- 3 hours ago
[戲] Lake Of Fire
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🎥
Short filmTranscript
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00:19:30Russell would be upset if he knew that you were playing with these things, and I'm, I don't, if he
00:19:34asks, I don't have a part of that.
00:19:35Uh-huh. I'm not part of that. Uh-huh. Okay. Well, you were all on camera, just so you know.
00:19:39It's worth it.
00:19:40Well, do you think that's what Vanessa gave us cameras for? They had them up. They had them up. They
00:19:43had them up. Bye, Mom.
00:19:44I think Vanessa should thank us because there would be no footage otherwise.
00:19:48Yeah, that's true. Otherwise, we'd have to listen to Gregory go on and on about his craft.
00:19:52Uh, that would be good television, my friend. What else?
00:19:58Uh, let's see. Your bank called again.
00:20:01Which one?
00:20:02All of them.
00:20:03Damn.
00:20:04Something going on.
00:20:05Like what?
00:20:07I don't know, Russ. I've only got one bank. If they called, I'd be concerned.
00:20:12Oh, Isabel, she asked me a weird question.
00:20:14What's that?
00:20:15She asked if she would still get her pay if she had to quit for some reason.
00:20:17No.
00:20:18Is she thinking about quitting?
00:20:19I don't think so. Like I said, it was a weird question.
00:20:23Her.
00:20:24All right. I'm off to wardrobe then. Jane hates her dress as much as I hate old Jeff's budget.
00:20:29Yeah, both of them are cheap. See you later, Harvey. Bye, honey.
00:20:34Oh, uh, this Father Paul has dropped this off for you.
00:20:40Thanks.
00:20:42Can I ask you about the hotel reopening in a few weeks? How do you feel about that?
00:20:46I told Russell it's a mistake.
00:20:49And what did he say?
00:20:50Uh, he hired me.
00:20:53Huh.
00:20:55Good.
00:20:58Something I should know?
00:21:00Nope.
00:21:01This is private.
00:21:03Okay.
00:21:04How do you know that guy?
00:21:06He's an old friend.
00:21:08Many demons claim to be the souls of real people that once wandered the earth thousands of years ago, even
00:21:15during the time of Christ.
00:21:17They try and use their memories of events to sow doubt and to believers.
00:21:22One demon that we've encountered here in Abaddon has said over and over,
00:21:28Est Aperta Porta.
00:21:30Est Aperta Porta.
00:21:32Wait, what is that?
00:21:35What's up?
00:21:37Latin, I think.
00:21:38What is her name? Do you know?
00:21:41The gate is open.
00:21:42That's right.
00:21:44Father, could I ask if you've ever heard of Andrew Tully?
00:21:47Mm-hmm.
00:21:48I have.
00:21:49And Tully believes that he found this gateway, the gateway to hell?
00:21:53We are servants of the snake, and we will release someone into the lake of fire.
00:22:01The church is rich with references to hell and Satan.
00:22:06There are some old texts that refer to an earthly gateway to hell and the demon Abaddon being the guard.
00:22:13And it's been said that no man can close this gate once opened.
00:22:17It would take an angel from God himself.
00:22:20But if that gate is open, literal hell could be unleashed on earth.
00:22:25And there's also some versions of the Bible that dismiss all this as metaphorical,
00:22:29so there's really no stance that the church holds.
00:22:33Are you bringing people all the way out here?
00:22:35No, I just needed some air.
00:22:37And it might be the only time we get a chance to chat today, so.
00:22:43You lowered ticket prices 30%.
00:22:45Are you expecting a drop in revenue?
00:22:47That was Jeff's idea.
00:22:49He didn't think that people would pay full price to come all the way out here,
00:22:52so we decreased it to increase ticket sales.
00:22:55Personally, I think people will pay whatever I say and will still sell out.
00:22:59It's a great show.
00:23:00I think you're right about that.
00:23:01People will pay to see the show in this godforsaken hotel.
00:23:04Why do you say that?
00:23:06Say what?
00:23:08Godforsaken.
00:23:09Did you mean it literally or is this an expression?
00:23:11Has anyone ever used that term literally?
00:23:14I mean, I don't even believe in God.
00:23:17Neither did I.
00:23:18And then?
00:23:20Don't tell me you're born again or something.
00:23:23That would be a nice twist on the story.
00:23:26Not like you're thinking.
00:23:27Did Hell House come out here?
00:23:30No, it was the county fairgrounds in the early 2000s.
00:23:34And so they had the fairgrounds over there.
00:23:45And they used the cornfields behind the Abaddon Hotel as a hayride.
00:23:50But they closed it down when some people got injured.
00:23:53Well, this is where that happened.
00:23:54Yeah.
00:23:56Sad.
00:23:57And a few years after that, Hell House comes to town.
00:24:01Mm-hmm.
00:24:02And nine years after that, Russell Wynn comes to town.
00:24:07I know what you're getting at.
00:24:09Yep.
00:24:09Well, you would think at some point the town would just stop having events here.
00:24:14Well, fortunately, it's not up to them.
00:24:18You still haven't told anyone why you moved insomnia out here this year.
00:24:22Can you tell me?
00:24:25We're asking a wardrobe drum.
00:24:26I need you inside now.
00:24:27Over.
00:24:29Why do you need a men wardrobe?
00:24:32It's on board.
00:24:33Say it has time to do a wardrobe.
00:24:35Very helpful.
00:24:36Uh, we'll have to continue this later.
00:24:39Promise?
00:24:40As much as I can.
00:24:49Progress?
00:24:52Oh.
00:24:53This is weird.
00:24:57What the hell is that?
00:24:59I don't know.
00:25:00It's funky looking.
00:25:02Look.
00:25:03Honey.
00:25:08BD.
00:25:10Hmm.
