📖 Descripción
ENGLISH:
A group of young people discovers a disturbing collection of videos connected to the infamous Faces of Death recordings. What begins as simple curiosity quickly turns into a terrifying nightmare where reality and horror start to blend together. As they investigate the dark origin of the tapes, they become trapped in a spiral of fear, paranoia and psychological terror.
ESPAÑOL:
Un grupo de jóvenes descubre una perturbadora colección de videos relacionados con las infames grabaciones de Faces of Death. Lo que comienza como una simple curiosidad pronto se convierte en una aterradora pesadilla donde la realidad y el horror empiezan a mezclarse. Mientras investigan el oscuro origen de las cintas, quedan atrapados en una espiral de miedo, paranoia y terror psicológico.
🎬 Directed by Daniel Goldhaber
✍️ Written by Isa Mazzei
⭐ Starring Barbie Ferreira, Dacre Montgomery, Josie Totah y Charli XCX
🔑 Palabras clave
Faces of Death 2026 Full Movie Sub Español, Faces of Death película completa, horror movie, found footage, terror psicológico, scary movie 2026, horror extremo, películas subtituladas, remake Faces of Death.
📌 Hashtags
#FacesOfDeath #FacesOfDeath2026 #FullMovie #SubEspañol #HorrorMovie #FoundFootage #Terror #ScaryMovie #PeliculaCompleta #Peliculas2026 #HorrorPsicologico
ENGLISH:
A group of young people discovers a disturbing collection of videos connected to the infamous Faces of Death recordings. What begins as simple curiosity quickly turns into a terrifying nightmare where reality and horror start to blend together. As they investigate the dark origin of the tapes, they become trapped in a spiral of fear, paranoia and psychological terror.
ESPAÑOL:
Un grupo de jóvenes descubre una perturbadora colección de videos relacionados con las infames grabaciones de Faces of Death. Lo que comienza como una simple curiosidad pronto se convierte en una aterradora pesadilla donde la realidad y el horror empiezan a mezclarse. Mientras investigan el oscuro origen de las cintas, quedan atrapados en una espiral de miedo, paranoia y terror psicológico.
🎬 Directed by Daniel Goldhaber
✍️ Written by Isa Mazzei
⭐ Starring Barbie Ferreira, Dacre Montgomery, Josie Totah y Charli XCX
🔑 Palabras clave
Faces of Death 2026 Full Movie Sub Español, Faces of Death película completa, horror movie, found footage, terror psicológico, scary movie 2026, horror extremo, películas subtituladas, remake Faces of Death.
📌 Hashtags
#FacesOfDeath #FacesOfDeath2026 #FullMovie #SubEspañol #HorrorMovie #FoundFootage #Terror #ScaryMovie #PeliculaCompleta #Peliculas2026 #HorrorPsicologico
Categoría
🤖
TecnologíaTranscripción
00:01:12Díaz, ¡Suscríbete!
00:01:57¡No me hagas! ¡No me hagas! ¡No me hagas!
00:02:04¡Tengan los dos! ¡Tengan los dos! ¡Tengan los dos!
00:02:06¡Oh, Dios mío!
00:02:11Yo decidí incluir esta secuencia en mi estudio
00:02:14porque ha sido un método barbarico de lidar con el crimen.
00:02:17El único factor de la violencia pública es que quizás es un deterrente a la crime.
00:02:28¡Hey! ¡What's up?
00:02:29So, there's a new team orientation tomorrow
00:02:31and I'm supposed to walk the newbies through it,
00:02:34but I'm swamped.
00:02:36So, I was wondering if maybe you could cover from here.
00:02:38Awesome. Yeah.
00:02:40Um, sure I can lean it? Like, is that allowed?
00:02:44Yeah. This is the perfect opportunity for you to prove yourself.
00:02:49Okay.
00:02:52Oh, get back to it.
00:02:53Mm-hmm.
00:02:58Perhaps it is a deterrent to crime.
00:03:10Bye, Ed.
00:03:11See you, Margo. Have a good one.
00:03:14Up, up, up.
00:03:15Man, you still told books again, huh?
00:03:17Come on back. Come on back to see me.
00:03:20Sorry, I forgot.
00:03:22Mm-mm.
00:03:23What company secrets are you stealing today, Margo?
00:03:25Bye, honey.
00:03:26Bye.
00:03:38Bye.
00:03:43Bye.
00:03:44Bye.
00:04:10¡Suscríbete al canal!
00:04:16I feel like I could be making a real difference.
00:04:23Oh my God, I can't believe you like this shit.
00:04:25It's a classic.
00:04:31So, um, question.
00:04:35Would you possibly maybe want to come to Cassidy's with me tonight?
00:04:40She's just having a chill, small kind of housewarming party thing.
00:04:48Uh...
00:04:48I don't know.
00:04:52Laundry...
00:04:53and stuff.
00:04:54Oh, come on.
00:04:56Come on.
00:04:57Remember what we talked about?
00:04:59Getting back out into the world, you know.
00:05:03Seeing friends again.
00:05:05I miss my best friend.
00:05:09Mmm.
00:05:11Mmm.
00:05:13You know what?
00:05:14Yeah.
00:05:15Let's go.
00:05:16Oh, yes, yes.
00:05:18Mwah!
00:05:19It's gonna be fun.
00:05:20Yeah.
00:05:21You excited?
00:05:21Yeah.
00:05:22This thing's like impossible.
00:05:24Oh, here.
00:05:27Try this.
00:05:28A lipstick.
00:05:30Yeah.
00:05:31A knife.
00:05:32Cha-cha.
00:05:33It's conceptual art.
00:05:35Thanks, Cole.
00:05:36Okay, wait, wait, wait.
00:05:38So is tying a cherry stem with your tongue like a real thing or just like a lesbian thing?
