00:58:49It's a lost boy
00:58:51What?
00:58:54Abandoned
00:58:55Alone
00:58:57It's forsaken in the harsh realities of our world
00:59:01It's...
00:59:02Banishment
00:59:03Bewilderment
00:59:07A family car
00:59:09The door is wide open
00:59:12Yeah, just like the arms of a child
00:59:15Reaching out, pleading for help
00:59:20Is my car in the mud?
00:59:22Exactly
00:59:22Yeah
00:59:23Yeah
00:59:24It's...
00:59:25It's so simple
00:59:27Yet it tells so much
00:59:32Really?
00:59:35It's...
00:59:37The story is so clear, you know?
00:59:39You have...
00:59:40You have a balance that's captured
00:59:43A landscape paired with a narrative
00:59:46Get me more of this and we're golden
00:59:57For a moment, I thought you dried out
00:59:59What?
01:00:03What are you doing?
01:00:06I'll be right back
01:00:07See you too
01:00:29I'll be right back
01:00:29What are you doing?
01:00:30Putting on music.
01:00:32Give it to me.
01:00:32I want to pick this up.
01:00:34What's your password?
01:00:35I can do it too.
01:00:36I'm capable of doing it like I've done a thousand times before.
01:00:40It's just the only difference now is a new password.
01:00:47Since when?
01:00:50What?
01:00:52Who's Jay?
01:01:00I am.
01:01:06Doesn't sound like a girl.
01:01:09I never said he was a girl.
01:01:11You said a girlfriend.
01:01:12I said an old friend.
01:01:13No, no, no, no, no, no, no, no, no.
01:01:14I know all your friends.
01:01:20You're leaving me.
01:01:22What?
01:01:23Is that why you're looking at storage units, hmm?
01:01:33You can at least answer me.
01:01:35OK?
01:01:37Because if you are leaving me, the least you could do is show a bit of honesty after everything
01:01:41I've done for you.
01:01:44What do you mean everything?
01:01:45EVERYTHING!
01:01:50You are all good, Edmund.
01:01:53You are all right, you're all right.
01:01:55I'm right.
01:01:56No, you're wrong, Theo.
01:01:58About everything.
01:02:00As per usual.
01:02:03I've never committed to anyone like I committed to you.
01:02:08Was that all just a waste of time?
01:02:14Should I even be surprised?
01:02:18I thought I'd helped you.
01:02:21But maybe you can't be helped.
01:02:24Why do you talk as if you saved me?
01:02:28100 fucking percent I saved you!
01:02:33Good to know.
01:02:34Good to know, good to know.
01:02:36Let's rewind the clock a little bit, shall we?
01:02:38Yeah, let's look back.
01:02:40You were this broken soul.
01:02:43Acting as if you were the only person in the world who ever buried their parent.
01:02:47Careful, Theo.
01:02:48You had a psychotic boyfriend who used to pin you down when you came home.
01:02:51That's if you even made it home.
01:02:53And if you did make it home, he'd be there to tell you just how ugly you were.
01:02:56You had no voice, no confidence, no life, nothing!
01:03:04Do you know what I did, Anna?
01:03:06Do you know what I did?
01:03:09I built you back up, frame by frame, picture by picture!
01:03:16So that you could piece your life back together again.
01:03:19I'm not going through this again.
01:03:20Oh, well, you know, clearly you are.
01:03:23Just like you did before.
01:03:25You're going to run off.
01:03:27You're going to drop in and out to collect little bits and bobs just like you did before.
01:03:31Well, tell me this.
01:03:32Can I keep the flat just like he did?
01:03:34He'd still be here if it wasn't for me kicking him out, further proving my points that you have not
01:03:39changed!
01:03:44Oh, brilliant, now you've lost your mind as well!
01:03:47I'm sorry.
01:03:50You don't hear it?
01:03:53The irony, Theo!
01:03:55What fucking irony, I'm serious.
01:03:56What progress have you made?
01:03:58Who have you become?
01:04:00Successful.
01:04:01Yeah.
