- 2 days ago
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Category
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Short filmTranscript
00:20We got comfortable enough now psychologically game-headed I'm serious
00:29Yes, helps me not
00:30I think you have a police station or a man in the police station
00:32I don't know
00:34You are a kid
00:36The beautiful concept of a beautiful cinema is a beautiful concept
00:40That's my cinema
00:41Sir, the cinema is a huge fan of the film
00:44Who is your entry and approach to this film?
00:49I'm a good one
00:50When I first approach, I don't know how to do it
00:54I don't know how to do it
00:55The film is the end of the movie, see your villain character, and you can see it as a kind.
01:02And the movie is the end of the movie.
01:05But you are all happy.
01:08And you can see it as well.
01:10You can see it as well.
01:11You can see it as well.
01:12You can see it as well.
01:12The movie has come from the movie, you can see it as well.
01:16I'm playing a movie as well.
01:21Yes, that's why I actually prefer the cinema because
01:25it's a beautiful concept for a small cinema.
01:29That's my cinema.
01:30And sincerity, timings, except this fellow, timings...
01:37That's why I'm a celebrity.
01:43One of the reasons for the cinema is that
01:47Sumanth, you're famous choos.
01:49Choos are very good, and very good, and very good creativity.
01:54And I also heard that
01:56I didn't know the script that I was able to do.
01:58So, I didn't know what to do with that.
02:01So, that's why I wanted to do it.
02:02I wanted to do it very good.
02:04I'm excited because I'm excited.
02:10But I feel excited about the film.
02:11For me, I feel like I'm excited.
02:13And the producers are saying that Sunil Nara is a producer.
02:18It's a lot of producers, my friends who have been doing it.
02:22And it's a lot of producers.
02:23It's not a film, but it's not a film.
02:26It's a huge film.
02:29Sir, regularly, I don't know if I'm going to talk to you.
02:33I don't know if I'm going to talk to you.
02:35I don't know if I'm going to talk to you.
02:36I'm going to talk to you.
02:38I'm going to talk to you.
02:42I'm going to talk to you.
02:43I don't know if I'm going to talk to you, but I'm going to talk to you.
02:45Yes.
02:46Peter said,
02:47A few hours?
02:49Three hours.
02:50Three hours.
02:51Three hours?
02:52Three hours?
02:53Sir, tell me about half an hour.
02:55Half an hour.
02:56I have a little technique.
02:58Sir, tell me?
03:01Tell me.
03:02I think it's very simple.
03:05Sir, you can talk to Sir's daughter.
03:08Can you tell me anything?
03:10Sir Kelly, you said,
03:12Sir, this is a one line in the story.
03:14Father and daughter's love story.
03:16That's how you fix it.
03:18That's how you fix it.
03:19You're touching it.
03:21I'm touching it.
03:23I'm touching it.
03:24I'm touching it.
03:25I'm touching it.
03:26I'm going to explain it.
03:28What time is it?
03:31What time is it?
03:32Sir, I said,
03:33Sir, I'm late.
03:35It's not too late.
03:36It's two hours in the month,
03:37two hours in the month.
03:38I'm going to explain it.
03:40I'm done.
03:41I said,
03:42I'm going to explain it.
03:43It's not a four hours in the month, sir.
03:45Yes.
03:46But I think it's not all about you.
03:49No, sir.
03:50I'm not talking about you.
03:51I'm watching the video,
03:53I don't feel a bad thing.
03:54I'm watching the video,
03:55Sir, I'm looking at it.
03:57I'm telling you about the screenplay.
03:59I'll show you the link.
04:01That's how I started.
04:02I'm going to turn it.
04:03Why did you start the video?
04:04You didn't finish the video.
04:05If I'm going to die, I'll go there.
04:06I'm going to explain the details.
04:09I'll tell you what I'm going to tell you.
04:11I can see a few more things.
04:12One, two, three, four.
04:14I'll start the day.
04:15I'll explain it.
04:16It's all.
04:18I'm talking about the first line.
04:20What I'm talking about is the next line.
04:22To tell the story of the sir,
04:24Sir, I'll explain the story.
04:27I'll explain it.
04:27Only sir, you can tell the story.
04:31Sir, they're all clear.
04:33Even though they're the old man,
04:33they're all clear.
04:34But I thought, what's going on?
04:37I was talking about this story when you're going to talk about the narrative style.
04:46Now, sir, I'm starting to start, sir.
04:49What's going on?
04:50What's going on?
04:52That's how it started.
04:53You guys have to do a narrative style.
04:55You guys have to plan yourself.
04:58You guys have to do a narrative style.
05:00If you look at that, no one isn't a match.
05:03We have all our questions.
05:05Okay.
