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Bergerac.2025.S01E03.540p.x265.AAC [Full Movie] [Recommended]Full EP - Full
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08:08abone ol.
08:27abone ol.
08:31İzlediğiniz için teşekkür ederim.
08:40abone ol.
09:06abone ol.
09:09abone ol.
09:11abone ol.
09:14abone ol.
09:20abone ol.
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09:31abone ol.
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09:43abone ol.
09:46abone ol.
09:48At some point the money will enter into circulation
09:50and when that happens it gets flagged in our system and we can move in.
09:52But you haven't actually charged Mir and Tomas with Kate's murder yet?
09:56My colleague Barney Crozier is leading the murder investigation.
09:59They're putting a case together, I expect I'll have some news pretty soon.
10:03Just something I wanted to ask you about.
10:08This was sent to you the day before Kate's murder.
10:13Alone, alas, all alone.
10:18That's a quote, right?
10:21Yeah, it's from Electra by Strauss.
10:24Any idea why someone would send you a message like this?
10:26No, none at all.
10:28You sure?
10:29You've no idea what it's leading to?
10:31No, which one would assume is the whole point of a threatening letter.
10:36I didn't say it was threatening.
10:41Thanks for your time.
10:53I barely know Arthur Wakefield. Not my circle at all. Construction.
10:58Cement. Dust. Laborous.
11:02Okay, so who does? Who can I talk to?
11:05Don't you all go to the same club and light cigars with 50 pound notes?
11:10You know, dress up a poor person as a fox and chase them through a forest.
11:13Oh, you mean the Jersey Club.
11:15Yes, that's exactly what we do.
11:18Wednesdays after Bingo.
11:19Okay, and Arthur's a member there too, yeah?
11:22Great, thank you.
11:29How's Kim?
11:30You can ask yourself. She'll be back for lunch later.
11:33I've insisted she has her lunch here now.
11:35Do you know what she usually has?
11:36A sandwich out of a machine.
11:38She told me that.
11:39She said those words.
11:42I need to check this club out.
11:43I need to speak to someone who knows Arthur.
11:45Not looking like that, you won't.
11:47I'm wearing a suit.
11:49If one can call it that.
11:50What?
11:56You could go.
11:57What?
11:57You speak the language.
11:58You understand the customs.
12:00Look, I just need some background on Arthur.
12:02Yesterday, I was trying to steal your daughter.
12:05Now, suddenly, I'm going undercover.
12:08Besides, I thought you had your killers.
12:10No, there's been a development.
12:13Could have been a development.
12:16But Kim said the plan was for her to spend some nights at home now.
12:20No, no, that's still the plan.
12:21It's the question of when.
12:24Look, I'll talk to her.
12:26It's fine.
12:30So, the club.
12:35Quid pro quo.
12:38I sniff out some dirt, help crack the case, burnish your somewhat tarnished reputation.
12:44And this afternoon, you and I will be given a private tour of St. Bernadette's.
12:50No.
12:50We discussed it.
12:51I discussed it.
12:53You had an attack of the vapors.
12:56I'm sure they wouldn't mind.
12:57They love to throw open the doors for old girls.
13:01But equally, you could press your nose up against the window of the Jersey Club like some Dickensian waif.
13:34I'm sorry about Kate.
13:36What?
13:37What?
13:38Yes.
13:38Thank you.
13:39Bad news.
13:40Whoever did kill her will get away with it.
13:43Right, yeah.
13:44Don't do that.
13:45Please.
13:46Please.
13:48Please don't walk away from me.
13:50Just one minute.
13:51I need to talk to you about Bergerac.
13:56Thirty seconds.
13:58Okay.
14:00Thank you.
14:03You see, he's not interested in accuracy.
14:05He doesn't want to find who did it.
14:07He just wants to find someone.
14:11He...
14:12He falsified evidence against me.
14:14He ruined my life.
14:17You could see for yourself.
14:18John Blakeney.
14:20There's a Wikipedia page about me.
14:22They won't let me edit it.
14:24Sorry.
14:24This is coming out wrong.
14:26How about we sit down and I tell you what he did.
14:31Because he's corrupt.
14:33No, please.
14:34He's ruthless.
14:36Please, listen to me.
