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00:11Transcription by CastingWords
00:30All of them murdered, all of them prostitutes.
00:32And you think they are connected?
00:34Some of these were my friends.
00:35They're all gone.
00:36Not this one, though.
00:37This one, I don't know.
00:39Andre, привет.
00:41I need to borrow your place for like an hour, maybe two.
00:45Could you just go someplace else?
00:46You're here because you want answers.
00:48It's for that reason it is worth pushing past this fear
00:51to get one step closer to what you really want.
01:02When I wake up in the morning light
01:06I pull on my jeans and I feel all right
01:12I pull my blue jeans on
01:14I pull my old blue jeans on
01:17I pull my blue jeans on
01:20I think these were bad shoes.
01:23Yeah, shirts, the shoes.
01:26How are you so fast?
01:27State champion in track.
01:29I'm surprised.
01:30Well, I'm surprising.
01:32Wait, what was that?
01:33What's what?
01:34Her.
01:36The old lady?
01:37What do you think she wants?
01:39I don't know.
01:39Some knitting needles, a little cane,
01:41a sweet relief of death.
01:43I don't like how she's looking at us.
01:45Oh, look at you go.
01:47Oh, okay, even with the bad shoes.
01:49Ah!
01:51Did we lose her?
01:56No, she's keeping up.
01:58Impressive.
02:01Oh, who are you?
02:11What are you doing?
02:12I'm called Vera.
02:14I'm not KGB.
02:15Give the information to you, Mr. Dan Walter.
02:20The facility has moved.
02:21I'll get him the new location.
02:32What in the shit?
02:49I'll get you the new location.
02:53I'll get you the new location.
02:56I'll get you the new location.
02:56I'll get you the new location.
02:58I'll get you the new location.
03:01I'll get you the new location.
03:02I'll get you the new location.
03:02I'll get you the new location.
03:02I'll get you the new location.
03:03I'll get you the new location.
03:03I'll get you the new location.
03:04I'll get you the new location.
03:04I'll get you the new location.
03:04I'll get you the new location.
03:05I'll get you the new location.
03:05I'll get you the new location.
03:06I'll get you the new location.
03:06I'll get you the new location.
03:07I'll get you the new location.
03:08I'll get you the new location.
03:12I'll get you the new location.
03:14I'll get you the new location.
03:23so she's not kgp does that mean she works for us no but she is someone useful to know on
03:28both
03:29sides there are things an american officer cannot get in the ussr someone like vera can help
03:34facilitate these things well things like what like poison forged travel papers foreign currency
03:41stolen art airplanes what did she offer you she wouldn't have sent you back here without offering
03:47you something uh she didn't offer us anything she's offering you information the thing you
03:53desperately want and would do anything for you think she's lying people in her line of work do
03:57not get returned customers if they lie but they also know how to tell you things you want to hear
04:01well i mean we want to hear it so how do we get in touch with her check your pockets
04:13oh wow
04:19okay twyla you're up me i get to i get to run this up
04:31what does this even mean
04:33uh well it's pretty clever actually people in vera's line of work they use these symbols to
04:39communicate so there's a man they call caterpillar he works in the kgb compromet facility he's fed us
04:46information through various channels if there's anyone who's going to know where the facility is
04:49right what's the uh big knife for that's probably pavel the butcher he's vera's contact you see
04:56caterpillar is so deep in cover in the kgb system that vera probably doesn't know who he is so
05:02the butcher is going to reach out to caterpillar set up the meeting who's she
05:07that's vera really yeah i mean maybe 20 years ago 20 really okay where am i supposed to meet her
05:15the yaravoy violin factory 1 p.m friday which symbol means that she wrote on the back oh
05:22hey um you should know vera knew tom and chris right yeah you said she could get airplanes you
05:30think maybe she knows something about the crash it's pretty likely yes even if she did know something i
05:35mean would she even tell me if you do everything she tells you to maybe okay
05:46why'd dain pick me for this mission well because i told him to why'd you do that because i know
05:52how
05:52much you care about the women in moscow that no one else cares about that's vera
06:02what's gonna happen yeah yeah yeah yeah yeah right yeah yeah yeah I went there and
06:27where you think about that's it and I went to the backstage of the
06:30I know you were in the bar then, she was in her house.
06:37Yeah.
06:37Do you know her?