00:25:12I'll leave it.
00:25:17I'll give Russell credit.
00:25:19He, um...
00:25:22He allowed people to have fun, to enjoy themselves at work.
00:25:29No, but he also had rules.
00:25:31He didn't want anyone wandering alone in the hotel after hours.
00:25:34Call it what you will.
00:25:37Good fortune.
00:25:38Heart.
00:25:39Love.
00:25:40Oh God.
00:25:42I have no name for it.
00:25:43Feeling is all.
00:25:44The name is.
00:25:45Sound and smoke.
00:25:50Sorry.
00:25:52I don't think I get it.
00:25:54Is he...
00:25:56questioning the existence of heaven?
00:25:57He's explaining to Gretchen...
00:26:00his own doubts.
00:26:02Mm-hmm.
00:26:02About heaven and hell.
00:26:05As depicted by Christianity, Faust is full of doubts.
00:26:09Do I share those doubts?
00:26:11Guys, look, if we're gonna unpack Faust's views on religion,
00:26:13I think we should take a dinner first.
00:26:15Running late.
00:26:16Yeah, yeah.
00:26:17Could we try and get through this now?
00:26:20Yeah, one more take.
00:26:20Hey.
00:26:21Seems like everything's going well.
00:26:23Oh, yeah.
00:26:24This place is half the size of our theater in the city.
00:26:26It's easier to manage.
00:26:28How's Russell holding up?
00:26:29Hmm.
00:26:30I can't get a read.
00:26:32It's different than New York.
00:26:35I've never read Faust.
00:26:36No?
00:26:37No.
00:26:38I don't plan to either.
00:26:39That's a wrap, guys.
00:26:41Thanks.
00:26:42Okay, you can do a bonfire,
00:26:44but we want everyone back at the hotels by nine sharp.
00:26:48Harvey will be doing room-by-room headcounts.
00:26:50Got it?
00:26:51Yes.
00:26:51If you're gonna shoot the bonfire,
00:26:53make sure you get when Harvey gets drunk,
00:26:55tries to walk over the fire.
00:26:56Jeff, I only did that twice.
00:26:57It was my year of saying yes.
00:26:59Why don't you even bring that up?
00:27:00So good.
00:27:00What is that relevant to what we're doing right now?
00:27:01You're so good.
00:27:02You're such a shit starter.
00:27:03We'll get it to this time.
00:27:06Oh, God.
00:27:10That's funny.
00:27:14Guys, everybody's gone.
00:27:17So you're gonna do it?
00:27:19I mean, yeah, for 500 bucks.
00:27:22Show me that money and I'm going in there.
00:27:24Are you?
00:27:26I'm not going into that basement.
00:27:29Cool.
00:27:29So, Greg's a pussy.
00:27:31You said you need 500 to do it.
00:27:33You don't sound that brave.
00:27:34I need some kind of compensation for my work.
00:27:36Why?
00:27:37It's just fucked up to run in there
00:27:38and it's fucking dark in the dare.
00:27:40Yeah, because you saw the scary movie.
00:27:44Yeah, and because Russell and Jeff will kill me.
00:27:48Hmm, true.
00:27:50Fuck it.
00:27:51I'll do it.
00:27:54For real.
00:27:55So, you go basement and back.
00:28:01Same steaks.
00:28:02Bring drinks.
00:28:03Call me.
00:28:04Done.
00:28:07Russell finds out.
00:28:08Are you going to tell him?
00:28:11Are any of you going to tell him?
00:28:14So, we're good.
00:28:15We're good.
00:28:16Let's do it.
00:28:17Let's go.
00:28:17Do it, do it, do it, do it, do it, do it.
00:28:24So, I just got to go in, touch the clown on the nose on camera, and go back.
00:28:29I don't have to make out with it.
00:28:31I mean, if you do, let's want to watch that tape.
00:28:36Don't.
00:28:36Here.
00:28:40Be quick, please.
00:28:41Peace out, motherfuckers.
00:28:44Oh, you're having a good time.
00:28:49See y'all bitches on the flip side.
00:28:58Hmm.
00:29:00I'll have a little, little Bev first.
00:29:10I'm going to pee.
00:29:13Hello.
00:29:23Asthma Tass.
00:29:31Ladies.
00:29:33Pleasure.
00:29:50It's not cool, guys.
00:29:52I know it's you.
00:29:53Hello.
00:29:54Hello.
00:30:21I don't know.
00:30:37Bartender, take some of your drink.
00:30:47Okay.
00:30:50Cool.
00:30:54All right.
00:30:56I'm entering the basement.
00:30:58Peace out, motherfuckers.
00:31:04Okay, cool.
00:31:06Entering the basement.
00:31:36What's up, guys?
00:31:39Oh, nice of the clown's house.
00:31:42Looking good.
00:31:50Lambra.
00:31:51And a little wrap.
00:31:59All right, dickwads.
00:32:03Check this out.
00:32:05I'm gonna give you guys a little bonus.
00:32:14All right, that's about as raunchy as I'm gonna get.
00:32:30Let's go ahead.
00:32:34What do you think?
00:32:40Oh, shit.
00:32:44I'm gonna give you guys a little bit.
00:32:46I'm gonna give you guys a little bit.
00:32:54Oh my god.
00:32:56Oh my god.
00:33:04Oh my god.
00:33:27What the fuck was she thinking?
00:33:33You heard me.
00:33:34I said nobody inside after we wrap.
00:33:37You said it.
00:33:38I said it.
00:33:39Even Harvey said it.
00:33:39She must have had too much to drink and just got stupid.
00:33:42Look, she didn't even show up on set today either.
00:33:48I'll talk to her.
00:33:50I checked her camera.
00:33:51She's telling the truth.
00:33:52She did see that clown.
