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Watch PONIES () free Season 1 Episode 6 online in HD on Dailymotion (2026).
Transcript
00:07I think what I'm doing is important.
00:10Your sister.
00:12You know, but Galina.
00:13They killed her.
00:15You think she was a prostitute?
00:16Looks that way.
00:17Who murdered her?
00:19Soviet government, KGB.
00:20Same organization who employs a man you want me to date.
00:23Where would an important American man go looking for some company and had some money to spend?
00:27Dr. Maria.
00:28This one, I don't know.
00:30Of course I'm going to be careful.
00:31You can trust me.
00:31Twyla can manage things with your grandmother.
00:33The best person to have on the ground is someone who's not emotionally invested.
00:38How did anybody else find out about this mate?
00:40I don't know.
00:40Bea, I don't know what to tell you.
00:42It doesn't fucking matter.
00:43All that matters is getting my grandmother.
00:44Get the bill!
00:45He helped us!
00:46He gave me this!
00:47Sometimes I wonder if all is pretending.
00:49I'm going to forget what's even real.
00:53What?
00:53We have a mole.
00:54We have a fucking mole.
01:00What about Niagara Falls?
01:02It's predictable.
01:04And what is it really?
01:05Some water rolling down a hill?
01:07A very large hill?
01:09Chris.
01:10What?
01:12Are you afraid of heights?
01:14No.
01:16You know, I grew up in a high-rise.
01:17Looking out my window every day never scared the hell out of me.
01:20Made me want to vomit, give me the chills.
01:23Where to go?
01:24Oh my God!
01:25Chris, how did I not know this?
01:26You were a pilot.
01:27Yeah, but in a plane, I'm in control.
01:29Wow.
01:31Wow.
01:33Wow.
01:33Oh, is that, is that Mania?
01:35Oh, yeah.
01:37God, she looks so much like you.
01:39Mm-hmm.
01:40Where is she?
01:41Presklav, I think.
01:42Yeah, she used to vacation there with her best friend in the summer.
01:46She said those were her most cherished memories of her time in Belarus.
01:50Well, maybe we should honeymoon there.
01:52The Soviet Union?
01:53Now you really are joking.
01:55Do we really need a honeymoon?
01:57I mean, I'm, I love being with you anywhere.
02:00I'm, I love being with you anywhere.
02:30And rather than the end of the year, OLYSSκι assumes her long run away.
02:47Let me know what you did.
02:49First person is waiting, and after you happens with me.
02:53Andrei, I just got out.
02:55Myinden was wrong.
02:59Why did you leave me alone? Why did you leave me alone?
03:02Because I heard you. How can a man talk to a woman like you?
03:08Just a man like you.
03:11You have to teach me to work.
03:15You don't know what I did and who I protect.
03:19But now I know what you're a person.
03:33You don't know.
03:55I can't tell which lady of heart.
04:19Oh, my God.
04:33Откройте!
04:45Откройте!
04:57Откройте!
05:02Откройте!
05:04Вик!
05:05Так вот, вот здесь где Трент found it.
05:07Да, вот примерно.
05:09Большое.
05:10Мы нужны это сегодня.
05:12В ДСИ на его пути.
05:14Да, это немного необычное,
05:15необычное,
05:16для того, чтобы он был на Москве.
05:19Он только заявил в месяц.
05:20Это протокол.
05:22Но, безусловно,
05:23он не требует знать,
05:23что наш фирмплей был убран.
05:25У-у-у?
05:29О-кей.
05:35О!
05:41Oh, God.
05:47Has this always been here?
05:53Christ almighty.
05:55I know, they put us in a building designed to be surveilled,
05:58but tunnels, that's brazen even for them.
06:01Yep, the Soviets have never been known for their subtlety.
06:07No footsteps.
06:09The Soviets didn't use these tunnels to plant the bug.
06:12Someone must have come from our side.
06:13Holy smokes.
06:15I want eyes and ears on all embassy staff.
