- 2 days ago
Released in 1972, Gargoyles became a cult horror classic and later served as an inspiration for Disney’s animated series of the same name. This 1972 cult horror film is widely regarded as one of the inspirations behind Disney’s animated series Gargoyles (1994).
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Short filmTranscript
00:00:33The devil was once the most favored of the host of angels serving the Lord.
00:00:39But pride welled in his breast.
00:00:41He thought it unseemly for him to serve.
00:00:44The devil and his band of followers who likewise suffered the sin of pride
00:00:48were defeated in battle by the Lord and his host
00:00:51and were banished to the outermost depths of hell,
00:00:55never to know the presence of the Lord or look on heaven again.
00:01:00Smarting with his wounds, but all the more swollen with pride,
00:01:03the devil cried out from the depths,
00:01:06It is better to rule in hell than serve in heaven.
00:01:10The devil proclaimed what was lost in heaven would be gained on earth.
00:01:14He said, My offspring, the gargoyles, will one day rule the Lord's works, earth and man.
00:01:20And so it came to pass that while man ruled on earth,
00:01:25the gargoyles waited, lurking, hidden from the light.
00:01:30Reborn every 600 years in man's reckoning of time,
00:01:34the gargoyles joined battle against man to gain dominion over the earth.
00:01:39In each coming, the gargoyles were nearly destroyed by men
00:01:43who flourished in greater numbers.
00:01:44Now it has been so many hundreds of years
00:01:47that it seems the ancient statues and paintings of gargoyles
00:01:50are just products of man's imagination.
00:01:53In this year, with man's thoughts turned toward the many ills
00:01:56he has brought upon himself,
00:01:58man has forgotten his most ancient adversary,
00:02:01the gargoyles.
00:02:02The gargoyles.
00:02:46ORGAN PLAYS
00:03:14ORGAN PLAYS
00:03:30I'm so glad you decided to join me and bring me Calamudri.
00:03:35You think I'd miss a trip to Mexico with you?
00:03:39Well, I don't suppose your mother wanted you to come, hmm?
00:03:42She doesn't know.
00:03:43I don't see her much since she married old Jim.
00:03:47Yeah, must be quite a change for her.
00:03:49I think she misses the traveling with you.
00:03:51I know I do.
00:03:53Well, here we are, on our way.
00:04:03Calamudri will just about complete my collection of demons.
00:04:06Thank you, darling.
00:04:27I saw you on that TV talk show.
00:04:29Did you?
00:04:30I'm glad.
00:04:31I kind of hoped you were watching.
00:04:33What did you think of that self-styled witch they had on with me?
00:04:37You were, as always, the cool intellectual.
00:04:40She got pretty upset when you started telling her she was just being superstitious about the devil.
00:04:45Do you really think the world of evil is just fantasy?
00:04:49Who knows?
00:04:49It sells my books.
00:04:51You should have read some of the letters I got at the university after that one.
00:05:14How's it in your book?
00:05:17Okay.
00:05:18I've decided to call it 5,000 years of demonology.
00:05:21I'm going to try to trace man's conception of evil from 3,000 B.C. to the present.
00:05:27We'll start next month in the Mayan and Aztec ruins.
00:05:32Sounds like another big seller from Professor Mercer Bowley.
00:05:36Yep.
00:05:37More monsters for fun and profit.
00:05:40Our publisher is planning on putting it out for the next Christmas season.
00:05:43You know, something colorful and expensive for the coffee tables of America.
00:05:49My sexy pictures in your dry-as-dust-prosk?
00:05:52Ah.
00:05:54When do we start?
00:05:55Well, I've just got to check out this old guy.
00:05:59I don't know.
00:06:00He's got some wild story.
00:06:01Maybe it's nothing, but it's only a bit out of our way.
00:06:32I don't know.
00:06:34How did that happen?
00:06:34We're lost?
00:06:36No.
00:06:36I must have taken a wrong turn back there.
00:06:44I sure would hate to get stuck out here in the dark.
00:06:47Don't worry.
00:06:47I know what I did wrong.
00:06:49We'll double back about five miles.
00:06:54What was that?
00:06:56I don't know.
00:06:58Hm.
00:07:00And take the other turn.
00:07:32Where are we?
00:07:35Oh, don't worry, dear. It gets worse.
00:07:44Snake, Dad?
00:07:45Uh-uh.
00:07:46They serve him for lunch.
00:07:49I wonder which one he's trying to sell me.