14:38He will lie to you.
14:41He will lie to you!
15:05Right.
15:07Keep it nice and informal.
15:09Just a quick catch-up, bit of gossip, and then when the moment is right, you lead the talk towards
15:14Arthur Wakefield.
15:17There used to be a little terrace there that caught the sun.
15:21It's been absorbed by the car park.
15:24Which would suggest they're increasing their membership.
15:29You're not the only detective in the family, you know.
15:34How must things change?
15:52Good Lord!
15:53It's Charlie Hungerford!
15:55Nigel?
15:56I can barely see you through the haze of Tupigoo and Viagra.
16:00Well, you'll join us, won't you?
16:02Well, why not?
16:03Must be six o'clock somewhere.
16:05Thank you.
16:07Can't believe it.
16:08You don't look a day over thirty-five.
16:10You really must do something about those cataracts, darling.
16:13We were so sorry to hear about Rachel.
16:18We soldier on, don't we?
16:21Your health.
16:25Well, what's the gossip?
16:53And remember Bobby Guthrie?
16:56Liver transplant.
16:57Hardly surprising, sir.
16:59Anything under twelve percent is breakfast wine.
17:02Well, I remember.
17:03I'd like to pay my condolences to Arthur Wakefield.
17:06Oh, God, yes. Ghastly business.
17:08Is he in the spa?
17:10I saw his car outside.
17:14Actually, that's mine now.
17:17How on earth did you get him to park with it?
17:20Or is he currently still in the boat?
17:23People change.
17:24Hmm.
17:28Or in your case, they don't.
17:33Will you excuse me, boys?
17:36Little girls.
17:48Oh, I see.
17:50Bergerac.
17:51The son-in-law.
17:53Dear me, Charlie.
17:54It's Richard Nash.
17:55Isn't it?
17:56I'm really sorry about this.
17:57I know it's a little unconventional.
17:59It's just really important I speak to someone about Arthur Wakefield.
18:01Well, I can't help you.
18:02Wait in the car, James.
18:03No, I think I shouldn't.
18:04I've got this, as Kim would say.
18:07Hence the new school.
18:12Forgive the subterfuge, Dickie, but this is important.
18:15What happened to Arthur's daughter-in-law?
18:17It's possible he was the target.
18:20I know.
18:21I know.
18:22And in his own home.
18:24But the police don't have a clue.
18:25This isn't their world.
18:27So can you think of anyone who'd want to hurt Arthur?
18:31I'm sure he's put some noses out of joint over the years.
18:35Could any of them be behind this?
18:39Allied Cirrusel.
18:41It was an engineering company that Arthur bought back in 2009.
18:47Look it up, but you won't see his name anywhere near it.
18:49Well, what happened?
18:50Was there an issue with the sale?
18:51No, Charlie.
18:52That's all you're getting.
18:56And it wasn't from me.
18:59Understood.
19:01Bless you, Dickie.
19:06Ah, here we are.
19:08Allied Cirrusel.
19:09Sold in 2009 to a company called Loctex.
19:14Researchers at Allied develop a breakthrough non-lithium battery.
19:18The Cirrusel battery, which is now used globally.
19:22Upwards of 10 million sold last year alone.
19:25And they were bought by who? By Loctex?
19:27What does it say about that?
19:29Nothing. Nothing, that's all there is.
19:31Ah, go back to the first company. Allied Cirrusel.
19:33Who owned that?
19:34Here we are.
19:36Jonathan Robson.
19:38Oh, he invented this magic battery.
19:41But died, 2010.
19:44Jumped off the roof of this old office building.
19:46Leaning a wife, Linda.
19:48And a daughter, Ellie, aged 10.
19:52Give me a favor while you've got the phone out.
19:55Look up the plot of Electra.
19:57I don't mean to.
20:00Electra is a character in Greek mythology, condemned to a life of poverty after her father, King Agamemnon, is murdered,
20:09and so wreaks revenge on his killers.
20:13And that is the benefit of a world-class education, except Bernadette's.
20:21Great for pub quizzes, then.
20:33Hey, hey.
20:35Dad.
20:35Great.
20:36I need some money.
20:39No, listen.
