Nandu, Avikagor and Ugly Story Movie Team Q & A With Media

Mana entertainment

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Transcript

00:24Thank you for the question, sir.

00:28What is the element in this film?

00:31We are talking about Ramadi.

00:36What is the point of view?

00:39If one character behaves as a particular character,

00:43that character behaves as a character,

00:45we haven't seen anything in this film.

00:49This film is not antagonist or protagonist.

00:51It is not antagonist or protagonist.

00:54It is because of his childhood trauma.

01:01Why is a person like this behaving in a certain way?

01:06This is because of his backstory.

01:09And especially, sir, there are some episodes in this film.

01:13Usually, we try to talk about every one thing.

01:16We try to talk about every one thing.

01:19I think there is a story about Mahabharata and Ramayanan.

01:22I think there is a story about it.

01:24We try to talk about it.

01:28But in this story,

01:30there are some sequences.

01:33I mean,

01:34we don't know anything about it.

01:37We don't know anything about it.

01:38We don't know anything about it.

01:39In a sequence,

01:40if a person behaves as a person behaves as a person,

01:43it's very entertaining.

01:46It's very intense.

01:47It's very intense.

01:47But if you look at the audience,

01:48it's very intense.

01:50It's an entertainment angle.

01:53It's very interesting.

01:57It's very simple.

02:09I said,

02:10you said,

02:11you will like it too.

02:14You said,

02:15I am genuinely talking about it.

02:16For example,

02:17there is a scene.

02:18We really have to relate.

02:20If you talk about it,

02:21you will relate to the scene in such a scene.

02:23I would say,

02:23what I am going to do,

02:25what the hero is going to do.

02:26What is your name?

02:28What is that?

02:29What is that?

02:29What the hero?

02:29What is it?

02:30What is that?

02:33What is it?

02:35He said,

02:36Hey,

02:36Amma rest these koondra,

02:38Amma and disturb Jacob.

02:39And Shivajiraja said,

02:40Hey,

02:40Please neana,

02:41Please neana,

02:42Please neana.

02:42Right,

02:43Anastasia saying,

02:43Please neana,

02:44Please neana,

02:45Neha bledded neana.

02:46When anastasia says,

02:47Hey!

02:47So,

02:48That's all drab.

02:49Lied from the very youths and

02:51Lied from the very juicy ace.

02:53Musu kurjhou.

02:54And then,

02:55Kuttei,

02:55Naeha,

02:56Naeha,

02:56Naaeha,

02:57and this weed,

02:59this weed has a good love here.

03:01Seeds psychotic needs.

03:02Same here,

03:03So, we will be able to do this with the hero.

03:06I'm afraid of it.

03:09I'm afraid of it.

03:10I'm afraid of it.

03:13Why are you afraid of it?

03:14I'm afraid of it.

03:16I'm afraid of it.

03:17So, we will be able to see the hero in the world.

03:21I'm afraid of it.

03:24I'm afraid of it.

03:24So, I'm just saying a basic thing.

03:27There are 10-10 minutes of sequence, or 7-8 minutes of episodes.

03:31I'm afraid of it.

03:32I'm afraid of it.

03:35I'm afraid of it.

03:36I'm afraid of it.

03:36But when you're watching the film,

03:37you're going to enjoy the cinema for the way the scenes are written.

03:44I don't want to explain it.

03:45I don't want to explain it.

03:46You don't want to explain it.

03:50It's not like the sequence.

03:52I can't explain it.

03:53But I want to explain it to you.

03:54I don't want to explain it to you.

03:58But, I don't want to explain it to you.

04:24I want to explain it to you.

04:24The characters are from the director.

04:26They want to put it on track.

04:29They want to explain it to you.

04:31I want to explain it.

04:32Because I'm not sure like the film is a different filmmaker.

04:36It's that it's clear.

04:48If we want all our dreams to support our producers, we want to give thanks to all our dreams.

04:52So it's a punch, we are ready to take if it doesn't land well.

04:56But we are very confident it will land.

04:57Because emotions are strong, especially Avika's character.

05:01Director.

05:03If you're talking about an ugly story, it's beautiful.

05:09It's a bit of a bit of a bit of a bit of a bit of a bit of a

05:11bit of a bit of a bit of a bit of a bit of a bit of a bit of

05:11a bit of a bit of a bit.

05:13I am amazed by you, Raju sozusagen.

05:15So this is summer season.

05:18This is a hot season.

05:20The season is also however extreme, matter with the display with it.

05:25Although it's very important, it's not as a middle budget of it.

05:29We're also moving to the middle of B&B for the following discussion.

05:31And as well as some complete family entertainment movies, you gottaveless to fit all the others!!

05:36So, if you're a family member, you can't take it away from all the family members.

05:44Okay, sir. Before my director says it,

05:46we'll talk about the style of the family,

05:47you can't drink ice cream in my life.

05:50You're a romantic fellow.

