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00:11Transcription by CastingWords
00:30All of them murdered, all of them prostitutes.
00:32And you think they are connected?
00:34Some of these were my friends.
00:35They're all gone.
00:36Not this one, though.
00:37This one, I don't know.
00:39Andre, привет.
00:41I need to borrow your place for like an hour, maybe two.
00:45Could you just go someplace else?
00:46You're here because you want answers.
00:48It's for that reason it is worth pushing past this fear
00:51to get one step closer to what you really want.
01:02When I wake up in the morning light
01:06I pull on my jeans and I feel all right
01:12I pull my blue jeans on
01:14I pull my old blue jeans on
01:17I pull my blue jeans on
01:20I think these were bad shoes.
01:23Yeah, shirts, the shoes.
01:26How are you so fast?
01:27State champion in track.
01:29I'm surprised.
01:30Well, I'm surprising.
01:32Wait, what was that?
01:33What's what?
01:34Her.
01:36The old lady?
01:37What do you think she wants?
01:39I don't know.
01:39Some knitting needles, a little cane,
01:41a sweet relief of death.
01:43I don't like how she's looking at us.
01:45Oh, look at you go.
01:47Oh, okay, even with the bad shoes.
01:49Ah!
01:51Did we lose her?
01:56No, she's keeping up.
01:58Impressive.
02:01Oh, who are you?
02:11What are you doing?
02:12I'm called Vera.
02:14I'm not KGB.
02:15Give the information to you, Mr. Dan Walter.
02:20The facility has moved.
02:21I'll get him the new location.
02:32What in the shit?
02:46Mom and I, he's getting called.
02:50That's exactly what I'm talking about.
02:52Oh, God.
03:02I'll get you.
03:08I'll get my celular now.
03:10Oh, God.
03:23so she's not kgp does that mean she works for us no but she is someone useful to know on
03:28both
03:29sides there are things an american officer cannot get in the ussr someone like vera can help
03:34facilitate these things well things like what like poison forged travel papers foreign currency
03:41stolen art airplanes what did she offer you she wouldn't have sent you back here without offering
03:47you something uh she didn't offer us anything she's offering you information the thing you
03:53desperately want and would do anything for you think she's lying people in her line of work do
03:57not get returned customers if they lie but they also know how to tell you things you want to hear
04:01well i mean we want to hear it so how do we get in touch with her check your pockets
04:13oh wow
04:19okay twyla you're up me i get to i get to run this up
04:31what does this even mean
04:33uh well it's pretty clever actually people in vera's line of work they use these symbols to
04:39communicate so there's a man they call caterpillar he works in the kgb compromet facility he's fed us
04:46information through various channels if there's anyone who's going to know where the facility is
04:49it's him all right what's the uh big knife for that's probably pavel the butcher he's vera's contact
04:55see caterpillar is so deep in cover in the kgb system that vera probably doesn't know who he is so
05:01the butcher is going to reach out to caterpillar set up the meeting who's she
05:07that's vera really yeah i mean maybe 20 years ago 20 really okay where am i supposed to meet her
05:15the yaravoy violin factory 1 p.m friday which symbol means that that she wrote on the back
05:20oh hey um you should know vera knew tom and chris right yeah you said she could get airplanes you
05:30think
05:30maybe she knows something about the crash it's pretty likely yes even if she did know something i mean
05:35would she even tell me if you do everything she tells you to maybe okay
05:46why dame picked me for this mission well because i told him to why'd you do that because i know
05:52how
05:52much you care about the women in moscow that no one else cares about that's vera
05:56why dame
06:13good evening
06:19good afternoon
06:20where are they
06:21What the hell is that?
06:24I...
06:25There's no one here, she's in her neighborhood.
06:30I know you.
06:33You were in a bar then with her.
06:36Yeah.
06:37You know her?
06:39You're in her house.
06:41I'm her friend.
06:44Her friend?
06:48I'm so sorry.
06:48When I asked her, who she is, she said that she is a murderer, she said no.
06:53She is not a murderer, she said no.
06:56She said no, because we were able to talk with her.
06:59We were able to talk with her.
07:01We were able to talk with her?
07:01To her?
07:02Is...
07:03Is...
07:03Is she...
07:04Is...
07:04...or her Denver.
07:12And...
07:13So, she was...
07:17You think you're a guy?
07:20But for me, it's just Bukashka.
07:24I'll call you to call him.
