Vadde Naveen and Transfer Trimurthulu Movie Team Q & A With Media

Mana entertainment

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Transcript

00:00Kalyan Garni, please stay back and so yes. Thank you so much. Demanding and

00:05the key. Thank you so much. Maloka event loo kalskundamu. Mi work ni June 19th

00:09na theater loo kalskundam hai maini ho. So chai sis ko nusthi.

00:19Ma. Srinvasgaru, please, please stay back and so yes. Ayo, ayo.

00:30Srintha pancha sar hidayate. Ipidhe vodena vingaru, Srinvasgaru ni ba paadheeru anndttu naru.

00:35Ayana, ayana paadhi natto akche sir sir ayana. Nijangka paadhi di lip sync maathrume. Nijangka paadhi di maathrume.

00:41Fightmaster. Okay. Na vingaru. Yes. Na vingaru.

01:01So yeah, ready andy. Na vingaru. Yeah. Sir, sir it sir. Sir, me prime time lo chesun

01:10cinema lannitultho we have many memories actually. Very good to see you back. Thank you. Thank

01:14you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you.

01:21Sir, gurthundu na gurthundu na gurthundu. Ayana kudu gurthundu. Memory oka cheppe saachi

01:24sir media. Asla, aya, wei randero paadhinin part time memory. Ah, visuals to saav

01:27upruri gurthundu. In fact, Gemini TV avannii aputlo paadilto odaar gotaisi varrru.

01:33Oh no. Repeated ga me paadil ekku ea ochche a time lo. So anyways, very nice to see you back

01:39sir. Thank you. Thank you so much. Sir, aanttei manna industry loo sari makap

01:42pese kundu na ake, ad oka, manu ko oka attraction, oka, danu infatuation anta arru. Ah, makap na teedan

01:50ake eshtubad arru. Asla avaro. Kunt maandde actors aya te, vallu prime aipak ko da struggle aya

01:55ee actors kod chalama anna unta arru. Ah, aanttei e actor meir prime time loo oka paadis ao

02:00chralal gap thies kod anna kaavna vengen sir. Ah, gap karno eindha jepi na ttei, naa kuchy e

02:08I don't think I'm a big fan of the situation.

02:13He's present in the situation and he's present in the situation.

02:16He's present in the situation.

02:18Are there an artist's continues to struggle?

02:21There are 10 years gaps and career calculations.

02:26I don't think we have any other situation.

02:29I don't think we're acting.

02:33I'm feeling very low.

02:39Why exactly that low moment?

02:42Low moment is, I feel that the actual material is not bad.

02:48It's not bad, but in the scope of performance, the characters are not bad.

02:54If you have a story, it's not bad at all.

02:58And when you have a successful film delivered, family audience is also a peak stage.

03:06One more thing, family audience is not bad at all.

03:09We are doing love and family films.

03:13The season is not bad at all.

03:17So obviously, the next option is action oriented.

03:26People don't know what I can do, but they didn't come to me.

03:29Now, when the time comes to the family audience,

03:33you know how to do production and cinema?

03:42Who is cinema?

03:43Cinema industry as a whole, it's very good today.

03:48Because there is only one genre.

03:53Family and all the family are doing cinema.

03:55Meen Gani, Shrikant Gargan, Jabhat Bhavgaran, Vengtesh Gargan,

03:59all of them are doing it.

04:00Now, the content has become very strong.

04:05If you are watching the cinema,

04:07every artist and every director has a great content.

04:09Today, I think, is a better place.

04:11Naveen Gargan.

04:13I don't have any questions to question you.

04:15But I would have to ask questions.

04:19Dear friends,

04:21I have to talk a little bit about it.

04:25I am a journalist.

04:26I am a journalist.

04:27I am a journalist.

04:28I am a journalist.

04:30I am a journalist.

04:31I am a journalist.

04:32I am a journalist.

05:02You can't see the place in the office.

05:05You can't see the office.

05:13What do you know?

05:18If I look at the office, I'm a little bit different.