00:05:42Voila!
00:05:45Oh, wait.
00:05:46That's so hard.
00:05:46Brian, don't.
00:05:48Oh, my God.
00:05:49I'm offline for a reason.
00:05:51I wasn't even gonna boast it.
00:05:52Oh, wait.
00:05:53Uh, Cassidy said she wanted whipped cream.
00:05:56Do you think we need whipped cream?
00:05:57Let's just go.
00:05:59Let's just go.
00:06:00Why?
00:06:01Why?
00:06:03Are those girls watching me?
00:06:06I'm stuck here.
00:06:08I think they're just checking you out.
00:06:12Let's just go.
00:06:15Hey, you're the girl from that train video.
00:06:17What?
00:06:18I shouldn't have even tried.
00:06:20Margo, wait.
00:06:21Margo, wait!
00:06:23Margo, wait!
00:06:24Oh, shit.
00:06:25Just like that.
00:07:01Hey, sis!
00:07:02Happy 23rd birthday!
00:07:04I hope that this is the year that you've finally hit a girlfriend so you will stop bugging me all
00:07:08the time, okay?
00:07:09I love you so much.
00:07:10I'll see you tonight.
00:07:11Bye.
00:07:12Hey, happy Thanksgiving.
00:07:13I'm running late.
00:07:14I forgot literally everything.
00:07:16I left your dress at home, but I promise I'm gonna grab it so you can wear it.
00:07:20Margo!
00:07:21Okay, I love you and you're the best sister.
00:07:23So, okay, thank you, guys.
00:07:26Here at Kino Moderation, this is who we protect.
00:07:30The young, the impressionable, the innocent.
00:07:35When you come across content that violates policy, flag it and move on.
00:07:40You may be tempted to look into it outside of work, but that is a violation of your NDA.
00:07:46Don't disgust it.
00:07:48Don't Google it.
00:07:51Don't even think about it, if you can help it.
00:07:55Okay.
00:07:59Burnout.
00:08:09Burnout.
00:08:10Burnout.
00:08:38Hey.
00:08:40Don't worry, it's not tobacco.
00:08:43Oh, thank you.
00:08:43I'm good.
00:08:46I just feel like we have a responsibility to keep our heads clear.
00:08:49If I kept a clear head, I'd blow it clear across the office.
00:08:54Mind your work here.
00:08:56Because it's a thrill when you get a really good one.
00:09:00Plus, they have dental.
00:09:05Are you gonna finish that?
00:09:18Here.
00:09:19Kitty.
00:09:19Kitty.
00:09:20Meow.
00:09:20Meow.
00:09:22Meow.
00:09:22How to save a life, part two.
00:09:23So this is Naloxone, AKA Narcan.
00:09:26And it works by blocking the opiate receptors in your brain.
00:09:29Now, while Narcan should not be used prophylactically, it is really excellent at reversing and stopping an overdose.
00:09:34This is Naloxone.
00:09:38This is Naloxone.
00:09:41But when the guards let him down death row toward the execution chamber, he seemed nervous and totally disoriented.
00:09:47I began to wonder if two wrongs really make a right.
00:09:53His eyes are taped to prevent them from popping out of their sockets.
00:09:57The next step is the flick of a switch which sends a current of 2,000 volts through the victim's
00:10:01body.
00:10:05And the whole process is repeated as many times as necessary until the prisoner is proclaimed dead by the physician
00:10:12on duty.
00:10:14The room began to smell like burning flesh.
00:10:17The final trickle of blood marked the conclusion to this grotesque execution.
00:10:29What's up?
00:10:34Um, I'm not sure what to do with this one.
00:10:39I saw another video just like this a few days ago.
00:10:42Mannequins and, uh, a beheading.
00:10:46I thought it wasn't real, but...
00:10:50He looks like he's actually dying in this.
00:10:54Like, I don't know, it's made to look stylized and so we don't flag it, but...
00:10:57Do you think this could be, like, a real execution?
00:11:00I don't know.
00:11:04Leave it up.
00:11:06Oh my gosh, again.
00:11:08I saw another video just like this.
00:11:10DIY whores trafficking right now.
00:11:13Support the trend.
00:11:14What do we say?
00:11:16Give the people what they want.
00:11:18Hey, you're still on for the lake, right?
00:11:20Yeah.
00:11:21Coming.
00:11:22All right.
00:11:24The next step is the flick of a switch which sends a 2,000 volts through the victim's...
00:11:36to the 3...
00:11:54to the 3...
00:11:58to the 6...
00:12:05I'm not sure.
00:12:32¡Suscríbete al canal!
00:12:56¡Suscríbete al canal!
00:13:06¡Suscríbete al canal!
00:13:19¡Suscríbete al canal!
00:13:34¡Suscríbete al canal!
00:13:44¡Suscríbete al canal!
00:14:17¡Suscríbete al canal!
00:14:20¡Suscríbete al canal!
00:14:39¡Suscríbete al canal!
00:14:47¡Suscríbete al canal!
00:14:58¡Suscríbete al canal!
00:15:16¡Suscríbete al canal!
00:15:25¡Suscríbete al canal!
00:15:41¡Suscríbete al canal!
00:16:01¡Suscríbete al canal!
00:16:04¡Suscríbete al canal!
00:16:06¡Suscríbete al canal!
00:16:18¡Suscríbete al canal!
00:16:20¡Suscríbete al canal!
00:16:36¡Suscríbete al canal!
00:16:55¡Suscríbete al canal!
00:17:01¡Suscríbete al canal!
00:17:05¡Suscríbete al canal!
00:17:18¡Suscríbete al canal!
00:17:19¡Suscríbete al canal!
00:17:24¡Suscríbete al canal!
00:17:26¡Suscríbete al canal!