05:06I'm telling you that you will have 10 minutes to get a picture of the family,
05:13I'm telling you,
05:13if you go to 10 minutes and they're not really searching for the family.
05:14I'm telling you how to try it.
05:16Sir, what is it?
05:17I'm telling you, sir.
05:18I'm telling you, sir.
05:20I'm telling you,
05:21I'm telling you the president's office.
05:26I'm telling you,
05:28I'm telling you,
05:29I'm telling you,
05:31He said,
05:35President Sir,
05:39Chakka,
05:40Bondan Sir.
05:42He said,
05:43President Sir, Bondan Sir,
05:46Bondan Sir.
05:47He said,
05:48He said,
05:49He said,
05:49He said,
05:49It's so cool.
05:50A guy is the guy.
05:52He said,
05:57You're a lover boy.
06:01You're a lover boy.
06:05You're a lover boy.
06:07I'm a lover boy.
06:07You're a lover boy.
06:09He said,
06:12Its the only story.
06:15Tell me.
06:16I'm doing this.
06:21You've got a great story, sir.
06:23It's been a long story, sir.
06:26Now, we're all the friends in cinema, and we have all the brothers and sisters.
06:30Who is the one who is the one who is the one who is the one who is the one
06:32who is the one who is the one who is the one who is.
06:32We all are so close friends.
06:36If you talk to us in a speech and tell us about the other people,
06:39we're going to have to take a picture,
06:39if we take a picture, we'll have a picture with you,
06:43we'll have a picture with you and a billi,
06:45so we'll have a picture with you.
06:47Only friends.
06:49This character is, Sir.
06:51He's going to be a girl in the cinema,
06:52and he's going to be a girl.
06:54Including Nidhi Toshaha.
06:56And then,
06:57the guy is the last girl.
06:58He's going to be a girl.
06:59Sir,
07:00also,
07:00the guy is the English.
07:03He's my real friend.
07:05No, no.
07:06How many are these promotions?
07:08I'm always famous for that.
07:11He didn't even promote.
07:14The film started in May 8th.
07:17He didn't say that.
07:19He's not going to say that.
07:21He's not going to say that.
07:22He's going to play a play at that point.
07:23I'm going to play a play at this point.
07:28He's going to play a play.
07:30I think this card is going to play.
07:35I'm not going to be a summer.
07:38I'm going to go in the summer.
07:39I'm going to go in the summer.
07:39So, this is summer.
07:40This is a summer film.
07:43I'm going to go in the summer.
07:45What is the promotion of the summer?
07:46In the cinema? Imagine a cool ring.
07:49There's no dermical powder.
07:51I'm going to go in the product.
07:52So, I'm going to go in the ad and shoot.
07:56I'm going to go in the industry and go in the eye.
07:59I feel it.
08:00I'm a great writer.
08:02Super good.
08:03I'm doing commercial ads.
08:06No one does.
08:08I don't know the first of all.
08:09I don't know the cinema ads.
08:10I'm going to go in the cut.
08:12I don't want to go in the ad.
08:14I'm going to go in the cab.
08:16I'm going to go in the wrong direction.
08:20I'm going to go straight away.
08:22You're going to go in the eye ball.
08:24I'm going to go in the trailer.
08:28I'm going to go in the trailer.
08:29I'm going to go in the trailer.
08:31I'm going to go in the trailer.
08:33I'm going to go in the trailer.
08:34He's a lovable guy.
08:36Very sweet and more than that.
08:39Energy levels are very good.
08:41Creative levels are very good.
08:43And if you don't like it,
08:45you don't like it.
08:46You don't like it.
08:47You don't like it.
08:49You'll make a very good director also.
08:51He'll be an actor.
08:53I'll be able to see my future.
08:55I'll be able to see my future.
08:56I like people with so much energy and creativity.
09:00You're going to go in the cinema.
09:02You're going to go in the cinema.
09:04Why do you want to make a remake of the cinema?
09:06I don't like it.
09:08I don't like it.
09:09I don't like it.
09:10I don't like it.
09:11I don't like it.
09:12The name is Chatusan Chilakut.
09:16How are you?
09:17You're going to go in on the cinema.
09:19I swear to them.
09:22Sir, this is how heилл что-то,
09:24So we're going to play the show at the event.
09:24We're going to play it.
09:26We're going to play it.
09:28You are pretty serious.
09:30You're in the hall.
09:32You're going to play a portrait.
09:34I am going to play it.
09:36You're going to play it.
09:37He is still driving.
09:38I am very excited, sir.
09:41Yes, I am.
09:44Oh, my God, you don't like that.
09:49Are you ready?
09:50I am going to play.
09:51I am going to play.
09:51What is it?
09:51He is.
09:54I am going to play.
09:57I am going to play in a game.
10:00I am going to play in a game.
10:00I am going to play in a game.
10:03No.
