- 2 days ago
》 B Movie
》 Italian Drama
》 Philippines Drama
》 Japanese Drama
》 French Drama
》 Asian Drama
》 Holiwood Drama
》 Lasbo Drama
Follow to daily entertainment......
》 Italian Drama
》 Philippines Drama
》 Japanese Drama
》 French Drama
》 Asian Drama
》 Holiwood Drama
》 Lasbo Drama
Follow to daily entertainment......
Category
😹
FunTranscript
00:00:19Don't do that.
00:00:20Why not?
00:00:21Because.
00:00:22Because what?
00:00:23Because I don't want you to touch me there.
00:00:25Why not?
00:00:26Because I said so.
00:00:27Just let me put my hand there.
00:00:29I won't even move it.
00:00:30Promise?
00:00:31I swear to God.
00:00:33All right, then.
00:00:34Hmm.
00:00:34All right, then.
00:00:36I thought you said you weren't going to do that.
00:00:39I thought you promised.
00:00:40So I would.
00:00:43Don't do that.
00:00:44Why not?
00:00:46Because.
00:00:46Because what?
00:00:47Because I don't want you to.
00:00:49I told you that.
00:00:50What is wrong with my just keeping my hand there and not moving it?
00:00:53But you don't just keep your hand there without moving it.
00:00:55Well, I will this time.
00:00:57I don't believe you.
00:00:58I promise.
00:00:58You promised last time.
00:01:00I had my fingers crossed.
00:01:04For the last time, don't do that.
00:01:08Don't do what?
00:01:08You know damn well what.
00:01:10No, I don't.
00:01:11I am doing nothing.
00:01:12Well, then stop doing nothing.
00:01:17I don't know.
00:01:18I don't know.
00:01:19I don't know.
00:01:32I don't know.
00:01:34I don't know.
00:01:36I don't know.
00:01:38I don't know.
00:01:38I don't know.
00:01:39I don't know.
00:01:41I don't know.
00:01:42I don't know.
00:01:44I don't know.
00:04:13What?
00:04:15What?
00:04:16What?
00:04:21Oh, hi, Miss Fitz.
00:04:22Philly, what are you doing?
00:04:24Exercise.
00:04:27One, two...
00:04:33Are you all right?
00:04:34Yeah.
00:04:38Philly, were you peeking at a girl in the bathroom?
00:04:41No, I was exercising.
00:04:44I know it's normal for a boy your age to be curious about the other sex.
00:04:48Yes, ma'am.
00:04:49Philly, the thing is to find girls whose age is more appropriate for you.
00:04:55Yes, ma'am.
00:04:58Let's go back to the party and find someone for you to dance with.
00:05:13Yeah, we were supposed to go on a fishing trip to Canada this week.
00:05:16How come you didn't?
00:05:16Oh, my dad got this dumb business trip he has to take first.
00:05:19Now I have to wait three lousy weeks.
00:05:21You wouldn't have had much fun anyway.
00:05:23I'm not sure I would.
00:05:24Three weeks.
00:05:25Philly?
00:05:26Yeah?
00:05:27What about lunch?
00:05:28I think I'm going to eat at the airport with my dad.
00:05:31All right.
00:05:32What time would you like to have your dinner then?
00:05:36About seven, I guess.
00:05:38Won't that be too late?
00:05:39No.
00:05:40All right, then.
00:05:42Whatever you say, sir.
00:05:47So that's your new housekeeper, her smile, huh?
00:05:50Yeah.
00:05:51How old do you think she is?
00:05:52I don't know.
00:05:5325 or 30.
00:05:54Old, but not as old as the rest we've had.
00:05:56You think she puts out?
00:05:57I don't know.
00:05:58Maybe.
00:05:58Morning, Philly.
00:05:59Morning, Mr. Green.
00:06:01You think she'll do it for the gardener?
00:06:03I don't know.
00:06:04Maybe.
00:06:05You think she'll do it for the chauffeur?
00:06:06Unless you're the fruit, nobody would do it for him.
00:06:09I think I'd better walk into the gate.
00:06:11Yeah, I think you'd better.
00:06:15Think she'll do it for you?
00:06:16For me?
00:06:17Yeah.
00:06:18Definitely.
00:06:19Or maybe.
00:06:20Well, if you strike out with her,
00:06:23just remember to send her over to me, okay?
00:06:25What, are you crazy?
00:06:26You wouldn't even get up to bat!
00:06:28Yeah, that's your true thing!
00:06:32Green, please stay away from the car.
00:06:34I just washed it.
00:06:34Sure.
00:06:37Do you see what you've done here?
00:06:40Yeah.
00:06:41Is that all that you have to say to me?
00:06:44No.
00:06:45You got a pile of shit on that car.
00:06:48Mm-hmm.
00:06:48I'll tell you some...
00:07:18You're right.
00:07:25Guess what?
00:07:27We're right.
00:07:27I'm good.
00:07:27I'm not a little lazy.
00:07:27He's a little lazy.
00:07:27Oh, I'm not a little lazy.
00:07:28When you're here together a little lazy.
00:07:30She's a little lazy.
00:07:32I'm a little lazy.
00:07:33I'm not a little lazy too.
00:07:35I'm not a little lazy.
00:07:36I'm'D be Japanese.
00:07:36It's good that you're not a little lazy.
00:07:36Oh, boy, what a creep she is.
00:07:40Fine dude.
00:07:42I should have gone to camp this summer just to get away from her.
00:07:45How come you didn't?
00:07:46How come?
00:07:48Because I've got to go on this goddamn cruise with my parents and my creepy sister.
00:07:53It's the goddamn Honolulu.
00:07:55We're gonna learn the goddamn hula hula.
00:07:58Pretty good.
00:07:59Sherman, would you boys like something to eat?
00:08:02No.
00:08:10Guess how old she is.
00:08:11How old?
00:08:13A hundred and ten.
00:08:15I wonder what she looks like.
00:08:17What do you mean, what she looks like?
00:08:19I mean, under her uniform.
00:08:22My housekeeper?
00:08:23No, my housekeeper, Miss Mallow.
00:08:26You're sick.
00:08:28You take care of everything while I'm away, Philly.
00:08:31You're the man of the house now, you know?
00:08:33Right.
00:08:34You know, Philly, I wish your mother were alive so she could see how well you can handle yourself now.
00:08:39Well, anyway, you listen to Lester and show the new housekeeper the ropes.
00:08:43You think you can handle her?
00:08:45Right.
00:08:46Yeah.
00:08:48Lester, for God's sakes, don't treat my luggage like that.
00:08:51Very sorry, Mr. Fillmore.
00:08:53There are some important things in there.
00:08:55Are you aware of that?
00:08:56Yes.
00:08:56I am relentlessly aware of that, sir.
00:09:01Thank you, Lester.
00:09:03Well, uh, so, I guess there's nothing else.
00:09:08We'll just say goodbye.
00:09:13Don't do anything I wouldn't.
00:09:17Have a good trip, Dad.
00:09:20Thank you, Lester.
00:09:44Thank you for watching the video.
00:09:48There's a space, and the world can't erase its fantasies
00:09:55Take a ride in the sky, on a ship's fantasize
00:10:00All your dreams will come true right away
00:10:05And we will live together
00:10:11Until the twelfth of never
00:10:17Our voices will be forever
00:10:22As long
00:10:30What are we stopping here for?
00:10:32I mean, isn't this the servant's entrance?
00:10:34Yes.
00:10:38Don't you usually drop me off in front of the house?
00:10:41Usually.
00:10:43So?