00:17:27¡Suscríbete al canal!
00:17:29¡Suscríbete al canal!
00:17:29¡Suscríbete al canal!
00:17:31¡Suscríbete al canal!
00:17:32¡Suscríbete al canal!
00:17:34¡Suscríbete al canal!
00:17:47¡Suscríbete al canal!
00:18:14¡Suscríbete al canal!
00:18:44¡Suscríbete al canal!
00:19:50¡Suscríbete al canal!
00:19:53¡Suscríbete al canal!
00:20:35¡Suscríbete al canal!
00:20:51¡Suscríbete al canal!
00:20:55¡Suscríbete al canal!
00:20:57¡Suscríbete al canal!
00:21:10¡Suscríbete al canal!
00:21:14¡Suscríbete al canal!
00:21:18¡Suscríbete al canal!
00:21:20¡Suscríbete al canal!
00:21:22¡Suscríbete al canal!
00:21:24¡Suscríbete al canal!
00:21:26¡Suscríbete al canal!
00:21:34¿Qué pasa?
00:22:03¿Qué pasa?
00:22:03I decided to include this sequence in my study for it portrayed a barbaric method of dealing with the criminal.
00:22:10The one redeeming factor of holding a public execution is perhaps it is a deterrent to crime.
00:22:41I decided to include this sequence in my study for it.
00:22:57en la cárcel de la cárcel.
00:22:59Se ve nervioso, totalmente desorientado.
00:23:38La cárcel de la cárcel de la cárcel de la cárcel.
00:24:05La cárcel de la cárcel.
00:24:33La cárcel de la cárcel de la cárcel de la cárcel.
00:24:56La cárcel de la cárcel de la cárcel.
00:24:58Tengo que encontrar...
00:24:59Oh, aquí.
00:25:01There we go.
00:25:02Thanks.
00:25:05I'm Neil, by the way.
00:25:07I'm Francis.
00:25:09You live around here?
00:25:10My girlfriend does.
00:25:12A few houses up, actually.
00:25:14Oh, really?
00:25:15What's her name?
00:25:15I'm sure I know her.
00:25:16Her name is Claire.
00:25:18The tall girl.
00:25:19Claire, the tall girl.
00:25:20Yeah, that's Claire.
00:25:22Very tall.
00:25:24Huh.
00:25:24Well, hey, neighbor.
00:25:25You want a beer?
00:25:26I'd love a beer.
00:25:27I gotcha.
00:25:31Heads up.
00:25:32Oh!
00:25:33Oh, sorry.
00:25:33Oh!
00:25:33No, I caught it.
00:25:37Uh...
00:25:39What, uh, what kind of business you in?
00:25:42I make videos.
00:25:44What, like movies?
00:25:45Yeah.
00:25:46You use that keynote app for smartphone?
00:25:48My kids are on it.
00:25:50A lot of important stuff on there, you know?
00:25:52What do you mean?
00:25:54Oh, you know.
00:25:55The zeitgeist.
00:25:57Oh, my gosh.
00:26:00Is that an award?
00:26:02Yeah, I work in television.
00:26:03Dad!
00:26:05Can I have a back now?
00:26:11Thirty minutes.
00:26:15Well, thanks a lot.
00:26:17You have yourself a great Sunday.
00:26:19Thanks, Neil.
00:26:20Your hand okay?
00:26:21Yeah, sure.
00:26:23Thanks, Neil.
00:26:24Thanks again.
00:26:25Thanks, Neil.
00:26:37Let's see how we did it.
00:26:39A Jacksonville woman's tragic last moments have been circulating on social media after she
00:26:45leapt from the roof of an apartment building.
00:26:47In this dramatic footage, we see first responders attempting to drag her to safety.
00:26:53Unfortunately, attempts failed, and she ultimately plummeted to her death.
00:26:57Authorities have been unable to determine the woman's identity.
00:27:01Meanwhile, Yoko the puppy brought joy to the seniors at Marshwood Community Center.
00:27:06Drew?
00:27:06Which intends to foster puppies through the same org-
00:27:14Oh, goddammit.
00:27:24Huh.
00:27:35Jesus Christ.
00:27:37Come on.
00:27:40Jesus Christ.
00:27:41Jesus Christ.
00:27:55¿Puedo plugar tu Xbox en ese lugar?
00:28:02¿Puedo?
00:28:03¿Puedo?
00:28:03¿Puedo?
00:28:04¿Puedo?
00:28:04¿Puedo?
00:28:05¿Puedo?
00:28:06¿Puedo?
00:28:19¿Puedo?
00:28:20¿Drew, qué onda?
00:28:26¿Puedo?
00:28:30Bienen
00:28:31¿Puedo?
00:28:36Suf pivotal
00:29:12Dad, is everything OK?
00:29:15Dad?
00:29:16Dad, what?
00:29:17Dad, what happened?
00:29:19Dad, wake up!
00:29:20Shit!
00:29:22Hold on, I'm calling for help, OK?
00:29:25Oh!
00:29:30What are you watching?
00:29:33Wanna see?
00:29:34It's wild.
00:29:36Someone keeps reposting it.
00:29:37Seriously?
00:29:38This isn't funny.
00:29:39Someone could actually be dying in that.
00:29:41Who cares?
00:29:43Is this called coping?
00:29:44They are all going to hell anyway.
00:29:47No!
00:29:48No!
00:29:48What the fuck?
00:29:50Give me back my phone.
00:29:51This is fucked up.
00:29:53This is a person.
00:29:54Yeah, well, riding your high horse isn't going to bring anyone back to life.
00:29:59Oh, shit.
00:30:00Is it going to stop you from being such a fucking cunt?
00:30:03Margot!
00:30:05Hey!
00:30:05Margot!
00:30:08Margot!
00:30:13Margot!
