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Unwritten Obsession (2017) [Full Movie] [Watch Free Online]Full EP - Full
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00:01:30She hoped it was the former.
00:01:31She liked to believe she was meant for more.
00:01:42Um, right here.
00:01:43Green jacket.
00:01:44Uh, hello, Sky.
00:01:45Um, I read that publishers had turned away your books for five years before you finally wrote Maya's Ball.
00:01:50I'm a writer, or at least I'm trying to be.
00:01:53I was wondering if you could talk for a little bit about how you keep going in the face of
00:01:56rejection.
00:01:58Prove them wrong.
00:02:00Make it happen by any means necessary.
00:02:03And then forward them your sales numbers anonymously.
00:02:07Okay, next question.
00:02:09Um, you here, lady.
00:02:12Hi.
00:02:13Hello.
00:02:13When are you going to write the sequel?
00:02:16There are no plans for a sequel.
00:02:18But, uh, I have a new book.
00:02:21It's called So Dark the Waves.
00:02:23I just finished it.
00:02:24Uh, I really hope you'll give it a shot.
00:02:25It is the best thing I've ever done.
00:02:28So it just ends there?
00:02:29You're really going to leave Maya like that?
00:02:32She didn't even make it to Albuquerque.
00:02:35Um, we grow attached to these characters and their lives.
00:02:39And sometimes it's hard to say goodbye to people you love.
00:02:42Um, let's see.
00:02:45Ah, I'm sorry.
00:02:46We're all out of time.
00:02:48Thank you all for coming.
00:02:49And let's hear it again for our guest tonight, author Sky Chased.
00:03:00I usually get paid as soon as the event ends.
00:03:03Oh, I'm sorry.
00:03:04We don't cut the checks here.
00:03:05They go out from the main office.
00:03:07But you'll have it in five to ten business stores.
00:03:09Can't you make an exception?
00:03:11I'm sorry.
00:03:12It's store policy.
00:03:13But please, um, help yourself to anything that's on the table.
00:03:16I'm sorry.
00:03:44Gracias.
00:04:09Gracias.
00:04:35120.
00:04:38Uh, I was barely here eight hours.
00:04:42Ma'am, we don't do hourly rates. We're not that type of establishment.
00:04:57I am done with the tourists, Chelsea. I barely break even.
00:05:01So dark the waves, let's just set up a virtual session.
00:05:06They're passing.
00:05:10What do you mean?
00:05:12They didn't like it.
00:05:16Maya's fall made them a lot of money.
00:05:19I know.
00:05:20They won't even put an editor onto it?
00:05:28Pretentious. Convoluted nonsense.
00:05:31Written by a sociopath.
00:05:33Oh, my God.
00:05:34That one was off the record. Just ignore that last one.
00:05:41Can't we just take it somewhere else?
00:05:43That was three different publishers.
00:05:45Look.
00:05:48It's a sophomore slump.
00:05:49It happens to the best of them.
00:05:51I spent two years on that.
00:05:52You can't take it personally.
00:05:54I bled for that book. Everything on those pages is me.
00:05:57How am I not supposed to take this personally?
00:05:59Look, there's one recipe for continued success.
00:06:02Repetition.
00:06:03When you find something that works, you need to give them more of the same.
00:06:06You mean a sequel.
00:06:08Or better yet, a trilogy.
00:06:10Maya's return.
00:06:11Maya's revenge.
00:06:12Send the kids to the moon for all I care.
00:06:14Jesus Christ.
00:06:16Can you deliver a love interest?
00:06:18It's like you don't know your readers at all.
00:06:20Look, the guy should be brooding.
00:06:24But give him a puppy.
00:06:25How about I just make him perpetually shirtless?
00:06:28Now you think.
00:06:30Chelsea.
00:06:33I am dead broke.
00:06:36I don't know how much longer I can get by.
00:06:39You need money?
00:06:40Get me something that will sell.
00:06:42Simple as that.
00:06:57Sorry, I didn't mean to scare you.
00:07:03Did you need something?
00:07:05I thought maybe you'd recognize me.
00:07:08Can't say that I do.
00:07:10I was at the reading last night.
00:07:11At the bookmark.
00:07:14Did you follow me here?
00:07:17No, no.
00:07:18I was just walking and I saw you.
00:07:20I'm a really big fan.
00:07:21I wanted to say hello last night, but I chickened out.
