Satya, Ritesh Rana and #JETLEE Team Q & A With Media

Mana entertainment

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Transcript

00:05Hello, sir.

00:06Okay, Andy.

00:07Hi, sir.

00:10Hello, Andy.

00:11Sir, Andy,

00:13the first day,

00:16the release of the first day,

00:18especially

00:20Asian group, SBC,

00:21the cinema

00:23did boycott it.

00:25They did it.

00:27So, what is the end?

00:29What is the end?

00:31You also

00:32released a letter.

00:35But,

00:35how does this deal be resolved?

00:38Why do you have the next

00:40distribution?

00:44Yes, it is true, Andy.

00:46Some differences of opinions

00:48were there between the exhibitors and the producers

00:50and it is now the end.

00:53Single screens

00:54were there.

00:56They did it.

00:59They did it.

01:00They did it.

01:01They did it.

01:03They did it.

01:04They did it.

01:07They did it.

01:09In the end,

01:11this is the end of the meeting

01:16and they did it.

01:34We discussed these meetings.

01:34May 8th of May there is a very important comprehensive meeting.

01:40So I think in that meeting everyone will discuss their issues and problems and I am sure a solution will

01:46come to it.

01:46We have discussed discussions on the 30th of April late night in April, but it is not a positive conclusion.

01:55I think there is a bond in this film.

02:00May 1st is a holiday, so we should not lose. The audience will be disappointed.

02:05There is a loyal audience in that theatre.

02:09So we are disappointed in that discussion.

02:14The discussion is not late.

02:15But yesterday again the discussions continued and they agreed and from today onwards they have agreed to give it.

02:22So the final solution will be better.

02:26It is not that they are outsiders or the producers are outsiders.

02:29It is not that they are industry outsiders.

02:30It is not that everyone has a win-win situation.

02:32It is not that everyone has a win-win situation.

02:34It is not that everyone has a win-win situation.

02:58The meeting is going to take place and I am sure that the meeting is going to take place.

03:13in the meeting, something positive will come out for everyone.

03:17That's my hope. I cannot comment anything till that time.

03:21I don't know how it will shape up, but I am sure in the interest of the industry,

03:24in the interest of all the stakeholders,

03:26there will be a positive consensus.

03:28Do you have a difference between Jetli producers and producers?

03:34I don't know the difference.

03:35I don't know the difference between Jetli producers and producers.

03:41I am 100% sure.

03:44But it's okay.

03:46Part and parcel,

03:47if you have a bond,

03:48if you have a first day,

03:49if you have a multiplexer,

03:51if you have a bond.

03:53But again, it's resolved,

03:55so I have put it behind my backhand.

03:58Sathya.

04:00Zero is a condition?

04:02No.

04:02If it's called,

04:03there is a difference between the multi-plexer.

04:05You don't know the difference between single screen,

04:06but you can't see the difference between a percent of the employees.

04:10In the same way,

04:11if you don't see it,

04:11you don't know the difference between 50 screens.

04:12So,

04:12if you do not see the difference between the machines,

04:13the number that is right in the work.

04:15If it's done,

04:16then the difference between multiplexers,

04:18the number of multiplexers,

04:18the number of multiplexers is not that much percentage.

04:20here is the number of people,

04:22So,

04:22the producers can only do it,

04:24so I will try it and try it and try it.

04:27It will become more abundant.

04:29It's not my individual decision. All the producers put together will take the call.

04:34So, we will talk about the multiplexers.

04:36You have a smooth landing here.

04:39You have seen the hero in the first film.

04:43You have seen the first film.

04:46You have seen the first show in the channel.

04:57I'm very happy.

05:03I'm very happy.

05:04I'm very happy.

05:05I'm very happy.

05:08I have a feeling.

05:15Satyagar,

05:16I'm very happy.

05:21I'm happy.

05:21I'm very happy.

05:32I'm very happy.

05:34I'm happy.

05:37He is an experimental hero.

05:43He is also an experimental hero.

05:49Heroic image is a comedian.

05:52First of all, in many films,

05:55He is an experimental hero.

05:57You can't give it even if he is an experimental hero.

06:05Heroic image is a good one.

06:07He is to be a professional hero.

06:15This is a good landing.

06:16So, if you are doing the important characters, please continue to do the best subject.

06:26I'm going to start with the basic. I'm busy with comedy roles.

06:32I've been doing comedy roles and I've been doing comedy roles.