20:40It's pointless carrying my toothbrush and stuff with me every time I go back home, so why didn't I just
20:44keep some here?
20:46Yeah.
20:48Yeah.
20:49Um.
20:51Um, yeah, about that.
20:54You know those people that we arrested?
20:56Um.
20:58I don't think they did it.
21:01So, uh, so the case goes on.
21:03It just means that I won't be at home much.
21:09Great.
21:10I'm really sorry.
21:11I-I know that staying here isn't perfect.
21:13It's not that.
21:14It's just...
21:15We were gonna talk, weren't we?
21:17Uh, yeah, we will.
21:20You keep saying that.
21:21I don't keep saying it.
21:22I've said it...
21:23Once.
21:26It's for you too, Dad.
21:29The conversation you needed to...
21:31You got me all worked out, haven't you?
21:37No. Sorry. You're right.
21:42In the meantime...
21:44Let's do lunch.
21:45Tomorrow.
21:46How does that sound?
21:48Yeah, sure.
21:50Be nice.
21:53Um, I should probably...
21:55Yeah.
21:57No.
21:58Go for it.
22:04I-I gotta call you about tomorrow.
22:11Bye, love.
22:13Bye, Dad.
22:33Oh, God. What is that face?
22:34I hate that face.
22:39On the night of Kate's murder...
22:41Yeah?
22:42Tomosh said he took in a package for a neighbour.
22:44So I checked it out and, um...
22:48Yeah, it-it tallies up with the timecode from the courier.
22:51You are shitting me.
22:52Did you see Mia?
22:55Over Tomosh's shoulder.
22:57Asleep on the sofa.
22:58And that's back to a square fucking one.
23:01Well, we're obviously still charging for the abduction.
23:04Oh, what'd he do?
23:05That's not even my case.
23:08Speaking of which, where is Golden Balls?
23:15Hey.
23:16It wasn't Mia and Tomosh.
23:18They've got a solid alibi.
23:19You were right.
23:20But your absence is getting commented on.
23:22Barney wants a team meeting to discuss new leads.
23:24I'll have to raise the letter again.
23:26Uh, give me half an hour on that.
23:28I've got some traction.
23:29Um...
23:30Listen, did the Wakefields know about Mia and Tomosh yet?
23:32No.
23:33I was gonna head over after the meet with Barney.
23:35Don't tell them just yet.
23:37Arthur's hiding something.
23:38Knowing that Mia and Tomosh are in the clear for murder
23:40might make him clam up even more.
23:42Arthur's hiding what?
23:44Does the name Ellie Robson mean anything to you?
23:51Or Jonathan Robson?
23:53Ring a distant bell.
23:56No?
23:57What about Allied Cirrusel?
23:59It's Jonathan Robson's company.
24:01It's bought by another company called Loctex.
24:04The weird thing is, they didn't exist before or after this transaction.
24:09They appeared out of nowhere.
24:10Bought Allied Cirrusel.
24:11And then disappeared.
24:14Like Brigadoon.
24:16Then one of Jonathan Robson's innovations, the Cirrusel Battery,
24:19starts the feature in your marketing.
24:22What's that phrase you use?
24:24Power need not corrupt.
24:29I bought Loctex.
24:32And with it, the catalogue of patents, innovations, plans, back of the beer mad ideas.
24:39Oh, and the debt that came with their purchase of Allied Cirrusel.
24:44The thing is, a couple of years later, Jonathan Robson committed suicide.
24:49Correlation doesn't imply causation, Inspector.
24:53Jonathan Robson was clearly a brilliant man. He was also a very troubled man.
24:58But his intellectual property was paid for, some might say handsomely.
25:02Though some might not.
25:05Which brings us back to this.
25:08I believe this came from...
25:10Ellie Robson.
25:12Jonathan Robson's daughter.
25:14Hence the references to a murdered father and an avenging daughter.
25:17It is a bit oblique though, isn't it?
25:19Coming out of the blue, I can't imagine it would make much sense.
25:21It feels, to me, more like a... theme.
25:28So, how many have there been?
25:31Two or three a year for the last five years, that's all.
25:34That's all. Do you still have them?
25:35No, we do not.
25:37I threw them out.
25:39Ellie Robson is a fantasist.