06:39You're in her house.
06:41I'm her friend.
06:44Her friend?
06:48When I asked her who she was, she said no.
06:53She said no.
06:53She said no.
06:54Who?
06:55She said no.
06:57Because we were talking about her.
06:59We were talking about her.
07:01What?
07:03Because of her...
07:04... her...
07:04... her...
07:05... her...
07:06... her...
07:07... her...
07:15... her...
07:17You think you're a guy?
07:20You're a guy?
07:21That you're a guy.
07:22Puкашка.
07:24I'm going to call her.
07:32Spокойной ночи, Puкашка.
07:58Good morning, I am Evie.
08:04I am your nanny, I took the night train in from Helsinki.
08:10No, you are not the woman that I hired, the woman I hired had experience, you know, have to.
08:18The agency sent me all this way, it was a 13 hour journey.
08:23I assure you, I have years of experience.
08:27I don't see how that's possible because you don't have years of anything.
08:30Hello, hey, who are you?
08:32She says she's the nanny.
08:33Evie.
08:34Oh!
08:35It's very nice to meet you.
08:36I'm Ray, this is Cheryl.
08:38Here, let me take your bag.
08:39No, no, no.
08:40We're going to leave the bag because I'm going to call the agency because this was a mistake.
08:43Do you want anything to drink?
08:43The coffee's bad, tea's even worse.
08:45Why don't I introduce you to Trent?
08:46Trent, buddy, come in here.
08:48I've got someone for you to meet.
08:48Sir, we're going to get this sorted out soon, so stay close, please.
08:51Don't unpack and we're not going to unpack, okay?
08:53Just a sec.
08:56Down a tiny bit.
08:57Is that...
08:58I think that, that let go?
08:59Nope.
08:59That's perfect.
09:00I knew it was a little off.
09:03It's a Malievich.
09:05Are you familiar?
09:06Actually, I am, yeah.
09:08Art history minor.
09:10You sure that's okay?
09:11Yeah, looks great.
09:12Yeah?
09:14Hmm.
09:15Yeah.
09:17One of the perks of this job?
09:19Access to the desperate and formerly rich.
09:22I got this for a song from a high-level Politburo member with a gambling addiction.
09:27Someday it'll be worth millions.
09:30He'll be pretty sour he made that deal.
09:33I have an eye for these things.
09:34When I served in Berlin in the 50s, I bought a Degas.
09:38Really?
09:40Was it stolen Nazi art?
09:43Well, not when I got my hands on it.
09:46I paid for it, which makes it no longer stolen.
09:59I saw the signal in your window.
10:02Andres showed up.
10:03What did you say?
10:06I said that I was your boyfriend.
10:09Oh.
10:09I know.
10:10It was the first idea I thought of.
10:12I said I knew about your infidelity.
10:13I'm so sorry.
10:15I'm putting you in this position, this risk.
10:17Well, it's already risky.
10:20Given secrets to the Americans if they catch me.
10:23I know.
10:23I know.
10:24I know it's scary and risky, but you have to know that the intelligence that you're bringing
10:30us...
10:30What intelligence am I bringing?
10:32The photos.
10:33And the technology.
10:37You don't know, do you?
10:39If what I do matters, they don't tell you what I'm bringing them today.
10:48I think what I'm doing is important, but you don't have to lie to me for me to help
10:53you.
10:54I have to lie to everyone.
10:55I'm Nadia Melnikova, the school teacher.
10:57And you are my boyfriend, apparently.
11:03Though you're cheating on me.
11:05Oh, small hiccup in an otherwise very strong relationship.
11:09Okay, so what's our story, hmm?
11:10How did we meet?
11:11You don't remember?
11:13What?
11:13I'm...
11:14My umbrella broke and I asked if I could walk under yours.
11:17Of course.
11:18I walked seven blocks out of my way to stay near you.
11:20And I thought I'd never see you again.
11:22And then one day at the market, there you were.
11:25It was fate.
11:30I really am sorry.
11:33No, I did.
11:36Love...
11:38Love means never having to say you're sorry.
11:42Oh, my God!
11:45You got a copy of Love Story in Moscow?
11:49Yeah, movie and book.
11:51How did you get a copy of the movie?
11:52My work is with video technology.
11:55It's the technology the Americans want me to steal.
11:58Did...
