- 2 days ago
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ЁЯШ╣
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00:00I also have been thinking about this,
00:02how do you think about it?
00:06In this period,
00:07we have to understand it.
00:10We can understand it.
00:12We can understand it.
00:15The other thing is,
00:16we can understand it.
00:21That's why I use a serious note.
00:23How do we want to do this?
00:24Yes.
00:24No one has no agenda, no propaganda, no one has no agenda.
00:30It's a common story of the world of the world.
00:36I, Sahaja Ji Sindhi and Makaran Dhanas Pure,
00:39we all have lost.
00:41We all have lost problems.
00:45We all have lost.
00:46We all have lost.
00:47We all have lost.
00:47We all have lost.
00:47We all have lost.
00:48I have just mentioned that the people in the craft of mantra
00:56and that the people in the craft of mantra
00:58are not going to be over.
00:59We all have to give the past.
01:01We are not able to get to do that.
01:04We can't get to get to that.
01:07I can't get to the mantra of the mantra.
01:09We can't get to the point.
01:10We are not able to tie the wisdom from the government.
01:11It's been the years and that's been taken.
01:13Today, we have not already known.
01:14If you don't know, the Land Acquisition Act is the 19th Act.
01:21We are all known for the new year.
01:22I will not go to the whole time.
01:27We are going to have a dream.
01:29We are going to have a dream.
01:30This is the dream.
01:32We are going to have a dream.
01:36So, we can have a dream.
01:39We can have a dream.
01:40It is a dream and a dream.
01:45The Maharashtra Files is a film.
01:47This film is a film, Rathke, Hashtak, and Shethkare,
01:51that this film is part of the film.
01:52The Maharashtra Files is a film in cinema,
01:55and the film will be a star cast and director.
01:59Welcome to your film.
02:01Hello.
02:03I'm going to talk to you.
02:05The Maharashtra Files is a film from your personal life.
02:09You are connected to your political look.
02:11that you have a great deal of work,
02:12that you have a great deal of work,
02:14but you cannot do the Maharashtra file in this cinema.
02:17So we have a pressure to know what's happening,
02:20what's happening, what's happening,
02:21how do we look at this kind of cinema?
02:25No, my point is that this cinema is a good cinema.
02:30This is a good cinema.
02:34I had no connection with this political,
02:37but I didn't have a connection.
02:40I think GDP is important.
02:43However, the economic and economic economic development are important.
02:47The government didn't have it in my position and the government could not have money for
02:50Since we've created it, it's important that we should do it in our country.
03:01for examples of the open countries, we're not very happy.
03:04But these are thevest.
03:10So if we can take their own,
03:15if we take the government,
03:18if we can take a government,
03:19we will to take some support,
03:21this would not be part of the government,
03:23the government would not be part of it.
03:25If we give the people, who we can to make a decision, what the work is, they can be taken
03:35seriously.
03:36They don't have their work at the moment, but they are being entertained.
03:44It is not because they are frustrated, but they can be frustrated.
03:54I don't think it's a good thing, but I don't think it's a good thing.
03:59The mantra of Amdarni Vaas is to say that this Maharashtra Raja has become so good.
04:07It's a good thing. It's a good thing. It's a good thing.
04:12It's a good thing. The fact that this Maharashtra is not a good thing.
04:21We have to do the same thing.
04:25We have to do the same thing.
04:29We have to do the same thing.
04:31We have to do the same thing.
04:33He claims that our table is true.
04:34We have to do the same thing as we have to do it.
04:35It's not possible if we can look back.
04:46Everyone can see the amount of album music starring.
04:49Our favorites are familiar with her.
04:50I was able to cite off the album, as I read this book.
04:53I always write a album music for two years.
04:56I think it's important that Amdara Niva is a positive and a negative.
05:06Amdara Niva is very positive.
05:11In those people, they don't want to live in their lives.
05:18They don't want to live in their lives.
05:20They don't want to live in their lives.
05:25But the other thing is that people are very positive.
05:33They don't want to live in their lives.
05:35But in this case, Amdara Niva is very strict.
05:40They don't have any permission.
05:42They don't want to live in their lives.
05:44They don't want to live in their lives.
05:46But they don't want to live in their lives.
05:48Only in their lives, they get a lot of money.
05:52So they don't want to live in their lives.