05:26I will be the same as a friend of mine. I will be the same as a student.

05:33I will be the same as a student.

05:35That's okay.

05:37Why don't I say that?

05:38I am the same as a student.

05:42I am the same as a student.

05:45Why don't I say that?

05:48Why don't I say that?

05:49I think it was few hours on the road.

05:52I proved that I was going to go next in 1986,

05:56where I am analyst paying as a student director.

05:58I have почти two years studied in anUN,

06:02but if I had a student,

06:05it will be well�ed as much again.

06:05I was going to come up against an assignment

06:06to know notiliven.

06:08Yeah it was certainlyProperate the přatk estatths of the year

06:18and I....

06:19Come back cinema, this is my first film to be a sincerity and dedication

06:25Raveen, what a wonderful actor, what a timing, what a sensibility actor

06:32Gap to be a piece of paper

06:36I've always been talking to you

06:37Why don't you do this?

06:40By doing both things, my life is a very good character

06:42And if you're doing it, you'll find it

06:47One thing that you're trying to do is I'm looking at it

06:49And if you're doing it and you're trying to do it

06:52He's being referred, inquired, he's being appreciated

06:56That's why I'm looking at it

06:58I'll look at that a few times

07:00I'll give her back for my movie

07:02Naveen Garki and the entire team of this film, Trimurthal, Transor Trimurthal,

07:09Media Pakshana, this day, this is a wonderful point.

07:18That day, I am Ramesh Gauru, and I am very proud of you.

07:23Because of my work, I am very proud of you.

07:25Because of my work, I am very proud of you.

07:29I am very proud of you, and I am very proud of you, and I am very proud of you.

07:34That is, live and let live.

07:37I am very proud of you, and I am very proud of you.

07:43Thank you, sir. Thank you very much.

07:45Thank you, Prabhu.

07:46Naveen Garki, hi.

07:49Hi, sir.

07:49I am very proud of you, and I am very proud of you.

07:53And you are technicians, cast and crew.

07:56One of the reasons you are, of course, you are right.

07:59But, you are also very proud of you.

08:00So, you are also very proud of you.

08:02You are very proud of you, and you are very proud of you.

08:05Yes, yes.

08:06The opportunity of the opportunity is freshness.

08:09Screenplay, storyline, and the story.

08:13It is a cliché.

08:14It is a cliché.

08:16It is a cliché.

08:17It is a cliché.

08:20It is a cliché.

08:23It is a cliché.

08:31It is a cliché.

08:32Earlier, I will do dance though, but if you look at it, the film will be a little extensive.

08:36It is not very extensive to where it is required.

08:39All the best.

08:40Thank you so much.

08:43so that you have a 10-12 game time, you cannot

08:47get your name or name or name, one of

08:50the director is Kalyan Chankar. I want

08:53to thank him in this perspective. He has

08:57used it in Mad films.

09:05I felt happy. Something is reminding people. Somebody is doing a promotion.

09:11I don't know. The audience and fans kept keeping me going during this gap.

09:17Yeah, I really thank them.

09:19At the same time, if you come back, there have been a good buzz.

09:26Do you have any supporting roles in this timeline or important characters in the industry?

09:34Yes, there are a lot of supporting roles, but I will not be happy in that role.

09:41Or I will not be happy in that role.

09:43As I said, Ram Gopalwaramgari, Attack Cinema is my last film.

09:50That is a supporting character.

09:52So, Ram Gopalwaramgari was shooting almost 4-5 days.

09:58He came to my vanity van.

10:02So, I want to tell my opinion about you, Naveena.

10:07You are a good-looking guy, but I don't think you should be working like this.

10:14You have a particular film for yourself. You work in that.

10:18I am a great person.

10:18If you don't mind, I am not sure.

10:21I am not comfortable.

10:23So, if you decide that no movie is done, you will never be complete.

10:28Now, if you don't know the movie is a good movie.

10:30This movie is the best.

10:30If you are interested in the audience, you are interested in the movie.