07:32Spокойной ночи, Bukashka.
07:47Well, good morning, Judge. How are you today?
07:50A mentor, please pull me away.
07:53A brave man took a sign of me.
07:55I couldn't stop, so let it be.
07:59Good morning. I am Evie.
08:04I am your nanny.
08:06I took the night train in from Helsinki.
08:09No. No, you are not the woman that I hired.
08:12The woman I hired had experience, you know, heft.
08:18So the agency sent me all this way.
08:20It was a 13-hour journey.
08:23I assure you, I have years of experience.
08:26I don't see how that's possible,
08:27because you don't have years of anything.
08:30Hello. Hey, who are you?
08:32She says she's the nanny. Evie.
08:33Oh, it's very nice to meet you.
08:36I'm Ray. This is Cheryl.
08:38Here, let me take your bag.
08:39No, no, no, no.
08:40We're going to leave the bag because I'm going to call the agency
08:42because this was a mistake.
08:43Do you want anything to drink?
08:43The coffee's bad, tea's even worse.
08:45Why don't I introduce you to Trent?
08:46Trent, buddy.
08:47Come in here.
08:48I've got someone for you to meet.
08:48Sir, we're going to get this sorted out soon,
08:50so stay close, please.
08:51Don't unpack and we're not going to unpack, okay?
08:53Just a second.
08:56Down a tiny bit.
08:57Is that...
08:58I think that, that let go?
08:59That's perfect.
09:00I knew it was a little off.
09:04It's Amalievich.
09:05Are you familiar?
09:06Actually, I am, yeah.
09:08Art history minor.
09:10You sure that's okay?
09:11Yeah, looks great.
09:12Yeah?
09:14Hmm.
09:15Yeah.
09:17One of the perks of this job?
09:19Access to the desperate and formerly rich.
09:22I got this for a song from a high-level Politburo member
09:26with a gambling addiction.
09:27Someday it'll be worth millions.
09:30He'll be pretty sour he made that deal.
09:33I have an eye for these things.
09:34When I served in Berlin in the 50s, I bought a Degas.
09:38Really?
09:40Was it stolen Nazi art?
09:43Well, not when I got my hands on it.
09:46I paid for it, which makes it no longer stolen.
09:59I saw the signal in your window.
10:02Andres showed up.
10:03What did you say?
10:06I said that I was your boyfriend.
10:09Oh.
10:09I know.
10:10It was the first idea I thought of.
10:12I said I knew about your infidelity.
10:13I'm so sorry.
10:15I'm putting you in this position, this risk.
10:17Well, it's already risky.
10:20Given secrets to the Americans if they catch me.
10:23I know.
10:23I know.
10:24I know it's scary and risky, but you have to know that the intelligence that you're bringing
10:30us...
10:30What intelligence am I bringing?
10:32The photos.
10:33And the technology.
10:37You don't know, do you?
10:39If what I do matters, they don't tell you what I'm bringing them today.
10:48I think what I'm doing is important.
10:51But you don't have to lie to me for me to help you.
10:53I have to lie to everyone.
10:55I'm Nadia Melnikova, the school teacher.
10:57And you are my boyfriend, apparently.
11:03Though you're cheating on me.
11:04Oh, small hiccup and otherwise very strong relationship.
11:09Okay, so what's our story, hmm?
11:10How did we meet?
11:11You don't remember?
11:13Well, I'm...
11:14My umbrella broke and I asked if I could walk under yours.
11:17Of course.
11:18I walked seven blocks out of my way to stay near you.
11:20And I thought I'd never see you again.
11:22And then one day at the market, there you were.
11:25It was fate.
11:30I really am sorry.
11:33No, I didn't.
11:36Love...
11:38Love means never having to say you're sorry.
11:42Oh, my God!
11:45You got a copy of Love Story in Moscow?
11:49Yeah, movie and book.
11:51How did you get a copy of the movie?
11:52My work is with video technology.
11:55It's the technology the Americans want me to steal.
11:58Did...
11:58Did you know it?
12:03What do I do if he comes back?
12:06What you're doing...
12:09Believes a lie.
12:17I mean, he never had a wife, so that must be his sister.
12:20I mean, she kind of looks like him.
12:22If you say so.
12:23Well, no, but you know so.
12:24You know everything.
12:25You know about Twyla's high school track career.
12:27You know I don't take cream in my coffee.
12:28And you know that our Soviet acid sister was murdered.
