#crime #drama #mystery #thriller
Category
🎥
Short filmTranscript
00:00If you enjoy our videos, subscribe, like, and comment to support us.
00:05Thanks for tuning in.
00:39THE END
01:07THE END
01:33Wait here, Slim. I'll be down in two shakes.
01:38THE END
01:38THE END
01:42THE END
01:44THE END
01:58THE END
02:05THE END
02:05THE END
02:12THE END
02:32THE END
02:35THE END
02:46THE END
02:48THE END
02:52THE END
02:54THE END
03:02THE END
03:06THE END
03:08THE END
03:16THE END
03:18THE END
03:27THE END
03:28THE END
03:29THE END
03:35THE END
03:38THE END
03:46THE END
03:47THE END
03:47THE END
03:48THE END
04:04THE END
04:07THE END
04:12THE END
04:29THE END
04:32THE END
04:34THE END
04:42THE END
04:44THE END
04:57THE END
05:02THE END
05:05THE END
05:07THE END
05:09THE END
05:12THE END
05:16We're a sister.
05:18Oh, yes, I see, yes.
05:20Lord Worcester, mm-hmm.
05:22His mother'd be fit to be hog-tied if I'd gotten any kind of scandal.
05:26Uh, Anglo-American relations are involved in this, Watson, to say nothing of chivalry.
05:31Now, look here, Holmes, I know all about Anglo-American relations and then chivalry, but just the same, I...
05:36Doc, maybe you'd better stay home tonight and leave this to me and Sherlock.
05:42Yes, maybe you'd better. It might turn out to be a rather risky business, Watson.
05:46Well, I, I, um, excuse me, what, um, what exactly is this?
05:53Hmm?
05:54It's a lasso, Doc.
05:55Oh.
05:58Well...
05:59You throw a half a with it.
06:01Well, you throw a half a where?
06:02Well, you don't really throw a half a, Doc.
06:05You just lasso them.
06:09Like this.
06:11Now, really, I, what on earth do you think, young woman, you're doing...
06:15And then...
06:15What is that?
06:16You'll hurry, I...
06:30All right, boys, up you go.
06:37I refuse point blank to travel in that disgusting conveyor.
06:41Oh, don't be so narrow-minded, Watson. Come on, get in.
06:44I tell you, I refuse point blank.
06:47Well, if that's the way you feel about it, Doc.
06:50You'll regret this.
06:51Take it away, Slim.
06:52Hey!
06:54Hey!
06:55The man, after all, he has his principles.
06:57Hey, you mustn't do this to me.
06:58What do you think you're doing?
07:00Faster, Watson, faster.
07:01What do you think you're doing?
07:02I can't put up with this.
07:03You'll stagger me.
07:04Come on, now, Watson, hurry, hurry.
07:06Come on.
07:06Knees up, Mother Brown.
07:08Knees up, Mother Brown.
07:09Knees up, knees up.
07:10Don't get the breeze up.
07:11Knees up, Mother Brown.
07:12Come on, Watson, come on.
07:13Come on.
07:30There he is, boys.
07:31Just like I left him.
07:33He's dead all right, isn't he, Doc?
07:35He couldn't be deader.
07:39Yes.
07:40Nasty business, this.
07:43Whoever did it wasn't satisfied to hit him just once with that tomahawk.
07:47Hit him several times.
07:50Looks like a vengeance killing.
07:52Sounds like an engine on the warpath.
07:57I take it that this is the weapon you use in your performance, Minion?
08:01Yup.
08:02The fella stands there with a cigarette in his mouth,
08:04and I throw the tomahawk at him, slice off the cigarette.
08:08Bit risky, isn't he?
08:09Not if I don't miss, Doc.
08:11Oh, I see.
08:13When do you estimate the time of death, Doctor?
08:16Within the last two hours.
08:18It's perfectly straightforward.
08:19Penetration of the cell of rhythm.
08:21He was hit more than once.
08:23Hmm.
08:25Aged about 30, I'd say.
08:28Occasionally wore glasses.
08:34Uh-huh.
08:36Won it.
08:38No means of identification in it.
08:42Ah, what's this?
08:45Hmm.
08:46No doubt about his profession, Watson.
08:49Skeleton keys.
08:51By Jove, Holmes a burglar.
08:53Then that means, of course, he was after some jewels, and he must have had a partner, and then he
08:58and his partner...