10:03No, no.
10:04I am going to play.
10:06I am going to play.
10:07Lovebusters is a sequel to the film.
10:10That's right.
10:10That character is super.
10:12Sir, anyway, I am talking about it.
10:14I am a director of Day One, sir.
10:17I am a director of this, sir.
10:19Do you feel like you are a director of this?
10:21The man is soft, smooth and smooth.
10:25He can do it smoothly.
10:27He can also do it.
10:28He can do it.
10:30Actually, he is in the final.
10:32He can do it.
10:36He can do it.
10:37He can do it.
10:38He can do it.
10:40That's the good thing.
10:41Sir, what are you talking about?
10:43I am talking about it.
10:45I am talking about it.
10:47I am talking about it.
10:48Who is the hero?
10:51He is a man.
10:54He is a man.
10:55He is a man.
10:56He is a man.
10:57He can do it.
10:58This is not a man.
10:59I am talking about his image.
11:02He is making a photo.
11:08Why?
11:09That's so cool.
11:10I am talking about it.
11:12I am talking about it.
11:16It is not a man, sir.
11:16But, I am talking about it.
11:17He is getting a photo.
11:18He is reflecting on investigation.
11:22He is a man.
11:23He is a man.
11:23A man is teaching him in the winter.
11:25Do you want to get the job I want to get to the job?
11:28I want to get my wife in my pocket.
11:30Is she a mother?
11:31I am going to get her.
11:32She's a stage meet.
11:33She's a character.
11:34She's a character.
11:36She's a character.
11:36I am a young man.
11:38How is she?
11:39How will you get to know her?
11:41I want to know her.
11:42I have a young woman.
11:44She'll get to the stage meet.
11:45I'm going to see her stand.
11:48Come on.
11:49Come on.
11:50Alright, Mom.
11:52Come on.
11:53Can you take a photo in your pocket in your pocket?
11:56Sir.
11:57Take a look.
11:59You're so cute.
12:01You're so cute.
12:02Sir, you're so cute.
12:04Why are you so cute?
12:05You're so cute.
12:06Sir.
12:07You have to be sorry.
12:11You have to be sorry.
12:13I don't know why.
12:15Because we know what is what.
12:16It's not viral on YouTube, sir.
12:19Actually, it's one trabas having a hero in a photo in his pocket.
12:21I don't know.
12:23Girlfriend photo is possible.
12:27Yes.
12:28I don't care.
12:31Hey, sir. Super hard working.
12:33Why do you have a crush on each other?
12:35No, sir.
12:36No, sir.
12:37So, sir.
12:38Why do you have a crush on each other, sir?
12:40Why are you, sir?
12:42Why do you have a crush on each other?
12:42Why do you have a crush on each other?
12:44You have to ask a level question.
12:48No, sir.
12:48It's obvious that we have a crush on each other,
12:50but we all do acting.
12:52We all do acting.
12:53We all do hard work.
12:54Don't worry.
12:57No, not Puhshwa.
12:57Also, you don't know anything.
12:59Who is your crush?
12:59Yes.
12:59We were watching every time.
13:03Why do you have a crush on each other?
13:05We have a crush on each other.
13:07We don't believe that you will have a crush on each other, sir.
13:10I like to ask a guy, sir.
13:12You're like to tell him so, just.
13:16No, he will dance through the songs like anything.
13:18Yeah.
13:18I have no idea.
13:19The music is so famous.
13:24Where are you?
13:25Yeah.
13:26It is so famous.
13:27I am a kid.
13:29I am a kid.
13:30I am a kid.
13:31I am a kid.
13:32I am a kid.
13:33How do you do this?
13:33You get the word for that?
13:37We don't have time to test.
13:41I don't want to test.
13:44Type teacher.
13:45That's it.
13:46Daily life, that's it.
13:48I'm going to show you what I'm going to show you.
13:53I feel there is a trailer.
13:55I think it has become viral also.
13:58What is it?
13:59Positive. 100% positive.
14:02There are many songs.
14:04There are many titles.
14:05There are many titles.
14:06I'm going to show you.
14:08I'm going to show you.
14:09Sir, I'm going to show you.
14:10I'm going to show you.
14:12Sir, do you have a blusher?
14:13No.
14:15It's pink.
14:17I think I'm going to show you.
14:18He's a fan.
14:21Look at her cheeks, sir.
14:23Sir, how was it working with that?
14:24Renu, sir.
14:27Remember Renu?
14:29How was it working with Mahalakshmi's character?
14:31Why did you call that?
14:33I just thought of that.
14:35I don't want to talk about that.
14:36I don't want to talk about that.
14:39He's not an intelligent guy.
14:41An intelligent guy.
14:41All of us!
14:42I love that all.
14:43He's a good guy.