12:31I didn't know about the cream.
12:33We were just out of cream.
12:34Why do you want to know more about your agent?
12:37You've already almost gotten him blown by the KGB.
12:39Well, I don't know. He's putting his life on the line.
12:42I just want to understand why.
12:43I need him to trust me.
12:45He already trusts you.
12:46And you trust him.
12:48Which, by the way, you shouldn't.
12:49Wait, why are we doing this if we don't trust him?
12:51In many ways, you are extremely ill-suited for this job.
12:55But you have your reasons for being here.
12:57As does Redford.
12:58And his reason is his sister.
13:00You think she was a prostitute?
13:02Looks that way.
13:03Who murdered her?
13:05Soviet government, KGB.
13:07Same organization who employs a man you want me to date.
13:10It's a sensitive undercover operation to infiltrate a high-level KGB agent.
13:14Oh, you know what I mean.
13:15Of course he's dangerous.
13:16Otherwise, we wouldn't want you to spy on him.
13:19How dangerous is he, Andre?
13:23Has he killed a lot of people?
13:27You've looked into his eyes.
13:30What do you think?
13:51Well, first off, it's Carl, not Curl.
13:54Why don't you go ahead and work off of that one?
13:59Oh, Cheryl.
14:00You did such a great job with that.
14:02Why don't you just take over?
14:03Oh, I did not do that.
14:04Bea did.
14:04So.
14:05No.
14:06Right?
14:07Right?
14:07Put that down.
14:08You paint?
14:09Uh, yeah.
14:10Wow.
14:10A woman of many talents.
14:12That involves sitting down.
14:13Sure.
14:17It's time.
14:24Okay.
14:29I thought they would send the other girl.
14:32Why?
14:33She spoke Russian.
14:35Well, uh, you're speaking English and they sent me.
14:38So, what do you need me to do?
14:42Pavel, the butcher, took a great risk contacting Caterpillar.
14:47For that, he needs money.
14:50$100,000 in American currency by tomorrow night.
14:54That's a lot of money.
14:55To the American government.
14:57It shouldn't be too difficult.
14:59Okay.
15:00I'll try.
15:00Yeah.
15:01I'll work on it.
15:02I just, you know, we don't keep that kind of cash lying around at the embassy.
15:05And I need a passport.
15:06For who?
15:07Pavel?
15:08Passport is for me.
15:11This is the cost of my help to you.
15:13I can't hide in this country forever.
15:16I want to die free.
15:19Okay.
15:21I'll, uh, I'll get you the passport.
15:23But when I do, you're gonna get your guy, the butcher, to contact Caterpillar
15:27and get the location of this facility for Dane.
15:30Yes.
15:31That's our deal.
15:48No.
15:52That's our deal.
15:54No, no.
15:55Yes.
15:55No.
15:57No.
15:58No.
15:59...
16:06Can I take him?
16:07Oh, what a joke!
16:09I'm sorry, excuse me. I'm so sorry. I'm sorry.
16:20What a...
16:27I'll take my hand.
16:33I'll take my hand.
16:33And I'll take my hand.
16:34I'm ready to find Zuzun.
16:35You can call me on the phone?
16:37Yes.
16:38Yes, I will.
16:39And...
16:41No!
16:44Oh shit.
16:50Good luck.
17:02Oh.
17:02What?
17:05What?
17:06What?
17:07What?
17:07What are you doing?
17:08It's okay.
17:14Jesus.
17:15$100,000 in cash by tomorrow night.
17:18We couldn't get that in a month.
17:20Don't we work for the American government?
17:22Aren't we rich?
17:22We have to fill out forms to get thumbtacks.
17:24But she's negotiating, I think.
17:26Which is a good thing.
17:27We just have to keep her hungry.
17:29Tell her that we can get her a visa to a friendly nation,
17:33where the KGB won't kill her.
17:35Get me a visa to America, then.
17:37Get her a visa to America, then.
17:39We can go to Turkey.
17:40How about Greece?
17:41She'll still need an American passport, though.
17:43What about a Greek passport?
17:45American.
17:45I can only do with an American.
17:48Fine.
17:49Is that it?
17:51Is that it?
17:53Pavel still wants the money.
17:54I can get you something extremely valuable
17:57that you can sell for a large amount of cash.
18:00More than a hundred grand, even.
18:01What is that?
18:03I'll tell you tonight.
18:04If you're not satisfied, we'll call the whole operation off.