00:07:55The only one I'm enthusiastic about is the beer.
00:08:01Desert fish.
00:08:04No-uh-uh-uh-uh-uh.
00:08:49The usual, Joe.
00:08:55Hi.
00:08:57You that Dr. Bowley?
00:08:58I knew it, boss. I wasn't expecting anyone else.
00:09:02Mr. Leverett, this is my daughter Diana.
00:09:04Well, now, ain't that nice?
00:09:06Why don't I just get you some beers?
00:09:08Hmm, sounds good.
00:09:12Well, did you come to talk or not?
00:09:16I came to hear you talk.
00:09:18You know, Dr. Bowley, you took your own sweet time about getting here.
00:09:24Not that I hold it against you, but my time is valuable too, not just yours.
00:09:29No, sir, I've got quite a business here.
00:09:31Why don't you just take a look around?
00:09:39That's a real live 11-button killer, little lady.
00:09:43Mr. Leverett, you wrote me that you had some Indian artifacts and transcripts of authentic exorcism rights.
00:09:50Yes, sir. I've seen you on this TV talk show, and I was impressed with your brains and your know
00:09:57-how.
00:09:57Wrote to you right off to that university where you teach.
00:10:02Uh, are these your artifacts, this stuff? You know, we've come a long way.
00:10:07I really don't get hot under the collar. Don't pay no mind to this junk. This is for the tourists.
00:10:13Well, we're not tourists. So, if you have something to show me...
00:10:18Well, would you sit down and finish our beer?
00:10:20Now, Mr. Leverett, if you have something worth my while, please get to the point.
00:10:25Otherwise, we'll have to be leaving.
00:10:26Now, now, don't rush me. I don't know which way to turn.
00:10:30I thought we'd talk it over, and we'd write this book that I have in mind.
00:10:35You know, Uncle Willie's, uh, Tales of the Desert.
00:10:39Hmm. Well, thank you.
00:10:41Now, wait a minute. We've got...
00:10:43You've got to realize I've got to check you out to see if you're on the level.
00:10:48I am.
00:10:48You're not just out here to steal my discovery.
00:10:51Don't worry about it.
00:10:51But I do worry about it, Dr. Bowley.
00:10:53Now, Lord.
00:10:54But now, wait a minute. I'll show it to you.
00:10:58It's in the shack, over there.
00:11:04Can't we just take a look?
00:11:08Lead on.
00:11:09You should have seen this place 20, 25 years ago.
00:11:13You know, I hid it all painted up.
00:11:15I had myself a two-headed calf, too, and a Siamese twin chicken.
00:11:21They had my own cider.
00:11:22Why, I tell you, I pulled them in off the road.
00:11:28You know, people always like to have something to stare at, to scare them.
00:11:35Why, nobody ever went west on a vacation without stopping at Uncle Willie's desert museum.
00:11:41I know what happened.
00:11:42Yes, sir.
00:11:43Then, highway bridge went the other way.
00:11:47Just passed me by.
00:11:49And you know what happened then?
00:11:51Just like that, they all forgot.
00:12:00Wait a minute, wait till I get some light in here.
00:12:02I don't want you stumbling over something in the dark.
00:12:08It's bones. I smell old bones.
00:12:12I knew I'd picked a smart one.
00:12:16Sure is lonely out here.
00:12:18Oh, I like it like that.
00:12:21I own this place outright.
00:12:23I got my pension, past my time, thinking about a book I'm going to write.
00:12:33Just wouldn't believe the things I know.
00:12:37Things that I've never told anybody.
00:12:40Just been saving up till the right moment.
00:12:44You'll see. You'll see. You'll be glad you came to see old Willie.
00:13:16I'm going to write it back.
00:13:20You'll be glad you came to see old Willie.
00:13:21You're going to write it back.
00:13:24You assembled that out of a pile of old junk bones.
00:13:27No, I found it whole over in the canyon, carted it back in my pickup.
00:13:33But you can't imagine how hard difficult it is to match them bones.
00:13:37Come on, Uncle Willie.
00:13:40This is excellent work, but it's a concoction of unrelated bones.
00:13:45Some animals, some human.
00:13:48If I had more time, I'd ask you how you manage the joints for the wings.
00:13:53That took real imagination. Coming up with wings...
00:13:58No. This is not a trick.
00:14:01This is not for them tourists.
00:14:03This is the real thing.
00:14:07You don't believe me.
00:14:11Willie, your talent is wasted out here.
