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Short filmTranscript
00:10If I could mail my heart right to my room
00:20I'd pack it up, seal it tight
00:25And I'd send it open up
00:28We'll go to the top
00:31Then I came to the top
00:32Then I came to the top
00:35I'll come back
00:37Come back
00:41Come here
00:42Come here
00:43Come here
00:48There are four bathrooms
00:50There are four bathrooms
00:51You can use it
00:54Marcellus
00:55Marcellus
00:56Hey
00:57The matter is that
00:58I'm talking a little private
01:00So
01:01If you want me
01:01If you want me
01:05If you want me
01:07If you want me
01:16If you want me
01:21Five minutes
01:22Five minutes
01:24Okay
01:25Five minutes
01:25Your mom is not
01:27You're not
01:27You're not
01:29You're not
01:30You're not
01:30You're not
01:32You're not
01:36You're not
01:41You're not
01:42You can't
01:42You're not
01:43You know
02:02I'm
02:14Oh, baby, take care of yourself.
02:17Take care of yourself.
02:30Excuse me, sir.
02:31You're a random.
02:33I thought I was coming.
02:35But I don't know where to go.
02:36I'm going to go.
02:37I'm going to go.
02:37No.
02:38If you're going to be here,
02:39that's what I'm going to do.
02:40There's a way to go.
02:41I'm not going to go.
03:12Here's my hat I'm going to go.
03:16He said no,
03:19I'm going to go.
03:22I'm going to go.
03:23Please, I'll bring the passion.
03:33A day, grandpa.
03:34Put it in the air.
03:40Okay. Three minutes.
03:47Wow!
03:48Look at that.
03:48If you don't know what you're going to do,
03:50you'll understand what you're going to do.
03:51Well, guys, this is all I want to do.
03:56What are you doing?
04:17They are shooting you.
04:19I'm a bitch.
04:20Come and talk.
04:22Go on.
04:30What's wrong with you?
04:33Let's go.
04:39Hey, Tinkerbell.
04:43Hey, what's wrong with you?
04:45This is the end of the day.
04:48I'm a bitch.
04:49I'm a bitch.
04:4930 seconds.
04:50Hey, Tinkerbell.
04:54What's wrong with you?
04:56Huh?
05:10What's wrong with you?
05:12No, it's not.
05:12Come back.
05:19Come on.
05:20Come on.
05:22Come on.
05:23Come on.
05:24Come on.
05:28Go.
05:30Go.
05:32Go.
05:33Go.
05:34Go.
06:01Oh
06:05Come on. Come on.
06:36Thanks, Nunn.
06:37I'm here.
06:38I'm here.
06:41Can I see you next time?
07:31I'm here.
07:35I feel good that the city of angels call me Blight Superman.
07:54Adigari, come here.
07:57I'm a sales officer.
07:58You're a sales officer.
08:01How did you get somebody?
08:02Not that?
08:03Of course, I gave up.
08:04I can't read the doctor again.
08:06How was the doctor saying?
08:07Nothing, nothing.
08:08Not a fairer.
08:11No reason.
08:12I understand in the hospital.
08:13When I told you,
08:14you're healthier than me.
08:15I will get more CEIL's.
08:16So, my decision is still good.
08:18I'm going to return to the hospital.
08:20I'm up tooric now.
08:20In this area,
08:25you're ready.
08:26...You're almost ready.
08:28Yes, you and I should have caught another fish.
08:29Your fish is stuck with another fish.
08:31All you have asked me is being followed.
08:32You're not your fish.
08:34You're not my fish.
08:36Keep them out of your fish.
08:39You've got another fish.
08:40You have to tell me what you should have.
08:47Have you said this?
08:47Do you understand how I am?
08:49Do you understand me?
08:50You understand me.
08:50That's why I'm here.
08:51I'm busy now.
08:58Don't tell me anything about Alvarez.
09:03Do you know Alvarez?
09:06I'll see you in the address.
09:07I'll see you.
09:11You're a hero.
09:12Bye, Dad.
09:13I'll see you later.
09:20Come on!
09:23LAPD!
09:24Come on!
09:24Where are you?
09:39Where are you from?
09:43Where are you from?
09:45Where are you from?
09:46I'll see you.
09:47Go!
09:48I'll see you.
09:54Where are you from?
09:56I'll see you.
