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Watch Mo Gilligan In the Moment () free full movie online in HD on Dailymotion (2026).
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00:00:53I took this tour absolutely everywhere.
00:00:56I was in the height of doing television.
00:00:57It was calling me Mr. Saturday Night.
00:00:59And I said, you know what?
00:01:00I want to do a world tour.
00:01:02Not for myself, but I wanted to put black British comedy on the map.
00:01:06That was always the plan.
00:01:07That was always the goal.
00:01:09And I said, you know what?
00:01:11Let's end it in London, but not anywhere in London.
00:01:14We had to end it in South London.
00:01:16So South London, make some noise!
00:01:24I wanted to see the world, because black people, we go on holidays, but we do not travel.
00:01:29I remember telling my teacher for the first time, I said, miss, guess what?
00:01:33This summer, I'm going on holiday.
00:01:35This middle class teacher couldn't believe her mind.
00:01:37She goes, what?
00:01:38You're going on holiday?
00:01:40Doesn't make sense.
00:01:41You're on free school dinners.
00:01:42How was this possible?
00:01:45You're on child benefit.
00:01:46What's going on?
00:01:48And the reason why there's a difference, yeah?
00:01:50Because growing up, right, we didn't go traveling.
00:01:53I had middle class friends.
00:01:54They would go traveling.
00:01:56Their parents would say, Mo, we're going traveling.
00:01:58You should come with us.
00:02:00I said, what?
00:02:01So I couldn't look like your black adopted child?
00:02:02Are you all right, bro?
00:02:05Because we all know the black experience of our first holiday, it's not one of these all-inclusive
00:02:09holidays.
00:02:10It's not going to Ayah Napa, Ibiza.
00:02:12Our first experience of going on holiday is going to see where the rest of our family
00:02:16is really from in a hot climate before they die.
00:02:19That's the reason why we go on these holidays, yeah?
00:02:23I said, miss, guess where I'm going?
00:02:25I'm going to the Caribbean.
00:02:26She goes, oh my God, children, put your pens down right now.
00:02:30Can anyone guess where that is?
00:02:33Holly, six years old, Africa.
00:02:35I said, are you having a fucking love?
00:02:38The teacher said, no, no, no, Holly, not that one.
00:02:40The other one, yes.
00:02:42People, I was so excited.
00:02:44You know, six weeks holiday, you know, and I'm going to visit my great, great grandma,
00:02:48yeah?
00:02:48I thought, wow, I wonder what the house is like.
00:02:50It's going to be a big house, you know, loads of land, probably a plantation.
00:02:53We've got our own workers, yeah?
00:02:56We turn up to this little fucking shack house.
00:03:02No wildlife.
00:03:02Nah, bruv, there's no wildlife.
00:03:04There's a little dusty goat, long nipples.
00:03:08Trying to talk to the goat.
00:03:09I'm like, hello, Mr. Goat.
00:03:10Even the goat's got rude little Jamaican attitude.
00:03:13Even the goat, Miss Emia.
00:03:15Miss Emia.
00:03:17And we all know what the rule was, wasn't it?
00:03:19When you get there, your mum says, don't ask for nothing, don't say nothing, don't do nothing.
00:03:23And I'm sitting there.
00:03:24This is my great, great grandma.
00:03:25I want to ask a question, you know, because that's what you do as kids.
00:03:28Kids ask questions.
00:03:29Some of you lot, it's on a half term.
00:03:31Your kids are asking you questions.
00:03:32Mummy, what's in space?
00:03:33You ever look at your kids and say, shut the fuck up, man.
00:03:35Shut up, man.
00:03:37But that's what you do as a child.
00:03:38You want to ask questions.
00:03:39I said, I'm going to ask a question.
00:03:41I said, great grandma, how old are you, right?
00:03:43Because we never knew how old she was.
00:03:45She got no papers.
00:03:46We didn't know if she was 85 or 85,000 years old.
00:03:49We don't know how old this woman is.
00:03:51I said, how old are you?
00:03:53This poor woman started malfunctioning, people.
00:03:55She's like, well, um, well, um, well, um, well, um, all right, well, um, okay.
00:04:00Well, I was burning, I was burning.
00:04:01It sounded like an intro of a dancehall video.
00:04:03Well, I was burning, burning, burning.
00:04:05Well, um, with, with, with, with, with, with, with, with, with, with, with, with, with.
00:04:08This poor lady.
00:04:10I was like, no, no, just say it.
00:04:11What was the, what was the, what was the year?
00:04:13This woman, well, um, I was burning 19, um, 19, um, okay.
00:04:18What is, you is 20, all right, where's burning?
00:04:21Yes, 19, 19, 21, 19, 21.
00:04:26Who did you go to fucking school with?
00:04:28Harriet Tubman, you are old.
00:04:31I can't lie, I looked at my mum, I was like,
00:04:33mum, let's get the fuck out of here, man.
00:04:34There's no money here, let's get the fuck out of here, man.
00:04:38My mum was like, no, no, no, it's all right, it's okay.
00:04:41You can play with your cousin.
00:04:42My cousin?
00:04:43Mum, this guy's fucking 46, I can't play with this guy.
00:04:47If you go to the beach, you'll look like a sex offender, mum.
00:04:49I can't.
00:04:52We don't do no activities when we go on holiday.
00:04:54I've got some friends, they're trying to do activities, right.
00:04:57There's some activities we don't do in the black community, yeah.
00:04:59I remember teachers saying to me,
00:05:00oh, when you get there, go, go surfing.
00:05:03Surfing?
00:05:04Surfing?
00:05:05Black people just about put their feet in the water, yeah.
00:05:09We'll put a toe in and go,
00:05:10yeah, that's me done, I'm all right, yeah.
00:05:13Nah, bruv, there's something in there, Rupert, there's something in there, bruv.
00:05:17Don't get me wrong, like, I love travelling, but I don't like airports.
00:05:20Because you know what airports are like.
00:05:21Airports are horrible, especially when you get to this, you know, security, yeah.
00:05:24Because in the UK, we have this weird passive-aggressive politeness with our security.
00:05:29Excuse me, sir, please can you stand there on the spot, thank you.
00:05:33You ever look at these people like,
00:05:34are you being nice or are you taking a piss?
00:05:36Who are you talking to?
00:05:37And we follow the rules, that's what we do, we stand on the spot.
00:05:40Okay, um, but we have to give it back.
00:05:42We always lack the last word in the UK.
00:05:44Um, okay, um, well, I'm sorry, I didn't see the sign to stand there.
00:05:48My bad.
00:05:50And this person will give it back.
00:05:52Well, next time you come to the airport, the sign will be over there.
00:05:55No, thank you.
00:05:56You're just going back and forth with this weird British passive-aggressive politeness.
00:06:01Because we all know, right, the rule in the UK is don't cause drama.
00:06:06Nobody wants to be causing drama, right?
00:06:08Because we all see some drama.
00:06:10I see it in the shops.
00:06:11I see people stealing lure pack.
00:06:13I'm just like, rah, you lot are stealing butter.
00:06:15Is that where we're at now?
00:06:16Yeah?
00:06:17I can't lie, I find that sensational.
00:06:19Because we all look until someone sees us looking,
00:06:21what are you fucking looking at?
00:06:25Nothing, I'm not looking at anything.
00:06:26I'm not...
00:06:29It's funny, some of you lot in here tonight,
00:06:30I can't lie, bruv, that butter's expensive, Ruba.
00:06:32I had to steal that butter, bruv.
00:06:35We're not all doing ITV, bruv.
00:06:37What are you talking about, bruv?
00:06:38Some of you lot putting stalk on toast.
00:06:41Disgusting.
00:06:44There was a part of me that wanted to leave the UK.
00:06:46I did, man.
00:06:47I wanted to leave the UK and I wanted to go and live in America.
00:06:50I really did, man.
00:06:51You know what I mean?
00:06:52Look at some people.
00:06:52Uh-uh, right, bruv.
00:06:53You're just going to desert us, yeah.
00:06:55But what I mean by that is Hollywood, yeah?
00:06:58Because you've got America and you've got Hollywood.
00:07:00Two different places.
00:07:02Because obviously, the industry that I'm in, yeah,
00:07:04doing stand-up comedy,
00:07:06getting into film and all of this stuff,
00:07:08television, that's where you really want to go to.
00:07:10And they put you on a pedestal.
00:07:12They do.
00:07:12We don't do that stuff in the UK.
00:07:14We treat everybody how they are.
00:07:16We can see a soap star.
00:07:17Ian Bill could be in this room tonight.
00:07:20We're going to call this man Ian fucking Bill.
00:07:22We are, aren't we?
00:07:24We'll even go up to him.
00:07:25Oi, I know you.
00:07:26You're Ian Bill.
00:07:29This poor man, he will even say, yeah, yeah, I am.
00:07:31Yeah, yeah, yeah, yeah.
00:07:33Brits, our first thing, our first interaction is banter.
00:07:36Oi, Ian, Ian.
00:07:37Do you remember this?
00:07:38Ian, Ian.
00:07:39I've got nothing left.
00:07:41This...
00:07:45That's the first thing we're going to do as Brits, man.
00:07:49America's different.
00:07:51They don't even understand the word banter when I was over there.
00:07:53Like, even their airport security, they don't fuck around, yeah?
00:07:57Their airport security is called TSA, yeah?
00:08:00There was a guy walking up and down the queue, telling the other one,
00:08:03All right, y'all better listen up.
00:08:07Liquids out your bag.
00:08:10Belts off.
00:08:11Shoes off.
00:08:12He went up to one old lady, 80 years old.
00:08:14She's like, oh, I don't know.
00:08:15You holding up the line, man.
00:08:19I thought, I'm not scared of this guy, yeah?
00:08:21That's the first thing, you know, we're from South London.
00:08:23South London to the world, bruv.
00:08:25What do you mean?