10:34So, I will try to make the movie.

10:35Going forward, sir.

10:37I can't predict. We'll see.

10:41Now, there are some situations in the theatre.

10:46In the cinema, there is a run.

10:50There is a run.

10:53There are some problems in the theatre.

10:57More or less, there are a lot of problems.

11:00There are a lot of OTT platforms.

11:01I know that you have to understand.

11:05OTT is also amazing.

11:07Yes, I pay.

11:09Now, if you are not in the theatre,

11:13do you have any predictions?

11:16See, now and now,

11:19there is a great advantage.

11:21Here is the minimum of the hero's cinema.

11:23The minimum of the cinema is the minimum.

11:26Now, there is a lot of cinema.

11:30They are not in the cinema.

11:32They are not in the cinema.

11:35They are not in the cinema.

11:36They are almost avoided.

11:37OTT is not in the cinema.

11:39So, in theatre, there is a good experience.

11:42There is a lot of cinema.

11:43I think, they are coming to the theatres.

11:45There is no problem with that.

11:47There is no problem with that.

11:49There is no problem with that.

11:51There is no problem with that.

11:52Director Kamal Garu,

11:55Sir, what are you doing here?

11:59How do you do?

12:04What are you doing here in the cinema?

12:07Sir, it is a challenge.

12:09Basically, it is an opportunity.

12:11So, the maker is important.

12:15Opportunity is important.

12:17So, when I come to the opportunity,

12:18I will prove to you.

12:19I will prove to you.

12:20So, I will do the opportunity.

12:22That's the opportunity.

12:22First time, I was like,

12:28Okay, I have a opportunity.

12:30I am in this opportunity.

12:31Now, I am here.

12:31I have a great opportunity.

12:33I am here.

12:33I am in this opportunity.

12:37I am in this opportunity.

12:46I am here.

12:46As if you are all afraid of yourself, start going to be as basic as the result.

12:49So that is a fast start as the result.

12:51Now, I am the biggest one that has changed its speed,

12:55but you cannot now expect it very soon.

12:56Because they are the only way I do this,

12:56and that is my motto is to know anything.

12:59I am so happy to get you this.

13:00Adam Garew,

13:03away advance, congratulations, all the best, come back.

13:07You are all responding to love, family cinema,

13:10and you are very suitable for yourself.

13:12You are also very able to go out and help you.

13:13The next generation has OTT influence.

13:17So now, you are the subject.

13:19You are convinced that you are also looking at OTT in recent films.

13:25You are looking at OTT, but you are looking at the experience of the theater.

13:30So, there is no...

13:32I am a keen observer in the cinema.

13:47It is as simple as that.

13:51So, I am very happy. Welcome back.

14:08I am a fan of Nanagar cinema.

14:10I am a fan of the movie.

14:12After 10 years.

14:14So, Nanagar the Grinch.

14:16How do you think about this production house?

14:17How do you think about it?

14:25I am a fan of the production house.

14:26How do you think about Nanagar the Grinch?

14:26What I think about the command on production.

14:29This is how you are.

14:31The best way to see you.

14:35Next two.

14:36Passionate or movie.

14:38It is a bad thing.

14:41It is a bad thing.

14:44It is a bad thing.

14:45How do you think about it?

14:53It is a bad thing.

14:56It is a bad thing.

14:58That is good.

14:59And if you are doing the characters and you are doing eco-families, do you have to do eco-cinema?

15:09See, the three characters are the only hero.

15:15Very homely, very grounded, very...

15:19...situations are not available to start with.

15:25That is not a point.

15:28And with the family atmosphere, Rasi and Ghani...

15:36...so this family atmosphere has a lot of homely and other people.

15:42Why do you have a transfer to Trimuth?

15:46The transfer to Trimuth is not a transfer to Trimuth.

15:49I have a transfer to Trimuth.

15:50It's not that.

15:51It's not that.

15:56The people will be able to do the job in Trimuth.

16:01That's the problem.

16:02Hello, sir.

