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00:00:25El Espíritu Santo
00:00:56El Espíritu Santo
00:01:26El Espíritu Santo
00:01:57El Espíritu Santo
00:02:14El Espíritu Santo
00:02:29¿Qué pasa?
00:02:47¿Qué pasa?
00:03:17¿Qué pasa?
00:03:22¿Qué pasa?
00:03:23¿Qué pasa?
00:03:24¿Qué pasa?
00:03:24¿Es que no es necesario?
00:03:26No sé.
00:03:26¿Dóctors en televisión?
00:03:28¿Qué pasa?
00:03:29¿Quién hizo esto para mí?
00:03:32¿Qué pasa?
00:03:33¿Qué pasa?
00:03:34¿Qué pasa?
00:03:38¿Qué pasa?
00:03:52¿Qué pasa?
00:04:05¿Qué pasa?
00:04:09¿Qué pasa?
00:04:10¿Qué pasa?
00:04:14¿Qué pasa?
00:04:20¿Qué pasa?
00:04:22¿Qué pasa?
00:04:23¿Qué pasa?
00:04:52¿Qué pasa?
00:04:54¿Qué pasa?
00:04:54¿Qué pasa?
00:05:00¿Qué pasa?
00:05:01¿Qué pasa?
00:05:02¿Qué pasa?
00:05:08¿Qué pasa?
00:05:10¿Qué pasa?
00:05:18¿Qué pasa?
00:05:31¿Qué pasa?
00:05:34¿Qué pasa?
00:05:49¿Qué pasa?
00:05:52¿Qué pasa?
00:05:54¿Qué pasa?
00:05:59¿Qué pasa?
00:06:03¿Qué pasa?
00:06:04¿Qué pasa?
00:06:06¿Qué pasa si esténendo?
00:06:15Estoy ven corriendo a classic.
00:06:21¿Qué pasa?
00:06:24¿Qué pasa?
00:06:25¿Qué pasa?
00:06:27I think I found you an apartment near downtown.
00:06:30I can tell you all about it, but just know that it's safe and quiet.
00:06:35What you need.
00:07:05Yes?
00:07:07We spoke yesterday. I'm Clayton.
00:07:09I hope I didn't startle you. I let myself in.
00:07:12Where am I?
00:07:13Home. For now. It's apartment 902.
00:07:18I can come back later. It's no problem.
00:07:21Wait.
00:07:24Come in.
00:07:28It's nice to meet you, Miss Ashland.
00:07:31The sun's out today, but you're happy to be out of the hospital.
00:07:36This place kind of reminds me of that story.
00:07:40The film?
00:07:41I think it's by Bradbury.
00:07:43What?
00:07:43This family and their luxurious home.
00:07:47Anything the kids imagine, the house brings to life.
00:07:50How did I get here?
00:07:52You took a town cart to the city, right?
00:07:54Yeah, well, these would kick a linebacker's ass.
00:08:01I'd rather describe photos.
00:08:04Living room.
00:08:06Kitchen.
00:08:08What in here?
00:08:09Bathroom straight ahead.
00:08:11Hallway on the right.
00:08:13Window on your left.
00:08:15Colors of this room are shades of blue.
00:08:19Meant to soothe.
00:08:20And you?
00:08:21Ooh.
00:08:22Who do I want to be today?
00:08:25If I said a young Brando, would that make it easier?
00:08:28Maybe for you.
00:08:29Look, I know you hate this, and you can hate me too, but I am the easiest part of this
00:08:35puzzle.
00:08:35I graduated top of my nursing class.
00:08:37I've worked with plenty of patients like you before.
00:08:39Legally blind, deaf, young, old.
00:08:42I'm the Ferrari of personal care.
00:08:49How does lunch in 30s sound?
00:08:52Not very.
00:08:53You gotta eat.
00:08:54Take it in here.
00:08:57This place is nice, but it isn't the Ritz.
00:09:00Kitchen in 30.
00:09:06Okay.
00:09:08Okay.
00:09:42So, let's go.
00:10:06There she is.
00:10:08Don't do that.
00:10:10Sorry.
00:10:11You stuck up on me.
00:10:13On you?
00:10:15Why don't you have some of this garlic pané, and then we'll get a lay of the land.
00:10:22I'm here weekdays 11 to 2 for now.
00:10:24Rejoice or shudder at that thought.
00:10:26I'll let myself in.
00:10:27I'll tend to cooking, some cleaning, but I'm mostly here to help in the capital A adjustment department.