00:07:24I'm not great with crowds.
00:07:28Don't beat yourself up over it.
00:07:30It's just I traveled a really long way to see you,
00:07:32and I have a million questions.
00:07:34Do you maybe have a little time to talk?
00:07:37I just spent two weeks in ten different cities.
00:07:39I am tired and hungry and I just want to get home.
00:07:43There's an address on my website.
00:07:44You can send any questions you have there in a self-addressed stamped envelope.
00:07:49If you're hungry, I could buy you breakfast.
00:07:56Holly, is that with a Y?
00:08:00How else would you spell it?
00:08:02There was a woman in Duluth who spelled Catherine with a Q.
00:08:06Now I always ask.
00:08:15The main difference between a cat and a lie is that the cat has only nine lives.
00:08:21Truly yours, Sky Chase.
00:08:25Isn't that how Mark Twain signed his books?
00:08:28Yeah.
00:08:31But he's dead now, so I figure, you know, he's not using it.
00:08:42I'm sorry, did you want one?
00:08:44No, that's okay.
00:08:54Oh, I didn't realize they were selling those.
00:08:56Oh.
00:08:58I, um, I had it made.
00:09:01You really are a fan.
00:09:03The biggest.
00:09:06There's something else I wanted to ask you.
00:09:08Yeah.
00:09:10We're on your dime, ask away.
00:09:13I'm a writer.
00:09:15Well, not like you, but...
00:09:17I feel like there's a story I need to tell.
00:09:20And I was hoping you could help me.
00:09:24I have a book.
00:09:26It's almost done, but I'm having trouble writing an ending.
00:09:31Yeah, I'm not really sure what I can do for you.
00:09:34You can mentor me.
00:09:36Give me notes.
00:09:38Your author's buyer said you used to run writer's workshops.
00:09:41I don't do that anymore.
00:09:44Plus, once you start publishing your own stuff, you just open yourself up to all kinds of lawsuits.
00:09:48Give notes on some terrible script, next thing you know you're being sued because yours takes place on the same
00:09:52planet.
00:09:53So, no thanks.
00:09:55But I can, I can recommend someone. I think I, um, have a number.
00:09:59I don't want their opinion.
00:10:01I want yours.
00:10:05I could pay you.
00:10:10It's gonna take a lot more than lunch.
00:10:12I have money.
00:10:14From what? Your paper route?
00:10:16I've saved $2,000.
00:10:20But you're currently in possession of $2,000?
00:10:32Okay, kid.
00:10:34But I do not copy edit, okay? My grammar is trash.
00:10:37Thank you so much. Really, this means the world to me.
00:10:41Mm-hmm.
00:10:45All right, I'm gonna go to the bathroom. You settle up the check?
00:11:02All right, we'll go to my place. I'll read your book. I'll give you my notes. You pay me, then
00:11:07leave. Deal?
00:11:09Deal.
00:11:14Are you okay to drive?
00:11:18I am inviting you into my home. This is an exercise of trust for all involved.
00:11:24Hop in.
00:11:40Oh, boy.
00:11:41Are you okay to drive in, buddy?
00:11:42I have no doubt.
00:11:42Oh, boy.
00:12:03Oh, boy.
00:12:05I'm sorry.
00:12:05You'll see you later.
00:12:06I am letting me go.
00:12:06Oh, boy.
00:12:07I'm sorry.
00:12:08I have no doubt.
00:12:30¿Estás bien?
00:12:32Sí.
00:12:34No puedo creer que estoy aquí.
00:12:41No puedo creer que esté aquí.
00:13:25No puedo creer que esté aquí.
00:14:05No puedo creer que esté aquí.
00:14:11No puedo creer que esté aquí.
00:14:26No puedo creer que esté aquí.
00:14:49No puedo creer que esté aquí.
00:15:03No puedo creer que esté aquí.
00:15:04No puedo creer que esté aquí.
00:15:05No puedo creer que esté aquí.
00:15:09No puedo creer que esté aquí.
00:15:27No puedo creer que esté aquí.
00:15:45No puedo creer que esté aquí.
00:15:47No puedo creer que esté aquí.
00:16:09No puedo creer que esté aquí.
00:16:17No puedo creer que esté aquí.
00:16:25No puedo creer que esté aquí.
00:16:43No puedo creer que esté aquí.
00:16:48No puedo creer que esté aquí.