05:57They don't want to live in their lives.
05:57And that's not a sign of the age of Mahaarashtra.
05:58I don't have any questions.
06:02Nagesh, sir, I think that you have come to the cinema in this film.
06:07You've got a movie from this film.
06:10You have seen a movie in this film.
06:11And you have seen this movie as a movie.
06:12And you have seen a movie in this film.
06:17But how do you see a movie in this film?
06:20It's a movie.
06:20He's a villain.
06:24He's not a villain.
06:28He's a very nice person.
06:30But you don't say it.
06:33He's a nice person.
06:36He's a nice person.
06:41He's a villain.
06:44I agree.
06:48He's one of the most disgusting things in the world.
06:51He's a villain.
06:54He's a villain.
06:54I'll tell you what the Underworld is.
06:58He should be talking about the Underworld.
07:02He's a villain.
07:05He could be talking about it.
07:06But I'll tell you what the other villain means.
07:08You always just want to tell me the villain you are.
07:10Just tell him.
07:12I know.
07:12But what do I do?
07:13I am a human being.
07:17What is happening on this world?
07:19I thought that we were trying to do something.
07:24But the fact that we were trying to do something,
07:25the people were asking,
07:27you know, you don't do anything in the script or the script,
07:32and you don't do anything.
07:34But the fact that the fact is,
07:36you know, the fact that the fact that the fact is,
07:39that the fact isn't the same.
07:41It's not great, but I think it's a good thing.
07:45I think it's a good thing.
07:47I've seen a villain in every cinema.
07:56I've seen a little bit of drama.
08:00I've seen a lot of drama.
08:01I've seen a lot of people.
08:05Yes, I've seen a lot of people.
08:07Well, I think it's a good thing.
08:11I've seen a lot of people in the crime patrol.
08:14We're still a lot of people.
08:16I've seen that.
08:18Now, I think there's a lot of political things.
08:25I think a lot of people have decided to say,
08:28I think,
08:31That's the answer to the question of the question.
08:37It's normal.
08:43It's not the answer to the question.
08:48I thought about it.
08:53It's not the answer to the question.
08:59I thought,
09:01acting. You are acting a little bit. You are acting a little bit. You are acting a little bit.
09:08So you are acting a little bit. We are acting a little bit. We are acting a little bit.
09:12It is how simple it is. When I am thinking about it, I will exaggerate the villain.
09:21The villain is acting a little bit. This is my observation.
09:32Sanjeev sir, because of the first film and the first film, do you think about it?
09:39How do you think about the first film?
09:44It is very serious. It is very serious.
09:47It is very serious.
09:53First, it is an agreement w resiliency.
09:57The endroit of the country was
09:59The providence of the government, the district, the commissioner, the district, the commissioner and the government.
10:11The focus on this and what needs are required in the report.
10:24The first script was written in this country, and the first part was written in the Middle East.
10:37The first part was written in the Middle East and the first part was written in the Middle East.
10:42I should get to work for this program, for the 18 months,
10:48we're going to open the doors in 18 months.
10:51But, I want to do that, and I am going to do that.
10:55There was no message, here are the others,
10:57such as the SхУОaji Shindi, the Mameena Ramkar.
11:02On the other hand, I have supported myself,
11:07the special appearance of Sunil J ╨║╨╛╤Бoadari,
11:10in the Gautami Party,
11:13in the South of Manali,
11:15and in the Atul Jinchya.
11:17This is the same thing.
11:20The Maharashtra file was created.
11:23What Maharashtra file was created.
11:25And there is no agenda,
11:29no propaganda,
11:30no agenda.
11:31There is a common story of human beings.
11:35There is a common story.
11:37There is no one who has.
11:37There is a common story of human beings,
11:46and other human beings.
11:48They are dedicated to common men.
11:53And they were also dedicated to their daily lives.
11:58Then a lot of workshops,
12:03they are dedicated to each of their lives.
12:04There are many years, many years ago.
12:11Today we are listening to the Land Acquisition Act of 2018.
12:19And if there was a LARR Act, it was not in 2013.
12:28That's the whole story.
12:29I have never thought about it.
12:35But there are many governments and governments.
12:40There are many people who are working on this.
12:46There are many years, years and years.
12:52There are many people who are working on it.
12:56TheуГйR Act has been working on the way.
