- 2 days ago
(1931) is a British black-and-white mystery film starring Raymond Massey as Sherlock Holmes and Athole Stewart as Dr. Watson. Directed by Jack Raymond, this 90-minute adaptation of Arthur Conan Doyle's 1892 story features a sinister stepfather (Lyn Harding) using a venomous snake to kill his stepdaughter for her inheritance.
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02:01Father!
02:03Father!
02:13Father!
02:15Father!
02:43Why haven't the jury come out?
02:46Why are they taking so long?
02:49Won't learn much by looking at the body.
02:52If Dr. Watson is satisfied, surely that should be enough for them.
02:56Where is he?
02:58With Miss Helen.
03:00Miss Helen?
03:02I told you not to leave them alone together.
03:05She practically ordered me to go.
03:07Hmm.
03:10I'm so sick of that.
03:11Allie.
03:13Allie!
03:18Yes, sir?
03:19Tell Dr. Watson I want to see him at once.
03:23Yes, sir.
03:32Dr. Watson, will they be long before they begin the inquest?
03:34Not long now, my dear.
03:36I know it's an ordeal, but they'll make it easy for you.
03:40I must ask you.
03:42Have you any idea how Violet met her death?
03:46Well, I suppose I oughtn't to answer that question until I've given my evidence.
03:50But if it will help you by answering it, no.
03:56I wish I knew.
03:57Oh, my dear, my dear.
03:59You mustn't let it upset you.
04:00No.
04:02It was good of you to come.
04:04It's a great help.
04:08To have a friend.
04:10You see, Violet and I had no one in England.
04:16You knew my stepfather, Dr. Ryan.
04:20I, uh, I've heard of him.
04:26Well?
04:28Will you come this way, sir?
04:31All right.
04:31In a minute.
04:32My master's orders, sir.
04:34Yes, yes.
04:34In a minute.
04:35I'm very sorry, sir.
04:37You must come now.
04:39What do you mean?
04:41Right now, nickel down.
04:48Do you always behave like that?
04:52He carries out his master's orders.
05:10It's very upsetting, this business.
05:12Uh, it won't take long, I suppose.
05:14No, I don't think so.
05:16Sometimes these country juries pass a little.
05:18But I don't think there'll be any delay.
05:26Excuse me.
05:41Dr. Watson.
05:42Very kind of you.
05:44You've come from Prompley.
05:45Not at all.
05:46I knew you all ate white in India, you know.
05:48Ah, yes, yes.
05:49Strange we never met out there.
05:51Well, India's a large place.
05:53I suppose you have no doubt in your mind about this death.
06:00I'd rather not anticipate my exit.
06:02Do you understand?
06:03Oh, quite, quite, quite, sir.
06:05I hope you stay for lunch.
06:07I'm afraid I have to get back as soon as possible.
06:09By the way, should the verdict of the jury be warranted,
06:13I think I could get a friend of mine to take up the case, Sherlock Holmes.
06:18Sherlock Holmes.
06:21Oh, yes, Sherlock Holmes.
06:23You see, I'd rather not anticipate the verdict.
06:27You understand?
06:29I'm sorry you won't stay.
06:31You know, this old house is rather gloomy,
06:33but the one wing that's habitable is not without charge.
06:37Oh, are we all ready, gentlemen?
06:39Oh, yes, sir.
06:42Oh, yes, sir.
06:51Oh, yes, sir.
06:53I'm afraid I should have to ask you to withdraw.
06:55Oh, very good.
06:56It's good.
06:57Now, Dr. Watson, I will take your evidence first.
07:06Oh, would you mind sitting over here?
07:13Oh, my God.
07:16Oh, my God.
07:38Alright, let's go.
08:19Good afternoon, Mr. Holmes in?
08:23Yes, Dr. Watson.
08:25Hello.
08:27What's the matter with you?
08:28That machine you brought in, Dr. Watson.
08:30It's supposed to give the details of every criminal case.
08:33And the whereabouts of every criminal at any given date.
08:36Well, you know how I worked to get a complete course.
08:39And now, what's wrong?
08:43I keep correcting it, that's all.
08:50Mr. Holmes, this isn't fair.
08:52No machine can give you everything.
08:54No, my dear.
08:55That's why I shall keep on using this old brain of mine.
08:59These data are about Dr. Rowland of Williams, please.
09:02The record is very accurate, considering his hero and it was a doctor.