00:33:54God damn it.
00:33:55You got to make sure they're not playing pranks on each other anymore around this place.
00:33:58I will, I will.
00:33:58I'll keep a tighter leash on them.
00:33:59Make sure they know it's serious.
00:34:00I said I will.
00:34:01Okay.
00:34:02We got to get on the same page.
00:34:04We agree that maybe she saw something.
00:34:06Yeah.
00:34:07But we float the idea that maybe it was someone messing with her.
00:34:11One of the pranks.
00:34:12Because people have been pranking each other since we got here.
00:34:14If we get ahead of it, then we can stop them speculating or, God forbid, tweet about it.
00:34:20This conversation doesn't air.
00:34:23Yes?
00:34:23Yes.
00:34:24Good.
00:34:25I know Jane and she does not break easy.
00:34:29Russell thinks one of us fucked with her, but I know I didn't.
00:34:33It was just a lot of weird shit going on.
00:34:36Um, how did that make you feel coming into work today?
00:34:41What am I going to do?
00:34:43The man's paying us better than any other gig I could possibly get.
00:34:47Why do you think Russell is doing that?
00:34:49Paying everyone more to be here?
00:34:51Uh, I've only known him for like five years, but I think he's changed since the crash.
00:35:00The car crash in 2008?
00:35:03Yeah.
00:35:07Um, he's lucky to be alive, put it that way.
00:35:10Uh, the rumor is that they were actually about to call it.
00:35:16What do you think that has to do with him leaving the city?
00:35:19Can massive head trauma lead people to do some crazy stuff?
00:35:26Maybe.
00:35:27Do you know if we're just supposed to, like, continuously film with these things?
00:35:31Mine's already full.
00:35:32She didn't really say anything.
00:35:36Well, your camera's pretty nice.
00:35:37I mean, maybe you should try to take it home.
00:35:43Are you alright, Isabel?
00:35:46Yeah, what's going on with you?
00:35:47You're very quiet today.
00:35:48Fine.
00:35:49You sure?
00:35:51I'm fine.
00:35:53What do you think happened to Jane?
00:35:54The only person that could pull off a prank like that is me.
00:35:58And I was with you the whole time, so...
00:36:01Were you?
00:36:04Yeah, I think so.
00:36:05Either way, I didn't do it, so...
00:36:06Doesn't matter.
00:36:08If I'd have seen that clown...
00:36:10I'd have pooped in my panties.
00:36:13If she really did see it, then...
00:36:14Credit to her for sticking around.
00:36:16She's tough.
00:36:17For a girl.
00:36:18Oh, fuck you, Gregory.
00:36:19All women are tougher than you.
00:36:20Please, I'm a coach.
00:36:25I'm just finishing up their makeup.
00:36:27You guys ready downstairs?
00:36:28So, uh, once you've done turning them from drop to fab, send them my way, please.
00:36:32Out.
00:36:33Copy.
00:36:35Get into character, barkeep.
00:36:37What?
00:36:37Shots?
00:36:38Yes.
00:36:41Putting this over here for you.
00:36:50Okay.
00:36:52I don't know.
00:37:21Hello?
00:37:26Hello?
00:37:27Oh, fuck.
00:37:31Oh, yeah.
00:37:33Oh, yeah.
00:37:40Fuck.
00:37:45Hello?
00:37:47Hello?
00:38:00Jane?
00:38:02Jane?
00:38:06Jane, really?
00:38:08Come on. Jane, this is so fucked up.
00:38:29I thought more money would help.
00:38:31I worked on Jane.
00:38:34Goddamn it.
00:38:36Now we have to rehire.
00:38:37So close to opening, too.
00:38:40What did you offer to stay?
00:38:42Double pay, same as Jane.
00:38:44I better not leave this room.
00:38:46Look, I've got some calls out.
00:38:47I'm sure we'll have the department filled by tomorrow.
00:38:49Just make sure you stay quiet about why she left.
00:38:52Of course, but what are we gonna inevitably say
00:38:54when the others start asking?
00:38:55You know this cast is gossipy as hell.
00:38:57Could be she just burnt out?
00:38:59Got too tired? People get tired, right?
00:39:02Jeff, I have known Isabelle for years.
00:39:03We're not gonna go around saying she's too tired to do a gig, okay?
00:39:06Look, I know I'm a bit over the top,
00:39:08but listen to me.
00:39:09Something is wrong here.
00:39:11You know it. We know it.
00:39:13Everybody knows it.
00:39:14And we're just plowing through the day like everything's perfectly fine,
00:39:17but it's starting to feel like...
00:39:19I mean, never mind.
00:39:23Go on.
00:39:25It's starting to feel like Hell House,
00:39:26and they didn't listen to the warning signs, did they Russell?
00:39:29I'm telling you, we have to call it off right now.
00:39:31You were down when you saw what fucking happened,
00:39:33and now you're gonna make a fucking joke?
00:39:35Right now? To Alex, you fucking best bud?
00:39:39Fuck you, man.
00:39:41This is nothing like Hell House.
00:39:43Nobody's gonna get hurt.
00:39:46Don't tell me you're jumping on the best with Isabelle.
00:39:48No, that's not what I'm saying, Russell.
00:39:49What I'm saying is I have personally recruited people to be here,
00:39:52and I feel like something bad is gonna happen.
00:39:53And if that happens, that's on me, and I can't handle that, okay?
00:39:57It won't.
00:39:58If we all do our jobs, including me, I promise you,
00:40:01this is gonna work out.
00:40:03Hey, um, I'm sorry to interrupt,
00:40:06but just talking about Isabelle,
00:40:07we got our camera back, but the card is missing.
00:40:10Um, do you guys know anything about that?
00:40:12What card?
00:40:14The memory card that goes in the camera.