00:08:25I thought I can...
00:08:27Listen, I thought I could disarm this guy with British charm, yeah?
00:08:30I said to this man, sorry, excuse me, sir, yeah?
00:08:33Because I put on my fantastic British accent.
00:08:35Excuse me, sir.
00:08:36Can I ask you something?
00:08:37Shall I take off this bracelet?
00:08:38I just don't want it to set off the metal detector, yeah?
00:08:41This one guy looked at me.
00:08:42He was like...
00:08:48Belt off, shoes off, iPad in the tray.
00:09:01No, no, what I'm saying is,
00:09:02shall I take off the bracelet so it don't set off the metal detector?
00:09:06This one guy lost it.
00:09:08My man!
00:09:11I ain't gonna say it again for you Harry Potter motherfuckers!
00:09:17I've never been more disrespected in my life.
00:09:21I turned into a middle-class white lady in Waitrose, people.
00:09:25I don't think you realise.
00:09:26I started using words that black people don't even use.
00:09:29I was like, what?
00:09:30This is...
00:09:30This is preposterous.
00:09:36Listen, black people don't use their fucking words like preposterous, you know?
00:09:40There's some black people in here right now.
00:09:42What did he say here, prepotomers?
00:09:43What's that one, brother?
00:09:45Hey, Leon, write that one down, bruv.
00:09:48We don't use this.
00:09:49Listen, no one in this room has ever watched the episode of Top Boy
00:09:52and, like, Duchesne's like,
00:09:53there's the drugs inside.
00:09:54That's not enough.
00:09:55That's preposterous.
00:09:55We can't sell all of this.
00:09:59But I did, people.
00:10:01I wanted to move to America.
00:10:02You get special treatment.
00:10:04Treatment that I'm not even used to, right?
00:10:06Because our black British actors are doing fantastic out there.
00:10:09You know, Daniel Kaluuya, man, doing fantastic.
00:10:11Winning Oscars.
00:10:12You know, dancing Idris.
00:10:14Cynthia Erivo.
00:10:15The list goes on and on.
00:10:17So when you're a black Brit, people,
00:10:19and you go to Hollywood,
00:10:20you get this weird special treatment, right?
00:10:22I'll give you an example, yeah?
00:10:23Listen to the time codes that I'm about to give you, right?
00:10:26I fly out there on Wednesday to film a television show.
00:10:30I fly out there Wednesday morning.
00:10:31I land, right?
00:10:33Their time, Wednesday afternoon.
00:10:35As soon as I land, I've got six missed calls, right?
00:10:37I call this American number back.
00:10:39Someone panicking.
00:10:41Oh, my God, Mo Gilligan.
00:10:43Listen, we've got to get you to set tomorrow at 6 a.m.
00:10:46Is that okay?
00:10:47I said, that's fine.
00:10:48That's okay, right?
00:10:49Thursday morning, I get to set, right?
00:10:51The CEO, listen to this.
00:10:53The CEO of the network comes down to set.
00:10:56Everyone is panicking.
00:10:58Now, my mom always said to me, be your authentic self.
00:11:01Treat people how you like to be treated, right?
00:11:04He came straight up to me.
00:11:05I don't know if it was intimidation.
00:11:07He was like, hey, oh, my God.
00:11:08Wow.
00:11:09Mo Gilligan.
00:11:10Wow.
00:11:10Big fan.
00:11:11I said, yes.
00:11:12What are you saying, bruv?
00:11:13Nice to meet you, bruv.
00:11:14You know?
00:11:15This guy was like, oh, my God.
00:11:16We're so pleased to have you here.
00:11:18Let's let me ask you, Mo Gilligan.
00:11:20How are you finding your time here?
00:11:21I said, listen, man.
00:11:22It's a long way from home.
00:11:24Obviously, man, the flight was a bit long, but it's okay, man.
00:11:27You know, missing some of the mandem, but that is what it is.
00:11:29You know?
00:11:30Hear this guy.
00:11:30Oh, my God.
00:11:32Oh, my God.
00:11:33Olivia, come over here.
00:11:33That was the assistant.
00:11:34Olivia, come over there.
00:11:35Oh, my God.
00:11:36Listen to this.
00:11:37He's missing his French madame.
00:11:41I said, no, the mandem, just my friends.
00:11:44Do you know what I mean?
00:11:45I said, I'm just, because obviously,
00:11:46it's just a WhatsApp banter with the time.
00:11:48That's all it is.
00:11:49Do you know what I mean?
00:11:50This guy got so concerned.
00:11:51Oh, my God.
00:11:52Oh, my God.
00:11:53Oh, my God.
00:11:53Olivia, why didn't we know about the, what are you missing?
00:11:56Just the banter.
00:11:57We got to get some banter.
00:11:58Okay.
00:12:00I didn't know about this, Mo Gilligan.
00:12:01Okay.
00:12:02All right.
00:12:02What are we going to do?
00:12:03How about this?
00:12:04It's not a big gesture, but how about if we fly out five of you
00:12:08closest friends tomorrow night so they can bring you the banter?
00:12:11Is that okay?
00:12:12Is that all right?
00:12:14People, I don't think you realized.
00:12:17I grew up in a council estate, fly over my friends in 24 hours.
00:12:22I looked at this man.
00:12:23I felt like saying, bruv, forget them, bruv.
00:12:25Give me the money.
00:12:25Do you think I care?
00:12:29You think I care about emotional support?
00:12:34But apparently you can't say that.
00:12:35It's not professional.
00:12:36So we flew out my friends.
00:12:3824 hours later, I go pick up my friends.
00:12:40They haven't even got a clue what's going on.
00:12:42My friends are like, hey, bruv, what's going on, bruv?
00:12:45One of my friends couldn't believe it.
00:12:47He said, right, LA, righted.
00:12:48This looks like Grand Theft Auto, Rubeck.
00:12:50Right.
00:12:52I said, listen, man, we've just got to go and say thank you.
00:12:54That's the least we could do, right?
00:12:55So we went to his office.
00:12:57I was like, look, these are the guys we just wanted to say thank you,
00:13:00right?
00:13:00This guy couldn't believe we'd even done this.
00:13:01Oh, my God.
00:13:03Wow.
00:13:03Oh, my God, Mo Gilligan.
00:13:04These are the man-them.
00:13:06Wow.
00:13:07Oh, my God.
00:13:08Oh, my God.
00:13:09Oh, my God.
00:13:09It's like top boy.
00:13:10Mo, let me ask you.
00:13:13Mo, what's the plan?
00:13:15How do you plan to get you and your man-them to set tomorrow morning?
00:13:19I said, I don't know.
00:13:20I said, listen, it's all right.
00:13:21You've done enough.
00:13:21We can just jump in an Uber and that's fine.
00:13:23Don't worry about it.
00:13:24Hey, this guy.
00:13:25An Uber?
00:13:26Ew.
00:13:27Oh, my God.
00:13:28Oh, no.
00:13:29I said, what do you mean?
00:13:29He said, listen, Mo Gilligan.
00:13:30Listen, you're in Hollywood now, okay?
00:13:32You've got to think and feel like you're in Hollywood.
00:13:35I said, what does that mean?
00:13:36He goes, listen, Mo Gilligan.
00:13:37Listen, we're going to get you a driver, okay?
00:13:39Anywhere you want to go, you've got your own personal driver.
00:13:42I said, what?
00:13:43Are you sure?
00:13:44Are you being serious?
00:13:45He goes, listen, anything for these guys from Summer House, okay?
00:13:48All right.
00:13:49All right.
00:13:51Okay.
00:13:52All right.
00:13:52Okay.
00:13:53All right.
00:13:54So we got me a driver, people.
00:13:56I've never had a driver in my life.
00:13:58We had this driver, his name was called DJ, right?
00:14:01He turned up, tie, suit, shoes, shiny, seaming the trousers.
00:14:06This guy wasn't even much older than me.
00:14:08He was only like two, three years older than me.
00:14:10Opened the door for me when I first met him.
00:14:11He goes, hey, what's going on, boss?
00:14:13Where you want to go first, boss?
00:14:14Want to go see the sights, boss?
00:14:16Want to go get a coffee?
00:14:17What about first, boss?
00:14:18What about the gym, boss?
00:14:19What do you want to do first, boss?
00:14:20I said, wait, bro.
00:14:21Wait, wait, wait, wait, wait, wait.
00:14:22Stop calling me boss, okay?
00:14:24Listen, you're free now.
00:14:25I don't know what happened before I got here, okay?
00:14:30But listen, you're one of them and them now.
00:14:32You're one of the guys, right?
00:14:33I said, listen, DJ, where can we go?
00:14:36Some of these guys, you know, listen, they just have normal nine to fives.
00:14:39Where can we go out?
00:14:40You know, DJ goes to me, don't worry, man.
00:14:42I know someone, right?
00:14:43He got on his phone.
00:14:44He was like, mm-hmm.
00:14:46Yeah.
00:14:47Yeah.
00:14:50Yeah.
00:14:50Yeah, they like British dudes.
00:14:51Yeah.
00:14:53Yeah.
00:14:54No, not God and Ramsey.
00:14:55No, no.
00:14:57They like, uh, they're like Idris Elba ass motherfuckers.
00:15:00Yeah.
00:15:02Okay, okay.
00:15:03All right, bet.
00:15:04So he puts the phone down.
00:15:05So I'm like, DJ, what's going on?
00:15:06Who did you call?
00:15:07DJ said to me, listen, man, I just gave your number to the hottest promoter in Hollywood.
00:15:12He gonna text you right now.
00:15:14I said, all right, cool.
00:15:15So people, I get this text from the promoter.
00:15:17The first thing the promoter says to me, he goes, hey, what up, man?
00:15:20I need a name for the table.
00:15:22So I was like, all right, cool.
00:15:23Sent my name.
00:15:24Mo Gilligan.
00:15:25Right?