00:10:33Losing your sight doesn't mean you have to lose yourself.
00:10:36You can do all the things you love, that you're good at, and more.
00:10:39And down the line, I'll teach you braille, your cane, dictation software.
00:10:4411 calls building security, 22 gets my cell programmed here, and the master bedroom.
00:10:53I am off to the finicky Mr. Hudson on Mercer Island, unless you need anything else.
00:11:00It's been my pleasure, Ms. Ashland.
00:11:03Hasta mañana.
00:11:19Hasta mañana.
00:11:22I can't reach my brother.
00:11:24His work, time zones, I get it.
00:11:29But you?
00:11:30Where are you?
00:11:34I hate it here.
00:11:37It feels so...
00:11:39empty.
00:11:42It isn't home.
00:11:45I miss you.
00:11:49I miss you.
00:12:16...
00:12:23I miss you.
00:12:25I miss you.
00:12:27I miss you.
00:13:13I got you something.
00:13:17I can take her back.
00:13:19Oh, no.
00:13:21What color?
00:13:23What do you want it to be?
00:13:25It doesn't matter what I want.
00:13:27Sure it does.
00:13:28And you see her in your head.
00:13:31So your imagination's either free in there or...
00:13:36Opposite of free is captive.
00:13:39Which you would know something about.
00:13:42Mm-hmm.
00:13:43Other than you as my soulmate.
00:13:46I've had to use my imagination.
00:13:51Might as well redecorate the whole place in my head while we're at it.
00:13:58What color is she?
00:13:59Baby blue.
00:14:07You gonna name her?
00:14:09We just did.
00:14:11Put a mirror in there, will you?
00:14:12Do you want to recognize something?
00:14:15Sure.
00:14:19Come here.
00:14:26How come I can hear all this?
00:14:35Still loud and clear.
00:14:36If it's overkill...
00:14:46But here...
00:14:52This is thicker glass.
00:14:57Faces west and wind coming off the bay.
00:15:02You got a voicemail?
00:15:06Miss Ashland.
00:15:07It's Detective Bryce.
00:15:09I've looked into the clients of your husband.
00:15:12And everyone checks out so far.
00:15:14Forensics couldn't pull any unusual fingerprints from your car.
00:15:17But there are boot treads we're looking into.
00:15:20Think of anything.
00:15:21Call me.
00:15:28Your brother told me how it happened.
00:15:33Hey, it's okay.
00:15:35You're safe.
00:15:35No one's gonna find you here.
00:15:37Castle Keep.
00:15:39Heard that before.
00:15:43Bennett.
00:15:44The ex?
00:15:46His words?
00:15:47You hang with me, you're safe with me.
00:15:50You googled us?
00:15:52None of my business.
00:15:53Yeah.
00:15:58It's kind of the first thing I did.
00:16:00You tend to find yourself on scorched earth when you steal other people's life savings.
00:16:05Except Sasha.
00:16:07She's the only friend who stuck around.
00:16:11Even after what we did to her.
00:16:13We?
00:16:14The kind of money he made for everyone.
00:16:17Nobody questioned it.
00:16:18I didn't want to.
00:16:19And now he's...
00:16:20Serving 15.
00:16:22I just have someone who can't get to him.
00:16:24So they're after me instead.
00:16:26If I couldn't see them the first time.
00:16:28Okay.
00:16:29Enough.
00:16:30Sit.
00:16:38Look.
00:16:39I know it's hard.
00:16:40But no amount of anger is going to save you.
00:16:44Optimism.
00:16:45Passion.
00:16:46Who you were before him.
00:16:48Ended.
00:16:51Music.
00:16:53The violin.
00:16:55Your album went gold.
00:16:57I saw the videos.
00:16:58Child Prodigy sells out London.
00:17:00Prague.
00:17:01Moves people to tears.
00:17:03Who you were.
00:17:04The original element.
00:17:05Ended with it.
00:17:07Can we not?
00:17:14All I'm saying is you might not know.
00:17:16Can we not?
00:17:16What she meant...
00:17:21Definitely not the Ritz.
00:17:33Salt.
00:17:44I'm sorry.
00:17:46I'm sorry.
00:17:47I have no good like this.
00:17:51I'm sorry.
00:18:04¡Suscríbete al canal!