00:30:15I had to.
00:30:17I've just moved.
00:30:19Meghan.
00:30:21Unplião first Ford
00:30:22You...
00:30:26Messageшь!
00:30:31There it is...
00:30:37Exposed 10 years ago.
00:30:39Pizza?
00:30:51¿Qué pasa?
00:31:30¿Qué pasa?
00:31:47¿Qué pasa?
00:31:57¿Qué pasa?
00:31:59This will soon begin the ritual which brought them here. Waiters signaled for the house specialty. As the monkey was
00:32:07brought down the hall and a toast to prosperity was made, the waiter presented the men with their tools of
00:32:12destruction.
00:32:14Secured in a special trap, the animal was now ready to become the main dish. Following a few simple instructions,
00:32:21the men at the table were prepared for the kill.
00:32:24That's all I have.
00:32:32After a matter of seconds, the gruesome ritual had ended. The skull was carved...
00:32:50Conscious and the whole process is repeated as many times as necessary until the prisoner is proclaimed dead by the
00:32:57physician on duty.
00:33:14The room began to smoke.
00:33:16Howdy babes.
00:33:17I thought you were on a date.
00:33:18Uh, yeah. I mean, he was cool. I just felt a little sick after dinner so I left early.
00:33:24Uh, that's my laptop. What you doing?
00:33:26Ryan, what is Faces of Death?
00:33:30Oh my god, Faces of Death? It's a classic. But that one actually kinda fucked me up.
00:33:36Is it like a documentary?
00:33:39Kinda. It's like this totally cursed tape. This doctor is showing a super dark collection of footage of people dying
00:33:49in different ways.
00:33:50It's giving Blockbuster Night Manager hides it in his safe under his desk with the pornos. You know that you
00:33:55had to actually bribe him to even rent it.
00:33:58It was like the first viral video before the internet invented viral videos. But the craziest part is...
00:34:08None of it was real. Which, honestly, pissed a lot of people off. Anyway, why do you even care? You
00:34:15hate this shit.
00:34:16Hold on. Let me show you something.
00:34:25Go toward the execution chamber. You seem nervous and totally disoriented. I began to wonder if too wrong...
00:34:31What is this?
00:34:35Ryan, I've been seeing these videos at work, right? Like people report them.
00:34:40I think that someone's like really killing people and copying this movie.
00:34:46I think that was the whole point. With faces, people thought it was real, but it was just super believable
00:34:50gore.
00:34:51Ryan, I think it's real and there's a fucking psycho out there.
00:34:54How would you know that?
00:34:56He is missing. And then he shows up in the video. Look at this.
00:35:07God.
00:35:10Did you tell someone at work?
00:35:12Yeah, they think I'm overreacting. They won't do shit.
00:35:16But maybe you should just go to the cops.
00:35:18There is not enough info to go to the cops. They're gonna go straight to Kino and Kino's gonna fire
00:35:22my ass and then maybe even sue me.
00:35:24Ryan, I need to do something.
00:35:26Something? What? Are you gonna go full don't fuck with cats?
00:35:32I mean...
00:35:35If I can get my hands on the original HD files, I can run an analysis on the metadata.
00:35:42Even maybe find out where he lives. And then Josh has to believe me. Or even the cops.
00:35:47Margo, I was kidding.
00:35:49Wait. No, me too.
00:35:53Can I borrow your lipstick knife?
00:36:28I didn't forget it this time.
00:36:30Look at you.
00:36:35Hey, Josh.
00:36:36Yo.
00:36:37Hi.
00:36:38What it do?
00:36:39You're a dead fan, right?
00:36:42Um...
00:36:42Damn.
00:36:43What?
00:36:44You're a dead fan?
00:36:45Oh, yeah. I'm a deadhead.
00:36:47So, uh...
00:36:48I realized how much you've been doing for me.
00:36:50You know.
00:36:51Getting me this job.
00:36:52Putting up my shit.
00:36:54And so...
00:36:55I got you these.
00:36:57Thought you could take Chelsea.
00:36:58Okay.
00:36:59Thank you.
00:37:00Oh, shit.
00:37:02How'd you get these?
00:37:05Damn.
00:37:06This is for tonight's show?
00:37:07Mm-hmm.
00:37:09Man, I got this article form.
00:37:11I'm gonna be in late.
00:37:12Oh, shoot.
00:37:13Is that now?
00:37:14Mm-hmm.
00:37:15Yeah.
00:37:16Or maybe, you know, I could do it for you.
00:37:21Fuck it.
00:37:22I can break a couple rules.
00:37:23Sweet.
00:37:24I am the boss.
00:37:25All right, what, you wanna work here?
00:37:26Um, yeah, I figured that'd be easiest.
00:37:28Okay.
00:37:28But you'll need access to the database.
00:37:30Get you all set up.
00:37:32So listen, if you get stuck on anything, I'll just handle it tomorrow.
00:37:36Cool.
00:37:37We're done.
00:38:05We'll be right back.
00:39:07Pero hay otro tipo de asesor, un ser humano que mató por no razón aparente.
00:39:12Esta persona está colocada en una situación en la que violencia es el único modo de lidar con la realidad.
00:39:19No hay juicios de morales detrás del crimen.
00:39:22Es una ruptura de represión que se manifieste a causar la muerte de otros.
00:39:30Después de algunas horas, Lawrence's un mal revolver fue finalmente defeated.
00:39:35Pero Lawrence no fue la única víctima que murió en esa noche.
00:39:56¡No haces ruido!
00:40:04¡And ahora…
00:40:04...
00:40:06...
00:40:06o mejor de pizza!
00:40:09¡Cómo un minuto!
00:40:14¡Much!
00:40:17Please, no.
00:40:18Oh, God.
00:40:20Come on.
00:40:28So good.