16:05Hello, sir.

16:06Okay.

16:06But, how did the family go to the department?

16:11It was a great teaser.

16:13How did the department go to the department?

16:15It was amazing.

16:16So, the teaser was hit.

16:19So, you made that point, I was very happy.

16:23So, with this enthusiasm,

16:25I got some information on the trailer.

16:28So, you will be very happy.

16:31You will be very happy.

16:32You will get the movie, sir.

16:33Now, if you have a movie, I will miss a ticket.

16:36Okay.

16:37Puri Garu is a very inspiring director.

16:39Very much, sir.

16:40I am very happy.

16:42Especially production and producers,

16:44I am very happy.

16:46I am very happy.

16:48So, I am very happy.

16:49So, what do you think about this film?

16:53I am very happy.

16:55It is now that my work.

16:56High temencer your work.

16:57I am very happy.

16:58What do you think.

17:01I pro-life step,

17:03That's great.

17:04So, I do not want to work any other people.

17:06So, you don't need to focus on your work.

17:07We all need to begin online.

17:09Being outraged by like someone,

17:15Exactly.

17:17When you think about something.

17:18How do you focus on your work?

17:28That is one blessing and the second blessing, sir.

17:33Very great.

17:38If you are doing a lot of cinema, there is a lot of background in the cinema.

17:42If you are doing a lot of background in the cinema, you can see that.

17:53I always say commercial cinema is great.

17:59If you are not in commercial cinema, you are not in commercial cinema.

18:02I say commercial is a fight final.

18:06So, I was able to celebrate the Elevations scenes, but I was able to score a lot of heavy scenes

18:16in Atlanta.

18:17I was able to screen a lot of energy in the inbuilt.

18:23So, I was able to play every dialogue and complete scene.

18:29If you have a chance to do it, you can't do it.

18:31You can't do it. They were like story.

18:34You know, the way I got treated that day.

18:39I was able to do it personally.

18:42But, I do remember all those things.

18:44And I was able to tell you, sir.

18:47Even rejections.

18:48I was able to show you a lot of instruments.

18:54So, the way it went,

18:59I think I've learned very much how to work with people.

19:05It's a process that you enjoy a lot of people.

19:08I think you can reflect on the album.

19:10Each and every idea, whatever we do.

19:13It's like,

19:14I think you have a lot of tough things.

19:18I don't have to give up to people.

19:20I didn't even surprise you.

19:21I didn't even say that.

19:22I didn't say that.

19:26I didn't say that.

19:28I didn't say that.

19:29I didn't say that.

19:31I didn't say that.

19:32I didn't say that.

19:32Raj Chigar.

19:35Yes.

19:36Yes.

19:36a little bit later.

19:37You can tell us that.

19:40I already put a lot of musicians in the film.

19:43But, you kinda mentioned that.

19:43Yes.

19:45I knew it.

19:46What a month ago.

19:46What a month ago,

19:47I remember you are supposed to tell me.

19:48You could tell me a bit about business man.

19:50Ok.

19:52You don't know business man.

19:53You are not?

19:53Not good.

19:53You know business man?

19:55You could tell me about business man.

19:58Actually, I left a cafe open.

20:02It's called Always Sunday.

20:04I was also visited.

20:05he liked, so that's why he is promoting. Thanks for promoting my business also, free.

20:35If you like the character, it's not the main thing.

20:38You can do this with the budget and you can do it with a lot of money.

20:46Now, from this point, I've always loved the film.

20:53What is the film?

20:56I don't want to talk about what the film is.

21:01I'm not sure.

21:02I don't know how to do this film. I don't know how to do this film, but we have a

21:05budget mind.

21:08But we have selected the artist as well.

21:13Naveen, welcome back to Telugu industry.

21:16Thank you. Thank you so much.

21:18Since you are watching Telugu film, you will be able to come back to Telugu film.

21:23You will be able to come back.

21:25There are a lot of producers and producers.

21:28There are standards.

21:30We have to get a producer.

