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  • 18 hours ago
Exclusive ANI interview with Anshumaan Pushkar and RJ Mahvash on ZEE5’s gripping new crime-revenge drama ‘Satrangi: Badle Ka Khel’! 
From intense plot twists to powerful performances, get the inside scoop on the most anticipated revenge thriller of the year.

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00:00So Khiladi, I will have a call for Jaisar and then they said that I want to audition for a
00:05self-test audition.
00:06So I gave the audition.
00:08After full detailed narration, I instantly knew that I have to be a part of this script.
00:17This is a very good opportunity and it's so good written.
00:20We didn't know what to do with knowledge in society.
00:24What should happen in society.
00:26But there is a lot of entertainment and drama.
00:30So I think even tomorrow, if we sit with one family, we will have an actual discussion about society.
00:37So I think it's a win for us.
00:39For me, Alok was doing casting.
00:43They called me for another character.
00:49I didn't understand that character in the story.
00:51I was doing a lot of work for a long time.
00:52And then after some days, I got to be recast and then I approached this character.
00:58So first, you will be pleased with this character.
01:02Because there are many things in this character.
01:04And I also think that when I studied the story, I thought that why I didn't consider this character.
01:10Luckily, when I was lost, I was about to be for this character.
01:14The story I had been reading before.
01:15Because I had been reading before.
01:16So I wanted to read the whole script.
01:18And then I had to read the whole script.
01:19And then I didn't answer any questions.
01:21So when this story came, it was said that this character,
01:25which is the 90s,
01:27which is the heroes of the people,
01:31who have the whole scenes,
01:34who have the whole scenes.
01:36So this character was the same.
01:38Everywhere I was here,
01:38I didn't say that the dancers would not say that.
01:39That's why.
01:40As the people,
01:40which was the,
01:41I had to read the people,
01:41I had to read the pages of the people.
01:46I had to read the person.
01:46As you know,
01:48I've read the pages here.
01:55This person,
01:56I remember the characters.
01:58Even the people here.
02:00this character's character is very big and also the other character's character's character
02:06is also in this feudal world where there is a caste hierarchy where there is a crime
02:13in the U.P. area where there is a small caste, a small house with a small house
02:19where my father is alone, I mean London as a dancer, so his insecurity is inside
02:24because he wants to answer some other way to the society.
02:27So this was a big arc that we had to complete, in which every moment
02:34the emotions vary. You also know that in the web series there is a little bit of a shoot in
02:41the comparison
02:42so that we had to do this script very quickly.
02:47So it was definitely challenging but it was an interesting process.
02:52Like Delhi to Mumbai, then digital, then I hosted a show and then entered into production and now into acting.
03:01So it was more, the transition was easy since I have done production so it's easy for me.
03:10And secondly, I love acting.
03:15I enjoy this work that I am very passionate actor.
03:27So I enjoy on the set. I make sure the time I am having is the best time.
03:31And I enjoy working with them. I have learned a lot from him, from Komutsar.
03:37So yes, I think fingers crossed. Let's see.
03:41I enjoy acting.
03:42I think the most new perspective is that the upper caste comes from a very privileged family
03:49where her family power system is fully exercised in childhood.
03:54And she has grown up in childhood.
03:56R.T. has always seen it.
03:57Power, money, bahubali, those families.
04:02But she is against her entire family.
04:05So she can afford flight tickets.
04:11But she is someone who is very simple.
04:14And she is against her entire caste system.
04:19So being a part of that family,
04:22people are more difficult to fight outside the world.
04:25So she starts to fight herself.
04:27So that is one aspect which I love about the character.
04:31R.T. has always been connected to the character.
04:35And I think that there are layers in the trailer.
04:39But if you look at it,
04:40it is a whole game of change.
04:44It is a whole game of change.
04:45So I think change and change
04:48and change in society will have a great impact.
04:52R.T. will have a great impact.
04:52R.T. will have a great impact.
04:53R.T. will have a great impact.
04:54R.T. will have a great impact.
05:12R.T. will have a simple
05:31which is dangerous.