00:40:16We can't get any of the footage off of it.
00:40:17Shit, we better find that.
00:40:21Don't look at me.
00:40:24So I've been tasked with turning this shit show of a hotel
00:40:26into a functioning set.
00:40:28This has been the least enjoyable project I've worked on,
00:40:30and I have done children's theater in Alabama.
00:40:33With Isabelle's sudden departure,
00:40:35how is everyone's mood here on set?
00:40:37I mean, it was unfortunate to lose Izzy.
00:40:39We've had a few hiccups, as any production would.
00:40:41You know, I want to make it explicitly clear
00:40:42that nothing was wrong with Izzy's performance.
00:40:44She's great. She just had to leave.
00:40:46You know, Izzy, baby girl, if you're watching this,
00:40:48we miss you. I'm gonna see you in New York.
00:40:50We'll have a drink.
00:40:52When Isabelle left the production suddenly,
00:40:54it really wasn't a surprise if you look back
00:40:56at her social media history while she was there.
00:40:59I mean, she was taking a lot of selfies
00:41:00and posting them on Facebook or Instagram or whatever.
00:41:05If you read the comments carefully,
00:41:08some people started to point out things in the background.
00:41:11I mean, if you look at the pictures,
00:41:12you can see there's something there.
00:41:23There's a fucking mannequin.
00:41:33Just don't shit your pants like last time.
00:41:44Alice! Alice! Hold on!
00:41:54What's wrong with it?
00:41:56The zoom lens isn't focusing.
00:41:59What does that mean?
00:42:01It's working. It's just being a little wonky.
00:42:04Can you fix it?
00:42:07Yeah. Let me grab my bag from the car.
00:42:10You know they're wrapped for the day.
00:42:11Do you want to just go back to the hotel?
00:42:12Let me just take care of it here.
00:42:14And keep your eye on the camera for me.
00:42:15Sure.
00:42:16Use it in case anything weird or interesting happens.
00:42:19Okay.
00:42:19It's still recording!
00:42:21Okay!
00:42:21Bye!
00:42:56Jeff?
00:43:00Harvey?
00:43:07Hello?
00:43:24Louie, if you're screwing with me, I'm going to shove this camera you know where.
00:43:38Hello?
00:43:38Hello?
00:43:49So Louie calls me one afternoon saying essentially something happened to Vanessa.
00:43:55He wanted to pull her out and go back to New York. I said that was her call, not his.
00:44:01There was no one anywhere in the hotel, okay? We cleared out well before this.
00:44:04She said she saw something, Jeff. She's not crazy.
00:44:07Look, I never said she was.
00:44:09Well then explain why your guys' sets are malfunctioning.
00:44:11Excuse me?
00:44:11Look, our sets are not malfunctioning. She is.
00:44:14Okay, let's calm down. And let's just listen to Vanessa. What do you think you saw?
00:44:21I don't know. It was really quick.
00:44:24So maybe it was nothing?
00:44:25Hmm.
00:44:28Yeah, maybe.
00:44:28No way. Don't let them bully you.
00:44:31Look, I just, I really want to forget about the whole thing, okay? I'm a little embarrassed.
00:44:34Vanessa.
00:44:35I'm okay, Louie.
00:44:37She just freaked herself out. She's good.
00:44:42I could already hear my male colleague saying, see? She couldn't handle it.
00:44:47Yeah, I wasn't going anywhere.
00:44:49Look, I just don't want to be called difficult or crazy or all the other sexist shit that men say
00:44:55about women in the workplace.
00:44:56I get it.
00:44:57I mean, Jesus, I've only had this job a few months. I, Louie, I can't screw it up because I
00:45:02saw something that I couldn't explain. Just, hell no.
00:45:05Believe me, I get the situation you're in. But you and I saw that video. That was real. And I
00:45:12got your back on that.
00:45:15What do you want to do?
00:45:22I want to talk to Russell.
00:45:24Okay. I think he gets in at like 8 tomorrow.
00:45:27No. Right now.
00:45:29You want to ambush him at his hotel?
00:45:33Yeah. I do.
00:45:36If Russell thought he was going to be the first person to use the Abaddon and not have the unusual
00:45:42paranormal incidences pile up, he was insane.
00:45:46And actually, a lot of people thought he was insane. It wasn't just Hell House.
00:45:51There are countless people who have disappeared inside that hotel. The latest being those poor folks on that Morning Mysteries
00:45:56episode.
00:45:57Last seen at a bar near the Abaddon before going missing.
00:46:01Oh, no.
00:46:01Oh, no. Oh.
00:46:02The dance floor.
00:46:02Okay. Well, it's okay.
00:46:03The dance commander.
00:46:04There's the Billy Braddock disappearance. He posted on Facebook that he was going to the Abaddon to burn it down.
00:46:11Never heard from again.
00:46:12Most of these people filmed what they were doing, just like Hell House and Insomnia.
00:46:17Those tapes have to exist somewhere.
00:46:29Russell?
00:46:36What is this?
00:46:40I have no idea.
00:46:41What are you doing?
00:46:43Hi. Sorry. I was looking for you, actually. I wanted to talk to you if I could.
00:46:47Sorry.
00:46:47About what?
00:46:48About the hotel, Russell. I mean, what's been going on there? Your people don't feel safe and if I could
00:46:54just show you the video that we shot earlier.
00:46:55I need to see your video. I'm sure you saw something that scared you.
00:46:59Then why aren't you concerned?
00:47:01You're not here to advise me on my business. You're here to document the opening.
00:47:06I'm sorry about what happened to you.
00:47:07Look, forget about what happened to me. Just talk to your own people, Russell.
00:47:11They don't feel safe there.
00:47:15I'll see you guys at the Abaddon.
00:47:23Is that Mitchell Kavanaugh?