06:18Anything suspicious? I want to know about it.
06:21I'm already doubling my efforts, but I should let you know,
06:23I think that the cafeteria workers are compromised.
06:25They don't have access to this level.
06:27Okay, never mind.
06:27I think our man is closer to us.
06:29Or woman.
06:32Whoever the moon is, Ray, I want them found.
06:54Wait.
06:55Uh, Maria?
06:56Uh.
06:57No, thank you.
06:58Maria.
06:59Maria.
07:01Wow.
07:02You look, uh, different.
07:03I remember me.
07:04I went to your work.
07:06What are you doing here?
07:06I, uh, simply needed a change.
07:09This is work now.
07:11Why?
07:12Uh, did, are you okay?
07:14Did something happen?
07:15Nothing.
07:18Everything.
07:19What?
07:21You can, you can tell me.
07:23I, uh, I did a job.
07:26I did it well.
07:27I leave.
07:27Uh-huh.
07:28But, uh, next day, uh, the man who hired wanted to meet.
07:31And when I come, I could feel that he was, um,
07:35preparing himself to...
07:36to make me dead.
07:38Oh, my God.
07:39I was not going to wait and become another dead girl.
07:41So I run.
07:43I'm sorry.
07:46Now, here I am.
07:49Wait, do you know who the guy is, or...
07:52No?
07:57No.
08:16Did you know about this Chris and Galina tape?
08:20And, and you didn't think to tell me?
08:22It's not pertinent information.
08:23My husband having an affair with a Soviet, with my assets,
08:26murdered sister, and that it is all on tape,
08:30that didn't sound like pertinent information to you?
08:35Was this compromat?
08:36Was Chris being blackmailed?
08:37He wasn't being blackmailed.
08:38He wasn't even having an affair.
08:40I'm sorry.
08:41Do you need to watch it again?
08:43You see the part where he cups her breast?
08:44He only did this to prove his loyalty.
08:49Mrs. Grant,
08:52your husband pretended to work for the Soviets,
08:54at my request.
08:56In order to convince the KGB that he was trustworthy
08:59and gain their confidence,
09:00he had to give them something that could ruin his life.
09:04Your reaction proves why this tape was effective.
09:07It proves that I had absolutely no say in my marriage.
09:11He was an exceptional agent.
09:14But this job demands sacrifice.
09:17Most people are not cut out for it.
09:20But the woman who marches into Langley after her husband's death
09:23and demands to be sent back to Moscow is not most people.
09:29But it is past time you decided whether you're going to dedicate yourself fully to this job.
09:34Because half measures in this life will only get you killed.
09:39And committing to this life won't.
09:48Yes.
09:50To that.èveana
10:02In the past year I brought you here.
10:06You helped me activate the camera, which you made.
10:10You were in this restaurant last year.
10:12And so I wrote all this in detail.
10:16And now I can't even turn it off.
10:21I'll show you.
10:22Can you?
10:38Alo.
10:42What are you doing here?
10:44What are you doing here?
10:47I know, I've been talking with you.
10:49I've been talking with you.
10:50It may be too long.
10:53But...
10:55Today evening there will be something dangerous.
10:58Listen.
10:59I don't know what to do.
11:00But you'd better go somewhere.
11:03I know what to do.
11:05We are not children.
11:07We will be talking a bit.
11:07And I can't tell you again.
11:10It will be...
11:11I know what to do.
11:12I want to know.
11:13I want to know.
11:14What a long time is that I can't do.
11:17I want to know.
11:17It's my name.
11:18It's my name.
11:18It's my name.
11:23It looks like my name.
11:26I want to know.
11:34Let's go.
12:08B?
12:12B?
12:14You okay?
12:15I'm fine.
12:17I mean, I can hear you in there.
12:20You're not, you're not fine.
12:23What do you need?
12:26How long are you going to keep ignoring me?
12:30Is this, is this still about Manya?
12:35I mean, that wasn't my fault. I did everything I could.