00:14:13Now wait, Dr. Boley. I've never shown this to nobody.
00:14:17I thought you would be the one smart enough to understand.
00:14:20Listen to me.
00:14:21The Indians named this place Devil's Crossing in their own language.
00:14:26Back when they had a camp here.
00:14:28They lived here for hundreds and hundreds of years.
00:14:31The Indians told all about these devils, these spirits.
00:14:34They were real. I've got all the stories.
00:14:38I'm sorry, Willie.
00:14:40Dr. Boley.
00:14:42Them devils used to live up there in the rocks.
00:14:47Came all of a sudden like.
00:14:49Just played hell with the tribes.
00:14:51Then they chased them off with their...
00:14:55Sacrifices and their offerings.
00:14:58An old Indian told me.
00:15:00It was his tribe's main legend for hundreds of years.
00:15:04Now, ain't that worth a book, ain't it?
00:15:07No.
00:15:09No.
00:15:10No free pictures.
00:15:12Now, either you make a deal with me.
00:15:16To write this book.
00:15:1950-50 with my picture on the cover.
00:15:22Or you just...
00:15:23Get out.
00:15:24Get out.
00:15:29All right, Willie. You're on.
00:15:32Let's hear the stories.
00:15:41Hey, why are you liking that? What for?
00:15:45It's getting late out now.
00:15:48I've got my good reasons, Dr. Boley.
00:15:51I always bolt all the doors when the sun goes down.
00:16:11Let's see.
00:16:12Uh, can you, uh, remember what the, uh, what the Indian word was for the devils and the legends?
00:16:18Let me see.
00:16:21Not Nakatachinko's.
00:16:23That's it.
00:16:24This great chief saw the Nakatachinko in the desert.
00:16:28And he had the tribe make costumes for all the elders like the Nakatachinko for the, uh, ritual of manhood
00:16:39called...
00:16:40N-N-Nona-taya!
00:16:43Nona-taya!
00:16:44Uh, what about, uh, can you recall the ritual itself?
00:16:48Uh, let me think.
00:16:51Just a minute.
00:17:05All the young men dressed for battle
00:17:08gathered around the Nakatikachinko and...
00:17:16What's that?
00:17:17I don't care to know, Dr. Butler.
00:17:24Come on, down to the street!
00:17:26Get down, get down!
00:17:37Ready!
00:17:41Wait!
00:17:44Save him!
00:17:47He's scared!
00:17:49Go on, go on.
00:18:05Run for the fire!
00:18:07Go on!
00:18:09Run!
00:18:17Run!
00:18:18Run!
00:18:40I wish I could have seen them.
00:18:42Oh, please, just get us out of here.
00:18:52Poor old guy.
00:18:59There I am, scared to death, but I managed to grab the tape recorder.
00:19:03I guess that proves I'm basically materialistic.
00:19:06You've got your research, Dad.
00:19:08Yeah.
00:19:11Dying to turn on the tape recorder and run it back a bit.
00:19:14I want to hear those sounds.
00:19:24The ritual of the manhood called Nonataya.
00:19:31Nonataya.
00:19:32What about, can you recall the ritual itself?
00:19:37Let me think.
00:19:39Just a minute.
00:19:53All the young men dressed for battle gathered around the Nakatikachinko and...
00:20:03What's that?
00:20:04I don't care to know, Dr. Bolling.
00:20:11Please, can I turn it off?
00:20:14All right, dear.
00:20:14I'm sorry.
00:20:17What was that?
00:20:18Diana, can you see anything?
00:20:23They're on the roof.
00:20:24Hold tight.
00:20:33No!
00:20:35No!
00:20:40No!
00:20:41No!
00:20:42No!
00:20:44No!
00:20:45No!
00:20:45No!
00:20:45No!
00:20:45No!
00:20:45No!
00:20:45No!
00:20:46No!
00:20:46No!
00:20:56Oh, my God.
00:21:17Oh, my God.
00:21:50Hey, you folks all right?
00:21:51What happened to you?
00:21:52Well, we ran off the road in the dark.
00:21:58We want to go to a motel.
00:22:00Maybe in the meantime you could fix this up so we can make it out of here.
00:22:04I'll see what I can do.
00:22:05There's a motel right next door.
00:22:07I tell you, this is going to be quite a job, though.
00:22:09Better get a jack.
00:22:50Oh, do you have a room, please?
00:22:53I'm sorry.