00:17:14No puedo creer que esté aquí.
00:17:18No puedo creer que esté aquí.
00:17:22No puedo creer que esté aquí.
00:17:52No puedo creer que esté aquí.
00:18:00No puedo creer que esté aquí.
00:18:06No puedo creer que esté aquí.
00:18:08No puedo creer que esté aquí.
00:18:12No puedo creer que esté aquí.
00:18:13No puedo creer que esté aquí.
00:18:15No puedo creer que esté aquí.
00:18:27No puedo creer que esté aquí.
00:18:36No puedo creer que esté aquí.
00:18:36Así, lo he packedó.
00:18:39Every piece of him and put it in the attic.
00:18:43Because screw him, right?
00:18:48Okay.
00:18:50No title.
00:18:52I haven't thought of one.
00:18:54Okay.
00:18:56Fantasy, YA...
00:18:58It's sort of a mystery, I guess.
00:19:01How far along are you?
00:19:04There's three chapters left to write.
00:19:06And you're stuck?
00:19:08I don't have a resolution.
00:19:11If it's a mystery, you really need to have the end of mine from the start.
00:19:15Oh.
00:19:17I guess I thought I could just wait and see how it all turned out.
00:19:22That's a bold strategy.
00:19:24No title, no ending.
00:19:26Where are all my damn pens?
00:19:34I'm doing everything wrong, aren't I?
00:19:37Your first novel is supposed to be bad.
00:19:40You need to just get it out of your system.
00:19:42The next one will be good?
00:19:47Uh...
00:19:47No.
00:19:51You have a really beautiful house.
00:19:54Thanks.
00:19:58These are cool.
00:20:00Where'd you get them?
00:20:03Oh.
00:20:03They belonged to the previous owner.
00:20:05He was pretentious.
00:20:08So why'd you keep them up?
00:20:11I am also pretentious.
00:20:15How long have you lived here?
00:20:18A few years.
00:20:20Was it hard to stay after Paul killed himself?
00:20:25Sharing time is over.
00:20:26That subject is officially off limits.
00:20:32What's your book about?
00:20:36Huh?
00:20:38The new one that you mentioned at the reading?
00:20:40So Dark?
00:20:42The Waves.
00:20:44So Dark the Waves.
00:20:45It's about guilt, loss, the intrinsic dishonesty of the human condition.
00:20:54Cool.
00:20:55What's that mean?
00:21:00I'm trying something different.
00:21:03Is there a reason you don't want to write another Maya book?
00:21:05There are a lot of reasons.
00:21:10Do you not have any ideas?
00:21:11I have a great idea.
00:21:13How about we stop talking about this?
00:21:16Sorry.
00:21:18I'm just a little nervous.
00:21:26Alright.
00:21:27Holly with a Y.
00:21:30Let's see what you got.
00:21:32Let's see what you got.
00:22:08Let's see what you got.
00:22:09Let's see what you got.
00:22:10Ah, that's it.
00:22:28Well married.
00:22:42¿Qué piensas?
00:22:46Es bastante difícil.
00:22:48Oh.
00:23:03Pero no es un salvo.
00:23:06Creo que con mucho trabajo, podemos hacer esto en forma.
00:23:11¿Ya?
00:23:12Gracias.
00:23:21Es getting pretty late.
00:23:23I...
00:23:24I should find a motel.
00:23:28Um.
00:23:32Sorry.
00:23:34It's just, um...
00:23:37Yeah, it is getting late.
00:23:39So, why don't you just stay here for a few days?
00:23:43You know, we can roll up our sleeves and...
00:23:47really whip this thing into shape.
00:23:50I only have the 2,000.
00:23:52Oh.
00:23:53We can figure something out.
00:23:58That's very generous of you.
00:24:00Mm-hmm.
00:24:02The guest bedroom is upstairs, the first door on the right.
00:24:06So, do you have any questions for me before I go to bed, like where the clean towels are, or...
00:24:11No.
00:24:12Great, because I don't think I have any clean towels, so...
00:24:18Actually, could I stay down here for a while?
00:24:21And listen to some of those?
00:24:24Yeah.
00:24:25Knock yourself out.
00:24:28The turntable's on the piano.
00:24:30Thanks.
00:24:32Thanks.
00:24:37Thanks.
00:24:39Amén.
00:25:18Chelsi, estoy trabajando en algo nuevo.
00:26:01No, no, no.