00:10:44So, uh, this time I didn't
00:10:53Will you be getting out here then, Philly?
00:11:01Thank you, Philly
00:11:06Every fall is a dream
00:11:09Wishing by in a stream
00:11:12Bringing light to the kingdom of the wind
00:11:17Take a ride in the sky
00:11:20On a ship's fantasize
00:11:23All your dreams will come true right away
00:11:27Our voices will bring together
00:11:32Until the twelfth of never
00:11:38We all will live now forever
00:11:43As one
00:11:49Come and sing
00:11:51Victory
00:11:52In the life of fantasy
00:11:55Love and life of new decree
00:11:58Bring your mind
00:12:00To everlasting liberty
00:12:02Come and sing
00:12:05Victory
00:12:06In the life of fantasy
00:12:09Love and life of new decree
00:12:12To be home
00:12:13To be home
00:12:14To your soul
00:12:14It's ecstasy
00:12:16You will find
00:12:18Of the kind
00:12:19That has been
00:12:21In search of you
00:12:23When it lies
00:12:24As the block of truth
00:12:25Recognize
00:12:27It should have
00:12:28Now the things we do
00:12:30To be home
00:12:31To be home
00:12:31To be home
00:12:33To be home
00:12:33To be home
00:12:35Philly
00:12:36Do you mind if we talk?
00:12:38What about?
00:12:40Things in general
00:12:42Like what?
00:12:44I don't know
00:12:45Whatever you like
00:12:46Like what do you do
00:12:47With your time?
00:12:49Not too much
00:12:50I guess
00:12:52What is there for me
00:12:53To do in this area
00:12:54On my nights off?
00:12:56I don't know
00:12:56There's a movie theater
00:12:58Downtown
00:12:59Drugstore
00:13:00And a couple of bars
00:13:02I guess
00:13:02Not too much really
00:13:04What did the other girls
00:13:06Do on the nights off?
00:13:07I mean the other housekeepers
00:13:09The other housekeepers
00:13:11Aren't exactly
00:13:11What you'd call girls
00:13:12They were mostly
00:13:13Elderly women
00:13:14Their nights off
00:13:15They mostly went to sleep
00:13:16You mean your previous
00:13:18Housekeepers
00:13:18Have been elderly women
00:13:20Mostly?
00:13:20Mm-hmm
00:13:22That must not have been
00:13:23Too interesting for you
00:13:24What do you mean?
00:13:26You mean it must not
00:13:27Have been too interesting
00:13:27For a young man
00:13:29Of 15 is it?
00:13:30Going on 16
00:13:31I'm not sure
00:13:32I got your point
00:13:32What do you mean
00:13:33It must not have been
00:13:33Too interesting?
00:13:35I mean it must not
00:13:35Have been so interesting
00:13:36To sit across
00:13:37From your elderly housekeepers
00:13:39And look up their dresses
00:13:40Like you're looking
00:13:41At mine right now
00:13:43Why do you say things like that?
00:13:45Well why shouldn't I?
00:13:47Because they embarrass me
00:13:48That's why
00:13:48Really I was only teasing you
00:13:50Did you have a good time?
00:13:52Oh yeah
00:13:53Very good
00:13:54Hey I did not want to embarrass you
00:13:56Really
00:13:56You're alright
00:13:57Will you forgive me?
00:14:00I don't know
00:14:08Lester?
00:14:11Lester?
00:14:13Lester?
00:14:14Lester?
00:14:16I plan to do some shopping
00:14:18This afternoon
00:14:18Can you drop me off the store?
00:14:20Well Miss Mallow
00:14:20I suppose
00:14:22I do have an appointment in town
00:14:23I can't be late
00:14:24But sure
00:14:25I really appreciate that
00:14:27But can I change out
00:14:28Of my uniform first?
00:14:29Is that alright?
00:14:30It's fine
00:14:31Just don't be all day
00:14:32About it
00:14:32Thank you
00:14:54That's why
00:15:03Thank you for waiting
00:15:04Lester
00:15:26It's your day
00:15:27Shining day
00:15:28All your dreams come true
00:15:33As you fly
00:15:35In your stride
00:15:36With the wind
00:15:37As you fly away
00:15:39Give a smile
00:15:40From your lips
00:15:41And say
00:15:42I am free
00:15:43Yes I'm free
00:15:44Now I'm on my way
00:15:49Go to the city
00:15:51Victory
00:15:52In a neck
00:15:54Come back to sea
00:15:55Love and love
00:15:56For you and me
00:15:58To behold
00:15:59Through your soul
00:16:00Is ecstasy
00:16:05You will find
00:16:07Love and cry
00:16:09That is deep
00:16:10In search of you
00:16:11Many lives
00:16:12Has brought you to
00:16:14Recognize
00:16:15It's your life
00:16:16Now in review
00:16:26Well, Nicole
00:16:27How is everything going?
00:16:29Just fine, Lester
00:16:30You seem to be getting along
00:16:31With Philly very well
00:16:32So when are you gonna
00:16:33Get it on with him?
00:16:35I don't know
00:16:36You don't know?
00:16:37Now listen, sweetpants
00:16:39Mr. Fillmore's trip
00:16:40Is a short one
00:16:41And this whole thing
00:16:41Has to be over and done with
00:16:43By the time he gets back
00:16:44But Lester
00:16:45He's just a 15-year-old boy
00:16:4715 is the perfect age
00:16:49Just think
00:16:50You're giving him
00:16:51Private lessons
00:16:52An advanced education
00:16:54I just feel bad about it
00:16:57If you don't do it
00:16:58You're gonna feel
00:16:58A hell of a lot worse
00:16:59Is this a threat, Lester?
00:17:02That is exactly what it is
00:17:18Philly, don't leave it there
00:17:20What?
00:17:21I said, don't leave your bike there
00:17:23Why not?
00:17:24It's not safe
00:17:27Why not?
00:17:28It might get run over
00:17:30Disfigured
00:17:31Mangled beyond recognition
00:17:33By who?
00:17:35Careless motorist
00:17:36Well, there aren't any motorists
00:17:37In this driveway
00:17:38Except you
00:17:52Go
00:17:57Take the stuff
00:17:58Okay
00:17:59Got it
00:17:59I'm coming
00:18:00I'm coming
00:18:00I'm coming
00:18:01I'm coming
00:18:04I'm coming
00:18:05I'm coming
00:18:07Are you okay?
00:18:08Yeah
00:18:08Give me the camera
00:18:10Okay
00:18:12Keep going
00:18:12Now
00:18:14One
00:18:15One
00:18:17Two
00:18:17Three
00:18:18Go
00:18:21You okay?
00:18:22Yeah, I'm fine
00:18:23Okay
00:18:23My stomach help me
00:18:25My stomach help me
00:18:30Here she comes
00:18:31Oh, okay
00:18:32Oh, yes
00:18:33She's upbending her uniform
00:18:35She'll be great
00:18:36Oh, yes
00:18:37She's doing it
00:18:38Oh, yes
00:18:39This is gonna be terrific
00:18:40Green underwear
00:18:41Green underwear
00:18:43There she goes
00:18:44Go
00:18:48Oh, this is gonna be terrific
00:18:52Put the neck
00:18:53Put the neck
00:18:55Okay
00:18:58Let's check
00:19:00Why will it be now?
00:19:05She gone?
00:19:06I'm afraid to look
00:19:09Oh, damn it!
00:19:11Oh, no
00:19:15Damn it!
00:19:17What a wasted night
00:19:21Philly
00:19:23Yeah?