18:07You'll call the whole operation off?
18:09What were you planning on giving her?
18:10I don't know.
18:11I was just trying to buy us time, okay?
18:12Think with me.
18:13You need this, I need this.
18:14What about your car?
18:15I'm sure she'd love a car.
18:16I don't own a car.
18:17I drive a West German sedan owned by the embassy.
18:19Right.
18:20What about watches?
18:21You got a Rolex or something?
18:22No.
18:23Okay.
18:25Okay.
18:25Just, uh...
18:27Just let me think.
18:28Let me, uh...
18:30Let me think.
18:33He's trying to screw with your head.
18:36Yeah, that's working.
18:37My head is screwed.
18:39He must have sent the man who robbed me.
18:43Whoever robbed me didn't find this.
18:51Although he could have, and that would have been the end for me.
18:54So this is the last thing I'll steal.
18:55I'm sorry I can't do this anymore.
18:58They're gonna torture me.
19:00They're gonna make me wish I was dead.
19:02They're going to let me live just enough so I feel pain every hour of my life.
19:05I feel fear I've never felt before.
19:06Do you understand what is at stake for me?
19:08I'm sorry.
19:09I'm sorry.
19:09I don't think I can still do this for you.
19:16You and I both know you're not doing this for me.
19:21Your sister.
19:24They killed her.
19:26You know about Galina.
19:29You know they killed her.
19:31The KGB.
19:33I do know they killed a lot of women.
19:39A man.
19:41KGB.
19:42He came to me one night after she died.
19:45He said that there were some KGB agents who were murdering prostitutes.
19:52And Galina was one of them.
19:56I didn't know.
19:59We came from Kiev to Moscow when we were 13.
20:02She was my only friend.
20:05She was so excited to be here.
20:08But then they killed her.
20:11This country.
20:14Our country.
20:17Please believe me when I say I understand.
20:23If you walk away.
20:27No one in this world will ever fight for her again.
20:41I need something.
20:42Anything.
20:45I need to know that if they're going to torture me there is another option.
20:50We thought about this.
20:51I need an L pill.
20:52I don't know what that is.
20:53A lethal pill?
20:54A cyanide pill?
20:55I don't understand.
20:56Why do you want a cyanide pill?
20:57So I could bite down on it if they come from me?
21:01I'm not going to give you a pill so you can kill yourself.
21:05I don't want you to die.
21:08I don't want to die either.
21:14I will only take it if there is no other option.
21:17I will continue helping you with please.
21:21Understand there are some things worse than death.
21:40The End
21:41So what the fuck happened?
21:42Well I fucked up.
21:43Is what happened.
21:44He almost quit and I think he still might.
21:46Oh and fuck Andre knows about him and he thinks that he's my boyfriend that I'm cheating on.
21:50Well we can work with that.
21:51What?
21:51He just likes knowing someone else is fucking you.
21:54I think the KGB sent a goon to beat him up.
21:56Well, is he okay?
21:57No, he's not okay.
21:58He wants me to get him an L pill.
22:00And there is no way that Dane is going to give me a pill
22:02that's going to kill our ass edge.
22:04I think I can get you one of those.
22:05Really?
22:06Well, from who?
22:07How?
22:09Vera.
22:10Poison.
22:10It's one of the things she can procure.
22:12So she would just give it to you, or?
22:14Maybe.
22:14If I can sweeten the deal.
22:15We're in the middle of a negotiation.
22:18Actually, you know when you were making fun of Alan
22:20for his stupid painting earlier?
22:22Yeah.
22:22Could I borrow it?
22:24What do you mean, borrow it?
22:25Steal it?
22:26What?
22:27Yeah, would you mind just, uh,
22:30breaking into his office really quick
22:31and just stealing it from me?
22:33What the fuck?
22:34Please?
22:35In the morning's arms flying
22:39As they dragged you by your feet
22:43But the plane was hanging
22:47And they pulled you on the street
22:51Yeah, you're going back to Jack
22:54Do it again
22:55Do it again
22:57Do it again
22:58I just can't help myself in a longer
23:01I think about this every single time
23:03I think about it all the time
23:04Okay, I guess
23:05I'll just walk up
23:07You're here
23:07Come on
23:08I'm okay
23:08Okay, I'm okay
23:10Oh, I'm okay
23:11I'm okay
23:12Oh, God
23:13Oh, God
23:15Oh, my God.
23:17I'm sorry, Lucy.