08:58But he's got no jewels.
08:59Just some old engine beads, and who'd want them?
09:02Now, the problem becomes, where can we put his body?
09:06Now, look here, Holmes.
09:07We can't put his body anywhere.
09:09That's why that's preposterous.
09:10I've got it.
09:10We'll put it in the next room.
09:12Oh, now, look, Holmes.
09:13Listen.
09:13You've got to listen to me.
09:14You can't possibly...
09:15Anglo-American relations, Watson.
09:18Remember?
09:19Careful, Watson Jack doesn't see you.
09:21He's got his room down the hall.
09:22Ah.
09:23Thank you, my dear.
10:05Relax, Doc.
10:06Leave it to Sherlock.
10:07My dear child, Holmes is the last person I'd leave this to.
10:10He has no more idea when to stop than any man I ever...
10:13Number 13, across the passage.
10:14Most appropriate.
10:15Couldn't think of a better.
10:16Come on, now.
10:17Time's a waste.
10:18Oh, come on.
10:19I don't see.
10:21I don't see.
10:22I don't see.
10:23I don't see.
10:27I don't see.
10:28All right, boys.
10:29All clear.
10:35Come along, Holmes.
10:36Yes.
10:37Holmes, what are you doing?
10:38Come along.
10:38I'm coming.
10:39I'm coming.
10:45Psst.
10:46Mr. Holmes.
10:47Hello, Tommy.
10:49I've got something for you, Mr. Holmes.
10:51Something real odd.
10:53Really, Tommy?
10:53What is it, eh?
10:55Well, sir, I happened to be passing one of the rooms tonight,
10:57and I looked inside.
10:59The door was open?
11:01Not exactly open, sir.
11:03In fact, it was closed, if you know what I mean.
11:06Ah, yes.
11:07I think I do know what you mean.
11:09Well, if a bloke wants to become a famous detective like you...
11:12Well, really, Tommy, there are more ethical ways of becoming a detective
11:15than looking through keyholes, but since you did, what did you see?
11:20Someone's hand.
11:21Boy!
11:22Boy!
11:23Yes, ma'am?
11:25There's a mouth in my room.
11:26I'll get it right out, ma'am.
11:28How?
11:29I'm coming right away, ma'am.
11:31Madam, might I suggest that you try mewing?
11:35Mewing?
11:36Yes, madam.
11:37Mewing.
11:38Huh!
11:40Disgraceful, if you ask me.
11:41I pay three shillings for my room, and I must mew like a cat.
11:48Well, now, Tommy, perhaps you'll tell me about that hand that you saw.
11:51Well, sir, all I saw was a hand turning a knob on a bedpost.
11:55Hand turning a knob on a bedpost.
11:58That's very interesting.
11:59Thank you very much, Tommy.
12:01Now, run along and catch that mouse.
12:03Thank you, sir.
12:04Coming, madam.
12:11A tomahawk, I think it's called, sir.
12:13A native weapon of the North American Indian.
12:17Sometimes as a missile and sometimes as a hand weapon.
12:20When I want the history of the tomahawk, Wilkins, I'll consult an encyclopedia.
12:26Yes?
12:28Oh, come in, Holmes.
12:29Dr. Watson?
12:30Hello, Inspector.
12:31How are you?
12:31Got your noteless trade.
12:33Anything interesting on hand?
12:34Yes, murder.
12:35I thought you'd be interested.
12:36It's the kind of case you like.
12:38Really?
12:38Why?
12:39Well, the chambermaid found him like this a little while ago.
12:41Ah.
12:42Oh, poor chap.
12:43Yes.
12:43He was killed by this tomahawk.
12:45It's a native weapon of the North American Indian.
12:50Sometimes used as a missile, sometimes a hand weapon.
12:52That's the most observant of you, restraint.
12:55Have you identified the victim?
12:56Oh, yes.
12:57Of course.
12:58There's a burglar the name of Sly Sam Slyth.
13:01The room belongs to Mr. Honeywell here.
13:05Mr. Honeywell is a salesman.
13:07Women's quarters.
13:08Terrible.
13:09Terrible.
13:11A dead man in my room.
13:13I shall lose all my customers.
13:16Yes, that must be very awkward for you.
13:20Uh, Holmes, don't you think, um, this is the time for the magnifying glass and little, um, detection?