00:19:24I hope you haven't been upsetting her
00:19:26What?
00:19:27Miss Mallow
00:19:28I hope you haven't been upsetting her
00:19:30She shouldn't be upset
00:19:32Why not?
00:19:34Her heart
00:19:35She had a mild attack on her last job
00:19:38That's why she had to leave
00:19:39You're kidding me
00:19:40You mean she didn't tell you?
00:19:43No
00:19:44Really?
00:19:45I thought you two told each other everything
00:20:18She's got everything
00:20:20A wind could ever rest for
00:20:23She is lovely
00:20:25Brighter than a morning star
00:20:28She is so beautiful
00:20:31Portrait of a sunset
00:20:34She got everything
00:20:37Giving her
00:20:38Giving my yoke on
00:20:40Next time you see her
00:20:43Tell her that I love her
00:20:45Next time you see her
00:20:48Tell her that I care
00:20:50Next time you see her
00:20:54Tell her that I love her
00:20:57Next time I see her
00:21:00Boy, you better be well
00:21:26She's so cool
00:21:28Let her give
00:21:29She and me
00:21:31And I know
00:21:32See you again, I will surely kill you
00:21:37Next time you see her, tell her that I love her
00:21:42Next time you see her, tell her that I care
00:21:47Next time you see her, tell her that I love her
00:21:53Next time I see you, boy you better be well
00:22:00What's the matter with you today, Philly?
00:22:03Huh?
00:22:05It's hardly said it work to me all day
00:22:07Oh
00:22:09Are you mad at me for teasing you for looking at my dress?
00:22:13No
00:22:15Are you sure?
00:22:17Yeah
00:22:21Well then, what is it?
00:22:24I don't know
00:22:29Are you too tired to talk to me?
00:22:32I guess so
00:22:35Hard day on the old bike, huh?
00:23:01Thank you
00:23:15Philly?
00:23:17Philly?
00:23:19Come inside, dear.
00:23:23Well, well, well.
00:23:25Yes, well, big deal.
00:23:29Philly, if you want to watch me undress so badly,
00:23:33why don't you tell me?
00:23:35What?
00:23:36I said if you want to watch me undress so badly,
00:23:39you should have told me.
00:23:41What do you mean?
00:23:43Well, do you want to watch me undress?
00:23:46Well, sure, I guess so.
00:23:50Go and close the door.
00:23:51What?
00:23:52I said close the door.
00:24:05I'm not sure I got you right.
00:24:07Did you want me in or out?
00:24:10Do you want to watch me undress?
00:24:12I guess so.
00:24:13In there.
00:24:15Have a seat.
00:24:23Ready?
00:24:24Can you wait for me?
00:24:26I know you naughty.
00:24:32Okay?
00:24:32Ready?
00:24:35Good.
00:24:35...
00:24:53Ready?
00:25:06Are you still with me, Philly?
00:25:08Pardon?
00:25:09Do you still want me to continue?
00:25:12Yeah, yes, please.
00:25:17Not growing bored?
00:25:27Are you sure?
00:25:29Oh, yes.
00:25:47Well.
00:25:48Huh?
00:25:50What do you think of them?
00:25:53Huh?
00:25:55My breasts.
00:25:56How do you like them?
00:25:59Oh.
00:26:01Nice.
00:26:02Very nice.
00:26:05Well.
00:26:08Would you like to touch them?
00:26:09Touch them?
00:26:10Yes.
00:26:14Um, no.
00:26:15Not right now.
00:26:18Are you sure?
00:26:21Uh, yeah.
00:26:22Um, maybe later.
00:26:24Good.
00:26:26But you still want me to continue, though?
00:26:29Um.
00:26:32Yes, please.
00:26:39Here.
00:26:43Yeah.
00:26:53Here.
00:27:25Here.
00:27:28I think I'd better go now.
00:27:34Oh, so soon. You want to stay?
00:27:37No, I'm sorry. I don't think so.
00:27:40Oh, what a pity.
00:27:43All right. Well, good night for you.
00:27:45Good night, and thank you. I really enjoyed it.
00:27:48No, thank you. We should do this again sometime.
00:27:52Yeah, thank you.
00:28:16Oh, Philly, it's you.
00:28:17Hi, Florence.
00:28:19Sherman, it's for you.
00:28:23Isn't it a little late for visitors?
00:28:26Over here, we're making milkshakes in the kitchen.
00:28:27Great. You'll never guess what just happened to me.
00:28:31What? You want to guess?
00:28:32Uh, no.
00:28:34Oh, do you boys have business you want to discuss?
00:28:39Excuse me.
00:28:40Get out of here, you creep.
00:28:43So, what's up?
00:28:44Oh, okay.
00:28:46Well, about ten minutes ago, I'm walking past Miss Mala's bedroom,
00:28:50and she stops me in the hall and asks me if I want to come inside.
00:28:53Yeah?
00:28:55So, I say, sure, and I go inside.
00:28:57Then she asks me if I want to watch her strip naked.
00:29:01Naked?
00:29:02Yeah.
00:29:03So, I say, sure.
00:29:04So, she does.
00:29:05She takes off all her clothes.
00:29:08Everything.
00:29:09And I mean everything.
00:29:11So, then what?
00:29:12What do you mean, so then what?
00:29:14So, then I came here to tell you.
00:29:16Are you kidding me?
00:29:17Hey, I'm not kidding you.
00:29:19Why do you think I'm kidding you?
00:29:20I suppose you screw your housekeeper every goddamn night.
00:29:25Not every night.
00:29:27Oh, you and old Florence make a great couple.
00:29:30You know that.
00:29:30Mm-hmm.
00:29:31Mm-hmm.
00:29:35Philippe?
00:29:36Yeah?
00:29:37Is something wrong?
00:29:39No.
00:29:40No, why?
00:29:54Are you embarrassed about last night?
00:29:57No.
00:29:58Why?
00:30:00Are you sure you're not embarrassed about seeing me naked last night?
00:30:04No.
00:30:05Why do you ask?
00:30:08Why don't you come and visit me tonight after I've finished with the dishes?
00:30:14We could talk.
00:30:22Sherm?
00:30:23Philly?
00:30:24I want you boys to work on your backhand today.
00:30:26Hey, hey.
00:30:27I don't want you peeking in the girls' locker room anymore either, huh?
00:30:30Huh?
00:30:31Okay.
00:30:32Go out and get him.
00:30:34Boy, that guy is weird.
00:30:35Yeah, him and Lester will make a great couple.
00:30:38Yeah, he's okay.
00:30:39He could have gotten us thrown out of the club and he didn't.
00:30:41What?
00:30:42For just copping a peek at the girls in the locker room?
00:30:44Come on.
00:30:45If we could have gotten thrown out of the club for that, then what you did with O'Mallow could
00:30:48have gotten you arrested.
00:30:49Shut up and play tennis, huh?
00:30:52Okay.
00:30:53Oh, damn it.
00:30:55Oh, mud on.
00:30:58Sherman, pick up the balls.
00:31:00I mean, you're very impatient.
00:31:03Now, you ready?
00:31:04Yeah.
00:31:05Here it comes.
00:31:10You moron!
00:31:12You stupid moron!
00:31:14That hurt!
00:31:15Okay, come on.
00:31:16Hit the balls.
00:31:18Hey, Philly.
00:31:19Were O'Mallow's knockers this big?
00:31:22What?
00:31:23You know that's not fair.
00:31:25You know that?
00:31:25Too bad!
00:31:26All right, come on.
00:31:27Hit it.
00:31:35How come you didn't touch him?