00:26:10Just pick another one, okay?
00:26:13Did I do something wrong?
00:26:34Skye?
00:26:52I'm bleeding, I'm screaming
00:26:58I'm waiting for you to let me go
00:27:04This sweet distraction
00:27:10Waking you, standing to my
00:27:15I'm coaching reaction
00:27:20I'm bleeding myself out of the time
00:27:35I'm bleeding yourself out of the time
00:27:37I'm bleeding myself out of the time
00:27:40I'm bleeding myself out of the time
00:27:59No, no.
00:28:28Morning.
00:28:29Hey, can you...
00:28:30Oh, yeah.
00:28:32Sorry, this is fine.
00:28:34How did you sleep?
00:28:36I go log.
00:28:39Glad to hear it.
00:28:42Are we okay?
00:28:44I feel like I keep making these mistakes.
00:28:46It's over. Forget it. I have.
00:28:49You're out of coffee.
00:28:51And eggs.
00:28:54Who needs to eat, right?
00:28:56I found this in the back of the cabinet.
00:28:59I left you some, but there wasn't much love.
00:29:03I have business in town.
00:29:04I can hit the grocery store before I get home.
00:29:07So, any requests?
00:29:09No, thank you.
00:29:12How long will you be gone?
00:29:13Um, most of the day.
00:29:19But, this should keep you busy.
00:29:26Take a look. We can talk when I get back.
00:29:29It's a good start.
00:29:31You really think so?
00:29:32I wouldn't say it if I didn't mean it.
00:29:37You think I should add a love interest?
00:29:39Gotta know your audience.
00:29:43You trust me, right?
00:29:45Of course.
00:29:49Has anyone else given you any input on the draft?
00:29:52Oh, no.
00:29:53You're the first person I've shown it to.
00:29:56Perfect.
00:29:58Let's just keep it between the two of us for now.
00:30:01Okay?
00:30:02Till it's done.
00:30:06Before I forget, um, the money you mentioned.
00:30:11Yeah?
00:30:13Could I...
00:30:15have it?
00:30:16Oh.
00:30:17Oh, yeah, right.
00:30:18Of course.
00:30:19One sec.
00:30:20Uh-huh.
00:30:49Uh, this is all I have on me, but I can get more.
00:30:54This is fine for now.
00:30:58Do me a favor.
00:30:59Email me your file.
00:31:00I need to reformat it.
00:31:04Re-format?
00:31:06The margins are too wide, the font is too big, it's throwing off the page count.
00:31:11It's just the first draft.
00:31:14You want to do this correctly, right?
00:31:17I mean, I thought you said you wanted to be a writer.
00:31:19I do.
00:31:20Well, this is what writers do.
00:31:24You're paying me a lot of money, Holly, but if you'd rather I just mail it in.
00:31:29No, of course not.
00:31:30I'll send it right away.
00:31:32Great.
00:31:37Leave off the title page for now, until we can think of something catchy.
00:31:42Well, actually, I had some ideas I wanted to run by you, like, uh, Disappear, Anchor, or,
00:31:49I don't know, maybe Fangirl.
00:31:52Good start.
00:31:55Keep thinking.
00:32:07Chelsea.
00:32:08Hey, do you have a minute?
00:32:09I never have a minute.
00:32:11I have a new book for you.
00:32:14I've been working on it a while, I didn't want to jinx it by telling you.
00:32:16You know I hate surprises.
00:32:18You'll like this one.
00:32:20I think it's really something special.
00:32:23No offense, but that was the pitch for your last book, and we all know how that turned out.
00:32:30Look, I'm sending it to you now.
00:32:31Drop whatever you're doing and read it, okay?
00:32:34Okay.
00:32:54I don't know.
00:32:58Okay.
00:33:22¡Gracias por ver el video!
00:33:29¡Gracias por ver el video!
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00:37:01¿Qué es lo que se hace cuando las personas hacen las dudas?
00:37:05Una vida valiosa libre de charge.
00:37:08No te lo haría como lo que yo pensaba.
00:37:09No, no te lo haría.
00:37:10No, no te lo haría, kid.
00:37:14Oh, damn.
00:37:17¿Es que se refuerzan?
00:37:20No, es lo que pasa cuando no te pagas el electric bill.
00:37:58No, no te lo haría.
00:38:29No, no te lo haría.
00:38:35No, no te lo haría.
00:38:35Brought you these.