09:57I'll see you.
09:58I'll see you.
10:00See you.
10:02I'll see you.
10:04I'll see you.
10:07I'll see you.
10:17I'll see you.
10:20I'll see you.
10:24I'll see you.
10:27I'll see you.
11:01I'll see you.
11:02No ëŽìŒ.
11:04No worries.
11:06In the night, facing you in different gambling annals,
11:09in the Hallowe's party 3D.
11:11Sometimes,
11:11went alright from 3$.
11:15My name is Blacksar.
11:18How do you say that?
11:20I can't tell you.
11:23You relevant or you don't amazing yourself.
11:25Really?
11:25You can't tell me.
11:26He's the real.
11:27Do you have instalance...?
11:31Yeah, I've got a costume in the area.
11:35I've got a costume in the 1920s.
11:38So, you've got a fancy dress?
11:40You've got a credit card.
11:42I'm telling you.
11:44You've got a bad idea.
11:46I've got a watch.
11:50One watch.
11:51That's right.
11:52I'm going to pay a dollar for a dollar.
11:55I'm going to pay a dollar for a dollar.
11:57That's the case.
11:59It's ready for a dollar.
12:00There's a dollar you're going to pay.
12:01Nothing.
12:03I can pay under you.
12:05You see, I'll pay under you.
12:07You can still pay that bill.
12:10Not paying attention to phiby,
12:10You can stand it down you.
12:11You're going to the immerse for London.
12:12You've managed to go to Aqui.
12:15Nobody's going to get on there.
12:22Oh, you can see it here!
12:24That's your brain.
12:26I can't get tired.
12:27That's why my brain gaat bad.
12:29And my brain is still falling in trouble.
12:31I have to get tired.
12:31Fuckies and Polamoo gang.
12:35Don't kill me.
12:41At the time, I'm killing my brain.
12:47I'm going to take a break.
12:48What?
12:48Wait.
12:50I'm doing the results of this.
12:53What do you get there?
12:54Do you think you've just got a figure in the wrong situation?
12:55You shouldn't be worried about yourself.
12:57If I'm staying at work, I'll make it for you,
13:01And I am going to wake up and fight.
13:01Since I'm going to get older.
13:03Hey, let's have a look.
13:04You're giving me a charge for that,
13:05and I'll help you out.
13:06You can't see my job before.
13:08You've gone to life for years in pretty much time.
13:10You can see my entire life for years.
13:11And I will let you know what you know.
13:12Why?
13:13I've said about five, two, three, five, six.
13:17I've heard about it all.
13:17Wait a little bit about it.
13:19Have you experienced it?
13:20Oh, it could be?
13:21Do you like this?
13:21What happened to me?
13:22You're going to sell it.
13:23Get off the car.
13:24I know you're going to stop it.
13:25I'm going to see that the car is fine.
13:26I'm going to see that the car is fine.
13:28We'll all know.
13:30You've found a lot of questions.
13:34But I'm going to tell you about it.
13:36But now, the car is still on the car.
13:38That's what I'm talking about.
13:40That's what I'm talking about.
13:44Dion said it was a train.
13:48It's a new car.
13:49Now, in the last two months, the watcher has been destroyed.
13:56Hey, I know.
13:57Let's go.
13:58Let's go.
13:59Let's go.
14:00Let's go.
14:01Let's go.
14:04Why are you doing this?
14:06Why are you doing this?
14:06Hey, how are you doing this?
14:07I don't know.
14:09Look at this.
14:10It's time.
14:19What do you think?
14:20Oh, my God.
14:23Oh, my God.
14:23Oh, my God.
14:25I've read this out to you, too.
14:26Do you see me?
14:26Oh, my God.
14:27Oh, my God.
14:28I'm gonna tell you what you're doing.
14:34Put it in there.
14:37Oh, my God.
14:38Oh, my God.
14:42I've got a turn.
14:45Money.
14:46I'm gonna pull it out.
14:49This is 1K20 officer who has taken care of the officer.
14:53God!
14:56No one!
15:00Please!
15:02Manning, come on!
15:05Science!
15:09Alvarez is the one who's killed.
15:10He's killed.
15:11He's killed.
15:12How are you doing this?
15:13You know me.
15:14You're a police officer.
15:18You're a captain.
15:19You're a captain.
15:21But you're a captain.