06:35I've been doing comedy roles and I've been doing comedy roles.

06:39I've been doing comedy roles.

06:42My own personality is I'm crushing it and I'm critical.

06:48I've been doing comedy roles and trying to explain it.

06:51He's not responsible for this event.

06:53But because I'm doing the superhero I'm going to be in the cinema and not am I?

06:59Ultimately, I'm working on comedy.

07:02We were released from OTT. So, this is the lead in the theater.

07:08So, you have seen a lot of cinema in Amalapurans. So, you have seen the lead in your family.

07:14Yeah, I have seen it. I have seen it. I have seen it. I have seen it in the shooting.

07:19I have seen it in the promotion.

07:21Okay. You can see it in the speech. You have seen it in the speech. So, any film, positive, negative,

07:31anything.

07:32So, you have seen it in the film. So, you have seen it in the film. Especially, you have seen

07:36it in the second half.

07:38The film is seeing it in the film. So, you have seen it in the next film?

07:42Then, the film is happening. So, you have seen it in the next film.

07:45So, you have seen it in the next film. So, you have seen it in the next film.

07:49That is, the main feedback.

07:51Well, the second half came in.

07:55There is a difference of opinion.

07:57Some people did a lot first half, both did a lot of their second half.

08:00Or some people did not try first half.

08:03So, every individual who got their own liking and taste.

08:07So it's a good thing that people are liking, there are people who are liking both the parts

08:15and then some of them are liking first part or second part or at the end of the day

08:18audience and they all choose what is their feeling and it is very important. We are satisfied with that.

08:24Let me ask you.

08:26If you have a role in Ajaygar, Kingfisher or Vijayv Malaya role, please give me an impression.

08:31Inspiration at the end, yeah. I don't know. Inspiration.

08:34I don't know. I just want to make it. I don't know.

08:39I just want to make it. I don't know.

08:42If you don't know, you don't know anything about it.

08:45I don't know. I don't know.

08:48I don't know. I think it's a comedy.

08:50So, I don't know.

08:51Ajaygar.

08:54Let me tell you.

08:56Sir, you have a character.

08:58You have a character.

09:02What is your character?

09:05What is your character?

09:07What is your character?

09:08I am a fan of Riteshra.

09:10What do you think?

09:17You have a character.

09:23What is your character?

09:25I am a fan of Riteshra.

09:30How do you think it is?

09:37You have a character.

09:37I am very interested in that.

09:42Riteshra especially has a unique character.

09:45So, you can talk about unique behavior.

09:50Probably, you can choose the character.

09:51You can choose the character.

09:55I am very interested in that.

09:56The whole team, right from Teja, Direction Department,

10:00and Soma, and Lander,

10:01I am very interested in this team.

10:04All the very best, Riteshra.

10:07Riteshra.

10:07One song.

10:08What are you doing?

10:11I am a dream song.

10:14Are you convinced?

10:16No.

10:18No.

10:19No.

10:30No.

10:34No.

10:35No.

10:36No.

10:37No.

10:38No.

10:42No.

10:46No.

10:47No.

10:48No.

10:49No.

10:51No.

10:52No.

10:57No.

10:58You are very satisfied in making this film.

11:02How do you talk about how you can reach out to the audience?

11:09I am very satisfied making this film.

11:12I am very satisfied with a lot of quality products.

11:17Everything is rich in the movie. Production values are very high.

11:31I am very satisfied with the audience.

11:39I am very satisfied with the audience.

11:44At the end of the day, the public response is what is important.

11:48Yesterday, towards the evening, all shows were full.

11:50It shows that, you know, all of us are very satisfied.

11:51Already, the talk has percolated down.

11:54And then, he is a movie.

11:57Yesterday, I got some calls from Bangalore also.

12:02Some of the exhibitors called me and said,

12:04Sir, I am very satisfied with the movie.

12:07It is different than the movie.

12:09Basically, I am very confident that it will continue to grow.

12:20And, of course, there is a handicap.

12:22The audience are not going to the theatre.

12:24There is no doubt about that.

12:25It is not because they are not going because the movies are bad or anything like that.

12:29Certain reasons, I am not sure.

12:30Whatever, we are unable to decipher that problem.

12:35But, in the circumstances though, I am quite happy with the response.

12:39What I am really at the end of the day, I am very excited about it.

12:51But, with the level of experiences, such as the music and the music and the music,

12:55I am very confident that we have to keep listening to this.