00:15:26So I sent my, thank you.
00:15:28I do my own stance.
00:15:29Appreciate you.
00:15:29Thank you so much.
00:15:33Jackie Chan could never.
00:15:36So I sent my name, right?
00:15:37Now listen to this, people.
00:15:38He then replies back with nothing but fire emojis, yeah?
00:15:45So I show the guys.
00:15:46I'm like, guys, I'm a bit confused, yeah?
00:15:47One of my friends gassed me.
00:15:49Yo, bruv, you're international, bruv.
00:15:50Nah, bruv, he knows, bruv.
00:15:52Then he replies back again.
00:15:53He goes, nah, wait.
00:15:55You lying.
00:15:56This ain't no Mo Gilligan.
00:15:57I said, whoa.
00:15:58I said, bro, what Mo do you think I am, bro?
00:16:01Who do you think I am?
00:16:02Mo Farah, Mo Salah.
00:16:03What Mo have you mixed me up with?
00:16:05He goes, nah, man.
00:16:07This ain't the British black comic Mo Gilligan.
00:16:09I can't lie, people.
00:16:10I was like, am I that well-known out here, yeah?
00:16:12He then replies again, nah, you lying.
00:16:14Tables off.
00:16:15I said, bruv, phone me now.
00:16:16I got very defensive, extremely South London.
00:16:19I said, phone me now then, bruv.
00:16:20This guy phoned me.
00:16:21I picked up the phone, very hostile.
00:16:23I said, yo, hear this guy.
00:16:27My man, Mo Gilligan.
00:16:32Why didn't you just tell me you was in LA?
00:16:39I didn't have your number to call in.
00:16:41I didn't know, man.
00:16:43He said, listen, man, you come down to the club whenever you want.
00:16:46Boop, puts the phone down.
00:16:47Me and the guys are very confused.
00:16:49We get dressed.
00:16:50We drive to this club.
00:16:51And people, everybody's outside.
00:16:54There's rappers outside.
00:16:55You've got NBA players outside.
00:16:57There's even drug dealers outside.
00:16:58Everybody is outside trying to get in.
00:17:00I thought, listen, how are me and my five friends
00:17:03going to get in this club?
00:17:04We just, I said, listen, what's the protocol?
00:17:07You're like, could you just park across the side of the road?
00:17:09How does this work?
00:17:10Do you know what I mean?
00:17:10Are we going to go in?
00:17:11Are you going to go and get some food?
00:17:12Maybe come back?
00:17:13Should I text you?
00:17:14DJ said to me, he goes, listen, man,
00:17:16I'm going to be out here waiting all night.
00:17:19I said, what?
00:17:19So if we go in there and have the time of our life,
00:17:22you're telling me you're going to be waiting here?
00:17:24DJ said to me, yeah, man, all night.
00:17:26I can't lie, people.
00:17:27I felt so bad for this guy.
00:17:29Not my friends, on the other hand.
00:17:30All right, bye.
00:17:31Take care.
00:17:31Let's go.
00:17:32Fuck this guy.
00:17:32Let's go.
00:17:34I said, you know what, DJ?
00:17:35I said, listen, come out with us, man.
00:17:37It's the least we can do.
00:17:38DJ, you sure boss?
00:17:39I can come out with you?
00:17:40You sure boss?
00:17:41You mean that?
00:17:42I said, bro, stop calling me boss.
00:17:44This is not Django.
00:17:44Come out.
00:17:45You're one of the guys now.
00:17:46OK?
00:17:47So we walk up to the club.
00:17:49We're outside.
00:17:49Everyone's outside trying to get in.
00:17:51I thought, how are me, my five friends from London,
00:17:54and a driver going to get into this club
00:17:55with the caliber of people already trying to get in?
00:17:58I thought, you know what?
00:17:59I'm going to spare myself the embarrassment.
00:18:01Let me text the promoter.
00:18:02And I said, listen, thank you so much
00:18:04for organizing this table at such short notice
00:18:07that me and the guys are going to leave it,
00:18:09grab a drink around the corner.
00:18:10See you.
00:18:11I sent this text.
00:18:13People, I promise you, I swear to you,
00:18:15on my mother's life, yeah?
00:18:17She's standing up there.
00:18:20If I'm lying, out of nowhere, she goes,
00:18:22yo, what the blood fire, you're a dude?
00:18:25I sent this text, people.
00:18:27And then all you could hear was a voice
00:18:29from the front of the club go,
00:18:31hey!
00:18:33Hey!
00:18:35Everyone, back up!
00:18:38Mo Gilligan coming through.
00:18:41People, for the first time in my life,
00:18:43I was like, bro, there's two Mo Gilligans in here tonight.
00:18:45What are the chances of that?
00:18:48One of my boys does that thing
00:18:49where he pokes me in the side,
00:18:50he's like, brother, that's you.
00:18:51He pokes me in the side.
00:18:52I'm mad ticklish.
00:18:53So I was like, ah!
00:18:54I said, brother, don't do that, bro.
00:18:55I'm trying to be cool.
00:18:57So we start walking towards the queue.
00:18:59Now, the weirdest thing happened,
00:19:00as we start walking to the queue,
00:19:02people start partying like I was flipping Moses, right?
00:19:05And I'm walking.
00:19:06And as I get walking, I'm closer.
00:19:08I've got all the guys behind me.
00:19:10All my friends are like, what?
00:19:10What, is that you, yeah?
00:19:12Is that you, yeah?
00:19:12I'm like, you man, chill, man.
00:19:13You man, chill, man.
00:19:14We're not there yet, man.
00:19:14You man, chill.
00:19:15We get closer.
00:19:16I can hear these girls in the queue saying stuff.
00:19:19Oh, my God.
00:19:20I know who that is.
00:19:20I'm like, stop lying.
00:19:21You know, Gogglebox in LA.
00:19:22Shut up, man.
00:19:24Please, man.
00:19:25Then there was this 6'7 NBA player, right?
00:19:28He's in my way.
00:19:29So I'm being extremely humble.
00:19:30I'm like, sorry, my guy.
00:19:31That's me.
00:19:32Just trying to come through.
00:19:33Sorry, excuse me, bro.
00:19:33This guy was pretending like he couldn't hear or see me.
00:19:36I don't know who that is.
00:19:37So I was like, sorry, bro, excuse me, excuse me, trying to come.
00:19:40So I don't know who that is.
00:19:41Then I look at the promoter.
00:19:42He's like, come on.
00:19:43I said, I can't.
00:19:43I've got this guy in the way.
00:19:44Here's the promoter.
00:19:45Hey, you, back up.
00:19:49That's Mo Gilligan coming through.
00:19:52People, let me tell you something.
00:19:53I walked past this guy like I thought I was LeBron James,
00:19:55and I was like, coming through, bro.
00:19:59Coming through, bro.
00:20:00We get to the front.
00:20:01They take off the thing.
00:20:02Cha-ching.
00:20:03We go through.
00:20:04We didn't get searched.
00:20:05We didn't get searched.
00:20:06Yeah?
00:20:07One of my boys were like, bro, I've got a bag of weed in my bum.
00:20:09I was like, bro, shh.
00:20:13Then as we get through, we hear someone say, hey, hey.
00:20:16I'm thinking, oh, we're going to get turfed, right?
00:20:17The manager came out.
00:20:19The manager came out.
00:20:20He was like, oh, my God, Mo Gilligan.
00:20:22Oh, my God.
00:20:22What a pleasure it is to have you in my venue.
00:20:25Thank you so much for choosing my club.
00:20:27I just need two things before you guys enter.
00:20:29I just need a credit card and ID.
00:20:31Is that okay?
00:20:32Oh, my God.
00:20:33I said, you, man, don't worry.
00:20:33It's on me tonight.
00:20:34Gave him a credit card, gave him an ID.
00:20:36Now, people, the problem in Hollywood is people just want to have a connection with you because
00:20:41they hear where you're from, yeah?
00:20:43Sometimes they'll say things that don't make any sense.
00:20:45The club owner said to me, oh, my God, wait.
00:20:47Oh, my God.
00:20:48Oh, my God.
00:20:48You guys are from London, right?
00:20:50I said, yeah, man, we're from London, man.
00:20:51Hey, this guy.
00:20:51Oh, my God.
00:20:52That's insane.
00:20:53Me and my wife went to Barcelona last year.
00:20:56Yeah.
00:20:57Yeah.
00:20:58Yeah.
00:20:58One of my boys, that's not even fucking.
00:21:00Hey, shut him up.
00:21:01Yeah, man.
00:21:01Yeah, yeah, yeah, yeah.
00:21:03Then we get escorted into the club, people, right?
00:21:05We go to our section.
00:21:07I see some other guys from London.
00:21:08They notice me.
00:21:09They're like, rah, what?
00:21:11Man, like more, yeah?
00:21:12Okay.
00:21:12What?
00:21:12Is that what you're doing?
00:21:13I can't lie, people.
00:21:14I got a little bit of gas.
00:21:15I said, allow me, bro.
00:21:16Allow me, bro.
00:21:17Allow me, bro.
00:21:17Allow me, bro.
00:21:18I said, listen, guys, listen.
00:21:19I've got my own table.
00:21:20Come follow me.
00:21:21They said, you sure?
00:21:21I said, come, man.
00:21:22So we go to this section, people, right?
00:21:24And the section was tight.
00:21:25It wasn't a big section, my friend.
00:21:27It was so tight.
00:21:28You had 12 black guys in this small section trying to dance.
00:21:31All our elbows, all our arms are touching.
00:21:35But I thought, you know what?
00:21:35This is okay.
00:21:36If I died tonight, being in Hollywood with my friends, I'd be a happy man, right?
00:21:40Then a promoter came up to me.
00:21:42He goes, ha, my man Mo Gilligan.
00:21:45What's going on?
00:21:46I said, listen, thank you so much, man.