25:40She's trying to make sense of her father's death.
25:42Now, if I'd thought for one minute that she was involved in Kate's death, I'd have told you.
25:46If it's not up to you to decide what is or what isn't relevant,
25:50or who is or who isn't a credible suspect.
25:53You have your suspects. They're literally in bloody custody.
25:55We haven't been able to charge them, yet.
25:57And until we do, we have to pursue other leads.
25:59So this is important.
26:01Rightly or wrongly, she believes that you ruined her father, and that is a motive.
26:07What, to kill Kate? Oh, come on.
26:09To hurt you.
26:16So what are you gonna do?
26:17What am I gonna do?
26:19She's a suspect.
26:20I have to look into it.
26:21But moving forward, let's just assume everything is relevant.
26:26Clear?
26:38I only wanted them to know about the letters.
26:40And now they do.
26:42I wanted them to know because if it was Ellie Robson, then you're the target.
26:47Meaning there's every chance she'll come back to finish the job.
26:51Ellie Robson didn't kill Kate. We know who killed Kate.
26:55And in the meantime, a question here, a question there, and that's all it takes.
26:59And as far as Bergerac is concerned, this isn't even about Kate anymore.
27:05He's never gonna give up.
27:12What is it?
27:17There was a man here earlier.
27:22Yeah, Kara showed me the letter. I said, grieving families get sent weird shit.
27:27And you're right.
27:27But it turns out there's this whole other story with this Robson guy whose daughter has been basically,
27:33she's been harassing Arthur for years.
27:35Where I get confused is, what does this have to do with the ransom money?
27:38No, it doesn't, but I was literally in the room with Arthur, so I just thought I'd check it out.
27:41And all this, you did this just because you were literally in the room with your laptop and your printer?
27:45Well, no, I wanted to give you something tangible.
27:47I didn't want to repeat what happened with John Blakely.
27:51You know, when I foolishly went after him, not knowing he had an alibi,
27:54even though his alibi had actually come through to this team.
27:59Yeah, uh, no, that's...
28:00No, uh, good.
28:02Always good to be sure.
28:04I buy this.
28:05I think she could be a real person of interest.
28:06Great. To the murder inquiry, which is why I will go and have a chat with her.
28:09Well, give me a minute and I'll come with you.
28:10That's all right. I'll take Cara.
28:11You got ID on the Robson girl?
28:13Oh, look at that.
28:14It's all in here. This is great stuff.
28:15Thank you, Jim.
28:18Cara! With me.
28:33How does she do that?
28:50Thank you so much for being here at very nearly the time we agreed.
28:55See? They're not the mid-rich cuckoos after all.
29:00Mrs. Hungerford?
29:01Ah.
29:02So lovely to meet you.
29:03Rose Parsons, Head of English.
29:05Thank you so much for arranging this in such short notice.
29:08This is my son-in-law, James.
29:10Can I just say how sorry we were to hear about Rachel?
29:14Some of her teachers are still on the faculty here and I know they all thought the world of her.
29:19So did we.
29:20Now, once I've finished showing you around, I was hoping you might linger a moment.
29:24Someone mentioned that Rachel was in a production the school did of Romeo and Juliet.
29:28That's right. She played the nurse.
29:31Well, I had a bit of a trawl through the archive and you'll never guess what I found.
29:35An actual video of the production.
29:37I had a quick look. She has the audience in fits.
29:41I thought we could watch it, or at least as much as you have time for.
29:45Honestly, she's absolutely glorious.
29:48Goodness, that sounds fun.
29:52What do you think, James?
29:53Yeah.
29:56Yeah.
29:57Wonderful. Shall we?
29:59I hear Kim is very musical. Remind me to show you the new recording.
30:03Actually, sorry, I've left something in the car.
30:29You cover the back. She might be expecting a visit.
30:33OK.
30:56It's Ellie Robson.
30:57Yes?
30:58Detective Inspector Barney Crozier. Do you mind if I come in?
31:01Of course.
31:23Right. Mr. Oxen!
31:24Oh, fuck.
31:25Oh, that's not.
31:25No, I'm not.
31:26Right, Mr. Oxen!
31:28Oh, fuck, no, I'm not.
31:50Allah'a emanet olun.