13:01So, basically, I have to manage an experiment on both sides and reach the content.

13:10It's a process and it's a process.

13:13So, it's a genre-based film and pure horror-based film.

13:18That's why I'll keep in mind.

13:20So, if you think about the genre and the audience, you might be afraid of it.

13:26So, if you think about it, you might be afraid of it.

13:31I'd like to think about the first thing.

13:33I don't have a doubt about the genre, but I don't think about the first film, but I think about

13:39it.

13:41So, if you think about it, I don't think about it.

13:43So, if you think about it, we'll balance it a little.

13:46So, at the release of the 2019, it was a lot of drugs.

13:51It's a lot of things like drugs.

13:53It's a lot of things like that.

13:55If you think about it, it's more than I had to go through, but I think about it.

13:59You know, it's a lot of things like the youth will enjoy, but almost 56 years people choose to enjoy.

14:03I don't want to talk a lot about it.

14:04Okay, one of them is a little bit of a plot.

14:09So, basically, it's a plot.

14:12So, if I work out, I'll do a little experiment.

14:16Oh...

14:16I don't know.

14:22I'll try making different films.

14:24Yeah, okay. All the best. Thank you.

14:26I love some of the hero of Satya.

14:28No, Satya is in the next film.

14:30Satya is in the next film.

14:31I don't know.

14:33I don't want to break it down.

14:38Charri, Charri, Charri.

14:40Charri, Charri.

14:41Hello Charri.

14:42I am.

14:44After all said and done,

14:45you must be appreciated for delivering a path-breaking film, sir.

14:50Really.

14:51Because we know that we are not aware of the film,

14:54we are not aware of the film,

14:55we are not aware of the film,

14:58we are not aware of the film,

15:01but this is a kind of film that is a new experience really for auditoriums and audience as well.

15:06I have not heard of the film.

15:08I have not heard of the film, but this is a common question.

15:11Why?

15:12Now,

15:13you will be able to do a film,

15:26He can do whatever he can, whatever he can, whatever he imagines.

15:34He can do whatever he can, whatever he can, whatever he can.

15:46But more than that, the confidence in him is what makes me say yes to him.

15:51Because when he talks about the narration, he can do whatever he can do.

16:01He can do whatever he can do.

16:02He can do whatever he can do.

16:04He can do whatever he can do.

16:12So, the crux of the movie, the concept of the movie,

16:16he can do whatever he can do.

16:19The rest of the thing, I leave it to him and I leave the ball in his coat.

16:22Okay.

16:23Satya.

16:25I mean, what are you talking about?

16:28I don't understand.

16:29I don't understand.

16:32I don't understand.

16:33I don't understand.

16:40But in this case, you have to do the director's imagination and director's concept.

16:48You have to do the same thing.

16:52I do the same thing.

16:54I do the same thing.

16:56I do the same thing.

16:59I do the same thing.

17:01I do the same thing.

17:02I do the same thing.

17:06I do the same thing.

17:08I do the same thing.

17:08I am telling you.

17:09I am telling you.

17:10I am telling you more about the audience.

17:12I am telling you.

17:14But anyway, I try this he is not.

17:16Very good, very good.

17:18Rana, Rana Garu,

17:20now this kind of films

17:22are a multiplex

17:24auditorium

17:25and some A-class towns

17:28some people may understand

17:30fully or may not also.

17:32Flow, G-mix

17:34or twists and turns in the film.

17:37But when it goes to B and C,

17:41the kind of jugglery

17:42and screenplay

17:43can you enjoy the cinema?

17:48I don't know.

17:49Basically, the target audience

17:54I'm doing a particular set of wheels

17:58and I'm doing a basic

17:59set of wheels

18:00and I'm doing a basic plan.

18:02If you don't understand

18:03that, I don't know.

18:05So, I'll give you feedback

18:07and I'll give you the next

18:09and I'll give you the next

18:13good plan just and all.

18:14Very good, very good.

18:16Ajigeru, you have been

18:17telling me

18:18you are very good,

18:20you are very good,

18:22you are very good.

18:24Thank you sir.

18:25Yes, you are doing this character in the run of the shooting in the cinema.

18:31At that point, you are also the main character.

18:36How far you are the main character?

18:41You look, getup, dress, cabin, office.

18:46What do you say about your experience?

18:47What do you say about your experience, sir?

18:49There is a lot of unique genre.