15:23What's your purpose?
15:25That's the case.
15:26Beverly Hills Robbery is the same pattern.
15:29It's not a pattern.
15:32It's not a pattern.
15:33It's not a pattern, Jimmy.
15:34There are four names.
15:35There are two names.
15:36We're talking about techniques.
15:39We're talking about techniques.
15:39We're talking about that.
15:40We're talking about that.
15:41What is your name?
15:42That's what's happened.
15:43I'm trying to tell you.
15:44It's not a pattern.
15:46It's a Halloween.
15:46It's a party and parade.
15:48It is a Everton.
15:49It's a pattern.
15:51You're not going to be a person.
15:51But, in the June,
15:52you've said this pattern,
15:53you are going to be afraid.
15:54I just think he is in trouble.
15:55If he is responsible, I believe.
15:56I am responsible for all the tales that
15:57have to be told about how many people
15:58and around the world are in trouble.
15:59He is a traitor.
15:59Will you change the way?
16:02Do I not?
16:03I would just say that a lot of people
16:03Come on, Jimmy!
16:05Hey! Beverly Hills case
16:06I am so sure they know this.
16:08You have to put this case.
16:10You do.
16:11You have to say that you are
16:11one of the most important careers.
16:13You have to say that the great
16:14opportunity is to keep your business.
16:15No. I mean it.
16:16This is exactly possible.
16:17I don't know exactly what I know.
16:19I am happy to keep you.
16:21The desk is so important.
16:22I don't have to do that.
16:23Candice, I'll tell you what to do with Candice.
16:26You'll be at dinner at the same time.
16:29Oh, that's my fault.
16:32Do you see me?
16:53I don't want to tell anybody.
16:59I have received one from bank, I will come back.
17:0160% of money in a hole.
17:02It is better than you know.
17:05Time is better than you know.
17:06But I'm ready.
17:08It's gotten short.
17:09You need to follow.
17:13I don't know, I'm going to talk about it first.
17:15I don't need to talk about it tomorrow.
17:19If you don't have to talk to us, there's nothing to talk to us.
17:26Okay.
17:29One way to go, Paola Alvarez.
17:33She went to Armenia and went to Hollywood.
17:38I was going to go to the hospital.
17:40I was going to go to the hospital.
17:42I was going to go to the hospital.
17:43I was going to go to the hospital.
17:45You showed me that.
17:46And I didn't see you.
17:48Oh, Babe, I say...
17:51I am so sorry.
17:55You know, you've been very clear to me.
17:59But you have never really changed, Babe.
18:03Your mother's own house isn't a place.
18:05So, I was going to go to the hospital.
18:06So, you know,
18:08if your father has suffered, that he died either.
18:12No one knows his death.
18:13No one knows his death.
18:15He's going to leave for them, but he's going to perform.
18:21Dr. Stiles is a great job.
18:24He's going to help me with his fees.
18:26I'm just going to vote for your father,
18:29so, if I can simile that,
18:31I'm going to leave him under your hands.
18:34I'm going to get down.
18:35Candice, I have to tell you about everything.
18:37You have options.
18:39You can select them.
18:40You can select them.
18:42You can select them.
18:42You can't get a big deal.
18:45You are not a college.
18:45I have to get a college.
18:47You have to get a big deal.
18:51You will never get a big deal.
18:56Time is not a big deal.
18:59Baby,
19:01when I talk about this,
19:03when I talk about this,
19:05I don't want to talk about anything.
19:07I don't want to talk about it.
19:08You will have to eat dinner.
19:11You will be happy.
19:14That's all.
19:16I'm going to eat chicken.
19:20I'm going to eat chicken.
19:22I'm coming to the police.
19:27Happy Anniversary, by the way.
19:30Oh,
19:48Hey. Hi.
19:48Hey.
19:49I'm here with Kondar.
19:51The cash is 1.7 million.
19:54I'm not sure what you're doing.
19:56I'm not sure what you're doing.
19:58My name is Kondar.
20:01I'm here and I'm here.
20:03I'm not sure what you're doing.
20:07I'm not sure what you're doing.
20:10My name is Kondar.
20:14Yeah.
20:16Coltrane.
20:17I'm not sure what you're doing.
20:20That's right.
20:20I'm not sure what you're doing.
20:21I'm so scared.