00:38:36Uh, thanks.
00:38:42Just remember to blow them out before you go to bed.
00:38:44Of course.
00:38:50I'll call the electric company in the morning, work something out.
00:38:54I have a few more hours left on my computer.
00:38:57I'll just write by the candlelight like the pioneers used to do.
00:39:01You do that.
00:39:11You do that.
00:39:13Have you read it yet?
00:39:18Yes, I realize it doesn't have a title.
00:39:20Just, um, I was thinking maybe fangirl.
00:39:27Yeah, just, just read it, okay?
00:39:29It's going to be the book that turns my career around.
00:39:31пройдy.
00:39:34Yeah.
00:39:42Thank you.
00:39:44Yeah.
00:39:59I'm looking forward to seeing the light.
00:40:06¿Cómo estás haciendo, Capitán?
00:40:08Estoy en un poco de problemas aquí.
00:40:11¿No estás incluso construido en la botella?
00:40:14¿No piensas que puedes hacer mejor?
00:40:16Sí, puedo.
00:40:19Solo necesito tener la paciencia.
00:40:24¿Ok?
00:40:25¿Va eso ahí? No está ayudando mi concentración.
00:40:32No, no, no.
00:40:34No, no, no.
00:40:35No, no, no.
00:40:35¿Qué harías de mí?
00:40:37No, no.
00:40:39No quiero saber.
00:41:05No, no, no.
00:41:16¡Hey!
00:41:17¡Knock it off!
00:41:28¿Está todo bien?
00:41:33Dice mi.
00:41:36Todo está bien.
00:41:40Ok, pues voy a necesitar que te quede lo que está haciendo ahí, entonces.
00:41:46¿Qué estoy haciendo?
00:41:48The banging, what is with the banging?
00:41:52Huh? I'm not banging anything.
00:41:55Ok, well, then if you're not, then who is? It's not me.
00:42:01I didn't hear anything.
00:42:04Are you serious?
00:42:07What did it sound like?
00:42:10Like banging, loud banging on the wall.
00:42:15Honestly, I haven't been banging anything. I haven't heard any banging.
00:42:24No, don't even.
00:42:29Maybe it was the wind or some tree branches.
00:42:34Are you messing with me?
00:42:36What is this?
00:42:38No, no.
00:42:40I'm not doing that.
00:42:46I'm not really sure what you want me to say.
00:42:50Never mind.
00:42:53Just go back to bed.
00:43:01What is this?
00:43:01No, no, no.
00:43:02It's not.
00:43:02No, no.
00:43:17It's not.
00:43:18It's not.
00:43:19Amén.
00:43:52Amén.
00:44:24Amén.
00:44:51Amén.
00:45:19Amén.
00:45:36It's how much?
00:45:40Can't I make a partial payment or get on some kind of plan?
00:45:45Can I speak with a manager?
00:45:55Amén.
00:46:23¿Quién es esta chica?
00:47:17¿Quién es esta chica?
00:47:19¿Quién es esta chica?
00:48:08¿Quién es esta chica?
00:48:30¿Quién es esta chica?
00:48:50¿Quién es esta chica?
00:49:00¿Quién es esta chica?
00:49:06¿Quién es esta chica?
00:49:19¿Quién es esta chica?
00:49:48¿Quién es esta chica?
00:49:57¿Quién es esta chica?
00:50:09¿Quién es esta chica?
00:50:10¿Qué?
00:50:12¿Quién es esta chica?
00:50:27¿Quién es esta chica?
00:50:28¿Quién es esta chica?
00:50:34¿Quién es esta chica?
00:50:36¿Quién es esta chica?
00:50:44¿Quién es esta chica?
00:50:46¿Quién es esta chica?
00:50:49¿Quién es esta chica?
00:50:50¿Quién es esta chica?
00:50:51¿Quién es esta chica?
00:50:56¿Quién es esta chica?
00:50:58¿Quién es esta chica?
00:51:02¿Quién es esta chica?
00:51:02¿Quién es esta chica?
00:51:04¿Quién es esta chica?
00:51:06¿Quién es esta chica?
00:51:08¿Quién es esta chica?
00:51:13¿Quién es esta chica?
00:51:14A couple of days, I didn't mean to take it out on you.
00:51:18No, it's okay.
00:51:20I understand.
00:51:22I can be pushy.
00:51:24I know that about myself.
