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00:00:43We haven't seen Jackson in over a year.
00:00:46His friend said he went to that old hotel to look for a souvenir or something.
00:00:52That was the last time anybody ever heard from him.
00:01:05Every time we're about to let go, something happens.
00:01:08Something strange.
00:01:12It just rips our hearts out.
00:01:15It started with text messages.
00:01:19Randomly, in the middle of the night, told the police.
00:01:23They looked into it and they found they were coming from inside the hotel.
00:01:53My husband watched the video of Jackson lost inside the hotel, but I can't bring myself
00:02:00to sit through it.
00:02:03I know he used his phone to try and get help.
00:02:07Phone calls and video messages, texts.
00:02:18If you get this message, please send help to the Avedon Hotel.
00:02:21I can't.
00:02:23There's no way out.
00:02:25I saw them all.
00:02:27They're all here.
00:02:28They're all still here.
00:02:32Please!
00:02:33Somebody hear me!
00:02:35Somebody!
00:02:37They want me to go with them.
00:02:39They want me to go with them.
00:02:43Please!
00:02:44Please, someone help!
00:02:48They have no eyes.
00:03:00Please!
00:03:03They're all there.
00:03:19They want to go with them.
00:03:19They want to give them up.
00:03:20Il ne a pas comme pour moi...
00:03:26Je t'ai jamais eu venus...
00:03:31Je ne sais pas où ils ne sont tous venus...
00:03:38Ils sont tous dans la bouteille...
00:03:42Ils sont tous tous dans la table...
00:03:44Ils sont tous avec lui...
00:03:51Mom, I'm sorry, I didn't know.
00:03:55About two weeks later, I got an email from Jackson's account.
00:04:01I didn't want to open it.
00:04:04I mean, it could be from him, right?
00:04:06I opened it.
00:04:10And I watched that video.
00:04:14God, thank God.
00:04:17God, I wish I hadn't.
00:04:24It was an empty room.
00:04:30And then I could hear Jackson's screams.
00:04:36And there was something else.
00:04:37There was this piano playing somewhere.
00:04:42And I knew immediately I'd heard that tune before.
00:04:44It was so familiar.
00:05:02We've heard that piano tune before in the Hell House documentary, but when the mallets say that they've heard it,
00:05:09they're referring to long before Hell House.
00:05:12Go fish.
00:05:14Anyone got an orca?
00:05:16I got an orca.
00:05:19Hey!
00:05:20I saw you.
00:05:21You're cheating.
00:05:22I'm not cheating.
00:05:23Yes, you are.
00:05:24Mom, are you getting this?
00:05:25Guys, calm down.
00:05:27Jackson's asleep.
00:05:27Come on.
00:05:28Oh, my God.
00:05:28So unfair.
00:05:30Play nicely.
00:05:31Come on.
00:05:32Got a fish?
00:05:33Got a crab?
00:05:34Carty-dean crab.
00:05:36Hey, guys, do you hear that?
00:05:39Where's that coming from?
00:05:41What?
00:05:41What?
00:05:59Jackson, I thought you were in bed.
00:06:02The hotel opens in 2009.
00:06:05Tell everyone.
00:06:06What?
00:06:07What hotel?
00:06:09We turned out the lights.
00:06:19Hey, Jackson, are you okay?
00:06:21Yeah.
00:06:22Are you sure?
00:06:23What were you talking about?
00:06:25Nothing.
00:06:26I didn't say anything.
00:06:29Later on, and I played it back with my husband, we heard it.
00:06:34There's another voice in that room.
00:06:38It's almost, almost like it could hear my question and was telling Jackson what to say.
00:06:49Who turned out the lights?
00:06:50The Epidone Hotel.
00:06:55This hotel has a long history of eerie and unexplained events being caught on camera.
00:07:02Even our own cameras weren't immune to catching something spooky when we rehearsed this very
00:07:08segment.
00:07:10Okay.
00:07:11Am I close in enough?
00:07:12How's my frame?
00:07:15How's my frame?
00:07:15Good?
00:07:17Gary, what?
00:07:43It's been two years since the controversial release of the Hell House documentary and it's
00:07:48many of us still have questions.
00:07:50The biggest question on everyone's mind, was it real or was it an elaborate hoax planned
00:07:56by the documentarians to sell the film?
00:07:58Here today we have a full panel to discuss this question.
00:08:01Arnold Tesselman, who worked for the Rockland County Magistrates Office at the time of the
00:08:06Hell House incident seven years ago, and Mitchell Cavanaugh, the Mitchell Cavanaugh from
00:08:11the documentary, allegedly the only surviving member of the film.
00:08:16We'll get into that.
00:08:16And lastly, we have Brock Davies, a medium and psychic, who you may know from his work
00:08:22on several missing persons cases that gained nationwide attention.
00:08:26Thanks for having me on, Susie.
00:08:27Somehow I knew you'd call.
00:08:30Be sure to check out Brock Davies from Beyond, coming next fall to this.
00:08:34Thank you, Brock.
00:08:36So, why don't we start...
00:08:38Susie, do you mind if I start with a comment and a question?
00:08:41Um, sure.
00:08:42Thanks.
00:08:43Thanks.
00:08:43You're a dick.
00:08:45Comment.
00:08:46And my question is why?
00:08:47Look at this.
00:08:48Cameras up.
00:08:52Who is that?
00:08:53That's Mitchell Cavanaugh from the Hell House documentary.
00:08:56That's who we need to get us into the Abaddon.
00:08:58Well, from what we saw, getting in isn't the problem.
00:09:01It's finding our way to the basement and finding our way out.
00:09:03Exactly.
00:09:04He edited all the Hell House footage.
00:09:06He must know the hotel inside out.
00:09:08Maybe.
00:09:11Arnold here has served me with a lawsuit trying to get my film off the market so no one can
00:09:16see it.
00:09:17Mr. Tesselman, can you discuss the lawsuit against Mitchell?
00:09:20I'm not able to discuss details about pending litigation, but what I can tell you is that
00:09:26his fake movie has caused harm to the town of Abaddon.
00:09:29Cold cases in old hotels, it's not really our thing.
00:09:32We put a state senator in jail.
00:09:35Yeah, and that was a really good thing, but now they're saying this place is haunted.
00:09:39Oh, come on, Molly.
00:09:40Don't tell me you believe in ghosts.
00:09:41Look, we're going to the Abaddon.
00:09:43That's final.
00:09:44You two track down Mitchell today and get him to meet me.
00:09:47Gotcha.
00:09:48What are you doing?
00:09:49I'm calling him to this show.
00:09:51This guy is such a fucking liar.
00:09:55Hell House was a tragedy and we still mourn the loss of life.
00:09:59What I'm talking about is faking everything about the hotel's owner, the supposed Hell
00:10:05House tapes.