00:22:54I know it's terribly late, but we just had a car wreck.
00:22:57The car's being repaired over at the gas station.
00:22:59And, uh, we're pretty shaken up.
00:23:02Do you have something for us?
00:23:05I've got to understand that I've got to be careful.
00:23:09I get some pretty weird types.
00:23:11Some pretty rough customers come up this road.
00:23:15And a woman alone can't be too careful.
00:23:20Right.
00:23:23Uh, one room for you and the young lady.
00:23:26Yeah, that'd be fine.
00:23:27I'm Mercer Bowley and my daughter Diana.
00:23:30Oh, the room's right down here.
00:23:31Uh, was it Mercer?
00:23:32Yes.
00:23:33Tell me how it happened, Mercer.
00:23:36Was it a big wreck?
00:23:37No, no.
00:23:38Oh, we got a lot of doozies on this road.
00:23:41Hmm.
00:23:42Was anybody killed?
00:23:43No, no.
00:23:44Here it is.
00:23:52Why don't you have a nightcap by your door to get some rest on it?
00:23:57Well, I, uh, thank you.
00:23:59About two weeks ago, I had a traveling salesman who was staying here
00:24:03who drove out on that road and got totaled by a semi right in front of my eyes.
00:24:09Well, the engine went right through the front seat.
00:24:13And just a minute before, he had been saying goodbye to me.
00:24:17Well, I can imagine how he felt.
00:24:26Oh.
00:24:29Hey, what's that?
00:24:30I don't care to know, Dr. Bowley.
00:24:40Please don't play that thing anymore.
00:24:41I can't stand to hear it again.
00:24:43Oh, I'm sorry, dear.
00:24:45You had a bit of sleep.
00:24:46How do you feel?
00:24:48I had a nightmare.
00:24:50What time is it?
00:24:53Noon.
00:24:58We've got to go tell somebody about last night.
00:25:01Well, about the old man, yes.
00:25:03The rest of it wouldn't make much sense until I have some facts.
00:25:07The skull, that's a fact.
00:25:09It's not the right kind of fact.
00:25:12But I'm going to have it carbon dated at the university when we get back to Los Angeles.
00:25:17Looks to be four to six hundred years old.
00:25:23What are we going to do about the old man?
00:25:26Well, that we'll have to report to the police.
00:25:34How are we going to explain it?
00:25:36I'm not going to.
00:25:38I'm going to let them puzzle about it.
00:26:05You're sure the old man was dead?
00:26:07Oh, yeah.
00:26:08The ceiling beam, real heavy.
00:26:09Fell right on top of him.
00:26:11Then the lantern fell and there was burning kerosene all over the place.
00:26:14And the whole thing went up.
00:26:15We couldn't get to him.
00:26:16We barely got out.
00:26:25There's nothing out there.
00:26:26They're gone.
00:26:53There.
00:26:54Step on it, Jesse.
00:26:55Step on it, Jesse.
00:26:58There's your answer.
00:27:30Let's go.
00:27:56Let's go.
00:28:26Let's go.
00:28:55Let's go.
00:28:57Hold it.
00:29:08Let's go.
00:29:29Let's go.
00:29:36Let's go.
00:30:05Let's go.
00:30:27Let's go.
00:30:43Let's go.
00:30:53Let's go.
00:30:58Let's go.
00:31:03Let's go.
00:31:07Let's go.
00:31:13Let's go.
00:31:29Let's go.
00:31:30Let's go.
00:31:34Let's go.
00:31:36Let's go.
00:31:59Let's go.
00:32:01Let's go.
00:32:03Let's go.
00:32:05Let's go.
00:32:07Let's go.
00:32:25Let's go.
00:32:29Let's go.
00:32:48Let's go.
00:32:50Let's go.
00:32:52Let's go.
00:33:00Let's go.
00:33:01Let's go.
00:33:02Let's go.
00:33:29Let's go.
00:33:37Let's go.
00:33:37Let's go.
00:33:38Let's go.
00:33:42Let's go.
00:33:42Let's go.
00:33:43Let's go.
00:33:59Let's go.
00:34:01Let's go.
00:34:21Let's go.
00:34:23Let's go.
00:34:25Let's go.
00:34:26Let's go.
00:34:27Oh, no.
00:34:31Let's go.
00:35:03Let's go.
00:35:03It's dead?
00:35:04Yes, some kind of cold-blooded creature. Fascinating.
00:35:09It's repulsive.