00:40:31You know, you should be more grateful.
00:40:36I know how much you want to be famous.
00:40:40Everyone's talking about you.
00:40:42What are they saying?
00:40:46They're asking questions, Sammy.
00:40:49They want to know more.
00:40:51And we are going to give them more.
00:40:55That is the first rule of content creation.
00:41:00Give the people what they want.
00:41:06Come on, Neil.
00:41:07Come on.
00:41:08Come on.
00:41:09Come on.
00:41:34People love this shit, Neil.
00:41:36But we only get one shot, huh?
00:41:50So you're going to have to give it everything you've got.
00:41:57I would hate to have to recast your rule.
00:42:13You want to shoot me?
00:42:21Yeah, me too.
00:42:23Here you go.
00:42:26Come on.
00:42:28Do it.
00:42:29I dare you.
00:42:36Don't you want to get out of here, Neil?
00:42:38Huh?
00:42:41Come on!
00:42:42Just blow my fucking brains out.
00:42:51And action!
00:42:59Oh, yeah.
00:43:04Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
00:43:09Really great word, Neil.
00:43:11Ha, ha, ha, ha, ha, ha.
00:43:15Get you, Neil.
00:43:23Oh!
00:43:29¡Ah!
00:44:07¡Ah!
00:44:34¿Qué?
00:44:35What are you doing?
00:44:36I'm looking for the original.
00:44:41Hey guys, I fucked a clown and I got me a V.
00:44:49Yes!
00:44:50What?
00:44:51Got it.
00:44:56No se ve lo que la internet sabe.
00:45:13Margot, ¿no crees que esto es un poco irresponsable?
00:45:16¿Arenos tú el que me dijo que me dijo que no se fuga con los gatos?
00:45:19Me dijo que estaba brincando.
00:45:21No, no.
00:46:13No, no.
00:46:30No, no, no.
00:46:49No, no, no.
00:47:13Oh, my God.
00:47:15What?
00:47:16The guy in the electrocution video disappeared from the same area.
00:47:20The internet is fast.
00:47:23I knew it.
00:47:26This is...
00:47:27This is so bad.
00:47:38They think that she's just missing, like the other guy.
00:47:41Goddamn, bitch.
00:47:42We should get some reward money.
00:47:45Frank, can you not?
00:47:46This is serious.
00:47:47This girl could be in danger.
00:47:48Okay, but I think you need to take it easy on this.
00:47:51You know, it really seems like you're spinning out.
00:47:53Like, are you taking pills again?
00:47:56Justin Pod is a filmmaker.
00:47:58This girl Sam is big on Kino.
00:47:59They're both kind of famous.
00:48:00This cannot be a coincidence.
00:48:02Well, this is also low-key scary, and we shouldn't get caught up in this.
00:48:07Then who should?
00:48:08I don't know.
00:48:09Maybe someone who isn't on my laptop.
00:48:11Ryan, I'm allowed to post online in my own house.
00:48:14Okay, we're done.
00:48:15No, my hard drive.
00:48:16I'm sorry.
00:48:17What the hell are you doing?
00:48:18What's that?
00:48:18This is freaking me out.
00:48:19I don't want you using my laptop anymore.
00:48:22It's too dangerous.
00:48:24That's kind of a point.
00:48:25Dream's coming.
00:48:36Let's go.
00:48:39Let's go.
00:48:42Let's go.
00:48:53Let's go.
00:48:54Let's go.
00:48:56So this is from a website?
00:48:59Yeah.
00:48:59You know, it's an app.
00:49:00The guy in the video disappeared, and this girl Sam, also from Jacksonville, also is missing.
00:49:06I have the originals, and they have the metadata, so that should be enough to know who posted it,
00:49:11or at least that it's coming from the same source.
00:49:13So there's a guy who disappeared, and an unrelated girl in another state?
00:49:20I need a homicide to investigate a homicide.
00:49:24Bodies, crime scenes.
00:49:26Yeah, but I mean, there's more.
00:49:27It's a pattern.
00:49:28I mean, it's all based off this old horror movie called Faces of Death.
00:49:32Right.
00:49:33Right.
00:49:36You're Margo Romero, aren't you?
00:49:40You think I'm making this up?
00:49:42I mean, it's all a very fantastic tale.
00:49:47Right.
00:49:52Margo, hey.
00:49:54I've been trying to call you.
00:49:58So, listen.
00:49:59It sucks that I have to do this, but you crossed the line, and I'm left with no choice.
00:50:05About what?
00:50:06How?
00:50:07You left these in my office.
00:50:11Okay, but...
00:50:12Fucking stimulants?
00:50:14Again.
00:50:15Everyone takes something to get them through the day.
00:50:17You're not everyone.
00:50:18Not only did you break company policy, but you broke my trust.
00:50:21Josh, you broke mine.
00:50:23You need to listen to me about these videos.
00:50:27I have evidence.
00:50:29I...
00:50:29It's a person...
00:50:30You're done.
00:50:30I don't know why you're making a scene, but you're done.
00:50:33I don't have a choice.
00:50:35You do have a choice!
00:50:37You have the choice to take your job seriously!
00:50:41Key card.
00:50:45You know what?
00:50:46I don't need this.
00:50:46And you're gonna see you fucked up, Josh!
00:50:48You'll see!
00:50:50Margo.
00:50:51You should talk to somebody.
00:50:53Shut up, Josh!
00:50:55Asshole!
00:50:56For your sake, I hope you remember you signed an NDA!
00:51:19But there is another kind of killer.
00:51:22The human being who murders for no apparent reason.
00:51:25This person is placed in a situation where violence is the only means of dealing with reality.
00:51:31Shh!
00:51:32Shh!
00:51:32Shh!
00:51:35Shh!
00:51:37Shh!
00:51:40Shh!