00:10:06Putting that quack author Robert Lyons on camera, faking a full scene with your own crew in a
00:10:11room where you knew that people could-
00:10:12You're talking about Diane Graves, the missing documentarian who was last seen on her own
00:10:18video inside the hotel.
00:10:20That is exactly what I am talking about.
00:10:22Excuse me.
00:10:23Diane is dead.
00:10:25Okay?
00:10:26Jonathan is dead.
00:10:27They died inside that hotel.
00:10:29Can we not use that word?
00:10:30I'm sorry.
00:10:31Please.
00:10:32Everyone knows that no one died outside of the Halloween malfunction.
00:10:36You're still going with malfunction?
00:10:38Like a prop fell from the ceiling and killed 15 people?
00:10:42I'd actually like to jump in on that point.
00:10:44I too would like to know how the police arrived at calling it a malfunction.
00:10:50The details of that night are still not allowed to be discussed publicly.
00:10:55Of course.
00:10:56But from everything that I've seen, I can guarantee the public that the hotel is safe and is not
00:11:04responsible in any way for the tragedy nor anything else that people are alleging happened since.
00:11:09If it's so safe, why does the town keep police cars outside at all times making sure no one goes
00:11:15in?
00:11:16We were here like yesterday while you guys were all filming that goofy TV thing and we deduced that there
00:11:23is a ten-minute window and we can get in. Badass, right?
00:11:28Why do they guard it so much if they're saying there's nothing wrong with it?
00:11:32Yeah, man, like...
00:11:33Well, it's not just the Hell House incident or Diane.
00:11:35There are also two teenagers from the nearby area that have disappeared.
00:11:40And people think that has something to do with the hotel?
00:11:43Well, of course, anything could have happened to them.
00:11:47But one poor kid streamed himself on Facebook while breaking in and it was the last time he was ever
00:11:52seen.
00:11:52Are you serious? When did that happen?
00:11:55I mean, I'm sure Jessica knows all of this.
00:11:57Dude, she doesn't even believe in ghosts.
00:12:01Neither did Diane.
00:12:02I'd like to point out, and I think it's important to clarify for the audience, that these poor individuals who
00:12:08have gone missing were amateur ghost hunters.
00:12:12These were not trained professional paranormal investigators.
00:12:16Thank you, Brock.
00:12:17And let's go ahead and show our viewers the Facebook Live video for those who haven't yet seen it.
00:12:22Go ahead.
00:12:28Alright.
00:12:29It, uh, looks like nobody's here right now.
00:12:33Um...
00:12:34Should be able to get in and out without, uh, being seen.
00:12:36Alright.
00:12:40To my fans.
00:12:42Love you all very much.
00:12:43I told you I would do this.
00:12:45Yeah, yeet, eh.
00:12:46Alright.
00:12:48You can just check out my channel.
00:12:51Um...
00:12:51The old warehouse video.
00:12:53All kinds of stuff like that.
00:12:54The abandoned mine shaft just two weeks ago.
00:12:58Alright.
00:13:02No, Rachel.
00:13:03I actually, uh...
00:13:04I'm wearing a box of briefs right now.
00:13:09Um...
00:13:12Uh...
00:13:13I'm not stopping.
00:13:15Uh...
00:13:16You just gotta admit.
00:13:18That was...
00:13:19That was pretty weird.
00:13:22Alright.
00:13:27I'm not taking any chance.
00:13:33Here we go.
00:14:00I'm sorry.
00:14:02I'll go now.
00:14:17I'm sorry.
00:14:21What's strange about that video is that it never cut.
00:14:25It kept on streaming through the night in that exact position until the phone's battery ran out at dusk.
00:14:40Police arrived later that day at the pleading from friends and family of Cameron, but they were not able to
00:14:47find a thing.
00:14:48Not a trace of Cameron.
00:14:49Well, I'm sorry.
00:14:50Um...
00:14:51This video doesn't show anything happening to Cameron.
00:14:54I think you want people to think there's something dangerous inside so that you can sell more DVDs.
00:14:59All you've done is given this kid the idea to sneak into private property.
00:15:03Try to prove it's all a hoax.
00:15:05Prove it.
00:15:07There's just too much you can't explain and you know it.
00:15:10Like, where the hell do you think I've been hiding Diane all these years?
00:15:14Where?
00:15:14Where I just kept her in my basement where she has family.
00:15:19You really think she would abandon them just to sell her documentary?
00:15:22Well, I have to ask Ben Arnold.
00:15:24If you do think everything was a hoax, what do you conclude happened to those people who died on opening
00:15:30night at Hell House?
00:15:31Well, we know that Alex probably killed himself.
00:15:34Tony was in the basement and was probably killed during the mass panic to get out after the malfunction of
00:15:42some sort.
00:15:44If this Mack were as smart as he claimed to be, then he would have killed himself too because he
00:15:52was going to wake up to a pile of lawsuits for negligent homicide.
00:15:57We know now that Sarah was the smart one. She disappeared.
00:16:02Sarah wasn't afraid of lawsuits. She wasn't even...
00:16:14She used Diane.
00:16:16How do you mean?
00:16:18Look, everything about the hotel goes back to Andrew Tully.
00:16:21Andrew Tully, the hotel's owner who was accused of performing satanic rituals in the basement and also accused of being
00:16:29involved with some guest disappearances.
00:16:31Yeah, the problem is Andrew Tully is dead.
00:16:36He hanged himself after the hotel closed back in the 80s. None, none of the evil cult activity was actually
00:16:43ever proven.
00:16:48But when should I ask my question? Wait till you hear me bring up the basement.
00:16:52So you'll say it's in the basement and I'll ask something like, but how do you know that it's in
00:16:59the basement?
00:17:00Right.
00:17:02On me.
00:17:03Hi, I'm Jessica Fox. It's October 7th and I'm here with Molly Reynolds and David Morris.
00:17:10Yo.
00:17:10And with us is Mitchell Cavanaugh.
00:17:12What are you guys? Some sort of an investigative outfit? Like Boutique Vice or 60 Minutes?
00:17:19Yeah, but unlike other journalists, we film every part of our story from inception through publication. And we're totally transparent.
00:17:26Everything is released once we publish.
00:17:28Jess has me record everything. I don't stop rolling. I go to the can, this goes with me.
00:17:33That's great, but I...
00:17:46The hotel is like a maze. And of course that's not by accident. Tully designed it based on H.H.
00:17:52Holmes' murder house, I've heard.
00:17:54So he made it as hard as possible to find your way out in the middle of the night. And
00:17:58we need to find our way to the basement.
00:18:00But how do you know what we're looking for is in the basement?
00:18:04That's a good question, Molly. Everything that Tully wanted to keep a secret was kept in the basement.
00:18:09So we're talking about proof of cult activity and information about the missing guests. It's all there.