11:58Did you know it?
12:03What do I do if he comes back?
12:06What you're doing believes a lie.
12:17I mean, he never had a wife, so that must be his sister.
12:20I mean, she kind of looks like him.
12:21If you say so.
12:23Well, no, but you know so.
12:24You know everything.
12:25You know about Twyla's high school track career.
12:27You know I don't take cream in my coffee.
12:28And you know that our Soviet acid sister was murdered.
12:31I didn't know about the cream.
12:33We were just out of cream.
12:35Why do you want to know more about your agent?
12:37You've already almost gotten him blown by the KGB.
12:39Well, I don't know.
12:40He's putting his life on the line.
12:42I just want to understand why.
12:43I need him to trust me.
12:45He already trusts you.
12:46And you trust him.
12:48Which, by the way, you shouldn't.
12:49Wait, why are we doing this if we don't trust him?
12:52In many ways, you are extremely ill-suited for this job.
12:55But you have your reasons for being here.
12:57As does Redford.
12:58And his reason is his sister.
13:00You think she was a prostitute?
13:02Looks that way.
13:03Who murdered her?
13:05Soviet government, KGB.
13:07Same organization who employs a man you want me to date.
13:10It's a sensitive undercover operation to infiltrate a high-level KGB agent.
13:14Oh, you know what I mean.
13:15Of course he's dangerous.
13:16Otherwise, we wouldn't want you to spy on him.
13:18How dangerous is he, Andre?
13:22Has he killed a lot of people?
13:27You've looked him through his eyes.
13:30What do you think?
13:51Well, first off, it's Carl, not Curl.
13:55Why don't you go ahead and work off of that one?
13:59Oh, Cheryl.
14:00You did such a great job with that.
14:02Why don't you just take over?
14:03Oh, I did not do that.
14:04Bea did.
14:04So.
14:06No.
14:06Right?
14:07Bea, put that down.
14:08You paint?
14:09Uh, yeah.
14:10Wow.
14:11A woman of many talents.
14:12That involves sitting down.
14:13Sure.
14:17It's time.
14:23Okay.
14:29I thought they would send the other girl.
14:32Why?
14:33She spoke Russian.
14:34Well, uh, you're speaking English and, uh, they sent me.
14:38So, what do you need me to do?
14:42Pavel, the butcher, took a great risk contacting Caterpillar.
14:47For that, he needs money.
14:50One hundred thousand dollars in American currency by tomorrow night.
14:54That's a lot of money.
14:55Yeah, the American government.
14:57It shouldn't be too difficult.
14:59Okay.
15:00I'll try.
15:00Yeah.
15:01I'll work on it.
15:02I just, you know, we don't keep that kind of cash lying around at the embassy.
15:05And I need a passport.
15:06For who?
15:07Pavel?
15:08Passport is for me.
15:11This is the cost of my help to you.
15:13I can't hide in this country forever.
15:16I want to die free.
15:20Okay.
15:21I'll, uh, I'll get you the passport.
15:23But when I do, you're gonna get your guy, the butcher, to contact Caterpillar
15:27and get the location of this facility for Dane.
15:30Yes.
15:31That's our deal.
16:06Can I take the passport?
16:08What the fuck?
16:08Oh, that's what the fuck?
16:10I'm sorry.
16:13I'm sorry.
16:15It's...
16:16What's that?
16:17I'm sorry.
16:19What the fuck?
16:21Then, let's do it.
16:21Let's get it.
16:23I'm sorry.
16:32We need to take an answer for my phone.
16:33Do you have one
16:34at Zuzuzko right over the phone? Yes, of course.
16:39I'm going to see
16:39things. TEAM Let me know!
16:46That's
16:47right.
16:58What?
17:04What?
17:06What?
17:06What?
17:07What?
17:07What?
17:07Oh, I'm sorry.
17:07What are you doing?
17:08Ah, it's here.
17:14Jesus!
17:15A hundred thousand dollars in cash.
17:17cash by tomorrow night. We couldn't get that in a month. Don't we work for the American
17:21government? Aren't we rich? We have to fill out forms to get thumbtacks. But she's negotiating,
17:26I think, which is a good thing. We just have to keep her hungry. Tell her that we can get
17:30her
17:30visa to a friendly nation where the KGB won't kill her. Get me a visa to America then. Get her
17:38a visa
17:38to America then. We can get Turkey. How about Greece? She'll still need an American passport
17:43though. What about a Greek passport? American. I can only do with an American. Fine. Is that it?
