00:00So you have three characters, me, Guy Roux, Ferguson, and the journalist.
00:07We say, oh, he's bad, oh, no, he's good, you know, he helps dramaturgy.
00:12So you follow it as a movie, it's great.
00:16So thanks, David, and thanks, Doulartan, you did a great, great, great job, and I'm so happy.
00:21It's a big privilege, obviously, to tell a story like Eric's story,
00:25which is so singular in the world of sport,
00:26but also I think it's a massive responsibility as well as a filmmaker that, you know,
00:31at the end of the day, it's our interpretation of not Eric's life but a part of Eric's life.
00:37No, it's a completely singular story.
00:40It's, you know, we actually, we joked when we were starting to edit the film
00:45that it's a bit like when sort of Bob Dylan arrives in England in the 60s
00:49and he's almost this sort of alien figure arriving,
00:51and I think it was quite similar when Eric arrived in England in the early 90s.
00:54like no one had ever seen someone like Eric before.
00:59It was a very different sort of football world back then.
01:01Let's get to the end.
01:06The job of a manager is to protect his player.
01:12And Alex Ferguson did it very well.
01:15We'll give a chance.
01:21Because Ferguson is a kind of guy who can deal with any kind of personalities.
01:29And it's one, it helps a lot.
01:32It helped me a lot to express myself.
01:38And we won things because of him.
01:46And it's a perfect example for the one who wants to become a manager.
01:52They should watch it.
01:53And it's a good one.
01:53The thing that electoral happens is,
01:53I don't have to push it with a CEO.
01:53And I think it's interesting because,
01:53Right?
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