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00:00In that particular dialogue, in that particular voice, in that particular modulation,
00:04in that particular voice, in the editing and editing,
00:06you can hear the audio,
00:09and you can hear the audio,
00:09and you can hear the audio.
00:11If you hear the audio,
00:13I was like, oh damn, it's getting worse.
00:15It was an honest feeling that I expressed.
00:16That was my past.
00:18In other words, J.S.K., both films, and C.V.
00:21I am definitely going to get better.
00:26That's true.
00:26What we are doing is we're doing something like that.
00:32We are doing something like that.
00:34We are doing something like that.
00:35What is the human being?
00:37At their worst state.
00:39They are doing something like that,
00:41and they are doing something selfish,
00:42and they are doing something.
00:43Then, the attention of the background is very important.
00:48Even if you're not doing anything like that,
00:49you're doing something like that.
00:50No matter what you're doing, that's fine.
00:53We are talking about the irrelevant issues and we are talking about the time.
00:58It was almost like World War III.
01:02Why is this issue so relevant?
01:04We are talking about the media and Vino Krishnan.
01:07We are talking about Al-Qaeda.
01:12We are talking about this 10% of people.
01:15We are talking about the same thing as Al-Qaeda.
01:19I am talking about what they are doing.
01:23I am talking about the same thing as you are doing in Bangalore.
01:26I am talking about the same thing as you are doing in Bangalore.
01:29They are not comfortable with that.
01:31They are expressing themselves.
01:33But when they are doing something,
01:37they are not doing something.
01:40It is not for commercial benefit.
01:43It is a belief that they are doing.
01:45If they are not doing anything,
01:47they are doing anything.
01:48If they are taking a position in their position,
01:51At least they are doing a basic bottom.
01:57We are talking about the same thing as Al-Qaeda.
01:58We are talking about the same thing as Al-Qaeda.
02:00And we are talking about the same thing as Al-Qaeda.
02:01What is Al-Qaeda's cinema?
02:05In what we are continuing to do in action thriller.
02:09If I am in the subject of the subject of each person,
02:12the character carries the story.
02:14If you are in story telling in all of them,
02:16I am in the way that we are doing the storytelling.
02:17It is not the same detail in any different detail.
02:18It's not an action thriller, it's not an action thriller, it's a love track, it's a purpose for these characters.
02:32It's not a perspective, it's not a perspective, it's not a perspective in my life.
02:36It's not a perspective in Ajay's perspective, it's not a perspective in the crowd, it's not a perspective in Ajay's
02:50perspective.
02:51But I think that it's not a perspective in the film, it's not a perspective in the proper communication.
02:56It's not a perspective in the film, it's not a perspective in the film, it's not a perspective in the
03:06film.
03:06It's not a perspective in the film.
03:11No one follows a perspective in the film.
03:14The concept of goons and how they operate is one of the people who are in India.
03:22I think that it's a perspective in the film, it's not a perspective in the film.
03:26But, in the film, we're looking for the location, most of the core team is from Trivandran.
03:32If we're looking at the subject of a subject, Trivandran is a very different environment.
03:37So, Trivandran is a very unique character in the environment of the film.
03:42He's the character of Ajay Chandran.
03:44The character of this character is how he changes his life, and how he changes his life.
03:51He's the character of Bheemapallika in the city and Pranthaparaysh in the city.
04:02So, what is your Akraman is like, and what is your motivation for this?
04:04No, we're able to be in real time.
04:06But, what can we get to know in terms of this situation, is what we might get to know.
04:11It's not a particular set of archery.
04:17It's a general picture.
04:20It's a general picture.
04:22It's an outline.
04:24It's not the purpose of the character's story.
04:27It's life.
04:29It's not the purpose of the character's projection.
04:34The selling point of our movie is that.
04:37It's a real pleasure to see the character's journey.
04:42It's a very difficult time to see violence.
04:44It's a very difficult time.
04:46It's a selling point.
04:49It's a very difficult time to see the film.
04:50In the film, it's a family,
04:54a few of the fun-oriented movies.
04:56It's a very difficult time to see the film.
04:59How do you think that the film is going to be a violent movie?
05:02How do you think that the film is going to be a violent movie?
05:04Yes.
05:05In a film, it's a genre.
05:08We have an idea of a title or poster.
05:11It's a type of film.
05:12It's a type of film.
05:13It's a style of movie.
05:16It's comedy films.
05:17I also like action films.
05:19It's a type of film.
05:23It's a type of film.
05:25It's a type of film.
05:26It's a type of film.
05:28It's a type of film.
05:29It's a type of film.
05:30That's a kind of genre of movies.
05:31So,
05:33it's an action cinema,
05:36so we have an action cinema.