14:44He's a intelligent guy.
14:44He's a intelligent guy.
14:44He's a intelligent guy.
14:45And he's a smart guy.
14:47You see him?
14:48He told me to be a intelligent guy.
14:49He's a great guy.
14:50I asked him.
14:54When you talk about that man.
14:58We didn't like him before?
15:07Hmm, Sir.
15:08That's true, Sir.
15:10Thank you, Sir. Thank you so much.
15:11And I said, Sir.
15:13I will tell you, Sir, that's true.
15:15No, no.
15:16No, no.
15:17You have to try and try and try and try and try.
15:20Let's get up.
15:21It's a boost, Sir.
15:23A lot of encouragement.
15:24No, no. I mean it.
15:25Whatever I said.
15:26Whatever I say – I mean
15:28Thitna.
15:28Sir, one incident,
15:30in the first day of the shoot,
15:32you see the same thing on the first time?
15:33In the shoot,
15:35you see the same thing on the first time.
15:36So I intentionally kept it because it is organic.
15:40Yes, sir. Exactly.
15:42First time, I was a kid to go to the school.
15:45That's where I feel that feeling is.
15:47You know about him.
15:49He is a kid.
15:50He is a kid.
15:51You are a kid.
15:51You are a kid who is a kid.
15:53You are a kid who is a kid.
15:54You are a kid who is a kid who is a kid.
16:01Like a kid who is a kid.
16:03He is a kid who is a kid who is a kid.
16:03He is a kid who is a kid who is a kid who is a kid.
16:08We just found him.
16:09When I first saw him, he was a kid who was a kid.
16:12He was a kid who was a kid who was a kid who was a kid.
16:15He was a kid who was a kid who was a kid.
16:18That's what he told me.
16:20He said, what is that?
16:22Sir, only now I can act.
16:23He is a character.
16:25Because I also thought so.
16:26He is not acting.
16:27Yeah.
16:28He is acting.
16:29I told him I was nervous.
16:31So I said, why should he be nervous?
16:33Do you have any encouragement?
16:35Do you have any encouragement?
16:37That's the first feeling.
16:39He doesn't care.
16:40Which is a good thing.
16:42See, it's a good performance.
16:44Sir.
16:46I didn't know what to do.
16:47That's the one.
16:48The second film is the second film.
16:51I didn't know what to do.
16:52I didn't know what to do.
16:53Sir.
16:53It's not the first film.
16:54Sir.
16:55It's not the original film.
16:56But I thought he was doing a very natural performance.
16:59Sir.
17:00I was doing a good artist.
17:02Sir.
17:03It's the same, sir.
17:04Likewise.
17:04I have a same feeling, sir.
17:06You're famous, sir.
17:08When you're a friend, you have to do some emotions.
17:09You have to do some emotions.
17:13You have to do some things.
17:15I am so sorry.
17:16I am so sorry.
17:17I am so sorry.
17:19I am so sorry.
17:21So someone who has had some sad face pattern.
17:24You have to do some things.
17:26So I am so sorry.
17:26I don't appreciate it.
17:27I am so sorry.
17:28You're a tired night.
17:28You're afraid to go on for a night.
17:32Now I'll go.
17:34Yes, now you are up and down.
17:34But now you are still at night.
17:36You're still still at night.
17:37I will turn out now.
17:37No.
17:40In my destruct.
17:41You are so sorry.
17:41Good, sir.
17:42Bye bye bye, sir.
17:45So, what is the first time you are doing, sir?
17:48It is more like very natural. Very natural.
17:53Because it is the first day.
17:55It helped the film. Because it is one of the iconic scenes in the film.
17:58Thank you for both of you.
18:00How long is that?
18:01Sir.
18:03Obviously.
18:04I don't have to worry about it.
18:06I don't have to worry about it.
18:08Sir, what are you doing, sir?
18:09Sir, what is the love story?
18:11Half-screen answer.
18:12Both.
18:14Both.
18:15Both.
18:15Even more, you can't go to the cinema.
18:18You don't have to worry about it, sir.
18:19On-screen.
18:21You don't have to worry about it.
18:23You are talking about me.
18:26You are talking about both of you.
18:28You are talking about both of you.
18:29You are talking about both of you.
18:31How did you tell us about your story?
18:34Sir, I told you.
18:35The director has been sent to me.
18:39Do you think you are a fake movie?
18:42Are you talking about the odds of the other ones?
18:43Not really.
18:44I don't have to worry about it.
18:45There are all three men who were told.
18:48Think about it, sir.
18:50They told me you were going to action.
18:52You were talking about it.
18:53Do you know what I'm talking about?
19:04I don't know.
19:06What kind of drama was the worst.
19:08Sir.
19:09You made Nidin.
19:10Very good.
19:11I don't know how to do Nidin.