00:51:41Shh!
00:51:42Shh!
00:51:43Shh!
00:51:43Shh!
00:51:43Shh!
00:51:44Shh!
00:51:45Shh!
00:51:45Shh!
00:51:45Shh!
00:51:46Shh!
00:51:47Shh!
00:51:58Shh!
00:52:00Shh!
00:52:18Hey, ¿can I talk to you for a sec?
00:52:20What's up?
00:52:23You got a computer.
00:52:27Josh fired me.
00:52:30You okay?
00:52:31It's fine.
00:52:33The job is bullshit anyway.
00:52:35Oh, come on.
00:52:37You don't believe that.
00:52:40What happened?
00:52:44Look, after...
00:52:45After I made Sophie film that video with me,
00:52:49after the cops leaked it,
00:52:51I thought,
00:52:53okay,
00:52:56maybe
00:52:58if I do my part
00:53:00and try to clean up the internet,
00:53:03then it'll be fine.
00:53:04Right?
00:53:05But Kenya doesn't give a shit.
00:53:07They don't care.
00:53:10No one cares.
00:53:14It's like we watch this shit for entertainment
00:53:19and we forget that these are real people
00:53:23with lives and, like, families.
00:53:26They're not just, like, a digital fucking image, right?
00:53:29Like, I have to do this.
00:53:32This is real.
00:53:34Like, real people are dying.
00:53:38And if I can prove it,
00:53:43then maybe Sophie's death wasn't for nothing.
00:53:47and maybe something good can come out of it.
00:53:54Just be careful.
00:53:57I care about you,
00:53:58and if anything happened to you,
00:54:01I, uh...
00:54:03It'd be really annoying.
00:54:06Okay.
00:54:07I'll try my best.
00:54:13I'll save you some pizza.
00:54:25I'll save you some pizza.
00:54:37I'll save you some pizza.
00:54:50I'll save you some pizza.
00:54:53I'll save you some pizza.
00:54:54I'll save you some pizza.
00:54:55I'll save you some pizza.
00:54:55I'll save you some pizza.
00:54:55I'll save you some pizza.
00:54:55I'll save you some pizza.
00:54:59I'll save you some pizza.
00:55:01I'll save you some pizza.
00:55:18No, no, no.
00:55:38No, no.
00:56:10No, no, no.
00:56:46No, no, no.
00:57:18No, no.
00:57:37No, no.
00:57:40No, no.
00:58:10What was that?
00:58:13Ryan?
00:58:15No!
00:58:26No, no.
00:58:30No, no.
00:58:58No, no.
00:59:08No, no.
00:59:17No, no.
00:59:25No, no.
00:59:28No, no, no.
00:59:38No, no, no.
00:59:41No, no, no, no.
01:00:14No, no, no, no.
01:00:32No, no, no, no.
01:00:51No, no, no, no.
01:01:02¡Vamos!
01:01:05¡Vamos!
01:01:09¡Vamos!
01:01:11¡Vamos!
01:01:14¡Vamos!
01:01:36¡Vamos!
01:01:51¡Vamos!
01:02:14¿Qué pasa?
01:02:48¿Qué pasa?
01:03:16¿Qué pasa?
01:03:20No, no, no, no.
01:03:52No, no, no, no, no.
01:03:54No, no, no.
01:03:56Oh, you see?
01:03:57It's gonna be okay.
01:03:58I'm gonna go.
01:04:02Okay.
01:04:10Come here.
01:04:11Come here.
01:04:11Thank you so much.
01:04:12Come here.
01:04:13I'm here to help.
01:04:14He'll come back.
01:04:15We have to go now.
01:04:16Who is he?
01:04:18Are you making videos?
01:04:18Have you seen anything?
01:04:19We have to go.
01:04:20Please.
01:04:20Anything.
01:04:21We don't have time.
01:04:22We don't have time.
01:04:23Wait.
01:04:23Wait.
01:04:24Hurry.
01:04:25Please.
01:04:25Oh, no.
01:04:27It's gonna be okay.
01:04:28I'll come back for you.
01:04:29I promise.
01:04:30I'll come back for you.
01:04:31Let's go.
01:04:32Let's go.
01:04:33Let's go.
01:04:34Let's go.
01:04:34Let's go.
01:04:35Let's go.
01:04:36Let's go.
01:04:43Let's go.
01:04:44I find this kind of death particularly tragic.
01:04:47es causada por la stupididad.
01:04:51A veces hacemos cosas que después nos desgracemos.
01:05:01Durante situaciones como esta,
01:05:03estoy más capaz de entender la línea fina entre la vida y la muerte.
01:05:08Cuando es la hora de morir, las fuerzas de la naturaleza tienen un poco de discriminación.
01:05:17Espera, espera, espera.
01:05:18¡We have to go!
01:05:20¡We need evidence!
01:05:20¡I am evidence!
01:05:22¡Evidence of the videos!
01:05:23¡Please!
01:05:40Marco!
01:05:42¡We have to go!
01:05:44Marco!
01:05:48No, no, no.
01:06:20Marco.
01:06:23Marco.
01:06:27Come on!
01:06:31Marco!
01:06:33Suck it.
01:07:13No, no, no, no, no, no, no.
01:07:17No!
01:07:18No!
01:07:23No!
01:07:24Zig-zag, Sammy!
01:07:25Zig-zags!
01:07:28Help!
01:07:30Help!
01:07:35Help!
01:07:43Help!
01:07:44Help!
01:07:45Help!
01:07:46Help!
01:07:46Help!
01:07:47Help!
01:07:54Okay.
01:08:05Okay, okay, okay.
01:08:07Okay.
01:08:09Okay.
01:10:20Oh, wait wait.
01:10:21Oh wait wait wait wait.
01:10:23Oh wait wait wait wait wait wait.