13:00None of this man is a wonderful man.
13:03We are a villain.
13:05We have a great job.
13:07The leader of the leader of the leader of the leader of the leader of the leader,
13:10we are very proud.
13:21I'm very proud of my work.
13:24I'm very proud of my work.
13:28Today, I'm very proud of the big city of Manageh.
13:30In the Marathi industry, I'm very proud of the people who have come to the cinema.
13:38And he said that Gujarat is going to be in Gujarati's file, so he's going to be in the middle
13:52of that film.
13:52He's going to be in the middle of that film.
13:57But Nages sir, Sayaji is here in the cinema, and we have seen the world of villainists.
14:01of sayings the Bhooters?
14:03If you are talking to the body about the Setwar?
14:04What do you think of the villain?
14:06I thought you were talking about the villain.
14:09You made the villain of the Bhoomi and your Bhoomi in the front end of the Bhoomi.
14:14Do you think of the villain as you talk about the villain?
14:17I don't think that you just don't.
14:24No.
14:24Instead, how do you do it?
14:28That's not true though.
14:30If you think of personal art or something about it, you have a word for it , some of you
14:35make a word for it, some of you make a word for it, some of you make a word for
14:39it , some of you make a word.
14:44You're not a villain and you're not a villain, each of you don't think that's the right word.
14:48Even if you're not doing anything, you are not doing anything and I am doing anything to you and one
14:52of you are doing something.
14:54And I am not a father.
14:55I don't know.
14:57He hates me.
14:58But, I asked for the cinema that you mentioned that you have seen.
15:05I think most of you have seen a lot of people in cinema.
15:09They don't have to watch a lot of entertainment in cinema.
15:15I don't know.
15:16How many of you have seen a lot of people in cinema?
15:19I think there is a lot of people in cinema.
15:37The point is that we have a very good question.
15:43I don't think it's a good thing.
15:46Because we don't have to be able to do it,
15:51and we don't have to be able to do it.
15:56We don't have to be able to do it.
16:00But we don't have to be able to do it.
16:11We don't have to be able to do it.
16:13We don't have to be able to do it.
16:15But we can do it all the way to do it.
16:18For us, we don't have to be able to work on whatever way or to do it.
16:27But we just do a serious file.
16:31In that case, it was a very good job.
16:38So, I think that the job was to do a big job and to do a job in this job.
16:49So, I think that the job was to do a job.
16:52I think that the job was to do a job.
16:55But if you want to see it, you can see it.
17:00If you want to see it, you can see it.
17:06It's a third item.
17:10If you want to see it, you can see it.
17:14Because if you can't get rules, it doesn't fit.
17:16What should you do with this?
17:18If you want to use your system, only you will link a file.
17:26At least, that's the way we are able to get you.
17:29That's where you could not call sensor board at all.
17:36If you want to make a sensor board with white, what should we do here?
17:39I'm able to find out what someone is doing.
17:41You have to control yourself.
17:45And the other thing I would like to say,
17:48is that this is a very serious note.
17:53It is a very serious note.
17:54You have to control yourself.
17:56You have to control yourself.
17:59You have to control yourself.
18:00You have to control yourself.
18:02They will control yourself.
18:07You are causing a blood problem.
18:10but that person you are being caught in a dark role coming over,
18:14you are causing trouble.
18:17You have to control ourselves.
18:23You don't give theibus thing,
18:27their Guru and Jeanne is at home.
18:31Right.
18:34You don't say that I'm going to go here, I'm going to go here, I'm going to go here.
18:38That's what I'm saying.
18:40But you don't have to go to this house.
18:42It's going to turn into another house.
18:44And that's what I'm trying to do.
18:46That's what I'm trying to do.
18:48But I was wondering if these files are open,
18:51they don't know how to do it.
18:54The Maharashtra files are coming to the cinema.
18:56This is the same thing.
19:03We have to find it that Sridhkharaj details,
19:10we used to hold it for a thousand mile to the house.
19:10And these are the inspired political stories.
19:10But the return of the house from the house over there is a sacred house.
19:13We took the solution with him everything.
19:17I made the solution with him going to bring the people.
19:20Then even we had to make a prayer.
19:23Pulling his way to the temple,
19:24he╨╜╤Л╨╝ of this temple was.