00:18:15You had no proof when you called into the show. You just knew how to find it? And that's what
00:18:23you needed me for, right?
00:18:24Right. How do you even know that this supposed evidence exists?
00:18:30Because of one flipped witness. That's all it took. And I have the transcript.
00:18:34Who flipped and why don't we know about it?
00:18:36Because once Tully and his cult members committed suicide, the whole thing got dropped. It just disappeared.
00:18:42But this guy, Patrick Carmichael, he worked at the hotel. He was a member of Tully's cult, but he was
00:18:50arrested on a separate assault charge.
00:18:51So he missed the suicide party. He says that Tully kept video footage and photos of what was happening at
00:18:59the hotel.
00:19:00And then here he says it was kept in the fridges.
00:19:04What fridges? Nobody searched the fridges?
00:19:07Yes, but what if they assumed he meant the kitchen fridges?
00:19:10The cops only searched the kitchen fridges, but not the one in the basement, which I think, with all due
00:19:16respect, it is a ridiculous theory.
00:19:18We're dealing with a police force that hasn't been able to solve a series of disappearances for decades in the
00:19:24same place.
00:19:25Okay, so what is the plan?
00:19:27We go into the basement, search the fridge, and find the evidence.
00:19:33Yes. I don't believe in ghost stories, but I don't want to take any chances with you guys. We're going
00:19:37to be in and out in an hour, tops.
00:19:39If Mitchell is with us, we'll be even quicker because he knows the hotel better than anyone.
00:19:45That's a really fucked up place to try to break into. You know that, right?
00:19:50Yes. Mitchell, we absolutely know that. The evidence is there.
00:19:54I know it. It has to be.
00:19:57Okay, and if we find it, then maybe we will find out what happened to Diane.
00:20:02Finally.
00:20:04Don't you want to know?
00:20:12We can't do this without you.
00:20:17Will you turn that off, please?
00:20:20Jess?
00:20:21Yep.
00:20:22I'd like to share with our audience some of the stranger, unexplained occurrences that have been recorded since the documentary
00:20:30aired in what many refer to as the Hell House Fallout.
00:20:33So people believe that this stuff is real?
00:20:36Well, nothing's been proven either way yet.
00:20:39Look, as long as that hotel emits this kinetic spiritual energy, people are going to continue to be drawn to
00:20:46it, which is precisely why someone like me is invaluable to the investigation.
00:20:50I need to be allowed in that hotel. I need access to it.
00:20:54Let's hold off on commenting until we've seen the footage. Go ahead.
00:21:10All right, Ben. Challenge accepted. I'm going in. All right. Coast is clear. No cops.
00:21:17No cops.
00:21:22Holy shit.
00:21:58All right, I think that's far enough. Challenge completed.
00:22:04Okay.
00:22:07Get ready to pay up, Ben.
00:22:09Sous-titrage Société Radio-Canada
00:22:43Hey guys, so we just got back from our fashion show, um, was kind of disappointed, uh, we came from
00:22:50such a faraway place just to see a thrift shop. Um, I was expecting some sort of high-end, awesome,
00:22:56amazing fashion line.
00:22:57Hey, hey, babe, sorry. Is that girl hitchhiking?
00:23:00Babe, who hitchhikes anymore?
00:23:02I don't know, come on, it's so shitty out. Let's pick her up.
00:23:04Fine, okay, fine.
00:23:14Honey, do you need a ride?
00:23:17Do you think we should do this?
00:23:18Yeah, it's so cold out. I mean, come on, shmite.
00:23:21Oh, hey, um, hi, sweetie.
00:23:24How's it going?
00:23:26Uh, where are you headed, sweetie?
00:23:29The Avedon Hotel.
00:23:31The Avedon Hotel? Honey, that place has been closed for a few years now.
00:23:36I checked in already.
00:23:40Okay, when did you check in?
00:23:44October 8th.
00:23:46It's, it's September 30th.
00:23:48Let's just get her home, okay?
00:23:51Fine, we're going.
00:23:55I'm sorry, sweetie, are you okay? You just, you look a little pale.
00:23:58Do you, do you need some water or something?
00:24:03Not so talkative, huh?
00:24:05I guess I wouldn't be either if I was stuck on the side of the road in the cold.
00:24:15I think this is it.
00:24:16It's all boarded up.
00:24:18I know. This doesn't look right.
00:24:20Miss, is this where you wanted us to drop you?
00:24:22Does this place look familiar to you?
00:24:23Hold on, miss.
00:24:24Wait, hold on, wait, please don't get out of the car.
00:24:25This place is boarded up.
00:24:26I don't know what you're being.
00:24:27Hold on, babe, wait, hold on.
00:24:29Miss?
00:24:32Hold on, miss, do you need some help or something?
00:24:35God, she went in.
00:24:37Adam, I don't like this.
00:24:38Come on.
00:24:40I don't think she knows where she is.
00:24:41I know, she's just...
00:24:43Sweetie.
00:24:44Hello?
00:24:46Do you have a flashlight or something?
00:24:49Yeah.
00:24:49On your phone?
00:24:50Hello?
00:24:53Oh, there she is.
00:24:53Honey, can you...
00:24:55Adam, I don't think she...
00:24:57I don't think this is her.
00:24:58Just hold on.
00:24:59Miss?
00:25:02Hello?
00:25:03Sweetie, we just want to help.
00:25:09Oh, my God.
00:25:11Miss?
00:25:13Adam, I don't think we need to be here anymore.
00:25:16There's something wrong with her.
00:25:17Honey, I know it's not worth it.
00:25:19Listen, you shouldn't be down here, okay?
00:25:20Just come up with us and we'll help you.
00:25:23Whatever you need, okay?
00:25:27Oh, fuck!
00:25:28Go, go, go, go!
00:25:29Go, go, go!
00:44:14C'est intéressant, c'est que c'est l'appelé uniaire commercial.
00:44:18C'est bon, c'est bon, c'est bon.
00:44:20Si ça ressemble à l'interesse, nous devons garder ça.
00:44:23Qu'est-ce que c'est ?
00:44:25Qu'est-ce que c'est ?
00:44:26Qu'est-ce que c'est ?
00:44:28Mollie ? C'est-ce que c'est Mollie.
00:44:30Je pense que c'est Mollie.
00:44:34Mollie, c'est ça vous ?
00:44:36Oui, c'est upstairs.
00:44:38C'est-ce que c'est-ce que c'est-ce que c'est ?
00:44:40Why are you inside when you're supposed to be outside ?
00:44:45What ?
00:44:46I am at the main entranceway, what the hell ?
00:44:49If she's at the main entranceway, just go get her,
00:44:52and ask her what the hell she's doing.
00:44:54I get nominated again.
00:44:56Ok, if it's the cops, just tell her to stay calm, lay low.
00:44:59It's fine.
00:45:00Cops, ok, all right, I'm leaving this here.