18:53If you are running in flight or film in flight,

18:57it is usually the same.

18:58Actors, I also have a lot of look of the character plus basic genre.

19:05In flight, 90% of the film is running.

19:08I am a director of Riteshra.

19:11I am a great hero.

19:13What do you say about it?

19:14I am a great hero.

19:17I am a great hero.

19:19I am a great hero.

19:20I am a great hero.

19:22Imagine, you have any ideas or ideas.

19:26So definitely, it is a lot of fun.

19:29But the dayas are a special dayas.

19:33Sudarshan has performed all the films.

19:37He is doing a great job today.

19:40He is in the show.

19:44He is doing a main character in episode episode in the episode.

19:49And we will show you a fantastic show.

19:55I am not sure.

20:00I am very interested in the show.

20:05But I had a disadvented character.

20:08That's why they banned this cinema in Dubai.

20:11U.A.

20:13Yeah.

20:16Why do you feel like the censor officers are doing something like that?

20:22I don't know.

20:23I don't know.

20:26Noor Jahan, sir, sir.

20:27What do you do, sir, sir?

20:29My cinema is also banned here.

20:32I don't know.

20:34Yes, sir.

20:36Do you have a problem with mathematics?

20:38That's a question.

20:43Sudarshan, please share this experience in the media.

20:47Please share that character.

20:49Please share that character.

20:52What is your experience in the total episode?

20:55Because why I am asking you this?

20:56You are a highly academic person.

20:59You are a highly educated person.

21:02I know that.

21:03That's why, if you...

21:04You are a highly educated person.

21:06Thank you so much for all the words said by you.

21:09Right from the beginning, you know very much about me.

21:13Ritesh Rana has got a special...

21:37honor that he has given me by giving this role for me in this film.

21:42And...

21:43An artist, he always trusts in me and...

21:46...as a regular routine right after that.

21:50He always...

21:51How he imagined me like a...

21:54Ajay Asthama right from the first press meet Ajaygari.

21:56What if you see that?

21:58You see one of the people in this size and you are like a human being.

22:01I have no doubt about it.

22:04I have no doubt about it.

22:07I have no doubt about it.

22:09But it is like hypnosis.

22:11When you do a hypnosis, you learn that.

22:16What if you are not, you are not able to do that.

22:18You are not able to do that.

22:19You are not able to do that.

22:28So, I am so fortunate enough, by all your blessings and best wishes, I got directors like Hrithesh Ranagar. Thank

22:37you so much for this.

22:38Good, very good.

22:40This is a cinema in a country.

22:43Ajaygar.

22:44Ajaygar.

22:55Ajaygar.

22:56Ajaygar.

22:57Ajaygar.

22:58Ajaygar.

22:59Ajaygar.

23:00Ajaygar.

23:01Ajaygar.

23:02Ajaygar.

23:03Ajaygar.

23:04Ajaygar.

23:05Ajaygar.

23:06Ajaygar.

23:08Ajaygar.

23:09Ajaygar.

23:10Ajaygar.

23:25Ajaygar.

23:25for the betterment of the industry. I am confident it may happen.

23:32Ajaygaru, sir, there is a lot of roles,

23:35and there is a lot of monotonous roles.

23:38Vikram K. Kumar and Director have a lot of perception.

23:40That's right.

23:42Especially in Gunturgaran, the Jelton Babaji character,

23:46there is a lot of perception.

23:48There is a lot of roles in this role,

23:50but there is a lot of monotonous roles.

23:52In the world-street, you have a problem with an artistic journey.

23:57Vikram K. Kumar is important, sir.

23:59My film is important.

24:00I am working on the field every day.

24:02It is like I am interested in an interest.

24:05I have a lot of interest in this field.

24:06I am working on this field.

24:07I am working on this line in sets.

24:10I am working on the role every day.

24:12I am working on the role every day.

24:16I would prefer when I shoot every day.

24:18I would prefer to do it.

24:19Vikram K. Kumar has a lot of results.

24:21Vikram Kekumar and Ritesh Dharanagarik

24:24I think that's a big thing

24:26Vikram, Vikram, I've always been doing Ritesh

24:29I've always been doing Ritesh's main intent

24:31I've always been doing Ritesh's main intent

24:34Yeah, that's a big thing

24:36After 25 years I've been doing Ritesh's main intent

24:41So that's nice, that felt very nice

24:43Very heartwarming and pitch

24:45I've always been doing Ritesh's great

24:50So I've always been doing Ritesh's different

24:52Only Ritesh's left turn

24:55I'd be lucky and fortunate enough

24:58I've been doing Ritesh's role

25:00Thank you

25:02Sir, you're not a main leader

25:06I'm not a main leader

25:08I want to be a main leader

25:11But there's no post-sure value

25:12But for the turnover, the turnover of the turnover, the turnover of the turnover, the turnover of the turnover.