00:47:25Yeah. The missing Mitchell Kavanaugh.
00:47:32What do you want to do in case of rain?
00:47:39It's one week until we open and young Jeffrey starts to worry about everything.
00:47:44Murphy's Law.
00:47:45Tell them to bring umbrellas. They'll be fine.
00:47:47Alright. Are we still running those buses out of the city?
00:47:49Only if they agreed to the rate they originally quoted us, despite demand.
00:47:53Agreed?
00:47:54Yeah, okay.
00:47:55You know, everyone is doing alright. Everybody's in great spirits.
00:47:59It's like no one noticed Isabel ran back to the city. I don't know how.
00:48:02They noticed, but you and Harvey have been doing a good job helping me keep everyone focused.
00:48:08Thanks.
00:48:11It's not easy.
00:48:14This place.
00:48:16Jeff?
00:48:19Yeah, go ahead, Harvey. I'm here. Over.
00:48:22I'm upstairs. Are we good to go on the light test?
00:48:26Yep, good to go. Russ and I will be there in a bit. Over.
00:48:30Wonderful. Over and out.
00:48:32We'll get in. We'll get in. See you in there.
00:48:43Mark, we're gonna start doing the lighting test on the second floor whenever you're ready. I'm in the bedroom.
00:48:48Copy that.
00:48:50Alright, bring everything down to full dark, please.
00:48:56I've got time to be doing this. I've got a million things to do tonight.
00:49:00Alright, give me the desk lamp, please. On.
00:49:05Okay, off on that.
00:49:10Alright, give me the red lamp, please.
00:49:16Oh, God, that looks so good. It would be even better if we had two.
00:49:20We really couldn't be used to.
00:49:22Off on the red lamp.
00:49:25Jeff said we can only afford one lamp.
00:49:27Jeff says stop flirting with Louie.
00:49:29Jeff says all the things that make me sick.
00:49:33What a guy, that Jeff.
00:49:34What the?
00:49:36Lights up, lights up.
00:49:40Hey, are you okay?
00:49:44Yeah, I'm okay. Let's go again.
00:49:49Come on, Jeff. Give me some of that money for the lights.
00:49:51It's looking a little drab in here.
00:49:53Looks like dinner theater. I don't do dinner theater.
00:49:55Let's figure out a way to move a few of these bottles, then we'll talk.
00:49:58What, you mean this great backwash?
00:50:00Did you see me then?
00:50:01No, I wish. I actually haven't been back to New York in nine years.
00:50:06That's like Gregory met his first man.
00:50:08A girl who actually likes him.
00:50:11Confident, a little conceited. We like that.
00:50:15Well, thanks.
00:50:18You're welcome.
00:50:19We'll enjoy you.
00:50:21I hope you will.
00:50:24Honestly, I can't wait to be done here.
00:50:26Back to New York.
00:50:27I could say that again.
00:50:28That's nice, but...
00:50:30You're never leaving here. You know that, right?
00:50:33What do you mean?
00:50:35Because, silly.
00:50:37He's coming.
00:50:38And you're all going down.
00:50:40Hey, Gregory, we, uh...
00:50:42Hi, Jeff. I was just talking to...
00:50:44Where did she go?
00:50:48Who were you talking to?
00:50:50Uh...
00:50:50I don't know if she didn't say her name.
00:50:52She, uh...
00:50:52Did you see her?
00:50:55Uh...
00:50:55Nobody's here. What are you talking about?
00:50:57She was right here, dude.
00:50:59Like...
00:50:59Right here?
00:51:00Two seconds ago.
00:51:02Where'd she go? What'd she...
00:51:03Yeah, you have an imaginary girlfriend now?
00:51:05No!
00:51:07She sounded cute though, which is a stretch for you.
00:51:10What did she look like?
00:51:12Uh...
00:51:13She had, like, dark blonde hair.
00:51:15She was wearing, uh, grey t-shirt, jeans.
00:51:17I don't know.
00:51:18Did she go past you guys?
00:51:19No.
00:51:24She was, like, right here.
00:51:27It was really strange.
00:51:29The way she sounded.
00:51:31What she was saying.
00:51:43And no one has seen her around the hotel since?
00:51:46Nope.
00:51:48He definitely didn't get a name.
00:51:50No name.
00:51:53But the way he described her...
00:51:57What is it?
00:52:01It sounded like...
00:52:03It sounded like Sarah Havel.
00:52:19I think Russell had his enablers.
00:52:21It was a lot like Alex Taylor, too.
00:52:23People around him, letting him get away with things.
00:52:26Never questioning him.
00:52:27I think that's how Hell House met its demise.
00:52:29And so, too, Insomnia, nine years later.
00:52:33Russell knew what he was doing the whole time.
00:52:37That's what I think people should know the most.
00:52:40And I think that's where the Alex and Russell comparisons end.
00:52:46Russell knew what was coming opening night.
00:52:50He knew it.
00:52:53When everybody got together the night before opening, it was like...
00:52:58It was like nothing had happened.
00:53:01I think that's, um...
00:53:04The brilliance of Russell Wynn.
00:53:06He created such a comfortable atmosphere.
00:53:12When there was just no right for anyone to feel comfortable.
00:53:16So, Vanessa, how single would you say Louis is?
00:53:19In...
00:53:20So, what is the plan here?
00:53:22Are you going to be a big-time news anchor?
00:53:24She already has a big-time news anchor.
00:53:26Oh, no.
00:53:27Tell me, in your last race career, have you ever interviewed anyone as uptight as old Jeff here?
00:53:30Anyone else give you the Jeff face?
00:53:32He might be the most uptight.
00:53:34That's not the face he makes.
00:53:36Aw.
00:53:38Responsible and...
00:53:38Oh, well, well, well.