05:37Obviously, this is an action thriller.
05:40This is an action thriller.
05:41But in the case,
05:42have certain other aspects that I feel like a lot of the general crowd is taking a lot
05:47of the 60-70% of the crowd enjoying it and there are fragments in the cinema, so perspective
05:54shift in a crowd in a family-oriented cinema, I don't think that works in Malayalam.
06:01In Malayalam, if it's a good film, if it's a good film, they will watch it and they will
06:09make that film successful. That means that it's a good film, a good film, and I think it's
06:15good film to my cinema team. I think that's a good film to see. I think it's a good film
06:23here. I think it's a good film to see, I think it's a good film to see. The other
06:29movie has been doing it for the director. They have been doing it for the producers and
06:33distributors.
06:33It's been a long time for a long time.
06:36Is there a bloodshed?
06:39Obviously, if you get a rating,
06:41you can get a film from A rating.
06:46So, obviously, bloodshed is there.
06:48When you get a action,
06:50you can't do anything.
06:52Okay, now we're going to get into the business.
06:56Do you want to get into the business?
06:58Do you want to get into the business?
06:59Do you want to get into the business?
07:02Do you want to get into the business?
07:03I don't want to get into the business.
07:04I mean, if you just look at two other kids who had,
07:08they were kids, they have staff fathers.
07:10I don't want to get into the business.
07:13They also faced hate in the first industry.
07:17When they were in the first industry,
07:18when they were in the first industry,
07:20when they were in the first industry,
07:21they had a lot of hate.
07:23I think more than me, more than Chaluka,
07:25I think a graduate has got a lot of personality.
07:29His confidence was an issue for a lot of people.
07:32That's normal.
07:34That's all.
07:35People always see me who was able to do this.
07:36But because of the negative,
07:39that you can't see the impact of a person who has a guy who is a child and a son
07:43who has a man who has a man who is a man who is a man who is a man
07:44who has a man who has a man who has a man who has a man who has a man
07:45who has a man.
07:45That's not 100% of the people.
07:47How much I hate on social media is that I can support my support so I can't forget that and
07:53speak.
07:56But, this habit has to change.
07:59That's why it's not good.
08:00If you have a lot of people in the cinema, it's something you have to learn with time.
08:08If you have a lot of training classes, you're not going to learn acting overnight.
08:14It will take time to work in overtime.
08:17If you want to go to a cinema, if you want to go to a CV, you're going to have
08:21a better experience and a better performer.
08:23That's why it's the opportunity to make new generation actors, actresses, male and female.
08:34That opportunity is a safe environment.
08:36If you want to make a mistake, if you want to make a mistake, if you want to make a
08:40mistake.
08:41It's okay, next time I'll do better.
08:44If you want to make a lot of confidence, maybe we'll get a lot of talented actors.
08:49Even though there are other actors in the industry, it's up to the people.
08:54If you want to make a mistake, you're going to make a mistake.
08:59So, they have to decide and support in a more healthy way.
09:03Because even if you want to make a mistake, you can support it.
09:07If you want to make a mistake, you can support them in a more healthy way.
09:17Why is it for you?
09:21No, you can't.
09:22It's not a problem, it's not a problem.
09:23That particular dialogue, that particular voice and modulation,
09:27that particular voice and the audio is not the same.
09:30But you can listen to the audio and you can listen to it.
09:34You can listen to it.
09:35If you listen to the audio and you can listen to it,
09:36you can listen to it.
09:37It's getting worse.
09:38It was an honest feeling that I expressed.
09:42How do I say this?
09:43That's my past.
09:45In addition to JSK, both films and CV,
09:47you can listen to it.
09:50I'm definitely going to get better.
09:52That's it.
09:53You're learning for every actor.
09:56Let's respond to our understanding.
10:00How did you respond to it?
10:02How did you respond to it?
10:03How did you respond to it?
10:04How did you respond to it?
10:05How did you respond to it?
10:09Something about life that I've learnt is,
10:11what we've tried to respond to it?
10:17How did you respond to it?
10:20How did you respond to it?
10:20How did you respond to it?
10:22any human in country who can see it?
10:23Some being a human, at their worst state.
10:24I've tried that far away and I've tried to get selfish reasons.
10:30This is how I respond to it?
10:31So, how did you respond to it?
10:32It's up to us.
10:33But we need to realize that how hard we hold everyone
10:36and all sides of the direction is in the correct way.
10:38Not sure that our decisions are at all the right.
10:40So we can't change who we are, we can't change how we are.
10:45If we can't change our values and our perspective,
10:48we can't change our political media.
10:51That's what we can't do.
10:53I can't expect it to do it.
10:55What we can't do is we can't do it.
10:56You can't do it.
10:57What do you think about it?
