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Bergerac.2025.S01E05.540p.x265.AAC [Full Movie] [Latest Version]Full EP - Full
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00:25www.feyyaz.com
00:31What about my life?
00:32It's about your confidence in the conviction.
00:34They found my hair in his car.
00:36He disputes that.
00:38Are you a corrupt cop who pursues vendettas by framing innocent men?
00:42No comment.
00:55What the hell are you doing, John?
00:57Oh, you've spoken to Chloe then.
00:58No, she's a real bloodhound, that one.
01:02Well, that's a shame.
01:03I was on a roll, but this will be far more entertaining.
01:06Right, you listen to me, yeah?
01:08You did it.
01:10You were guilty.
01:11Oh, I was found guilty under false means.
01:15I've been thinking,
01:16how many other poor innocent souls have you stitched up?
01:19I don't know about you, but that keeps me awake at night.
01:22Yeah?
01:22What about Sophie Armstrong?
01:24Do you think about her?
01:24Oh, I think she'd want the right man to pay for the crime.
01:30Now, careful, Jim.
01:33God's eyes are everywhere.
01:35CCTV of the soul.
01:37Now, I forgave you,
01:39but you just kept coming.
01:41You stopped me from starting over.
01:43After I'd served my time,
01:45the only reason we went to the press
01:46is because we can't trust the police.
01:48Who's we?
01:49Someone who hates you as much as I do.
01:52Arthur Wakefield.
01:54So the law is paralyzed,
01:56for the wicked surrounds the righteous.
01:59So justice go forth perverted.
02:02Yeah.
02:03Thou shalt not fucking abduct.
02:06So justice go forth.
02:49Where's Julian?
02:51He's at the police station.
02:55He, uh,
02:56he left the opera on the night of.
02:58I didn't mention it for obvious reasons.
03:03And then he, uh,
03:06took my car,
03:08drove it here.
03:09He was seen en route on CCTV.
03:13He must have killed Kate.
03:16But why?
03:18He took out a life insurance policy on Kate with 250k,
03:22presumably to pay off his gambling debts.
03:24But I thought you'd paid them off,
03:26that he'd managed to stop.
03:27Yeah, so did I.
03:28Looks like he's fooled us all.
03:31He only faked the ransom after Lily had been taken.
03:34What?
03:34No.
03:35His own daughter.
03:36He...
03:37I need to call Lawrence.
03:38Get him to draw up a strategy,
03:40um,
03:41clean insanity,
03:42say that we did everything that we could
03:44to help.
03:45But in the end,
03:45addiction won out,
03:46you know?
03:48Young, grateful little shit.
03:50He robbed us of everything.
03:51We need to preserve
03:52what little we have left of our reputation.
03:54Arthur, I, I...
03:55What?
03:56I need to tell you something.
04:26I need to tell you something.
04:28I need to tell you something like that.
04:29Hi, love.
04:30You okay?
04:32Um,
04:33how's Dragon Lady?
04:35Still breathing fire.
04:37Says I could have been a lot worse.
04:40I could have broken my arm.
04:41Uh, you didn't.
04:43And I could have seen you being killed.
04:46Yeah, well,
04:46she should keep her fantasies to herself.
04:50The thing is,
04:54she doesn't want me to see you for a bit.
04:56What?
04:59Until you've sorted yourself out.
05:01Who does she think she is?
05:02Look, it's not her choice,
05:03Kim, okay?
05:04It's yours.
05:05Um,
05:07look, I'll talk to her.
05:08Put her on.
05:09No, Dad.
05:10No, I'm not gonna let her
05:11take over your life, Kim.
05:12I don't want you two fighting.
05:15Again.
05:20She's coming.
05:21I should probably go.
05:22Wait, sorry.
05:23You can't even talk to me now.
05:24Kim!
05:36Hi.
05:38Guess who just came to the hostel
05:40like a man possessed?
05:41Bergerac?
05:42Yeah, totally lost his shit.
05:44The cage has rattled prison beckons.
05:47So, how long till you run the story?
05:49Because I can't wait.
05:50I spoke to Sophie.