00:53:40Look who's so late.
00:53:42Hey.
00:53:43Good to see you.
00:53:45All right.
00:53:46Oh, there's no room?
00:53:47I should go?
00:53:48Uh-oh.
00:53:50Ah, did I miss dinner?
00:53:52By about 30 minutes, yeah.
00:53:54Just, just missing.
00:53:57Hi, Mr. Wynn.
00:53:59What can I, what can I get for you?
00:54:00How about a minute?
00:54:02Um, I'm actually sorry.
00:54:03Our kitchen closed about 30 minutes ago.
00:54:05It's 10.30.
00:54:06I mean, I can go back there and see if our chef will whip you up something.
00:54:09No, no, no.
00:54:10Fine, um...
00:54:13Can I just have some dinner rolls and a glass of red?
00:54:16Yeah, sure.
00:54:17What kind of wine do you want?
00:54:19Chateau Latour?
00:54:21Mid-80s, preferably.
00:54:22Maybe 91, if you have it.
00:54:24Uh, I don't think we have any Chateau anything.
00:54:27Oh, we do have some Wynn Merlot, though.
00:54:29No, no.
00:54:30Way overpriced.
00:54:31Um...
00:54:32Is that a bad idea?
00:54:32Just, just the house for the school.
00:54:34Okay, sure.
00:54:35We'll grab up with that.
00:54:35Yeah.
00:54:37Oh.
00:54:38So...
00:54:38Russell Wynn.
00:54:40Mm-hmm.
00:54:40Public amongst the people.
00:54:42What should we attribute this to?
00:54:43Well, it's the last night of normalcy, so I want to be with my people.
00:54:47It's after tomorrow.
00:54:49It's gonna be hell.
00:54:51Here you are, Mr. Wynn.
00:54:53Here's my back.
00:54:54Nobody wants that, right?
00:54:55Hey.
00:54:56Thanks, bud.
00:54:57Wow, okay.
00:54:59Did anybody eat?
00:55:02No?
00:55:03Okay.
00:55:04So, Jeff told me that you guys are officially sold out for the first week.
00:55:07How does it make you feel?
00:55:08Thank you for that question.
00:55:10You're in interview mode, isn't it?
00:55:11I'm not.
00:55:12No, why can't you just relax?
00:55:14And socialize, like a normal person.
00:55:17That was normal socializing.
00:55:19That was normal conversation.
00:55:20Totally.
00:55:21Okay.
00:55:23That was a very good question, Vanessa, and I'm glad that you asked it.
00:55:28Because we are so excited here for Insomnia.
00:55:31Crew is ready.
00:55:32And we'll see you tomorrow.
00:55:35But seriously, I don't think we should come tomorrow night.
00:55:39What?
00:55:41Why wouldn't we come?
00:55:42I don't...
00:55:43You said that me and Louis can come is part of the plan.
00:55:46I don't understand.
00:55:47Yeah, but you could film the dress rehearsal and have the same effect.
00:55:49I don't care.
00:55:50What are you talking about?
00:55:52You said that Louis and I have full access.
00:55:54Sure, but I think you should pick another night.
00:55:58Russell, what is going on?
00:56:00Nothing.
00:56:02Really, nothing.
00:56:03You expecting to leave that?
00:56:06So, uh, can I get anything else for you?
00:56:09No, I think I'm gonna go to bed.
00:56:11Just, um, give the checks to this guy right here.
00:56:13He'll take care of it.
00:56:14I'll take care of it.
00:56:23Alright, good night everyone.
00:56:25Good night everyone.
00:56:26Sweet 12.
00:56:28Let's be ready for tomorrow.
00:56:29Say hi baby.
00:56:34Say hi, hi.
00:56:35Say hi, hi.
00:56:37Hey.
00:56:37Good night.
00:56:39Sweet 12.
00:56:41Let's be ready for tomorrow.
00:56:42Hey baby.
00:56:44Hey.
00:56:44Hey.
00:57:17You have to go talk to Father Paulus again.
00:57:19About what?
00:57:20I think he knows something.
00:57:21What?
00:57:22Everything.
00:57:27So...
00:57:28Do you want to tell me what Russell said to you?
00:57:34Vanessa, what are we doing here?
00:57:38Come on, Vanessa.
00:57:40Open up.
00:57:40Tell me something, please.
00:57:46Hey, come on.
00:57:47Jesus Christ.
00:57:48Let's go.
00:57:52Father Paulus!
00:57:54Hello, Ms. Shepard.
00:57:55Can we talk to you?
00:57:57I'm sorry.
00:57:58I'm very busy today.
00:57:58I don't have time.
00:58:00Father, I know that you're not telling me everything about your relationship with Russell.
00:58:04I'm sorry you feel that way.
00:58:06Are you receiving any money from Russell?
00:58:26Money?
00:58:28Yeah.
00:58:29Cash.
00:58:32I can't shake this feeling that Russell's having some banking issues right now,
00:58:35and that has to do with him moving around large sums of money.
00:58:44He might be.
00:58:47Do you know what he's doing with this money?
00:58:51I really don't think I can say.
00:58:56Okay, Louie, come on.
00:58:58Father, this is off the record.
00:59:02This is too big to be between just you and Russell.
00:59:06Father, you said that you know that Andrew Tully was searching for this fabled gateway to hell in this town
00:59:12over 30 years ago.
00:59:16What if he found it?
00:59:17What if he found the gateway, and he achieved what he had always wanted,
00:59:22which was to cross to the other side and come back?
00:59:25And Russell is having hundreds of people go through there later tonight.
00:59:33Yeah, Russell's a very troubled soul.
00:59:35He, uh...
00:59:39He's carrying a large burden with him.
00:59:42And that's making him do what?