20:24Time has passed.
20:26Six seconds is late.
20:28That's right.
20:29I'm not sure what you're doing.
20:31I'm not sure what you're doing.
20:33You're not sure what you're doing.
20:38Look.
20:38Look.
20:44We are...
20:46Zahira's parents...
20:49...are all the other things.
20:53Now, I'm not going to be a third time.
20:58Look, you're a little bit concerned about what we are talking about.
21:18Okay.
21:48I love you, Ebeney.
21:50I love you too.
21:54Where are you?
21:58You're a lot of work.
22:01You're a lot of work.
22:02I'll give you the money.
22:06I'll give you the money.
22:24You're a lot of work.
22:31You're a lot of work.
22:33You're a lot of work.
22:39Candice, baby, this is so sad.
22:43Where are you?
22:45I'm going to go to the hospital.
22:47I'm going to go to the hospital.
22:48I'm going to go to the hospital.
22:51I'm going to go to the hospital.
22:52Are you going to clean it up?
22:55We...
22:56Good night, I see ya.
23:06Alright.
23:13Good night, Candice.
23:56Oh, Candice.
23:59Oh, Candice.
24:37Alright.ĂŒzik
25:40Hey, how did you play?
25:42Okay.
25:45How did you play the game?
25:48That's okay.
25:50Ten points.
25:53Three rebounds.
25:54Five assists.
25:55Three rebounds.
25:56Three rebounds.
25:58Three rebounds.
25:58Hey!
25:58Tell me about the game.
26:00Yeah.
26:02Oh.
26:03Oh.
26:21Oh.
26:27Oh.
26:29Oh.
26:30Oh.
26:31Oh, you're Gruy oblika.
26:32Oh.
26:34Oh.
26:41Breakfast.
26:42Thanks.
26:42No.
26:43Your pancakes are here.
26:51I'm sorry.
26:53I'm sorry.
26:53I'm sorry.
26:54I'm sorry.
26:54I'm sorry.
26:55I'm sorry.
26:56I'm sorry.
26:57I'm sorry.
27:01I'm sorry.
27:09I'm sorry.
27:10I'm sorry.
27:13Let's all laugh.
27:14I'm sorry,
27:20let's all laugh.
27:25Should I say that?
27:27I it's true.
27:28Oh, wow.
27:29I just want to know.
27:35I didn't miss it.
27:40Babe.
27:48It's a good day.
27:53Why don't you ask me?
28:01I'm going to go to NovaVers.
28:12Tell me.
28:14My father, we're going to meet.
28:18Come on.
28:22You don't have a Halloween case,
28:24but this is the file.
28:30I'm going to take care of you.
28:36It's not a good time.
28:38I'm going to go to your house.
28:42There's no one's screen coming.
28:44I'm going to go to my house.
28:47I'm going to go to my house.
28:48But that's the reason why we're going to have to go to the other side of the side of the
28:53side of the side of the side of the side of the side.
29:28Let's go.
29:28Go.
29:29Sorry.
29:30Everything is okay?
29:31Everything is okay.
29:32So, all the Wilder Holdings,
29:3415th shopping center,
29:36are coming.
29:37That's your name.
29:39Why are you coming to Shell Company?
29:41I'm going to pay attention, Sam.
29:43I'm going to pay attention to this property
29:51I'm going to pay attention to this property.
29:53How do I get the property?
29:57I'm going to pay attention.
30:00I'm going to pay attention,
30:00and I'll pay attention.
30:04I'm going to pay attention.
30:05Okay, I'll pay attention.
30:05Let's go.
30:28Welcome back, Coltrane.
30:30170K.
30:31Halloween job.
30:32You're going to come here.
30:40Miss Trinkabell, you're going to do something.
30:44Why are you so happy?
30:53Diamonds, all you need is going to do is be a pations.
30:55Diamonds, but you have a mistake, but you have a plan for all.
30:57You're going to tell a lady, my sister is big.
30:59Are you going to come here?
31:01I'm going to be a suitor for Halloween, but that's a big deal.
31:05That's not a bad thing.
31:07But you're looking for two houses here,
31:08you're going to come here.
31:10I'm going to be a part of the work.
31:13We're going to go in the same way.
31:16My team is very good.
31:17I can't see you.
31:19I have to offer a job.
31:22I have seen this on the file.