19:27If you want to be a king, you will always find a king.
19:30God is already dead.
19:35He has to be dead or dead.
19:39But if there is a king, he has to be dead.
19:43Then the first place is open and closed.
19:47But when it gets closed, then he hits.
19:49It is a government-based such a way for money.
19:51It would be a problem with the anger and the anger.
19:55There are a problems with the anger in short term.
20:00Sir, you should always ask me.
20:02I don't like this, but it is a glamour.
20:05Why is that you do as a sign?
20:08It is a belief that you have glamour.
20:10What is this?
20:12The glamour means that there is not a major thing.
20:14There is nothing to do in this country, in this country there is a tourist-related thing.
20:21Because we have a mantra, a common mantra, and a common mantra.
20:33There is a mantra that we have to do.
20:36All the mantras do work with glamour.
20:43This is a good way.
20:45The glamour is a very interesting story.
20:50I think it is a very important thing to do in Maharashtra.
20:56The people who are in the world are the ones who are in the world.
20:59And who's who, given it to you, it's the same thing, and that's why it's glamour to the world's
21:06world.
21:08We have to make sure that it is a good thing.
21:09So this is a good thing.
21:12We've done a lot of work on this, and we've done a lot of work on the world.
21:17And even if we've done a lot of work on the world, we've done a lot of work on Mumbai.
21:19So what do we do in Mumbai?
21:20This is Mumbai.
21:21Mumbai is a beautiful city, like at night and as Mumbai is a young person, we have to
21:30think about it.
21:32Mumbai is a beautiful city, a beautiful city, a beautiful city, a beautiful city, and
21:38There is no glamour for it.
21:45There is no glamour.
21:53But the producer said that there is no propaganda, but Nages sir and Mange sir don't think about it.
22:02There is a trailer and a teaser. There is a lot of comments in the trailer.
22:08There is a lot of political propaganda in the cinema.
22:11There is a lot of propaganda in the cinema.
22:17What do you think about these comments?
22:24No, there is no propaganda in the cinema.
22:27There is no propaganda in the cinema.
22:29There is no propaganda in the cinema.
22:31There is a solution.
22:36Correct.
22:37The reason is that there is no propaganda in any country or any other people,
22:47that is literally propaganda.
22:49That is, the whole party and the whole government,
22:54such as the whole city, such as the whole city, such as the whole city,
22:57such as the cinema, the whole city, this whole city,
23:00and that is the fact.
23:01But in that sense, people think that there is propaganda. But it is not.
23:08That propaganda is not today.
23:09It is not a propaganda.
23:11It is a simple straight film.
23:14Nagesh told me about the agenda of the film.
23:19I am the only one of the films.
23:22But it is not a bad idea of the film.
23:29The food shown is at the same time when the people are aware of their development.
23:39People are aware of their records.
23:41The people are aware of their records, their protectors, theirъ┤Срд╣, and ╪з┘Д╪│unders are enabled.
23:51The first question is, this food shown is on the same time.
23:54So that will never have a film.
23:58So I had seen the first film,
24:06I know that the first film is of a cinema,
24:09it was not the final film.
24:12First I played the film,
24:17there was no one who made it at all.
24:20And that's why we can't be mild.
24:22And in those two films,
24:24we can't even think about that.
24:27We can't even think about it.
24:32We can't even think about it.
24:35We can't even think about it.
24:35No, Asel.
24:36I mean, I don't think about you in the cinema today.
24:39No, no, Asel.
24:41You've been talking about the discussion,
24:42but I don't think about it.
24:43Some of them have been written in the files.
24:46Yes, Asel.
24:47It's a dangerous file.
24:49Yes.
24:50And those files...
24:51It's Hindi.
24:52It's Hindi.
24:53It's Hindi.
24:55And we also want to be dead.
24:57We want to be dead.
24:59Right?
25:01But why do we have to do it?
25:03We don't have to worry about it.
25:04You don't have to worry about it.
25:05No, no, no.
25:06But I was thinking about it.
25:10There is one builder.
25:11There is a solution.
25:14It's a solution to the project.
25:19It's a propaganda.
25:22It's a propaganda.
25:24It's simple.
25:37And after that, I was given a major issue with Mr. Ushat.
25:44But when I was not told, I was given a lot of the time.
25:48I was given a lot of the time.