00:21:47Listen, I really appreciate what you've organized for us as such last minute.
00:21:51Thank you so much, man.
00:21:52You know, he goes, hey, how you finding it?
00:21:54I said, no, I'm finding it great, man.
00:21:55I said, listen, it's a little bit tight in there, but it is what it is.
00:21:58What?
00:22:00I said, no, it's a little bit tight in there, but it is what it is.
00:22:03What?
00:22:03Nah.
00:22:04Fuck that.
00:22:05Only the best for you.
00:22:07Follow me.
00:22:07So he starts walking through the club, pushing people out the way.
00:22:10One of my boys was like, bro, who does he think you are?
00:22:12I said, I don't know.
00:22:12Muhammad Ali.
00:22:13I don't know what is going on here tonight, right?
00:22:17Then we get this other section, people.
00:22:19This is like a VVVIP section, right?
00:22:22We get this section.
00:22:23Now, this is why I say Hollywood is a crazy place because there was this one man, right?
00:22:29And he was with about eight women.
00:22:31And the promoter goes up to him.
00:22:32He's like, hey, my man, so sorry.
00:22:34But you got to move.
00:22:35Yeah?
00:22:36This guy obviously lost his shit.
00:22:38He's like, what you mean I got to move?
00:22:39What you mean I got to move?
00:22:40Who the fuck are you?
00:22:41Poop, poop, poop.
00:22:43Every time he kept saying it, it felt like it was a personal bullet to my ego.
00:22:46Who the fuck is you?
00:22:47Poop, poop, poop.
00:22:48I looked at him.
00:22:50He looked at me.
00:22:50I was like, um...
00:22:57Have you seen the Masked Singer UK?
00:22:59No.
00:23:01No, no.
00:23:03Then the promoter said, listen, man, I got my best bottle girl, Liberty.
00:23:07She's going to look after y'all, right?
00:23:09So Liberty comes over, people, right?
00:23:10This woman was about six foot, right?
00:23:13She looked like a Victoria's Secret model.
00:23:15She was wearing a corset, five high boots, and a G-string, yeah?
00:23:20Did you just hear what I just said?
00:23:21A corset, five high boots, and a G-string in the club, yeah?
00:23:26So that means if she put her leg out anywhere, bow, flap, sillip, bang, and the flap's out.
00:23:31I don't think you lot realize what I'm saying.
00:23:35This ain't when you lot used to go clubbing back in the day.
00:23:38You had a girl in Tiger, Tiger, being like, you all right, guys?
00:23:40You want some shorts?
00:23:40You want some Yiker bombs?
00:23:41No?
00:23:42Show me you want some Yiker bombs, right?
00:23:45This woman comes up to me, right, with a list.
00:23:48She goes, hey, oh my God, hey, oh my God, what's going on, Mo Gilly?
00:23:52I was like, who's that, bro?
00:23:55She goes, oh my God, you guys must be so thirsty.
00:23:57Let's get you some beverages.
00:23:58Oh my God.
00:23:59So people, I open up the menu.
00:24:01The menu lights up.
00:24:02It's a digital menu.
00:24:03It's got all the prices there.
00:24:04I'm looking at all the prices, right?
00:24:06And as I'm looking at the menu, the menu is looking back at me, right?
00:24:13Now, I'm not going to sit here in front of 15,000 people, right, and pretend like I'm not doing
00:24:18all right for myself.
00:24:19But people, I promise you, I was looking at the price of these drinks,
00:24:23and I had to start asking questions.
00:24:25I even had to say to myself, am I investing stock in these alcohol brands?
00:24:29Because what the hell are these prices?
00:24:31I'm looking at my friends.
00:24:33None of my friends are looking at me.
00:24:34They all became architects.
00:24:35Is that a chandelier up there?
00:24:39There's two chandeliers up there, you know?
00:24:40How did they get out there, bro?
00:24:42How did they get out there?
00:24:43I look at one of my friends, because we've all got a cheapskate friend, haven't we, guys?
00:24:46I said, Jav, look at that.
00:24:48Look at the price of that.
00:24:49He looked at me.
00:24:50He was like, rawr.
00:24:51You know how many bottles in Costco we could buy with that?
00:24:54What?
00:24:57So I had Libby, she said, I'm so sorry, Mulgilly.
00:24:59I've got to rush you.
00:25:00I'm so sorry.
00:25:00I've got to rush you.
00:25:01I thought, you know, I've got no one to impress here.
00:25:03Nobody knows me here in Hollywood.
00:25:05I said, it's fine.
00:25:06I've got the cheapest package on the list, yeah?
00:25:09Libby, he said to me, just to let you know how it works here, Mulgilly,
00:25:12because this is our entry-level package.
00:25:14There's no lights, there's no show, there's no sparklers, there's no sign.
00:25:17Is that okay?
00:25:18I said, it's fine.
00:25:19Don't worry about it, man.
00:25:20She goes off.
00:25:21She comes back two minutes later with a bucket, right?
00:25:24A bucket, two bottles of champagne, a bottle of vodka, and a bottle of cognac.
00:25:28I thought, this is fine.
00:25:29This is fine, people.
00:25:30Then I see the Hollywood lifestyle hit my friends first.
00:25:33One of my friends picked up a bottle of champagne,
00:25:35started offering it to girls like it was the last supper.
00:25:37Yeah, come, come, have some, have some.
00:25:39Yeah, no, no, no, no, no, no.
00:25:40Have some, yeah, yeah.
00:25:41Yeah, yeah, yeah, no, no, no, bring your friend, bring your friend.
00:25:43Yeah, yeah, yeah, no, it's come, it's come.
00:25:45I swear to you people, I'm not even a cheapskate,
00:25:47but I was seeing every glass being poured and just counting them,
00:25:50like, bro, that's at least $95 a glass right there.
00:25:54Should even drink the other half.
00:25:55Fuck it, let me put it back in the bowl.
00:25:58Put that back.
00:26:00But something said to myself, do you know what, Mo?
00:26:02Let's enjoy, let's relax.
00:26:04These moments don't happen to people like me,
00:26:06let alone my friends, every day.
00:26:08So I did.
00:26:08I started to enjoy, right?
00:26:10Then I've seen the NBA players get their package,
00:26:13and wow, what a sight it was.
00:26:15They had the sparklers, they had the whole show.
00:26:17They even had a sign.
00:26:18I've never seen a sign before in a club, right?
00:26:20Their bottle girl has a sign,
00:26:21but she's looking at us with the sign.
00:26:22She's like this.
00:26:23She's like, with their sign, right?
00:26:25So I'm thinking, right, what does it say on the sign?
00:26:27Everyone on the dance floor is going, oh, wow.
00:26:31So I look at the sign, I think, what does the sign say, people?
00:26:34I look over at the sign, and it said, NBA boys are here, right?
00:26:38Do you know what it said just below?
00:26:39It said, broke London boys, catch up, right?
00:26:45So I'm thinking, it can't be us.
00:26:47It can't be us.
00:26:48We are not the broke London boys, right?
00:26:50And then the DJ went on the mic and was like, oh, man.
00:26:58They called out London.
00:27:01So you know they called out my man Mo Gilligan over there.
00:27:06Listen, the whole club turned around and looked at me.
00:27:10I was like, how dare you, bruv?
00:27:12I've been on Celebrity Bake Off.
00:27:13How dare you?
00:27:15I said, nah, man, forget that.
00:27:17I said, nah, let me get some more drinks.
00:27:19All the guys, nah, bro.
00:27:20Don't do it.
00:27:20This is what they want.
00:27:21But always, you to spend more money.
00:27:23This is what they want.
00:27:24Black on black crime.
00:27:26This is what they want.
00:27:27I said, nah, I said, hold on, wait, wait, wait.
00:27:29Where was this energy when you lot was looking at chandeliers and talking about Costco?
00:27:34I said, nah, forget that, man.
00:27:35Let me quickly.
00:27:36So I'm looking at the list, people.
00:27:38I'm trying to see what I can afford, what I can't afford,
00:27:40what I might have to move from the Monzo to the HSBC business account,
00:27:43what I might go overdrawn.
00:27:45Because that's what we do.
00:27:46If we know we're going to spend too much, we're thinking, what can I sell tomorrow?
00:27:49How much can I get for a PS5 in CEX when I go back?
00:27:54These are the things we do when we know we're going to overspend, right?
00:27:57So I'm looking at it, trying to see what I can afford.
00:28:00Then, listen to this.
00:28:01The DJ goes back on the mic again.
00:28:03He goes, oh, man.
00:28:07They called out London.
00:28:11What would Skepta say?
00:28:14Skepta?
00:28:16What the fuck has Skepta got to do with this?
00:28:18So now I'm under pressure thinking, fucking hell, I'm going to be on LinkUp TV tomorrow morning.
00:28:23So I'm looking at the menu.
00:28:24I see one thing.
00:28:26It was called Diamond Black Package, right?
00:28:28I said, give me this one.
00:28:30I get this one.
00:28:30It didn't have any price.
00:28:31It just said POA.
00:28:33I don't know what POA means, people.
00:28:35I'm dyslexic.
00:28:36I think it means poor on arrival.
00:28:38So this is the package we got, right?
00:28:41Celebrity goes off.
00:28:42Ten minutes.
00:28:43There's no bottles.
00:28:44There's no drinks.
00:28:44There's no sparklers.
00:28:45I'm thinking, wow, I've really been scammed here.
00:28:48Then out of nowhere, people, right?
00:28:50The DJ stopped the music in the club, right?
00:28:56Then he turned off the lights in the club, bow, all of the lights went out.
00:29:05Come on, you don't get two Netflix specials for nothing, bro.
00:29:12And he got on the mic, people.
00:29:14And it was like, ah, man.
00:29:19They called out London.
00:29:23They called out Moe Gilligan, Moe Gilligan, Moe Gilligan, Moe Gilligan.