31:266 million of the trace of the diamonds.
31:2950 cents.
31:31Three million, how are you?
31:35Downtown, Jewelry district.
31:37That's a money laundering down.
31:39It's a ihrer.
31:40As long as the door is safe.
31:42She is a brand.
31:54Huh.
32:02Charlie, Ebony involved.
32:05Okay.
32:11Ebony, you can get involved.
32:13Lordren, this is the end of the day.
32:18I'm going to call you.
32:19No, I'm going to call you.
32:26I'm going to call you.
32:36I'm going to call you.
32:38I'm going to call you.
32:42I'll call you.
32:44I'll call you.
32:46I'll call you.
32:46Not good at all.
32:47You're more than a man.
32:48I'll call you.
32:49You're in for rain.
32:49Oh, the news is going to call you.
32:52We're coming.
32:52Go away.
32:53Oh, my God.
32:53Stay with me.
33:00Oh, I'm going.
33:01You are going to call you.
33:02So we need to call you.
33:03Oh, my God.
33:05I'm going.
33:05We'll call you,
33:05I'm going.
33:07Oh, my God.
33:08I fell here with him.
33:08You're going to call him.
33:09Oh, my God.
33:11Oh, my God.
33:12It's going to be a problem.
33:42Let's talk to our boss.
33:50Who do I know? Lieutenant Stiles.
33:54Miguel Alvarez, Viejo Cartel.
34:00You did it. Thank you very much.
34:07I have a little bit of a problem.
34:13You have killed me.
34:16Police officers are not going to kill me.
34:23They are going to kill me.
34:26You are going to kill me.
34:27Where did they go?
34:32What did they do?
34:33I can't get the chance to tell you.
34:34Your father might be able to tell you something.
34:38I can tell you it.
34:40What's your matter?
34:43I have a supposed responsibility.
34:46You're not able to help you.
34:48I know you'll be able to tell me.
34:53Do you want me?
34:54That's what he's doing.
34:56I'm going to go.
34:58Businesses.
34:59Businesses.
35:00Ernesto!
35:38If you're Facebook...
35:39...I've got a fix.
35:40See you in a heal.
35:41Really?
35:41Why?
35:45Kyu falar isso todo.
35:53ê°ìì vida!
35:54I told you that you're a long time ago.
35:57But I don't want to go away.
35:59Look at the Ivy League, there's a lot of people who are living in the Ivy League.
36:02Why are you still here?
36:03I'm going to get a little bit.
36:05I'm not going to be here.
36:07I'm not going to be here.
36:08I'm not going to be here.
36:12I'm not going to be here.
36:15But I'm not going to be here.
36:17But I'm not going to be here today.
36:20I'm going to tell you about Coltrane.
36:21I'm going to tell you that I was just going to be here.
36:23He's going to tell me how to put my hair in the morning.
36:28Let's go and find in the morning.
36:30I'm going to be here or not.
36:33I'll be here in Coltrane.
36:34I'm not going to be here at Coltrane anymore.
36:37There's nothing I am here.
36:39I'm not going to be here as a train.
36:44I'm going to be here.
36:46I'm going to be here.
36:47I'm going to be here.
36:54Hey, Deon has to know how to die.
36:56You know what I'm going to do with him.
36:59I'm going to do something like that.
37:00I'm going to do something like that.
37:01Let's see how I'm going.
37:01This is my family.
37:02We are going to have a group.
37:04I'm going to have a group that comes in.
37:05Who will talk to me?
37:06I'm not going to talk to you.
37:07I'm going to have a group that comes in.
37:09Rules of the rules.
37:11Let's go.
37:11I don't know.
37:12I'll see you in the train.
37:16I'm telling you.
37:18I'm telling you.
37:20I'm coming to a house.
37:22So you're not not Deion.
37:28I'm going to give you an eye.
37:29I'm going to get the top of this.
37:33I'll bring you an eye.
37:35I'll give you an eye.
37:38I can't do this.
37:39Don't worry about it.
37:40Don't worry about it.
37:41That's all right.
37:45Slap boxing.
37:46Hey.
37:47Do you want me to do it?
37:50Relax, bro.
37:51Come on.
37:52Don't worry.
37:56Hey!
37:58Don't tell me,
37:59you're going to be like
37:59Lebron James.
38:01You're going to be better.