00:59:49As of tonight at midnight,
00:59:52he's liquidating all of his assets,
00:59:54and he's instructed me to disperse them to suitable charities.
01:00:15What does that mean?
01:00:18That means it's it for Russell tonight.
01:00:22She drops this bombshell story on New York 8's website.
01:00:26Breaks all kinds of journalistic rules.
01:00:29It goes national within an hour.
01:00:31If she's wrong, she would have been fired that day.
01:00:35Turns out she was right.
01:00:37Did you tell him it was off the record?
01:00:40I did.
01:00:43But I knew that he was hiding something.
01:00:46Everybody did.
01:00:47You know, I feel like we came so close to getting it shut down before it opened.
01:00:53Imagine that.
01:00:58Oh, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho,
01:01:05ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho.
01:01:08Oh, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho,
01:01:11ho, ho, ho, ho, ho, ho, ho, ho, ho.
01:01:11This is all the way.
01:01:16We just received news regarding Russell Wind's finances.
01:01:19The report from New York 8's Vanessa Shepard, host of Morning Mysteries, who has spoken to the cast-in crew
01:01:25of Insomnia,
01:01:26says that Russell Wind is planning a complete liquidation of all of his assets and wealth effective midnight tonight.
01:01:32What that means for Insomnia and the rest of his holdings in IP is still up in the air.
01:01:38Dude, what the fuck?
01:01:41We're still getting paid, right?
01:01:42I don't know. What is liquidate?
01:01:44Jack?
01:01:45We don't use it that way, but it doesn't matter.
01:01:48We're probably not paying.
01:01:54Russell!
01:01:55What is this shit?
01:01:58What the hell, Russell?
01:02:00Father Paulus, if you can't trust a priest...
01:02:03What is this shit?
01:02:05Her report's very misleading.
01:02:07I'm not liquidating my IP in the holdings that fund projects like Insomnia.
01:02:11Who gives a shit about Insomnia?
01:02:12This is bullshit.
01:02:14This whole venture, coming out to the middle of nowhere.
01:02:16Your shitty wine.
01:02:18What else are you hiding?
01:02:19I'm not hiding anything.
01:02:20What I do with my money is not your concern, Jeffrey.
01:02:23I'm the COO of Win Media Group.
01:02:25Of course it concerns me!
01:02:27What I do with my money...
01:02:29Oh, that's just great.
01:02:30...is not your concern!
01:02:30You know what?
01:02:33It's just fucking great.
01:02:35You done?
01:02:36We open in two hours.
01:02:38Get your shit together, and let's have an awesome show!
01:02:41Wait a minute.
01:02:41So we're still open, right?
01:02:42We're opening tonight.
01:02:43Yes!
01:02:44Okay.
01:02:45Okay.
01:02:46Let's get out of here.
01:02:48Let's get everything ready.
01:02:54Nice try.
01:03:01He was never gonna be able to keep that story a secret.
01:03:06But looking back, um...
01:03:09It makes sense.
01:03:11The tapes I found the most interesting were the unseen footage shot by a Hell House.
01:03:17I can't begin to explain how weird that was.
01:03:25I'm in.
01:03:26Yes!
01:03:27Fuck yeah.
01:03:27Yeah.
01:03:27Alright.
01:03:28I hate the fucking city anyways, man.
01:03:29Perfect.
01:03:30He didn't say we were gonna move there permanently, though.
01:03:32Trust me, guys.
01:03:33Okay?
01:03:33Mac, you're in.
01:03:35Paul's in.
01:03:36You...
01:03:37She's good.
01:03:38I'm in if Lucifer's Cabin is out.
01:03:40Oh my god.
01:03:42Please tell me that we can retire Lucifer's Cabin.
01:03:45We can retire Lucifer's Cabin.
01:03:46We had some laughs.
01:03:48Yes!
01:03:48Max, can you take care of this?
01:03:50Yeah.
01:03:50What's going on?
01:03:51What are you scared of?
01:03:52What are you scared of?
01:03:54A safe.
01:03:54I'm just saying that they're, you know, they're a logistical concern.
01:03:58He's essentially an expert, okay?
01:04:00He saw everything that Hell House filmed.
01:04:02What do you want to do?
01:04:03You want to go in blind?
01:04:04Do you want to lead the way to the basement?
01:04:10Obviously not.
01:04:27Max, easy on the drinks.
01:04:28Keep them light.
01:04:29Come on.
01:04:29The drunker they are, the better reviews they'll leave.
01:04:31Yeah, yeah.
01:04:32Harvey, go easy.
01:04:33Okay, Dad.
01:04:47Thank you all for coming out.
01:04:49The hotel will open momentarily.
01:04:52Deals will be made with the devil.
01:04:55God will forsake you.
01:04:57You'll follow us as we fall in love,
01:05:00and battle with our innermost demons
01:05:04into Heaven and Hell.
01:05:07Ladies and gentlemen, welcome to Insomnia.
01:05:13You look good. How do you feel?
01:05:15Fucking great, darling.
01:05:16Ready to go.
01:05:18Pals, ready.
01:05:29If there's anything we can do in the middle of this day,
01:05:33it's more comfortable.
01:05:35You'll find everything quite quaint and homey.
01:05:39The bar is open.
01:05:41The dining room is ready to serve you.
01:05:47A wager, then?
01:05:50No man can resist evil.
01:05:54If I can destroy what is divine in Faust,
01:05:59the Earth will be mine.
01:06:02He's already a complicated soul.
01:06:05Like all men,
01:06:07he preaches good, but
01:06:09he does evil.
01:06:14Cretion is clear.
01:06:16Estella and Faust are en route to Witch's Kitchen.
01:06:1820 seconds.
01:06:2020 seconds, copy.
01:06:25Hey, Max, you have incoming. Over.