05:52I was hoping she'd concede
05:54that Bergerac had coached her
05:56into identifying you,
05:57but she is convinced it was you.
06:00Right, but we still have
06:01the second search of the car.
06:02No.
06:04I just had to explain this
06:05to Arthur Wakefield.
06:07It's not enough.
06:08Without hard proof
06:09that Bergerac did this,
06:11we could be sued for defamation.
06:13Sorry, are you saying
06:14that you're not going to run it?
06:16I'm sorry, John.
06:18You're serious?
06:26Okay, fine.
06:31You need to go
06:33to this address.
06:35It's the house I grew up in.
06:37You'll need to go into my old bedroom.
06:39Top of the stairs first,
06:40on the right.
06:41There's a wardrobe.
06:43Taped to the inside of the wardrobe
06:45is an old mobile phone.
06:46I need you to get it,
06:48and I need you to bring it to me.
06:49But why can't you get it?
06:53It's not safe for me to go, then.
06:56But it is safe for me to go, then.
06:58You said you need evidence.
07:00Wait, so there is evidence?
07:03Well, why didn't you use it at trial?
07:06You'll see.
07:30So...
07:31We know that Julian took out
07:32a life insurance policy on Kate
07:34right around the time
07:34he went into debt with Ruccini.
07:36People have life insurance policies.
07:38For all we know,
07:38maybe she had one on him.
07:39It doesn't mean that he was
07:40desperate enough to kill her.
07:41And besides,
07:43insurance companies don't pay out
07:45immediately after a murder.
07:47It's a long shot, Barney.
07:48He was desperate enough
07:49to fake a ransom note
07:50to his father for his own daughter.
07:52That's opportunistic.
07:53It's not premeditated, Barney.
07:55It's a key difference.
07:55Not premeditated.
07:56He knew that she was at home,
07:58alone, with no CCTV.
07:59He snuck out of the opera house,
08:01he took his dad's car.
08:02Master Wakefield in the nursery
08:03with a candlestick.
08:05Julian, look,
08:06it's definitely...
08:08It's promising,
08:09but Arthur is still in the frame.
08:12Hold on.
08:12Any luck enhancing the CCTV
08:15of Arthur Wakefield's car?
08:16Yeah, I sent her to tech,
08:17but I'll show you some of them.
08:18Yeah.
08:20What?
08:22What exactly did she say?
08:24I haven't gone into any detail with her.
08:25She just gave me the headline,
08:26and I put her in here.
08:32Chief Inspector,
08:33I came here to tell you
08:34that it was me
08:35driving Arthur's car
08:37from the opera house.
08:47I slipped out from the stalls,
08:49took Arthur's keys
08:50from his coat pocket,
08:51and drove back to the house
08:53to talk to Kate.
08:54What about?
08:55Something she said
08:56before we left
08:57about Ellie Robson.
08:59I presume Julian
09:00must have told her
09:01we'd been receiving
09:02threatening letters.
09:03Why?
09:04What did Kate say?
09:05That she empathised
09:06with Ellie,
09:07and that concerned me.
09:10And then during
09:11Nonon Tremare o Perfido...
09:14Sorry?
09:15Oh, do not tremble,
09:17you treacherous one,
09:17Act 1, Scene 9.
09:18It struck me
09:19that they may have been
09:21in contact with each other.
09:22Okay.
09:23So you left.
09:23Yeah?
09:24Okay.
09:25What happened
09:26when you got back
09:26to the annex?
09:27Well, we talked,
09:28and I was right.
09:30I mean, Ellie
09:31had convinced Kate
09:32that there was
09:33some great conspiracy,
09:35that she was denied
09:36all this money,
09:38and Kate was naive
09:39enough to believe her.
09:41Okay, so an easy target
09:42for a vengeful woman.
09:43Well, I'm sure Ellie
09:44was very convincing.
09:47It's just one problem.
09:49The usher told us
09:50that no one left
09:51the stalls
09:51before the interval.
09:53Well, they're wrong.
09:54Hmm.
09:55I don't know.
09:56It doesn't seem
09:57inconceivable to me
09:58that you wouldn't
09:59step up and take one
10:00for the Wakefield team.