23:18Are you okay?
23:24You're so funny.
23:31She's perfect.
23:33Really, amazing job, truly.
23:43Oh, it's so not. It's awful.
23:45It's fine. Nobody's gonna notice these things.
23:47Alan will notice.
23:49He looks at this painting all the time.
23:51Well, he didn't notice when you stole it in the first place.
23:53Yeah, that's because he was busy having sex with Lily.
23:57Shep's wife? Yeah.
24:00Wow. Mm-hmm.
24:02I mean, I get it. I mean, if you had to fuck Shep, you know, but...
24:04Mm-hmm.
24:05Alan. I know.
24:06Why did you do the head just like...
24:08I don't know.
24:09It wasn't my intention.
24:10Don't think about it. Don't think about it.
24:11I tried.
24:12Okay.
24:45Okay.
24:45Let me just write them down.
24:51Okay, let's roll something down here.
24:56I don't know.
24:56Now what the fuck is this?
24:57Well, you're blackmailing me.
25:00I pay you to stop a tape from getting out that you claim will be very damaging to me.
25:05A tape you claim to have.
25:06I do have it.
25:08Really?
25:10Because I heard chatter that you didn't.
25:13That the facility was compromised.
25:15And the tape got out.
25:17That's a lie.
25:18You're over your skis, Vasilyev.
25:21You act like you run things, but we both know you're just mid-level KGB.
25:27I don't negotiate down.
25:29Come back when we can talk like equals.
25:32I may not run an embassy, but you won't either.
25:35I will send an anonymous dispatch to CIA at the head of Moscow station.
25:41Oh.
25:42As a ferry.
25:44Tell whoever you like.
25:46My mother's dead.
25:47I don't have a priest.
25:49I don't have a wife anymore.
25:52Washington already knows.
25:53I mean, how'd you think I ended up in Moscow?
25:57The worst assignment in the whole of the fucking CIA.
26:00If this item you claim to have is a tape of me fucking other men, then you really don't have
26:07it.
26:08I'll see you around.
26:13Wait, wait, wait, wait.
26:14You stole this?
26:15No, no, of course not.
26:17No.
26:18Me stole it.
26:19Are you kidding?
26:20Look, how else was I supposed to find someone worth a hundred grand, okay?
26:23Your life's not even worth that.
26:24Oh, you're too kind.
26:26Look, you're the one that said to give Vera everything she wants if I want answers, so that's what I'm
26:30doing.
26:30You're assuming that Pavel is going to accept this as payment?
26:33Yeah, he will.
26:34Well, I can convince anyone anything.
26:40She still like this logic.
26:42He wants to know what the painting means.
26:45I don't know what it means, but I do know that it is worth a lot of money.
26:51You know, it's one of the big main guy at the embassies.
26:54It's his, and he's a big art collector, so tell him that.
27:09Tell him a little something.
27:11Sell it a little more.
27:13What do you mean?
27:15What do you think it's about?
27:26Loneliness?
27:27The reason for this canvas is loneliness.
27:31I think it's about feeling like you're part of the world and other times like you're not.
27:37You feel like you're part of the universe, but on the other side, on the other side, on the other
27:43side.
27:46There's something there.
27:49Actually, you know what?
27:50Never mind.
27:51I think I'm going to find another buyer.
27:53Here, yeah, this is a very significant work, and it's wasted on a moron like yourself.
28:00No, don't take it.
28:10He will accept this.
28:14Then he will set the meat with caterpillar.
28:22You owe me a passport.
28:24I know, yeah.
28:26Wait, wait, actually, I hate to ask you for another favor, but do you have a suicide pill?
28:33You know, one of the L-pills, the thing you bite down on and you die in two seconds?
28:37Why?
28:38It's not for me, but I'm in the middle of another negotiation.
28:42I don't have any more paintings to steal, but I do need one.
28:45I have one of those.
28:47Really?
28:48Wow.
28:49Just get me a passport.
29:10Here it is.
29:14So, that's me now, Pamela Wilson.
29:19Yep, that's you.
29:21From Illinois.
29:23Close enough, yeah.
29:26And here is the pill.
29:28Oh, what are you doing?
29:30Oh my God.
29:34Okay.
29:35Wow.
29:36Uh, you don't need it?
29:39I did once.
29:40Now, I've since learned it's only a fool who thinks they can control death.
29:45Death takes you whenever it wants.
29:48I kind of want to bite it.