10:59What do you think about it?
11:02That's a direct attitude.
11:04That's against a particular set of people.
11:07That's not a Jashriya.
11:08We can't do it.
11:10We can't do it.
11:12I don't think we can't do it.
11:13There are technicians who are working on this film.
11:17Including the director.
11:18There are struggles that are in the industry.
11:23Then we can't do it.
11:25We can't do it in the marketing stage.
11:27We can't do it.
11:29In that process,
11:30we have a strong relationship with our perspective.
11:33We can't do it.
11:35We can't do it.
11:35We need to feel it in the audience.
11:37And to think –
11:37well, that's fine.
11:39Let me take a comment box to my movie,
11:42take a look –
11:44all your rights trees,
11:44take a look.
11:45You can't do it.
11:46many radishes.
11:48There are no more views to this film.
11:48There are trailers and trailers.
11:49There are trailers completely Crew.
11:56However,
12:00this in-game comment on us,
12:18It's not fair. I need a fair chance.
12:22There is no expectation for cinema.
12:26It's not fair.
12:30I need a fair chance.
12:33There is no expectation for cinema.
12:34Definitely because of me, the only answer is,
12:39I'm not going to die.
12:42So, it's definitely politics.
12:44I don't want to live as a victim.
12:59I'm not going to die.
13:01My focus is purely on my career.
13:04Getting the next film.
13:06I'm not going to die.
13:08We don't have to go.
13:09We have to go to North Krishna.
13:11We have to go to North Krishna.
13:13We have to go to North Krishna.
13:16What is the reason why?
13:19We have to go to North Krishna.
13:23We have to go to North Krishna.
13:24We have to go all over World War 3.
13:28It is relevant to me.
13:31Without the media group,
13:33I have to go to North Krishna,
13:36I said, there are 10% of the people I mentioned here.
13:43I said, there are 10% of the people I mentioned here.
13:46As a citizen of this state, of this country,
13:53I can wonder if anyone is in the same place.
13:58That's kind of sad.
14:00That's kind of sad.
14:02I said, you know, I was in the same place.
14:05I was in the same place when I was in the same place.
14:09How is a social media bullying,
14:12like a Pongali?
14:13What do you think of that?
14:17It's not a bad thing.
14:21When we are in Pongali,
14:23women are wearing sadies,
14:25we don't have a sadie design structure,
14:28we don't have a compromising position.
14:30We don't have a bad thing.
14:31Certain things get exposed.
14:33If you don't have a camera on your a media channel,
14:37you can choose the camera on your own,
14:38you can choose the camera on your own.
14:41Just want to change the camera on your own,
14:42and if you don't have a camera on your own,
14:44you think you can change the camera on your own.
14:47They got uncomfortable by that.
14:49That's the same thing.
14:51When you do something, when you do something, you are thinking about it.
14:57It's not for commercial benefit.
15:01It's a belief that you are doing.
15:03If you are taking it or broadcasting it, then you are thinking about it.
15:06If you are thinking about it in a position, at least you are thinking about it.
15:12Stop putting that on display.
15:14If you are thinking about it, you are thinking about that sadistic mindset.
15:17You are thinking about it.
15:19Life is not about TRP. Life is not about selling someone else.
15:23You are talking about social media.
15:26I am not posting that on the news channels.
15:28I am not sharing that photo.
15:30But there is a lot of news channels.
15:32If you are thinking about it, there are channels on TV.
15:36I feel like if you are thinking about it, you guys have to put that particular photo itself.
15:43You have to put that particular photo in a compromising position.
15:46That's where it is.
15:48I can't tell you that, if you are thinking about it, you will share 10% of the people who
15:51are sharing it with this.
15:52You are sharing it with a comment box.
15:55It's being viral.
15:57I think that 80% of the comments on such a post would be very negative.
16:00Even if you don't get married, you don't get married.
16:02If you don't get married, you don't get married.
16:09If you don't get married, you don't get married.
16:12When that changes, I feel like collectively, we'll all be better people.
16:16That's why I don't think there's a way out of this.
16:20It's like a sad part of it.
16:21I don't think there's a way out of it.
16:24Some things don't deserve further explanation.
16:26That's why I don't think there's a way out of it.
16:30What political leaning is, is there a view?
16:40None.
16:42What's the result of the election?
16:44What's the result of the election?
16:46What's the result of that?
16:47What's the opinion?
16:49No, I don't know.
16:50I've done a lot of work in India.
16:53I've done a lot of work in the central government.
16:57I don't know.
16:57I don't know.
16:58I don't know.
16:59That's the only thing I want.
17:00I don't know about the title of your career in J.S.K.
17:06What does the character look like at J.S.K.
17:17What an important part of my career.