01:10:25Get in the car.
01:10:25Get in the car.
01:10:25Oh yeah, you have to help me.
01:10:27You have to help me, move.
01:10:29No, no, no!
01:10:32No!
01:10:33No, no, no!
01:10:36No, no!
01:10:39¡Ah!
01:10:41¿Estás bien?
01:10:44Hola?
01:10:45¿Hola? ¿Hola?
01:10:47¿La señora? ¿Estás ahí?
01:10:48Sí, estoy aquí.
01:10:49¿La señora de la Secretaría de Servicios? ¿Cómo puedo ayudar?
01:10:53¡No!
01:10:54¿La señora? ¿Estás ahí?
01:11:05¡Oh!
01:11:219-1-1, what's your emergency?
01:11:23Hi, uh, my name is Arthur Spellback, and I want to report an incident.
01:11:30Oh, oh, keep going, keep going.
01:11:32It's this one right here.
01:11:34Are you sure?
01:11:36Yeah.
01:12:02So this is the house?
01:12:04Looks familiar?
01:12:05Yeah, um, I only saw it from the back.
01:12:11Just stay here. We're gonna go talk to him. You let us know if you recognize him. All right?
01:12:15Okay.
01:12:16Unit 1124, we received a 1498 from a resident in Hilden Corp. A Caucasian female in a blue floral shirt.
01:12:23Trespassing.
01:12:24Copy that.
01:12:26Miss, wait here.
01:12:45Just a second.
01:12:49Just a second.
01:12:52Jacksonville PD, open up.
01:12:58Oh, officers. Oh, I am so relieved to see you.
01:13:04Oh, no.
01:13:06What's she doing here?
01:13:08That woman is disturbed. She's obsessed with me. She keeps accusing me of keeping people tied up in my basement.
01:13:15Do you live here alone, sir? Is there anyone else in the house currently?
01:13:24No, it's just me. I mean, it was my parents' house, but recently they passed. Train accident.
01:13:34I'm sorry to hear that. Do you know why we're here today?
01:13:37Well, I assume because I called you about her.
01:13:39Sir, this woman claims she was held against her will at this location.
01:13:43Listen, officers, I am so happy to cooperate, but this isn't the first time she has shown up making false
01:13:49accusations about me.
01:13:51You get it. She just wants my attention.
01:13:53He's lying.
01:13:54Miss, you need to step back.
01:13:55Officer, please, please, just go inside.
01:13:57I am not going to ask you again. Step back to the sidewalk.
01:14:00Please, please, just go inside.
01:14:02Officer, I'm here covered in blood, telling you this man is killing people.
01:14:05Alright, relax, relax.
01:14:06Just go inside the fucking house.
01:14:08Officer, please, you step back. I won't ask again.
01:14:10Just go inside, please.
01:14:12Officers.
01:14:12Officer, we don't need your help.
01:14:13She has had a hard time.
01:14:15Sir, we don't need your help.
01:14:16You understand? She killed her own sister.
01:14:19You the fucking killer!
01:14:21You the fucking killer!
01:14:21Let him go!
01:14:23You the fucking killer!
01:14:24Let him go!
01:14:24Let him go!
01:14:25Let him go!
01:14:25Get the fuck out of me!
01:14:27You know, I just want her to get the help that she needs.
01:14:29Anyway, I won't be pressing charges.
01:14:31Have a great day, and thanks for coming by.
01:14:33Bye, sir. That'll be enough.
01:14:34I really appreciate it.
01:14:50You proud of me, Sammy?
01:14:52Did I do good putting on a show for the pigs?
01:14:57I am inspired.
01:15:00You have freed me, given me true artistic license.
01:15:04And people have always criticized me my entire life.
01:15:10And they think they know what I'm capable of.
01:15:13But they haven't seen anything yet.
01:15:17Come on!
01:15:19Come on!
01:15:21Come on!
01:15:22Come on!
01:15:22Come on!
01:15:23There we go.
01:15:24The police said you had a mental health crisis.
01:15:27What happened?
01:15:30I was running from a serial killer.
01:15:32Well, whatever it was, it's got to hurt.
01:15:36There you go.
01:15:36I was running from a serial killer.
01:15:42I was running from a serial killer.
01:15:46I was running from a serial killer.
01:15:48I have to look for him.
01:15:49No, no, no, no.
01:16:21Your blood test showed fentanyl in your system.
01:16:24Are you having trouble with drugs or alcohol?
01:16:28I can make you an appointment with a social worker
01:16:30who can find you a longer-term treatment for your addiction.
01:16:33I have no idea!
01:16:37We've instituted a new harm-reduction protocol.
01:16:43Do you know how to administer Narcan?
01:17:09You ready, Sammy?
01:17:11Hey, it's showtime.
01:17:16This is so fucked up.
01:17:19How'd it fit me?
01:17:20Yeah.
01:17:20Apparently he's posting a new one tonight.
01:17:22Yeah, I'm obsessed.
01:17:24You've seen the original movie thing?
01:17:25Yeah, faces.
01:17:26That's iconic.
01:17:27But there is another kind of killer.
01:17:29The human being who murders for no apparent reason.
01:17:33This person is placed in a situation where violence is the only means of dealing with reality.
01:18:03I hate to ask this, but do I know you from somewhere?
01:18:09You mean the train video?
01:18:13Is that you?
01:18:16Yep.
01:18:18That's me.
01:18:22Man.
01:18:23That's fucked up.
01:18:39You're touching me.
01:18:41You're dead.
01:18:44I'm fine.
01:18:47You have to open that.
01:18:48I'm too thin.
01:18:48And I'm just getting this.
01:18:51I'm just getting this.
01:18:52I'm fine.
01:18:52You're so tough.
01:18:52I'm too rich.