00:18:52Suscríbete al canal
00:19:21Suscríbete al canal
00:19:52Suscríbete al canal
00:20:11Suscríbete al canal
00:20:40Suscríbete al canal
00:21:12Suscríbete al canal
00:21:42Suscríbete al canal
00:22:11Suscríbete al canal
00:22:24Suscríbete al canal
00:22:42Suscríbete al canal
00:22:52Suscríbete al canal
00:23:17Suscríbete al canal
00:23:52Suscríbete al canal
00:24:02Suscríbete al canal
00:24:16Suscríbete al canal
00:24:21No
00:24:21No
00:24:23No
00:24:54Suscríbete al canal
00:24:55No
00:25:02No
00:25:12No
00:25:19No
00:25:21No
00:25:23No
00:25:50No
00:25:51No
00:26:20No
00:26:21No
00:26:22No
00:26:23No
00:26:24No
00:26:25No
00:26:26No
00:26:59No
00:27:00No
00:27:01No
00:27:02It's a rainy night in Tokyo.
00:27:15Want to learn this or not?
00:27:32Okay, let's go to voice command mode.
00:27:36Voice command mode?
00:27:44So, why this line of work?
00:27:47You know, you can't be good enough to put up with me.
00:27:50My mother, she was sick since I was little, couldn't get out of bed.
00:28:01My dad didn't have to work like me, inheritance, so the only thing he ever really got good
00:28:09at was drinking.
00:28:15And when you grow up that way, looking after her and losing her to that, you want to make
00:28:26yourself useful.
00:28:28Your imagination get you through?
00:28:31She'd pass the days by making birdcages from her bed.
00:28:37These huge ornate things.
00:28:40And if it was exotic, she had to have it.
00:28:43African greys, macaws.
00:28:45I'd give them names and personalities.
00:28:49I'd make my sister act out all these stories with me, the whole flock.
00:28:55But it's weirder still, the job's not so different now.
00:28:59Every client requires something tailor-made.
00:29:03Mr. Nielsen and Ballard gets one Clayton, Mrs. Woodson on the water requires another.
00:29:09And part of me just feels I have to be all these things for all these people.
00:29:15And which Clayton do I get?
00:29:16Uh, that's the scary part.
00:29:20I think you get me.
00:29:45What are we looking at?
00:29:51Um, there's a couple walking their sheepdog past the car that's been parallel parking
00:29:58since the Ice Age, but looking up, countless windows.
00:30:07Can I see you?
00:30:10Okay.
00:30:19Um...
00:30:20Um.
00:30:30Um.
00:30:32Um.
00:30:34Um.
00:30:37Um.
00:30:38Um.
00:30:49Oh, it's half past two. I should go.
00:30:55Sorry, I didn't...
00:31:00Speak.
00:31:01From Easton, Ashland. How are you settling in?
00:31:04I'm going to find a weekend to fly home.
00:31:06Stop.
00:31:10Who is it?
00:31:12You left me a note?
00:31:14Next door?
00:31:30I'm Lana.
00:31:33Brought tea.
00:31:35I don't...
00:31:37I can't see.
00:31:42I'm Ellen.
00:31:44Coming up with some water on.
00:31:53Fancy art.
00:31:55Matches the music.
00:31:58You know who I used to play?
00:32:02Classical stuff, I heard.
00:32:06Russo's got a painting like this one.
00:32:08Wasn't cheap.
00:32:09Russo?
00:32:11My husband.
00:32:14You just got here.
00:32:17It's just temporary for me here.
00:32:19My brother's in business on Japan.
00:32:22My brother's in business.
00:32:25Mind if I...
00:32:27Not inside, thanks.
00:32:30There's smokes in this city.
00:32:31Even my brother quit.
00:32:34Even my brother quit.
00:32:34Otherwise, you'd have a cancer partner when he visits...
00:32:37Smoking partner.
00:32:44Excuse me.
00:32:46You said smoking partner.
00:32:49Here.
00:32:51I said my brother.
00:32:56I miss him.
00:32:58I think he misses you.
00:33:01Of course he does.
00:33:04He must.
00:33:05Why?
00:33:09Did it...
00:33:12Did it hurt?
00:33:14What?
00:33:16Your eyes.
00:33:18Losing them.
00:33:20I...
00:33:20Didn't...
00:33:21Lose them.
00:33:23Your sight.
00:33:24I mean...
00:33:24I didn't lose...
00:33:26Anything.
00:33:27It was taken from me.
00:33:29I...
00:33:30I didn't mean...
00:33:31I should probably...
00:33:32How'd you know I ever had my sight?
00:33:35I didn't.
00:33:37It's...
00:33:37Just I wondered...
00:33:39Who put those bruises there?