10:02Was this Arthur's idea?
10:05That you would
10:05put yourself in the frame
10:07to save him?
10:08You're Petticoat's
10:09showing, Chief Inspector.
10:10I'm sorry?
10:12Your fixation
10:13with Arthur.
10:16Okay.
10:17For the sake of argument,
10:18then, you go back
10:19to the annex,
10:19because Kate and Ellie
10:21are conspiring.
10:23Conspiring to do what,
10:23exactly?
10:24Well, that's what
10:25I wanted to find out.
10:26I mean, there isn't
10:28any proof,
10:29so the best Kate
10:30could hope to do
10:31would be to,
10:32I don't know,
10:33undermine Arthur
10:34in some way,
10:35damage his profile,
10:37our profile.
10:38I made it very clear
10:40that that would be
10:41a very, very bad idea,
10:43and I left.
10:44Right, and Kate
10:46was still alive?
10:48Yes, absolutely.
10:50Why didn't you
10:50tell us this before?
10:52Because I knew
10:53how it would look,
10:55and I didn't want
10:56Arthur grieving
10:58a daughter-in-law.
10:59He was, in effect,
11:00stabbing him in the back.
11:02But I can't stand by
11:04and watch Julian
11:04be incriminated,
11:06so, um...
11:07Kate thought
11:07there was proof.
11:08I'm sorry?
11:09About the illegal purchase.
11:10I'd see her as hell.
11:11You said there wasn't
11:11any proof.
11:12Kate thought there was.
11:14Their plan was
11:15Kate would go
11:15to the theater.
11:17Ellie would sneak
11:18into the house
11:18and go to Arthur's laptop
11:19and take all
11:20of the incriminating evidence
11:21and sneak out
11:22and take it to the press.
11:23I mean, Kate had sent
11:24Ellie hand-drawn plans
11:26of the house,
11:27the location of the laptop,
11:28the passcode.
11:29I see.
11:29Ellie got cold feet.
11:31Kate's last message
11:32to Ellie was,
11:33if you won't expose
11:33Arthur,
11:34I will.
11:36Kate feigned illness
11:37so she could get
11:38the information herself.
11:41Where did this argument
11:42take place?
11:43It was more
11:44of a conversation.
11:46Where did this conversation
11:47take place?
11:48In the nursery.
11:50Lily was in her cot.
11:52I need to understand
11:56the conversation.
11:57Where were you?
11:58Where was she?
11:59I was in the doorway.
12:01Kate was by the fish tank.
12:03Okay, this is what
12:04I don't get.
12:05Why?
12:05Why would Kate put herself
12:07and her baby at risk
12:09by conspiring against
12:10Arthur Wakefield
12:11while under his roof?
12:18She was leaving.
12:20She was taking Lily
12:21and she was leaving.
12:22That's why there was
12:22a half-packed bag
12:23in the nursery.
12:24She was packing
12:24and she got interrupted
12:25and that was the ultimate
12:27kick in the teeth,
12:28wasn't it?
12:30After everything you
12:30and Arthur and Julian
12:31had done for her,
12:32she was going to break up
12:33the Wakefield Empire,
12:34your surrogate family,
12:35run for the hills.
12:36No wonder you lashed out.
12:37No, that's not what happened.
12:39This wasn't just about Arthur,
12:40it was about you.
12:42You'd given your whole life
12:43to this family,
12:44to this company
12:45and this ungrateful bitch
12:46was going to destroy it all.
12:47No, that...
12:48I told you what happened.
12:51We talked.
12:52I went back
12:53and we talked.
12:55That's all.
12:56I went to talk to her.
13:01So, Margaret finds Kate
13:03about to leave
13:03with the intention
13:04of exposing Arthur Wakefield.
13:06She tries to stop her,
13:07it gets out of hand,
13:08she bashes Kate over the head.
13:09Unless Arthur has put pressure
13:11on Margaret to sacrifice herself
13:13in order to protect
13:13the family name.
13:16Arthur will have told her
13:17about the speed cam picture
13:18of the car,
13:19so maybe she's come forward
13:21because she knows
13:22it's only a matter of time
13:23before we identify her anyway.