17:51That it? Pavel still wants the money. I can get you something extremely valuable that you can sell
17:58for a large amount of cash. More than a hundred grand even. What is that? I'll tell you tonight.
18:04If you're not satisfied, we'll call the whole operation off. You'll call the whole operation
18:08off? What were you planning on giving her? I don't know. I was just trying to buy us time.
18:12Okay? Think with me. You need this. I need this. What about your car? I'm sure she'd love a car.
18:16I don't own a car. I drive a West German sedan owned by the embassy.
18:19Right. What about watches? You got a Rolex or something?
18:22No.
18:24Okay. Okay. Just, uh, just let me think. Let me, uh, let me think.
18:33He's trying to screw with your head.
18:36Yeah, that's working. My head is screwed. He must have sent the man who robbed me.
18:43Whoever robbed me didn't find this.
18:51Although he could have, and that would have been the end for me. So this is the last thing
18:55I'll steal. I'm sorry. I can't do this anymore. They're going to torture me. They're going
19:00to make me wish I was dead. They're going to let me live just enough so I feel pain every
19:04hour of my life. I feel fear I've never felt before. Do you understand what is at stake for
19:08me? I'm sorry. I'm sorry. I don't think I can still do this for you.
19:16You and I both know you're not doing this for me.
19:21Your sister. They killed her. You know, but Galina, you know they killed her. The KGB.
19:33I do know they killed a lot of women.
19:39A man. KGB. He came to me one night after she died. He said that there were some KGB agents
19:47who were murdering prostitutes. And Galina was one of them. I didn't know. We came from
20:00and caved to Moscow when we were 13. She was my only friend. She was so excited to be here.
20:08But then they killed her. This country. Our country.
20:17Please believe me when I say I understand.
20:23If you walk away,
20:27no one in this world will ever fight for her again.
20:41I need something. Anything.
20:45I need to know that if they're going to torture me, there is another option.
20:50We thought about this. I need an L pill.
20:52I don't know what that is.
20:53A lethal pill? A cyanide pill?
20:55I don't understand. Why do you want a cyanide pill?
20:57So I could bite down on it if they come from me?
21:01I'm not going to give you a pill so you can kill yourself.
21:05I don't want you to die.
21:08I don't want to die either.
21:14I will only take it if there is no other option.
21:17I will continue helping you, but please understand there are some things worse than death.
21:26I will.
21:40I will.
21:41I will.
21:41So what the fuck happened?
21:42Well, I fucked up is what happened.
21:44He almost quit, and I think he still might.
21:46Oh, and fuck, Andre knows about him,
21:48and he thinks that he's my boyfriend that I'm cheating on.
21:50Well, we can work with that.
21:51What?
21:51He just likes knowing someone else is fucking you.
21:54I think the KGB sent a goon to beat him up.
21:56Well, is he okay?
21:57No, he's not okay.
21:58He wants me to get him an L pill.
22:00And there is no way that Dane is going to give me a pill that's going to kill our asset.
22:04I think I can get you one of those.
22:05Really?
22:06Well, from who?
22:08How?
22:09Vera.
22:10Poison.
22:10It's one of the things she can procure.
22:12So she would just give it to you, or...
22:14Maybe, if I can sweeten the deal.
22:15We're in the middle of a negotiation.
22:18Actually, you know when you were making fun of Alan for his stupid painting earlier?
22:22Yeah.
22:22Could I borrow it?
22:24What do you mean, borrow it?
22:26Steal it?
22:27What?
22:27Yeah, would you mind just, uh, breaking into his office really quick and just stealing it from me?
22:33What the fuck?
22:34Please?
22:47And they're going to do on the street.
22:51Yeah, you're going back to Jack.
22:54Do it again.
22:59I just can't help.
23:00I think about this every single day.
23:03I think about this every single day.
23:06Jack!
23:07Jack!
23:09Oh, okay.
23:11Please?
23:13Oh, God.
23:15Oh, my God.
23:16I'm sorry, Lucy.
23:18Are you okay?
23:19Are you okay?
23:20Are you okay?
23:21Oh!
23:22Ah!
23:23Ah!