00:33:43You're right.
00:33:44It's none of my...
00:33:45Oh, I didn't say that.
00:33:46No.
00:33:48I'm making another mess.
00:33:50What do you mean mess?
00:33:51Nothing.
00:33:51It's nothing.
00:33:51What do you mean mess?
00:33:55You know, you heard me scream.
00:33:57Like my husband goes out of town sometimes and I get sad.
00:34:03You're shaking.
00:34:08How old are you?
00:34:10None of your business.
00:34:1448.
00:34:15Why are you lying to me?
00:34:19I don't...
00:34:23Trust...
00:34:24Anyone.
00:34:32Wait.
00:34:35Wait!
00:34:38It's him.
00:34:39It's him.
00:34:41What?
00:34:51Yes.
00:34:52A scar.
00:34:53Fresh stitches.
00:34:54Her husband did that to her.
00:34:56I met him.
00:34:58When?
00:34:59Today.
00:35:00Left your place as he was getting in.
00:35:02He asked if I was seeing the guest in 902.
00:35:04He seemed nice enough.
00:35:05Of course he did.
00:35:07When she saw him, you didn't hear the fear in her voice.
00:35:13He apologized for the noise.
00:35:15He said his wife hadn't been well.
00:35:17He speaks for her and you just believe him?
00:35:20Exactly.
00:35:34Detective Bryce.
00:35:35¡Gracias por ver!
00:36:05I did a little digging and I'll confide. Mrs. Latch has a bit of a history. She's hurt herself.
00:36:12I heard her scream. She came to me frightened. The stitches?
00:36:18Stitches?
00:36:20Her face.
00:36:21Her scar. Long heel, or so Neiman says. I thought it was a birthmark.
00:36:27No. I know what I felt.
00:36:32How old is she?
00:36:33Neiman said 48. She didn't tell you he hit her.
00:36:39She said, don't trust anyone.
00:36:42Does that sound like a well person to you?
00:37:00Two days ago. Same car, same alarm, same time.
00:37:05How do you know?
00:37:06It happened right when you got here. 11am. I heard the alarm as you rang the bell.
00:37:13Same siren?
00:37:15Alarm?
00:37:17Forget it.
00:37:19Look, I believe you. It's a big city. It's got lots of alarms. You heard it all the way up
00:37:24here?
00:37:25Overdrive?
00:37:27Yeah.
00:37:28Where do you want the slider?
00:37:31I don't...
00:37:33It's not my...
00:37:34I mean, it was just sitting right here.
00:37:4610.57am.
00:37:5011.02am.
00:38:05You hungry?
00:38:06Shh! Get in here.
00:38:13What kind of car?
00:38:16No, you were right.
00:38:18It's the same time.
00:38:21Why'd it stop?
00:38:23Some guy's getting in.
00:38:27Same time.
00:38:29Every other day.
00:38:32Aim for patterns where there are none.
00:38:34It is a pattern.
00:38:36I get here for my job as he takes off for his.
00:38:40Hey, you've got to take it easy on yourself.
00:38:43Okay?
00:38:44The thing that saves you isn't out there or at the bottom of a cocktail glass.
00:38:49It's...
00:38:50Pure.
00:38:57Your eyes won't ever be what they were.
00:38:59But once the rest of you heals, you won't need them to.
00:39:20You're going to see the action.
00:39:23I don't know.
00:39:23I'm not saying to each other.
00:39:25There are many parts of someone with you.
00:39:25Nothing.
00:39:27What would you do?
00:39:27There are many of them.
00:39:32You've got to take it very well.
00:39:42¡Gracias!
00:40:27¡Gracias!
00:41:02¡Gracias!
00:41:06Image results for Russo Latch.
00:41:09Video results for Russo Latch.
00:41:27Can I apologize for the other day?
00:41:32Are you alright?
00:41:36Hey.
00:41:40What?
00:41:41I'm sorry, I...
00:41:44You're her husband, aren't you?
00:41:48I can hear you breathing.
00:41:52Answer me!
00:41:55Speak!
00:41:57Search results for Russo Latch.
00:41:58Image results for Russo Latch.
00:42:01Video...
00:42:02I know she was here.
00:42:04Don't come any closer.
00:42:05No, shut up.
00:42:06I guess it was too much to ask for a normal neighbor.
00:42:09I think I'll speak to building management about the policy on intrusive resident behavior
00:42:13because personally I feel like this place is better off with one less paranoid bitch.
00:42:34Yes?