09:05Except, of course, for the native buster.
09:08But the report missed several points.
09:11You don't mean to say you remember every detail?
09:13I remember reading the case.
09:15In these matters, reading is remembering.
09:18However, I like your machine, Watson.
09:23Keeps me up to the mark.
09:25Well, how did you get on with our friend?
09:27Tell me what you learned at the ingress.
09:29Nothing very much, really.
09:33Tell me first what happened.
09:35Absolutely nothing of any importance.
09:38The girl was a friend of yours.
09:39Would you like me to look into her?
09:40No, no, no.
09:41I'd only waste your time.
09:42Well, anyway, tell me what happened.
09:44Well, the doctor was a hard-bitten sort of fellow.
09:48Quite decent, really.
09:50He behaved very well and gave his evidence in a clear, straightforward way.
09:55No sign of the, shall we say, eccentric gentleman who beat his native butler to death in India.
10:02Now appears to be the terror of the village he lives in.
10:04No, there were some stories about him, of course, but Mrs. Thornton, the housekeeper, said Rylott was kind as himself
10:12to the two girls.
10:13Hmm.
10:15Yes, well, Dr. Rylott was with her just before she gave her evidence.
10:18Yes, all the witnesses were in the same room.
10:22Good-looking woman?
10:24No.
10:25Yes.
10:27Does that matter?
10:29Might.
10:30The butler, what's his name?
10:33Rogers.
10:34What a memory you've got.
10:37Rogers seemed to falter.
10:39I wondered whether he had anything to do with it.
10:42He looked furtive.
10:45Sure, his furtive look wasn't fear of the doctor.
10:48No, one of the jurors asked him about that, but he denied it indignantly.
10:52The native servant.
10:54What was his evidence?
10:56Allie?
10:57No, he slept in an attic right away from the tragedy.
11:02I hear there were gypsies in the neighborhood.
11:05Any point made of them?
11:06No.
11:06No motive for murder?
11:08None.
11:09The stepfather.
11:11Does he benefit by the girl's death?
11:13Yes, but in his evidence, he said he was giving up his name in favor of Helen.
11:20Any kind of him.
11:22How did he receive the verdict?
11:24Relieved.
11:25Relieved?
11:26Why?
11:27Naturally.
11:28It was all very trying for him, and he was glad to get the matter cleared up.
11:34Add these details to Dr. Riley Stockett.
11:36I may need them.
11:38Yes, Mr. Hope.
11:41Oh, yes, Watson.
11:42While you've been reorganizing the outer office with your data-giving systems and so on,
11:48I've added this one.
11:50All that you've said has been taken down against against you.
11:54And if you've made any mistake or missed any salient point,
11:59it's all on record.
12:04Now stand by my opinion, all right?
12:08By the way,
12:10should Miss Helen become engaged, she'd let you know, I suppose.
12:14You're a friend of the family.
12:16Yes, of course.
12:17You're sure of that?
12:19Yes, why?
12:20Nothing.
12:21I'd just like to know it all.
12:22Yes, but why?
12:23Why'd she like to congratulate her?
12:25She should get married.
12:28But let me know, at once.
12:34Yes?
12:34Such an inspector to see you.
12:37Last.
12:51Fair together again?
12:54Who?
12:54Miss Helen and that young man.
12:58Young Curtis.
13:10Oh, of course.
13:12They're engaged, aren't they?
13:17All right.
13:40Come, come, come, come.
13:50Be patient for a little while and everything will come all right for us.
14:01You're going away already?
14:03I know, my dear.
14:05It's my rotten luck.
14:07But my orders from the FMS came through suddenly.
14:10You see,
14:11we've taken over another plantation,
14:13and I'll have to go.
14:17I'll have to go to Amsterdam tonight to report to the board.
14:23But I'll get back on Thursday,
14:24so that we can have two days before I go to Rangoon.
14:28How long will you be away?
14:31Oh,
14:33I shall think it'll be about six months to a year.
14:37A year?
14:39A year?
14:49It's just a year since Violet died.
14:53And I know how long a year can be.
15:00I should be left here alone.
15:02I can't.
15:05I'm frightened.
15:08Frightened?
15:10Good.
15:15I know this is rather a gloomy place,
15:17but do you really mean to say that you're frightened?
15:21Yes.
15:23Why?
15:27I can't tell you.
15:30Is it your stepfather?
15:33I can't tell you.
15:35You must.
15:37I can't leave you like this.