23:24You're so big.
23:31She's perfect!
23:33Really, amazing job, truly.
23:43Oh, it's so not. It's awful.
23:45It's fine. Nobody's gonna notice these things.
23:47Alan will notice.
23:49He looks at this painting all the time.
23:51He didn't notice when you stole it in the first place.
23:53Yeah, that's because he was busy having sex with Lily.
23:57Shep's wife.
23:58Yeah.
24:00Wow.
24:00Mm-hmm.
24:02I mean, I get it. I mean, if you had to fuck Shep, you know, but...
24:04Mm-hmm.
24:05Alan.
24:06I know.
24:06Why did you do the head just like...
24:08I don't know.
24:09It wasn't my intention.
24:10Don't think about it. Don't think about it.
24:11I tried.
24:11Okay.
24:22I knew.sto's
24:29Oh! Hivered
24:32out the
24:32hood of jungler. I'm gonna be on
24:34the bar. Maty. Now I
24:34see one. It stopped Photo. Mancey.
24:45Please read it.
24:51Here's a newspaper.
24:56Now what the fuck is this?
24:57Well, you're blackmailing me.
25:00I pay you to stop a tape from getting out that you claim
25:03will be very damaging to me.
25:05A tape you claim to have.
25:06I do have it.
25:08Really?
25:10Because I heard chatter that you didn't.
25:13But the facility was compromised.
25:15And the tape got out.
25:17That's a lie.
25:18You're over your skis, Vasilyev.
25:21You act like you run things,
25:23but we both know you're just mid-level KGB.
25:27I don't negotiate down.
25:29Come back when we can talk like equals.
25:31I may not run an embassy, but you won't either.
25:35I was sent an anonymous dispatch to CIA,
25:38the head of Moscow Station.
25:41Oh.
25:42Is the fit?
25:44Tell whoever you like.
25:46My mother's dead.
25:47I don't have a priest.
25:49I don't have a wife anymore.
25:52Washington already knows.
25:53I mean, how'd you think I ended up in Moscow?
25:57The worst assignment in the whole of the fucking CIA.
26:00If this item you claim to have is a tape of me fucking other men,
26:05then you really don't have it.
26:08I'll see you around.
26:13Wait, wait, wait, wait.
26:14You stole this?
26:16No, no.
26:16Of course not.
26:17No.
26:18Me stole it.
26:19Are you kidding?
26:20Look, how else was I supposed to find someone worth a hundred grand?
26:23Okay?
26:23Your life's not even worth that.
26:24Oh, you're too kind.
26:25Look, you're the one that said to give Vera everything she wants if I want answers.
26:29So that's what I'm doing.
26:30You're assuming that Pavel is going to accept this as payment?
26:33Yeah, he will.
26:35I can convince anyone anything.
26:40And what does that mean?
26:42He wants to know what the painting means.
26:45I don't know what it means, but I do know that it is worth a lot of money.
26:51You know, it's one of the big main guy at the embassies.
26:54It's his, and he's a big art collector, so tell him that.
27:09Tell him a little something, sell it a little more.
27:13What do you mean?
27:15What do you think it's about?
27:27I think it's about feeling like you're part of the world and other times like you're not.
27:36You feel like you're part of the world, but on the other side, on the other side, on the other
27:43side.
27:46There's something there.
27:49Actually, you know what, never mind.
27:51I think I'm gonna find another buyer.
27:53Yeah, this is a very significant work, and it's wasted on a moron like yourself.
28:09No, don't take it. He will accept this.
28:12Oh.
28:14Then he will set the meat with Caterpillar.
28:22You owe me a passport.
28:24I know, yeah.
28:26Wait, wait, actually, I hate to ask you for another favor, but do you have a suicide pill?
28:33You know, one of the L-pills, the thing you bite down on and you die in two seconds?
28:37Why?
28:38It's not for me, but I'm in the middle of another negotiation.
28:42I don't have any more paintings to steal, but I do need one.
28:45I have one of those.
28:47Really?
28:48Wow.
28:49Just get me a passport.
29:10Here it is.
29:14So...
29:15That's me now.
29:18Pamela Wilson.
29:19Yep, that's you.
29:20From...
29:22From...
29:23Close enough.
29:25Yeah.
29:26And here is the pill.
29:28Oh, wh-what are you doing?