00:31:36I don't know.
00:31:37I didn't know how.
00:31:37You just grab him like this and squeeze.
00:31:43How the hell would you know?
00:31:44When was the last time you saw a knock?
00:31:52Hey, Philly.
00:31:54Sutherland Churton will let you look at hers for a dollar.
00:31:57How come you didn't touch him, huh, big boy?
00:31:59Well, she's got to be in the mood.
00:32:02Besides, I'm a leg man.
00:32:04Now you're crazy.
00:32:06You ready?
00:32:06Yeah.
00:32:08You ready again?
00:32:09Yeah, come on.
00:32:10Let's go.
00:32:16Backhand, Philly.
00:32:17Backhand.
00:32:17Yes, sir, Mr. Travis.
00:32:26Feddeck.
00:32:32Let's go.
00:32:33Hit it.
00:32:34Be sure and tell me about tonight.
00:32:35Hey, lover boy.
00:32:45Come in.
00:32:51Hi.
00:32:52I looked for you in your room and you weren't there.
00:32:55You said you wanted to talk to me?
00:32:57Come in, Philly.
00:32:58Come in.
00:32:59Uh, what are you doing in my father's bathtub?
00:33:03Oh, I don't think he would have minded my using his plumbing.
00:33:06Do you?
00:33:07No, I guess not.
00:33:08Would you like to wash my back?
00:33:12Well...
00:33:37Would you like to join me?
00:33:39Would I like to what?
00:33:39Take a bath with me?
00:33:41You mean in there with you?
00:33:43Right now?
00:33:44Uh-huh.
00:33:45Why don't you try it?
00:33:47Maybe you like it?
00:33:49Well, uh, I probably wouldn't even fit in there.
00:33:52Oh, yes, you would.
00:33:53I promise.
00:33:57You mean you want me to take off all my clothes and everything?
00:34:00Do you usually wear them when you take a bath?
00:34:03No, not usually.
00:34:04Oh, come on, Philly.
00:34:06I won't even look.
00:34:09I don't know.
00:34:11Come on.
00:34:12It will be an adventure.
00:34:16Well, all right.
00:34:18Good.
00:34:20Hey, where are you going?
00:34:22To get undressed.
00:34:36Well, hello.
00:34:38Hi.
00:34:40Don't you want to take your robe off and join me?
00:34:43Okay, just a sec.
00:34:47Bathing trunks?
00:34:50Well, that's marvelous.
00:34:52Won't you take the moth?
00:34:54No.
00:34:56All right, then.
00:34:58Come in the bath with your bathing trunks.
00:35:03Now, be careful.
00:35:07Be careful, not you.
00:35:14Let me wash your shoulders.
00:35:22Well, how does that feel?
00:35:42Are you sure you don't want to take them off?
00:35:46Okay, under one condition.
00:35:48So, what's that?
00:35:49That we put out the lights.
00:35:51It's a deal.
00:36:01You're the asshole.
00:36:08Can I help you?
00:36:23I think I better go on out.
00:36:25Really, wait a second.
00:36:34Wait a second, will you?
00:36:37What?
00:36:39I'm sorry.
00:36:41Will you forgive me?
00:36:43Okay.
00:36:45Prove it.
00:36:47How?
00:36:48By sleeping with me tonight.
00:36:52No, thanks.
00:36:53Philly!
00:36:56Why not?
00:36:58Well, I tried it once before in summer camp,
00:37:00and I know for a fact that you can't get a good night's sleep
00:37:03when someone else is in the same bunk with you.
00:37:07Oh, well, thank you.
00:37:08It's been a lovely evening.
00:37:10Philly,
00:37:12just to show there's no hard feelings,
00:37:15would you kiss me goodnight?
00:37:18Okay.
00:37:21Well, is it all right if I kiss you goodnight?
00:37:25I guess so.
00:37:45Beth!
00:37:46Are you kidding?
00:37:47Ah!
00:37:48Give me a hand.
00:37:51Who the heck takes baths with other people?
00:37:53Except for the Japanese, I mean.
00:37:55Have you heard of any?
00:37:56No, nobody except the Japanese.
00:37:58Did you touch them?
00:37:59What?
00:38:00Her knockers, did you touch them?
00:38:02Well, sort of.
00:38:03What do you mean, sort of?
00:38:04Did you or didn't you?
00:38:06Well, uh, not with my hands, with my elbows.
00:38:09Doesn't that get broads hot,
00:38:11touching their knockers even with your elbows?
00:38:13I don't know.
00:38:15I have a good story.
00:38:21Nice girls let you touch their knockers if they like you,
00:38:24or if they're going steady with you.
00:38:26If they let you get any farther than that,
00:38:28either they have to be a whore,
00:38:29or else they're married to you.
00:38:30Isn't that right?
00:38:31I don't know.
00:38:33Hey, Philly, stay out of my son, all right?
00:38:36Hey, Philly, you want to know what I think?
00:38:38What?
00:38:39I think Miss Mallory's a whore.
00:38:41No, she's not.
00:38:41Yes, she is.
00:38:42No, she's not.
00:38:43Just because she took a bath with me doesn't make her a whore.
00:38:46Lots of people take baths with other people.
00:38:48Who?
00:38:50The Japanese.
00:38:51You said so yourself.
00:38:53Maybe she's part Japanese.
00:38:55Hey, Philly, you want to know what else I think?
00:38:57What?
00:38:58I think you're fooling for her.
00:39:01You're crazy.
00:39:03No, I'm not.
00:39:05Sherman?
00:39:06What?
00:39:09Listen, Sherman.
00:39:11What?
00:39:12Do you think that if a guy touches a woman's knockers,
00:39:15not on a date, but in his own house,
00:39:18think that it would still count as getting to second base?
00:39:20With his hands or with his elbows?
00:39:22With his hands.
00:39:23No, I think it has to be on a real date.
00:39:27Don't do anything I wouldn't do.
00:39:32Ooh.
00:39:35You might at least have to prove it to me for the grapes while you're at it.
00:39:40Darling girl.
00:39:43You're getting better, girl.
00:39:45Last time you broke the gas, you will.
00:39:47I can't tell you what it means to me if you're familiar with me,
00:39:51but it's so long.
00:39:52Move your hands.
00:39:54Do you think they suspect?
00:39:56My husband knows nothing.
00:39:58He still thinks I'm with a tool.
00:40:00Uh, watch it.
00:40:02But darling, we've so little time.
00:40:07Excuse me.
00:40:09I'm sorry.
00:40:10Excuse me.
00:40:11Excuse me.
00:40:12Oh, excuse me.
00:40:14I'm sorry.
00:40:14Ow!
00:40:15Philly!
00:40:16Oh, hi, Joyce.
00:40:17Hi.
00:40:18Come on.
00:40:18I'm sorry.
00:40:19I'm sorry.
00:40:36I'm sorry.
00:40:38I'm sorry.
00:40:39I'm sorry.
00:40:41I'm sorry.
00:40:41I'm sorry.
00:40:43I'm sorry.
00:40:43I'm sorry.
00:40:43I'm sorry.
00:40:45I'm sorry.
00:40:46I'm sorry.
00:40:47I'm sorry.
00:40:48I'm sorry.
00:41:02How do you think she's one of the most fantastic creatures?
00:41:05I like you better.
00:41:07You make me blush.
00:41:09Hold on a second.
00:41:14Hello?
00:41:14Hello, son.
00:41:16Oh, hi, Dad.
00:41:17How are you doing, Philly?
00:41:18Great.
00:41:18Just great.
00:41:19Good, good.