38:02I'm going to be better.
38:03If you're doing hard work,
38:04you're going to be better.
38:05Tell me.
38:06You're going to be better.
38:07You're going to be better.
38:09You're going to be better.
38:09I'm going to be better.
38:11Don't tell me about it.
38:19So, coach, what do you say?
38:22I'm going to be better.
38:24Yeah.
38:25I have a chance.
38:26A chance?
38:28What a chance?
38:29League?
38:30College scholarship.
38:32That's why I told you.
38:35You're going to be better.
38:36That's why I'm not going to be better.
38:38Let's see.
38:39Don't you ask me.
38:39They want me to go.
38:41I'll tell you too.
38:42They were trying.
38:42You're going to be better.
38:44Have you had to be better?
38:45Hard work.
38:46Hard work.
38:46That's right.
38:48Hey.
38:49Don't tell me.
38:51I'm going to be better.
38:52I'm going to be better.
38:52Dad, I'll go.
38:53I'll get a deal.
38:54Don't go.
38:55Don't worry.
38:55I'll be better.
38:56Okay, I'll be better.
38:59We are not surprised.
38:59We are here with someone who is the first name.
39:02If you have any other name, you might find it.
39:06You will find it as a friend.
39:12You are also a friend.
39:14Where did you go?
39:14I think it's good.
39:17I'm going to go to the Christmas tree.
39:19That's what I can do.
39:22I'm going to go to that tree.
39:23You can't stand up.
39:24You can't stand up.
39:25I haven't heard you.
39:27You can't stand up.
39:27I'm sure you're going to have a job.
39:29Why?
39:30Where are you?
39:32You're going to go.
39:36What's up?
39:37You've got something to know.
39:38Yeah.
39:39I know.
39:40Sorry.
39:431 Adam, 61, 415 Group.
39:46Dos Angeles Convention Center.
39:48415 is going to be the same.
39:511201 South Figaro Street.
39:53Respond code 3.
39:541 Adam, 61.
39:55Come to the unit.
39:57Code 3.
39:59If you tell us,
40:00everyone is going to go.
40:01It's a problem.
40:05Okay.
40:06Are you going?
40:09I'm going to go.
40:11I'm going to go.
40:11I'm going to go.
40:11I'm going to go.
40:14Okay.
40:15You can tell us about team.
40:18Let's go to the playoff.
40:44Dougal,
40:45I'm going to go.
40:46Okay.
40:49Look at the middle of the building.
40:51Listen to me.
40:52Let's go.
40:53Get the cover.
40:53Come.
40:54Come.
40:55Come.
40:56Come.
40:56Come.
40:56Come.
40:57Come.
40:57Come.
40:57Come.
40:58Please, let me show you the keys.
40:59I told you what I wanted.
41:00Come back to your keys.
41:01Come back to your keys.
41:02Come back to your keys.
41:05Don't tell us.
41:06Come back to your keys.
41:08Come back.
41:10Come back.
41:10You're not in trouble.
41:11Come back.
41:12Come back.
41:13Go back.
41:14Let's do this.
41:15Let's do this.
41:15Good.
41:19Just take your keys.
41:21Let's go.
41:29The guys are driving me away.
41:31You are the same.
41:32You can take a trip.
41:32You've got to go to jail.
41:34You're the same?
41:37Get back to your daughter-in-law.
41:44Come and go.
41:45I'll go.
41:47Go.
41:49I'll be staying.
42:24I don't know.
42:29I'll show you the number.
42:30I'll show you the number.
42:30Hey, you're going to get it.
42:32You're going to get it.
42:33Okay, sorry.
42:35Don't go.
42:36Don't go.
42:37Don't go.
42:42Don't go.
42:43Okay.
42:45You're going to get it.
42:46I'll come.
42:48I'll show you.
42:50You're a good guy.
42:52I'm not a bad guy.
42:53Very good.
42:54You're going to go.
42:57I'll show you the number.
42:57Actually, I'll show you the number.
43:00There's a guy.
43:01That's a good guy.
43:02That's his name.
43:03He's cute.
43:05He's smart.
43:07I don't know what I'm talking about.
43:09There's a number.
43:11412 West 6th Street.
43:13Come here.
43:15What's your name?
43:16I'm going to go to the convention center.
43:18What?
43:19I'm going to go to the convention center.