00:42:35I've been outside the past half an hour working up the nerve to call.
00:42:40No.
00:42:40He was here.
00:42:42Just now.
00:42:44What?
00:42:45He threatened me.
00:42:46I'll talk to him right goddamn hell.
00:42:48No.
00:42:50Just...
00:42:52Wait.
00:42:53You were outside working up the nerve to do what?
00:42:56Ellen, what did he say to you?
00:42:57The nerve to call and tell me what?
00:42:59Nothing.
00:42:59Clayton!
00:43:00I can't accept payment from you as your caretaker.
00:43:02I...
00:43:03I can't work for you if I have feelings for you.
00:43:12Look, it's...
00:43:14Unprofessional.
00:43:14I know.
00:43:16But it's the truth.
00:43:18And that's what you deserve.
00:43:20I can't have you relying on me.
00:43:23You can call it a crush.
00:43:25You can call it whatever you want.
00:43:27I'll call you an asshole.
00:43:30Please just...
00:43:31For making me say this.
00:43:38I...
00:43:41I like...
00:43:42Sorry.
00:43:45I...
00:43:51We can still do the same things.
00:43:53I can help you.
00:43:55I can make sure that you're safe.
00:43:57You're starting with the asshole next door.
00:44:02We can do that...
00:44:03As friends.
00:44:06Or maybe...
00:44:07Maybe something more.
00:44:15I can't.
00:44:16I've been wrong about everything.
00:44:18I'm sorry.
00:44:18I'm sorry.
00:44:19I didn't...
00:44:19I'm...
00:44:20Sorry.
00:44:20About next door.
00:44:21About you.
00:44:23We've got to start over.
00:44:25Professionally.
00:44:28I need to rely on you.
00:44:30More than...
00:44:31Whatever this is.
00:44:35Ellen.
00:44:36I've made a mistake.
00:44:38Don't...
00:44:39I'm sorry.
00:44:40What a fuck.
00:44:56I'm sorry.
00:45:03I've heard you.
00:45:05I'll be back.
00:45:08I'm sorry.
00:45:09Hello.
00:45:15Clayton?
00:45:30I'm sorry.
00:45:32I don't know how to do this.
00:45:35I can't get a hold of anyone.
00:45:37No one visits me.
00:45:39Please stay.
00:45:42Don't make me apologize twice.
00:45:48Clayton?
00:45:53What do you want?
00:45:56Clayton?
00:45:59Clayton!
00:46:049-1-1, what's the nature of your emergency?
00:46:059-1-1, what's the nature of your emergency?
00:46:23Ellen?
00:46:25I'm a paramedic.
00:46:28Ellen?
00:46:29Ellen?
00:46:31Can you hear me?
00:46:34You were bleeding from your wrist, but I bandaged you up.
00:46:40Are you feeling all right?
00:46:43Your neck?
00:46:44It hurts.
00:46:47I'm not seeing anything.
00:46:48Are you looking at it?
00:46:53I'll be right back.
00:47:07I shouldn't have left you.
00:47:09What happened?
00:47:11It's okay.
00:47:14You're all right.
00:47:14You're all right.
00:47:17Detective Bryce drove in.
00:47:19I told him about next door.
00:47:21No, it wasn't him.
00:47:23It was the man from that night.
00:47:27Do you need to tell me anything before you talk to him?
00:47:32You've been drinking.
00:47:33I've been worried about the drinking.
00:47:37We've all felt lost at some point.
00:47:38Oh, wait.
00:47:39No, no, no, stop.
00:47:41Do you know where they take you?
00:47:44Do you really want to be anywhere but here in your condition?
00:47:52He wants to talk to you alone.
00:47:54Then get him.
00:47:55And get everyone else out of here.
00:48:07It's just the front door.
00:48:09No sign of forced entry.
00:48:10Clayton locked it behind him.
00:48:12I heard it lock.
00:48:15And unlock.
00:48:17Usually the one I would suspect here is the caretaker of the blind woman.
00:48:21Wasn't him either.
00:48:22I said usually.
00:48:23How long have you known Sasha Crinlin?
00:48:27Three years.
00:48:28Rather, how well do you know her?
00:48:31She's a good friend.
00:48:33The boot treads we pulled from beside your car were half a shoe size smaller than yours.
00:48:39After I first spoke to Miss Crinlin, we haven't been able to locate her.
00:48:43Left town in a rush.
00:48:45But not without leaving ample shoe prints outside her property.
00:48:48I won't ask you to guess what size they were.