12:38Please, it's just, it's not about you.
12:40Then what is it about?
12:44I saw something here.
12:49A tape.
12:51Chris, with, with another woman.
12:56They were together.
13:00What?
13:01It was for an operation or for this fucking job.
13:07Oh, okay.
13:10So then, so sex, you know, for the job.
13:14I mean, you know that doesn't count.
13:18My husband slept with another woman.
13:20It counts.
13:21It fucking counts.
13:23You know how this job works.
13:25I mean, sometimes we gotta be other people.
13:28You know?
13:29Do things we wouldn't normally do in our life.
13:31And, I mean, it's just sex.
13:35It doesn't have to be a big deal.
13:38I loved my husband.
13:39And, he betrayed me.
13:47Um.
13:49B.
13:52Chris didn't betray you.
13:57Tom did.
14:00What are you talking about?
14:02I barely even met him.
14:03What do you mean?
14:05Um.
14:07Tom was the mole.
14:09What?
14:10Vera, Vera told me.
14:11Right before she died.
14:13I guess Tom was the one that was, you know,
14:16feeding the information to the Soviets.
14:18So, Tom was the one that, he's the one who got Chris killed.
14:26What?
14:26Yeah.
14:27Well, why, why, why, why didn't you tell me this before?
14:31I was worried it would change things between us.
14:33Well, of course it fucking changes things.
14:36You, you had information about my life that you kept from me.
14:39I should be able to decide how I feel about my life.
14:44I know.
14:44I know.
14:44You should.
14:45I just, but see now you're, now you're mad.
14:48And I'm telling you something about Tom and you're blaming me.
14:50Like it's my fault.
14:51It's not my fault.
14:51Well, because it is your fault.
14:52Okay?
14:53It is.
14:54Because you had this information and you decided to keep it.
14:56Yeah.
14:56And you didn't tell me.
14:57And now you tell me now when I'm dealing with all this stuff.
15:00When I'm dealing with fucking fixing things with Andre.
15:03And what do you, what do you, what do you gotta fix with Andre?
15:05I have to seduce him.
15:06Which of course for you isn't a big deal because sex doesn't matter.
15:08But I still have feelings.
15:14Wow.
15:19Wow.
15:20I'm, I mean, I'm really trying here.
15:23And you're, what cause I, I fuck guys and I don't let it bother me.
15:27I don't have feelings.
15:29That's what you think of me.
15:31I thought, I thought you were my friend, but you're just,
15:34you're just like every other girl I grew up with.
15:36You just love feeling superior to someone like me.
15:40Right?
15:57Hey.
15:58Oh, thank God.
16:02I thought I was going to die.
16:03And I kept trying to prepare myself until I realized there is nothing to prepare.
16:08It's, it's the end.
16:10But it turns out I'm more valuable alive.
16:15At least for now.
16:18Oh my God.
16:21I did however think that with all the foreigners in town for the Elton John concert tomorrow
16:25and all the cameras they've gathered, they must be doing an operation at the hotel tonight.
16:29You're probably right.
16:30I, I thought you might want to send people there, see what's going on.
16:33Well, I don't make those kind of decisions, but that's valuable.
16:44What?
16:45Nothing.
16:45I just...
16:48You had this terrifying encounter and you went out of your way to get me this intel.
16:53When my sister died, I thought there was no way I could ever get answers.
16:56Truth isn't something you have access to here.
16:59For most of my life I accepted it.
17:03Doing this, it has ignited me.
17:05My life may be small, but in my own way I am defiant.
17:12But what if the answers you discover hurt more than not knowing?
17:20It's better than sitting in the dark.
17:31Can I use your apartment tonight?
17:34Yeah.
17:37Dane.
17:38Dane!
17:39Hi.
17:40I left three messages. Did your girl not get them to you?
17:42I don't have a girl.
17:43Really?
17:44You should.
17:45I'll get somebody to sign up there.