29:30Oh, my God.
29:34Okay.
29:35Wow.
29:37Uh...
29:37You don't need it?
29:39I did once.
29:40Now I've since learned it's only a fool who thinks they can control death.
29:45Death takes you whenever it wants.
29:47I kind of want to bite it.
29:49You ever just want to bite it?
29:50No.
29:54I got you everything you wanted.
29:57Could you, uh...
29:59Could you tell me what really happened to them, to Tom and Chris?
30:02It was the compromise facility.
30:06They were looking for it when they were killed.
30:11Caterpillar is giving us the new coordinates.
30:15But was there ever really a crash, or...?
30:18There was a plane.
30:21Not a crash.
30:24What the hell, Tom?
30:25Give me a break.
30:25I'm landing blind.
30:36You think anyone was close enough to Hera's command?
30:40We are still ten kilometers from the coordinates you broadcast to me.
30:44Well, we better start walking.
30:46If Caterpillar even gave you the right fucking coordinates.
30:50Stay here.
30:51We'll be fast.
30:51It's...
30:52It's Christmas Eve.
30:54Your wives are expecting us.
31:04They were soldiers waiting for us when we landed.
31:09I watched them die.
31:11I escaped before the soldiers got to the plane.
31:15So there were soldiers, though?
31:17They were waiting for you?
31:18They knew you were coming?
31:19Somebody told them.
31:21Who?
31:22Who would tell the Russians?
31:23Your husband.
31:25He was feeding the information to the Soviets.
31:27What?
31:28Your husband was a mole.
31:31I mean, are you sure?
31:34He was a lot of things, but, I mean, working with the Soviets?
31:38I mean, how do you know?
31:39How do you know this?
31:41For this information, I need something else.
31:45What?
31:48No.
31:50No, no.
31:51You're gonna tell me.
31:52Look, I gave...
31:53Oh!
31:57Oh!
31:59Oh!
32:00Oh!
32:01Oh!
32:03Oh!
32:05Oh!
32:05Oh!
32:06Oh!
32:07Oh!
32:10Oh!
32:15Oh!
32:15Oh!
32:16Okay...
32:18That's...
32:18That's good.
32:25Yeah!
32:26Yeah, that's good.
32:27That's kinda good.
32:28Oh my god!
32:29You almost gave me a heart attack!
32:31I...
32:31Twilight, let's get out, let's get out, let's get out.
32:34Uh...
32:35Something...
32:35Yeah?
32:36Uh...
32:37What?
32:37Wait, wait, wait, why are you wet?
32:41vera fell into the river oh jesus christ well you got to be careful she's an old woman no no
32:46no she
32:46fell in the river and she died what yeah i don't know i don't know the bridge she was she
32:52was
32:52standing just a bridge crumbled and then she fell well you just left her there yes what was i supposed
32:57to do drag her body through the streets of moscow what are you shit this is bad yeah it's bad
33:02yeah
33:03but um but you know you know it's not all that bad because i already got the uh the painting
33:07to
33:07the butcher so he's gonna set the meeting and you know we're gonna get that location for dane still
33:10so oh god that's good yeah that's good before vera died did she did she say anything you know you
33:19know
33:19that might be relevant for us actually uh yeah she uh she said she was there when tom and chris
33:31died
33:33she said that yeah she saw them die that's what she said and he believed her
33:48okay
33:54oh god
33:58i'm sorry this is so stupid no i don't know i thought maybe there was a chance maybe they were
34:04still alive
34:05i don't know that doesn't make any sense but it's just i don't know it
34:11i got it because there were no witnesses that maybe
34:17maybe this wasn't real but oh god it is
34:33i don't know if this is helping just uh let me know if you want me to stop okay
34:54sorry i just
34:56i just missed it
34:58okay um did she say anything else
35:08no no no nothing else
35:13okay yeah
35:17we should probably let someone know that our asset is dead dead yeah okay okay
35:35i uh i didn't push her if that's what you're thinking no i wasn't thinking that yeah because
35:40because it was an accident so if anyone you know were to find her it would uh it would look
35:43like one
35:46right right right if the russians find the body they can come to whatever conclusions they want
35:50jesus okay i gotta get ready for the show but could i get the passport that we made vera so
35:56i can destroy it
35:57the passport
36:00yes please i don't have it where is it she has it because i gave it to her if an
36:09american
36:09passport is found on the body that ties us in to all of this okay this is a big