01:04:01Great, yeah.
01:04:03I'm so happy for you.
01:04:06But more importantly, how have you become it?
01:04:11By taking photos of me?
01:04:18Don't you dare for a fucking second pretend like you don't get anything from them phonies.
01:04:26A crying girl in an exotic landscape.
01:04:31What a concept.
01:04:33You're a genius.
01:04:35No, better yet, you're a hero, Theo.
01:04:39You'd love that narrative.
01:04:41How you came swooping down like Superman, rescuing the girl with the perfect camera angle.
01:04:49You actually think that these photos saved me?
01:04:54I gave you my suffering and my past so you could create a vision or an aesthetic and I did
01:05:03it because I fucking love you and you know I'd do anything for you.
01:05:07And the worst part isn't even that you stood there while I was crying, taking photos of me.
01:05:13It's not that you print it out and hang it on my fucking bedroom wall.
01:05:17The worst part is that you sell it for a profit.
01:05:24You monetized my trauma, Theo.
01:05:27And you would be nothing without me, still falling over bigger and better photographers while struggling to find your own
01:05:40artistic integrity or any sense of originality.
01:05:51You think I'd still be stroking without you.
01:05:55I'm your muse.
01:05:57You've said it a thousand times.
01:06:03Get fucking real, Anna.
01:06:07Look at you.
01:06:08Look at you.
01:06:12There's a whole world of women like you out there, Anna.
01:06:16A whole fucking world.
01:06:20But I can't go looking for them.
01:06:21Why?
01:06:23Hmm?
01:06:24Because you're cemented to this fucking country!
01:06:28Why, no.
01:06:29Because you don't care for your mother anymore.
01:06:30No.
01:06:31You're not trying to reclaim your flat.
01:06:34Why?
01:06:38And you know...
01:06:42You know what scares me the most?
01:06:47It's the fact that I know...
01:06:51The value of my work is decreasing.
01:06:58I know...
01:06:59My work is becoming stale.
01:07:02Because I continue to only shoot you.
01:07:13And I burn it all.
01:07:16I burn it all of that.
01:07:20If I'm not losing you, so I stay.
01:07:31Which is why...
01:07:32Which is why...
01:07:32Which is why...
01:07:33I don't...
01:07:34Stop.
01:07:38It's why...
01:07:40I can't understand why you do this to me.
01:07:42Have I not sacrificed the north?
01:07:51Look at his photos, Theo.
01:07:52Look at his photos, Theo.
01:07:52Don't be cruel.
01:07:53Look at his photos, Theo.
01:07:57I don't...
01:07:59Jacob is just an old friend.
01:08:01You haven't met him because he's been traveling around the world.
01:08:04And he just got back.
01:08:05He's just been helping me with logistics, like where to go and at what time and where to store our
01:08:15stuff when we're gone.
01:08:22I know that you're desperate to travel the world and I know that you would stay here for me.
01:08:28But whatever was holding me back, I don't feel it anymore.
01:08:35I feel free.
01:08:40And that's not because of your photos, Theo.
01:08:44It's because of you.
01:08:46And us.
01:08:56She said something.
01:09:02I was envisioning the exciting moment of what I got to tell you.
01:09:09I just...
01:09:10I just wanted it to be perfect.
01:09:15If I knew going through my phone, that wasn't it.
01:09:37But yeah.
01:09:57I just wanted it to be perfect.
01:11:27Yeah, I'm not really feeling it today.
01:11:29The light's very flat.
01:11:31What NDs are you using?
01:11:33Fuck NDs.
01:11:34Just go with your gut.
01:11:35Yeah, I get that.
01:11:36It's just...
01:11:38I want something that...
01:11:40I want something more than just an image, you know?
01:11:42Something that requires more than me just showing up.
01:11:45We're in the most beautiful place on the planet and you're struggling to find inspiration.
01:11:49Fuck me.
01:11:51Are you sure you want to be a photographer?
01:11:52Of course.
01:11:53I just...
01:11:54feel like I'm missing something.