19:14You made Nidin.
19:16Hey, tell me.
19:16Sir, I don't know.
19:20But you might do something to Laila.
19:22No, he doesn't.
19:23Where's the car?
19:25Where's the car?
19:26Where's Nidin?
19:28Nidin.
19:29Where's Nidin?
19:29Sir, I'm Nidin.
19:30Sir, I'm Nidin.
19:37How's Nidin?
19:38No, I can't do anything.
19:40Why, you're not a man.
19:43You're not a man.
19:45No, no.
19:45Where's Nidin?
19:47I don't know.
19:48No, he's not a man.
19:50When you're in Hitler,
19:52you're in the war.
19:55I said, yes, man.
19:58What do you think?
19:59Why do you think the name is Nidin?
20:00Yes, I think.
20:02You're just a man.
20:04It's a man.
20:06Why are you doing this?
20:08I am enjoying the conversation, sir.
20:11No, no, you have to speak.
20:12Okay, you will be a favourite actor in the team.
20:14Do you want to talk about it?
20:15No, sir.
20:18No, no, sir knows you, being father of you.
20:20But you are my favourite, sir.
20:21At the actor.
20:23You are acting in me all the time.
20:26That's right.
20:28Sir, she is like my very good sister, sir.
20:31And I...
20:32You are my sister too.
20:34Sir, you are acting in me all the time.
20:36No, you are not.
20:38No, I am sorry darling.
20:40My darling.
20:42Sir, I am telling you,
20:43I am telling you, sir.
20:45I am telling you,
20:46I am telling you.
20:47Yes, sir.
20:51I am telling you, sir.
20:54I am telling you,
20:57Sir, this is your first film in Telugu.
21:01And working with such great performers, actors.
21:05So, she was very, very tense before meeting you.
21:08So, you asked on the first day.
21:10Like, so bring my daughter,
21:11so that I want to talk to her.
21:13So, she was very nervous.
21:15And the first thing,
21:18when he saw you, when he met you,
21:19after coming out,
21:20I thought she will say something else.
21:22But she said,
21:23Sir is looking so gorgeous even today.
21:26Sir is so handsome.
21:28So, that's her expressions.
21:30Yes, sir.
21:31Yes, sir.
21:32Yes, sir.
21:34I was very curious.
21:35Like, because you said,
21:36you don't use any products for your skin.
21:37You are just very natural.
21:39So, like,
21:39how do you protect from mosquitoes and all that on set?
21:42You don't use almost nothing.
21:43You don't use any of that?
21:44No.
21:44So, how would you take care of your skin?
21:45No.
21:47So, how would you take care of your skin?
21:48Jeans.
21:48Yes.
21:49Actually, yes sir.
21:50Hair, too.
21:51A lot of people think that celebrity is an accident.
21:53You don't wear a mask,
21:55you don't wear a mask.
21:57So,
21:58I was lucky,
21:59that's a good thing.
22:00But, anyway,
22:02it's not a good thing.
22:03The language,
22:04the language,
22:05the language,
22:05the language,
22:06the language.
22:07How do you do it?
22:09How do you do it?
22:11Yes.
22:11How do you do it?
22:12How do you do it?
22:14How do you do it?
22:15Before you do it,
22:16the language is better.
22:17That is right.
22:18What is your reaction?
22:22Being so common,
22:22there is a lot of tension
22:22happening.
22:23What is your reaction?
22:26How do you do it?
22:27I already guessed.
22:28When the first time I was
22:29I was raised to you,
22:30I was raised to you,
22:30and I was raised.
22:31I didn't like it.
22:31Not a little bit.
22:33But,
22:34I asked me a imamu ngut,
22:36I asked you,
22:37I was ate your reaction?
22:39He is great.
22:40Come on and get that, sir.
22:42That was nervous.
22:43There's no other way.
22:44I don't know.
22:45I don't know.
22:49It's a little bit of effect.
22:51It's a little bit of extra.
22:54Did you feel like that, Brinad?
22:57You feel like you were restricted?
22:59You have an aura. You know that.
23:00I don't know that.
23:01No, you should know that.
23:03I can normally understand Telbu.
23:04Maybe because you're sitting here, I'm a little distracted.
23:07But otherwise, I'm just being honest.
23:10Yeah, everybody is being honest.
23:12Yeah, I was a little scared.
23:14Intimidated in the beginning.
23:15But after that, you made me feel very comfortable, sir.
23:17You used to tease him.
23:19So, it just became more relaxed.
23:20That's what you liked, okay?
23:22You're teasing him.
23:24Sir, you've played a lot of films in Gwadarajan.
23:26You've played a lot of films in Gwadarajan, sir.
23:28How much difference is there, sir?
23:31How much difference is there, sir?
23:32No, I'm not.