01:18:54I'm so comfortable.
01:19:21¡Suscríbete al canal!
01:19:25¿Dónde está el drive?
01:19:26¿Dónde está el drive?
01:19:27¿Dónde está el drive?
01:19:27¿Dónde está el drive?
01:19:29Cuando sé que todos están seguros, voy a decir.
01:19:43Empty...
01:19:44... tu pockets.
01:19:56¿Qué es eso?
01:20:00¿Qué es eso?
01:20:01Un saludo.
01:20:17¿Dónde está el drive?
01:20:21¡Suscríbete al canal!
01:20:39¿Qué es eso?
01:20:40¿Dónde está el drive?
01:20:40¿Tú crees que te gusta mi trabajo?
01:20:43¿Qué?
01:20:43¿Tú un fan de mi trabajo?
01:20:47¡Claro!
01:20:48¡Claro!
01:20:49¡Claro!
01:20:49¡Claro!
01:20:49Ah, ¿sí?
01:20:51Entonces, ¿sí?
01:20:52¿Qué?
01:20:54Cuando me encontré que tú era un traje,
01:20:56me pensé a mí mismo,
01:20:58ahora ella realmente tiene que ver.
01:21:02La gente me ama, Margot.
01:21:07Quino me ama.
01:21:09La news y la advertencia me ama.
01:21:12La compañía y la compañía de seguridad y la compañía
01:21:15y la gobierno ama.
01:21:18Loves me.
01:21:19I mean, you saw even the cops love me.
01:21:22It is the attention, economy,
01:21:25and baby business is booming.
01:21:29Why Faces?
01:21:31What?
01:21:32Why Faces of Death?
01:21:33Why that movie?
01:21:34Because the algorithm loves remakes.
01:21:39People love remakes.
01:21:41If it is a remake,
01:21:44well, you can get away with murder.
01:21:47And faces is funny.
01:21:50People like funny shit, right?
01:21:54I came here for Sam and the kid.
01:22:02If you insist.
01:22:04The garage.
01:22:08Keep going.
01:22:11You know, you really should be more grateful.
01:22:13You are a part of the future.
01:22:16Go on.
01:22:18To the left.
01:22:20That's it.
01:22:24Open it.
01:22:27We are going to live forever.
01:22:32Sam?
01:22:35Sam?
01:22:38Where is she?
01:22:40It's not exactly canon.
01:22:45I took some creative license.
01:22:53You like it?
01:22:55What?
01:22:56What?
01:22:57What?
01:22:58What?
01:22:59What?
01:23:00What?
01:23:00What?
01:23:01What?
01:23:01What?
01:23:02What?
01:23:02What?
01:23:02What did you do?
01:23:03What did you do?
01:23:03You're such a little cuck, Margot.
01:23:06Like, how dumb are you?
01:23:09You can't hurt me.
01:23:10You'll know where I am.
01:23:11I don't want to hurt you.
01:23:13I want to work with you.
01:23:18I don't want to have to shoot you.
01:23:21I want you to go out with some flair.
01:23:27Please, please, please, please.
01:23:29Please.
01:23:29Go.
01:23:30Please, please, please.
01:23:32No!
01:23:34Okay, okay, okay.
01:23:37I don't have all day, Margot.
01:23:38Shit is starting to smell.
01:23:46No!
01:23:50Please, no!
01:23:53No!
01:23:53No!
01:23:54No!
01:24:00See?
01:24:01Is that so hard?
01:24:04Oh!
01:24:10What do you think, Sammy?
01:24:16You think it's gonna resonate?
01:24:18Hmm?
01:24:22What do you think of our magnum opus?
01:24:30You know, Margot, your sister was a real face of death.
01:24:40And now, you are going to join her.
01:24:49Immortalized.
01:24:55It's like a real family business with you guys.
01:24:58Honestly.
01:25:00I'm jealous.
01:25:01Now, let's get to it.
01:25:03What?
01:25:04Have you learnt?
01:25:10Help me!
01:25:13Help!
01:25:18Hey!
01:25:22lights out, Adam!
01:25:27Help me!
01:25:30Hammur?
01:25:31Pep!
01:25:44¡No! ¡No!
01:26:10¡No!
01:26:39¡No!
01:26:44¡No!
01:26:48¡No!
01:26:52¡No!
01:26:55¡No!
01:27:17NARCAN
01:27:19NARCAN
01:27:20NARCAN
01:27:23NARCAN
01:27:31NARCAN
01:27:32NARCAN
01:27:34NARCAN
01:27:42NARCAN
01:27:43NARCAN
01:27:43NARCAN
01:27:47NARCAN
01:27:49NARCAN
01:27:51NARCAN
01:27:52NARCAN
01:27:52NARCAN
01:27:53NARCAN
01:27:54NARCAN
01:27:54NARCAN
01:27:55NARCAN
01:27:55NARCAN
01:27:57NARCAN
01:27:58NARCAN
01:27:59Porque, ¿qué dicen?
01:28:02Dicen a las personas lo que quieren.
01:28:22Esto es mucho mejor.
01:28:33¡Suscríbete al canal!
01:28:43¡Suscríbete al canal!
01:28:43I realize that when we die, it really isn't the end.
01:28:47Somehow, I feel the soul of each of us remains a trap forever.
01:28:52During the past 20 years, I know that my compulsion to understand death
01:28:56was much greater than just an obsession.
01:28:58My dreams have dictated my mission.
01:29:01To discover a circle that forever repeats itself.
01:29:05The end of the beginning, or the beginning of the end.
01:29:10I'll leave that decision to you.
01:29:14I realize that when we die, it really isn't the end.
01:29:18Somehow, I feel the soul in each of us.
01:29:21Oh, uh...
01:29:26Uh...
01:29:29Uh...
01:29:30A-
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