00:35:12As he was dying, he looked up at me just like a human being,
00:35:17as if he were asking for help.
00:35:20What is it?
00:35:22I've seen it many times before, even before last night.
00:35:25You mean in your books?
00:35:27The gargoyles in Gothic cathedrals, Egyptian carvings.
00:35:35I never believed that they...
00:35:38But now, my book will be not only about myths and legends, but about reality.
00:35:48What do they want with us?
00:35:50Not us. They want the bones of their dead.
00:35:52We've got to get this body to L.A. They'll be back with this one, too.
00:35:59Who is it?
00:35:59Who is it? Who do you think it is? It's Mrs. Parks, the manager. Now let me in.
00:36:04Uh, I didn't want her to see this.
00:36:06What is it, Mrs. Parks?
00:36:08What is it?
00:36:09All that ruckus and fighting scared me to death. What are you two doing in there anyway?
00:36:15I had to get out of bed and get dressed. Now let me in.
00:36:20Well?
00:36:21It was nothing, really. Just a family argument.
00:36:24Some family.
00:36:25I am gonna be listening.
00:36:28And the very next problem I hear, I will call the police.
00:36:32I've seen them all. Drunks, dopers.
00:36:35But I got a feeling I got a new one this time.
00:36:48I am going to be listening to him.
00:36:51Diana?
00:37:02I'd like to speak to the chief of police.
00:37:07I'm sorry, Miss Bowley.
00:37:08Chief's home in bed.
00:37:09I'm staying with the prisoners tonight.
00:37:11Well, I've got to talk to somebody about them now.
00:37:13You've got to let them go.
00:37:14Now, Miss Bowley, the chief just booked them this afternoon.
00:37:17I've got to hold them till tomorrow for the arraignment.
00:37:19But they're innocent.
00:37:20They didn't kill the old man.
00:37:21My father and I can prove it now.
00:37:23Hey, listen to her, man.
00:37:24Let us out.
00:37:26I can't do that.
00:37:27Only a judge can dismiss charges now.
00:37:29Well, call the judge.
00:37:30I'll show him the proof.
00:37:32But you've got to do it now.
00:37:33My father is leaving for L.A. tonight.
00:37:36Look, Miss Bowley, I can understand you feeling bad about all this.
00:37:40But why don't you just go on home and go to bed, huh?
00:37:48Listen, I'm really sorry about what's happened.
00:37:51And I'm going to do everything I can to get you out of here.
00:37:53That's a promise.
00:37:54You got a key?
00:37:55Now, come on, Miss Bowley.
00:37:56Just leave the men alone.
00:37:58You're not going to believe what happened.
00:38:00Try me.
00:38:02In our motel room, we have a huge, giant, dead animal.
00:38:06It looks like a lizard.
00:38:07Giant lizard.
00:38:08Only it has a beak.
00:38:09It really looks like a monster.
00:38:10Hold on.
00:38:10You got a giant lizard with a beak in your motel room.
00:38:13Yes, and it's called a gargoyle.
00:38:14Gar what?
00:38:14My father's a scientist.
00:38:15It's called a gargoyle.
00:38:17And last night at Willie's place, a bunch of these gargoyles attacked the building.
00:38:20And they caused a fire.
00:38:21A bunch of these big, giant lizards with beaks.
00:38:22Yes, and there was a fire, and Uncle Willie got killed.
00:38:25And then we grabbed the skull and we ran to the car.
00:38:27You and your old man sniffing glue back in that motel?
00:38:31Miss Bowley, I'm afraid I'm going to have to ask you to leave right now.
00:38:35Well, I'm sorry you don't believe me, but I'm doing what I can to help you.
00:38:39Listen, thanks.
00:38:39I mean that.
00:38:40I really do.
00:38:42Sorry I laughed.
00:38:46Now, you.
00:38:47The least you can do is walk me back to my motel.
00:38:50I've got to stay with the prisoners.
00:38:52Better go with her, man.
00:38:53One of them garthings is going to get her.
00:38:55You pipe down and get some sleep.
00:39:14You pipe down and get some sleep.
00:39:54Where have you...
00:39:58They're coming.
00:39:59Get here, get here.
00:40:03Give them the body, that's what they want.
00:40:05No.
00:40:08You're going to get us all killed.
00:40:28You're going to get us.
00:41:07You're going to get us all killed.
00:41:53You're going to get us all killed.
00:42:21You're going to get us.
00:42:47You're going to get us all killed.