05:55If you want to take a preview,

05:57we'll talk about the family audience as well as the ladies.

05:59I don't know if it's a lot of people.

06:00Even if it's not a lot of people,

06:05I don't even know if the people are extreme.

06:11So, we're going to live a movie.

06:12Do you like families or ladies?

06:18Hi, sir.

06:22You're a great actor.

06:26So, if you are a character and a leader, you will be able to do a full effort.

06:32Like Sykes-Siddharth, you will be able to do a ground promotion.

06:37You will be able to do a break point, but you will not reach it.

06:42Hopefully, you will be able to do a success.

06:45Love you, sir. Thank you so much for the blessings, firstly.

06:50Problem is, sir.

06:52It is not you or anyone.

06:54In my mind-set, we do a comparison.

06:57That means, you will be able to do a success.

07:00Sykes-Siddharth, particularly.

07:02There are many people.

07:03There are many expectations.

07:05If you are a kid, you are a kid.

07:09For example, sir.

07:10I am a kid.

07:11I am a kid.

07:12I am a kid.

07:13I am a kid.

07:14I am a kid.

07:15I am a kid.

07:16You give me a child in the first rank mirror.

07:19You add up into rank mirrors.

07:20You add up to a top mirror .

07:21I am aigi.

07:23Not only one of these great differences in your children.

07:29I had one of the meets with a character,

07:30what to do with things he is best to do.

07:38Only one crore.

07:41However, there are failures.

07:45Let's compare it to the top.

07:47If you compare it to the cinema,

07:51it will probably be a failure.

07:55I have a pass mark.

07:57I have a score for every cinema.

07:59I have a score for 35 places.

08:02Some of them have 36 marks,

08:04some of them have a score for 40.

08:06I have a score for 100.

08:09Some of them have a score for 80.

08:11Some of them have a score for a distinction.

08:13Some of them have a score for 35.

08:15But as an actor, as a performer,

08:17I don't have any failure.

08:18We also have to say that

08:20if you want to go to the cinema,

08:23then you have to go to the cinema.

08:27That's right.

08:29That's right.

08:30If you want to go to the cinema,

08:31if you want to go to the cinema,

08:33if you want to go to the cinema,

08:35then you have to go to the cinema.

08:37You have to go to the cinema.

08:39Thank you for the blessings.

08:41If you want to go to the cinema,

08:43let's compare it to the first ranker.

08:47Which is very obvious.

08:48That is how we are as humans.

08:50You have to go to the first ranker.

08:51The complete video�ام has won.

08:52Even if you are a rich,

08:52yes, we will have to find a lot.

08:54To sign this bit,

08:56the people don't know the ranker.

08:58If you want to apply the ranker,

09:00the parts of the cinema she.'s bad for you,

09:02but the people we make at the industry were

09:04small and small.

09:05I'll have more guys.

09:07Billy,

09:09I will take a lot of紙JEilly why not?

09:18Why not? One day sir, I promise.

09:20Pranavgar.

09:22Sir, in the cut stage with Sagar and Chandragar,

09:25like in any language,

09:27there are different characters,

09:30different attempts.

09:31In the teaser or trailer,

09:33there are different attempts.

09:35And there is no inspiration,

09:37like a sport,

09:39because in Tamil,

09:41there is a film called

09:43like Bharat,

09:45Vishal,

09:46Rima Sen.

09:46In the end,

09:47we are trying to become a human,

09:48so there is a story about

09:50that scene.

09:50How does that inspire you?

09:53What is the inspiration about you?

10:02How does that inspire you?

10:07Sir, in terms of make an inspiration,

10:09I don't want to imagine.

10:10you should only make an inspiration,

10:11you should only make an inspiration.

10:13society is afraid,

10:16The character is not in the background, he is never in the background, he is really the same.

10:29Everybody can say hero stories.

10:32There is also a story, a lot of people are in society.

10:35They are bad and bad and bad.

10:39There are bad experiences coming from others and so on.

10:44They are also not the ones who say, but the ones who say they are not.

10:47Mrs. Pranavgar, you are talking about the movie.

10:53The movie is wild, and I don't think it's a bad thing.

10:58So, why is it a reason that you compare to the movie as a film to the film?

11:08I have a lot of questions and I have a lot of questions, I don't know.

11:11I have a lot of questions, but my colleagues are very well.

11:16I have a lot of questions.

11:20We are very well-known.

11:21I have a lot of questions like this, but I have a lot of questions.

11:21What about the issue?

11:22No, sir, I have a lot of questions.

11:26I have a lot of yes dreams.

11:30I will ask if I want to make a video about the film.

11:37Everyone sits in the room and they look at it.

11:41Everyone sits on the chair of the family.

11:41But we need to pick the floor.

11:43No, I'm not.

11:45I'm afraid nobody's alone and decent.

11:48But I know when I was sitting on my own, nearing the skills,

11:50and I can't stand up with my own.