15:39What is it?
15:42The Curtis club is going away for one year.
15:48He leaves on Saturday.
15:52Good.
15:53Good, Alex.
16:03You're going away for a year.
16:12And there's no need to carry on with the alteration.
16:18I'm only saying this.
16:21Take me away with you.
16:24If you wait,
16:27I shan't be here for you.
16:31Don't ask me how I know.
16:33I just know, that's all.
16:35Take you with me?
16:36You mean that?
16:38Yes.
16:41Why, that's marvellous.
16:44It'll be an awful rush, you know.
16:46Can we manage it?
16:47Of course we can.
16:48Anything if you're...
16:50We'll be married on Friday
16:51and leave on Saturday.
16:54And...
16:59Be happy ever after.
17:00No.
17:01Put the window in there.
17:02Roger.
17:03If you say, sir.
17:04Yes, sir.
17:04You say, sir.
17:04All the same to me.
17:06Come on, Bill.
17:07Come on, sir.
17:08Get all that gear out of here.
17:10We can be ready and pet your stepfather now
17:12and tell him you're coming with me.
17:13You be careful.
17:14I can take care of myself.
17:16Don't you worry about that.
17:22Why shouldn't she?
17:25Why should she?
17:32So she'd leave me with she
17:34after all these years.
17:36Take income with her.
17:38Me.
17:39Me dependent on two stepdaughters
17:42for my income.
17:44But we'll change all that.
17:46It gives me to that.
17:48Now, listen to me.
17:50For I'm the only trend you've got.
17:53Don't try it again.
17:54But the second time...
17:56They'll meet no more of the second
17:58than of the third.
17:59No one in the world can tell.
18:02It's impossible, I tell you.
18:06Under her mother's will,
18:08if she marries,
18:09half my years will be gone.
18:10I must respect.
18:12Let them suspect.
18:14They can prove nothing.
18:17No.
18:17Not my way.
18:23Not my way.
18:28It's all right.
18:29He was very patient about it.
18:30He was?
18:32Are you sure?
18:33Of course.
18:35Now, listen.
18:36I shall be back from Amsterdam
18:37late tomorrow or early next morning.
18:39And I'll get everything ready
18:40for our wedding on Friday.
18:41Special license and so on.
18:43You realize I can have nothing
18:44to be married?
18:45Oh, my dear.
18:48As you are.
18:49Just as you are.
18:51Come along, darling.
18:52Come to the top of the road with me.
18:57Now, I want you to proceed
18:59with the work in this room.
19:00What?
19:01Yes, sir.
19:02And work overtime,
19:04if necessary.
19:05Do you understand?
19:06Yes, sir.
19:08Goodbye, my dear.
19:09Goodbye, my dear.
19:42Goodbye, my dear.
19:44Goodbye, my dear.
19:45Goodbye, my dear.
19:48Let's go.
20:21Let's go.
20:24Let's go.
20:30Let's go.
20:30Let's go.
20:47Oh, is the room ready for Miss Helen?
20:54I'm getting it ready for her.
20:56Now.
20:57Good.
20:57Good.
21:01Good.
21:49Oh, Miss Helen, I'm changing your room tonight.
21:54Changing my room?
21:57The builder started working yours.
22:03Then where am I to sleep?
22:06In the other room.
22:11Violet's room?
22:15It was her room?
22:19Yes.
23:26I can't go into that room.
23:29Nonsense.
23:30It's just a room, nothing more.
23:32You should be going abroad with the other.
23:34That's no place for nerves.
23:37You must learn to conquer them.
23:40Come.
23:41Be reasonable.
23:43I can't go into that room.
23:45What harm can there be going in there?
23:48I tell you, you're getting childish and imaginative.
23:52It would be wrong of me to allow you to have your own way.
23:56Oh, I shall not give in to you.
23:59I can't go into that room.
24:04You're going in there now.
24:07Nerves.
24:10That's all it is.
24:13Just nerves.
24:29I can't go into that room.
24:54All right. Watson.
25:01Oh, I'm so glad I found you.
25:03My dear Helen, what's the matter?
25:04I'm... I'm...
25:05Scared to death.
25:06This is my train, Mr. Holmes.
25:08You've made an early start.
25:09What train was it?
25:11The 618.
25:12Is there a later one?
25:13Oh, very home to that matter.
25:14A great deal.
25:15It's seven o'clock.
25:16It's faster, but I couldn't wait.