00:41:20Well, it's going pretty good here, too, and I've got a lot to tell you when I get back.
00:41:24By the way, how's the new bike working out?
00:41:26Any snags?
00:41:28Oh, no.
00:41:29Bike's just fine.
00:41:30Oh, that's good.
00:41:30Glad to hear it.
00:41:31And Miss Mallow, is she working out okay, too?
00:41:35Oh, yes.
00:41:36Miss Mallow's working out fine, too.
00:41:38Oh, good.
00:41:39Good.
00:41:40Well, put her on, will you?
00:41:41You want to talk to her?
00:41:43Yeah.
00:41:44She's not here right now.
00:41:45She's in the john.
00:41:48Well, what's so funny?
00:41:50Oh, nothing, Dad.
00:41:51Oh, well, Philly, look, I'm going to have to get off the phone now.
00:41:55I've got a lot of work to do before tomorrow's meeting, so you say goodnight to Miss Mallow for me,
00:42:00will you?
00:42:01Okay, I'll say goodnight to Miss Mallow for you, Dad.
00:42:04And you take care now, huh?
00:42:06Okay, Dad.
00:42:07Okay, son.
00:42:07Good night.
00:42:08Good night, Dad.
00:42:08Good night.
00:42:54Listen, uh, are we going to, uh, you know?
00:43:02Would you like to?
00:43:05Except for one thing.
00:43:06What?
00:43:08Oh, well, I don't really know how.
00:43:13Well, I might be able to show you.
00:43:17Good.
00:43:18Um, I'd just like to say one thing before we start.
00:43:22What?
00:43:23Um, that I respect you.
00:43:25I don't think that you're a whore or anything like that.
00:43:29That's very sweet of you, Philly.
00:43:33Um, I'd also say that I'm prepared to marry you, um, whenever you say.
00:43:39Oh, well, you don't have to say that.
00:43:41No, I'm not just saying that.
00:43:42I'm not just handing you a line or anything.
00:43:45I want to marry you.
00:43:48Philly, listen to me.
00:43:51A man and a woman should only get married when they want to raise a family together.
00:43:56Or when they want to live together.
00:43:59What's wrong with that?
00:44:01A man and a woman should only get married when they love each other.
00:44:05But I do love you.
00:44:07Don't you love me?
00:44:10I guess so.
00:44:11But you don't want to marry me, is that it?
00:44:13I didn't say that.
00:44:14No, you didn't say that, but that's what you were thinking, isn't it?
00:44:17That's what you were thinking, that some silly-ass little kid has just told you that he loves you and
00:44:20wants to marry you.
00:44:21It's probably all you could do to keep from laughing out loud.
00:44:25Philly, you're wrong.
00:44:26I'm not wrong.
00:44:27I should have kept my big mouth shut.
00:44:36You what?
00:44:36You asked her to marry you?
00:44:39What are you, sick?
00:44:41Yeah, I know.
00:44:41I should have played it cooler.
00:44:42I should have strung her along for a while.
00:44:44That's the way you have to treat women.
00:44:46So tell me, did you get the second base?
00:44:48Oh, yeah, sure.
00:44:50Was it fun?
00:44:51Oh, sure, you know.
00:44:53Yeah.
00:44:54But why'd you even have to ask her to marry you?
00:44:56What?
00:44:57If she's that easy, she's probably a whore.
00:44:59She's not a whore.
00:45:00Is too.
00:45:00She's not.
00:45:09You packed in the morning, I stood out the window, and I struggled for something to say.
00:45:19You left in the rain without closing the door.
00:45:25I didn't stand in your way.
00:45:29Now, I missed you more than I missed you before, and now, where I'll find comfort, God knows.
00:45:39Cause you left me just when I needed you most
00:45:53Left me just when I needed you most
00:45:58You left me just when I needed you most
00:46:06That's me, I took you
00:46:12I left you
00:46:17I wasn't a whore
00:46:18I just finished it
00:46:22That's me, I was a man
00:46:27I was a man
00:46:28I was a man
00:46:29Listen, I just wanted to apologize for the way I've been acting.
00:46:32I guess I've been acting very juvenile lately, and I'm sorry.
00:46:36Okay?
00:46:39But I guess we might just go study for a while.
00:46:42Fantastic!
00:47:29Tonight, tonight, it's gonna be all right, cause I love you, girl, ain't nobody gonna stop us now.
00:48:05I love that dress you wear. It's really beautiful.
00:48:08Thank you. Well, where do you plan to take me tonight?
00:48:12This little place that I know. I think you'll enjoy it.
00:48:16Oh, well, Lester seems to be in a good mood.
00:48:20Well, Lester, so am I.
00:48:25Tap in.
00:48:30Thank you for the corsage. It's truly beautiful.
00:48:33Well, I'm glad you like it.
00:49:03and the chateaubriand photo thank you thank you and i think i have a glass of white wine to go
00:49:11with it madam is perhaps mistaken with the red meat we have the red wine excuse me uh the lady
00:49:18prefers
00:49:19the white wine i'd like you to bring her what she prefers whatever you say monsieur you are the boss
00:49:24no
00:49:34he's a jolly good fellow for he's a jolly good fellow
00:49:38for he's a jolly good fellow which nobody can deny
00:49:50monsieur wish some dessert the napoleon peut-être
00:49:54that the rum or baba the mousse au chocolate the mousse is very nice for you madam it is uh
00:50:01how you say thank you no no thank you very much we've had enough thank you monsieur wishes the coffee
00:50:07the tea the espresso the cappuccino the san cabran decaffeinated coffee the cappuccino is very nice
00:50:14for you madam no thank you really we've had enough madame wish the after dinner liquor the kalua the
00:50:20some bookers i said we've had enough ah ah monsieur wish the after dinner mint the frango me the check
00:50:30may we
00:50:31can we just have Zuchek please?
00:51:01Don't you die, your man's desire
00:51:06You'd be a fool, it's not this time
00:51:14Thank you, Wester.
00:51:17And thank you for a lovely evening. You're welcome.
00:51:20Well, did you believe that waiter with this funny accent?
00:51:24Oh, God, I'm so proud of you.
00:51:27You're a real gentleman, you know?
00:51:33Miss Mallow, I love you.
00:51:44Ouch! Oh, sorry.
00:51:47Philly, turn on the lights, will you?
00:52:18I realize the best part of life is the thinnest slice, and you don't care for much, but I'm not
00:52:27letting go.
00:52:28I believe there's so much to believe in.
00:52:34So lift your eyes if you feel you can.
00:52:39Reach for a star and I'll show you a plan.
00:52:43I figured it out, what I needed was someone to show me.
00:52:52You know you can fool me.
00:52:55I've been loving you too long.
00:52:59I've been loving you too long.
00:53:00It started so easy, you want to carry on...
00:53:09Carry on...
00:53:12I'm lost in love and I don't know much
00:53:16Cause I'm thinking aloud
00:53:18I fell out of touch
00:53:20But I'm back on my feet
00:53:22I need it to be what you want to do
00:53:28So lift your eyes if you feel you can
00:53:33Reach for a start and I'll show you a plan
00:53:37I figured it out
00:53:39I need it to be what you want to do
00:53:47You know you can't fool me
00:53:49I've been loving you too long
00:53:55It started so easy
00:53:58You want to carry on
00:54:02You want to carry on
00:54:07I'm lost in love and I don't know much
00:54:11Cause I'm thinking aloud
00:54:13I fell out of touch
00:54:15But I'm back on my feet
00:54:17I need it to be what you want to do
00:54:40Excuse me
00:54:41But am I hurting you?