00:45:03Is that too hard?
00:45:03Alright Mollie, I'm on my way.
00:45:05Ok, hold on to this in case I need to get ahold of you guys.
00:45:08Just...
00:45:09I just don't want to get shot.
00:45:10Just keep her where she is, ok?
00:45:12It's not a big deal, just fucking...
00:45:15You're not going to get shot anymore.
00:45:19Fuck, Molly!
00:45:20Oh my god, you scared me!
00:45:22What's going on?
00:45:23Look, I'm sorry, but what are you doing in here?
00:45:27What are you talking about?
00:45:28Look, Jessica told you to stay outside, not coming in here.
00:45:32I know! So why did you tell me to come inside the store?
00:45:34Molly, I didn't tell you anything.
00:45:36You didn't radio me and tell me to come inside?
00:45:39Yeah, you did, David.
00:45:39No, I've been down in the basement digging through, like, tapes from 1986.
00:45:44I didn't tell you anything. I haven't even touched that until you called.
00:45:48You went on the radio and you said,
00:45:50Hey, Molly, we could use some extra hands in here.
00:45:54Why don't you come inside and I'll open up the front door and meet you?
00:45:57It was you! Why are you screwing at me? This is not ok!
00:46:00Look, look, Molly...
00:46:01Stop! I'm not kidding! Why don't you do this to me now?
00:46:03This is bullshit!
00:46:04You didn't do any of that. I wouldn't do that.
00:46:06Let me see... Just let me see this, okay? I'm gonna call.
00:46:10That's not funny.
00:46:15Hey, guys. Something very weird is going on here.
00:46:22Uh, David, are you there? Are you with Molly? What's... What's happening?
00:46:28Yeah, I'm with her. She said that I called her and told her to come in.
00:46:33What do you mean you called her? We told her to stay outside.
00:46:38David, listen. What door did she come in?
00:46:41She came in through the front door. The two were covered in.
00:46:44And the door she used, is it closed?
00:46:47Oh, yeah. It's closed.
00:46:48Can you open it?
00:46:55No, it's locked. I don't... I don't...
00:46:57Alright, we're coming up right now.
00:46:58Okay.
00:46:59Just grab whatever you can. You gotta go right now.
00:47:02Wait, what's happening? What's wrong?
00:47:03She wasn't supposed to be in here. Get it?
00:47:05Uh-oh.
00:47:06Just go. Let's just go.
00:47:07Just move. Move.
00:47:07Nothing's happened.
00:47:08Calm down, Mitchell.
00:47:10Just again, this was a mistake, okay?
00:47:12There's something definitely wrong about this.
00:47:15I don't understand. You just need to calm down. It's fine.
00:47:18Just think about it. Think about it.
00:47:20Just, how did you happen to get the evidence?
00:47:23Someone knew that it was gonna draw us here. And it did. It worked.
00:47:27Fuck. Let's go. Let's go. Let's go right now.
00:47:29Okay. Okay. I'm moving.
00:47:33Okay. Just forget about the rest. Let's just go.
00:47:35Can you just calm down a second?
00:47:36I am. I'm very calm. Let's go.
00:47:38Yeah, right. Okay.
00:47:41What's taking so long?
00:47:42I'll be here, I promise. See?
00:47:50Oh, shit.
00:47:51Yeah, see? Tight.
00:47:53Now, seriously, guys. Who contacted her?
00:47:56Nobody did.
00:47:57Exactly. That's why we gotta get out of here right now.
00:47:59Gotta go back the way we came. I wedged that open.
00:48:01Wait. What about Brock?
00:48:03Yeah, I kind of forgot Brock. See?
00:48:05Fine. We'll go that way.
00:48:06He goes to the dining room and then to the exit.
00:48:09Okay. Calm down. Okay?
00:48:12Okay.
00:48:13Jesus Christ.
00:48:16That one working?
00:48:17Fuck.
00:48:22Come on.
00:48:23Just calm down.
00:48:25Just keep going.
00:48:26Here we go.
00:48:27Come on.
00:48:28Come on.
00:48:37Oh, it's Nancy.
00:48:38Oh, it's Nancy.
00:48:44Oh, fuck.
00:48:48Oh, fuck.
00:48:49Oh, fuck.
00:49:02Oh, fuck.
00:49:03Shit.
00:49:04Is it Brock and Malcolm?
00:49:05What the fuck is happening?
00:49:07Fuck, fuck.
00:49:07This was the fastest way to the exit. Go.
00:49:09Go.
00:49:10Go.
00:49:10Just go.
00:49:11Just go, okay? Just go.
00:49:11Go, go, go.
00:49:13Go.
00:49:13Let's go.
00:49:14Where's the exit, man? Come on.
00:49:16Go, go, go, go.
00:49:27Jesus Christ, how did I get there?
00:49:29Oh, my God.
00:49:29Fuck.
00:49:29How was it there?
00:49:30That was in the basement.
00:49:32That's our way out.
00:49:33We gotta go out that way.
00:49:33We're not going near that fucking thing.
00:49:35Oh, shit, man.
00:49:35Yeah, it's just a prop.
00:49:37How do you get up here?
00:49:38It can't hurt us.
00:49:40It doesn't move.
00:49:41Okay?
00:49:42Let's go.
00:49:47Oh, fuck.
00:49:49Hey, no.
00:49:50Come, come on, guys.
00:49:51Move, move, move.
00:49:52Fuck.
00:49:53No.
00:49:54No.
00:49:55Go, Molly.
00:49:56Go.
00:49:58Go, Molly.
00:49:59Come on.
00:50:01Fuck.
00:50:03What is that?
00:50:05Go, go.
00:50:06Go.
00:50:07I don't understand.
00:50:08I don't want to be in here.
00:50:10Please, get in and out of here.
00:50:11Come on, Mitchell.
00:50:12Come on.
00:50:13Let's go.
00:50:13Come on.
00:50:14Double the door, man.
00:50:15There's no knob.
00:50:16What do you mean there's no fucking knob?
00:50:18There's no knob.
00:50:18All right, all right, all right, all right.
00:50:19Jessica, I got an idea.
00:50:21We break it down.
00:50:22With what?
00:50:23With ourselves.
00:50:24Okay.
00:50:25Don't stop filming.
00:50:26We got this.
00:50:29Oh!
00:50:30Fuck, that sucks.
00:50:31Yeah, I'm good.
00:50:33What is that?
00:50:37Fuck.
00:50:38Okay.
00:50:40What is that?
00:50:41Jess, hand me the camera.
00:50:42Okay.
00:50:43Okay.
00:50:45Okay.
00:50:46Okay.
00:51:05Upstairs.
00:51:06Let's go upstairs.
00:51:07Let's go upstairs.
00:51:10Jess, Jess, we have to go.
00:51:12Come on, we have to go.
00:51:13Go.