00:51:29And you know a lot about me, too.
00:51:32But I feel like I hardly know anything about you.
00:51:37There's not much to tell.
00:51:39I'm sure that's not true.
00:51:43Do you have a boyfriend?
00:51:48Some strapping young moose hunter who is breathlessly awaiting your return?
00:51:53I had a boyfriend in high school, but we broke up when his family moved away.
00:51:58Oh, man.
00:52:00That's too bad.
00:52:04Well, you know, happy love has no history and all that.
00:52:12That's De Rouge Monk.
00:52:15Love in the Western world.
00:52:19I've read it.
00:52:24So.
00:52:27What do you do for work?
00:52:32I used to work at a convenience store, but I quit before I came out here.
00:52:37Why?
00:52:39I don't know.
00:52:40There was a couple of reasons.
00:52:46It's ready to move on anyway.
00:52:49When I saw you were going on your book tour, I took it as a sign.
00:52:56Maybe it was time for a fresh start.
00:53:00So you just left?
00:53:03Yeah.
00:53:07That must have been hard.
00:53:11Leaving the place that you grew up.
00:53:14Leaving all of your friends.
00:53:17I don't have any friends.
00:53:19Oh, come on.
00:53:20Everybody has friends.
00:53:23You've always been kind of a loner, I guess.
00:53:26There must be someone.
00:53:28Hmm?
00:53:30Someone who misses you.
00:53:34Not really.
00:53:49Skye?
00:53:50Yeah?
00:53:51I was wondering if you could maybe drive me into town.
00:53:53But you're hitting your strides.
00:53:56You don't want to lose your rhythm.
00:53:58No.
00:53:59It's just I wasn't really planning to be here so long.
00:54:02I feel bad eating your food.
00:54:05You're my guest.
00:54:08If I go into town, I can take out the rest of the money I owe you.
00:54:12I know you're good for it.
00:54:15You're so close to the end.
00:54:16Why stop now?
00:54:21Power's back.
00:54:25Hmm.
00:54:26Hmm.
00:54:30Hmm.
00:54:55¿Made you some lunch?
00:54:58Thanks.
00:55:04¿Es este el último capítulo?
00:55:10Mostra de it.
00:55:13¿Homestretch?
00:55:16Yeah.
00:55:19Keep going until you're done, ¿ok?
00:55:22I don't want to have to tie you to that chair.
00:56:19I don't want to have to tie, though.
00:56:38¿Qué pasa?
00:56:59¿Qué pasa?
00:57:32¿Qué pasa?
00:57:59¿Qué pasa?
00:58:28¿Qué pasa?
00:58:35¿Qué pasa?
00:58:36¿Qué pasa?
00:58:40¿Qué pasa?
00:59:11¿Qué pasa?
00:59:11¿Qué pasa?
00:59:15¿Qué pasa?
00:59:19¿Qué pasa?
00:59:38¿Qué pasa?
00:59:42¿Qué pasa?
01:00:06¿Qué pasa?
01:00:26¿Qué pasa?
01:00:28¿Qué pasa?
01:00:35¿Qué pasa?
01:00:37¿Qué pasa?
01:00:54¿Qué pasa?
01:00:54¿Qué pasa?
01:01:03¿Qué pasa?
01:01:05¿Qué pasa?
01:01:15¿Qué pasa?
01:01:17¿Qué pasa?
01:01:20¿Qué pasa?
01:01:29¿Qué pasa?
01:01:31¿Qué pasa?
01:01:50¿Qué pasa?
01:01:52¿Qué pasa?
01:01:53¿Qué pasa?
01:01:58¿Qué pasa?
01:02:01¿Qué pasa?
01:02:06¿Qué pasa?
01:02:07¿Qué pasa?
01:02:10¿Qué pasa?
01:02:18¿Qué pasa?
01:02:22¿Qué pasa?
01:02:25¿Qué pasa?
01:02:36¿Qué pasa?
01:02:39¿Qué pasa?
01:02:41¿Qué pasa?
01:02:52¿Qué pasa?
01:02:54¿Qué pasa?
01:02:55¿Qué pasa?
01:02:55¿Qué pasa?
01:02:55¿Qué pasa?
01:02:55¿Qué pasa?
01:02:55¿Qué pasa?
01:02:57¿Qué pasa?