00:29:30But I didn't know, I didn't know, I didn't know, I didn't know.
00:29:35He didn't even have an echo machine on his deck.
00:29:37He was doing this with his mouth in the club.
00:29:40I didn't know, I didn't know, I didn't know, I didn't know, I didn't know.
00:29:44That he was going to come back like this, like this, like this, like this, like this.
00:29:51So I'm thinking like, fucking what, bruh?
00:29:56I look over at Liberty.
00:29:57Liberty's near the kitchen.
00:29:58I look over at Liberty, and I'm like, Liberty, what's going on here?
00:30:03Liberty goes to me, one second, I've got you, right?
00:30:07And she's wearing a cloak with a mask.
00:30:09So I'm thinking, what weird fucking Illuminati P. Diddy shit is going to happen here tonight in Hollywood, right?
00:30:16And just before I could think, right, the music starts playing in the club, right?
00:30:23Now, Liberty walks out, right?
00:30:25She's not smiling, her eyes are wide open, right?
00:30:27And she's got this weird march, and she walks out by herself, people.
00:30:31Liberty comes walking out like this, people.
00:30:33This is Liberty, just...
00:30:38Now, behind Liberty, there are two other dancers, and they're doing this weird dance in cloaks as well.
00:30:45They're just...
00:30:48Now, listen, people.
00:30:49Behind Liberty, there was four Samoan bodyguards, right?
00:30:54Now, they're holding something, but we can't see what they're holding, right?
00:30:58But they walk out doing this same weird dance.
00:31:01They come...
00:31:04So I'm thinking, what go are they going to sacrifice in this fucking club, yeah?
00:31:09And then all the Samoan bodyguards, they all go like this, hey, hey, hey.
00:31:14And then they lift up something, and we couldn't see what they lifted up, people.
00:31:17And do you know what they lifted up?
00:31:18They lifted up a coffin with 25 bottles of champagne in it, right?
00:31:25And then they start marching to our section like this, hey, hey, hey, hey, hey, hey, hey, hey.
00:31:54I can't lie, I'm going to bang you in your face.
00:31:57Moe, tell me, is that what you're doing?
00:31:59People, I can't lie to all the credit I was like, you, man, sometimes, that's what you've got to do.
00:32:12People, I'm not ashamed to tell you this, but I started losing myself, right?
00:32:16They started putting, one by one, all these bottles on our table, yeah?
00:32:20I thought I was a fucking drug dealer, yeah?
00:32:23But my excitement, it started popping out.
00:32:26I was like...
00:32:38I went straight up to the NBA players, I went straight over to them, I was like, what?
00:32:43What?
00:32:46That's what we do, bruh.
00:32:58People, for the first time in my life, I lost myself.
00:33:03I don't think you realize, I've never lost myself.
00:33:06I didn't even know who I was.
00:33:07One of the NBA players was like, nah, I got to know, man, what's your name?
00:33:11I said, don't worry about my fucking name, bruh.
00:33:15He said, nah, British man, I ain't never seen that, man.
00:33:18What's your name, British man?
00:33:19I said, don't worry about my fucking name, bruh.
00:33:22He goes, nah, British man, who are you?
00:33:24I said, me.
00:33:25He said, you, who are you?
00:33:26He said, me.
00:33:26I said, I'm, I'm, I'm, DeShane, bruv.
00:33:38We sell fucking drugs.
00:33:40My friend said, wait, wait, wait, whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa, we don't
00:33:43do that, bruh.
00:33:43I work in IT, bruh, I'm on my last warning, what are you doing?
00:33:48People, for the first time ever in my life, I lost myself.
00:33:53Don't get me wrong, I've been drunk, but I've never lost myself.
00:33:56I was giving people bottles of champagne like I was Oprah, here, you get a bottle, you
00:34:01get a bottle, everyone gets a bottle, lost myself, people.
00:34:04I even gave a bottle of, of, of champagne to, to DJ, the driver.
00:34:08I said, DJ, here, have a bottle of champagne.
00:34:10Nah, man, nah, I don't drink no champagne.
00:34:13I said, come on, bruv, whatever happens to ride or die, bruv, live life, man.
00:34:16He said to me, nah, man, nah, I don't drink that.
00:34:19I said, what do you drink?
00:34:19What's your drink?
00:34:20He goes, me, I just like some tequila.
00:34:22I said, listen, Liberty, come over here, listen, this is DJ, the best driver ever.
00:34:27Get my man a bottle of tequila.
00:34:29Gave me the bottles, this big vase looking bottle, I gave the bottle to him, right?
00:34:33Listen to this, people, DJ starts crying in the club, yeah?
00:34:37As all this is going on, he's like, nah, man, nah, man, no, none of my clients have ever treated
00:34:44me like, like, like, y'all, I said, listen, DJ, you're one of the mandem now.
00:34:49Listen, you're family.
00:34:50He goes, you, you, you, you, you sure?
00:34:52I said, yeah, bruv, you're family.
00:34:54I said, you know what, Libby, give me a bottle too.
00:34:55So I had a bottle, me had a bottle, you know, he's like, DJ said, hey, man, say something
00:35:00real gangster from y'all hood.
00:35:01People, I'm not from the hood like that.
00:35:04I was saying things that are not gangster, but he didn't know.
00:35:06He said, say something, man.
00:35:07I said, auto glass replace, auto glass repair.
00:35:18DJ loved it.
00:35:19Yeah, man, I'll replace the glass.
00:35:20Yeah, yeah, yeah.
00:35:22Because they got bullet holes in the glass.
00:35:24Yeah, all right, bro.
00:35:25It's just a stone chip, but hey, man, whatever floats your boat, bro.
00:35:29Started losing myself.
00:35:30I thought I could get used to this Hollywood lifestyle.
00:35:33I really could, man.
00:35:34Being around my friends, being surrounded by all these people, drinking bottles of champagne.
00:35:39You know, then one of the NBA players like, nah, man, we got a toast to my man, Duchesne.
00:35:46You know, the whole club.
00:35:47Hey, Duchesne, Duchesne, Duchesne.
00:35:50I thought, wow.
00:35:51Oh, my God.
00:35:52Let me tell you something.
00:35:53That, for me, was one of the best moments ever of my life.
00:35:57Like, listen, forget doing all this comedy stuff, winning BAFTAs.
00:36:00That moment right there, I was like, wow, this is the, forget my birth.
00:36:03I wasn't really there for that.
00:36:06That moment was one of the greatest moments ever.
00:36:08We all took a shot.
00:36:09Oh, one of the best moments ever.
00:36:11I said, here, Liberty, quick, you do a shot, quick.
00:36:13Can you get me the receipt?
00:36:14I'm doing the last shots.
00:36:15I'm a cheapskate.
00:36:16I said, I paid for this.
00:36:17I was like, take a bite.
00:36:18I said, bruv, put a bottle of champagne in your pocket, bruv.
00:36:20Take this home, bruv.
00:36:22One of the greatest moments of my life.
00:36:24Then Liberty comes over.
00:36:25I said, thank you, Liberty.
00:36:26Thank you so much for the receipt.
00:36:27I said, well, yeah, you go with him.
00:36:28You go.
00:36:28Yeah.
00:36:39People, you ever been so drunk that you tried to undrunk yourself for logic?
00:36:43You ever tried to do that stuff where you tried to rub your brow and go.
00:36:49You start realizing what's going on, realizing I had all my buttons of my shirt open.
00:36:54I don't think you realize all the buttons were open.
00:36:57Even my belly button was out.
00:37:00My belly button was out.
00:37:01You lot are moving mad in here tonight, innit?
00:37:04I'm looking at this receipt.
00:37:07I was like, sorry, Liberty.
00:37:12Okay.
00:37:13She goes, oh, my God, Mogulio.
00:37:15Oh, my God.
00:37:15What's the problem?
00:37:16What's going on?
00:37:17I was like, okay, sorry.
00:37:19I'm trying to understand the price of the tax maturity tip.
00:37:23Could you just tell me how much that bottle is?
00:37:25Liberty was like, okay, let's check it out.
00:37:27Okay, tax maturity tip.
00:37:30Okay, so that one bottle, Kassar Azul, that one bottle is, oh, that's okay.
00:37:35That's just $5,000.
00:37:42People, that's not including the bottle I got for myself.
00:37:44Package number one.
00:37:45Package number two.
00:37:47I proper looked at this girl, Liberty.
00:37:49I was like, yeah.
00:37:50Yeah, I know why they call you fucking Liberty now, innit?
00:37:54Because...
00:37:58And then I was like, okay, and I'm looking at this, and she's like, okay, what's the problem?
00:38:02What is it?
00:38:02And I said, well, this is...
00:38:04She goes, what is it, Mogulio?
00:38:05What is it?
00:38:05I said, this is...
00:38:06She goes, no, no, tell me.
00:38:06Just be honest.
00:38:07What is it?
00:38:07I said, this is...
00:38:09Preposterous.
00:38:10This is flipping preposterous.
00:38:13People, it went from being one of the best nights ever in my life to one of the worst nights
00:38:18ever in my life.
00:38:19Don't get me wrong.
00:38:20I could pay for it.
00:38:21But at the same time, I was thinking, I was like, wow, is this a downward spiral of how
00:38:27my life's going to turn out?
00:38:28Just going from being in Hollywood, doing premium shows, have your own show, win the
00:38:32BAFTA, and then before you know it, like, I'm just on, like, can't pay, we'll take it
00:38:37away.
00:38:38I'm not presenting it.
00:38:39I'm on the program, bruv.
00:38:43I thought, wow.
00:38:45Do you know what?
00:38:45I'm not...
00:38:46Listen, I told you I'll be transparent, yeah?
00:38:47Do you know what?
00:38:48Do you know what?
00:38:48I thought somebody said, I know how I'll get this money back.
00:38:50I said, do you know what?
00:38:51I said, flip it.