17:47Listen, I know you might not think much of us on the sixth floor,
17:50but I know more than you think.
17:51As office manager, I have a very valuable vantage point.
17:54I know that we are in trouble. I know about the...
18:00I'm afraid I don't know what you're referring to.
18:03No.
18:03No, so you don't get to do that, actually, because that thing was found on my son.
18:07And I don't take my son lightly. I take my son very serious.
18:10I'm well aware of that.
18:10First on my list, obviously, the toilet has back.
18:12She shows absolutely no interest in being a secretary.
18:15It's almost comical.
18:16At the very least, I think she should be fired.
18:19And investigated.
18:21From what I was told, she had no income after her husband's death.
18:24I'm sorry, I didn't realize the State Department was a charity.
18:29Well, next, obviously, is my nanny, Evie.
18:33Dismiss me all you'd like.
18:34But her looks are a walking distraction.
18:36And she shows up out of the blue.
18:38And I've got her snooping more than once.
18:39And she has the most access to Trent.
18:43And then there's him.
18:46Do you know the chef says a shrink once a week?
18:49Mm-hmm.
18:51Answer me this.
18:52Does that look like a man capable of introspection?
18:58Thanks to Redford, we know that tonight, at Hotel in Tourist, the KGB is running a blackmail operation.
19:05Now, our objective is to infiltrate this blackmail operation by finding one of the hidden cameras they've planted throughout the
19:11hotel rooms
19:11and replacing one of the KGB tapes with a tape of our own.
19:16The technology that Redford has been smuggling out has allowed us to create an exact duplicate tape.
19:22The only difference is that our tape has a tracking device hidden in it.
19:26Since Caterpillar was unable to provide us with the coordinates, this is going to be how we figure out the
19:32location of the Compromat facility.
19:35Right. Next slide.
19:36Uh, no, that is, that's, that's all. That's it. That's all the slides.
19:39Two slides. Raymond.
19:43The rest are still being developed by the lab, so...
19:48Okay, so, uh, how many of these blackmail videos have the Soviets collected?
19:53Well, we don't know the exact number, but we suspect thousands, if not more.
20:00There is enough material in this Compromat facility to have us under the influence of Soviets for decades to come.
20:08So that's probably why Sveta just showed up at George's door, because she was trying to get Compromat on him.
20:13That is exactly what I was thinking.
20:15Yeah, but then why, why would they kill her? I mean, they're not gonna kill every call girl that does
20:19one of these things.
20:20Whoever is doing this is doing it for a very specific reason.
20:23So how do we help? How do we infiltrate the operation?
20:28Right. Ahem. So, the plan, uh, that we came up with is that I will pose as an easy mark,
20:34and you will be, or pretend to be, a, a woman of the night.
20:44A prostitute?
20:49I think I have a better idea.
20:50Oh, yeah.
20:53Oton.
20:53I think that she's winning.
20:55I mean, that the children have indeed.
20:56I am feeling right here.
20:59And you Ave ó scholars communists like timber or accommodations?
21:17It's much larger than the Cortes reform.
21:17Is this three of our religious descriptions?
21:17The Эm Baseline is up against work.
21:20The abandoned apartment, one of the big factors, one of the little things, généralweise,
21:28I'm sorry, my car won't stop. And you told me that your husband is in the car.
21:40Andrey?
21:40My mother, my mother, my mother.
21:43Everything, everything, everything, everything, everything.
21:50My mother...
21:51My mother...
21:53My mother...
22:00Yeah, you're a bad artist.
22:04You come home?
22:07Sorry, I left the door.
22:10And still, you're here.
22:13I shouldn't have to talk with you so much.
22:17You just did what you should do.
22:21But listening to that lady,
22:25I remember her beloved grandmother
22:29in my village.
22:49I didn't hear the earth.
23:00I'll be here today.
23:04I'll be here today.
23:05I'll be here today.
23:07I'll be here today.
23:21Ivana, I didn't know you were coming.