05:32I can say that
05:37either you are a struggle or a struggle.
05:39When you understand this,
05:43the perspective of the whole thing changes.
05:46It is so dangerous.
05:50It is also a bad thing.
05:51It is a bad thing.
05:55It is an ultimate
05:56moment.
05:58It is a bad thing.
06:00But the plot is made
06:03all the plots
06:04like the sattah,
06:06the jati, the burden,
06:08the war, the war,
06:10the greed,
06:11the greed,
06:13the greed,
06:13the greed.
06:15This is a niche world
06:23that is a very small world
06:26who knows.
06:27They know the things
06:28that are the same.
06:29But to personalize it,
06:31your mind and your mind
06:34and your journey
06:37can understand why it is like that,
06:39why there is no other thing
06:41and why they are not giving you
06:42a proper recognition
06:45and the proper
06:48in the world.
06:49There is no shame.
06:49If you are a bad thing,
06:50it is very bad.
06:53If you are a bad thing,
07:00you can see that
07:01you have not
07:01a situation.
07:03It doesn't have a stop.
07:03You have not
07:05a stop.
07:06In this case,
07:10you have another story
07:11that
07:11there cannot be
07:14a stop.
07:16foreign
07:46I have a lot of grammar, I have a lot of grammar,
07:49if I can see it in truth, the first language is not Hindi,
07:52it's called Maghi and Vajjika and Bangika,
07:55it's called the language of the language.
07:57For me, it's very natural to me,
08:01if I can see it in the language, I don't have to do much work
08:04until UKBR comes in.
08:07Yes, but for the body language,
08:11since I was in London,
08:12when I was in London,
08:13I had to go through the proper training,
08:19so these are all the key things.
08:21From the radio, my Hindi is clean,
08:22I went to study abroad in the beginning,
08:25so I had the reason to keep my language clean,
08:30so I didn't have to take that accent,
08:33that UPBR.
08:34I think for me, it's a cake scene
08:37that I always remember,
08:38because in front of me,
08:40I felt a lot of discomfort,
08:43so that was something that I took back to my home,
08:46and the rest of my scenes,
08:49I can't reveal the story,
08:51but if you want to release this,
08:53I'll ask you a question.
08:55There are many things,
08:56I mean,
08:56I mean, in this series,
08:58there are many scenes that were very demanding,
09:03as an actor,
09:03and emotionally very demanding.
09:06But that's the thing,
09:07that you don't forget,
09:09you don't forget,
09:09you don't forget,
09:10you don't forget,
09:10you don't forget,
09:11you don't forget,
09:24and you don't forget,
09:24if I still don't forget,
09:24I think I would be standing there.
09:27And one scene that is very complicated,
09:30which is very,
09:32and the complexity of the inside,
09:34that is also...
09:35For the series,
09:36it's probably better to tell you,
09:39because this is something more reveal,
09:41but yes,
09:42these are two-three scenes,
09:43When I went to the stage in London, I can tell you about this in the funny way
09:49So, first of all, I understood how much time it feels to be prepared for women
09:54And that's why it's good for them
09:56It's warm and warm when women go to the stage
09:59The other thing is that if they're teasing and all these things
10:03In the day-to-day life, they're stuck in the day-to-day life
10:07Today, society is stuck on this thing
10:10The male gaze
10:12Being a Londoner Natch performer, you are having that feeling
10:16I was thinking about that
10:19When I went to the stage, I felt like an actor
10:23I felt a little bit of a joy from the stage
10:25I felt a joy from the stage
10:27Because when there was a crowd handling
10:31People were just like dancing
10:35I was just being in character, having fun with them
10:38Because I know that thing
10:39That if I do it, then I will block my character
10:43But after one level, I have to say
10:46Guru, there is an actor
10:48There is no need to know in that moment
10:52These are the scenes that I will remember in my life
10:55I will keep my character
10:57Ok, your fear, your happiness
10:58This is the stage
10:59Thank you so much for joining us
11:02Thank you so much
11:04Thank you so much
11:05Thank you so much
11:05Thank you so much
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