00:42:48You're going to get us all killed.
00:42:48You're going to get us all killed.
00:43:15You're going to get us all killed.
00:43:20You're going to get us all killed.
00:43:50You're going to get us all killed.
00:44:14You're going to get us all killed.
00:44:20You're going to get us all killed.
00:44:21You're going to get us all killed.
00:44:25You're going to get us all killed.
00:44:47You're going to get us all killed.
00:44:51You're going to get us all killed.
00:44:56You're going to get us all killed.
00:45:00You're going to get us all killed.
00:45:01You're going to get us all killed.
00:45:03You're going to get us all killed.
00:45:04You're going to get us all killed.
00:46:20Oh, Jesse, you got that state patrol here.
00:46:22Phones are all out, right?
00:46:24Electricity, too.
00:46:26Oh, oh.
00:46:28I hid in my cabin while it was all happening.
00:46:32Screaming and breaking.
00:46:34Okay, okay.
00:46:35They tore down Dr. Bowley's door.
00:46:40I don't know what was happening.
00:46:43And that girl, that girl was screaming for help.
00:46:50All right, now, come on, Miss Parks.
00:46:52All right, come on.
00:46:54Now, sit down. Take it easy.
00:46:57Now, did you see anyone?
00:46:59No.
00:47:01No, I was afraid to go outside.
00:47:04But something funny was going on about an hour before fighting in Dr. Bowley's cabin.
00:47:10And that's when the Bowley girl showed up over here?
00:47:12That's right.
00:47:14That's right.
00:47:14That's when that idiot tossed her out.
00:47:16Hey, she was on to something, could have cleared us, and he tossed her out.
00:47:20I'm sorry, Ray.
00:47:21I just thought it would keep from mourning.
00:47:22I thought she was trying to con us and let these guys out.
00:47:25Hey, look, Chief, she talked to me last night.
00:47:26She told me what it was they had over there they wanted to show you.
00:47:32Tell me all about it.
00:47:37Okay, she said they had some kind of a dead thing.
00:47:41She called it a monster.
00:47:43A monster.
00:47:44That's what she said.
00:47:45She said it was part of the same bunch that attacked her and her father on the road and then
00:47:48killed the old guy.
00:47:51That's what she said.
00:47:53And you expect me to believe that?
00:47:55You better believe it.
00:47:57Because it's true.
00:47:59Bowley, I thought you and your daughter were gone.
00:48:01They took Diana.
00:48:02They overturned my car.
00:48:04I was unconscious.
00:48:04I couldn't follow them.
00:48:05But what are they?
00:48:07Gargoyles, creatures.
00:48:08What's the difference?
00:48:09Look, I want a search party.
00:48:11Now, state police.
00:48:13They're going to kill my daughter if they haven't already done so.
00:48:17Do you understand?
00:48:19All right, Jesse, you get a search party together.
00:48:21Send somebody after the state patrol.
00:48:23A search party?
00:48:24Who?
00:48:24We got no manpower.
00:48:26Everybody's scared to death this morning.
00:48:28They wouldn't leave their wives and kids after what happened last night.
00:48:31You got us.
00:48:32You got our bikes.
00:48:33We know the desert.
00:48:35No, I don't know.
00:48:36What's to keep you guys from taking off in all directions?
00:48:38You can't hold them anyway.
00:48:40I told you they had nothing to do with it.
00:48:43Let's get after them.
00:48:44That's all that counts.
00:48:52Oh, my God.
00:48:55My words.
00:48:55Go.
00:48:56All right.
00:48:57Let's get after them.
00:48:58Hey.
00:48:58Hey.
00:48:58Hey.
00:49:00Hey.
00:49:03Hey.
00:49:32Get the dogs ready to go, J.D.
00:49:37Go get the state police and don't let anything stop you.
00:49:40Go to highway patrol office and have them bring plenty of men.
00:49:42Maybe a chopper, too, and then have them call the National Guard.
00:49:45Don't worry. We should be there in about two hours.
00:49:48Let's go.
00:49:49All right, come on. Let's go.
00:49:51I'm going.
00:49:57Cole, are you okay?
00:49:58Yeah, yeah.
00:50:00You know how to handle that thing?
00:50:01Well enough.
00:50:02Don't worry. We've got the best pack of mountain lion dogs in the country.
00:50:05Looks like the dog's got the scent.
00:50:10All right, come on, everybody. Let's move out of here. Come on. Let's go.