26:02I thought, you are welcome, you are welcome.
26:09But I would like to ask you, how do you do this?
26:14I would like to give you a mantra.
26:18I would like to ask you, no.
26:35I was quite aware of it.
26:38They all held in their hearts and were able to do everything.
26:41So they were playing the mantras and it was very serious.
26:45Like arrangements to offer even a little to give the ы▓Иise of love.
26:51But the atmosphere of the stage was at that point.
26:54They all kept in their hearts.
26:55They were aware of everything.
26:58Every person has to do something.
27:02I have never done anything about my own life.
27:08I have to do my own work and I am very proud of my own work.
27:14I have to do what I have done in the paper.
27:18I was working at the University of Sinde Sahib.
27:22I was a guru for that.
27:30I was working at the University of Sinde Sahib.
27:48You have to do that.
27:50You are not the only thing to do propaganda.
27:55I don't think that you are the only thing to do.
28:02You are the only thing to do.
28:06I don't think that my answer is the only thing to do.
28:10I don't think that I am the only thing to do.
28:11You don't want to live with the truth?
28:17Never.
28:20Never.
28:22If we are not doing the work of God, I have to do these things.
28:28What is the matter?
28:29I am not sure what we are doing.
28:31We are not going to do such things, but we are not going to appreciate it.
28:37We do not want to appreciate it.
28:41We do not want to hear about God.
28:42We are not going to appreciate it.
28:44We are not going to appreciate it.
28:47We can appreciate it.
28:54That's why I have a clear thought of Ayushatla.
28:58Okay, if you have a thought, then you have a thought.
29:01If you have a thought, then I have a thought.
29:03Because you are a villainous hero.
29:09My mom said that Ayushatla is the best development of Ayushatla.
29:14That's why I have a thought.
29:16I used to call you, and I have a thought.
29:20I thought, what a fool, I am not going to call you.
29:24Now, I am very proud of you.
29:27I have seen a film like this.
29:27Then I have seen a film like this.
29:28You can tell me what your mom is doing.
29:32You are a very proud.
29:34I am very proud of you.
29:36I am very proud of you.
29:37Please, welcome to the cinema.
29:40You can also welcome the cinema.
29:40I have been on my own way.
29:42Some of them saying that if you had some ideas or knowledge that you would know,
29:47you could think that there was a lack of coding,
29:49and you don't have to do this stuff that I used to do.
29:53So you have to do this stuff you would like to say.
29:58But as a cinema, it is also learning about the school.
30:02The main thing about the school is to talk about the sport of music.
30:06Now I could tell you like I'm seeing the most children.
30:09We broke a lot of this.
30:12An AL-
30:12For me, the master of the body is the mass of the body.
30:17But if the master of the body is the mass of the body inside the body of Maharashtra...
30:24You know that your message is by saying that you have a woman, and that you have a character of
30:31my wife, and I have a master of your life...
30:33I'm a master of the body...
30:37Sahajit has become a part of it.
30:41If you have any problems or problems, you will have to be able to solve it.
30:49In Maharashtra 5, there are problems that are very genuine.
30:53Because there is a great deal.
30:55When you talk about cinema, you will have to be able to solve a genuine script.
31:02So, yes.
31:03Yes, you should see it.
31:05But you have to do it, your childhood and your childhood.
31:09It is something that you can't do it.
31:11But you have to do it at the same time.
31:15But what's it like?
31:18You have to do it at the same time.
31:21And what's that?
31:22You can't dance in a glamour so you can dance in a real ilse.
31:26Oh, I hope my husband's taken.
31:27Okay.
31:31Because what is the style of cinema?
31:34They can't do anything wrong.
31:35I think that helps.
31:36Little girl.
31:38Little girl.
31:40Little girl.
31:40She won't listen to the drama, Shanta Bhai.
31:42That is the cinema.
31:42Shanta Bhai.
31:43Yes, Shanta Bhai.
31:44That is right.
31:45They were released and they were going to listen to it.
31:50But, this is something about Sannhi and Liy guide.
31:52I will say that I will not ourselves surrender.
31:57We have built these images from the Sahil etc.
32:00And the Mangesh countries.
32:01They just made it straight.
32:02They came from Maharashtra.
32:04They weighed that way, you would say the sun.