29:49You ever just want to bite it?
29:50No.
29:54I got you everything you wanted.
29:56Could you, uh, could you tell me what really happened to them, to Tom and Chris?
30:02It was the Compromote facility.
30:06They were looking for it when they were killed.
30:11Caterpillar is giving us the new coordinates.
30:15But was there ever really a crash?
30:18There was a plane.
30:21Not a crash.
30:24Fucking hell, Tom.
30:25Give me a break.
30:25I think I'm landing blind.
30:36Think anyone was close enough to her as come in?
30:39We are still ten kilometers from the coordinates you broadcast to me.
30:44Well, we better start walking.
30:46If Caterpillar even gave you the right fucking coordinates.
30:50Stay here.
30:51We'll be fast.
30:52It's Christmas Eve.
30:54Your wives are expecting us.
31:02Chris!
31:04They were soldiers waiting for us when we landed.
31:09I watched them die.
31:11I escaped before the soldiers got to the plane.
31:15Wow, so there were soldiers, though?
31:17They were waiting for you?
31:18They knew you were coming?
31:19Somebody told them.
31:21Who?
31:22Who would tell the Russians?
31:23Your husband.
31:25He was feeding the information to the Soviets.
31:27What?
31:28Your husband was a mole.
31:31I mean, are you sure?
31:34He was a lot of things.
31:36But, I mean, working with the Soviets?
31:38I mean, how do you know?
31:39How do you know this?
31:41For this information, I need something else.
31:46What?
31:49No.
31:50No, no.
31:51You're going to tell me.
31:52Look, I gave...
31:53No.
31:53Oh!
31:57Oh!
32:00Oh!
32:00Oh!
32:01Oh.
32:05Oh.
32:08Oh.
32:10Oh.
32:25Yeah, yeah, that's good, that's kind of good, oh my god, you almost gave me a heart attack!
32:32Twilock, let's get out, let's get out, let's get out, let's get out, let's get out.
32:35Something.
32:35Yeah.
32:36Uh.
32:37What?
32:37Wait, wait, wait, why are you wet?
32:41Vera fell into the river.
32:43Oh, Jesus Christ, Twil, you gotta be careful, she's an old woman.
32:46No, no, no, she fell in the river and she died.
32:49What?
32:49Yeah, I don't know, I don't know, the bridge, she was standing, the bridge crumbled and then she fell.
32:54Well, you just left her there.
32:55Yes!
32:56What was I supposed to do? Drag her body through the streets of Moscow? What are you supposed to do?
33:00Shit, this is bad.
33:02Yeah, it's bad, yeah.
33:03But, um, but you know, you know, it's not all that bad because I already got the, uh, the painting
33:07to the butcher so he's gonna set the meeting and, you know, we're gonna get that location for Dane still,
33:11so.
33:11Oh god, that's good.
33:12Yeah, that's good.
33:13Before Vera died, did she, did she say anything?
33:17You know, you know, that might be relevant for us.
33:22Actually, uh, yeah, she, uh, she said she was there when Tom and Chris died.
33:32She said that?
33:35Yeah.
33:36She saw them die?
33:39That's what she said.
33:42And he believed her?
33:48Okay.
33:54Oh god.
33:55Oh.
33:58I'm sorry, this is so stupid.
34:01No.
34:01Oh.
34:02I don't know, I thought maybe there was a chance.
34:04Maybe they were still alive?
34:06I don't know, that doesn't make any sense.
34:08It's just, I don't know why.
34:12I gotta, cause there were no witnesses that maybe, maybe this wasn't real, but, oh god it is.
34:33I don't know if this is helping, just, uh, let me know if you want me to stop, okay?
34:54Sorry, I just, I just missed it.
34:58Yeah.
35:00Okay, um, did she, did she say anything else?
35:08No.
35:09No, nothing else.
35:13Okay.
35:14Yeah.
35:17We should probably let someone know that our asset is dead.
35:20Dead, yeah.
35:22Okay.
35:23Okay.
35:30Yeah.
35:34I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I,
35:35I, I, I, I, I, I, I, I, I,
35:35I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I,
35:37I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I,
35:46I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I,
35:47I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I,
35:52I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I,
35:56I, I, I, I, I, I, I, I, I, I, I
36:06She has it, because I gave it to her.
36:08If an American passport is found on the body,
36:10that ties us into all of this.
36:12Okay, this is a big fucking problem,
36:14and we have very little time.