32:06Allah'a emanet olun.
32:40Allah'a emanet olun.
32:43Allah'a emanet olun.
32:45Allah'a emanet olun.
32:48Allah'a emanet olun.
32:50Allah'a emanet olun.
33:10Allah'a emanet olun.
33:18Suspect vehicle heading northwest on Valley de Saint-Pierre, taking a left-left into Sandy Brook.
33:25DCI Bergerac on Rue de Monde.
33:39Oh shit, where did she go?
33:41DC Malloy to all ranks, suspects, current location unknown. Please be on lookout for female 25 in a grey Nissan
33:48Micra. 132285.
33:51What direction was she headed when you lost her? Could she be headed to the Wakefields?
33:55No, opposite direction. She could be heading to the port.
33:58She might be trying to get off the island.
33:59I know where she's going.
34:01All units head to Marshall House on Valblazon.
34:07Just help me out here. The detective in charge of investigating your daughter-in-law's murder. You want us to
34:14what? Expose him? Undermine him?
34:18Right, the murderer's already in custody, so there's sudden interest in my business. Of which, by the way, there is
34:23nothing amiss. Okay? Nothing. It's irrelevant. It's a fishing expedition.
34:27Yes, but look at the optics, Arthur. Bergerac is popular. He's admired. Where is him? You know what he did.
34:35Yeah, but what if he didn't? What if what he said was true? And Bergerac really did try to falsify
34:43that evidence? What if we're talking a whole career of corruption and criminality?
34:50Oh, and there's one other thing to consider. Remember, I'm on the board of directors of your fucking newspaper.
35:01I think that covers everything.
35:15We're gonna need paramedics and a fire service. She's gonna jump.
35:18Wait, what? How do you know?
35:19I found her.
35:38Ellie?
35:44Ellie?
35:47Ellie?
35:48Ellie?
35:50Ellie?
35:51My name is Jim.
35:52I'm a police officer.
35:57This is where your dad died, isn't it?
36:02I know who he is.
36:04I know what you think.
36:06Arthur Wakefield did to him.
36:07I didn't kill Kate.
36:08Then we don't have a problem.
36:09I just sent the letters.
36:11Yeah, well, the letters aren't that big a deal.
36:14I wanted to do more.
36:16Well, yeah, I'm sure, but you didn't.
36:18I wanted to set dogs on him.
36:20That would have been too much.
36:22This rage.
36:24It's all I am.
36:26Top to bottom.
36:28Everything stopped when my dad died.
36:31I may as well have jumped off with him.
36:41Why don't you tell me what happened?
36:46Arthur knew about the battery.
36:50He'd seen the plans somehow.
36:55But he paid my dad a pittance.
36:58Do you know how much money Arthur made after our battery?
37:01How much?
37:03Ten million.
37:05The shame my dad felt for getting tricked like that.
37:11And he watched us struggle.
37:14And it tore him apart.
37:15And obviously he...
37:19My mum tried getting lawyers, but...
37:22They said Arthur had it all sewn up tight.
37:26So, yeah.
37:27Ten years later, I sent him these pathetic little letters.
37:34I know a bit about how you feel.
37:39You lose someone you love.
37:41It's a line through your life.
37:45Everything's before or it's after.
37:47They're different worlds.
37:51And I know a bit about the shame that the dad felt, too.
37:58In fact, I'd say I'm something of an expert there.
38:00But look, he wouldn't want this.
38:01Just as I wouldn't want this for my daughter.
38:07The waste of his life.
38:09The waste of yours.
38:10That is when Arthur Wakefield really wins.
38:20Aren't you cold?
38:23I'm absolutely freezing.
38:35He is winning, though.
38:37Arthur Wakefield.
38:38Look at him.
38:41Well, let's see what we can do about that.
38:43Mmm.
38:50No.
39:13İzlediğiniz için teşekkür ederim.
39:17İzlediğiniz için teşekkür ederim.
39:20Yani verimentos werelde.
39:22Bir объясik, bu keseleksiydi.
39:24İzlediğiniz için sağlanan.
39:27Önceerede, yolda gülümseklere bağlı.
39:31Bir deum이었ıyor, İllegeçi.
39:36İki, bu?