00:48:51What are you saying?
00:48:53A restraining order was taken out against her.
00:48:55Six years ago, Vancouver.
00:48:56For stalking a co-worker's wife.
00:48:59Charges were filed.
00:49:01Aggravated assault.
00:49:02She couldn't.
00:49:03But she has reason to.
00:49:06Oh my god.
00:49:08This is not your fault.
00:49:12But tonight...
00:49:13She was wearing that mask again.
00:49:15You saw it?
00:49:15I heard it.
00:49:17I heard her breathing through it.
00:49:19That mask was the last thing I ever saw.
00:49:22And it'll be the first thing you see when you review the security footage.
00:49:24I have.
00:49:25For the hallway, lobby, stairwells.
00:49:28Your caretaker left this unit at 8.05 p.m.
00:49:31A few minutes later, he let himself back in with a man from lobby security.
00:49:35After 9-1-1 dispatch alerted them of your call.
00:49:38And?
00:49:38Cameras show no one else coming into this unit tonight.
00:49:42By all accounts, you've been alone.
00:49:46You just said it was her.
00:49:48That night, we think.
00:49:50But tonight, someone broke in here.
00:49:52Attacked me again.
00:49:55My god!
00:49:56Next door, ask them!
00:49:58They told me they heard nothing.
00:50:00No shared wall with this room.
00:50:02The van?
00:50:04They were playing my music.
00:50:06You know that?
00:50:07Look, there's either a glitch with the camera or...
00:50:10She was in here.
00:50:12She could have come in through the balcony.
00:50:14We reviewed the tapes from the roof.
00:50:16The space above you is empty.
00:50:19I can't do this.
00:50:26This intruder didn't enter by force, didn't take anything, didn't say anything.
00:50:31Did they?
00:50:35That window doesn't make a sound.
00:50:37I gave the same alarm at the same time.
00:50:42A lot of stitches.
00:50:44Now, no one believes me.
00:50:47I can't.
00:50:49This is what she wants, isn't it?
00:50:51I'll let you rest.
00:50:52And I'll check the cameras again.
00:50:56Thank Mr. Haley for going to bat for you.
00:50:59Without him, I'd recommend you be put on suicide watch.
00:51:04And if I may offer the simplest explanation,
00:51:06in your virgin state of being sightless,
00:51:10perception won't always be reality.
00:51:25Perception is my only reality.
00:51:42I'm sorry.
00:51:44I didn't mean to wake you.
00:51:48Make it up to you with an omelette.
00:51:51Take the day off.
00:51:55I'm going to.
00:51:58Call my brother.
00:52:14Leave all felt lost at some point.
00:52:25Drop by later.
00:52:27Make a special take care of you dinner.
00:52:49Easton, you were right about my marriage.
00:52:52And I was wrong to put this distance between us.
00:52:56I'm sorry to do this to you.
00:52:59But it has nothing to do with you.
00:53:03Clayton, you've hardly come to know one another.
00:53:07But you deserve someone stronger than I am.
00:53:11Forgive me for bringing you into this.
00:53:15Sasha.
00:53:17I chose not to see what he was doing.
00:53:21Stealing from you.
00:53:25Maybe I've had a hand on what you've done to me.
00:53:29But may you pay for what you've done.
00:53:32I know I am.
00:53:34I'm afraid to fall asleep at night.
00:53:38Terrified of the days in between.
00:53:40Unable to convince anyone of anything I believe.
00:53:46Myself.
00:53:52Which is what scares me most.
00:54:01Next door.
00:54:03Ana.
00:54:04Might be in trouble.
00:54:10Maybe now someone who can make sense of it all will.
00:54:14Because I can't.
00:54:19I can't.
00:54:25Not while I'm locked in my own head like a house with no windows.
00:54:33But for any truth I look for.
00:54:41I can't fight.
00:54:44I can't.
00:55:04I'm sorry.
00:55:10And...
00:55:12Goodbye.
00:55:29Goodbye.
00:55:35Goodbye.
00:55:38Goodbye.
00:55:40Goodbye.
00:56:16No, no, no.
00:56:36No, no, no.
00:56:56No, no.
00:56:57No, no.
00:57:44No, no.
00:57:51No, no.
00:58:10No, no.
00:58:13No, no.
00:58:14No, no.
00:58:27No, no.
00:58:33No, no.
00:58:43No, no.
00:59:04No, no.
00:59:09No, no.
00:59:11No, no.
00:59:12No, no.
00:59:17No, no.