01:02:57some of the details
01:02:59I'll keep that in mind
01:03:03around 1200 AD
01:03:05in a small Chinese village
01:03:09this man
01:03:09was found dead in a wheat field
01:03:15he had
01:03:15deep deep slashes
01:03:19here
01:03:23and here
01:03:28He bled out in the field
01:03:31Makes sense
01:03:33They determined the murder weapon was most likely a hand sickle
01:03:36But in a village full of wheat farmers
01:03:40Almost everyone had one
01:03:42There was no obvious suspects
01:03:44No witnesses
01:03:47What did they do?
01:03:49The town's magistrate had all the farmers line up their sickles against the wall
01:03:53And leave them out in the hot sun
01:03:56By the end of the day
01:03:58One of the sickles was covered in flies
01:04:03The blood?
01:04:05The blood
01:04:08And even though the blade had been wiped off
01:04:10Tracy still remained
01:04:13The owner broke down and confessed
01:04:16I think they hung him
01:04:19I'm not sure
01:04:20That part's fuzzy
01:04:24My dad told me that
01:04:28That's a hell of a bedtime story
01:04:31It always stuck with me
01:04:35It's a good reminder
01:04:38Of what?
01:04:40That no matter what you do to fight it
01:04:42The truth always has a way of coming out
01:04:48So what do you think?
01:04:49About what?
01:04:52The chapter
01:04:54Does it work?
01:05:00It's getting there
01:05:03Here, try these
01:05:08Hmm
01:05:10Hmm
01:05:33Gracias.
01:05:47Gracias.
01:06:18Gracias.
01:06:40Gracias.
01:07:12Isn't it kind of dark out?
01:07:17I have, uh, floodlights in the backyard.
01:07:23Come on.
01:07:28Can I be rad?
01:07:32I'll even spot your points.
01:07:36We just need to get the set from the garage.
01:07:40How about a drink first?
01:07:45I thought you were too young.
01:07:47It's a special occasion.
01:07:49I think I've earned it.
01:07:55So that's the gritty toast with.
01:08:00Can't go wrong with bourbon.
01:08:04This one has a fun label.
01:08:07Will it work?
01:08:08It's all good in my book.
01:08:20You can, you can fill it up more.
01:08:23You're living dangerously, right?
01:08:25All right.
01:08:29All right.
01:08:40To...
01:08:43To your first book.
01:08:46This guy chased me.
01:08:49You're the reason this is all happening.
01:09:01Ooh.
01:09:05Maybe I should've started with something weaker.
01:09:09Just one, two, three and down the hatch
01:09:14Come on, don't overthink it
01:09:17After
01:09:19I really can't wait any longer
01:09:22I want to show you what I've done
01:09:37Ta-da
01:09:40All right, it's a big moment, are you nervous?
01:09:44No
01:09:45Not anymore
01:09:56What is this?
01:10:00The book
01:10:02Do you think this is funny?
01:10:05No, I don't
01:10:08Oh
01:10:11Is everything okay?
01:10:13I'm just, uh
01:10:19What is you?
01:10:39What is this?
01:10:39I don't know
01:10:39What is it?
01:11:01What is this?
01:12:32¡I told you that we died!
01:12:34Let's start from the beginning
01:12:37Paul Walsh
01:12:40Bought that 357
01:12:42And shot himself
01:12:44Wrong
01:12:45You killed Paul Walsh
01:12:49What?
01:12:52No
01:12:52You shot him
01:12:53And you made it look like a suicide
01:12:58You're crazy
01:12:59No
01:13:01I'm Maya
01:13:08Maya's not real
01:13:12You know that, right?
01:13:14She is real, she's me
01:13:41You didn't put the bullets in?
01:13:44I thought they were in there already
01:13:46You didn't check first?
01:14:16I thought they were in there
01:14:58I thought they were in there
01:15:17I thought they were in there
01:15:47I thought they were in there
01:16:17I thought they were in there
01:16:38¿Qué pasa?
01:17:01No, Holly, listen.
01:17:06Maya, my name is Maya.
01:17:08Maya is a character in a book I wrote.
01:17:13No, she's a character in a book he wrote.
01:17:17I bet you thought you had it all figured out.
01:17:20Steal Dead Man's book no one would ever know.
01:17:26How could you possibly know that?
01:17:29Because Paul Walsh was my father.
01:17:32He didn't have any children.
01:17:34He had a whole family until he left us.
01:17:39How do you walk out on a seven-year-old girl?