00:51:13Go.
00:51:14Okay.
00:51:15Come on, let's go.
00:51:16Come on, come on, come on.
00:51:17Come on.
00:51:17Come on.
00:51:19How are these lights on?
00:51:20The power's supposed to be out.
00:51:22Just ignore them and just keep moving.
00:51:26What the fuck?
00:51:27Are you okay?
00:51:28Are you okay?
00:51:28Are you okay?
00:51:29Shut up.
00:51:35Where the fuck are we going?
00:51:36Guys, guys, guys, guys, guys, look.
00:51:39Look, we can't go up there.
00:51:40Why the fuck?
00:51:41Because I saw your documentary.
00:51:43Where else is there to go?
00:51:44Look.
00:51:44This is the only way.
00:51:46Okay.
00:51:47Okay.
00:51:47Go, go, go.
00:51:52What?
00:51:53Is there something wrong with this room?
00:51:54Oh, my God.
00:51:55Mitchell, Mitchell, are you okay?
00:51:57I have to go in there.
00:51:59No.
00:51:59You can't.
00:52:00You can't go in there.
00:52:01No, no, no.
00:52:01Mitchell, Mitchell, we have to get out of here.
00:52:05Down there.
00:52:06There's a way to the balcony.
00:52:07So do that then, okay?
00:52:08Come on, man.
00:52:08Let's go.
00:52:09You're ruminating.
00:52:11No, no, no, no, no, no, no, no, no, no.
00:52:13No, guys, come on.
00:52:15Shh.
00:52:15This is not okay.
00:52:17Oh, no.
00:52:17This is.
00:52:18This is.
00:52:19Fuck.
00:52:24Oh, my God.
00:52:25Oh, my fucking God.
00:52:26Oh, my fucking God.
00:52:28Oh, my fucking God.
00:52:30Oh, fuck.
00:52:30Oh, fuck.
00:52:30Let's go in here.
00:52:31Let's go in here.
00:52:32Go, go, go, go.
00:52:33Go.
00:52:33Come on, come on.
00:52:34Come on, come on.
00:52:36Come on, quick.
00:52:39There's no lock.
00:52:40There's no lock.
00:52:41There's no lock.
00:52:42There's no lock.
00:52:42Here, hold it.
00:52:43Hold it.
00:52:43Hold it.
00:52:44Hold the shot.
00:52:47Get out of the way.
00:52:48Get out of the way.
00:52:55Mitchell.
00:52:56Mitchell.
00:52:57You knew something was wrong when you fucking heard Molly on the radio.
00:53:00What is going on?
00:53:01Oh, my God.
00:53:04Oh, my God.
00:53:07Let's talk a little bit about Alex Taylor, who's become a controversial figure since the
00:53:12release of the documentary and even before.
00:53:15Officials from Rockland County and Abaddon say that he was never given permission to use
00:53:19the hotel.
00:53:20We didn't.
00:53:20You know, I remember several instances where Alex met with my colleagues and they cautioned
00:53:25him away from the hotel, gave him other options.
00:53:28They cautioned him against or denied him access outright?
00:53:31Well, legally speaking, I don't think they were allowed to forbid him from using the hotel,
00:53:37so no.
00:53:39Brock, from what you've seen, have you been able to draw any conclusions of your own?
00:53:42Oh, for sure.
00:53:46I mean, Alex has a certain personality trait that's common among people who start with
00:53:52nothing and create, build their own businesses.
00:53:55They are willing to take risks.
00:53:57They gamble.
00:53:58And when they lose those gambles, they are willing to double down and compound their risks.
00:54:06Things can spiral out of control.
00:54:08For Alex, things were definitely spiraling out of control.
00:54:12You could make the argument that Hell House was not doing well financially and nobody else
00:54:18in the house really knew about that.
00:54:20Well, maybe Mac, but I think something darker was at play here, something more nefarious.
00:54:30Something was driving him, something compelling him down a path toward his demise.
00:54:37Well, that still doesn't explain why he chose the hotel out of all the other possible options available to him.
00:54:46I have a theory.
00:54:48I believe...
00:54:52I believe he was contacted by the hotel.
00:54:56How do you mean? The hotel's been closed for...
00:54:59No, I don't mean someone from the front desk called him to confirm a reservation.
00:55:02I believe there's something within the hotel that orchestrates events.
00:55:14A chain of events that plays out like, almost like dominoes, cause and effect.
00:55:32Whatever happened on October 8th, 2009, it was set in motion long before that night.
00:55:53The leaked transcript, how did you receive it?
00:55:55Um, I got it in the mail.
00:55:57Any idea where it came from?
00:55:59No, it was anonymous.
00:56:00Exactly, so...
00:56:02So you get an anonymous tip, and you contact me, and then...
00:56:06And then, uh, uh...
00:56:08You get your crew here, and then within a few days we're all trapped in here, don't you see?
00:56:12So it was...
00:56:13So you thought this was all a manipulation, then why didn't you let us...
00:56:15I didn't... No, no, I...
00:56:17Look, I honestly didn't...
00:56:18You should've stopped this.
00:56:18No, I honestly didn't think that we were being baited until I heard Molly on the radio, okay?
00:56:22Why would I even go in the hotel if I know it was being baited?
00:56:25Okay, okay, okay, we can't...
00:56:26Fuck!
00:56:26We cannot stay here!
00:56:28Mitchell, we need to go, we need to, like, run for it, we're sitting ducks!
00:56:31Did you not see the same thing I saw out there?
00:56:32Check, check your phone again.
00:56:33There's no coverage.
00:56:34Just try.
00:56:36I'm trying, I tried a million times, there's no goddamn coverage, okay?
00:56:39I have nothing, okay?
00:56:40Look, I'm trying, I'm trying.
00:56:41There's no nothing, nothing.
00:56:43There's nothing, there's nothing, okay?
00:56:44Wait, wait, wait.
00:56:46What about, what about the walkie?
00:56:48Why don't we try a different challenge?
00:56:49We didn't try that yet.
00:56:51Okay, okay, okay.
00:56:52Maybe someone's gonna get it to me.
00:56:53Okay, okay.
00:56:55Okay, okay, okay, okay.
00:56:57I tried.
00:56:58Okay, this is a different channel.
00:57:00Hello?
00:57:01Can anyone hear us?
00:57:01Hello?
00:57:03Fuck, okay.
00:57:04Can anyone hear us?
00:57:05Hello?
00:57:08Yes, yes, I can hear you.
00:57:10Hello?
00:57:11We're, we're, we're stuck in the Abaddon Hotel.
00:57:12Can you please help us, please?
00:57:14Yes, we have you checked in.
00:57:16For October 8th.
00:57:17Transfer.
00:57:21Oh my god.
00:57:28Fuck.
00:57:31Yeah, guys, you're gonna wanna check this out.