21:32We have to get a producer.

21:33We don't know where we are.

21:37We have to cut out all the stuff we have.

21:40So, I didn't attempt to do this.

21:43So, only I got through with it.

21:46My favorite film is this film.

21:49The film is a vine.

21:50A vine is a vine.

21:51Yes, it's a vine.

21:54A vine is a vine is a vine.

21:56Yeah, we have two films.

21:58We have two films.

22:00That's very good.

22:01Thank you so much.

22:02Welcome back.

22:05It's almost ten years.

22:07Make-up.

22:10What moment did you come back?

22:14A story is not a moment.

22:17It's not a moment.

22:18It's not a moment.

22:21It's not a moment.

22:22It's not a moment.

22:25It's not a moment.

22:28I've never seen a film.

22:29I've never seen it.

22:31It's almost five years.

22:34It's been a moment,

22:35and then, I think,

22:37we've had a set set for a long time.

22:39But, I don't know,

22:40five years.

22:42I've never seen it.

22:43I've never seen it.

22:44I've never seen it.

22:45I've never seen it.

22:46I've never seen it.

22:47I was thinking about the same thing.

22:50Last, I had a little idea about this film.

22:54You are only family audience.

22:58If you are the action oriented,

23:00you will capture the audience more than the audience?

23:05Obviously, as a trend,

23:08this film demands action sequences.

23:11There will be extensive fights.

23:13There will be 3 or 4 fights which are required at that point.

23:19The trend is that I am doing the first action film.

23:22I am doing the first action film.

23:24I like action films.

23:26I like wholesome films.

23:28I don't like completely family films.

23:30Completely love story.

23:32This is not my personal taste.

23:35So, I will break and I will be in this genre.

23:38I am feeling very happy.

23:43Especially when you have an audience.

23:46I am feeling that I am feeling very happy.

23:49So, what I have done is a vision for 3M2.

23:54I am feeling that I have done a comeback.

23:57What I have done in 3M3?

23:59I am doing a judgment on my mind.

24:05To my knowledge, 85-90% of my judgment is the film most of the time.

24:13There is always a chance of missing 10-20%.

24:16So, my feeling is that I can connect with the audience.

24:20So, that is the script in the audience's mind.

24:24If you want to connect with it, that's not the issue here.

24:29So, let's do a good content here.

24:32Let's see.

24:33There are many success, failures, and failures.

24:38So, it's a good thing.

24:39Now, there is a lot of success, the main thing is that there is a lot of success,

24:44So, you should know what success is and what success is and what success is.

24:50Success failure, I think it's always been the same.

24:53There is no way.

24:53No way.

24:54No way.

24:55No way.

24:56No way.

25:00Naveen Gaur, did you do the same thing?

25:02I did the same thing.

25:07I don't do the same thing.

25:08But I do the same thing.

25:10Okay, sir. Good luck.

25:11That's the question.

25:11Srinivasgar,

25:13in this situation,

25:14we have a character artist

25:15and we have a lucky case for five members.

25:19The name is Srinivasgar.

25:20The name is Srinivasgar.

25:23I have a question.

25:24Why do you know me?

25:26I know you're a man.

25:28I'm so confused.

25:31That's right.

25:32I don't know what the question is.

25:34I don't know what the question is.

25:35If a character artist is the point,

25:40he's telling his point.

25:41He's going to switch the phone to get the phone.

25:44That's the speed.

25:45That's it, sir.

25:46In some production houses,

25:49they're asking them to do something.

25:51I don't know.

25:52Now there's a few people,

25:54the first one was selling the price.

25:57The first one,

25:57I think there was a good idea,

25:58as well,

25:59and so I've been told them.

26:01I don't know why I'm now talking about it.

26:02The remuneration doesn't have to come,

26:03but they have given me

26:04what I got to do.

26:06It's that way.

26:08What about the market rate?

26:10I want you toолж here.

26:10You're a huge hero.

26:12You have to see each other.

26:15A big guy.