00:54:48Miss Mallow, are you okay?
00:54:50Miss Mallow
00:54:51Miss Mallow
00:54:54Oh no
00:54:55Miss Mallow
00:55:02Oh my god, she's dead
00:55:05Lester
00:55:10Lester
00:55:19Billy, what is it?
00:55:20What is it?
00:55:22What is it?
00:55:23I killed her
00:55:23Calm down, calm down
00:55:25Billy, what are you saying?
00:55:26I killed Miss Mallow
00:55:29Come on
00:55:52She's dead
00:56:01I want to know how this happened, Philly
00:56:04I want to know what filthy thing you were doing
00:56:06I want you to tell me
00:56:08Must have been her heart
00:56:10She said she had a weak heart
00:56:17Operator, give me the police
00:56:19Don't
00:56:21Please don't tell them I did it
00:56:23Hold, please
00:56:24What do you want me to tell them, Philly?
00:56:26That I did it?
00:56:27Or that she did it herself?
00:56:28They're not going to believe that, you know
00:56:30Don't tell them anything
00:56:31Don't even call them, please
00:56:33Hang up the phone, Lester
00:56:34I'll do anything
00:56:35Please, just help me
00:56:41Very well
00:56:42May I suggest we begin by covering her up?
00:56:49Perhaps we should put her somewhere where it's cool
00:56:51So she doesn't rot too quickly
00:57:01What are you going to do with all this food?
00:57:02Want it spoil?
00:57:04Would you rather the food spoil or Miss Mallow spoil?
00:57:14Well, that should be sufficient
00:57:16Let's pop her in, shall we?
00:57:21On three
00:57:21One
00:57:22Two
00:57:23Three
00:57:25Slack of potatoes
00:57:28Okay, mash her down
00:57:31These Europeans never did fit in
00:57:35We can't just leave her where she is for too long
00:57:38No
00:57:39Your father will be home in a week or two
00:57:43Suppose he takes it into his mind
00:57:44To get some lamb chops from his freezer
00:57:46I think your father, from what I know of him
00:57:49Would be quite disappointed to find Miss Mallow
00:57:52Instead of lamb chops in his freezer
00:57:54Don't you?
00:57:55That's not necessary
00:57:57Perhaps not
00:57:58But it is worthy of your consideration, Philly
00:58:02Don't you think your father would be
00:58:04More than disappointed to find Miss Mallow
00:58:07All frozen rock hard
00:58:09In his freezer
00:58:10Instead of some nice baby lamb chops
00:58:25Aren't you going to help?
00:58:27It's not my body
00:58:34Well, Mr., can't you help me?
00:58:49Why, this is really hard
00:58:50Yes
00:58:51Well, you've heard the expression frozen stiff
00:58:54This is ridiculous
00:58:55Philly, let's flip her over
00:58:56Here
00:58:57On the count of three
00:58:59This way
00:58:59One
00:59:00Two
00:59:01Three
00:59:03Got it?
00:59:04Really?
00:59:05Good
00:59:09You okay?
00:59:10Yes, actually
00:59:11I quite enjoyed it
00:59:12Philly
00:59:13Having the time of my life
00:59:18Okay
00:59:26Are you ready?
00:59:30Good
00:59:59I'm ready
01:00:26Lester!
01:00:29Lester!
01:00:29Lester!
01:00:30Yes, what is it now, Philly?
01:00:31It's Miss Malo.
01:00:32She's not there.
01:00:33She's not in her grave.
01:00:35She's disappeared.
01:00:36What are you talking about?
01:00:37She's not there.
01:00:39The grave's empty.
01:00:39I saw it.
01:00:41I'm warning you, Philly.
01:00:42If this is your idea of some sort of childish prank...
01:00:45Lester!
01:00:46I, for one, am not amused.
01:00:48But it's not!
01:00:49I will not deal with this as anything other than a joke.
01:00:52Ouch!
01:00:55Let's see what he wants.
01:00:58Yes?
01:00:59I found this note for you in your flower garden, Philly.
01:01:05Let me see it.
01:01:10The flower you two buried had to be transplanted.
01:01:14Leave $10,000 in the flower bed tonight, and it'll be returned soon afterwards.
01:01:20P.S.
01:01:21I hear the police like flowers, too.
01:01:26The gardener.
01:01:28You'd be surprised at the number of people who go poking through the grounds of the wealthy at night, my
01:01:33boy.
01:01:34So, what's next?
01:01:37Gosh, Lester.
01:01:38I don't know.
01:01:44Lester, I just can't think of any other way to get the money.
01:01:47Neither can I.
01:01:50Lester, you think we should be doing this?
01:01:52Well, Philly, do you want Miss Mallow back?
01:01:55Of course.
01:01:56Then open the safe and get the $10,000.
01:02:02Who knows? Your father may not even notice it's missing.
01:02:05Fat chance.
01:02:11Do you mind?
01:02:12Of course not.
01:02:21What am I going to tell my father when he comes home and discovers $10,000 missing?
01:02:25What are you going to tell him when Miss Mallow's remains turn up at the police station?
01:02:41Hey, Lester, look at this.
01:02:43Good work, Philly.
01:03:07What are you doing here now? Why aren't you at the hotel?
01:03:11Because I was sick of staying at that sleazy place.
01:03:14Nicole, he'll see you.
01:03:16Well, I don't care. I want him to see me.
01:03:19What is the matter with you? What the hell is going on, Nicole?
01:03:23A belated case of conscience, maybe?
01:03:25Well, that's very sweet.
01:03:27Look, the old man may not be a prize, but the kid doesn't deserve to have this done to him.
01:03:33You've got a crush on a 15-year-old boy.
01:03:35Oh, shut up.
01:03:36Tell me.
01:03:38When you slept together, did he wet the bed?
01:03:41Lester, I'm warning you. If you don't shut up, I'm going straight.
01:03:44What are you going to do? Tell me what you're going to do, sweet pants.
01:03:48All right, I'll tell you.
01:03:50You're going to do precisely what I tell you to do, right?
01:03:54Otherwise, I'll have to tell the immigration people that you're not only an illegal alien, but a felon.
01:04:02A felon?
01:04:03Yes.
01:04:06Seducing a minor, that's a criminal offense, in case you didn't know.
01:04:11Oh, shit.
01:04:36A felon.
01:04:40Don't be frightened.
01:04:45Now, please don't run away.
01:04:56I'm sorry, Philly.
01:05:06You let me think that you were dead.
01:05:08That I had killed you.
01:05:10Why?
01:05:12Why'd you do it?
01:05:14Was it just for the money?
01:05:15Lester forced me into this mess.
01:05:17Oh, what'd he do, put a gun to your hand?
01:05:19He threatened to tell immigration that I was working here illegally.
01:05:23Big deal.
01:05:24It was a big deal for me.
01:05:25I could have been deported.
01:05:28I had to do it.
01:05:29Don't you see?
01:05:31You got your money.
01:05:32Why don't you just take it and go away?
01:05:34I'm on your side, Philly.
01:05:37But you loved me.
01:05:40I don't trust you anymore.
01:05:42All right, then.
01:05:43I'll go to the police.
01:05:47No.
01:05:49Well, what do you want me to do, then?
01:05:52I don't know.
01:06:00But I don't want you arrested.
01:06:03Where's my father's $10,000?
01:06:05Lester has the money.
01:06:10Well, can you help me try and get it back?
01:06:13Of course I'll help you, Philly.
01:06:15Dad's gonna be home day after tomorrow.