23:34I'm restricted.
23:35If you're friendly, you're good.
23:37If you know that,
23:39You have to take a photo with me.
23:42Your name is going to be,
23:43You're just going to be getting into the store.
23:43So, you're all silent.
23:45Barijan stood in the crazy direction.
23:46You moved all the caravans on the food, sir.
23:49And that's why it's on the video.
23:50Who knows.
23:51See, that's the beauty of Gwadarajan.
23:53West Gwadarajan.
23:54The building is known as the name.
23:55The pictures, the name,
23:56the picture, the name, the photo, the name of the guy.
23:58Who knows most.
24:00Who knows?
24:01They know that.
24:01Who knows.
24:01Like, they don't know who there is.
24:02I didn't say tanks.
24:03They didn't expect tanks.
24:05That was the beauty.
24:06Marko, Sir, was a friend of mine.
24:09He said,
24:10Sir, I was a friend of mine.
24:12I was shocked.
24:13I was in the table of 20-25 items.
24:16I didn't know that.
24:18I didn't know that.
24:20I didn't know that.
24:21I didn't know that you were named.
24:23I was a very good explanation.
24:26No, sir.
24:27I was a kid in the village.
24:29There have been some people who have created a new form of form.
24:31So, after that,
24:34there are many people who have created create jazz
24:35who have created a new form of form of form.
24:40If you have created jazz,
24:42there are no other form of form.
24:44The user name is taken.
24:46Okay,
24:46the name is Suman Pravas737,
24:48that's the name Suman Pravas.
24:50That's how you can say it.
24:52If you can write friends on Facebook,
25:17No, but I'm glad you become a doctor.
25:23Sir, since you are a doctor, you are a doctor.
25:26You are a doctor.
25:28So, you all know about Oscar gang.
25:32Actually, I am a R4 or R5 gang.
25:35Sir, I am a doctor.
25:37I am a doctor.
25:40So, we took it and we made it.
25:43But I am not a doctor.
25:46I am not a detective.
25:49So, these guys are all former.
25:50I am a doctor.
25:52I am a doctor.
25:56I am a doctor.
25:58I am a doctor.
25:58I am a doctor.
25:59I am a doctor.
26:02I am a doctor.
26:03I am a doctor.
26:33It's a combination of the bottle.
26:36You've always been able to talk about it.
26:39That's why I've always been able to talk about it.
26:43That's all they did.
26:44So at this time, I was thinking about it.
26:49Because, you're in a rally,
26:50you're in a place where you're in.
26:52You're in a place where you're in.
26:53You're in a place where you're in.
26:53You're in a place where you're in.
26:55And I have told you something here.
26:57And if we talk about that,
26:58they'll start just out here.
27:01They will answer you on the phone.
27:01This is the one who's been doing,
27:03and this will get clarification.
27:10I'm a farmer.
27:12I told him he's doing something.
27:15There are no errors in the middle of the exam.
27:17There are no errors.
27:18There's no errors in it.
27:18I am not going to�った.
27:22Can't excuse me if there is no errors.
27:23Don't mess me.
27:25You can't do anything.
27:26You can't do anything.
27:28But you can't do anything.
27:30You can't do anything.
27:30It's like the word.
27:34The director has been to me.
27:35I don't want to explain it.
27:37I don't want to tell you.
27:38The director has been to me.
27:38I'm not going to tell you.
27:40The director has been to you.
27:50Do you have any questions?
27:53I don't know.
27:53How are you?
27:55Yes, sir. Thank you.
27:58How are you?
28:01What's your name?
28:02Why?
28:04He's a very good friend.
28:07Who's good?
28:08His friend is very good.
28:09He's a good friend.
28:10I think he's a good friend.
28:13He's a bad friend.
28:15He's a bad friend, he's a bad friend.
28:18I don't know actually.
28:19It's a lot of fun, it's a lot of fun actually.
28:21But it's a lot of friends induced.
28:23Friends, gang, close friends.
28:26They're genuine friends.
28:28It's a lot of fun.
28:31But if you're a friend or a friend or a friend,
28:34it's a life long career.
28:37That's true. I've always doubted that
28:39everyone used to be the best actors,
28:42the senior actors made.
28:44Even if you're an actor,
28:46you're an actor.
28:48You don't have to learn anything.
28:50They're very interested.
28:51Now, when I was a kid,
28:54my dad would kiss me.
28:57That's why you're a kid.
28:58You have to come to your inter-degree.
28:59You're feeling...
29:01I don't know how to do acting.
29:04I don't know how to do it.
29:05Actually, it wasn't my passion.
29:08It's not my passion.
29:09It happened.
29:10I don't know how to do it.
29:12It happened.
29:13It's not my family.
29:14It's not my admission.
29:16I don't know how to do it.