26:16Not a guy.

26:17The other guy is a big guy.

26:17You and he does.

26:19If not,

26:20he does a good guy.

26:20I said it's a very strong memory.

26:24I said, my name is Bhavnikaar.

26:26I said that my name is Bhavnikaar.

26:29My name is Bhavnikaar.

26:32My name is Bhavnikaar.

26:32He says it's fast.

26:35He says it's a great memory.

26:37He said it's very good.

26:37He said it's not good.

26:40That's why he's good.

26:44We're good.

26:45There are a lot of scenes in this film.

26:48Now, if you look at this film,

26:52the director of Kamal Tho,

26:54I am the director of Kamal Tho,

26:55I am the director of Kamal Tho.

26:58So, mostly, I am the director of this film.

27:01One day, I was shooting at Sankarwal Prasad,

27:04and I was shooting at Musiwar,

27:06and I was in the movie,

27:08and I was in the movie.

27:09They were shooting at the hotel,

27:11and I came in the movie,

27:13and he was shooting at the night,

27:14and he didn't watch at Kamal

27:17and looked at it forever.

27:20He was looking at his analysis.

27:21And I was doing that when he was telling him.

27:26So, I don't say that Kamal has done exceptionally good work,

27:29and we have done many good works.

27:30I am a good boy,

27:32and I am seeing you at the film.

27:35I am a good boy,

27:36and I am a good boy,

27:36When we give the opportunity, it will make me laugh.

27:40Now we have to say that, We will make you laugh at all.

27:41My friends told me this is a bad thing.

27:46I told you this is a bad thing.

27:49I told you this is a bad thing.

27:52We will think we can change it.

27:54I've been getting into a bad thing.

27:55Some directors and producers have been done permanently.

27:59My friends were doing permanent work as a bad thing.

28:01We have to finish it and draft it.

28:04So the government doesn't go anywhere near a field.

28:06No, it's about to.

28:07No, you don't do that.

28:08We did, sir.

28:11Now, we talked about this from the field.

28:14I came to the FT,

28:16a joint and a joint company.

28:19There were two in my cadre.

28:22That's my own career.

28:24I have spent 25,6 years later.

28:28You know.

28:29I did not know that.

28:29I was in my field.

28:31After transferring, he did a transfer to three years.

28:35He didn't come up.

28:36He didn't come up with transfer.

28:40He didn't know him.

28:43He didn't transfer.

28:49What's new to transfer?

28:50It's not your place.

28:51I'm not sure.

28:51You can transfer a transfer,

28:53but you are not sincere,

28:54but you don't want to transfer yourself.

28:56I'm not going to transfer management.

28:58That's right.

28:59Thank you, Naveen. You have a lot of dedication and dedication. I've done a lot in the first film and

29:06a lot of others.

29:08So, if you want to make a difference between the two films and the two films?

29:16I don't know if you want to make a second film. Even if you want to make a success.

29:24Because, if you want to make a second film, you know the genre and the set-up.

29:36I know if you want to make a second film, you can only make a second film.

29:43So, if you want to make a second film, you also have to make a second film.

29:47Because, you've done a film by the distributor and buyer's distributor,

29:52It is not a business.

29:57It is not a business.

29:59It is not a business.

30:00It is not a business.

30:03In this situation, I will be able to ask you a producer.

30:07I will be able to work with you.

30:12See, now you have to ask,

30:16In the beginning of your production,

30:19There are no buyers from that distribution.

30:22If you remember, it's a cut-out.

30:24If it's only content-based,

30:28I don't have to go to Kuneeta.

30:31Kuneeta was almost in the 80s.

30:33In the 80s, 85s.

30:36That was a trend.

30:37Again, back to this.

30:39This is a mark.

30:40I don't have to do all the content.

30:45Marks can adapt.

30:47Obviously, definitely.

30:48I expected it.

30:49But, lucky as Z, it's a good thing.

30:53One question.

30:54In the 90s, you've made a lot of memorable movies.

30:57Like a month, a month, a month.