00:50:32Mrs. Parks, I'll be honest with you.
00:50:34I'd rather be sitting in here with you than out with that search party.
00:50:38Me, too.
00:50:40Right.
00:50:40You...
00:50:43You...
00:50:52You...
00:50:56You...
00:50:57Let's go.
00:51:27Let's go.
00:51:59Diana!
00:52:05Let me go.
00:52:08No.
00:52:09Why?
00:52:11You can speak.
00:52:12Tell me why.
00:52:21These are my father's books.
00:52:23He teaches from them.
00:52:28Then...
00:52:29You must teach me.
00:52:34Diana.
00:52:39I hate it.
00:52:58You must teach me.
00:53:00You must tell me.
00:53:00You must see.
00:53:00I love you.
00:53:01You must tell me.
00:53:06Holy, I think we ought to stop and give the dogs and the horses a rest.
00:53:14I said creatures. What kind of creatures?
00:53:16Yeah, what are we chasing?
00:53:18Well, there's one killed. I examined it.
00:53:20It's some form between reptiles and humans.
00:53:23I think of a pretty high order of intelligence.
00:53:25At least they're well organized.
00:53:29Why haven't we seen them before?
00:53:30I don't know, but there have been outbreaks of things like this.
00:53:34You can see them in the legends of a dozen different cultures, stories, paintings, sculpture.
00:53:41From ancient Egypt to Babylon, Yucatan, medieval Europe.
00:53:47They always look the same.
00:53:49It's as if they've existed along with mankind from the beginning of time.
00:53:54They were, well, they were the evil one, you see.
00:53:57The demons, the gargoyles.
00:54:00What's that add up to for us?
00:54:02Well, I think we have the same creatures here.
00:54:04They show up, oh, about every four or five hundred years.
00:54:08I'm guessing that that's their incubation period.
00:54:11And the eggs are beginning to hatch again.
00:54:14Huh. Something like the 17-year locust.
00:54:17Yeah, something like that.
00:54:18Why'd they take Diana?
00:54:20Well, then legends,
00:54:23they've been reported to take human women.
00:54:27Ray, over here in the gully.
00:54:28Come on.
00:54:38That's Buddy's truck.
00:55:03Look at where they went.
00:55:07Jesse, we'd better spread out.
00:55:09Okay, I'll take the Dark Canyon Road.
00:55:12Let's see.
00:55:34Let's go.
00:55:37What's all this for?
00:55:38There is a great deal we must learn.
00:55:41We have only been alive for a few weeks.
00:55:46We must not let you kill us out.
00:55:49Not this time.
00:55:54What about the others?
00:55:56There are perhaps maybe a dozen of us.
00:56:00We mean no harm.
00:56:03You have nothing to fear.
00:56:05Your people have nothing to fear.
00:56:09But they have never understood.
00:56:12Why do I have to stay here if you mean us no harm?
00:56:15I mean no harm.
00:56:54I don't know.
00:57:20Hey, what's up?
00:57:22Plug's fouled.
00:57:23Hey, there's a woman hanging from that pole.
00:57:34It's Mrs. Parks.
00:57:41I wonder what happened to the guy that was with her.
00:57:44Who knows?
00:57:47I guess that's supposed to scare us off.
00:57:50Yeah, well, it worked. Come on, let's get out of here.
00:57:53Hey, hold on, hold on. They still got the girl.
00:57:55Hey, she's dead by now.
00:57:57We don't know that.
00:58:09Look, Ray, they're gonna use all the help they can get.
00:58:12What about it?
00:58:14Hmm?
00:58:17Come on, how about it?
00:58:20All right.
00:58:22What about you guys?
00:58:25Hey, whoa, what's wrong?
00:58:27I've had it.
00:58:29You too?
00:58:30Yeah.
00:58:49Speak.
00:58:51You have been listening.
00:58:53And learning.
00:58:58Speak.
00:58:59Speak.
00:58:59In the desert.
00:59:00Close by.
00:59:01Men.
00:59:02Horses.
00:59:03And dogs.
00:59:05The eggs.
00:59:06They're hatching.
00:59:07A winged one.
00:59:09Another breeder.
00:59:11There'll be many, many more by tomorrow.
00:59:13We must stop them in the desert.
00:59:15Now!
00:59:17Now!
00:59:48We must stop them in the desert.
00:59:51Together.
00:59:55Now!
00:59:56Weええ.
01:00:05If he breaks, they come.