13:24And her story ties in
13:25with the time of death.
13:27Julian and Arthur
13:28still don't have alibis.
13:30And I think I should say
13:31that no one left the stalls.
13:32Get Simon
13:33to talk to the usher again.
13:36If he still says
13:37no one left the auditorium,
13:38then we charge Julian Wakefield.
13:41If he says he's not sure now,
13:42then he looks like
13:43Margaret's our killer.
13:45Where are we with forensics?
13:46Finally came back this morning.
13:48Other than the family,
13:49Mia and Margaret,
13:50there are four
13:50unidentified DNA traces.
13:52They did just have decorators in,
13:53so we have to track them down
13:54so we can eliminate them.
13:55This fucking guy,
13:56I swear to God.
13:58I have to go.
13:59Another lunch date, is it?
14:01Just there's stuff to do here.
14:03Meeting with my therapist, actually.
14:08You know, I would not say
14:09that he was the best advert
14:11for the effectiveness of therapy.
14:12Thought you had stuff to do.
14:18Thank you.
14:37Hi.
14:39So sorry to do this.
14:40I was just in the area
14:42and I saw the for sale sign
14:44and I just couldn't resist
14:46asking for a sneaky peep.
14:50Come on.
14:51Good.
14:52There's a lady here
14:54that wants a viewing.
14:59Hi.
15:00No viewings without an agent.
15:02You could be anyone.
15:03No, totally.
15:04You're absolutely fine, Alan.
15:06I'll talk to you.
15:09I've just been a bit reluctant
15:10to deal with agents.
15:12You have to give over
15:13your details, don't you?
15:14And then you just become
15:15inundated,
15:17especially if you're a cash buyer
15:19and not in a chain.
15:21But, no.
15:22So sorry to disturb you.
15:27Wait.
15:29All right.
15:33Thank you.
15:34Thank you so much.
15:36Thank you.
15:41Wow.
15:43Original features.
15:44Why are you selling up?
15:46Oh, we're going to live
15:47with our son Mark
15:48in Scotland.
15:50Oh, lovely.
15:52Is he your only child?
15:54Do you want a viewing
15:55or our life story?
15:57Tea?
15:58Coffee?
15:59Coffee would be great.
16:01Thanks.
16:03Well, go on, now.
16:09Oh, it's okay.
16:11I can whiz around.
16:13Save you.
16:14I've been enough
16:15of a nuisance already.
16:20You said that no one
16:21left the stalls
16:22during the first act.
16:23Are you sure about that?
16:25Yeah, yeah.
16:26No, definitely.
16:27I need you to be certain.
16:29The thing is,
16:30I'm not supposed to leave
16:31my post at the door.
16:33Josh, if you're dead,
16:34that's not a criminal offence.
16:35but withholding evidence is.
16:41This girl
16:43that works here
16:45in the cloakroom,
16:47she...
16:51She asked me to meet her
16:52in the storeroom.
16:53Okay.
16:53So I did.
16:54And what time was it?
16:56This is really important, Josh.
17:058.40.
17:13How quick
17:14was this
17:14quickie?
17:18I was back in position
17:19for the interval
17:20at 9.20.
17:239.20.
17:23And you're telling me
17:24the truth this time.
17:26Yeah, look.
17:39Coffee's ready.
17:41I'll be down in a minute.
18:04I'll be down in a minute.
18:20I'll be down in a minute.
18:38What are you two poking
18:39about in here?
18:40I'm a photographer.
18:42I just thought
18:42this would make
18:43a really good darkroom.
18:44It's time you went.
18:46Sure.
18:56She won't be having coffee.
19:05I'll be down in a minute.
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22:18abone olun.
22:27abone olun.
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22:34abone olun.
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23:06İzlediğiniz için teşekkür ederim.
23:37bitsin için teşekkür ederim.
23:41Y 로 Cherni kur Sacattı?
23:46Bir gün yukarı.
23:49İzlediğiniz için teşekkür istemez.
23:53Yerinde
23:54bir fikiriniz. E �achar
23:58hiç durumum bir sabill uneşte Hawaii. Zil sholun
23:59bölünения. Ne?