36:15I'm gonna need you to act quickly.
36:17Yeah.
36:19Doing what?
36:29Okay, so, uh, so how are we gonna do this?
36:32Uh, I guess we just, uh...
36:34walk out there and, uh, and reach in her pockets
36:37and get the passport, yeah?
36:39Okay, okay, so, so do that.
36:42What about you? What are you gonna do?
36:44Well, I'm gonna look out.
36:46This is your operation, so, you know, I should probably just...
36:48Right. Yeah. Okay. Yeah. Okay.
36:52Okay. Yeah. Okay.
36:57Yeah.
37:05Just checking in her coat.
37:10Okay.
37:12Okay.
37:13Do we take this with us, or...?
37:15I, I, I think so.
37:17Can I toss it to you?
37:18Nope. Nope. Don't, don't throw a gun at me.
37:20Even if it's been underwater?
37:21You can just come over, hand it to me.
37:23Yeah.
37:24Yeah.
37:26All right, good job. Okay.
37:28Don't touch the...
37:29Nope, no, I'm not gonna...
37:30Okay.
37:30...touch it at all.
37:32Okay.
37:33Okay.
37:34Okay.
37:34Yeah.
37:35I think I feel it.
37:36Oh, thank God.
37:37Yeah.
37:37Okay, let's go.
37:39Yeah, I got it.
37:39Found a, found a knife, too.
37:43Okay.
37:43Yeah.
37:47I hate to say this, cause I, uh, I really do want to get out of here, but she...
37:55She's kind of just exposed, you know?
37:58I mean...
37:59Maybe we should just...
38:02Ray kind of said, you know, if the passport wasn't on her, then it sort of doesn't matter.
38:08That's fucked up.
38:11It matters.
38:13Yeah.
38:13I mean, maybe not to the Russians, but it should...
38:15It should still matter.
38:18I mean, look at her.
38:19She's...
38:21She's just gonna rot here.
38:22I mean...
38:23No one's gonna move her.
38:24No one...
38:25No one cares about her.
38:27She's just...
38:28She was completely alone.
38:32She just lived this life and, uh, did all this wild shit and now...
38:41Now she's dead and...
38:44No one's gonna even remember she existed.
38:51That's really sad.
39:00Tell me if you want me to stop.
39:15You have to promise me.
39:16Only if it's absolutely necessary.
39:19I know.
39:21There's this Russian saying, you may know it.
39:30There are instructions inside for something that we need if you're still willing to do that.
39:43Thank you for trusting me.
39:45You know how I'm doing this for my sister.
39:49Why are you doing this?
39:52My husband.
39:54I don't know if he knew I was married.
39:56You almost said you had a husband.
39:59I...
40:01Don't anymore.
40:03He was killed.
40:06Does that make me not married now?
40:09He feels so far away.
40:12You know, my sister, we...
40:14We were twins.
40:16Am I still a twin if there's no other twin?
40:21Maybe we're both something in between of who we were with them and who we are without them.
40:27Hmm.
40:35Yeah.
40:36Good night.
40:38Take care.
41:30Taylor...
41:31You may call me Mrs. Szymanski.
41:33Oh, Mrs. She's...
41:35It's my monkey. I was wondering if it would be okay if I came to the performance tonight
41:44Absolutely not
41:46Who would look after Trent?
41:48Oh, I would bring him. He's been talking all day about watching his father sing. He has to go to
41:55bed
41:57Where have you been I
42:00Just I need the um
42:02Of course, thank you
42:39I
42:50Well, then Cheryl
42:55Twyla if you don't cheer really really loud when I sing my song you are fired
43:01Well in that case, I really should be singing more songs though, you know people say that I really I
43:06own the stage
43:07Do you ever think maybe the problem isn't your voice?
43:11B
43:13Hi Alan you mind coming up to my office. I need to talk to you
43:18Of course, I bet you know the show's about to start. I'll be back in time
43:26I was wrong about you B
43:35When I first met you I thought you were just another secretary
43:39But it turns out you're a compassionate person
43:44That's why I'm letting you in on a secret Gretchen and I are having some problems
43:49Oh Alan I'm gonna be sleeping in the office for a while I'm letting you in on that so that
43:54you can help me keep that you know discreet
43:55Of course, thank you on the bright side the uh couch in here is very comfortable
44:02Yeah
44:03And and and and there's nothing like sleeping in front of truly fine art
44:10That I would give everything I own
44:16I give up my life, my heart, my home
44:22Yeah, I would give everything I own
44:29Everything okay?