36:14problem and we have very little time and we have very little time i'm gonna need you to act quickly
36:28okay so uh so how are we gonna do this uh i i guess we just uh walk out there
36:35and uh and reach in her
36:37pockets and get the passport yeah okay okay so so so do that what what about you what are you
36:44gonna do
36:44well i'm gonna i'm gonna look out this is your operation so you know i should probably just
36:48right yeah okay yeah okay
37:05just checking in her coat
37:11okay okay okay do we take this with us or i i i think so can i toss it to
37:17you nope nope don't
37:19don't throw a gun at me even if it's been underwater you can just come over hand it to me
37:23yeah yeah
37:26all right good job okay don't touch the no no i'm not gonna okay touch it at all
37:31okay okay okay hey yeah i think i feel it oh thank god yeah okay let's go yeah god found
37:40a
37:40found a knife too okay yeah
37:47i hate to say this because i uh i really do want to get out of here but
37:54she she's kind of just exposed you know i mean maybe we should just
38:01ray kind of said you know if the passport wasn't on her then sort of doesn't matter that's fucked up
38:11it matters yeah i mean maybe not to the russians but it just should still matter
38:18i mean look at her i mean look at her she's she's just gonna rot here i mean no one's
38:24gonna move her
38:24no no one cares about her she should she was completely alone
38:32she just lived this life and uh did all this wild shit and now
38:41now now she's dead and no one's gonna even remember she existed
38:52that's really sad
39:00tell me if you want me to stop
39:14you have to promise me only if it's absolutely necessary
39:19i know there's this russian saying you may know it
39:23and what is this for there are instructions inside for something that we need if you're still willing to do
39:38that
39:43thank you for trusting me you know i'm doing this for my sister
39:49why are you doing this my husband i don't know if you knew i was married you almost said you
39:57had a husband
39:58i don't anymore
40:03he was killed does that make me not married now he feels so far away you know my sister we
40:14we were twins
40:17am i still a twin if there's no other twin
40:21maybe we're both something in between of who we were with them and who we are without them
40:36yeah good night take care
40:48uh
40:48yeah
40:48yeah
40:48yeah
41:00yeah
41:01yeah
41:02Oh, my God.
41:06Oh, my God.
41:09Oh, my God.
41:30Teddy?
41:31You may call me Mrs. Zemanski.
41:32Oh, Mrs. Zemanski.
41:37I was wondering if it would be okay if I came to the performance tonight.
41:43Absolutely not.
41:46Who would look after Trent?
41:48Oh, I would bring him.
41:50He's been talking all day about watching his father sing.
41:54He has to go to bed.
41:57Um...
41:58Where have you been?
42:00I just... I need the, um...
42:02Of course.
42:03Yeah.
42:15Okay.
42:25Hello.
42:42I'm not here.
42:42No, you're not here.
42:45No, you're not there.
42:47He's watching.
42:47No, it turned out crazy.
42:49Wow.
42:50Yeah.
42:51Well, then, Cheryl, huh?
42:55Twyla, if you don't cheer really, really loud when I sing my song, you are fired.
43:01Well, in that case...
43:02I really should be singing more songs, though.
43:04You know, people say that I really... I own the stage.
43:07Did you ever think maybe the problem isn't your voice?
43:11Bea.
43:12Yeah, yeah, yeah.
43:14Hi, Alan.
43:14You mind coming up to my office? I need to talk to you.
43:18Of course. But, you know, the show's about to start.
43:21I'll have you back in time.
43:26I was wrong about you, Bea.
43:34When I first met you, I thought you were just another secretary.
43:39But it turns out you're a compassionate person.
43:44That's why I'm letting you in on a secret.
43:46Gretchen and I are having some problems.
43:49Oh, Alan.
43:50I'm going to be sleeping in the office for a while.
43:52I'm letting you in on that so that you can help me keep that, you know, discreet.
43:56Of course.
43:58On the bright side, the couch in here is very comfortable.
44:02Yeah.
44:04And, and, and, and there's nothing like sleeping in front of truly fine art.
44:10That I would give everything I own.
44:17I give up my life, my heart, my home.
44:22Yeah, I would give everything I own
44:29Everything okay?
44:30For now.
44:33Cool.