23:23What do you ask me to?
23:25And I don't want to stick to my work.
23:29Right.
23:31So...
23:32Yeah, okay.
23:40So, is this kind of music allowed?
23:44Or...
23:45It's not popular enough to be a problem.
23:52You really think that what is happening in the hotel
23:55is connected to the death of my friends?
23:59I think it might.
24:01Yeah.
24:01Yeah.
24:02That's why, um...
24:03You know, I could use your help tonight.
24:05You know, if I'm there posing as a prostitute,
24:07then that could attract unwanted attention.
24:08But you...
24:10You're known in those circles, so...
24:12But I...
24:12I run for a reason.
24:14You want me to put myself in danger again?
24:17I know.
24:18But I'll be there.
24:19Every step of the way.
24:20I won't let anything bad happen.
24:22I swear.
24:22Yeah.
24:23You're not just an embassy secretary, are you, Twyla?
24:29You don't actually want me to answer that, do you?
24:38What the hell were you just doing?
24:40Listen.
24:42Answer me.
24:43I was only buying hash.
24:46Here.
24:55Hash.
24:56So this is your therapy?
24:58My marriage is falling apart, right?
25:01It's the only thing that keeps my mind calm.
25:13Oh man.
25:17Oh man.
25:19Oh man.
25:26Oh man.
25:51Do you see her?
25:56She'll be here.
25:58I promise.
26:00Next.
26:01Good evening.
26:02I'm Mr. Howard's secretary.
26:04We have two rooms booked for the night.
26:06Of course.
26:07Here you go.
26:07I'll tell you what, Audrey.
26:08You cancel my 8.30.
26:10After that shitstorm in D.C., I'm going to need a stiff drink.
26:13Then another one after that.
26:14Of course, sir.
26:15Yes.
26:16Just one moment.
26:19Just to make...
26:20Okay.
26:25Oh, shit.
26:25It's her.
26:27Yeah.
26:29Her.
26:34Did you know about this?
26:37Uh, not exactly.
26:39No.
26:45You think it's going to work still, or?
26:48As long as he's buying it.
26:55Here you are, sir.
26:56You are in our suite.
26:58Floor 4, room 12 and...
26:5912?
27:00Floor 4, room 13.
27:0213, thank you.
27:03Okay.
27:04Oh, yes.
27:04But first, please, allow me to show you to the bar.
27:07We have a new American drink on the menu.
27:11Harvey Wallbanger.
27:12Made with the finest Russian vodka.
27:15Oh.
27:15Galeana liquor and fresh orange juice.
27:18I think you will enjoy it.
27:19A small taste of home.
27:20Just so long as it's got alcohol, it's good with me.
27:24Well, we have everything you could want in Russia,
27:27including the most beautiful women.
27:30Oh.
27:31Oh.
27:32Oh.
27:33Well, uh, thank you, but, um, not really my, my style.
27:41You know, you, you might have better luck with her over there.
27:44He prefers a twiggy type, you know.
27:46Just anything to get him out of my hair for the night.
27:49All right.
27:50I got to get myself to bed.
27:52Don't wake me up before nine.
27:54Of course not.
28:04Bonsoir.
28:06Are you not a sight for sore eyes?
28:11And she's not buying a drink.
28:15How about we go to a room?
28:17More private?
28:19To my room?
28:26This way.
28:27Where are you from?
28:29Paris.
28:30Do you know?
28:30We're going to the sky.
28:32Wait, wait.
28:33Oh.
28:35Can I join the party?
28:38C'est Noel.
28:40Yes.
28:41You want to go to Paris as well?
28:42Sure, yeah.
28:43Yeah?
28:43She can come, huh?
28:44Yeah.
28:45Yeah.
28:45Yeah.
28:55Hi.
28:56May I come in?
29:00No.
29:02No, no.
29:03No, I love my wife.
29:05Well, let's keep this between us.
29:07No.
29:09Really, really.
29:12No.
29:15Please.