01:06:17Gonna have to hurry.
01:06:18First, we have to find a place to hide you.
01:06:21Where?
01:06:22I don't know.
01:06:25Sherman's potting shit.
01:06:26Used to hide there all the time.
01:06:28Maybe we'd better hurry to put some pressure on dear Lester.
01:06:31Oh, yeah.
01:06:32Got some ideas about that already.
01:06:34Good.
01:06:42Missed you, Miss Mell.
01:06:52Well, we came here to ask you a favor.
01:06:55Anything you need.
01:06:57Well, we just got blackmailed for $10,000.
01:07:02You talk to the police?
01:07:03We can't go to the police.
01:07:06Oh, Mr. Travis, won't you please help us?
01:07:09You need a policeman, not a tennis instructor.
01:07:11Exactly.
01:07:12But we need you, not a real cop.
01:07:15You're joking.
01:07:16Me?
01:07:16A policeman?
01:07:17This guy is a real bully.
01:07:19And he scares easily.
01:07:21So all you have to do is act like a tough cop.
01:07:23But I don't know how to act like a cop.
01:07:25Just be hard and tough.
01:07:27Maybe we could watch Dirty Harry on television tonight.
01:07:31Hi.
01:07:32I'm with the police department.
01:07:33I'm Detective Jack Travis.
01:07:35You Fillmore?
01:07:36This is the Fillmore residence, but I am not Mr. Fillmore, if that's what you're asking.
01:07:40I'd like to ask a few questions.
01:07:41Could I come in?
01:07:42No.
01:07:46Now, see here.
01:07:48The...
01:07:48You.
01:07:51I really must object to your barging in here without so much as a buyer...
01:07:55Who are you?
01:07:56Me?
01:07:57I'm the houseman and chauffeur.
01:07:59Name?
01:08:00My name?
01:08:01My name is Lester Lewis.
01:08:02But I really must object, sir.
01:08:04I believe that...
01:08:05Lester?
01:08:05Yes.
01:08:06Shut up, Lester.
01:08:09Now then, Lester, is there a Miss Nicole Mallow here?
01:08:13There is.
01:08:13That is, she used to be here.
01:08:16She's gone.
01:08:17Where did she go?
01:08:18Away.
01:08:19To Tucson.
01:08:21She quit.
01:08:22She wasn't happy here, I'm afraid.
01:08:25We have received a tip that she has met with foul play.
01:08:27Foul play?
01:08:28What do you mean?
01:08:29Homicide.
01:08:30This tip said she was homicided.
01:08:35That's absurd.
01:08:37Miss Mallow is as alive as you or I.
01:08:39I want to see your room now.
01:08:42I told you you'd find nothing in Miss Mallow's room.
01:08:44Now, what is the point of looking through my rooms?
01:08:47Harassment.
01:08:56Gee, Lester, you really do have a very interesting sense of decoration.
01:09:00Yeah, real interesting, Lester.
01:09:05Right out of better homes and closets.
01:09:09This a friend of yours?
01:09:11Yes.
01:09:13Cute.
01:09:14Real cute, Lester.
01:09:16You know, you're real cutie pie.
01:09:19This is particularly cute.
01:09:34This I don't even want to know from.
01:09:38Oh, no.
01:09:39Pay dirt.
01:09:41Planning a little trip, Lester?
01:09:43Uh, no, not exactly.
01:09:45Lovely things you wear.
01:09:47This must look just divine on you.
01:09:49If you lose a little weight.
01:09:53These are Miss Mallow's clothes.
01:09:54Uh, she didn't have room for all of them.
01:09:56And she simply asked that we keep them here and send them on after she settled in Tucson.
01:10:01Isn't that right, Philly?
01:10:04Can I get you something to drink, officer?
01:10:06Uh, some tea, a coffee, a beer, perhaps?
01:10:10Oh, boy.
01:10:10Oh, no.
01:10:12Oh, Lester, there's more dirty laundry here than I thought.
01:10:16What is this big red spot here?
01:10:18Is this blood?
01:10:19Tomato sauce.
01:10:20Tomato sauce?
01:10:21Yes.
01:10:23Miss Mallow was fond of eating lasagna in bed, and she frequently spilled it.
01:10:28Will you hold this?
01:10:32Lester, I don't believe a word you've told me so far.
01:10:34And as far as I'm concerned, Miss Mallow was homicided.
01:10:37And you, my friend, you are the best thing that I have for a perpetrator.
01:10:41You know, I think I'm going to take you down.
01:10:42I'm going to book you.
01:10:44If you give me a couple of hours, I can prove she's still alive.
01:10:47You can?
01:10:47Yes.
01:10:48How are you going to do that with her in Tucson?
01:10:50Chee, Lester, are you sure it was Tucson?
01:10:54She's not in Tucson.
01:10:55She's not.
01:10:56No.
01:10:59Oh, boy.
01:11:03This is going to be tough.
01:11:10Where is she?
01:11:11She's elsewhere.
01:11:13Where elsewhere?
01:11:14Well, uh, she's having an abortion.
01:11:17I didn't want the boy to know.
01:11:20That's good you did that.
01:11:21Save that boy any pain.
01:11:25She'll be back in three hours.
01:11:27Three hours?
01:11:28Good.
01:11:29I'm going to see you in two hours.
01:11:31Two hours?
01:11:32Yeah.
01:11:35And you better be able to prove that girl is alive, or I'm going to book you for murder one.
01:11:38You can't book me for murder.
01:11:40If you don't have a body, you don't have a case.
01:11:43Come on.
01:11:43Come on, Lester.
01:11:44Up, up, up, up, up, up.
01:11:47Now, don't get any bright ideas about leaving town, because I'm going to be watching you.
01:11:50Okay?
01:11:51I'm going to see you in two hours right now.
01:11:54You hear me?
01:11:55Yes.
01:11:55You hear me?
01:11:56Yes, I do.
01:11:57You do.
01:11:58Okay.
01:12:01Thank you, officer.
01:12:05You know, Lester, I think it's shocking the way that man treats you.
01:12:08I don't know why you put up with it.
01:12:20Good afternoon, sir.
01:12:21I'm looking for the young foreign woman I checked in here the other day.
01:12:28It's a matter of some urgency.
01:12:31You don't know where she is now?
01:12:33If it's the woman that I'm thinking of, I think I checked her out earlier this morning.
01:12:38Checked her out?
01:12:39Did she mention where she was going?
01:12:42Walter, will you get that cat out of the lobby?
01:12:46Listen, my friend.
01:12:47And, uh, are you, uh, quite certain you don't recall her mentioning where she might be headed?
01:12:58Well, now that you mention it, I believe she said something about going to Tucson.
01:13:26It worked.
01:13:27Travis scared Lester.
01:13:28He's looking all over for you.
01:13:30You don't know him.
01:13:30He'll pick up the money and run.
01:13:32Sherman, can we borrow a car?
01:13:34It's an emergency.
01:13:36Sure, come on.
01:13:38If we catch him now, I'm sure he'll have the money.
01:13:40Come on, get in.
01:13:42Philly, I can't drive.
01:13:43Neither can I.
01:13:44Can you?
01:13:44Sure, get in.
01:13:51Come on, Sherman, move it.
01:13:56Sherman?
01:13:57I can't help it.
01:13:59I don't know how to drive.
01:13:59Why didn't you tell us before?
01:14:03No.
01:14:04Watch out.
01:14:04You're still on the sidewalk.
01:14:06You're trying.
01:14:10I'm trying.
01:14:34No.
01:14:35Watch out.