24:03Ne?
24:05Ne?
24:06Bu ne?
24:06Bu ne?
24:10Birgerak'ın güvenli bir şey olduğunu düşünüyorum.
24:13Sende bir yalışı yoktu.
24:16Bu ne?
24:17Bu ne?
24:18Bu ne?
24:20Bu ne?
24:20Bu ne?
24:21Bu ne?
24:22Bu ne?
24:22Bu ne?
24:24Bu ne?
24:26Bu ne?
24:28Bu ne?
24:29Bu ne?
24:29Bu ne?
24:29Bu ne?
24:33Arthur,
24:34we were just talking about you.
24:35The Birgerak expose.
24:37Enough dicking around.
24:38You run the story tomorrow.
24:40I'm sorry, Arthur,
24:40but whatever Birgerak did to frame him,
24:43we have evidence that proves conclusively
24:45that Blakely did in fact abduct that girl.
24:47Yeah, right.
24:47But I mean,
24:48you're not saying Birgerak didn't falsify evidence, are you?
24:52No.
24:52I'm saying I'm not jeopardizing my career or my reports
24:56is by printing a story that champions someone
24:59who abducts young girls.
25:02Fine.
25:03I'll be talking to the owner and the board.
25:05Be my guest.
25:05I'm sure they'll agree with me.
25:07This isn't a story.
25:08It's a suicide note.
25:09Thank you for your time.
25:11Arthur.
25:11Please.
25:12Please just, just listen to me.
25:14All that Blakely cares about is hurting Birgerak.
25:17and I know that aligns with your objective,
25:20but Blakely, he's, he's a very sick man.
25:24So take my advice.
25:25I have nothing more to do with him.
25:27He's toxic, Arthur.
25:28If you have to go after Birgerak,
25:30find another way.
25:32Noted.
25:36Hang on.
25:39You know that, um,
25:42man you brought here to my house,
25:44John Blakely?
25:45Turns out he abducted the girl.
25:48So now they're not running the story.
25:50Well, I'm, I'm sorry.
25:52I thought he'd be able to help somehow.
25:57Just explain to me again.
25:59Why were you in the annex?
26:01When Kate died?
26:03As you know,
26:04she'd been speaking with Ellie Robson.
26:06I wanted to find out what they were planning.
26:08Hmm.
26:09So you would have been the last person to see Kate alive.
26:13Hmm.
26:14Birgerak was right.
26:14You were loyal to a fault.
26:18What's she saying, Arthur?
26:20Hmm?
26:21Oh no, no, no.
26:22Just thinking aloud,
26:24that's all you know.
26:36One day someone's going to walk through that door.
26:39And it won't be about Jim.
26:42Every time I get close to a breakthrough,
26:44he talks about work.
26:46The lines between personal and professional are blurred.
26:50I think he's projecting his buried rage at losing Rachel onto his suspects.
26:55Yes.
26:55He was ranting about Arthur Wakefield this morning.
26:57Again.
26:58And then there's John Blakely.
27:00Oh, that's sorted.
27:01He's no longer in the frame.
27:03Yeah.
27:03Jim went to see him last night.
27:05At his hostel.
27:06Ended up punching a wall.
27:08Dickhead.
27:09Rather than being a healthy diversion, this case has become an addiction of sorts.
27:13A replacement for alcohol, which he'll do anything he can to perpetuate.
27:18Everyone can master a grief, but he that has it.
27:22Bumper sticker.
27:23Shakespeare.
27:25My bad.
27:29I'm gonna have to take him off the case.
27:30Meets.
27:48I'm going to have to take him off the other side of my house.
27:54So let's go.
27:57The next place.
27:59Buna...
28:00Buna...
28:02Buna...
28:02Buna...
28:04Sana...
28:05confused.
28:05Buna.
28:07Buna.
28:09Yüzündür.
28:17Buna.
28:19Evet.
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33:45İzlediğiniz için teşekkür ederim.
34:17İzlediğiniz için teşekkür ederim.
34:17İzlediğiniz için teşekkür ederim.