01:11:57Just don't think about it.
01:11:59You're just a fly on the wall.
01:12:02So talk is about observation, right?
01:12:07That's all it is.
01:12:08Just document moments in time.
01:12:12I guess so.
01:12:23This lens is your view of the world.
01:12:26And this lens is mine.
01:12:28I guess so, yeah.
01:12:33Iceland's a rarity.
01:12:34Look around.
01:12:36It's a parallel, a floating paradox.
01:12:39The land of fire and ice.
01:12:42And rain, hail, sleet, snow, light, darkness.
01:12:46Exactly.
01:12:47Mother Nature at our finest.
01:12:49And that's why we need to be in the elements.
01:12:55Yeah, just...
01:12:56Right.
01:12:58Lesson number one.
01:13:00When we're peering through our viewfinder, what are we looking for?
01:13:04A nice view?
01:13:06No.
01:13:07Authenticity.
01:13:08Authenticity.
01:13:08It's authenticity that comes through when the photographer is connected to the land.
01:13:14And that's what we must find.
01:13:16We must find that flow.
01:13:19That organic composition.
01:13:21Once we find that...
01:13:25You have the snap.
01:13:29Now pick up your camera.
01:13:32And point.
01:13:33...
01:13:33...
01:13:45...
01:13:46...
01:13:47...
01:15:17Hi.
01:15:18I'll just get one whiskey, please, and just charge you to the room.
01:15:21Of course.
01:15:21Cheers.
01:15:23Well, aren't we in the presence of greatness?
01:15:28Jude, how are you?
01:15:30Hey, I'm good, my man.
01:15:33Congrats on your work.
01:15:35Thanks.
01:15:38I heard you're looking for a gallery near mine.
01:15:42Yeah, my agent set it up.
01:15:45Yeah, I know him well until a few months ago.
01:15:52Hey, let me buy you a drink.
01:15:53No, I'm just going to have this and I'm going to shoot off.
01:15:57I insist.
01:16:00Three more, please, mate.
01:16:01Of course.
01:16:02Anyway, from what I remember, I always drink anyway, right?
01:16:05Plus, it's all around the island, which you didn't follow up on.
01:16:09But you made your own way anyway, didn't you?
01:16:17Thank you, sir.
01:16:19Thank you, baby.
01:16:28Yeah, my little girl.
01:16:30She's four, man.
01:16:32But I love this picture, you know?
01:16:34It reminds me of, um, better days, you know?
01:16:39Sweet.
01:16:41I, um, I appreciate the drink.
01:16:45You're most welcome, my man.
01:16:47The man.
01:16:48Hey, uh,
01:16:50Cheers to you.
01:16:52Yeah.
01:16:55Cheers.
01:17:05Well, um,
01:17:08you look after yourself, okay?
01:17:11Yeah?
01:17:12You too, man.
01:17:13Take it easy.
01:17:14Take care.
01:17:19What was that?
01:17:25My replacement.
01:17:39My replacement.
01:17:41Pretty girl.
01:17:43Pretty girl.
01:17:44Oh, my God.
01:17:45Are you all right?
01:17:46Help.
01:17:47Hi.
01:17:49Oh, you're a...
01:17:50Well, it's fine.
01:17:50It's fine.
01:17:51Is it, um, is it Anna?
01:17:54We met at, was it Lara's housewarming about a year ago?
01:17:58I'm so sorry.
01:17:59I really need to call this person back.
01:18:01Sorry.
01:18:20Hi.
01:18:24I love men with regrets or has-beens.
01:18:37Should I extend my stay?
01:18:44Look, I'm not trying to be difficult.
01:18:48I know.
01:18:52Just never expected those words to come from you.
01:18:58I get it.
01:19:01But you have to take responsibility.
01:19:06The hurt you caused me, Anna, you...
01:19:11I know you have a past and I know it haunts you,
01:19:13but you're not exclusive to pain.
01:19:19You really hate them?
01:19:25No.
01:19:27Not all of them.
01:19:31I...