25:19Mrs. Hudson, will you get this young lady a cup of coffee and put it in the next room?
25:23Yes.
25:25Why not have it in here?
25:26I doubt that Miss Sona will have time to tell us everything before her stepfather arrives.
25:30Who?
25:30Your stepfather.
25:31But I can't possibly know where she is.
25:32I thought you left word at your room, Watson, that you were sleeping here.
25:35You'll call that first and come along here.
25:37I'd like to meet him.
25:38No, my dear, don't be frightened.
25:40You're amongst friends.
25:40Now sit down.
25:46Now tell me, exactly what has happened recently.
25:55For a whole year since my sister's death, he's been kinder.
26:00And then?
26:01Directly I became engaged.
26:03His manner changed.
26:05Yeah.
26:06There's that same look he had when Violet was going to leave him.
26:10It seems as if he were waiting.
26:14Waiting?
26:14For what?
26:16I don't know.
26:17I don't think.
26:20I'll explain to anybody how I know that I'm in danger.
26:22But all the things that happened to my sister before her death seem to be happening to me.
26:29Don't distress yourself.
26:31Tell me quite calmly what these things are.
26:35The builders.
26:39Those gypsies.
26:40I see.
26:43Music.
26:45Has your stepfather tried to make you move into another room?
26:49Yes.
26:51Yes.
26:52Into your sister's room?
26:53Yes.
26:54Is it nearer to his?
26:55It's next door.
26:57Any means of communication?
26:59No.
27:03Now what about these gypsies?
27:05Tell me about them.
27:06They've come back.
27:08I saw them yesterday.
27:11The same gypsies that were there a year ago.
27:14Have any of them come to the house?
27:16No.
27:18He was always very friendly with them.
27:21And I can't forget my sister's dying words.
27:24Banned and speckled.
27:27Banned and speckled.
27:31What about this music?
27:34I've heard it again.
27:36My sister heard it before her death.
27:39Last night I was forced to sleep in that room.
27:42Forced?
27:42Yes, forced.
27:44I was terrified.
27:53I sat by the window till I was chilled alone.
27:57All I could hear was the growling of the dogs and the wind in the trees.
28:03From the window I could see the gypsies fire flickering in the distance.
28:17I kept my lamp going as long as I could, but at last it flickered out and I was left
28:23in the dark.
28:31Finally I was so cold I wrapped the eider down round me.
28:35I fancied I could smell the Indian cheroots.
28:38My stepfather always smokes them.
28:42Violet mentioned having noticed them.
28:47Suddenly I felt somebody was in the room.
28:49I called out,
28:51Who's there?
28:52Who's in my room?
28:56And then...
28:58I heard that...
29:02That music.
29:05It ceased suddenly.
29:08I don't know what the danger was, but I only know it was very yummy.
29:14I spent the rest of the night crouched in a corner in the other window.
29:18As far from the bed as possible.
29:22In the morning, I caught the first train to London.
29:28Why, Mr. Holmes, I'm terrified!
29:31Naturally.
29:32You had enough to frighten anyone.
29:35Now what was this music like?
29:38It was a soft and groaning sound.
29:42It reminded me of India.
29:44India?
29:48Let's see.
29:52Beckham.
29:53Band.
29:56Gypsy.
29:57Smell of cheroot in the next room.
30:01Was your door fastened?
30:03Yes.
30:03Windows?
30:04Yes.
30:05Any access to the chimney?
30:07That's impossible.
30:09Ah.
30:12Where did I see this place?
30:13Oh, you mustn't go there.
30:15If he saw either of you there.
30:16He can take care of ourselves.
30:17But you don't know him.
30:18You've never seen him in a range.
30:20I think we shall in a minute.
30:22Miss Thomas?
30:24Mr. Holmes.
30:25If he should find me here.
30:27He won't. Come along, will you?
30:46You're over.
30:47You're over.
30:55You would?
30:56You have a horse.
30:57I'm a horse.
30:57I've had a horse.
30:59You are…
31:00I'm a horse.
31:00I'm a horse.
31:01My horse.
31:02Get up!
31:03Get up!
31:04What a thing!
31:05Barring onto me like this!
31:07Who do you think you are?
31:08Harold, have you rat-fated in my house like this?
31:11I'm sorry, Mr. President, but this gentleman is under very great stress.
31:14He hopes you will forgive me.
31:17Mr. Sherlock Holmes, I believe.