11:52That's how it's like getting into my own character back.

11:56I'm afraid I'm so I'm afraid.

11:57But you're leaving a trailer too late?

12:00How are you doing it?

12:02I feel like everyone is being accessed by everyone.

12:09Hello, ma'am.

12:13So, as you were talking about, every hero is on the screen of Ramud.

12:19Byte is also on the screen.

12:20Okay, ma'am.

12:20It's not in the industry.

12:21You're a star hero.

12:25Byte is also on Ramud.

12:26I'm sorry.

12:29I'm sorry.

12:30If you're roles, I have to tell you about the type of characters.

12:35You've also talked about the interview with Geetha Gar.

12:39I'm a real character.

12:41I'm not a real character.

12:43I'm not a real character.

12:44I'm not a real character.

12:45I'm not a real character.

12:48So, what are you talking about?

12:49What are you talking about?

12:53I'm not a real character.

12:55I'm not a real character.

12:57Thank you so much.

12:58Mr. I'm so sorry for this interview.

13:03I'm sorry.

13:05I can tell you.

13:09I can say that.

13:10I can try to do the job of the IT job.

13:12I can tell you where you are in the small business,

13:14so you have to answer your tasks and help me.

13:15But I can be doing this wrong with my wife.

13:18I can tell you how my background is at a plats.

13:20but I don't know how to do it.

13:23I mean, it's called a psych character,

13:26a psych character,

13:28a psych character,

13:29a psych character,

13:31a drug addict,

13:32and something else,

13:33but it's decent and it's wild.

13:37They're not the same as the one in the world.

13:39They're not the same as the one in the world.

13:45But it's not the same as the one in the world.

13:48you can leave your chapel.

13:51I am very happy.

13:52I will answer.

13:54This is bad,

13:56but I will not mind.

13:57I will be in the industry.

14:00Do you have a doubt?

14:03Do you still believe me?

14:05There is a negative shade in the background.

14:10If you can check Ruttel It Raise Your Community,

14:12you are going to see a friend of this hero villain.

14:15I'm sorry.

14:18I have to select the X. I have to select the X.

14:20I have to select the X.

14:21I have to select the X.

14:22I have to select the X.

14:27So, Nandugaru,

14:28now, you have to talk about toxic relations recently.

14:32Yes, yes.

14:33So, you can tell us about it.

14:34You are also about it.

14:37How do you think about it?

14:38How do you think about toxic relations?

14:41How do you think about it?

14:42I am a bit of a bit.

14:44I am a genuine.

14:45One has to be selfish.

14:48Happiness is one thing

14:50that you need to be very selfish about.

14:53So, if you are happy,

14:55you can always walk out of a relationship

15:00if you don't like it.

15:02And I don't know

15:03why I think about it.

15:07It is equal.

15:08There is no gender bias here.

15:10If you suffer from your father,

15:11if you suffer from your mother,

15:14you can't walk out of a relationship.

15:24You need to walk out.

15:25And you need to walk out.

15:28You need to walk out.

15:30And you need to walk out.

15:32You need to walk out of a relationship.

15:45You need to walk out of a relationship.

15:48I can still have a beautiful life.

15:49Society is taboo.

15:50You need to walk out of a relationship with them.

15:52Like a father and a wife,

15:53She is affects enough of her.

15:53When one of the work there is always...

15:56Is it like,

15:57For her to all the other,

15:59He is kind of amazing.

16:02He has also such aanchising.

16:05For your father,

16:06She knew that,

16:06Happy not to talk to him?

16:08She turned my dad to take his head but...

16:09And he's tried to take it.

16:10Tell me if you break up and you reverse it.

16:13It's time and you have to stop.

16:15You do not know when you are aware of each other.

16:18You are aware that you are doing opposite to me.

16:19You have a lot of problems.

16:23I've never seen a problem when I am on my own.

16:28I've never seen a problem before.

16:28It's a problem, girl.

16:29But I've never seen the same thing.

16:30But to say that, I don't have to be bothered by my life.

16:32I'm not sure when I am in a toxic relationship.

16:33I have to be worried about my father and my dad.

16:36I have to be worried about society.

16:40I don't want to say anything about my family.

16:42I don't want to say anything about my family.

16:45I don't want to say anything about my family.

16:48One has to walk out, man.

16:50Okay, good.

16:51Benu, sir.

16:52If you look at recent movies,

16:55you don't support any of the industry in the film.

16:58We've seen a lot in the press meet.

17:01But you are also supportive of the film.

17:04Why should you speak about the film with the film?

17:12I don't think of the film.

17:15There was a lot of movies on the street.

17:21The film was 99%.

17:23When I was the middle film,

17:27it would be so hard to say anything about the film.

17:29We started the competition.

17:33The exhibitors were the same as the same cinema.

17:38They were the same as the theater.

17:42That was the same.

17:43The cube was the same as the producer and exhibitors.