17:17What does J.S.K also look like at together?
17:24How can I play if he's a great actor?
17:26What does he look like at the role of J.S.K.?
17:30And for me, I think I am a great actor.
17:34That's how any actor will be.
17:36We'll work even if we work even if we work even.
17:39We'll implement it at work even if we work even if we work even.
17:42I don't want to take a career in this film or in this trajectory.
17:45It's not a project worth making a lot of work.
17:50The result will be decided on this film.
17:58I feel like I'm betraying myself.
18:03Instead, I'm hoping for the best.
18:06How do you define success?
18:08How do you define success?
18:13Success is when I'm satisfied with my work.
18:16I don't think I'll ever be successful because I'll never be satisfied with my work.
18:22I'm someone who believes that a human being can keep getting better.
18:27I don't know how to do it.
18:28There are almost 400-500 films and 50 years of experience.
18:32And he still thinks he can get better as an actor.
18:36None of us are safe.
18:37We all can get better.
18:39That's why at this point, I want to make a decision on this.
18:44But I feel like I should give an answer to your question.
18:47Success would be where I have mental peace.
18:51I have three meals a day, a roof over my head and no one threatening my safety.
18:55Physical, emotional or mental safety.
18:57That's success for me.
18:59That's not what I'm trying to do.
19:01That's what you're trying to do.
19:03That's what you're trying to do.
19:04That's what you're trying to do.
19:06That's what you're trying to do.
19:09It's going to be built based off of my everyday choices.
19:11I hope I'm on the right track.
19:13That's not what you're trying to do.
19:14I hope I'm on the right track.
19:15That's what you're trying to do with mental peace.
19:17That's what we're trying to do with limelight.
19:19That's what we're trying to do with social media.
19:24That's what we're trying to do with property.
19:25Is there a limit?
19:26Is there a limit?
19:27Okay, I can speak from my perspective as a budding actor.
19:32You get a different world from human welfare.
19:33It's not what I'm trying to do with the success of my career.
19:39That's okay.
19:40Because I'm trying to do 10%.
19:44I'm like, everybody is doing that.
19:45What I'm trying to do with him is going to do with the problem of those who are going to
19:49do with the work.
19:54We go through every human process.
19:57We go through every human process.
19:58We might forget it.
20:05We might suppress it.
20:08We don't think we have a body.
20:12I treat it here.
20:14I treat it as a human nature.
20:16I treat it as a human nature.
20:22Don't hurt people.
20:23That's it.
20:26How do you work in this cast and crew?
20:30I don't know.
20:31I don't know.
20:33I don't know.
20:34I don't know.
20:35On the set.
20:39On the set.
20:41You don't know what's going on.
20:42What's the item?
20:49Yes.
20:51You can't even know what's going on at the time.
20:53I don't know.
20:55You can't even know what's going on at the time.
20:56You can't even know what's going on in the cinema.
21:07He is one of my first friends in the industry, so he is one of my first friends in the
21:15industry, so that's where he is, but he is connected to my generation, and he is not a big age
21:16gap, so that's where he is, but he is connected to my generation,
21:26and he is one of my first friends in the industry, so that's where he is connected to my generation.
21:33As you know, family-wise, he is a master piece of the movie, so he is a master piece of
21:42the movie.
21:44He is a master piece of the movie, so he is a master piece of the movie, so he is
21:50a master piece of the movie.
21:56There are two debutants in this movie, and one of them is Ketchu, Aaron Matthew, and the other one is
22:04Ambika.
22:05Ambika is a character in this movie.
22:09And then Sibi Joseph.
22:11In a way that we are in a crowd, and in a theatre-based, all the opportunities have come to
22:19the cinema.
22:20That is down to the producer and the director.
22:22That is down to the producer.
22:23There are a lot of opportunities to do that, so I won't be able to do it.
22:27that's pretty much about the cast and crew and the technical team in a pretty
22:31parayan and i'll start with the director so that's not that's in manada it was produced by two people
22:38uh triyani films in the anil kumar ji and samuel mathai he's from the usa uh after that this film
22:45was distributed by dream big films along with gokulam films gokulam gobalancer um dream big
22:49so with that so may night this is a core and it's created and here is the promotion stage
22:57of the cinema release and i feel like may night i'll have to mention it apart from the artist so
23:04yes
23:05we talked about trivandrum race and goons we talked about a set up we talked about a set up
23:11some of the people who are looking for a trivandrum slang what do you think
23:16you know trivandrum slang is now on screenplay when we go to the outskirts of trivandrum yes
23:23but anyone who's been to trivandrum in the past at least e-generational enterprise
23:27i was born and raised in trivandrum so um maybe let's see cinema kandu
23:48so thank you thank you thank you so much
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