01:00:07People's a boat.
01:00:08Well, it isn't just home.
01:00:08Let me get back.
01:00:09May is back...
01:00:36Oh, shit.
01:00:45Oh, shit.
01:01:17Oh, shit.
01:01:28Oh, shit.
01:01:31Oh, shit.
01:01:33Oh, shit.
01:01:41Oh, shit.
01:01:42Oh, shit.
01:01:46Oh, shit.
01:01:48Oh, shit.
01:01:57Oh, shit.
01:02:06Oh, shit.
01:02:14Oh, shit.
01:02:41Oh, shit.
01:02:48Oh, shit.
01:02:51Oh, shit.
01:03:06Oh, shit.
01:03:34Oh, shit.
01:03:50Oh, shit.
01:03:55Oh, shit.
01:03:58Oh, shit.
01:04:06Oh, shit.
01:04:33Oh, shit.
01:04:36Oh, shit.
01:04:37Oh, shit.
01:04:39Oh, shit.
01:04:40Oh, shit.
01:04:48Oh, shit.
01:04:53Oh, shit.
01:04:57Oh, shit.
01:05:00Oh, shit.
01:05:05Oh, shit.
01:05:28Now you will read to me.
01:05:31Pray read this and heed it.
01:05:33My account delivered with hope of redemptions to the Holy Fathers this first day of July in the year 1417
01:05:40by Germaine D'Argent, a poor woman of Lordeaux.
01:05:45Go on. Your voice pleases me.
01:05:47The sin was not my own, but forced upon me by the incubus who of a night did slip into
01:05:54my bedchamber and taunt and seduce me with demon's promises until I was as if on fire.
01:06:00He was of uncommon height and finely built, a devil's face, a frightful beauty that did put me in a
01:06:08spell.
01:06:09I had no will of my own, but did let the incubus do his will until I was driven mad.
01:06:18Diane, don't worry.
01:06:20I have no need for you human.
01:06:23I am merely curious.
01:06:28I have no need for you human.
01:06:38I have no need for you human.
01:06:54Oh, my God.
01:07:20Diana, Diana.
01:08:06Diana.
01:08:09Diana.
01:08:10Dad, help.
01:08:11Dad.
01:08:13Help.
01:08:14Dad.
01:08:25Dad.
01:08:28Dad.
01:08:29Dad.
01:08:30Dad.
01:08:31Help.
01:08:38Dad.
01:08:42Dad.
01:08:45Dad.
01:08:57Dad.
01:08:58Dad.
01:09:22Dad.
01:09:24Dad.
01:09:25Hey.
01:09:26Pull him.
01:09:29Diana's alive.
01:09:31They're in the caves.
01:09:32I know the way in.
01:09:33I saw some of the gargoyle eggs.
01:09:35Hundreds and hundreds.
01:09:36There must be tens of thousands hidden in there.
01:09:39Once they hatch, they'll spread out, cover the whole country.
01:09:42We've got to wipe them out tonight.
01:09:45We'll have the state police here in a couple hours.
01:09:46I'm not going to wait.
01:09:47If you don't want to go in with me, then I'm going in alone.
01:09:50I'll go.
01:09:51I want to go.
01:09:52Okay.
01:09:54How much gas in those cans?
01:09:56One's full, the other's half empty.
01:09:58We'll need all of it.
01:09:59See if we can force them out.
01:10:02Chief, if you and Jesse hide below where they can't spot you,
01:10:06make sure they don't get away with Diana.
01:10:08Okay.
01:10:39Phoenix, please.
01:10:50Hey, buddy.
01:10:50Look at what one's worth.
01:10:50Look what's up.
01:11:07What?
01:11:24Riker!
01:11:35Rekha!
01:11:50Rekha!
01:11:56Let her go!
01:11:58The girl comes with me.
01:12:04You hear that? They'll be here in a moment.
01:12:06You brought them here to kill us.
01:12:09We kill you before you can kill us. Go. Alone you have a chance. The rest of you are finished.
01:12:14Not while there are two winged breeders left.
01:12:27It's only her wing. You can carry her.
01:12:30No! No!
01:12:35How clever you are. Your choices allowed you and your daughter to survive.
01:12:40It also allows me and my kind to survive.
01:12:43Perhaps at the price of your supremacy on earth one day.
01:12:57Time to fly.
01:13:01Time to fly!
01:13:02Time to fly!
01:13:09Time to fly!
01:13:11Time to fly!
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