17:49It was the same as the extra expenses.

17:51The same as the double route.

17:52It was the same as the big meetings.

17:56It was the same as the other day.

17:57There are many people who have been in the middle cinema, they have paid expenses.

18:03There are three days in a show, they have paid off, they have paid off, they have paid off.

18:07There are many accounts that have been not that many people in the world.

18:13They have made decisions that have been made by a lot of times.

18:17I don't think there's a lot of people who are in college or in office.

18:26Why do you think there's a lot of people who are in college?

18:30I don't think there's a lot of people who are in Tamil Nadu.

18:33I don't think there's a lot of people who are in college or in college.

18:38Yes.

18:40Exhibitors are very expensive.

18:46So there's a lot of people who are in college.

18:49There's a lot of people who are in college.

18:50So there's no idea.

18:56There's space, there's space around for many people.

18:58In that time, there's a lot of people who are in college and a lot of people who make it

19:03more.

19:03The different references that are exhibitors.

19:05I didn't believe that there was a lot of work.

19:08I just said, I'm the best.

19:10I don't know.

19:12The best cinema is to be able to buy anything.

19:17We're all living in a cinema.

19:18Every single day.

19:19The last year of the year.

19:22That's right.

19:23I've seen this time in the collections,

19:26I've seen it in different places.

19:28I've seen this at the same time.

19:33There was a gap in three or four weeks when the cinema was released.

19:37They had two weeks gap.

19:39Yeah.

19:39There were two weekends in the collection.

19:41That's why I just got it.

19:43At night, it wasn't.

19:44It wasn't.

19:45It wasn't.

19:46It wasn't.

19:48It wasn't.

19:50It wasn't.

19:56Avika, can you give the mic, Nandu?

19:59Yes.

20:00Hi, Avika.

20:01First of all, the trailer is very interesting.

20:03It was very interesting.

20:04So, if you choose your roles, you have shown your characterizations different.

20:10So, here we are seeing Vadoo's pair is repeated.

20:14So, we are eagerly waiting for Vadoo also.

20:17I am also waiting.

20:18Vadoo too.

20:19Yes.

20:19Ugly story, but Vadoo too.

20:22So, this character is very strong because we should have an equal reaction.

20:31Absolutely.

20:31That's why we have a lot of force.

20:34If the person is before you, we have a lot of reactions.

20:40So, what was that hooking point for you, Nandu?

20:44So, when he narrated the script to me, the first thing that came to my mind was, are we glorifying

20:55toxicity?

20:56True.

20:57And if that is what it is, I don't want to be a part of it.

21:01That was my question, being very honest.

21:04But when he explained to me every little detail of how it's being portrayed and how raw and

21:10real it is going to be visible to the audience that whatever he is doing according to him

21:15is right, as in his character, and whatever this girl is doing or suffering or whatever her state is, that

21:21is also going to be seen as glorified as the other side of it.

21:26Which gave me the clarity that this is not what I am scared of.

21:31This is something completely different and in the right direction and the right path that we can or we should

21:37show to people.

21:39Second thing that really I liked about this particular character was, that she doesn't talk much.

21:47All my characters that I have done in the past, I have had monologues.

21:51Especially hashtag bro, I was constantly talking in the film.

21:55But here, these were the silences that I had to play with, body language, my eyes.

22:02As an actor, that is very challenging.

22:05And for me, it was that challenge that, can I even do this?

22:11And the character is very matured.

22:12If you see, she's wearing a sari and like a little matured.

22:15And of course, there are flashbacks of the younger version and the happier side and all of it.

22:20And coincidentally, there are these little things that happened on the shoot.

22:25I'll mention one of them.

22:26Whenever we were shooting the sequences where she is suffering or sad, I have lost drastic weight.

22:35My eye bags are visible.

22:37I look weak and like somebody who is tortured.

22:42And when I have shot the happiest phase of the film, the character, I have put on here the happy

22:50fat.

22:51You know, like they call it.

22:53And when I saw the film, I was shocked because this wasn't planned.

22:57This was not that I had thought of, director would have thought of.

23:01But everything, you know, when your intention is right, things fall in place and that is exactly what happened here.

23:06So, before getting into the thing, I was just challenging myself that, let's see how this goes.

23:13Because it's a difficult character, not just for me, but also to support his madness.

23:18For me to be silently reacting to what he's doing and gradually have that graph is difficult for me and

23:27for him.

23:28But after taking up the challenge, I realized that it was very easy.

23:33Because I just, in the moment, felt, what if I am in this situation?

23:39What if this is happening with me?

23:41And it broke my heart.

23:43Honestly, it broke my heart.

23:44There were scenes where you saw in the trailer where he's this close and he blows the smoke on my

23:51face.

23:51Yes.

23:52Very uncomfortable to perform.

23:54I was very upset.

23:56I was just like, let's not do the retakes.

23:58Let's just get rid of it.