00:59:23No, no.
00:59:23No, no.
00:59:26No, no.
00:59:31No, no.
00:59:57No, no.
00:59:58No, no.
01:00:15No, no, no.
01:00:27No, no.
01:00:28No, no.
01:00:35No, no, no.
01:00:40No, no.
01:00:50No, no.
01:00:54No, no, no.
01:00:58No, no, no.
01:00:59No, no, no.
01:01:05No, no, no.
01:01:08No, no, no, no.
01:01:19No, no, no, no.
01:01:22No, no, no, no, no.
01:01:30No, no, no, no, no.
01:02:01No, no, no, no, no, no, no.
01:02:29No, no, no, no, no, no, no, no, no.
01:02:58No, no, no, no, no.
01:03:00No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:03:27no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
01:03:29No, no, no, no.
01:04:00o tu doctor
01:04:01This place is a fucking lie and I want to know why
01:04:03Lana wasn't taken anywhere
01:04:05Her husband checked her out
01:04:07What?
01:04:08They're reevaluating her treatment
01:04:09And next they're going to talk about reevaluating yours
01:04:12Treatment?
01:04:13What do you think this is Alan? Alcatraz?
01:04:15People visit Alcatraz
01:04:18What did Lana tell you?
01:04:20This was all for me
01:04:22Patients like you
01:04:23And her
01:04:24Paid for by your brother
01:04:26You told me you see patients all over the city
01:04:28Because I do this isn't the only program that I work for
01:04:31You stood at that window and told me all about the world out there
01:04:35Of course I did with you
01:04:37To make it as real as possible
01:04:39You're lying
01:04:39To ease your transition back into the real world
01:04:42No matter how unorthodox it may be
01:04:44Stop lying to me
01:04:45You suffer from PTSD and you're newly blind
01:04:47Is that a lie?
01:04:49Ellen I am sorry about this downturn in your recovery
01:04:53Really I am
01:04:54I failed you
01:04:55I don't believe you
01:04:56All this place is
01:04:57Is to keep you safe
01:04:59I tried to kill myself
01:05:00You tried
01:05:05Alan
01:05:06Alan
01:05:07You are hurt
01:05:10You need help
01:05:14Right
01:05:17Right now
01:05:21That's what we're here for
01:05:43I'll freshen up before dinner
01:05:47I'll get started on that
01:05:49And the surprise that makes it special
01:06:17And the surprise that makes it special
01:06:38Have a seat
01:06:51Is that what's planned?
01:06:52Yeah, I can't think of this
01:07:09Is that what's planned?
01:07:09I can't wait
01:07:12Put out your hands
01:07:21I've had it tuned and everything
01:07:26I don't know what to say
01:07:29Say nothing
01:07:30Try playing
01:07:33Why did you ever stop?
01:07:36My husband
01:07:38But if there was ever a way back to her
01:07:43Isn't this it
01:07:44To that
01:07:47Original Helen
01:07:50This all part of the treatment?
01:07:53You know any of my music?
01:07:55Oh sure
01:07:56Your rendition of the
01:07:58Kreuzzer Sonata
01:08:18Back in two blinks
01:08:24Back in two blinks
01:08:26Usually the one I suspect here is the caretaker of the blind woman
01:08:31Wasn't him either
01:08:31I said usually
01:08:34My mother
01:08:35She was sick since I was little
01:08:40Is that really necessary?
01:08:42She passed the days by making bird cages from her bed
01:08:48I'd give them
01:08:50Names
01:08:51Personalities
01:08:52Part of me just feels I have to be all these things for all these people
01:08:57A whole flock
01:08:58A whole flock
01:09:00It's not really necessary
01:09:02I'm not sure
01:09:03Doctors on TV do it?
01:09:07Back in two blinks
01:09:09I'm a paramedic
01:09:11Helen
01:09:11Can you hear me?
01:09:14The one I suspect here is the caretaker of the blind woman
01:09:18I feel like this place is better off with one less paranoid bitch
01:09:28And which Clayton do I get?
01:09:30That's the scary part
01:09:31I think you get me
01:09:35Don't trust anyone
01:09:40You look like you've seen a ghost
01:09:42Exactly what I was thinking
01:09:44Drinks?
01:09:47Special dinner, isn't it?
01:09:50Have a seat
01:10:00Before the food calls off
01:10:08Didn't tell you, did I?
01:10:12Finished your story
01:10:14The Velt
01:10:15Had the computer read it to me anyway
01:10:18There's hope for you yet?