29:17We don't have to do anything.
29:20But if I go back downstairs, they...
29:25Please.
29:32Okay.
29:40I'm surprised you never tried it.
29:42It's much more popular in America, right?
29:44No, it is.
29:45It is.
29:45I was just always too nervous.
29:49I didn't want to get in trouble.
29:51Oh.
29:53It must be the old you.
29:55The one who cared about getting in trouble.
30:03I never used to break any rules.
30:06I just waste this voice in my head telling me I shouldn't.
30:12Yeah.
30:14Could you ever foresee smoking hash with your foreign asset in Moscow while waiting for the KGB agent you're seeing?
30:25No.
30:26No.
30:30No.
30:46I also have voices in my head.
30:51This quiets it down a bit.
30:55Sometimes it's like I'm having five conversations in my head at once.
31:01Who I should be.
31:03Who I shouldn't be.
31:06What I should say.
31:08What...
31:09What I should not say.
31:15What language I should be speaking.
31:18Mm-hmm.
31:22Hmm.
31:24It would be nice to quiet that chatter.
31:27Just hear the voice you're speaking.
31:35You okay?
31:38I see.
31:39I see.
31:40Okay.
31:40It's all right.
31:41Mm-hmm.
31:43It's fine.
31:44I-I know...
31:45I know what to do.
31:46If you're willing.
32:07Just try to focus on music.
32:09Nothing else.
32:11That's how you will escape.
32:13Trust me.
32:14Yeah.
32:17It's all right.
32:19I won't forget.
32:22All the times I've waited patiently for you.
32:28And you'll do just what you choose to do.
32:35And I will be alone again tonight.
32:39I'll do...
32:40Music.
32:42Cigarettes and drinks.
32:44Hello?
32:44Bienvenue.
32:45Bienvenue chez moi, dans mon royaume.
32:49We must celebrate.
32:51We must celebrate.
32:53Here I am with no wife to report to.
32:56No.
32:57Prime Minister to be reprimanded.
33:02And half a bottle of vodka to share.
33:06Yeah.
33:07Oh.
33:10Qu'est-ce qu'il y a ?
33:12Is there a problem of serving?
33:13No.
33:14No problem.
33:15Salute.
33:16Salut.
33:18Salut.
33:18Un autre.
33:19Au revoir.
33:20Mm-hmm.
33:20Mm-hmm.
33:21Mm-hmm.
33:23Mm-hmm.
33:24Mm-hmm.
33:29Your music is shit!
33:30Your music is shit, but food eats
33:32Oopah!
33:34Your music is shit and your food, but your girls...
33:39Right, right!
33:40Aren't they just...
33:42Delicious.
33:44Something, yeah.
33:51The bathroom, yeah.
33:55Why don't we get a little comfortable?
33:58Yes?
34:02Okay.
34:04Where do you go?
34:06We will follow.
34:10Why do you still wear clothes?
34:12Mmm!
34:14I don't know.
34:16Why do you still wear clothes?
34:23Whoa!
34:24Whoa!
34:26Hell, yeah!
34:29Look in the U.S.
34:37Foreigners can never hold Russian vodka.
34:40It is only a matter of time.
34:45So...
34:45So...
34:48What is next?
34:56Well...
34:57I mean, we're supposed to...
34:58Look for that camera.
35:04...
35:05...
35:05...
35:05...
35:05...
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36:01...
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36:03...
36:03...
36:03...
36:03...
36:09It's crazy, you're a big cook.
36:10You're turning off the sauce, OK?
36:10What's your name, Andrew?
36:14You're listening to an overview of your life?
36:28You're not listening to this whole thing,
36:29but I don't know what you're doing.
36:32Well, you're sitting around here.
36:33I don't want you to sit around with yourself.
36:33You'll be right away.
36:34I'm not sure what I'm saying.
36:45Okay.
36:45Okay.
36:46Okay, okay.
36:49Okay.
36:51Yeah.
36:51Okay.