24:00As a woman, it was even worse to be a part of something like this in the moment while shooting

24:06it.

24:06But like I said, it is important for people to see it as raw as possible, as direct as possible.

24:12And we tried, we tried really hard to justify the script, justify the characters and justify the greys and blacks

24:21and darkness of his side also.

24:23Which is why he kept saying, right?

24:25That his, this character, you know, is the inspiration from Dar and Bazigar.

24:28Because we got to see that another side of an actor where he is going to be exploring a different

24:35side, which people will see and will be very proud of.

24:37Because I am very proud of this project.

24:39And when it comes to the character, I think I'm lucky that the director has the trust that people will

24:46connect with the feelings that this girl has and will be able to resonate and feel for her.

24:51Even there is a connection.

24:53Balikavadhu lho koda chinnari peli kutru.

24:56Asal, you are not talking about that.

24:58You are not talking about that.

25:00You are not talking about that.

25:00What of maturity, Avika?

25:01But, this trailer choose you, you know, you are talking about this, and you are talking about this, and you

25:06are talking about this.

25:08The performance.

25:09Thank you, Avika.

25:10Thank you, thank you.

25:11Hopefully.

25:11And Anandhukar, congratulations for that award.

25:13Thank you, thank you.

25:23What was your responsibility of choosing your characters?

25:26In terms of, as a social responsibility,

25:34it's very straight on the face.

25:38It's an open thing.

25:46I can't be open about it.

25:50So, the responsibility of the director,

25:55if you do this,

25:56you can't do it.

25:58I have a lot of soft characters.

26:03I have a lot of fun.

26:05Thank you so much, ma'am.

26:08I have a lot of soft comedy.

26:10I have a lot of fun.

26:11And just to add,

26:12you guys have a lot of fun.

26:16Juicy and they also loved it.

26:18I know.

26:18I want to say,

26:19I do want to know,

26:19like a Gen Z or

26:21a Gen Z or

26:21just a youth.

26:22Do you want to know if

26:23Actually,

26:24in terms of a maturity,

26:26they have a lot of matured.

26:35I must say that my husband's father, Milin's father, there was a point in the film where

26:43he was so uncomfortable when the torture is happening or whatever the girl is going through.

26:48Not because I was there, he looks at films as films and he was so uncomfortable that

26:56he was like, okay I'll just get some water, I want that space out and you know that is

27:03the emotion we want audience to feel, we want them to feel that uncomfortable and it worked,

27:07it really worked for the audience, I mean whoever I watched.

27:10And the other part ma'am, I wanted to show it to her, I wanted to show it to her,

27:16but

27:16in this part, focus group shows, there is an actor, there is an actor, I can't take his

27:25name, sorry.

27:26Ahm, I can't call him, he isn't a little star, he just, A, Nala's are an actor.

27:31I called a friend like, what is your brother?

27:34You know you're rooted in this character, I'm going to be rooted in this character, I'm

27:37going to be rooted in that character, I've got a real issue and I doubt not that it's

27:40going to be like a situation like, he's got a real care of the show.

27:44That means I'm going to get to his interview with the entire director, it's going to be

27:50honest, I just wanted to add it, thank you.

27:54Sir, thank you, thank you.

27:57In general, I want you to get a promotion for a month.

28:04Thank you so much.

28:06But, you missed the IPL.

28:09So, why do you support your team now?

28:15Sunrisers.

28:16Sunrisers came.

28:19Orange army.

28:20Orange army, man.

28:21Last year, my favorite is Virat Kohli.

28:24That's why I followed him in social media.

28:26Last year, after 18 years, the site was satisfied.

28:32Now, it's high time.

28:33Sunrisers.

28:33Orange army.

28:34Go orange.

28:35This year, you missed me anchoring.

28:37No, I didn't.

28:39I wanted to get into the industry.

28:43That's why I wanted to support my financials.

28:47I wanted to support my financials.

28:49They are very small branches.

28:50It's very small.

28:51I'm not saying it's the main branch.

28:53It's very small.

28:54Every at the main branch, I did not think I did a lot of things.

28:58I was on Science Net.

29:01It's not going to be done.

29:01In parallel, in 3 movies, there was a shooting.

29:04Touch wood.

29:04God's grace, our audience's blessings are all done.

29:08That's why there is a gap in one day.

29:10There are promotions too.

29:12Now I'm shooting at 2-2.30 now.

29:17That's why we have a lot of promotions.

29:19That's why we don't have a lot of life.

29:23But I miss it.

29:24I love that. Thank you.

29:26Hi, sir.

29:28I'm interested in this movie.

29:30Recently, Usharupittal...

29:35My last film is Roti Kapila Romance.

29:37Usharupittal's film is a support.

29:41So now, what's your point to connect to this movie?

29:46That's why I think it's true.

29:47I've seen a trailer and I've seen a movie.

29:50I've seen a trailer and I've seen an acting villain.