00:38:52I'm going to do OnlyFans tomorrow.
00:38:54I said this in my head.
00:38:55I said, I'll make the money back in 24 hours.
00:38:57Listen, I wouldn't waste any time.
00:38:59I'll be like, let's go to it.
00:39:00Fuck it.
00:39:00Bumhole Wednesday.
00:39:01Let's get these tips, bruv.
00:39:05I thought, oh my God, this is the stupidest thing I've ever done in my whole entire life.
00:39:12Then I thought to myself, do you know what?
00:39:13It's all right, because I ain't paid yet, yeah?
00:39:15Remember, I gave my credit card and my ID to the manager.
00:39:18Then my phone vibrates.
00:39:20So I'm thinking, bro, what's that?
00:39:21Yeah?
00:39:21Is it mum texting me to see if I'm all right?
00:39:23People, I look at my phone.
00:39:24The transaction went through.
00:39:26They swat the transaction.
00:39:28Listen, I started questioning the whole banking system.
00:39:30I was like, are you having a bloody laugh?
00:39:32How did you not let this one slip through the fraud detection service while I'm abroad?
00:39:36You can't give me a one-time password or nothing.
00:39:40But yet what?
00:39:41If I'm in the pound shop buying some bleach and some biscuits, you want to embarrass me,
00:39:45ask me questions.
00:39:46Is it you?
00:39:46Yes or no?
00:39:47Is it you?
00:39:48It's me, man.
00:39:50Worst night in the history of my life.
00:39:53Horrible, man.
00:39:54To the point where I woke up the next morning.
00:39:56All my friends are like, bro, listen, we're so glad to wake you, yeah?
00:39:59But we just want to say, thank you so much.
00:40:03I said, nah, guys.
00:40:04You know?
00:40:04He said, nah, bro.
00:40:05I don't think you realise, bro.
00:40:07Last night was one of the greatest nights ever in my life.
00:40:11I said, nah, but bro, you got kids.
00:40:13Bruv, fuck them kids.
00:40:14I don't like them.
00:40:17Secretly, the youngest one, that one's evil.
00:40:19I don't really like them like that.
00:40:21But listen, as your friends, we just wanted to wake you up.
00:40:24We understand.
00:40:24We know about the bill.
00:40:26But we just wanted to say, bro, we're never going to live this life again.
00:40:29So as your real friends, we just wanted to wake you up and say, thank you, Moe Gilligan.
00:40:33We really appreciate that.
00:40:35And I can't lie, people, I had this lovely heart-to-heart with my friends, you know,
00:40:39because that's what you do it for, you know.
00:40:40Money comes and goes, but friends are the family that you choose forever.
00:40:44And then, yeah, it's true.
00:40:46Don't listen, man, don't ever give up on your friends.
00:40:48It's a family that you pick forever, man.
00:40:50And then one of the guys was like, hey, bro, listen, I know something that would cheer you up, though.
00:40:54You know, me and the guys chipped in, though.
00:40:56And check this out, listen, we just got your little coffee and a muffin, innit?
00:41:08People, I swear on my life, I genuinely looked at my friends and I was like,
00:41:11you know what, I hope your plane crashes on the way home.
00:41:13Do you think this is enough?
00:41:17It was at a different time in my life.
00:41:19During this time, this was about three and a half years ago, I was single, right?
00:41:22I didn't enjoy being single, people.
00:41:24But I had to go to this wedding, people, and I'm at this wedding by myself.
00:41:27But you know what it's like, guys.
00:41:28We're able to box up how we feel.
00:41:31You know, you start seeing all this romance.
00:41:33Guys don't care about this stuff, yeah?
00:41:35Because there's two types of romance.
00:41:36You know, you've got those new couples, yeah?
00:41:38Start rubbing each other's noses and stuff like that.
00:41:40Hmm, yeah.
00:41:42Hmm, hmm.
00:41:43Hmm.
00:41:44Hmm.
00:41:45Hmm.
00:41:45She's all excited.
00:41:46This will be us one day.
00:41:47Hmm.
00:41:48Hmm.
00:41:49I ain't gonna catch the bouquet.
00:41:50Hmm.
00:41:50Hmm.
00:41:53Hmm.
00:41:53Hmm.
00:41:54Hmm.
00:41:55Hmm.
00:41:55Hmm.
00:41:56Hmm.
00:41:57Hmm.
00:41:57Hmm.
00:41:58Hmm.
00:41:58When we go home, yeah, let's just sleep.
00:42:01That's what we want to do, is sleep.
00:42:04That's all you care about, right?
00:42:06I feel like women like romance probably a lot more than men like romance.
00:42:10And I don't want to generalize and say all women are the same.
00:42:12But women do like a bit of romance, man.
00:42:14There's a single woman by herself.
00:42:16She's crying, yeah?
00:42:17She didn't even know she's crying.
00:42:19A tear just popped out of her eyes.
00:42:20Do you know that happens, men?
00:42:21A tear will just come out unannounced.
00:42:23It just rolled down her face, yeah?
00:42:25She notices it.
00:42:26She goes, oh, no, no, no.
00:42:27Not today.
00:42:28Not today.
00:42:29No, I am strong.
00:42:30She'll put out positive affirmations.
00:42:31I am strong.
00:42:32I am cool.
00:42:33I am kind.
00:42:33No.
00:42:34No.
00:42:35Where's my crystal?
00:42:35Where's my corpse?
00:42:36Where is it?
00:42:40But you know what women do that I think is absolutely beautiful, right?
00:42:43Women look out for other women.
00:42:45Women, don't ever stop doing this.
00:42:48This is a beautiful thing that you do.
00:42:51You know, two women are on the dance floor, right?
00:42:53They notice this poor woman crying, yeah?
00:42:56They're having a time of their life.
00:42:57But they can't help but notice it.
00:42:59They're dancing.
00:42:59They'll be like, hey, babes.
00:43:00Hey, babes.
00:43:01Listen.
00:43:02Don't be bait, yeah?
00:43:04But you see that girl?
00:43:05Yeah?
00:43:05To your left.
00:43:06Yeah?
00:43:07She's crying.
00:43:08Are you serious?
00:43:09Are you serious?
00:43:09Yeah?
00:43:10Yeah?
00:43:10Don't be bait.
00:43:11Don't be bait.
00:43:12Don't be bait.
00:43:12No, let me not look.
00:43:13Let me not look.
00:43:13Let me not look.
00:43:14I'm not going to look.
00:43:15Oh, my gosh.
00:43:17Shit.
00:43:17I'm going to say something.
00:43:18And she will.
00:43:19She'll go over there.
00:43:20Women will pretend.
00:43:21You guys are so obvious, you know?
00:43:22You guys will be like, oh, my gosh.
00:43:26Shut the front door on Tuesday.
00:43:27Wait.
00:43:28There's no way that a queen like you is crying.
00:43:32No.
00:43:34Sorry, darling.
00:43:35Not in that old poly dress, because I've been trying to get that one.
00:43:38No way.
00:43:39Listen, babes.
00:43:39Don't you cry.
00:43:40Don't you cry.
00:43:41Not very demure.
00:43:41Not very mindful.
00:43:42Come here, babes.
00:43:43Don't you cry.
00:43:44They'll introduce her to all the rest of the girls.
00:43:47All these women will huddle around her.
00:43:49They will wipe the tears off her face, guys.
00:43:51Don't you cry.
00:43:52Listen.
00:43:52Don't you cry, because you're beautiful, yeah?
00:43:54We've all been there.
00:43:55Because, listen, Chantel's been there.
00:43:57Haven't you, Chantel?
00:43:59Chantel's like, what do you mean I've been there?
00:44:01What are you talking about?
00:44:03Listen, some women will throw their friend under the bus for emotional support for people
00:44:07they don't know, you know?
00:44:09Listen, okay, long story short, you don't know her, but basically, her baby father's
00:44:13in prison for armed robbery and GBH.
00:44:15Isn't that right, Chantel?
00:44:17Chantel's like, why are you telling this girl all my business for?
00:44:20What's wrong with you?
00:44:21Listen, it's okay.
00:44:22It's on 24 hours in police custody.
00:44:24We all know.
00:44:24Don't worry about it, babes.
00:44:25Listen, don't you cry.
00:44:27Don't you cry, yeah?
00:44:28Quick, quick, Claire.
00:44:29Give me your lipstick, yeah?
00:44:31Tight, Claire.
00:44:31No, not my Charlotte Tilbury.
00:44:32Give me your fucking Charlotte Tilbury, yeah?
00:44:34Don't you cry.
00:44:35Do you know why?
00:44:36And let me tell you something, guys.
00:44:37Women have inspirational quotes ready to go, yeah?
00:44:41At the drop of a hat.
00:44:43This one is their favorite, yeah?
00:44:45This is their 90th minute winner.
00:44:47This is the one that women love, yeah?
00:44:48Listen, listen, babes.
00:44:49Don't you cry.
00:44:50Don't you cry, yeah?
00:44:51This poor girl, why, why?
00:44:54Don't you cry.
00:44:55Do you know why?
00:44:56Do you know why?
00:44:59Because you're letting him win.
00:45:00Don't you let him win.
00:45:05Look at all these witches, yeah?
00:45:07I've used that one.
00:45:08I've used that one.
00:45:09Don't let him win.
00:45:10He's always going to win.
00:45:11Don't let him win.
00:45:12It's like a loose women convention in there, isn't it?
00:45:17Men, we don't do none of that stuff.
00:45:19We ain't there for no emotional support.
00:45:21Let me tell you something.
00:45:22Men, we mind our business.
00:45:24We are professional mind businesses, yeah?
00:45:27There could be a man in this venue, in the toilets, right now, crying his eyes out over
00:45:32heartbreak, yeah?
00:45:33I'm talking, he's really crying.
00:45:35I can't believe, I can't believe she, she, she would do me.