31:19Your belief is justified.
31:21I thank you, sir, not for meddling my affairs.
31:23Your name being?
31:23My name, sir, is Grimes Berylis.
31:29A healthy place and obviously very good for the lungs.
31:33I thought of going there myself.
31:35Almost a year ago.
31:37To Stoke Manor, sir?
31:40Yes.
31:41He said it was healthier for me to remain in Baker Street.
31:44It certainly was.
31:46I'm not sure.
31:47I find such places usually suit me.
31:49I doubt it.
31:51Still possible that I may make the visit.
31:55A return visit, sir?
31:57I beg your pardon?
31:58I believe you have already had a visit from my stepdaughter, Miss Helen Stoner.
32:04It is the first law of my prison, Dr. Reilers, never to answer questions.
32:09But you will answer me, sir!
32:12What do you mean by...
32:13You!
32:16What do you mean by interfering in my lawful affairs?
32:19If they're lawful, Dr. Reilers, no one is likely to interfere with them.
32:26Mr. Holmes, you think that I appear a little, uh, hot-headed.
32:32No, no, no.
32:33How ever did you get that idea in your head?
32:35If I say a little rude...
32:38Robust.
32:38A trifle robust.
32:39Nothing more.
32:40This young girl is my stepdaughter.
32:43She is here, sir.
32:46Yes, I know she's here.
32:48Do you hear me?
32:59Miss Helen, Dr. Watson has just come.
33:03Where is he?
33:04I let him in at the side door and took him up to your old room.
33:07Is there anything for me to miss the clergy?
33:10Yes, sir.
33:11I'll do it for you.
33:12Here you go, Roger.
33:25When you leave, mate, get that Indian blood to see now across the ground.
33:30Stay in faith with all them dogs to visit about.
33:32You ask me, there's a lot of queers around here.
33:35All right.
33:36Good night, mate.
33:37Good night.
33:42What makes you think that?
33:44Oh, one thing and another.
33:46Have you noticed anything curious?
33:49Yes.
33:49The white people keep on asking me questions.
33:54Good day.
33:57Dr. Watson.
33:58Brilliant.
33:59Is Mr. Holmes with you?
34:01No.
34:01I went and looked at the terms of your mother's will, as he asked me to.
34:04And he promised me to be stationed here, but there's no sign of it.
34:07I hope you won't be lost.
34:09The stepfather made it back at any moment now.
34:11You never know what Holmes is going to do next.
34:14Examine the doctor's room, I think, Watson.
34:16Okay.
34:17Holmes?
34:18How long have you been here?
34:20Well, I've held down this job since four o'clock, thanks to the kindness of a Mr. Armitage.
34:24Now, Miss Stoner, I'd like to see your stepfather's room.
34:27Yes, but will you be quick?
34:29All right.
34:29It'll be all right.
34:52What's in here?
34:53I think my stepfather keeps his business letters in there.
34:57Oh, you know them?
34:57Well, I've been in it once before.
35:00I remember that was full of paper.
35:07Is there a cat in the house?
35:09No, but milk's often sent out for this room.
35:32What do you make of that, Watson?
35:35Looks like an ordinary dark whip.
35:38I don't know why it's looped up in that way.
35:40No, that's not so ordinary, is it?
36:01It's beautiful.
36:02No, that's good.
36:13I don't know why it's still alive.
36:13It's almost there.
36:14No, that's a great reason.
36:15I can't wait.
36:15I'm sorry.
36:15No, that's fine.
36:16I can't wait.
36:16No, that's fine.
36:18I can't wait.
36:18I can wait.
36:18No, I can't wait.
36:19I'm sorry.
36:27I can wait.
36:44Now, the other one, please.
37:09This was your sister's bedroom.
37:11Yes.
37:12Shut the door.
37:49Will these windows securely fasten like that last night?
37:52Yes.
37:54And the door lock?
37:55Yes.
38:01Have a look at the other side of the bed, Watson.
38:04Behind these curtains.
38:08How are you outside?
38:10No.
38:10It's having to talk.
38:23You have two bells, I think.
38:25That one doesn't breathe.
38:32So the one by the fireplace was put in?
38:35No.
38:37That one's always been there.
38:43This bell was hung, but it doesn't ring.
38:46Yes.
38:49Tell me, Hunt.
39:02How long has this table been clamped to the floor?
39:06I didn't know it was.
39:08I didn't know it was.