44:36Yeah, just to touch you
44:39Once again
44:42Wow!
44:47Wow!
44:47Okay!
44:48Wow!
44:59Um, for this song, I would like to invite up the newest member of our Embassy family
45:04straight from Helsinki with a great set of pipes
45:07It's Evie!
45:08Come on, Evie!
45:09Everybody give a round of applause!
45:11Come on, drink!
45:12It's not too long
45:14It'll be okay
45:14No
45:15Okay, ready?
45:16Five, six, five, six, seven, eight
45:20Don't break in my heart
45:23I couldn't if I tried
45:27Oh, honey, if I get restless
45:30We can dance
45:32I thought you'd never ask
45:35Yeah
45:36Nobody knows it
45:42But when I was down
45:44I was your count
45:46Woo-hoo!
45:48And nobody knows
45:50And nobody knows
45:52sit right by the start
45:55I give you my heart
45:56Ooh-ooh-ooh-ooh-ooh-ooh-ooh-ooh-ooh-ooh-ooh-ooh-ooh
46:04Ooh-ooh-ooh-ooh-ooh-ooh-ooh-ooh-ooh-ioo-ooh-ooh-ooh-ooh-ooh-ooh.
46:13Well, because I didn't know you wanted to sing.
46:16I, every time I put on music in the apartment,
46:20you tell me it gives you a headache.
46:21Yeah, well, I don't like music, per se,
46:23but I might if you asked.
46:26Hey, hey.
46:30Next time, I will ask.
46:32Yeah.
46:33Yeah.
46:34Trent?
46:34Okay.
46:36Trent?
46:37Trent?
46:38Okay.
46:40See, she cannot control it.
46:42No, he's fine.
46:45Come on, Trent.
46:46There are you.
46:50Come on, Trent.
46:55Trent.
46:57Come here.
46:59Careful.
47:00When were you planning on telling me that Vera is dead?
47:10Now?
47:14Well, fuck.
47:21Where are you going?
47:23To bed.
47:25We tried.
47:26Not every mission is a success.
47:28No.
47:29No.
47:30No.
47:31I mean, this was a successful mission, though.
47:36I mean, come on.
47:37I did all the stuff I was supposed to do, you know?
47:39Vera wanted to pay the butcher.
47:41He's paid.
47:42Okay?
47:43And so he's setting the meeting with Caterpillar, and he's gonna get you the coordinates for
47:47the facility you want.
47:48The facility that Tom and Chris were looking for when they died.
47:50And he's their contact, by the way, so he's gonna know what happened to him.
47:53Caterpillar is key to finding out what happened.
47:56We're really close here.
47:58And yet the person he was expecting to meet is dead.
48:01Wait.
48:01No.
48:03Caterpillar's never met Vera.
48:05Ray, right?
48:06That's what you said?
48:07He's never seen her.
48:08He doesn't know what she looks like.
48:09He just knows her based off her reputation.
48:11So let's just find a different old Russian woman and throw her into this meeting.
48:14I mean, he would never know the difference.
48:16I could do it.
48:17I could...
48:17You don't speak Russian.
48:19She does?
48:21Just...
48:21Just put up a bushconer and...
48:23I could get the wig master.
48:24He got a wig master?
48:25This is a life and death situation, not a high school production of Bye Bye Birdie.
48:31Caterpillar will see this woman up close.
48:34So she has to be Vera's age, Vera's profile, Russian, but on our side, which means we have
48:38to already know her and she has to already know us.
48:41So unless any of you have another elderly Russian woman who you'd trust with your life...
48:46Dame.
48:51I do.
48:55All over the world, little guys are standing up to tyrants, but not me.
48:59Well, I hate violence.
49:01In fact, my father always told us in his sermon, he who lives by the storm...
49:05You are the woman that I've always dreamed of.
49:09I knew it from the start.
49:13I saw your face and that's the last I've seen of my heart.
49:21It's not so much the things you say to me, it's not the things you do.
49:29It's how I feel each time you're close to me, that keeps me close to you.
49:38You are the woman that I've always dreamed of.
49:43I knew it from the start.
49:46I saw your face and that's the last I've seen of my heart.
49:51Of my heart.
49:55Of my heart.
50:00Of my heart.
50:03Of my heart.
50:04Of my heart.
50:10Of my heart.
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