00:57:36Like, I've been digging through all these, like, old, crusty-ass Hi8 tapes, and then I come across a couple
00:57:41of these nice, shiny new mini-DV tapes, and on one of them, you're not gonna believe who pops up.
00:57:47Like, seriously, get, get over here.
00:57:49Get over here.
00:57:49Get over here.
00:57:50Alright?
00:57:53Boom, let me freeze for a minute.
00:57:55What?
00:57:57What the fuck is he doing on this tape?
00:57:58Wait, is, wait.
00:57:59Could, could their tapes have gotten mixed up with Tully's?
00:58:01No, no, no, no, no, no, no, no.
00:58:02These are from the tapes that we found in the basement, okay?
00:58:04There is literally no one else from Al House on these tapes.
00:58:07What are they saying?
00:58:08Have you listened?
00:58:08They're having some kind of meeting.
00:58:10I, I can't really tell you.
00:58:11Wait, who was meeting who?
00:58:12Uh, Alex, and then someone else that I haven't even seen yet.
00:58:17Like, okay, look at the hard-coded date.
00:58:19That's April, okay?
00:58:21That's six months before the fucking tragedy.
00:58:23That guy looks sick.
00:58:24Six months.
00:58:26He'd always given the impression that...
00:58:28That he had never been there before.
00:58:30Right.
00:58:30What the fuck?
00:58:31We have to watch this.
00:58:32Wait, wait, wait.
00:58:32Alright, alright, alright.
00:58:33And hold on to your butts.
00:58:44And where the fuck have you been, huh?
00:58:45I've been calling you for weeks.
00:58:47Has he got a voicemail?
00:58:48I can sue you, you know.
00:58:49You knew it was high risk.
00:58:50I told you something like this could happen.
00:58:52It was bad luck.
00:58:54Bad luck?
00:58:55No, no, no, no, no.
00:58:56I lost a fortune on that, okay?
00:58:59What the fuck am I supposed to do now?
00:59:01What are you supposed to do?
00:59:02I don't know, Alex?
00:59:03Take some responsibility?
00:59:04Possibility?
00:59:05No, no, no, no, no.
00:59:05You, you reach out to me, okay?
00:59:08You called me.
00:59:09Why did you do that?
00:59:10Were you trying to scam me from the beginning?
00:59:12You're obviously business savvy.
00:59:13Hell House is a huge success in a highly successful Halloween market like New York.
00:59:19Yeah, it was.
00:59:22It was.
00:59:23What do you mean, Lars?
00:59:24You stuck out the business.
00:59:27Alex, you didn't.
00:59:30You invested the company's money and not your own.
00:59:33Oh, wow!
00:59:35How did I have you pay so long?
00:59:37That's some tough explaining to your pal, Mac.
00:59:40Say, Alex, where did all your money go?
00:59:42Well, Mac, it's gone, but on a brighter note, Rockland County is really lovely this time of year.
00:59:50Wish I could be a fly on the wall for that.
00:59:53Relax, Alex.
00:59:55I think I might be able to help you.
00:59:57How?
00:59:58Well, what do you think of this place?
01:00:01This hotel?
01:00:02It's a dump.
01:00:04Well, sure, it hasn't had guests in a few decades, but what do you think about it?
01:00:11I don't know, it's kind of freaky.
01:00:13Easy to get lost.
01:00:15I mean, who makes it that hard to find a dining room?
01:00:17Fun, right?
01:00:19It's been in my possession for a very long time, and I've been looking to do something to put it
01:00:23back on the map.
01:00:25Something like what?
01:00:27An attraction of some kind.
01:00:31A haunted house, perhaps?
01:00:34You could help me give this hotel a second life.
01:00:59Are we all gonna die in here?
01:01:04Molly, no, no, no, no.
01:01:06Just stay calm.
01:01:08We're gonna figure this out, and then we're gonna get out of here.
01:01:10I promise you.
01:01:12Okay?
01:01:15I didn't think...
01:01:19I didn't know.
01:01:23There was...
01:01:25So much blood.
01:01:29Whose blood?
01:01:32Where did you see the blood?
01:01:35His blood...
01:01:40Her blood.
01:01:41My blood.
01:01:42My blood.
01:01:47They...
01:01:48They laughed, and laughed, and laughed, and...
01:01:55They're...
01:02:20Do you know...
01:02:22In the Bible, they call it...
01:02:24The Lake of Fire.
01:02:28Can you tell us who you were with?
01:02:31Where have you been the last few days?
01:02:34Just conserve your energy.
01:02:36So what?
01:02:38What's the plan?
01:02:39I mean...
01:02:41We have to make a run for it.
01:02:43Eventually.
01:02:44I mean, we have to...
01:02:45Didn't you say there was a balcony?
01:02:46Yes.
01:02:46Yes, there is a balcony.
01:02:48I saw it on the tapes.
01:02:49Then that's where we have to go.
01:02:50Yes, eventually.
01:02:51Just not right now.
01:02:52You saw what's out there.
01:02:56Fine.
01:02:58If we get out of here,
01:03:00I want a vacation.
01:03:04A whole week.
01:03:05Where you don't get to call, text, or email me.
01:03:10And I can just sit on the couch.
01:03:12And binge watch so you think you can dance.
01:03:17Is that a deal?
01:03:20Yeah, it's...
01:03:21It's a deal.
01:03:36Oh, I'm sorry.
01:03:40Shh, shh.
01:03:47Sleep sweet.
01:03:48Shit!
01:03:50Fuck!
01:03:51David!
01:03:52Damn it!
01:03:53I can't...
01:03:54Where are you, David?
01:03:55I'm over here by the camera.
01:03:56Turn off the light.
01:03:58Just crawl towards the sound.
01:03:59What's...
01:04:00No.
01:04:01Okay, okay, okay.
01:04:02I told you, I told you.
01:04:03What's wrong with it?
01:04:04There's nothing this camera can do with it.
01:04:06I can't fix it.
01:04:06Come on!
01:04:07I'm working, Jess.
01:04:09And...
01:04:09Come on!
01:04:10Boom!
01:04:11Boom!
01:04:11Got it!
01:04:12Sorry, I'm sorry, I'm sorry.
01:04:14See, I told you.
01:04:16Okay.
01:04:16A little fucked up from...
01:04:17What?
01:04:18What the fuck?
01:04:18Why is the door open?
01:04:20More importantly, where the fuck is Molly?
01:04:23Molly.
01:04:24She wouldn't just get up and walk the fuck out.
01:04:27She wouldn't get out of this room by herself, no.
01:04:28Molly!
01:04:29Stop!
01:04:30Hey!
01:04:30Molly, come on!
01:04:31Stop, stop, stop.
01:04:31Stop, stop, stop.
01:04:34I'm chill.
01:04:35Jessica, tell him I'm chill.
01:04:37Okay, let's go.