30:59So, there's a difference between the script and the script.

31:02Do you have a difference between the script and the mindset?

31:07The script is not a routine script.

31:14You've made a lot of sense.

31:16You've made a lot of sense.

31:17You've made a lot of sense.

31:35You're making a lot of sense.

31:41You've made a lot of sense.

31:44You're making a lot of sense.

31:46You've made a lot of sense.

31:49See, for example, Javad Bhavgar. I don't think I can act like him. I don't know.

31:55So, I don't know. I don't know. I don't know.

32:02So, I don't know.

32:07Okay. What movie does not have you seen in a movie?

32:09What movie does not have you seen in a movie?

32:14In my cinema.

32:16In my cinema.

32:18In my cinema.

32:22In my cinema.

32:24In my cinema.

32:29Rashi Garu.

32:31Hi.

32:33Hi.

32:34So, generally, I don't know.

32:35What movie is the movie?

32:37I don't know if you choose to go I'm not sure.

32:42How did you get to the movie?

32:46How did you get to the movie?

32:48I don't know if you want to meet in a meeting at the time

32:52I will set the character or not

32:57I am always looking for little challenging characters

33:00I also take risk in almost every project I do

33:06I look at the last project and the last project

33:09there are many differences

33:10so I am not following industry mindset

33:14I am not following

33:16I am just trying to follow what I feel like

33:18so this story touched me

33:20this character touched me

33:21and it is a little different look

33:23it is very natural

33:24so I thought let's do this as well

33:27that was the first thought

33:28you are not in the industry

33:31you are not in the industry

33:33you are not in the industry

33:35but now you are looking at it

33:37you have very innocent and unpleasant

33:39it is not a family

33:43it is not a family

33:46like, you are like

33:46you are not in the industry

33:47how does it feel like

33:49what do you mean?

33:55you have to see yourself

33:56I am not in the industry

33:58you are not in the industry

34:10Now in OTT, there are a lot of series available. Any idea of acting in series and 10 years of

34:17capital?

34:17Definite guy. I don't want to do it in medium or medium, but content is strong.

34:24That's why I love content.

34:26Sir, you are looking absolutely fit, sir. Like 10 years back, a poster had the same thing.

34:32Thank you. Thank you so much.

34:33All the best, sir.

34:40Hi, sir. First of all, congrats, sir.

34:44Thank you so much.

35:01Thank you so much.

35:02Sir, in 1997, there was a super hit. After that, it was a great hit.

35:11First, it was a great hit.

35:13Yes.

35:14Sir, back to back, it was a great hit. After that, you were able to get a story.

35:23Then, you were able to get a good name, and you were able to get a good name.

35:29Why did you get a good story?

35:32Please.

35:32All right.

35:33See, what we have in the world is wrong thinking actually.

35:40If we were able to get a good film, and if we were able to get a good film, we

35:44wouldn't be able to do anything.

35:47If we were able to do it, we would be able to do it.

35:49Okay.

35:50So, that was a mistake.

35:52If we were able to get a good film, we would be able to get a good film.

35:59Thank you, sir.

36:00Thank you so much, Mr. Media.

36:02I would say, first of all, you have to take care of the people that are single.

36:09You have the one to take care of the government.

36:10You have all the economic rates.

36:12I don't squeeze money from the producers, but they are all the trouble.

36:15Sir, your job is fair.

36:17Yeah.

36:17Then, please go ahead.

36:19Yes, sir.

36:19So, that's what you have to do.

36:20Take care of it.

36:21Take care of it.

36:22If you are all the tanks and transfer, you want to make sure you are done in my audience.

36:27Yeah.

36:28Thank you so much.

36:29the last question is that he is a type of cop, he is a transfer to the air, he is

36:34a intelligent cop, lack of good cop or bad cop, so he is a typical cop.

36:40he is a constable, he is an underdog.

36:46thank you, thank you media for your question sir,

36:49Vade Navin Garu, in the cinema there are many melodies, many favorites.

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