36:52Is it there?
36:52No.
36:53Okay.
36:53Down there?
36:55Yeah.
36:56Okay.
36:58Is it in there?
36:59No.
36:59Okay.
37:00Yeah.
37:00Oh!
37:01No table?
37:02Yeah.
37:03Okay.
37:05Okay.
37:06Okay.
37:07No.
37:07Not there.
37:08Inside the drawer.
37:12Good.
37:13Yeah.
37:14Okay.
37:14Okay.
37:30Am I funny to you?
37:31No.
37:37Yeah.
37:41Uh!
37:43Uh!
37:45Uh!
37:46Uh!
37:47Uh!
37:48Uh!
37:48Uh!
37:49Uh!
37:52Uh!
37:52I love you.
38:32It's not so hot if you see someone.
38:52You see me.
39:02You have to go.
39:07Will it be okay here with him?
39:10I'll be okay.
39:14I'll imagine someone else.
39:20Just listen to your own voice.
39:23I do.
39:25I do.
39:32I do.
39:35I do.
39:53I do.
39:55I do.
39:56I do.
39:56What do you really have to hear?
40:09I missed you.
40:12Did you miss me?
40:24I do.
40:28I do.
40:30I do.
40:34I do.
40:36I do.
40:39I do.
41:04I'll take the pork chops.
41:06Yes.
41:07Unfortunately, we do not have the pork chops.
41:12Uh, then I'll have the French meat.
41:15Whatever the hell that is.
41:16Yes.
41:17We are out of that too.
41:19You can't possibly be out of the fish with gelatin, can you?
41:24In fact, the whole third page we do not have.
41:29Why don't you just bring us two of whatever it is you do have?
41:38God, I hate Moscow.
41:40It's a shell of a city.
41:42And to think it's my own men bringing me here.
41:45So, uh, how's the new job, sir?
41:47We settling in?
41:48You want to do small talk?
41:50You know I am here.
41:52And it's because you...
41:53Sir, um, before you continue, I should make you aware of some plain-clothed friends.
41:59Behind me, at the bar.
42:00Over there by the front door.
42:02And, of course, right beside us.
42:09I thought living with my mother-in-law was oppressive.
42:12Sorry, sir, it's just the way they do things here.
42:14They're not subtle, but...
42:23Well, it's a miracle anything gets done here.
42:25But your choice of agents...
42:26Um, sir...
42:27You know it makes sense if they were eye candy, but...
42:29You shop at a totally different candy store, so that's...
42:31Sir, I'm sorry.
42:31Uh, you know, you shouldn't...
42:38That's like that every day?
42:39Yes.
42:42Sir, I promise you, although our tactics may seem unconventional,
42:46we're on the verge of a major breakthrough...
42:48Unconventional's not gonna cover for you, Mr. Walter.
42:50I mean, what were you thinking?
42:51You hired two unqualified women, and then you let a grandma wander off.
42:57That was...
42:57It's a goddamn embarrassment.
42:59So one more thing winds up out of place, and I'm talking a hairnet on a cafeteria worker in the
43:04embassy.
43:05You can kiss, not just Moscow, but the entire company could buy.
43:10Yes, sir.
43:13Yes, sir.
43:34André?
43:35Yes.
43:36Yes, sir.
43:50Who did this to you?
43:56I look better this way.
44:00Better with scars.
44:05We're the same, you and me, Nadia.
44:10When you're born in the provinces like us,
44:12you know how easy it is for a life to go to waste.
44:16But there's also an advantage of once being very small.
44:21We're underestimated.
44:23Mm.
44:24That is our power.
44:25Mm-hmm.
44:27When my husband died, it would've been so easy for me to go home.
44:32I didn't want it.
44:34It felt small.
44:38I wanted a life.
44:40With all the surprises.
44:44Mm.
44:46And are you surprised to be here right now with me?
44:54Yes.
44:57What's your dream, Andre?
44:59Andre?
45:07More?
