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01:32نانسي قنقر
01:44ترجمة نانسي قنقر
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02:10ترجمة نانسي قنقر
02:12ترجمة نانسي قنقر
02:17ترجمة نانسي قنقر
02:30بعض الناس يسمعني أرروريس
02:33أعتقد أنني أعلمني أعلم
02:37أعلمني
02:39أعلمني
02:40مستطيع لكي تحديث
02:4439 سنوات قبل
02:46الإلي السلام بإرقاء في قويت
02:50أخذت
02:51أنا فعلت
02:53هذا
02:55مستطيع الأشياء
02:57.
02:57ترجمة نانسي قنقر
03:27ترى هذا؟
03:28توجد أين أغسطين
03:30أول مهم
03:32أنه يستخدم إلى المساعدة
03:34تخلص قرارات
03:35أع suka شخص
03:36أول و Rosen занصمة
03:38أن تعمل بعض الهدوات
03:39شخصًا
03:40أوليك
03:41أوليك
03:41أوليك
03:42هذا
03:47نحن
03:50يصير
03:51تقوم بالكأجب
03:51هل يمكنك طريقه
03:52إذا أحتاج لحظة
03:54سأري وهاحث
03:56ويستطاع
03:56يمكن أن تفعله.
03:57يجب أن تفعله في مفاجئه.
03:59لا، يجب أن نفعله.
04:00إنه يعمل بأعمالي معاقرات.
04:02هذه هي مطلوبة.
04:04يجب أن يعرف ماذا يحصل على.
04:05يجب أن تجد ما يجب أن تكونوا فيها.
04:08شيء مجرد.
04:10شيء مجرد.
04:12شيء سيما ويجب أن تتعرف.
07:37شكرا
09:27احسنت اجريها، اجريها من الاتفاق
09:31مجتموعة، مجتموعة منطقاء؟
09:36لقد تعتقدها.
09:39مجتموعة، مجتموعة تلك الموضوع،
09:42مجتموعة من الوقت،
09:45فجرام لكي يمكنك تحقيق،
09:48ترجمة انتظار لكي ترادل بكثرة.
09:51اجتبيني ترد حقاً.
09:55المترجم للقناة
10:32المترجم للقناة
10:53المترجم للقناة
10:55المترجم للقناة
11:02المترجم للقناة
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11:07المترجم للقناة
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11:09المترجم للقناة
11:17المترجم للقناة
11:20المترجم للقناة
11:22المترجم للقناة
11:22المترجم للقناة
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11:30المترجم للقناة
11:33المترجم للقناة
11:36المترجم للقناة
11:38المترجم للقناة
11:40المترجم للقناة
11:42المترجم للقناة
11:49المترجم للقناة
11:53المترجم للقناة
11:55المترجم للقناة
12:07المترجم للقناة
12:08المترجم للقناة
12:19والقناة
12:20هو هو ثانية من المنزل لديه من الامرانبي
12:23سالبعه لا يشعر جيداً
12:26كان من جيداً
12:26وقبل مرحلة
12:28وقبل مرحلة
12:29عندما كانت صغيرة النحية
12:30وقبل أن تنبغيناً
12:31لذلك موضوعاً
12:33كيف تهدّوه؟
12:36منذ بإجاب ترجعه للمنزل
12:38سألتهم؟
12:38أريد أن نحن لكي وعده للمنزل
12:42أكره، نحن لك
12:44نحن لذي ايضاً
12:44نحن لك، فشعره بها
12:45لذلك نحن لك
12:46تجد رأيي المنزل
12:49because it stipulates that I read all off-camera lines.
12:58Would you like to charge it to your room?
13:03Oh, sorry, is that me?
13:05Yes, Marsha, here it is.
13:09Okay, let's start again.
13:11Pick up the pace.
13:18Would you like to charge it to your room?
13:21How is it that...
13:27Is it that?
13:28That sounds weird.
13:30I think we're good. Thank you, Marsha.
13:32Is it that? That found me either, right?
13:34Thank you. Thank you, Marsha.
13:42How do you still have a place in L.A. after all these years?
13:45Bought it.
13:46From the South Shore Hospital money.
14:00Make yourself at home.
14:05Wow.
14:06This place is crazy.
14:07Sure beats the old dungeon.
14:14Turtle Diary, directed by John Irvin.
14:18You've seen Turtle Diary?
14:19Of course.
14:20You and Glenda Jackson free a couple sea turtles from the London Zoo,
14:23but you really free yourselves along the way.
14:25Yeah. No, yeah.
14:27How am I just realizing that now?
14:31Coronation Street.
14:32You play Ron Jenkins, right?
14:34Well done.
14:35A pint of bitter, please.
14:36And one for my friend.
14:38Every Brit did their stint.
14:39The producers were thrilled to get me after my runner's leer.
14:43Oh, careful with that.
14:48There's a tradition in the theater of handing down your prop
14:51to the next generation.
14:53This particular skull's had quite the journey.
14:56It was used by David Garrick when he played Hamlet.