01:10:20Didn't even know the Velt meant the Plains in Africa
01:10:24So that's what the kids want
01:10:25In their house springs that's life
01:10:27In the nursery
01:10:29Heat
01:10:29Tall grass
01:10:31And that ending
01:10:32The lions
01:10:34Kind of depraved, isn't it?
01:10:40Don't you think?
01:10:46What?
01:10:48That the kids lock mom and dad in the nursery?
01:10:51Or that the lions eat mom and dad?
01:10:54No, no
01:10:54The kids watch it happen
01:10:58We smiled on their faces
01:11:02Parents got what they deserved
01:11:07I'm sorry
01:11:08I got
01:11:09I got
01:11:45My face
01:11:45Only
01:11:46The dinosaurs
01:11:46Is there
01:11:47Not
01:11:48If they said
01:11:48Fortunately
01:11:48Hey
01:11:53We'll
01:11:54Have
01:11:54Hello
01:12:01Not
01:12:01We'll
01:12:01No, no, no.
01:12:36No, no, no.
01:13:03No, no, no.
01:13:34No, no, no.
01:14:00Lana?
01:14:15No, no, no.
01:14:36No, no, no.
01:14:52Just why we have to get out of here.
01:14:54You have to help me.
01:14:55I told you.
01:14:57This is home.
01:15:03Lana, what are you talking about?
01:15:05He's all the family I have.
01:15:09This isn't what you want.
01:15:12You tried to warn me.
01:15:14I tried to stay quiet.
01:15:16But we got you here.
01:15:18You were so real.
01:15:20You can't save me like you saved him.
01:15:23What did I save him from?
01:15:25What did I save him from?
01:15:25Where you are now.
01:15:28The dark.
01:15:35I don't know what it feels like to be under someone else's control.
01:15:40Believe me, I've been there.
01:15:43But I'm going to take my hand away.
01:15:46But I'm going to take my hand away.
01:15:46We're going to get out of here.
01:15:48And she never gets to hurt you again.
01:15:58The only one way out.
01:16:03For one of us.
01:16:04No.
01:16:04Together.
01:16:06Go back the way you came.
01:16:08There's a vent in his room.
01:16:09I hid it from him.
01:16:10The only way out.
01:16:15Go.
01:16:17Go, Earl Scream.
01:16:20Go.
01:16:42Go, Earl Scream.
01:16:45Go, Earl Scream.
01:16:50Go, Earl Scream.
01:16:54Go, Earl Scream.
01:16:59Go, Earl Scream.
01:17:00Go, Earl Scream.
01:17:01Go, Earl Scream.
01:17:02Go, Earl Scream.
01:17:03Go, Earl Scream.
01:17:23¿Qué pasó?
01:17:36¿Qué pasó?
01:18:05To the outside was my imagination
01:18:07And what I thought
01:18:10There was no
01:18:11End in sight
01:18:13What I heard
01:18:15On the walls
01:18:18And the fence
01:18:20What my sister
01:18:21Will play for me
01:18:23When she could sneak it
01:18:26The same music
01:18:28I used to listen to
01:18:29With my mother
01:18:34My music?
01:18:38My music
01:18:40And you would never know
01:18:41That you were the light
01:18:42For me in that black hole
01:18:44Until I could be
01:18:45The same for you
01:18:49I had this place built
01:18:51For you
01:18:54But you made it real
01:18:56And now
01:18:57You need to make it real again
01:19:00As you did before
01:19:03Where you are
01:19:05It's in your head
01:19:09Doesn't have to be Seattle
01:19:10Outside the windows either
01:19:11I can
01:19:12Take you anywhere
01:19:15And I can be
01:19:18Anyone
01:19:20Everyone
01:19:34I'll make it real
01:19:35Me and you
01:19:47And only you
01:19:55What?
01:19:57Oh, it's good
01:19:58I know you're real
01:20:00Clayton isn't
01:20:01Part of
01:20:02They belong to me
01:20:03I don't belong
01:20:04To them
01:20:06You and me
01:20:07What?
01:20:07Get rid of them?
01:20:08You can't, can you?
01:20:11They were all you had
01:20:12In the dark
01:20:14You were all we had
01:20:15Then help me
01:20:16Clayton
01:20:18Be that
01:20:19Original
01:20:20Ellen
01:20:21Why can't the man
01:20:23I'm falling for
01:20:24Be himself with me?
01:20:27And only
01:20:28Himself
01:20:36Ellen?
01:21:05Go
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