00:45:39Why, why?
00:45:41Why, why, why?
00:45:42Listen, every man would be in them toilets minding our business.
00:45:48Just washing the shit out of our hands, trying to find out what's happened in it.
00:45:53Every man just.
00:46:20Poor fucking cunt.
00:46:27We even tell some of the guys, won't we, guys?
00:46:29Yeah?
00:46:30Because guys, we like to gossip.
00:46:31But when this is happening, we can't be serious.
00:46:33Hey, bro.
00:46:33Hey, bro.
00:46:34Hey, listen.
00:46:39There's a man in the toilets.
00:46:44No, no, no, I shouldn't laugh.
00:46:46It's not serious, it's serious.
00:46:47Why?
00:46:47What's going on, bro?
00:46:48Just say.
00:46:50There's a man in the toilets crying, swear down, yeah?
00:46:56Some guys will have compassion.
00:46:58Bro, is it?
00:46:59That's crazy, bro.
00:47:00Poor guy.
00:47:01He must be going for it, boy.
00:47:03There's always that one guy.
00:47:05Is it?
00:47:07Let me see this girl.
00:47:18Hey, he's crying like some pussy.
00:47:19Oh, you know, wait, wait, what are you doing?
00:47:23What are you doing, Jerome, man?
00:47:26I always believe the women have their stuff sorted out, right?
00:47:30They've always got their car.
00:47:32They've got their good job.
00:47:33You know, they've got their house.
00:47:35All they want now is you, Mr. Right.
00:47:37Especially, because let me tell you something.
00:47:38When women get to this 30s, 40s, 50s,
00:47:40they're not messing around anymore, yeah?
00:47:42They know what they're looking for.
00:47:43They've got their list and their criteria.
00:47:45They've got their red flag list.
00:47:46Don't matter what star sign you are.
00:47:48Yeah, Leo.
00:47:49No, not for me.
00:47:49My ex is Leo.
00:47:50No, red flag.
00:47:51That's it, yeah?
00:47:52Just because you were born in that month.
00:47:54No, it's a red flag.
00:47:55Sorry.
00:47:55No, red flag.
00:47:56Yeah?
00:47:57Then they've got this other list.
00:47:59Now, women add to this list every single day.
00:48:02Do you know what this is?
00:48:03The list of icks, yeah?
00:48:06Now, I don't know if you're familiar with what an ick is,
00:48:08but basically, guys, an ick is something we do
00:48:10that we don't even know we're doing
00:48:12that just turns her vagina off.
00:48:14Just...
00:48:16That's it.
00:48:16Pum, pum, la, ca.
00:48:17You can't get restarted.
00:48:19There's no...
00:48:21That's it.
00:48:22It's closed for today.
00:48:23That's it, yeah?
00:48:24Let me tell you something, guys.
00:48:25Anything you do can be an ick, yeah?
00:48:28Not if you can realize.
00:48:29Try it, you know?
00:48:30If you go on a date, just ask your girl.
00:48:32They'll tell you the most random things you've ever heard.
00:48:34Women will go into great depths.
00:48:35They'll tell you, yeah, yeah, like, you know,
00:48:37when you meet a guy, yeah?
00:48:38Like, what?
00:48:39What?
00:48:39Go for it.
00:48:40Yeah, and let's say you go ping-pong with him, yeah?
00:48:42Yeah?
00:48:43Go ping-pong.
00:48:43I'm like, all right, well, where's the ick in this?
00:48:45You know, men, we love ping-pong, yeah?
00:48:47I grew up in the youth club system.
00:48:49I love ping-pong.
00:48:50You know?
00:48:50They're like, no, no, no.
00:48:51No, no, no.
00:48:52But it's what happens during the ping-pong.
00:48:53Well, where's the ick in this, yeah?
00:48:55This one girl once said to me,
00:48:56I'll tell you an ick, yeah?
00:48:57A man chasing a ping-pong ball just...
00:49:03Oh, wait, wait.
00:49:05Huh, huh, huh, huh, huh, huh.
00:49:08Found it.
00:49:10Ladies, can I ask you tonight,
00:49:12is that an ick?
00:49:13Is that an ick?
00:49:16Look at you, scumbags.
00:49:17You don't even know it's an ick.
00:49:18Well, it's an ick now.
00:49:18Write that one down.
00:49:19Let's write that.
00:49:20Chasing a ping-pong ball.
00:49:22They'll tell you icks.
00:49:23You didn't even think there was an ick.
00:49:25They'll make you change your whole life, yeah?
00:49:28They'll be like,
00:49:28do you remember when we was getting ready
00:49:29and we came to see Mo, yeah?
00:49:31Yeah?
00:49:31What did you do when you got changed?
00:49:33I don't know.
00:49:34I got out of the shower
00:49:35and then I put on my clothes.
00:49:36No, no, no, no, no, no, no.
00:49:37You didn't just do that.
00:49:38What did you put on first?
00:49:40Um, I don't know.
00:49:41I got out of the shower.
00:49:42Do you know what you've done?
00:49:43What did I do, babes?
00:49:43You put your T-shirt on
00:49:45before your boxers, yeah?
00:49:47Yeah?
00:49:48This is called a Winnie the Pooh, apparently.
00:49:52Women, is that ick?
00:49:53A man who puts a T-shirt on
00:49:54before the boxers.
00:49:56Look at all the women
00:49:56with their hands up.
00:49:58Every man just had
00:49:59his bum cheeks hanging out.
00:50:02Just got your little willy just...
00:50:06No, I believe that women have icks
00:50:08because deep down
00:50:09they're just trying to find
00:50:10the small things
00:50:10that they love about you.
00:50:12I have this theory, people.
00:50:13I have this theory when it comes to love.
00:50:15I have this theory,
00:50:15which I believe is called
00:50:17the three L's, right?
00:50:18Hear me out on this, right?
00:50:19The first L is the first one itself,
00:50:22is love.
00:50:23The second one is listening.
00:50:25If you're going to be with someone,
00:50:26you have to listen to them.
00:50:28You know what it's like, guys.
00:50:29Your favourite team has just lost, right?
00:50:31That ruined your whole weekend.
00:50:33You're like,
00:50:33oh, man, this is a joke.
00:50:35How did we lose this one, man?
00:50:37Women, don't do that thing.
00:50:38Don't do that whole,
00:50:40we...
00:50:43We...
00:50:43But when would you start playing Wii?
00:50:48You're like,
00:50:49babes, please,
00:50:50not right now.
00:50:50Not right now.
00:50:51It's all right.
00:50:53It's okay.
00:50:55It's just a game.
00:50:59It's not a fucking game, is it?
00:51:00It's my life, Sharon.
00:51:02I've got nothing.
00:51:05It's all right.
00:51:07You've got me.
00:51:08I don't fucking want you.
00:51:11You can't play up front,
00:51:13can you?
00:51:19And the last L is the most important,
00:51:21right?
00:51:22That's loyalty.
00:51:23Be loyal to the person that you're with.
00:51:25You know,
00:51:25see, loads of couples in the house,
00:51:27just be loyal, man.
00:51:28And don't get me wrong,
00:51:29there's the old-fashioned sense of loyalty
00:51:31till death do us part and all that stuff,
00:51:33but there's also loyalty exclusive
00:51:35to your relationship.
00:51:37Things that you do
00:51:38that other people don't understand, right?
00:51:40And it's random things,
00:51:42you know,
00:51:42like picking your favourite TV to watch.
00:51:44You go on Netflix, you know,
00:51:45you're thinking,
00:51:46oh, what should we watch?
00:51:46You see something,
00:51:47Stranger Things,
00:51:48Adolescence,
00:51:49Top Boys,
00:51:49Supercell,
00:51:49I don't know,
00:51:50you know,
00:51:51your lady,
00:51:51she sees something,
00:51:52she says,
00:51:52babes,
00:51:53everyone's talking about that.
00:51:54We've got to watch that, yeah?
00:51:55Yeah, that's the loyalty.
00:51:56You've locked it in,
00:51:57that's it.
00:51:58We're going to watch that.
00:51:59Not now,
00:51:59but we're going to watch that.
00:52:00That's where the loyalty starts, right?
00:52:02That means, my guy,
00:52:03you can't watch it somewhere else
00:52:05and you can't watch it somewhere else, yeah?
00:52:07That is the loyalty
00:52:08that you've agreed upon, right?
00:52:10Now, most men
00:52:11like to be a protector, yeah?
00:52:14So being a protector,
00:52:14you want to show
00:52:15that you can be a provider.
00:52:16Being a provider
00:52:17shows you want to be in control, right?
00:52:19So what do we like, guys?
00:52:20We like the remote control.
00:52:21We just like to be able to rewind
00:52:23and fast forward and pause.
00:52:24That's our thing.
00:52:25We want the remote control.
00:52:26Now, ladies,
00:52:27they like their thing.
00:52:28Ladies feel safe
00:52:29in your presence, right?
00:52:31They can unwind.
00:52:31What do they want to unwind with?
00:52:33A glass of wine, right?
00:52:34So they go,
00:52:35wait, wait, wait, wait.
00:52:35Before we press play,
00:52:36I'm just going to have
00:52:37a quick glass.
00:52:38Just a quick one, yeah?
00:52:39Just a little one, yeah?
00:52:40Glu, glu, glu, glu, glu, glu, glu, glu, glu, glu.
00:52:44Just a little one,
00:52:44just a little one, right?
00:52:46So you find your program
00:52:47that you're going to watch.
00:52:49You're cuddled in
00:52:50and that's it.
00:52:50You press play.
00:52:51Bow, you're in, yeah?
00:52:53You're in.
00:52:54You're watching your program, yeah?
00:52:5710 minutes in.
00:52:58It gets a bit quiet,
00:52:59doesn't it, guys?
00:53:00Yeah?
00:53:0115 minutes in, yeah, sleeping beauty over here has fallen asleep, yeah?