14:59He gave it to Keane, who passed it to Irvin,
15:03who passed it to Burton, who left it in a bar, and I nicked it.
15:07Please.
15:10Is this you?
15:11Yeah.
15:12My mother, Dorothy.
15:14She was a nurse.
15:16She always believed I'd make a great performer one day.
15:19Have a positive impact on the world.
15:26Max Factor's grandson used to live in that apartment.
15:29Now we've got this.
15:30When I ask him to stop, it's just place a lot of time.
15:34Shall we get to work?
15:39Would you like to charge her to the room?
15:41How is it that no matter who I bring in here,
15:43that should be whom, by the way,
15:45whom I bring in here, boy or girl,
15:47my mother or that, our poetry teacher I'm close with,
15:49and you never judge?
15:50Who says?
15:51Who says what?
15:51That I don't judge.
15:52Maybe I'm just good at hiding.
15:54He stopped.
15:56All right, let's set up.
15:58Before we record, I had a thought.
16:00I think the key to this role is finding what's not being said.
16:03Think about what you're doing between your lines.
16:06That's where the character...
16:09Oh, bloody hell.
16:11It's never been this hard to do a tape in my life.
16:13Ruth Bakshi is never going to work with me again.
16:15Ruth Bakshi?
16:16Yes.
16:16Casting director on Wonder Man?
16:18Yes.
16:18You better not mess this up.
16:19I know.
16:20We could shoot on the street or in your car.
16:22No, it's too weird.
16:24It's a way to see it.
16:25You have any friends we could ask?
16:27No.
16:28You've been out here for how long now?
16:29Eight years.
16:29Eight years.
16:30You don't have any friends.
16:31What about you?
16:32You've been out here for decades.
16:33Where are all your friends?
16:34You used to have plenty.
16:37Oh, there is someone I could ask.
16:41We were both in South Shore Hospital together.
16:44I played the lead.
16:46Somehow, he managed to get in the showrunner's ear.
16:49He had my character killed off.
16:50Walked away with the lead role and the people's choice award.
16:54The most promising newcomer.
16:56Yeah, if that's cold.
16:57He owes me.
17:07Trevor Slattery.
17:10I can't freaking believe it.
17:13Oh.
17:14Oh.
17:15Get in here.
17:21Simon, Joe Pantoliano.
17:22Joe Pantoliano, Simon Williams.
17:24Everybody calls me Joey Pants.
17:26Yeah, of course.
17:26It's a plus.
17:27You know, I never eat a steak without thinking about you and the Matrix.
17:29What?
17:30Everybody always go on and on about growing at De Niro and Midnight Rumble.
17:33You were the third side of that triangle, man.
17:35I like this guy.
17:37Wow.
17:39You done well for yourself, man.
17:40That's a lot of marble.
17:41Yeah, well, my wife, she designed the place.
17:45Hang on a sec.
17:47I've got to give the tree some life.
17:50You know, Art Linkletter taught me a crucial lesson about show business.
17:55It's not enough to make a living.
17:57You've got to make a killing.
17:59So, I got into real estate early on.
18:02Bought in Venice, way before Arnold.
18:05Made a disgusting amount of money.
18:08Just disgusting.
18:10So, you guys hungry?
18:11My chef would be happy to make you something.
18:13Well, we're not really here to socialize.
18:15We're on a tight schedule.
18:16Oh, come on, Trev.
18:17Nestor's the best.
18:19I just stole him from McConaughey.
18:22Thank you, Nestor.
18:25Ah, my favorite.
18:26We got some duck prosciutto,
18:28some roasted peppers from my garden,
18:30and we just flew in the moots fresh from Hoboken.
18:36They can't audition on an empty stomach.
18:38Here, sit down.
18:39Okay.
18:42You know, people don't appreciate all the work
18:46that goes into the audition process.
18:48I'm offer only, so it's hard for me to relate.
18:59Man, I'm so glad
19:01all that Mandarin business is behind you.
19:04I mean, the performance was good,
19:07but I was worried about you, man.
19:11That was some dark shit.
19:17Simon, what the hell is this damn audition?
19:19I'm sorry.
19:20I'm at Joe Pantoliano's house right now.
19:22He just offered me moots from Hoboken.
19:24He got a treat in the foyer.
19:25I'm just trying to be polite.
19:26I'm in here cold switching to everything.
19:28I'll give a damn if you was having sloppy joes
19:30with Sarah Paulson.
19:30You need to hurry the hell up.
19:32That's why I'm here, to do the tape.
19:34I'm just trying to stroke the man's ego a little bit.
19:36Let me play this.
19:37Just put your face saying the lines on a tape
19:39and get it to me.
19:40Okay.
19:41Okay, all right.
19:42And don't do what you always do, Simon, okay?
19:44I know you're already overthinking and doing that bullshit.
19:46Just be normal, okay?
19:47Can you play that?
19:48Normal, man.
19:49The breakdown is go method.
20:01You know, I don't think we've crossed swords
20:03since we wrapped South Shore Hospital.
20:06Sounds about right.