29:18I don't know how to do it.
29:19Sir, you're interested.
29:21You're interested in financial matters,
29:23way of life, etc.
29:25You're inspired by the real deal.
29:29What's your inspiration, sir?
29:32What's your inspiration, sir?
29:32You're interested in real deal.
29:35No.
29:37No.
29:39Why people don't realize that,
29:41I'm not sure.
29:42First.
29:42I've been 12 years old.
29:46Life is light.
29:47I'm very serious.
29:49I'm serious.
29:51I'm not sure.
29:51What's your intelligence.
29:51After the interview with me,
29:53I have a problem.
29:56You took a double break.
29:59You took a double break.
30:00You're a legend from your attention.
30:03I've been so sorry.
30:06You get a double break.
30:06You're a double change.
30:07Like my life,
30:09I've been tomorrow.
30:10And I'm just fixing it.
30:11I have a problem with this, but I make it.
30:15If you do the same thing, I have a life set for double.
30:18If you do the same thing, I feel confused.
30:22I am a problem with my name.
30:23I have a problem with that.
30:26I can't understand the confidence.
30:29Does it make me a different confidence?
30:31I'm going to go to the same thing.
30:32If I don't have the same mindset,
30:38I'm going to go to the same mindset.
30:39No, you don't have a question.
30:42You can't get confused.
30:45You're right.
30:47You're wrong.
30:48You're right.
30:49What you're wrong with,
30:55you're wrong with a good plan.
31:00I'm like,
31:00I'm not supposed to get a good plan.
31:02I'm not supposed to get a good plan.
31:03I'm not supposed to get a good plan.
31:04Sir, we have two floors.
31:06We have a flat building.
31:08If you want to pay for the down payment, it's about 2.5-3. That's the topic, sir.
31:14We don't have any money.
31:17If you want to pay for the building, then you will pay for it.
31:21I don't think so, sir.
31:22If you want to pay for the flat, then you will pay for it.
31:26If you want to pay for the flat, then you will pay for it.
31:30That's right, sir.
31:32Sir, everyone who is in the building.
31:37They are doing a lot of work.
31:39They are doing a lot of work.
31:41This is the idea for the promotion.
31:45No, that's the point of you is bomb.
31:47But finally, you aim for that.
31:50If you do this, you will fix it.
31:52Yes, you will be ready, sir.
31:54I will fix it.
31:55Yes, sir.
31:56Sir, I have one question.
31:57I will choose the trailer.
31:59I will give you a comment.
32:01Sir, if you are very interested in the situation,
32:03we are in the world.
32:05We are in the world of normal people.
32:08You will be curious.
32:09So, that's the best comment.
32:10I liked that.
32:11So, I am very interested in your family.
32:14Mr. Meera, you are doing a job like this.
32:17I am very interested in my family.
32:20He is a very good friend.
32:21I am very interested in my family.
32:22I am very interested in the nature of the situation.
32:24That's how it is.
32:25We are set up, we are going to cut the shapes,
32:27we are running bananas,
32:29So, how is it related to your heart?
32:35First of all, I feel natural, I feel good.
32:38I look like myself.
32:40That's why I feel like my father and daughter,
32:45I feel like my father and daughter,
32:46I feel like my team.
32:48It was so comfortable,
32:49and I feel like my father and daughter.
32:52It just happened, everything happened in a very nice way.
32:56It was good sir.
32:58In the initial time,
32:59then there was a lot of time,
33:02but it was so smooth.
33:04Thanks to the producers,
33:05it was very smooth and very happy.
33:06How was this experience with sir, working with sir,
33:09those many days?
33:10What did you say to me?
33:11Sir.
33:12You are putting me on the spot again.
33:15See, because your experience.
33:17How was it working with sir?
33:18Sir Anand.
33:19Ayo.
33:20Ayo.
33:21Ayo.
33:22Ayo.
33:22Are you interesting, aren't I?
33:23Like I said, I told the first,
33:26I was a bit hesitant with him,
33:27because he was not talking much.
33:29I just thought he's very reserved.
33:30I just thought he's very reserved.
33:32He doesn't talk.
33:34He doesn't talk.
33:34He doesn't speak English.
33:36In English also, you spoke well, okay?
33:38Okay.
33:39After that, he's talking, talking, talking.
33:42Only talking.
33:42Only talking.
33:43So I didn't know how to tell him to shut up.
33:46But after some time, I figured out how to.
33:49We got comfortable enough now.
33:51Psychologically, game ahead.
33:52I'm serious.
33:53That's me not.
33:55And then, I have a feeling of staying.
33:56I don't know how to tell him.
33:57I don't know how to tell him.
34:00I don't know how to tell him.
34:01I don't know how to tell him.
34:03I don't know how to tell him.
34:05I'm very peaceful if he keeps quiet.