29:54I've seen a lot of it internally.

29:56I've seen a girlfriend as a girlfriend.

29:59It's just that I'm sure I'm going to get into all the scenes.

30:03I don't see any other factors.

30:05But then, I don't know what I'm going to say about this movie.

30:06Definitely, that's why it's a matter.

30:09It's definitely a matter of you.

30:10You have to find a girl, who's a girl, who knows a girl.

30:12I've seen a girl that's a girl.

30:14You've seen a girl who's a boy..

30:19She's just in her connection.

30:23There's no place to it.

30:26Definitely, this is what I'm trying to make.

30:29They are also one time.

30:31They are also one time.

30:32They are all one of us, they are also one time.

30:36They are all one of us, they are all one of us.

30:41The screenplay is very interesting, making, performance, everything.

30:47Standout performance definitely is very popular.

30:50Everyone is interested in the theatre.

30:53We have a large promotion, we have a lot of oppositions, IPL, etc.

30:59But we have a lot of space.

31:00We have a lot of support and we have a lot of support.

31:04Nandugar?

31:06Sir.

31:07Sir.

31:08Sir.

31:13Sir.

31:16Sir.

31:16I have a lot of support that is not an Arjun Reddy and Girlfriend.

31:22I think you are a lot of support for Arjun Reddy and after marriage.

31:29Sir.

31:31I think your friend is not an Arjun Reddy and after marriage, even in the movie.

31:43Sir.

31:44You are not an Arjun Reddy and after marriage.

31:46Actually, I think that you are not a long time to see the movie.

31:46My problem is that I have a height, a color, and I have a problem.

31:52Actually, the basic problem is that I have a height, a six pack, and I have a six pack.

31:59I have to choose my own time, and I have to talk about it.

32:03But I have to say that I have to connect with my own time.

32:10I have to say that I have to connect with my own time.

32:13What about making?

32:16Yes, it is.

32:18I have to do it for the gray characters.

32:24I have to do it for the filters.

32:28Sir, I have to say that the ticket rates are very problematic.

32:33I have seen a lot of people who have seen the film,

32:38but I have seen a lot of people who have seen the film and have seen the film.

32:44I have to say that the ticket rates are very important.

32:45If you have a ticket rate,

32:47the government has to do it in the same way.

32:51If you have a ticket rate,

32:52A particular producer or distributor,

32:55the producer has to do it in the same way.

32:56I have to say that the filmmakers have seen the film,

32:59so I have seen the film in the same way.

33:01You can't see the movies in the same way.

33:06I have to do it in the same way.

33:07I know it's true because I feel the freedom is,

33:10because of these other filmmakers,

33:13they've seen the movies in the same way.

33:14I haven't seen the film in the same way.

33:18I am to try to see the film,

33:19there are many documentaries that come during the same time.

33:21There are so many documentaries.

33:22What we want to do is I try to try to do it in the same way.

33:25So you need to try to learn the film.

33:27So, here in the cube system, there are many people who have made their own knowledge in the industry.

33:35I have a question.

33:40I have a question.

33:41There is a question, so everyone is suffering.

33:44Everyone has a situation where they are being in a new home.

33:49Everyone has a relationship with their relationship, they have a relationship with them.

33:52It's a big problem for everyone to support the cinema.

33:58Every week, the cinema is released.

33:59If you don't have any time to fight, you can't fight.

34:05If you don't have any time to eat, you can't eat.

34:08Definitely, it's a big problem.

34:10Chivari, two questions.

34:12Abhikagaru.

34:14Basically, ladies-oriented cinema.

34:17Ladies point of view is that the cinema is going to be a theater.

34:22There are a lot of people.

34:22So, what do you think?

34:24Directors are a lot of women-oriented movies.

34:28But people think they don't want to be a theater or a theater.

34:32So, what do you think?

34:33I understand, right?

34:35One more.

34:37Female-oriented?

34:39Correct.

34:46So, firstly, we as women,

34:52we have already too many things going on in life where we feel, what will a movie teach us?

34:59What can a movie do to our lives?

35:01How do we...

35:02Like, what's the point?

35:03Like, we already give up too soon.

35:07And that should be also a thought that we should ask ourselves that maybe the teaser says this, the trailer,

35:14there's something which is maybe the reality of maybe my life or somebody that I know her life.

35:19Can I do something by just watching it?

35:22Can I learn something?

35:23Can I just support this idea?

35:25And I think being more aware of what the subject is and what the movie ultimately is going to tell

35:33you as a message or just as for entertainment.

35:37That is something they need to know, which right now is not happening, that awareness is a little less.

35:41And I think you can call it blame or the credit.

35:44It also goes to the makers, right?

35:46Because when we are promoting, we do a lot of things like random rapid fires.

35:50We do a lot of things like we are talking about what's going on in my married life.

35:54We are talking about a lot.