25:21Should we take the turnover of the turnover of the turnover?

25:28I can't say that.

25:30I hope you will be able to try and get a little bit.

25:34You can't start the turnover of the turnover.

25:47so

25:48this is

25:48I

25:48like

25:48this

25:48like

25:49this

25:50this

25:50like

26:06this

26:08But in this film, in this film, there are a lot of templates in this commercial format.

26:15Yes, there is also a basic Ajaygar character.

26:19I think it's a major setter.

26:22So, if it's in-built, it's a mix.

26:27It's a bit of a commercial setter.

26:29I've never seen it as a commercial hero.

26:32I've never studied it.

26:34So, if I study it as a consumer,

26:36then I'll paint the film with Tom Cruise.

26:42So, it's a business model.

26:44It's not an idea.

26:45I don't have a hairstyle.

26:49As I said, it's a little mix.

26:51I took a picture of some buildup.

26:52I mean, I'm inspired by that scene.

26:55But the other role of buildups,

26:56So, I think it's a great idea in that genre.

27:01So, I think it's a good idea.

27:04And specifically, I think it's a good idea.

27:09I think it's a good idea.

27:15I think it's a good idea.

27:18But, I think it's a good idea.

27:22He was so surprised to see the movie.

27:23His name is Hanuman 2 word.

27:26He was getting his name as a promotion.

27:29Sir, I am sorry.

27:32Actually, in the UK location,

27:34people may have seen films like this.

27:36Like a flight,

27:37you watched a movie like this.

27:40We have seen a flight hijack,

27:41a suspense drama.

27:43Is this a comedy subject?

27:45From the UK location.

27:46That is the challenge to be in the UK,

27:51It is not going to be an easy task.

27:53So, if you have a challenge, you need extra efforts,

27:57you need extra betterment.

28:00So, it is unique,

28:03you need to sustain your confidence,

28:05you need to sustain your confidence,

28:08you need to sustain your confidence.

28:10Plus, it is completely different.

28:13If you look at the audience,

28:16he is not a regular filmmaker,

28:19he is not a regular filmmaker,

28:21he is always different,

28:22so, how would you get to put it in this evidence?

28:24Mr. Kutupika,

28:25Mr. Kutupika,

28:28your a-

28:33Mr. Kutupika,

28:37Mr. Kutupika,

28:41Mr. Kutupika,

28:42Mr. Kutupika,

28:43Mr. Kutupika,

28:46Mr. Kutupika,

28:54I think it's a basic combination of it.

28:58No, I think it's a good combination of it.

29:01One last question.

29:04What I love about Mathwadalra and Mathwadalra too,

29:07Happy Birthday project too.

29:10There are minute details.

29:12There are screenshots of the screen.

29:13There are details of the sets.

29:16There are details of the 4K, BSD.

29:21So, the details are the ones that you can do.

29:23The editing part is the ones that you can do.

29:28But, did you explain the script?

29:32Or else, anything you add to the script?

29:36The script is basically in the flow or dialogue.

29:39If you don't say anything, you don't say anything.

29:41I'm just saying, you don't say anything, you don't say anything.

29:49I'm just saying, you don't say anything.

30:02Well, if you want to play a game, you don't have any fun.

30:05You can play a game for a young man.

30:06But that's why you already planned it.

30:08If you want to play a game, you can't play any games.

30:11I think you want to play a game for the second time.

30:14That's not my name.

30:16So, that's basically what I do.

30:18So, the ad-ons is a lot of fun and fun.

30:22So, what kind of ad-ons is your team?

30:25I like Teja and Soma.

30:27So, we have Teja and Teja are in detail.

30:31Teja and Soma.

30:32Thank you, thank you.

30:39So, if I am permitted to say one thing,

30:41Riteshkar had a get-up session later,

30:43then the director said to me,

30:44I'm going to get up and get up and get up.

30:49That's why I am happy,

30:50you are in Dubai too.

30:52Why are you doing so much?

30:54So, thank you.

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