01:14:37Don't hit that car.
01:14:38I'm trying.
01:14:39You're trying.
01:14:40I don't know.
01:14:40Watch out.
01:14:41There's a car.
01:14:42No.
01:14:48No.
01:14:53No.
01:14:57No.
01:14:58No.
01:14:59No.
01:14:59No.
01:15:01No.
01:15:01No.
01:15:03No.
01:15:08No.
01:15:09No.
01:15:10you just missed that
01:15:12you're insane you know that
01:15:15don't hit him will you
01:15:16I'm trying not to stop
01:15:33please Mr. Green it's terribly terribly important
01:15:36please yes please
01:15:44yes thank you yes
01:15:55please Mr. Green
01:15:56are you ready master
01:15:58yes I'm ready
01:16:09I'm ready Mr. Green
01:16:30disagreeing we need your help
01:16:40I don't believe it
01:16:41oh you want to chase you sicko
01:16:43I'll give you a chase
01:16:52get out of the way you little shit
01:17:06he's ready to go
01:17:08I'm ready to go
01:17:10I'm ready to go
01:17:20I'm ready to go
01:17:39Lester?
01:17:42Lester, over here.
01:17:47Good day, sir.
01:17:49Thanks a lot, Mr. Green.
01:17:51Where have you been? I've been waiting 20 minutes.
01:17:53Sorry, sir. It's been a difficult day for me.
01:17:55And where's your tie? You know I always want you to wear a tie.
01:17:58Well, I'm sorry.
01:17:59Lester? Oh, hi, Dad.
01:18:02Hello, son. It was nice of you to come out and meet me.
01:18:05Lester, you take this, and the baggage is in the baggage area.
01:18:08I'll get that, sir.
01:18:09Lester, let me help you with this, will you?
01:18:10Oh, no, I can get that, sir.
01:18:11Oh, really? I insist.
01:18:17No, no, it's my job.
01:18:18Let me help you. Come on. Please, Lester.
01:18:19I'll be right back, sir.
01:18:20Philly, please, please.
01:18:22Lester?
01:18:23Lester, where are you going?
01:18:24Well, I was late picking up my employer, Mr. Fillmore.
01:18:29May I present Detective Travis, my employer, Mr. Fillmore?
01:18:34You're Fillmore?
01:18:35That's right.
01:18:36Hold on, Lester. Don't go away.
01:18:37By the way, Travis, I would also like to present Miss Nicole Mallon.
01:18:43Nice to see you again, Jack.
01:18:45Oh, Nicole and I are old friends.
01:18:48And you're Fillmore?
01:18:49Yes.
01:18:49The father.
01:18:50That's right.
01:18:51And I want someone to tell me what the hell's going on here.
01:18:54So do I.
01:18:57Well, it seems it's a mystery to all of us.
01:19:00Shall we be going, sir?
01:19:01Oh, you get the rest of the baggage.
01:19:03I'll take this one.
01:19:05Very well, sir.
01:19:12Excuse me.
01:19:34Well, you certainly changed a lot lately.
01:19:36I know, but most of the credit belongs to you.
01:19:39Oh, thank you.
01:19:42And Lester, too, of course.
01:19:46Philly, I'm going to miss you.
01:19:48What do you mean?
01:19:50I mean, I think that it's time for me to leave.
01:19:53Why?
01:19:55Well, for one thing, we'll never be able to keep our affair a secret from your father.
01:20:00And the moment he found out, he'd fire me immediately.
01:20:05I guess you're right.
01:20:08I don't want you to leave.
01:20:09I'll miss you.
01:20:10We'll always keep in touch.
01:20:13Anyway, you're ready to be on your own now.
01:20:20Where are you going to go?
01:20:21I don't know.
01:20:23I'll let you know where I am.
01:20:26If you're going to get a new job, you're going to have to have a letter of reference from my
01:20:30father.
01:20:31Well, your father might not think I've been working long enough.
01:20:33I didn't mean for him to write it.
01:20:36But I know what he'd say if he knew you as well as I do.
01:20:40She was passionate about her household duties.
01:20:44And she kept things well in hand.
01:20:45She gave everything she had to her employer.
01:20:59I don't know what day it was when you walked into the room.
01:21:06I said hello unnoticed.
01:21:11You said goodbye too soon.
01:21:16You reasoned through to cry and tell spinning yards that were so lyrical.
01:21:25I really must confess right here the attraction was punitively visible.
01:21:44I took all those highlights of yours that in the beginning were hard to accept.
01:21:52To give fashion sense, be it's lip prints, upward dance, and experience.
01:22:02It was a lady with a Dutch accent who tried to change my point of view.
01:22:11Her ad-lib lines were well rehearsed, but my heart cried out for you.
01:22:19You're in my heart, you're in my soul.
01:22:24You'll be my best should I grow.
01:22:29You are my lover, you're my best friend.
01:22:34You're in my soul.
01:22:39My love for you is immeasurable.
01:22:44My respect for you demands.
01:22:48You're ageless, timeless, lace and fineness.
01:22:53You're beauty and emigens.
01:22:57You're a love setting.
01:23:00You're a comedy.
01:23:02You're a symphony.
01:23:05You're a symphony.
01:23:05And you're clear.
01:23:07You're every love song.
01:23:10You're every love song.
01:23:11You're every love song.
01:23:11But honey, what do you see in me?
01:23:15You're in my heart, you're in my soul.
01:23:20You'll be my best should I grow.
01:23:24You're up my lover, you're my best friend.
01:23:29You're in my soul.
01:23:42Thank you, Lester.
01:23:44Lester, I'll see you at three then.
01:23:48Hi, Jen.
01:23:49Hi.
01:23:49Hey, do you have Mr. Marks for civics?
01:23:51Uh-huh.
01:23:51Hey, great, I'll see you there.
01:23:55I'll see you at six period.
01:24:03Oh, there's Phipps.
01:24:05Hello there.
01:24:06I'm sorry, I...
01:24:07Philip Fillmore?
01:24:09Billy!
01:24:10I didn't recognize you.
01:24:12You've changed so much since last June.
01:24:14Yes, I know.
01:24:14I'd like to thank you for the advice you gave me this summer.
01:24:17What was that?
01:24:18To find girls whose age is more appropriate for me.
01:24:22Oh, right.
01:24:22How did it go?
01:24:23Oh, it went very well.
01:24:25Listen, I'd like to talk to you about it in detail.
01:24:28Great, I'd love to.
01:24:29Excellent.
01:24:31Can we discuss it over dinner tonight?
01:24:39Why don't I have my chauffeur pick you up at eight?
01:25:01That's the reason I love you.
01:25:04That's the reason I love you.
01:25:08That's the reason that I love you.
01:25:11That's the reason that I love you.
01:25:13That's the reason.
01:25:13That's the reason.
01:25:14Well, I wake in the morning, the sun's on the rise.
01:25:17I don't have a worry or a chair.
01:25:20I come to your baby, I look in your eyes.
01:25:24Oh, no, I die.
01:25:28That's the reason I love you.
01:25:30And that's the reason I love you.
01:25:37That's the reason that I love you.
01:25:40I come to your baby.
01:25:42Oh, no love your baby.
01:25:52So that's the reason I love you
01:25:57That's the reason I'm the truth
01:26:00That's the reason I love you
01:26:03That's the reason
01:26:45That's the reason
01:26:54That's the reason that I love you
01:26:56That's the reason
01:27:00That's the reason I love you
01:27:03That's the reason I'm the truth
01:27:06That's the reason that I love you
01:27:10That's the reason
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