01:04:37He's okay.
01:04:38Fine, you're chill.
01:04:38You're chill.
01:04:39I get it.
01:04:39He's okay.
01:04:40Okay, calm down.
01:04:41What is that?
01:04:44I wasn't here before.
01:04:50Mitchell, Mitchell.
01:04:51What is that?
01:04:53Mitchell?
01:04:57What is it?
01:05:00Jessica, what does it say?
01:05:03It says, um, lovely Molly's in the basement with her friends.
01:05:08This basement?
01:05:09The basement here?
01:05:09No, no, no, no!
01:05:10That's what it says!
01:05:11No!
01:05:11Come on!
01:05:12No, no, no, no!
01:05:12Stop it!
01:05:13David, stop it!
01:05:13Listen.
01:05:15We're gonna find her.
01:05:16We're gonna find her.
01:05:16I just want to get her back.
01:05:18Okay, we know.
01:05:19We all want her back.
01:05:20Just be calm.
01:05:20I promise you, we'll go get her.
01:05:22You promise me, Mitchell.
01:05:24Just don't.
01:05:24I promise.
01:05:25I promise.
01:05:26Just don't be stupid about this, okay?
01:05:27I'll go first.
01:05:28Right.
01:05:29And Jessica, you go next, and then you get our backs, okay?
01:05:34Okay, we're gonna get her.
01:05:35Okay, just we have to be calm.
01:05:37Let's go.
01:05:37Let's go slowly.
01:05:38Come on.
01:05:39Slowly.
01:05:39Shh.
01:05:40Be quiet.
01:05:42Let's go into the basement.
01:05:44Let's go into the basement.
01:05:47Let's go into the basement.
01:05:48Let's go into the fucking basement.
01:06:00Watch your head, Chase.
01:06:01Okay.
01:06:01Okay.
01:06:02Okay.
01:06:17Sous-titrage Société Radio-Canada
01:06:44C'est parti.
01:07:22Sous-titrage Société Radio-Canada
01:07:56Sous-titrage Société Radio-Canada
01:07:57Sous-titrage Société Radio-Canada
01:08:09Sous-titrage Société Radio-Canada
01:08:16Sous-titrage Société Radio-Canada
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01:08:24Sous-titrage Société Radio-Canada
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01:08:43Sous-titrage Société Radio-Canada
01:08:47Sous-titrage Société Radio-Canada
01:08:53Sous-titrage Société Radio-Canada
01:08:54Sous-titrage Société Radio-Canada
01:08:59Sous-titrage Société Radio-Canada
01:09:00Sous-titrage Société Radio-Canada
01:09:02Sous-titrage Société Radio-Canada
01:09:06Sous-titrage Société Radio-Canada
01:09:07Sous-titrage Société Radio-Canada
01:09:10Sous-titrage Société Radio-Canada
01:09:15Sous-titrage Société Radio-Canada
01:09:45Sous-titrage Société Radio-Canada
01:09:52Sous-titrage Société Radio-Canada
01:10:44We have on the phone right now
01:10:45Sous-titrage Société Radio-Canada
01:11:16Sous-titrage Société Radio-Canada
01:11:50Sous-titrage Société Radio-Canada
01:12:48Sous-titrage Société Radio-Canada
01:12:49Sous-titrage Société Radio-Canada
01:13:03Sous-titrage Société Radio-Canada
01:13:33...
01:14:03Sous-titrage Société Radio-Canada
01:14:06Sous-titrage Société Radio-Canada
01:14:46Sous-titrage Société Radio-Canada
01:14:54Sous-titrage Société Radio-Canada
01:14:56Sous-titrage Société Radio-Canada
01:15:04Sous-titrage Société Radio-Canada
01:15:15Sous-titrage Société Radio-Canada
01:15:18Sous-titrage Société Radio-Canada
01:15:25Sous-titrage Société Radio-Canada
01:15:29Sous-titrage Société Radio-Canada
01:15:50Sous-titrage Société Radio-Canada
01:15:52Sous-titrage Société Radio-Canada
01:15:54Sous-titrage Société Radio-Canada
01:15:56Sous-titrage Société Radio-Canada
01:16:00Sous-titrage Société Radio-Canada
01:16:03Sous-titrage Société Radio-Canada
01:16:06Sous-titrage Société Radio-Canada
01:16:08Sous-titrage Société Radio-Canada
01:16:10Sous-titrage Société Radio-Canada
01:16:12Sous-titrage Société Radio-Canada
01:16:12Sous-titrage Société Radio-Canada
01:16:17Sous-titrage Société Radio-Canada
01:16:19Sous-titrage Société Radio-Canada
01:16:22Ah, je pense que c'est, pourquoi ?
01:16:25Parce que je sais que tu es lying à ma face.
01:16:28Tu ne vas pas revenir.
01:16:29Et si tu vas essayer de trouver les secrets
01:16:31que tu ne vas pas,
01:16:33tu ne vas pas le brock Davies.
01:16:35Je ne vais pas s'arrêter là, brock.
01:16:37Tu dois rester là aussi.
01:16:43Monika, peut-être qu'on peut redé l'intro ?
01:16:45J'ai l'impression que c'est un peu stale
01:16:47et que je voulais changer les lines dans le début.
01:16:51Je t'ai vu le déroulement dans le début.
01:16:54Je t'ai parlé de nos garçons dans le début.
01:16:56J'ai pas la question qui s'arrête à wenn tu ne s'arrête.
01:16:59Je me suis contentée par un accident de magoat.
01:17:02C'est surtout que tu ne m'as pas dit.
01:17:04Je n'ai pas commencé à dire que tu ne pouvais pas le.
01:17:05J'ai vu que tu ne m'as pas因为 tu prêt.
01:17:07J'ai l'impression qu'il.
01:17:08Il s'arrête pas comme pour le temps.
01:17:11Il dit que j'ai eu que j'ai dû arrêter l'automne.
01:17:11Tu es m'oublier avec la police et la insurance et la femme.
01:17:19en la vidéo 30 secondes à go.
01:17:32Michel!
01:17:36Leave him be.
01:17:40What are you doing here?
01:17:44What the fuck are you doing here?!
01:17:46You're having trouble putting this together?
01:17:52This can't be.
01:17:55You're...
01:17:56I'm what, Michel?
01:17:58You're dead. You're dead.
01:18:00For a long time now.
01:18:03Pick up the camera.
01:18:09Pick up the goddamn camera.
01:18:23Nice to meet you.
01:18:25I'm Andrew Tully.
01:18:27And you are a guest in my hotel.
01:18:31A permanent guest like my friends here?
01:18:36We'll see.
01:18:38Have you ever met the Hell House Brain Trust?
01:18:42This here is Mac.
01:18:44His friendship to Alex doomed him long before they ever opened Hell House.