34:20İzlediğiniz için teşekkür ederim.
34:21İzlediğiniz için teşekkür ederim.
34:23İzlediğiniz için teşekkür ederim.
34:25İzlediğiniz için teşekkür ederim.
34:26abone olabiliyor.
34:27İzlediğiniz için teşekkür ederim.
34:29abone olabiliyor.
34:36İzlediğiniz için teşekkür ederim.
34:37abone olabiliyor.
34:39İzlediğiniz için teşekkür ederim.
34:41İzlediğiniz için teşekkür ederim.
34:44İzlediğiniz için teşekkür ederim.
34:45ne CC lütfen.奇
34:49unusseğiniz. ile
34:52gegen da oluyor. İzlediğiniz
34:57için teşekkür ederim. Ve sizler bağlanむ?
35:01bir talking lütfen. Sen-ğrul
35:04pessoal alışmalı.
35:08İzlediğiniz için teşekkür ederim.
35:10İzlediğiniz için teşekkür ederim.
35:12Yeni başkalar.
35:14Yeni başkalar.
35:16Blah, blah, blah.
35:21Ben sadece bir şey,
35:23birçok bir şey.
35:26Gerçekten?
35:28Çünkü ben de bu.
35:29İzlediğiniz için teşekkür ederim.
36:02İzlediğiniz için teşekkür ederim.
36:41İzlediğiniz için teşekkür ederim.
36:55İzlediğiniz için teşekkür ederim.
37:27İzlediğiniz için teşekkür ederim.
37:29İzlediğiniz için teşekkür ederim.
38:02İzlediğiniz için teşekkür ederim.
38:03İzlediğiniz için teşekkür ederim.
38:05İzlediğiniz için teşekkür ederim.
38:07İzlediğiniz için teşekkür ederim.
38:13İzlediğiniz için teşekkür ederim.
38:28İzlediğiniz için teşekkür ederim.
38:30İzlediğiniz için teşekkür ederim.
38:33İzlediğiniz için teşekkür ederim.
38:37İzlediğiniz için teşekkür ederim.
38:39İzlediğiniz için teşekkür ederim.
38:41İzlediğiniz için teşekkür ederim.
38:42İzlediğiniz için teşekkür ederim.
38:43İzlediğiniz için teşekkür ederim.
38:45İzlediğiniz için teşekkür ederim.
39:02İzlediğiniz için teşekkür ederim.
39:09İzlediğiniz için teşekkür ederim.
39:23İzlediğiniz için teşekkür ederim.
39:27İzlediğiniz için teşekkür ederim.
39:37ve
39:38İzlediğiniz için teşekkür ederim.
39:41İzlediğiniz için teşekkür ederim.
40:16İzlediğiniz için teşekkür ederim.
41:07İzlediğiniz için teşekkür ederim.
41:10İzlediğiniz için teşekkür ederim.
41:11İzlediğiniz için teşekkür ederim.
41:14İzlediğiniz için teşekkür ederim.
41:17İzlediğiniz için teşekkür ederim.
41:19İzlediğiniz için teşekkür ederim.
41:26İzlediğiniz için teşekkür ederim.
41:56İzlediğiniz için teşekkür ederim.
41:58İzlediğiniz için teşekkür ederim.
42:04İzlediğiniz için teşekkür ederim.
42:11İzlediğiniz için teşekkür ederim.
42:14İzlediğiniz için teşekkür ederim.
42:16İzlediğiniz için teşekkür ederim.
42:17İzlediğiniz.
42:18İzlediğiniz için teşekkür ederim.
42:22İzlediğiniz için teşekkür ederim.
42:33abone olun.
42:34abone olun.
42:38abone olun.
42:42İzlediğiniz için teşekkür ederim.
42:46abone olun.
42:48abone olun.
43:12abone olun.
43:14abone olun.
43:16abone olun.
43:21abone olun.
43:31abone olun.
43:32abone olun.
43:33abone ol
43:34abone olun.
43:38abone ol
43:44abone olun
43:47abone ol
43:48abone ol
43:48abone ol
43:51abone ol
43:52abone ol
43:52abone ol
44:01Edge
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