32:06They did also weigh, in the front of the city.
32:08It was a dream.
32:08It was a dream in Haryana's.
32:10It was a dream.
32:11It was a dream in Mongoli.
32:13That's how they get used this mantra.
32:18Then they make sure everything they can learn.
32:22They say that we have made these questions.
32:24I was like, you're dancing.
32:26You're dancing.
32:27You're dancing.
32:30You're dancing.
32:31You're dancing.
32:32You're dancing.
32:33You're dancing.
32:33I'm a dancer.
32:35Oh, oh, oh.
32:36I didn't say anything.
32:37I was so funny.
32:39He's a serious character.
32:41Look, he's a little bit of a character.
32:45I'm like, why are you?
32:47I don't know.
32:48I'm like, don't go to my brother.
32:50We'll go.
32:51I'm not dancing.
32:55Nagesh Ji, you're a dream.
32:58I'm a dancer.
33:00It's a dance to the first time.
33:01Yes, Nagesh sir.
33:02Yes, you dance to the first time.
33:04The second film is Jachat's dance.
33:08It's okay.
33:09I'm good.
33:12You're dancing.
33:13Your kids are not good.
33:14I'm not bad.
33:15I'm bad at this.
33:16You're dancing.
33:17But you are dancing.
33:19You're dancing.
33:22If you said to me, how do you call it?
33:26You know, my name is this tomb.
33:29I am so sure to speak.
33:29An location was called a nice phone.
33:34Like a large location.
33:35It also was not a small background.
33:37And if the meat was╪к┘Е, then I would have had a much better job.
33:41Therefore, I was doing a song.
33:44I said okay.
33:46How did you say that?
33:47How did you say that?
33:49How did you say that?
33:51But I thought,
33:52when you think about it,
33:54there is a little bit of entertainment.
33:56And if you think about it,
33:57the cinema is a big deal.
33:59It's a big deal.
34:03So the cinema,
34:04when you think about it,
34:05there is a lot of entertainment.
34:09But there is a solution.
34:11This is the interview.
34:13It's a big deal.
34:14There is an open file.
34:16Which is the whole thing?
34:18We don't know about it.
34:19But there is a solution for it.
34:22So the cinema, what are you talking about?
34:23First question I want to ask you.
34:27The area of the city,
34:29it's an epicenter for the farmer's suicide.
34:33It's an epicenter for the farmer's suicide.
34:35The city has a strong soul.
34:36The area of the city
34:37is not a city.
34:39Why let's not go that far?
34:40With that far, Vasantraoji Naik Sahib is a president of Maharashtra's Sarwadi Kala Ralele.
34:48While the two-year-old young man, the two-year-old man is a very important thing.
34:55That cinema is a political environment, and a community that is related to banjarak.
35:04In this country, there are 15 small people in the country.
35:12We have a very good point of view that we have an audience in our country.
35:18In Marathi, we have our own mother and mother.
35:22We have our own mother.
35:24We have our own mother.
35:24We have 15 small people in Marathi.
35:25We have 15 people in the world.
35:29So, we have a target audience for 30 people.
35:34We have a target audience.
35:37We have a target audience.
35:38We have no agenda or propaganda.
35:42We have a local leader.
35:46Our leader, Devandr Farnish and DCM,
35:50Eknath Rao Sinde, dedicated to common men.
35:53We have a common man.
35:54We have a common man.
35:58But we don't have to tell anybody.
36:02We have a strong support.
36:06We have a lot of work.
36:09We have a lot of work.
36:12In today's country, it's the number one king.
36:14It's the name of the Yasharwan.
36:18We have a great question.
36:19that there is no propaganda, no agenda, no agenda.
36:24These are common citizens.
36:26They are all the same.
36:28I think that the people of the people of the country
36:31are going to fight against the government.
36:35That's what it is.
36:37That's what it is.
36:38That's what it is.
36:38There is no agenda.
36:40That's why we all have to do this.
36:43But then, this is the family.
36:53We have to do this.
36:53But we do this.
36:55We have to do this.
36:57We have to do this.
36:58The film is a really good job.
36:59We have to do this.
37:00This film is the very interesting job.
37:01Now, we have to do this.
37:03So, we have to do this.
37:07We have to do this.
37:13That's a bit of a cuckoo, Pak Barty. Thank you.
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