20:07Well, I miss you, Dr. Jack.
20:09What's that supposed to mean?
20:11Dr. Jack Cronk.
20:12That was your character.
20:14Oh, right, lovely.
20:15Before you stole the lead from me.
20:20What the hell are you talking about?
20:22I'm surprised you bring that up, Joe Pantoliano,
20:24right to my face.
20:27Trevor, you were high.
20:29Out of your mind.
20:31You weren't showing up to set,
20:33and when you did,
20:34you were screaming white worms
20:36were coming out of your skin.
20:38You told me
20:39that you couldn't handle the pressure
20:42of being the lead.
20:43Showrunner,
20:44rewrite to work around you
20:46until finally,
20:47network had enough.
20:48Kill you off.
20:49Can we please
20:51take this audition
20:53already, already?
21:01So, let's
21:02shoot this,
21:04gentlemen,
21:05shall we?
21:07That's quite a career.
21:09Well, yeah.
21:10I've been lucky.
21:12Hell, if I was British,
21:13they would have knighted me by now.
21:15Can I give you some free advice?
21:19It's Louis B. Mayer.
21:21He has a saying.
21:24The most important thing about acting
21:28is sincerity.
21:32Once you learn to fake that,
21:34you got it made.
21:37No.
21:38Look,
21:38show business is crazy.
21:41It's built on a foundation
21:43of insanity.
21:44So,
21:44success
21:45is the collateral you use
21:47to build something real
21:49for yourself.
21:50Remember this.
21:51Acting.
21:52It's just a job.
21:54I mean,
21:55yeah,
21:56it's a great way
21:57to make a buck.
21:58It's better than any other job
22:00out there.
22:00But the minute you try
22:02to get something else out of it,
22:03fame,
22:04validation,
22:06getting even with your parents,
22:07whatever,
22:08you're screwed.
22:09You keep
22:10digging that hole
22:12and you'll never get out.
22:16I gotta say,
22:18Trev,
22:19oh,
22:20I envy you.
22:21To finally be done
22:23with it all
22:24must be nice.
22:26Not have to worry
22:28about your weight
22:29or your appearance.
22:31You can ignore
22:32the stupid trades.
22:35Actually,
22:36he's not done
22:37with acting.
22:38Really?
22:40he just had
22:41a huge audition
22:42for a lead role
22:43in a Von Kovac movie.
22:45Well,
22:46holy shit,
22:46that's terrific.
22:50Don't pretend
22:51to be happy for him,
22:52Joe Pantoliano.
22:53What?
22:54You think you're being nice,
22:55but you're actually
22:56condescending as shit.
22:57Do you know that?
23:00That speech
23:01was the dumbest,
23:02most patronizing thing
23:03I've ever heard.
23:04Oh, man,
23:05fellas.
23:06You suck,
23:07Joe Pantoliano.
23:08Baby's day out
23:09is garbage.
23:10Even that dumb baby
23:11couldn't make you funny.
23:17Let's get the hell
23:18out of here, man.
23:20Come on, guys.
23:24acting
23:24isn't a job.
23:27It's a calling.
23:29It's the single
23:30most consequential thing
23:31anyone could ever do
23:33with their life.
23:51Barry!
23:53What's this I'm hearing
23:54about a new
23:55Von Kovac movie,
23:57and why am I not
23:58meeting on it?
24:01Can you believe that guy?
24:06you okay?
24:08Sorry,
24:09that didn't quite work out.
24:12It's all right, man.
24:17I know a place
24:18we could go.
24:29Just ignore the mess,
24:30okay?
24:38I've been thinking
24:39about what you said
24:40earlier.
24:42About how the key
24:43to this scene
24:44is finding
24:46what's not being said.
24:48All this time,
24:49I've been assuming
24:50the line,
24:50maybe I'm just good
24:51at hiding it,
24:52was like a gentleman
24:52buff telling the kid
24:54to watch himself.
24:55Right.
24:56But I'm wondering
24:58if the waiter's
24:59actually feeling
24:59some type of connection.
25:02Like,
25:02maybe it's an invitation,
25:03maybe I'm just good
25:04at hiding it.
25:05You can trust me
25:06with your secrets.
25:08Feel free to tell me
25:09more of that kind of thing.
25:10Might be worth a shot.
25:13Yeah.
25:30would you like
25:30to charge her
25:31to your room?
25:32How is it
25:33that no matter
25:34whom I bring in here,
25:36boy,
25:37girl,
25:38my mother,
25:40or that odd
25:41portrait teacher
25:42I'm too close with?
25:45You never judge?
25:50Who says?
25:52Who says what?
25:55That I don't judge.
25:57Maybe I'm just
25:59good at hiding it.
26:06Who says?
26:09This is what?
26:11That I don't judge.
26:14Maybe I'm just
26:15good at hiding it.
26:22Do I send it?
26:24You'd be crazy
26:24not to.
26:26You think it's good?
26:27It's transcendent.
26:33I'm cold.
26:41I gotta pee.
26:44I gotta pee.
27:05I gotta pee.
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