00:53:11Not because she started work early or because she had a long day
00:53:15and she maybe went to the gym.
00:53:16Do you know where she fell asleep?
00:53:17Because she just drunk a pint of wine in five minutes.
00:53:21She's out.
00:53:22Now we've got to watch this film that we plan to go and watch together
00:53:26by ourselves, and that's where the loyalty comes in, guys.
00:53:29Can we just say, nah, we did plan to watch it together.
00:53:31Now we're left by ourselves, and we watch this film, don't we, guys?
00:53:34Can we just say, you know what, I'll have one.
00:53:35I'll have a cheeky one, yeah?
00:53:36I'll watch one episode, yeah?
00:53:37We start watching it, yeah?
00:53:3930 minutes goes by.
00:53:40We're really enjoying ourselves, guys, aren't we?
00:53:42Do you know why we're enjoying ourselves, women?
00:53:44I'll tell you why.
00:53:45Because no one is asking us any flipping questions about what is going on.
00:53:51Who's that man?
00:53:51Why did he kill him?
00:53:52Can you rewind it?
00:53:53Is it Antonio Banderas?
00:53:54What's he doing this?
00:53:55Wait, I'm going to Google it.
00:53:56Can you quick pause it?
00:53:57Who's that man?
00:53:58Babes.
00:53:58I've never seen this before in my life.
00:54:00I've never seen it before.
00:54:01All right, I'm just asking a question.
00:54:02Why are you so rude?
00:54:04Very rude.
00:54:06Gosh.
00:54:08None of this is happening.
00:54:10So you carry on watching this program, right?
00:54:13And then Netflix will test your loyalty, right?
00:54:17Because Netflix will say, yo, listen up, yeah.
00:54:22The credits are about to roll.
00:54:25But listen, I've got another episode cooking up in five, four, three, two.
00:54:34What do you want to do?
00:54:37What do you want to do?
00:54:39Fuck that bitch.
00:54:40Episode two.
00:54:42Episode two.
00:54:43We know we shouldn't be watching episode two.
00:54:46This is blasphemy within the relationship.
00:54:49You shouldn't watch it, but you start enjoying episode two.
00:54:52But what happens?
00:54:53Sleeping beauty wakes up, yeah?
00:54:54But women, you don't just wake up.
00:54:56It's like some spirit has told you in your dream, yeah?
00:55:00He's doing something wrong.
00:55:02And you women wake up out of your sleep.
00:55:08They pause it.
00:55:09They look at their phone.
00:55:10It's always the same time.
00:55:1111, 11, 11, 11, 11, 11, the angels told me, where's my crystal?
00:55:17Where's my crystal?
00:55:19Wait, hold on.
00:55:20Episode two.
00:55:21Are you on episode two?
00:55:22Oh, my gosh.
00:55:23I can't believe you would do that.
00:55:25Women start exaggerating.
00:55:26I can't believe you do that.
00:55:28Only fell asleep for, what, five minutes?
00:55:32Because love is the best thing, man.
00:55:34The love you have for your partner,
00:55:35the love you have for your family.
00:55:37That's why I do all of this, man.
00:55:38Do it for my family, man.
00:55:40And I'm now lucky enough to be in a position
00:55:42to just do other stuff.
00:55:43But recently, you know, one of my dreams came true, you know?
00:55:46One of the biggest publishers in the world was like,
00:55:48Mo, listen, we love your comedy, right?
00:55:50And we'd love it if you could write a children's book.
00:55:54We'll give you 12 months, a little advance,
00:55:56and you find the best book you want to write.
00:55:58And then, people, as I said,
00:55:59I'd be very truthful during this show, right?
00:56:02Then 12 months goes past.
00:56:04I get an email at 10 in the morning.
00:56:06They said, Mo, hey, I hope you're well.
00:56:08Can you jump on the Zoom?
00:56:10We're going to go through the book, right?
00:56:12I thought, what?
00:56:13Oh, my gosh.
00:56:13I totally forgot about this book, right?
00:56:15I ran downstairs.
00:56:16I go to my kitchen, open up the Zoom,
00:56:19with my dressing gown and my pajamas.
00:56:21It was 30 people on a Zoom call, right?
00:56:25Everyone from this publishing company, right?
00:56:27They're like, hey, Mo, how's it going?
00:56:29It's been so long.
00:56:30So, how are you getting along with the book?
00:56:33I thought, oh, my God.
00:56:34I completely forgot.
00:56:36Now, I thought, you know what?
00:56:37I can't waste these people's time.
00:56:38So, listen, thank you so much for this opportunity,
00:56:41but unfortunately, this isn't for me.
00:56:43They said, why?
00:56:44Mo, what's happened?
00:56:45I said, listen, I've not come up with any ideas, right?
00:56:48These people said to me, no, Mo, listen, check this out.
00:56:51We've got an idea.
00:56:53We love your nursery rhymes, yeah?
00:56:55Your Rastafarian nursery rhymes, yeah?
00:56:57How about this for an idea?
00:56:59You could do fairy tales, yeah, yeah.
00:57:01You could do the Little Red Riding Hood, yeah, yeah, yeah.
00:57:04You could do, I don't know, Goldilocks,
00:57:06the Gingerbread Man.
00:57:07You could even do Jack and the Beans talk, yeah,
00:57:09because it's copyright free.
00:57:10How about that?
00:57:11But, but, with a Jamaican reggae twist.
00:57:16I said, what in the turtle bay is going on here?
00:57:23The lady on the Zoom goes, okay,
00:57:25what about if you performed a little bit for us in your kitchen?
00:57:28We can get the ghostwriter, Tony involved, yeah?
00:57:31There was one black guy called Tony.
00:57:32We can get him involved, yeah?
00:57:33How about that?
00:57:34Yeah, he's from where you're from.
00:57:35How about that?
00:57:37I said, listen, thank you so much, but listen,
00:57:39it doesn't feel ethical.
00:57:40I don't want to feel like I'm selling out my culture,
00:57:42do you know what I mean, for the bag.
00:57:44They said, oh, Mo, such a shame.
00:57:47I said, why?
00:57:48Because I'm not a corporate puppet,
00:57:49I'm not going to do whatever you want me to do.
00:57:50They said, no, Mo.
00:57:52You know, a book like this, you'd own the IP,
00:57:54and most importantly, we could pay you a bit of money.
00:57:57Not much, but we could pay you, I don't know,
00:57:59like 300,000 pounds.
00:58:08So, this is the book I performed in my kitchen.
00:58:11Run the track, please.
00:58:14Yo, I'm going to tell them.
00:58:16Yo, I'm going to tell them.
00:58:17Yo, I'm going to tell them.
00:58:19Yo, this is a story from my hood
00:58:21about this young girl named Red Riding Hood.
00:58:24She just got a call.
00:58:25They said, come quick.
00:58:26Your grandmother's ill and she's moving sick.
00:58:29So she moves, so she grows, so she's moving quick.
00:58:32She moves, so she grows, so she's moving sick.
00:58:34Hey, she sees the wolf in her grandmother's clothing.
00:58:37She grab a knife.
00:58:38She not really know him.
00:58:40The next girl, she need a box.
00:58:42Go by the name of Goldilocks.
00:58:45Enter the house.
00:58:46Eat up the porridge.
00:58:48Steal up the wisdom.
00:58:49Take out the knowledge.
00:58:50But no, she's not ending there.
00:58:53She sleeps in the bed.
00:58:54She now live there.
00:58:55She sleeps in the bed.
00:58:56She leave blonde hair.
00:58:58She sleeps in the bed.
00:58:59And bed bugs in the ginger.
00:59:01It's the gingerbread man.
00:59:03Sweet and nice for the gingerbread man.
00:59:06Them now know for the gingerbread man.
00:59:09Sweet and nice for the gingerbread man.
00:59:11Yo.
00:59:11Gingerbread, they want to kill him and shoot him.
00:59:14Gingerbread, they want to kill him and shoot him.
00:59:17Gingerbread, they want to kill him and shoot him.
00:59:19Him have the nuts and the small piece have bloat him.
00:59:22Gingerbread contains no eggs.
00:59:24Now, let me say, gingerbread contains no eggs.
00:59:26Now, let me say, gingerbread contains no eggs.
00:59:29But you can't find gingerbread inside Greg's.
00:59:32So right now, people, I'm on the Zoom.
00:59:35It's going great.
00:59:36We've got middle-class white ladies losing their minds.
00:59:39Yeah?
00:59:39They're like, oh, my god.
00:59:40Oh, my god.
00:59:41It's like nothing healing here.
00:59:43What the blood fire?
00:59:45I knew I was doing well, because Tony the Ghost Rider,
00:59:48the black guy, he lost it.
00:59:50He went from code switch to real yard.
00:59:52He was like, oh, the blood fire yard even.
00:59:54People, I lost myself.
00:59:56I lost myself to the point where I forgot it was for a children's
00:59:59book when I done my verse of Jack and the Beanstalk, people.
01:00:02Yeah, run the track, please.
01:00:04Yo, I'm going to tell them.
01:00:05Yo, I'm going to tell them.
01:00:06Yo, let me get the handcuffs inside one time.
01:00:09Yo, yo, I'm going to tell them.
01:00:10Yo, I'm going to tell them.
01:00:12Yo, I'm going to tell them.
01:00:13Yo, I'm going to tell them.
01:00:14Him up the beans, him sell the cow.
01:00:17Climb up the beanstalk.
01:00:18Them I said how, he said fee.
01:00:20Five, for one then from them, he said fee.
01:00:23Five, for one then from them, he said fee.
01:00:25Five, for one then from, I am Jack and you can suck your mum.
01:00:32London, that is my time.
01:00:34Thank you a lot so much.
01:00:37God bless you.
01:00:39Thank you so much.
01:01:01Thank you very much.
01:01:03Thank you very much.
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