01:19:33I like the one on the beach.
01:19:37Do you look so sad?
01:19:42I wasn't.
01:19:47I remember it was...
01:19:50one of the few places I remember being really happy.
01:19:54And I think it comes across sad because I realized that...
01:19:59that moment was so fleeting.
01:20:04It's hard to hold on to it.
01:20:08I really am happy for you.
01:20:13And I'm grateful that your success allowed you to stay with me.
01:20:26So...
01:20:28I don't have any regrets.
01:20:32The way I spoke to you, I...
01:20:35I have one.
01:20:45I'm sorry that...
01:20:48I'm sorry that things escalated the way they did.
01:20:55How long should I extend my stay?
01:21:01Anna.
01:21:05Welcome.
01:21:07I really appreciate everything you've said.
01:21:11Why?
01:21:13I'm just still...
01:21:15Anna.
01:21:16It's fine.
01:21:22I feel the same way.
01:21:23I...
01:21:25I...
01:21:25just...
01:21:26wanted to know where your head was at.
01:21:32I don't know if we survive this, Theo.
01:21:47I don't know if we survive this, Theo.
01:21:49I've had such a weird day.
01:21:52And it's so strange not being able to talk to you about it.
01:21:58Talk to me?
01:22:00I...
01:22:02I bumped into the girl I was supposed to meet the night we met.
01:22:08Vivian.
01:22:10What do you mean?
01:22:12She was there at the beginning of our relationship.
01:22:14It's...
01:22:18It's only fitting that she'd be there at the end.
01:22:23Like the grim reaper of relationships.
01:22:28All time is borrowed.
01:22:35Trust me, there's nothing logical to the girl.
01:22:39She's this spiritual...
01:22:42I don't know the word in English, but like...
01:22:46Clickers.
01:22:48A crazy person.
01:22:52Why did you agree to meet her?
01:22:59There was warmth to her.
01:23:02It was nice.
01:23:06I couldn't have been rooted to her now, though, in the street.
01:23:11I feel kind of bad.
01:23:17At least you are consistent.
01:23:40At least you are consistent.
01:23:45It is.
01:23:46It is not.
01:23:46It has to be decided now.
01:23:52No.
01:23:53No.
01:23:57Maybe we just need to take some time apart and think about things
01:24:03Feels like
01:24:06We've been so consumed by the relationship
01:24:09Maybe we need to take some time to just consider our journeys
01:24:21What if
01:24:23What I want still includes you
01:24:27Then
01:24:29Let's meet somewhere
01:24:32In a week
01:24:35By then we should have weighed up what it is that we want
01:24:42Where?
01:24:46Somewhere that's equally important to us
01:24:51Like a common ground
01:24:55The place your mother used to take you dancing
01:25:02The place you fell in love
01:25:05And what if only one shows?
01:25:12Then we respect each other's decisions
01:25:18Nothing can be changed from that point onward
01:25:22Okay
01:25:26And
01:25:27If we both shall
01:25:33We finally forget the past
01:25:37Leave it where it lies
01:25:41Sometimes it's good to leave the past in the past
01:25:45Concentrate on the future
01:25:51And
01:25:52No matter what happens
01:26:05I'm truly grateful for everything that you've ever given me
01:26:07I'm truly grateful for everything that you've ever given me
01:26:09I'm truly grateful for everything that you've ever given me
01:26:14I'm truly grateful for everything that you've ever given me
01:26:29Have you ever had that feeling of walking past someone and just feel like you know them?
01:26:37You can't mourn the water of someone.
01:26:41You can't mess with what you never had.
01:26:57But what if I'm mourning the potential of happiness?
01:27:31I crossed the line of knowing what to fight.
01:27:42I've known when the wind is right.
01:27:51I've crossed the stage of black or white or grey.
01:28:02All colours feel the same.
01:28:08But lay before me another path.
01:28:13And I will leave the shade of all my past.
01:28:18For you have breathed my blame and made me cast my burden.
01:28:24So I'm not another half hole.
01:28:56I'll see you next time.
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