39:08I've never tried to move it.
39:11I didn't know it.
39:13This is the end.
39:18I don't know.
39:19I'm going to get there.
39:22I'm going to get there.
39:26I didn't know it.
39:28I didn't know it was.
39:39I was going to get there.
39:44How did you smell your stepfather's cheroot in this room?
39:49I imagine it came from the corner door.
39:56If my deduction is correct, there's a ventilator behind that bell row.
40:01Watson, go into the doctor's room.
40:03On the right wall, just beneath the beam, you'll see a picture, a hunting picture.
40:07Yes, look behind it and see if there's any means of opening a flap in this wall from the other
40:11side.
40:12Aye, sir, aye.
40:23There, there's a thought. This rope's a dummy. On some hook.
40:43Watson, can you see into this room from the other side?
40:47Yes.
40:48But only the opposite wall.
40:50You can't see the bed?
40:52No.
40:53Absolutely as possible.
40:56This opening's very small.
40:58Nothing to get through here.
41:00All right, shut it.
41:14It's not from one room to another.
41:19A builder would put it on the outside wall.
41:25Well, I've finished.
41:27Are you sure?
41:29Who's that?
41:31It's Rogers.
41:36The master. The master.
41:38Miss Ferry, you promised.
41:39Yes, yes, Rogers.
41:41Quick, Mr. Holmes, we must go.
41:43All right, my dear.
41:43Dr. Watson.
41:44Miss Dolan, tonight, when your stepfather's not obeyed, as soon as quiet, show a light in your window.
41:49That's all right. We'll be outside. We'll get up to your room somehow.
41:52Quickly, Watson.
41:53What about you?
41:54I'm all right. I'm here as a weapon.
41:55Get down the back stairs as quickly as you can.
41:56All right.
42:00All right, my dear.
42:01Don't worry. You'll be all right.
42:22Where's this room, sir?
42:23In her room.
42:25What time did she get back?
42:26About 12 o'clock, sir, please.
42:27No, no, no, sir.
42:28Look at me.
42:30Did she go out again?
42:31No, sir.
42:32Did she send any message?
42:34No, sir.
42:35Look at me, Daniel.
42:36Did she send me message?
42:39Yes.
42:40Yes, she did.
42:42And where is it?
42:45It's here.
42:59Go into my study.
43:03I want to speak to you.
43:26Go to your room.
43:38We have thought of place to be in.
43:40These grounds aren't only about.
43:57What about the gypsy?
43:59I nearly made a bad mistake there.
44:02The presence of those gypsy's will put me off the scent.
44:05A signal?
44:06A signal to an accomplice who can get in that room.
44:09Who can carry death that leaves no trace.
44:13Go.
44:23Go.
44:24Go.
44:24Go.
44:25Go.
44:27Go.
44:28Go.
44:30Go.
45:03I'm afraid I must ask you to take something of a risk.
45:06It's the only possible way.
45:07You must do nothing to arouse a suspicion.
45:09Now I want you to get on the bed.
45:11Oh, no, no.
45:13If you say so.
45:16Watson, take this torch.
45:20Wait.
45:21Wait.
45:40Just wait.
47:21A man. A speckled man.
47:25For a small viper, the deadliest snake in India, he would have died within ten seconds of being bitten.
47:37A job is out. It's doomed.
48:09From your clothes, Watson, I should deduce you were going to a wedding.
48:18At last I got you. For once in your life, you're wrong.
48:23Wrong?
48:24I'm not going to a wedding. I've just come from one.
48:30Glenn Stern was there to be uncanny this morning.
48:33I was afraid that might happen.
48:35Nonsense. Splendid.
48:37I'm just going to pay you to see them all. Why don't you come?
48:42Not in my line, Watson.
48:44No, no.
48:45Besides, they thanked me very nicely.
48:47Give them my congratulations.
48:49Or perhaps condolences.
48:51Rubbish.
48:52We all come to it, my dear fellow.
49:00We all come to it.
49:03Goodbye.
49:12Not all, dear Watson.
49:15Not all.
49:24Have you added the details of Dr. Reilat's affair to the dockets?
49:28Yes, sir.
49:28Put them with cases concluded.
49:30Yes, sir.
49:32No será.
49:33No.
49:35No.
49:36No.
49:37No.
49:38No.
49:39No.
49:39No.
49:39That's which we have in front of us.
49:40No.
49:46No.
49:47The door.
49:47No.
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