45:09I dream of more.
45:13What are you willing to do, Andre?
45:26I have what I need to fuck them.
45:29Leverage.
45:30Mm-hmm.
45:33Every man has secrets.
45:36There's something.
45:38Some piece of knowledge that could ruin every life.
45:43I was never going through it.
45:48Everyone's got a weak spark.
45:52Their secrets, Nadia.
45:54Mm-hmm.
45:57I find it.
46:00And they will give me the world.
46:03They'll never see you come here.
46:07Mm-hmm.
46:20Mm-hmm.
46:23Oh, my God.
46:51Oh, my God.
47:23Was I good?
47:25Oh, yeah. Franchi, you were great.
47:29C'est bien.
47:33So, the next time that he comes to you and he's apologetic, you're going to look at him in the
47:38eyes and you're going to say...
47:41I will say, no, you have had your chance.
47:45From here on out, you're only thinking of...
47:50Myself.
47:51There you go. Look at you. See? That's a weight. That's a weight off.
47:59Oh, no. Shh, shh, shh. It's okay. It's okay. Here, why don't I just...
48:04I'm sorry. I just... I don't know how to thank you.
48:09Yulia, you have already done more than enough. Hmm? Come here.
48:17It's hard to find someone who listens. Nobody listens to me.
48:22I am listening to you right here, right now.
48:25Thank you so much.
48:26Oh, shh, shh, shh. Get it all out. There you go.
48:30Yeah. Oh, my goodness.
48:32Here.
48:34There you go.
48:47Well...
48:52Well...
48:58I'm sorry.
48:59Uh, we...
49:00We couldn't get more answers from Maria.
49:04You know, Ray said, uh, we can track the tapes now, so I'm confident maybe that'll help us get more
49:09information.
49:10Or it will lead to nowhere.
49:12Or that, yeah.
49:14Did she say anything about the guy that hired her? Anything that could, you know, help us find him?
49:21Oh, he did not use his real name.
49:23But she said what he looks like.
49:26High cheeks, blonde hair.
49:29Deep blue eyes, that looked right for you.
49:36Oh, my God.
50:11Oh, fuck you, Chris.
50:12Oh, fuck you, Chris.
50:34Oh.
50:35Mamma, please.
50:39Oh, my God.
50:44Let's go.
50:52Ah!
50:53Oh, my God.
50:57Oh, Jesus.
50:57Oh, God.
51:04I need an... I need an outside line.
51:14I... I need to see you.
51:27Is this the right?
51:30Oh, wow. You scared me.
51:32I was worried. You were out so late.
51:35Oh, I'm sorry.
51:37I... I kept reheating dinner, but...
51:39You did? I'm so sorry.
51:41No.
51:42Okay, well, thank you. Thank you.
51:50Oh, I'm sorry. Do you want a...
51:52Do you want a plate? We can eat together if you want.
51:55Oh, don't worry. It's fine.
51:58Yeah?
52:00Okay.
52:01Okay.
52:04Okay.
52:06How was your night?
52:11Uh, it was good. It was really, um...
52:16You know, busy.
52:20Hello?
52:31Hey.
52:32Hey.
52:33Hey!
52:34I have so much to tell you.
52:37Well, then...
52:39Come the fuck in.
52:40Yeah?
52:40She'll leave you crying in the night.
52:44She will leave you crying in the night.
52:49She will leave you crying in the night.
52:49Oh, she's gonna leave you crying in the night.
52:54She's back in town.
52:57And she's looking around.
53:00And she's looking around.
53:01And she's looking around.
53:07Say you needed someone to depend on.
53:12You're all alone.
53:14She's the only one.
53:17She's the only one who will come.
53:19Take you far away.
53:22Take your breath away.
53:27But she'll leave you crying in the night.
53:31She will leave you crying in the night.
53:36She will leave you crying in the night.
53:37Oh, she's gonna leave you crying in the night.
53:41And she's back.
53:42Yeah.
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