01:17:42What could you possibly have ever done to make you want to leave?
01:17:47At first, he sent postcards.
01:17:50I tore them all up.
01:17:53Eventually, he stopped writing.
01:17:56Until a few years ago, he sent me an email.
01:18:02The very first draft of his very first novel.
01:18:06The one he told me I had inspired him to write.
01:18:11Maya sat at the edge of the dock.
01:18:14Bright blue eyes gazing the night sky.
01:18:19Imagine my surprise when I passed the bookstore six months later.
01:18:25And there in the front display was my soul.
01:18:28Only it had a different author's name on the cover.
01:18:31I thought it had to be a coincidence.
01:18:34I thought it anyway.
01:18:38Every word was the same.
01:18:58Don't move.
01:19:01There's bullets in it this time.
01:19:07I didn't kill him.
01:19:11I didn't know he was struggling.
01:19:13He never told me.
01:19:15He never said a word.
01:19:17I don't believe you.
01:19:19It's the truth.
01:19:21He killed himself with the gun you're holding.
01:19:24He told me he loved me.
01:19:27Yeah, he told me he loved me, too.
01:19:31We had a plan.
01:19:33A future.
01:19:35But he did it anyway.
01:19:38You're a liar.
01:19:39No, wait, please.
01:19:40Just listen to me.
01:19:43When I came home, I found the manuscript.
01:19:46What?
01:19:47So you just took it?
01:19:48Yeah.
01:19:50That's his.
01:19:51That belongs to him.
01:19:54He left me.
01:19:56And he left you.
01:19:59I don't owe him a damn thing.
01:20:04I was angry and alone.
01:20:09But I didn't kill him.
01:20:14But you were going to kill me.
01:20:18I'm sorry.
01:20:24Sign it.
01:20:26I said sign it.
01:20:29It's a confession.
01:20:32Saying that you didn't write the book.
01:20:34And that Paul Walsh is the author of Maya's fault.
01:20:39Sign it.
01:20:41This won't bring him back.
01:20:43Shut up.
01:20:48I said sign it.
01:20:56Now get up and go sit by the window.
01:21:22What happens now?
01:21:24You shoot me.
01:21:27No.
01:21:28I'm not like you.
01:21:44Have a wonderful life.
01:21:46I'm not like you.
01:21:57¿Qué pasa?
01:22:33¿Qué pasa?
01:22:52¿Qué pasa?
01:23:01¿Qué pasa?
01:23:03¿Qué pasa?
01:23:15¿Qué pasa?
01:23:16Writing is a personal journey
01:23:17We all have stories within us
01:23:21The trick
01:23:22Is finding out
01:23:24How to share them with the world
01:23:27In a way that connects
01:23:28Alright?
01:23:30Alright, I hope you all have found some inspiration here today
01:23:32Oh, thank you
01:23:42Jessie?
01:23:44Hi, I just wanted to tell you that I've really enjoyed your workshop
01:23:49Thank you, Beatrice
01:23:52The epic fantasy, right?
01:23:54Yeah, yes, that's me
01:23:55I think your sample's very good
01:23:59Really?
01:24:01Yeah, I wish you had shared it with the group
01:24:02Oh, no, I couldn't
01:24:05I'm not that confident
01:24:06I haven't shared it with anyone
01:24:11Well, I hope that changes my way
01:24:13I know the workshop is over
01:24:16But I was wondering
01:24:17If you
01:24:18Would help me with my book
01:24:24I don't do private consultations
01:24:27It's just a bad experience
01:24:29Please
01:24:31I'm very easy to work with
01:24:33I'd do anything you say
01:24:41Well, you've twisted my arm
01:24:44Walk with me to my car
01:24:46You can tell me all about it
01:24:51Okay, so
01:25:04Do you want to hear a story?
01:25:08It's been a while
01:25:09I might mix up some of the details
01:25:26It's been a while
01:25:27I mean, say, it's been a while
01:25:28My embrace
01:25:30It's been a while
01:25:45In my experience
01:25:46I want to help you
01:25:46It's been a while
01:25:49So
01:25:49should I just��
01:25:49How did I know
01:25:50to come to you
01:25:51It's been a while
01:25:51Ten
01:25:52Well
01:26:19Gracias por ver el video
01:26:49Gracias por ver el video
01:27:20Gracias por ver el video
01:27:49Gracias por ver el video
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