43:20I'm going to go to the convention center.
43:22What's your name?
43:23How are you going to go?
43:24I'm going to go.
43:26Dad.
43:27Excuse me.
43:27We let you go to the convention center.
43:29Dad.
43:30You're not going to get over here.
43:31I'm just so scared.
43:32No.
43:33There's a couple minutes left.
43:34They are not going to go.
43:36You're going to go to the convention center.
43:37Come get out here.
44:06Let's go.
44:07Yeah, you're gonna kill me.
44:14Go to the other side.
44:36Go!
44:36Go! Go!
44:37Where are you?
44:38Where are you?
44:39Go!
44:40Go!
44:41Go!
44:41Go!
44:44Go!
44:46Go!
44:47Go!
44:50Go!
44:58Cruise, I have a backup.
45:00412, West 6.
45:01That's 30 minutes.
45:02They are in the convention center.
45:04I know.
45:04I know.
45:04I have a backup.
45:05You have a backup.
45:08Trust me.
45:09Who is that?
45:10Please.
45:1330 seconds.
45:1430 seconds.
45:1530 seconds.
45:15All of them are in the same way.
45:16Come on.
45:17Come on.
45:18Come on.
45:18Come on.
45:18Come on.
45:19Come on.
45:20Come on.
45:33Come on.
45:34Go on.
45:35Come on.
45:36Come on.
45:38Come on.
45:53He's, hungry.
45:54Only that one has TO gefll assets.
45:54Look at the path.
45:55All he can do.
45:56You're going to kill yourself.
46:07Convention Center is a good thing.
46:09No, no. That's why we are going to be a problem.
46:13We've got to get to that announcement.
46:15We've got to get to that.
46:17We've got to get to the 3 stores.
46:19They've got to get to the start.
46:22Okay.
46:22They've got to get to the start.
46:23What do you think?
46:25They've been doing the two stores.
46:27No. They've been at us.
46:31We've been able to get our boss.
46:33So, they've been able to get a lot of attention.
46:34So, they've been able to get a lot of attention.
46:37They've been able to get a lot of attention.
46:40But we've got no trouble.
46:42They're still there.
46:44Okay.
46:44Now, I'm going to tell you something.
46:48You've been able to cut your face.
46:49And I'm going to go to safe.
46:51Yes, I was told to say,
46:52You know what about the car?
46:52I was told to meet the driver and see the driver
46:53you can see the driver's name in the 6th century.
46:55They are now there.
46:59They have one of the monos.
47:02They have one of the car.
47:05They have two guards.
47:09Do you have the car at that?
47:12Do you have to go to the car?
47:15Do you have to go to the car?
47:16Who is going to get to the car?
47:16Who is going to go there?
47:17Yes, the car is here.
47:46Oh, fuck!
47:49I don't know if they're going to kill me for 7 years.
47:54That's what we're going to do.
48:00Stiles, this is not one thing.
48:03This is not one thing.
48:03This is not one thing.
48:03This is not one thing.
48:04This is one thing.
48:04This is one thing.
48:08Fuck.
48:28What are you doing?
48:28Candice?
48:30My husband is the most important thing.
48:34He doesn't do anything.
48:35That's not me.
48:36I'm the only one thing.
48:38Can you drink a glass of wine?
48:40What is your honor?
48:42That's all.
49:12I don't know.
49:30Baby.
49:49Baby.
49:59Baby.
50:00Baby.
50:00That's the problem, isn't it?
50:02I'm in the office.
50:05Okay.
50:32Okay.
51:00... however you need to do it.
51:01These aren't work as extreme.
51:03That's very scary.
51:04You're scăă©ing.
51:05I got something out there.
51:09Menni!
51:09Turn it down!
51:22Go ahead!
51:35What's wrong with you?
51:36I'm going to leave you alone.
51:38If you don't know,
51:40you'll be able to leave you alone.
51:41You'll be able to leave you alone.
51:43You'll be able to leave you alone.
51:45I don't know what you're going to do.
51:48But now,
51:48there are two options.
51:50Jaila Marchery.
51:51You can do it.
51:54We'll go to the studio in downtown.
52:10You can do it.
52:12You can do it.
52:13I'm ready.
52:20I'm ready to chill.
52:25I'm ready to leave you alone.
52:27You can do it.
52:27You can do it.
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