01:18:50We almost lost Tony if it weren't for Mac here, spilling the bees at just the right moment.
01:18:56And this is the most important piece of my domino set.
01:19:03Alex.
01:19:04Taylor.
01:19:06I was surprised how easily you were manipulated by me.
01:19:10Almost as easy as Alex.
01:19:12Right on television.
01:19:15All I ever wanted was for more guests.
01:19:20Be my guest.
01:19:23Be my guest.
01:19:25And you all came.
01:19:28Just like Alex.
01:19:31Just like Diane.
01:19:35Don't you dare drop that camera!
01:19:45Now.
01:19:47I have to warn you.
01:19:49This is gonna be very difficult for you.
01:19:52And you are gonna have to make some tough decisions on how we keep the dominoes falling and our hotel
01:20:02open.
01:20:08Oh.
01:20:10You were under the impression that we closed the hotel.
01:20:15The hotel has never been fucking closed!
01:20:19When we died here 30 years ago, that was just our grand relaunch!
01:20:26Alex here?
01:20:27Well, he thought he was opening up Hell House in an abandoned hotel.
01:20:31Well, we never left.
01:20:36The hotel has always been occupied.
01:20:41Our lake of fire that we have chosen to enter.
01:20:47which are not been cast away to like your Bible would say.
01:20:51That's right, Mitchell.
01:20:53I found the gateway.
01:20:56And it's glorious.
01:21:00Play us a song.
01:21:13No.
01:21:15No!
01:21:22No, no, no, no, no, no, no.
01:21:24We're not done here, Mitchell.
01:21:25You have more to do before you can give up.
01:21:28There are choices to make.
01:21:30Will someone help him with that damn camera?
01:21:49Mitchell?
01:21:51Mitchell.
01:21:54Tell me who leaves here today.
01:22:00In order to keep the dominoes falling, one of you will get to leave.
01:22:05Now, who is it gonna be?
01:22:11We thought that you wouldn't be too eager to choose,
01:22:14so I'll take someone out of the running quickly.
01:22:23We are legion.
01:22:24We are servants of the snake.
01:22:26And we will release someone into the lake of fire.
01:22:31No.
01:22:32No.
01:22:32No.
01:22:33No.
01:22:34No!
01:22:34No!
01:22:35No!
01:22:37No!
01:22:37No!
01:22:38No!
01:22:38No!
01:22:39No!
01:22:41Molly!
01:22:42No!
01:22:42Molly!
01:22:43Molly!
01:22:45No!
01:22:45No!
01:22:50Molly.
01:22:53Oh, they chose lovely Molly.
01:22:56Oh, we definitely want her.
01:22:59The perpetually scared make for the best guess.
01:23:03Please stop.
01:23:06It won't stop.
01:23:08It never stops.
01:23:10We go on and on into eternity.
01:23:14Now Mitchell!
01:23:17Pick who gets to walk out of my front door.
01:23:20It's not my choice.
01:23:21I already made my choices.
01:23:29I know what comes next, and it begins with what happens in this room right now.
01:23:37Much later, way down the road, someone will come to this hotel, just like Alex did, and try to open
01:23:45it up again.
01:23:46I know this already, just like I knew that Jessica would come with one anonymous package.
01:23:53I have been sending this unfortunate person videos, including this one here.
01:24:01I see it now, Mitchell.
01:24:05It's gonna be bigger than Hell House.
01:24:07More souls for our lake of fire.
01:24:12That series of dominoes begins...
01:24:17Now.
01:24:39Now.
01:24:58So, super cool.
01:25:00Now, we're here.
01:25:00Let's go.
01:25:01Non, non, non, non, non, non, non!
01:25:06Ah!
01:25:32Ma'am, si vous n'allez pas nous dire, nous ne pouvons pas trouver les gens qui ont fait ça
01:25:35pour vous et les gens que vous étiez avec.
01:25:39Est-ce que vous pouvez nous donner des landmarks où ça s'est passé ?
01:25:43Est-ce que c'était à un parc ?
01:25:45Un restaurant ?
01:25:48Est-ce que vous vous souvenez de la rue ?
01:26:04Oui ?
01:26:06Ok, je vais aller là.
01:26:14Nous allons avoir besoin de...
01:26:15Le Abadon.
01:26:16Quoi ?
01:26:18Le Abadon Hotel.
01:26:22C'est là où je suis.
01:26:29C'est là où je suis.
01:26:30Vous devriez aller.
01:27:14C'est parti.
01:27:16C'est parti.
01:27:16C'est parti.
01:27:18Je suis désolée pour une carte de loins.
01:27:19Merci.
01:27:20Pour blackmail.
01:27:21Blackmail?
01:27:22Non, Alex.
01:27:23Je veux dire que je n'ai rien à faire avec ça.
01:27:25Donc, vous avez l'air pour vous dire.
01:27:28Est-ce que c'est on?
01:27:29Oui.
01:27:30C'est bon.
01:27:32Mac n'ai rien à faire avec ça.
01:27:35Juste me ce qui s'est passé.
01:27:37C'est bon.
01:27:37On est en route maintenant, ok?
01:27:39On est en route?
01:27:40Oui.
01:27:40Alex, vous avez tout tout.
01:27:42Comment on est-ce que nous avons une route?
01:27:43Vous avez déjà été à Rockland County?
01:27:45Un petit village d'Avadon.
01:27:47Juste sur le G.W.
01:27:48Vous avez été à l'Avadon Hotel ?
01:27:49Non.
01:27:50Pourquoi je n'ai jamais été là ?
01:27:52Parce qu'il y a un hotel,
01:27:53le G.Avadon Hotel,
01:27:54et c'est complètement vacant.
01:27:56Et ?
01:27:59Vous voulez une soirée bed et breakfast ?
01:28:00Non, Mac.
01:28:01C'est là où Hell House va avoir sauvé sauvage.
01:28:26En route.
01:28:34C'est bon.
01:28:35C'est bon.
01:28:37C'est bon.
01:28:37C'est bon.
01:28:39Allez maintenant ce soir.
01:28:41C'est bon.
01:28:41Ahira, tout fait.
01:28:42Le reste de vous aurons là !
01:28:43C'est bon !
01:28:47C'est bon.
01:28:47C'est bon.
01:28:48Est-ce que vous avez regardé le contrat ?
01:28:50Oui, j'ai regardé le contrat.
01:28:52Je pense que vous avez déjà fait quelque chose que nous n'aurions jamais voulu trouver.
01:28:56Faites-vous me, Mac ?
01:28:58Ce hotel va être parfaitement pour nous.
01:29:00Je vais vous remercier, ok ?
01:29:02Ils sont ici.
01:29:04Juste, je suis sérieux.
01:29:06Back me up, ok ?
01:29:10Hey !
01:29:18...
01:29:21...
01:29:23...
01:29:24...
01:29:24...
01:29:25...
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