01:06:29Anybody got eyes on Russell?
01:06:30Last I saw he was in the balcony.
01:06:32Okay.
01:06:33Where's that?
01:06:34Do we have that?
01:06:34We don't have a camera on that.
01:06:36Jeff, it's gonna be fine.
01:06:38Okay.
01:06:38All right.
01:06:39I just wonder.
01:06:45Poor Faust.
01:06:47Why do you seek death when you haven't even lived?
01:06:51Give me the duration of your stay here.
01:06:55One fall of sand through the hourglass,
01:06:58and I'll be your servant.
01:07:00Give you anything your heart desires.
01:07:03You do not possess the power to give me what I truly want.
01:07:06Try me.
01:07:08Sign the contract.
01:07:10Are those lights supposed to be doing that?
01:07:15Yeah.
01:07:16It's the effect.
01:07:18Jeff, calm down.
01:07:20Stay here one night.
01:07:26I just want to make sure.
01:07:28You got me all nervous.
01:07:33I can show you what living can truly be.
01:07:38So you're lonely.
01:07:40We can remedy that.
01:08:01Where is that?
01:08:02What's going on here?
01:08:04The wine room.
01:08:06What the hell is going on here?
01:08:08Holy shit.
01:08:20Someone's in 2C.
01:08:22What?
01:08:24Who?
01:08:25Where is that?
01:08:27Let's hold it up.
01:08:27There.
01:08:32Look, somebody should find Russell.
01:08:37Yeah, okay.
01:08:38Wait, Jeff.
01:08:40Jeff.
01:08:40Vanessa said she wants you to wear this at all times out there.
01:08:43Right.
01:08:43Okay.
01:08:44All right.
01:08:45I tried 2C.
01:08:46Yeah.
01:08:53I guess I used your camera after all.
01:09:20What?
01:09:39Brilliant move with the cameras.
01:09:42We taped everything, too, when we first opened this place.
01:09:48Hello, Andrew.
01:09:50Hello, Russell.
01:09:53Your roll is complete.
01:09:56Just sit back and enjoy your destiny about to be fulfilled.
01:10:02We'll all enter the lake of fire together.
01:10:07The beast's time has come round at last.
01:10:14Russell.
01:10:15Russell.
01:10:15What the hell are you doing?
01:10:17What are you doing?
01:10:20He's coming.
01:10:22You know the rules.
01:10:23You cannot break the deal, Faust.
01:10:27Your life was one of old dust and moldy books.
01:10:32This is not it!
01:10:36What is it that you want, then?
01:10:41Remember, I have until the hourglass runs out.
01:10:45He doesn't make wagers for souls.
01:10:50It's far more complicated than that.
01:10:53The root's far more ancient.
01:10:57Who are you, goddammit?
01:11:00God is not here.
01:11:06Shh!
01:11:11Oh, shit!
01:11:13Harvey?
01:11:13Harvey!
01:11:17Harvey! Harvey!
01:11:25We've got to get out of here.
01:11:26We've got to get out of here.
01:11:26Go, go, go!
01:11:27We've got to get out of here!
01:11:29To the exits, right now!
01:11:36To the exits, right now!
01:11:38To the exits, right now!
01:11:40To the exits, right now!
01:11:41Do the exits, right now!
01:11:41Everyone out!
01:11:42Jeff!
01:11:42Jeff, I don't think I'm going to break me.
01:11:43Get the hell out of here right now!
01:11:46This is my five!
01:11:46Oh my god!
01:11:48Everyone out here!
01:11:50Right now!
01:11:51Everybody out now! To the exits! Right now! That way!
01:11:54Keep going! This is not part of the show!
01:11:57I don't know!
01:11:58Jesus! I don't know! I'm just calling!
01:12:01Keep up! Keep up!
01:12:04Right now!
01:12:05This is not part of your show!
01:12:08Get out of here!
01:12:09You two! Now!
01:12:24This is not part of the show!
01:12:26Oh shit!
01:12:27Oh shit!
01:12:29Oh shit!
01:12:30Oh shit!
01:12:32Oh shit!
01:12:34Ahhhh!
01:12:35Ahhhhh!
01:12:36Ahhhhh!
01:12:37Ahhhhhhhhh!
01:12:41Ahhhhh!
01:12:43Ahhhhh!
01:12:44Ahhhhhhh!
01:13:04Oh, my God.
01:13:33There's something happening inside the hotel.
01:13:37We heard an alarm of some sort, and we definitely heard the sound of...
01:13:40Hold on.
01:13:42There's something...
01:13:44Oh, my God!
01:13:49No, no, no, no!
01:14:39No, no, no, no, no!
01:15:14No, no, no, no!
01:15:19No, no, no, no!
01:15:33No, no, no, no!
01:16:01No, no, no, no!
01:16:04No, no, no, no!
01:16:44No, no, no, no!
01:17:01No, no, no, no, no, no!
01:17:36No, no, no, no, no!
01:18:32No, no, no!
01:19:22No, no, no, no!
01:19:52Oh, what the fuck?
01:20:06No, no, no, no, no, no, no, no!
01:20:26No, no, no, no, no, no, no!
01:20:55No, no, no, no, no!
01:21:39The hotel took us!
01:21:48Aren't you?
01:21:49Aren't you, aren't you?
01:22:09Aren't you gonna help me?
01:22:35Fuck it, Holmes.
01:22:40Let's see if that bar is still open.
01:22:45Let's do it.
01:22:57Come have a drink with us.
01:23:20Come on.
01:23:22Come on.
01:23:23Come on.
01:23:24Come on.
01:23:42Come on.
01:23:45Come on.
01:23:46Come on.
01:24:02Come on.
01:24:05Come on.
01:24:07Come on.
01:24:08Come on.
01:24:22Come on.