34:06I'm very peaceful if he keeps quiet.
34:07I'm very peaceful if he keeps quiet.
34:07I asked you the question about sir, but he answered for soon.
34:09No, no.
34:10He can divert you, sir.
34:11You divert you, sir.
34:13No, no.
34:14You tell me.
34:14Because it's like a dream come true, right?
34:17So what's your experience working with sir?
34:19I had a lot of fun.
34:20At first, as I said, it was very scary for me.
34:23And, but as time went by, it just became comfortable.
34:26Sir, it was very spontaneous.
34:27Like, you remember the montage where you told, you do something.
34:30I just have to react to it.
34:32So he took the cake and he just smashed it on my face like that.
34:35So all of these things.
34:36It was fun.
34:37Even running with the chicks and all of that.
34:39It was really fun, sir.
34:41I had a very good time with you.
34:42I am looking forward to working with you again.
34:46Actually, personally, my dad loved us.
34:50It was totally on the film.
34:51And that whole daughter father loved us in the film.
34:54Other than that, I don't want to do anything else.
34:57Because we were working and everybody was busy on their own.
35:02And I was a little to myself.
35:08Sir, if you get a chance again, you want to do as a daughter?
35:12A daughter or a heroine.
35:15You still like Sir Gorgie as an art?
35:18No, that has nothing to do with heroine.
35:19Don't put her on the spot.
35:21Sir, she really likes you, sir, a lot.
35:24I am a cradle snatcher, indeed.
35:27Sir, in the shooting process,
35:29you have a lot of interesting lines, sir.
35:31You can share it with us.
35:32Can you give us a chance, sir?
35:35Sir, can you tell us why?
35:38Why are you telling us?
35:40Why are you telling us, sir?
35:41You are interested.
35:42I don't have a script.
35:44I don't have a direction.
35:45I don't have a direction.
35:46I don't have a direction.
35:47Director is a too big a job.
35:49I mean, creativity levels,
35:51so much, much, much, much, much, much, much,
35:52and much, much, much, much, much, much,
35:53it's not at all easy.
35:54If we are looking at cinema,
35:55it's not worth it.
35:57I don't want to go there also.
35:58I want to be comfortable.
35:59I want to be peaceful.
36:00I'm happy the way I am.
36:01What do you think about your phrase?
36:04What do you think about it?
36:06I don't have a love story
36:07that I can't remember anything.
36:12I can't remember anything.
36:13I can't remember anything.
36:14I can't remember anything.
36:15I can't remember anything.
36:16There's no love story film I've done.
36:19I haven't done a father for a girl.
36:21So, first of all,
36:22acting with these youngsters was,
36:24that was the freshness.
36:27I was feeling so comfortable and
36:29I was feeling more excited about his thoughts.
36:32I was feeling more excited about his thoughts.
36:34He was observing his body language.
36:36He was not a hero.
36:38So, he was a hero.
36:40Sir, he was talking about the Laila.
36:41He was talking about the Laila.
36:45I was continuously observing him.
36:47He was observing him.
36:49He was observing him.
36:52I can see something happening in his mind.
36:54All the time,
36:55he was observing him.
36:57Not because it should happen.
36:59It is happening.
37:00It is happening.
37:01He was thinking about it.
37:02He was thinking about it.
37:03He was thinking about it.
37:05He was thinking about it.
37:05So, all that energy, I really loved.
37:08So, acting,
37:09see,
37:09this is the beautiful age
37:10these people are going through.
37:12In that age,
37:13it will be a nice thing to watch.
37:16I can see a great future in him.
37:18I was enjoying it.
37:19Mostly with him.
37:20And as a father and daughter with her.
37:23And with you all,
37:23hardly interaction with him.
37:25So,
37:25now,
37:25we are interacting with him.
37:27In the trailer,
37:28we are talking about father and daughter emotions.
37:32What's the difference?
37:33In the trailer,
37:34there is a lot of cinema in this set-up.
37:36There is a set-up,
37:37but it is not enough.
37:38Exactly.
37:39When I was thinking about it,
37:43it will be relatable.
37:47It will be relatable.
37:49It will be relatable.
37:50It will be relatable.
37:51It will be relatable.
37:51Yeah, that is cinema.
37:53Relatable.
37:54That fun also generated by default.
37:58And a character go to strength,
37:59my character go to,
38:01there is a lot of strength in a different way.
38:03At the internet,
38:04there is a power.
38:06So, there is strength.
38:07There is a power.
38:07There is an anger.
38:08There is a danger.
38:10Any one.
38:11We have done a great job.
38:13Let's wait for the audience to come.
38:15Yes.
38:16Okay.
38:17Thank you for coming.
38:20Everybody is Philip.
38:23Okay.
38:24That's it.
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