44:30Just to have you once again
44:36Just to have you once again
44:38Just to touch you
44:39Just to touch you
44:40Just to touch you
44:41He's pretty good
44:45Wow
44:46Okay
44:48Wow
44:49Wow
44:59For this song I would like to invite up the newest member of our embassy family
45:04Straight from Helsinki with a great set of pipes
45:06It's Evie, come on Abibi
45:09Everybody give a round of applause
45:10Let's go on
45:11Come on, drink
45:11Let's go through
45:13Will you be okay?
45:14No
45:15Okay, ready?
45:16Five, six, five, six, seven, eight
45:19Don't want breaking my heart
45:23I couldn't if I tried
45:27Oh honey, if I get restless
45:30We can dance
45:31I thought you'd never ask
45:33Yeah
45:35Ooh
45:38But nobody knows it
45:41But when I was down
45:44And I was your count
45:46Ooh
45:48And nobody knows it
45:50Nobody knows it
45:53Right from the start
45:54I gave you my heart
45:56Oh
45:59Give you my heart
46:04Oh
46:06Sorry
46:10Why didn't you ask me to do a duet?
46:13Well
46:14Because I didn't know you wanted to sing
46:16I
46:18Every time I put on music in the apartment
46:20You tell me it gives you a headache
46:21Yeah, well I don't like music
46:22Per se
46:23But I might if you asked
46:26Hey, hey
46:29Next time I will ask
46:32Yeah
46:32Yeah
46:33Trent?
46:34Okay
46:35Okay
46:36Trent?
46:37Trent?
46:38Okay
46:40See, she cannot control it
46:42No, he's fine
46:44Trent?
46:46There are you
46:50Come on, Trent
46:51Come on, Trent
46:55Trent
46:56Oh
46:57Come here
46:58Careful
46:59I'll kill you
47:00When were you planning on telling me that Vera is dead?
47:10Now?
47:14Well, fuck
47:21Where are you going?
47:23To bed
47:25We tried
47:26Not every mission is a success
47:28No, no
47:30No
47:30I mean
47:33This was a successful mission, though
47:36I mean, come on
47:37I did all the stuff I was supposed to do, you know
47:39Vera wanted to pay the butcher
47:41He's paid
47:42Okay?
47:43And so he's setting the meeting with Caterpillar
47:45And he's gonna get you the coordinates for the facility you want
47:48The facility that Tom and Chris were looking for when they died
47:50And he's their contact, by the way, so he's gonna know what happened to him
47:53Caterpillar is key to finding out what happened
47:56We're really close here
47:57And yet the person he was expecting to meet is dead
48:01Wait, no
48:02Caterpillar's
48:03Never met Vera
48:05Ray, right?
48:06That's what you said?
48:07He's never seen her
48:08He doesn't know what she looks like
48:09He just knows her based off her reputation
48:11So let's just find a different old Russian woman and throw her into this meeting
48:14I mean, he would never know the difference
48:16I could do it, I could
48:17You don't speak Russian
48:19She does?
48:21Just
48:21Just put up a bushka on her and
48:23I could get the wig master
48:24You got a wig master?
48:25This is a life and death situation
48:28Not a high school production of Bye Bye Birdie
48:31Caterpillar will see this woman up close
48:33So she has to be Vera's age, Vera's profile
48:36Russian, but on our side
48:38Which means we have to already know her
48:39And she has to already know us
48:41So unless any of you have another elderly Russian woman
48:44Who you'd trust with your life
48:46Dame
48:51I do
48:55All over the world, little guys are standing up to tyrants, but not me
48:59Well, I hate violence
49:01In fact, my father always told us in his sermons
49:03To see who lives by the storm
49:05You are the woman that I've always dreamed of
49:09I knew it from the start
49:12I saw your face and that's the last I've seen of my heart
49:21It's not so much the things you say to me
49:25It's not so much the things you say to me
49:26It's not the things you do
49:28It's how I feel each time you're close to me
49:33That keeps me close to you
49:38You are the woman that I've always dreamed of
49:42I knew it from the start
49:46I saw your face and that's the last I've seen of my heart
49:53Of my heart
49:56Of my heart
50:00Of my heart
50:06Of my heart
50:07Of my heart
50:11Of my heart
50:11Of my heart
50:12Of my heart
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