39:38Bu ne?
39:38Bu ne?
39:39Oh, hi, Lily.
39:41You're beautiful.
39:42Yeah, she's a monster.
39:44Ha-ha-ha-ha.
39:45Actually, Dad, do you mind taking her for a minute?
39:47Yeah.
39:48I'll take her.
39:49No, no, no.
39:50Please don't worry.
39:50She might be sick on you.
39:52You wouldn't do that to me, would you, Lily?
39:54Hmm?
39:55If you're sure.
39:56Come on.
39:57Okay.
39:59Here we go.
40:01Here we go.
40:02Yo!
40:03Oh!
40:05Oh!
40:07Oh!
40:07Oh!
40:11She's here.
40:16Gentlemen.
40:19I hear you have a story for me.
40:23Time now is 8.19pm.
40:26Also present is Miss Robson's solicitor, Mr. Pat Davis.
40:29Miss Robson, you understand why we're speaking with you?
40:34Because I sent the letters to Arthur Wakefield. All of them.
40:38So you're admitting to harassment?
40:40No.
40:42I'm admitting to sending some letters with opera quotes in them.
40:47Though some early ones had lines from the Discworld novels.
40:51Okay. Let's talk about intent.
40:54When you're sent...
40:55For the purposes of the recording, DC Malloy has just entered the room
40:58and handed me a file and a mobile phone.
41:03Intent's irrelevant.
41:04How can intent be irrelevant?
41:05Because, correct me if I'm wrong,
41:07but having bad thoughts about someone isn't illegal.
41:10With intent.
41:10Sorry, Ellie, these photographs were on your phone.
41:12They're of the Wakefield house.
41:14They include images of the exterior, the main entrance,
41:18interior rooms, hand-drawn floor plans of all floors.
41:22Where did you get these, Ellie? Did you take them?
41:23Hang on.
41:24Where did you get these images, Ellie? Did you take them?
41:26Kate sent them to me.
41:30Why would Kate Wakefield send you these?
41:33I met her about seven months ago at a charity event.
41:37I hadn't planned on telling her about my dad,
41:40how Arthur defrauded him out of all that money.
41:42It just came out.
41:45She couldn't believe it.
41:47She said she wanted to help me.
41:50Help you do what?
41:51If there was any proof that Arthur had committed fraud,
41:55she said it would be on his laptop.
41:57She had this plan.
42:00The family were going to be at some opera thing.
42:03The baby was with the nanny.
42:04There was no CCTV.
42:06So I was supposed to sneak in the house,
42:10grab the laptop and get out.
42:12Were you inclined to make use of the information
42:14that she sent you?
42:17I was inclined.
42:20I'd love to be the sort of person that can just do that,
42:23but I'm not.
42:29The time is 8.21pm.
42:31Interview's suspended.
42:37What is it?
42:38The photograph, Ellie, says that Kate sent her.
42:41There's no record of them on Kate's phone.
42:43Plus, the number Ellie has saved as Kate Wakefield,
42:46it's not Kate's official number.
42:47So how do we know Kate sent them?
42:49Go back through the exchanges.
42:50The stuff she references,
42:52the things about the Wakefields, the house,
42:54it's stuff only Kate would know.
42:56Okay, so Kate's got a second phone.
42:57Yeah.
42:58Now, look at this.
42:58The last text that Kate sent to Ellie.
43:01Well, if you won't expose Arthur, I will.
43:05You said that Allied Sarah sells stuff.
43:07Kate was gonna take it to the press.
43:08Yeah, say she was and say Arthur found out.
43:11What do you think you do to stop her?
43:28What's happening?
43:29You need to see this.
43:31Me and Tomas Alves have been charged
43:34with the abduction of Lily Wakefield.
43:37However, evidence has come to light
43:39that excludes them from the investigation
43:41into the murder of Kate Wakefield.
43:43But we have several other lines of inquiry
43:45that we are currently pursuing,
43:46and we would like to assure the public,
43:49and in particular the Wakefield family,
43:52that whoever killed Kate will be brought to justice.
44:25So please.
44:28May I ask of you worse or worse.
44:30What else would I do?
44:33You should do this for Macbeth?
44:36knives Fahrery.
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