35:55But when we talk about the movie, when we talk about what it has to offer to the audience is

36:00when they will feel the need to go watch it.

36:02And I think that is what we are trying to do in whatever capacity we can, whatever we know, that

36:09at least few steps come into the theatre, they watch it, and then they can decide if it is for

36:16them or if it's not.

36:18And that also, especially when it comes to the female-centric films and all of this, I think I have

36:26been very lucky.

36:29Honestly, all my films from 1920 to Bloody Ishq to all of these films in Hindi that I did, I

36:36was not expecting anything because female-centric films, honestly, here, they will still work because women like the idea of

36:43going to the theatre to experience it.

36:45I was not expecting anything in Hindi and it was my beginning there, so I was like, I'm not sure.

36:51I have been lucky there, people wanted to see, they did, and you know, it was success.

36:57So I believe that every actor has that film or phase in life where audiences do feel connected to them

37:06and whatever they do, they will want to watch.

37:10And sincerely very thankful to a lot of my audiences who have stayed with me since 2008 that I started

37:16working.

37:17So I haven't faced this, but what you are trying to say, I completely get.

37:22And why not? Let me be honest.

37:24I also haven't watched a lot of films spending my time going to the theatres and supporting that.

37:29Because I felt it's okay, maybe someday when it comes on OTT, I'll just watch it.

37:33But thank you for asking me this to make me realize how I can do better here on.

37:37And I think I, it helps a lot more women.

37:41I try.

37:42Nanduji.

37:43Nanduji.

37:44Nanduji.

37:45Nanduji.

37:47Nanduji.

38:00Nanduji.

38:09Nanduji.

38:10Nanduji.

38:11Nanduji.

38:12Nanduji.

38:13Nanduji.

38:14Nanduji.

38:15Nanduji.

38:16Nanduji.

38:17Nanduji.

38:18Nanduji.

38:19Nanduji.

38:21Nanduji.

38:22Nanduji.

38:24Nanduji.

38:26Nanduji.

38:27Nanduji.

38:30Nanduji.

38:30Sir, what are you talking about?

38:32What? What are you talking about?

38:33You're talking about choosing a choser.

38:36What?

38:37What?

38:37What is this?

38:38This is the promotion.

38:40What is this?

38:41What is this?

38:42What is this?

38:44Okay, sir, joke's apart, but thank you for asking that question, sir.

38:50I don't think it's a general question.

38:54My name is...

39:00Heat ledger.

39:01Heat ledger.

39:02He's like,

39:03Hey, you're going to carry a character,

39:05you're going to lock a door, you're going to lock a door.

39:06I don't think it's an action.

39:08It's not a stage play.

39:10You have to be in the character throughout the one and a half hour.

39:14It's not a five seconds.

39:15For example, a two-minute scene,

39:17two minutes, sir, cut.

39:18After that, the lighting is done.

39:20I don't know what I mean.

39:23It's genuinely.

39:23I don't know what I mean.

39:26I'm very honest, sir.

39:28After I shoot the first day,

39:31I'll do something to do.

39:34I still remember, sir, I want to say this one thing.

39:36Day one, my first shot started.

39:38My side and side, my D.O.P team,

39:42my lightmen,

39:43my sound,

39:45my boom,

39:46our sound team,

39:47our art team,

39:48our food team,

39:50of course,

39:51director and direction team.

39:53I'll tell you, sir.

39:54I'll tell you, sir.

39:55This is my cinema.

39:56There's no characterisation.

39:58If you're doing a short shot,

40:01I'll tell you,

40:02I'll tell you,

40:03I'll tell you,

40:06I'll tell you,

40:08I'll tell you,

40:11I'll tell you,

40:12I'll tell you,

40:12I'll tell you one more hero.

40:15I'll tell you,

40:16I'll tell you.

40:16Day one,

40:16there's a video.

40:19Yeah, there's a video.

40:20I'll tell you.

40:22I'll tell you, sir.

40:36The mindset

40:36after this change comes to mean

40:38that things experience.

40:43I'll tell you,

40:44my Carthic,

40:46I'll tell you what's going on.

40:48I'll tell you,

40:48the silence is brilliant.

40:50They've sounded like

40:50five minutes,

40:52ten minutes.

40:53It doesn't have to be the secret room.

40:55There's a scene here where I live.

40:57See yourself.

40:58See yourself.

40:59See yourself.

41:02See yourself.

41:04See yourself.

41:04They were so good and I felt like a feeling, like I was ready.

41:10I felt like I was ready.

41:12I felt like I was ready and I felt like a little more.

41:16I felt like I felt like I was ready to do something.

41:19But I felt like the scene was shot and I wanted to feel that.

41:28I think that's a good thing.

41:29Everyone is saying that I feel like I'm not going to be a good person.

41:34I'm saying that I'm very honest.

41:35I'm not going to be a good person.

41:37But I have a sincere effort.