13:27Well, Watson, I don't really like interfering in the yard's cases.
13:32Besides, it seems plain enough without magnification.
13:35Oh, you mean Mr. Honeywell?
13:38What?
13:40I don't know anything about it.
13:43Inspector, I am innocent.
13:45Think of my c-customers all my-
13:46Take it easy, Mr. Honeywell.
13:48No one's accusing you of anything.
13:50Now, the way I see it is this, Holmes.
13:53Sly Sam sometimes worked with a partner.
13:55They were on a job here together tonight.
13:57They broke into this room, quarrelled over the loot, and Sly Sam tomahawked them.
14:01Who owned the tomahawk?
14:04The tomahawk?
14:06Yes, of course, Lestrade, you know, Sly Sam, Sly's partner, might have been a red Indian.
14:13Are you coming, Watson?
14:17Let me know if you'll find the owner of the tomahawk, won't you, Lestrade?
14:42It was late in the afternoon, and the grey, depressing London weather did nothing to help clear up my confusion.
14:49Holmes kept silent as we walked, and it wasn't until the rain cleared and the gas lamps came on that
14:55he started to discuss the case.
15:00Yes, but Holmes, what I don't understand is, who put the tomahawk next to the body?
15:04I did.
15:05You did?
15:06Yes.
15:07But Holmes, Minnie's our client.
15:09So she is.
15:10Yes, but we moved the body so she won't be involved, and then you implicate her with the tomahawk.
15:15But the tomahawk is evidence, my dear fellow.
15:18Would you help me disturb evidence?
15:20That's illegal, you know.
15:23Well, really?
15:26Yes, but...
15:27Well, you know, Holmes, I'm very surprised at you, you know, because, after all, Minnie is our client.
15:34It's your duty to protect our clients, not to turn...
15:40All right, boys, grab air.
15:43Grab air?
15:44What are you talking about?
15:46Reach for the ceiling, Doc.
15:47You too, Sherlock.
15:49Oh, I believe she means, uh, raise your hands.
15:53Oh, why didn't you say so?
15:55I'm right disappointed in you, Sherlock.
15:58I thought you were a straight shooter.
16:00You planted my tomahawk next to that critter's body, so I guess I'll have to shoot you.
16:06You got any last wishes, Sherlock?
16:08Well, I...
16:21And now we return to the case of the Texas cowgirl.
16:25Quite simple, really.
16:27The tomahawk I placed by the body was the one I found in the potted plant outside Minnie's room.
16:33The murderer undoubtedly hid it there, hoping to recover it later on.
16:36You mean he used two tomahawks to kill Slythe?
16:39No, just one.
16:40He struck, uh, Slythe with Minnie's tomahawk after he'd killed him.
16:44Thereby giving the impression that Minnie had done it.
16:46Well, someone's trying to frame me.
16:49Obviously.
16:49Well, who is it?
16:51Could it be somebody in the rodeo?
16:53My no good, Doc.
16:55If anyone in the rodeo saw, they saw a bison jack, not me.
16:58No one knows I'm a silent partner.
17:01Who's that?
17:02Oh, one of Inspector Lestrade's emissaries, I expect.
17:05Come in.
17:08Oh, Mr. Holmes, Inspector...
17:14Inspector Lestrade asked me to give you this message.
17:17Oh, thank you, Wilkins.
17:23Aha.
17:24Just as I thought.
17:26What is it, Sherlock?
17:27Well, Inspector Lestrade thinks he's found the owner of the other tomahawk, the one that killed Slythe.
17:32But whose is it?
17:33He doesn't say.
17:34Well, come on, boys.
17:35Whoever the ombre is, he's the one that's trying to frame you.
17:49Where's the inspector, Sergeant?
17:50In the room with the buddy?
17:52No, sir.
17:52He's in the room with running water.
17:53This one, sir.
17:54Running water?
17:55But they've all got running water.
17:57It means chief running water, Doc.
17:59The engine in the rodeo.
18:00Oh.
18:13Well, I took your advice, Mr. Holmes.
18:15I found an Indian.
18:17Chief running water here.
18:19Indian to London, honestly.
18:22Howdy, Chief.
18:26Oh.
18:29How do you do?
18:31Lestrade, has our friend admitted owning the tomahawk?
18:35Well, I don't know.
18:37He keeps saying the same thing every time.
18:39You watch.
18:42Now, I'll ask you once again.
18:44Is this your tomahawk?
18:49Huh?
18:50The woman who?
18:54You see?
18:55He doesn't savvy in this show.
18:58Oh, I, uh...
19:00I don't think I've had the honor.
19:02Oh, I beg your pardon, Inspector Lestrade.
19:05This is Miss Minnie O'Malley from Bison Jack's rodeo.
19:10Oh, then, Miss, perhaps you can help me to make this gentleman understand what I'm trying to ask him.
19:16Sorry, Sheriff.
19:17He's a Blackfoot.
19:18All I speak is Apache.
19:19Ha, ha, ha, ha, ha.
19:23Ha, ha, ha, ha.
19:24Tomahawk.
19:25You...
19:26...catch em queek...
19:28...kill...
19:30...white chief?
19:33...buena herna.
19:59...buena herna.
20:22...buena herna.
20:23...buena herna.
20:25...buena herna.
20:30...buena herna.
20:38...buena herna.
20:38What do you want to do that for?
20:40I reckon he thinks you're asking him to scalp you, Sheriff.
20:44Holmes, this is impossible.
20:46When it gets to the point where I have to learn Blackfoot to talk to a murder suspect, well, rarely.
20:55well what's he saying i believe sir he says the tomahawk belongs to big chief bison jack
21:03when i want suggestions from you wilkins i'll ask for it what
21:12he says that he saw mr bison jack tonight in the corridor outside room number 13 the room where the
21:18body of this thief was found he also suggests that perhaps we might bison jack why sure enough this is
21:27his tomahawk then it's not his sherlock the vomit tomahawk slice in my room and then he went over
21:36in your room miss o'malley a slip of the tongue straight a slip of the tongue that's right
21:42sheriff slip of the tongue make them all the time because that wouldn't make any sense either
21:48wilkins
21:51find this bison jack person or whatever they call him and bring him to room 13. yes
22:32this ain't my tomahawk sheriff never seen it before
22:35anyhow tomahawk's all look the same to me mr tomahawk you loaned me for my act tonight left mine in
22:40my room
22:41you didn't give his here tomahawk back to me minnie i certainly did right after the act
22:47i don't rightly recollect you're giving it back chief running water
22:53chief running water said he saw you outside the door of this room tonight mr jack
22:58yeah one to talk over the act with minnie did miss o'malley answer the door no i went straight back
23:04to my room did you get back here tonight before or after minnie i reckon as before at least wise
23:12many wasn't in a room when they're not tell me lestrade did any of the guests report missing
23:19jewelry tonight no why well they will soon but you gave a solution yourself restrained the murderer
23:30was sam sly's partner weren't you mr honeywell i i don't know what you're talking about you stole
23:40bison jack's tomahawk to kill your own partner here in this room
23:44then you plan to move his body back into bison jack's room this is ridiculous if that's what i
23:52planned why didn't i put the body into bison jack's room because bison jack had already returned to his
23:58room from the rodeo in that case i still wouldn't have left the body in my room i could have
24:04put it in
24:05another room come come mr honeywell don't let's get academic who placed the jewels in the bedpost yes who
24:14did place the jewels in the bedpost well i i i would your employment with a corset firm stand
24:24investigation mr honeywell
24:26rock and roll
24:41you see that's the way down well dr watson nice roberno spider he's all yours inspector
24:51Ah!
24:51Ah!
24:56Middle of this.
24:58There we are, Holmes.
24:59Ah, thank you, Watson.
25:00Bread?
25:02See, you can really twirl that rope, Doc.
25:05Oh, I don't know.
25:06I don't think there's much to it once you get the hang of it, you know.
25:09Ah!
25:13See, Sherlock, how'd you know that Honeywell dragged the body from his room to my room?
25:19Well, the, uh, tracks in the corridor.
25:22Two heel marks in the carpet.
25:24Quite obvious.
25:26Golly, you could be an engine scout.
25:30Hm.
25:31Minnie, uh, may I ask you something?
25:35Sure can.
25:37Would you really have shot me?
25:42Well, I reckon I'd maybe just wounded you a little.
25:52Do you, bud?
25:53Yes, do you, Minnie?
25:55Ha, ha, ha, ha, ha, ha.
25:56Ha, ha, ha, ha, ha, ha.
26:13Ah!
26:38Ha, ha, ha, ha, ha, ha, ha.
Comments