41:39If you're a particular schedule,

41:41the director,

41:42Bro, you're talking about Geetha or what to say?

41:44You're talking about Geetha.

41:46I'm talking about Geetha.

41:49I'm talking about Geetha.

41:50I'm talking about Geetha and I'm talking about Geetha.

41:54I've been speaking here currently,

41:59the gameplay� of Geetha is telling for me to let show you a couple.

42:12I have hung up with youprise.

42:13I'm told you see you're not going to see blame at all.

42:14Geetha made sure thatλ would be a good movie and play.

42:18Sure, dude.

42:18Especially on the screen,

42:19I am telling you all about this schedule,

42:22Geeta did not make sure that I was acting,

42:25and said, hey Geeta where are you,

42:27why??

42:27While I was doing something, sir,

42:29but just then....

42:30he was auditioning in the room,

42:33wasn't that...

42:34I am acting as a theatre...

42:36my head space is very heavy,

42:38he is champagne,

42:40and especially he is still doing a break,

42:41and he is giving him a hard time,

42:44and i am going to teach you with the 3 hours,

42:45It's time to do it, you can't do it.

42:48So, you can't have the camera at home.

42:50I don't have space in the room.

42:53I'm going to sit down and take a bath.

42:55I can't choose anything but that's what we can do.

42:57That's how it works.

42:58I have some schedules and I'm going to have a normal schedule.

43:00I don't know if people are going to have a problem,

43:03but I've got the effort to be genuinely honest.

43:06Ravi, character, sir.

43:08Nanduga.

43:09Nanduga.

43:10Sir.

43:12Psychicistaradhi is a different type of psychic character.

43:14but there is entertainment, there is an emotional ride, a psychotic kind of character.

43:18So, in the start of the trailer, there is a different expression and sound.

43:23So, you can explore the character and explore the character.

43:28So, what was your challenge for the character, what was your typical expression?

43:34That particular bomb scene, right?

43:36Because of that, there is a scene in time.

43:39It is edited here, it is a single shot in the cinema.

43:41So, when you open it, there is a bomb reveal in the trailer.

43:45In the middle of the trailer, there is a bomb reveal in the trailer.

43:46I mean, it is a hero or a hero.

43:48When you open it, there is a feel out and there is a hero.

43:53There is a bomb reveal.

43:54There is a bomb, there is a bomb.

43:56There is a lot of length.

43:58In that particular scene, I genuinely took the time to prepare.

44:01I did the lighting, I did the power gun,

44:04I did the emotion,

44:07I did the bomb,

44:08I did the power gun.

44:09I did the power gun.

44:14I did the power gun.

44:15I was trying to make it so much.

44:16There is a lot of sense for me to do it.

44:16So, after the action, I didn't have the expression in the trailer.

44:20I did the camera, I didn't have the expression in the trailer.

44:30I didn't have the frustration in the trailer.

44:33I didn't have the feeling.

44:36I did the feel out.

44:38You are making a photo of Karthik.

44:40You are making a photo of Karthik.

44:45It is not a photo of Karthik.

44:46It is not a photo of Karthik.

45:06There is no one.

45:06second half lost and they are the leader of the second half and they are the leader of the

45:10second half and they are the leader of the childhood episode.

45:13Mikita is 22 years old.

45:15Mikita is yes sir.

45:16You are here.

45:17Geetha Garkin is an event.

45:18No.

45:19No.

45:21Sir, tell us sir.

45:23Sir, tell us sir.

45:24Michael Aurigan sir.

45:27After this subject, when you came to your family,

45:31there was a lot of reaction.

45:32We could not have this idea.

45:36My wife told me that she would say,

45:41if you want to keep a good guy with a soft guy,

45:46we would not like to have that idea,

45:48and we would not like to have a good guy in society.

45:50If we could have a good guy and he would like to have a good guy,

45:52I would like to have a good guy.

45:53Thank you everyone.

45:56Everyone, and that's, Sai is not a matter of talking about it, but he is a director of the associate

46:02cameraman in the industry.

46:07He is a young guy, he is a young guy, he is a young guy. He is a particular color

46:12palette, he is a director.

46:14That's 100% and he is a great actor. Thank you, Sai.

46:19And Uday and Chatur, our sound designer Syke Siddhartha debut.

46:23Film students, all the youngsters, thank you so much Uday and Chatur, love you.

46:27And my editor, Mithun Garu and our director, Vittal Garu and the music director, Sevan Bharadwaj Garu.

46:31And my direction department, the dangerous, ugly direction department.

46:34Thank you all, everyone. And Pranavro, thank you for choosing me and trusting me. I love you. Thank you.

46:39Thank you to the press. Open heart, talk to you, twenty-second MENA.

46:44Do support you.

46:45I love you. Thank you. Thank you. Thank you. Thank you. Thank you so much.

47:15Thank you so much for your questions. Thank you for your support. And twenty seconds, save the date.

47:19So,

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