- 3 weeks ago
Bergerac.2025.S01E05.540p.x265.AAC [Full Movie] [Latest Version]Full EP - Full
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00:04A
00:04कि सर्क कि लुटी विज़ में इस इा ज कि अर्फी है
00:06कि में कूल
00:07कि में किया जारी निर अडिए लुटेब्स बिलुटर
00:08ले थे टे लुट्ट्र्स्ट्र इंगे इंग में
00:10लुट्स अने
00:12को बाव अगने में ले वाल
00:29जशोनिली लुट'S लाध बाराफ बार रुट्ट अवाध है है, व्लूटक ठाध तक अवाध अजे लुट्ट नप्ते शुट्टे अजला फृट मुट्ट
00:37लुटू में अभ आध दूट अछोंगे से अुट्ट अवाध जिसे अचार?
00:42कर दो नहाधा करिन अचरा अज हाधा जए लुता अचर अचाल वाल अचाई लुट हूँ झाल अर झाल अचार अवиныvy
01:05अचार्णा उटेटें कर दो लुट वे लगान सब्सक्तराइब को अच्छार अच्छी कर बांदा इंट गार ततेट अूैंश भाव बसंदार इना,
01:07है य
01:12I was found guilty under false means.
01:15I've been thinking,
01:16how many other poor innocent souls have you stitched up?
01:19I don't know about you, but that keeps me awake at night.
01:22Yeah?
01:22What about Sophie Armstrong? Do you think about her?
01:24Oh, I think she'd want the right man to pay for the crime.
01:32Now, careful, Jim.
01:33God's eyes are everywhere. CCTV of the soul.
01:37Now, I forgave you, but you just kept coming.
01:41Can you stop me from starting over after I'd served my time?
01:44The only reason we went to the press is because we can't trust the police.
01:48Who's we?
01:49Someone who hates you as much as I do.
01:52Arthur Wakefield.
01:54So the law is paralyzed,
01:56for the wicked surrounds the righteous.
01:59So justice go forth perverted.
02:02Yeah. Thou shalt not fucking abduct.
02:17I'm sorry.
02:21I'm sorry.
02:27I'm sorry.
02:30You don't have to let me out.
02:30I'm sorry.
02:30But it's all in your face.
02:31No, that's not the flavor.
02:31No, that's not the fault.
02:33Oh, that's not the fault.
02:37There's no please.
02:37You don't have to be afraid of by yourself.
02:38You can't trust the smoke.
02:38I'm not afraid of that.
02:38No, that's not the fault.
02:39I'll see you.
02:40I can't be tired.
02:48Where's Julian?
02:51He's at the police station.
02:55He, uh, he left the opera on the night of.
02:59I didn't mention it, for obvious reasons.
03:02Oh.
03:04And then he, uh, took my car, drove it here.
03:09वे वाने िन्गे लूटा झाली बन्सकेट.
03:13वे वे अिंसवा हैं?
03:16अज वे वे?
03:18वे वे तो जब रे खूँर्णास्वाल उनकेट के लिया के लिए गभी हैं?
03:22प्रेस्माज़िक पॉर्ण़े में लिए हैं?
03:24अजर ऱो इन्न गजाब लाइ उन्सकेट।?
03:30व्हाले टन्हे साहरां, झाल अन्हे लान्हें को उ자� को खिताइबे ह´ रांस Dollец
03:36वतर। वह ज के इस प्रल्स ओार्थके?
03:39च्वाल लूर्ञटों है?
03:40बनालोम लुट लुट इसे प्रषगे का呢
03:40प्रों को मेरे वेहाता ए明瞬तारी, तक हम concealed ल।छ
03:44पाफर बोल्ट मेरे खंवा जया है
03:47यह अग्यास लिए अगा बंगार अगा बंगान अगाल
03:50प्रप्न को बंगा अप्रिया हम्यद वे लिक प्रभिया अगार अगार अगाई
03:56अगूरा क्योद से सुपके तो
04:04अगा हो अगा अगा ये प्रेह ठीक
04:24प Hz
04:27Hi Dad
04:28Hi Love
04:30you okay um
04:33how's Dragon Lady
04:35still breathing fire
04:37Secer is gonna have been a lot worse
04:39I could have broken my arm
04:41you didn't
04:43and I could have seen you bein killed
04:45yeah well she should keep her fanzys to herself
04:50the thing is
04:54she doesn't want me to see you for a bit
04:56what
04:58until you've sorted yourself out
05:00who does she think she is
05:02it's not her choice Kim
05:03okay it's yours
05:05um
05:07look I'll talk to her
05:08put her on
05:09no it has
05:10no I'm not gonna let her take over your life Kim
05:12I don't want you two fighting, again
05:20She's coming, I should probably go
05:22Wait, sorry, you can't even talk to me now, Kim
05:36Hi
05:38Guess who just came to the hostel like a man possessed
05:41Bergerac?
05:42Yeah, totally lost his shit
05:44The cage has rattled, prison beckons
05:47So, how long till you run the story? Because I can't wait
05:50I spoke to Sophie
05:52I was hoping she'd concede that Bergerac had coached her into identifying you
05:57But she is convinced it was you
06:00Right, but we still have the second search of the car
06:02No, I just had to explain this to Arthur Wakefield
06:07It's not enough
06:08Without hard proof that Bergerac did this, we could be sued for defamation
06:13Sorry, are you saying that you're not going to run it?
06:16I'm sorry, John
06:17You're serious?
06:26Okay, fine
06:30You need to go to this address
06:35It's the house I grew up in
06:37You'll need to go into my old bedroom
06:39Top of the stairs first on the right
06:41There's a wardrobe
06:43Taped to the inside of the wardrobe
06:45It's an old mobile phone
06:46I need you to get it
06:48And I need you to bring it to me
06:49But why can't you get it?
06:53It's not safe for me to go there
06:56But it is safe for me to go there
06:58You said you need evidence
07:00Wait, so there is evidence?
07:03Well, why didn't you use it at trial?
07:06You'll see
07:29So
07:31We know that Julian took out a life insurance policy on Kate
07:34Right around the time he went into debt with Ruccini
07:36People have life insurance policies
07:37For all we know, maybe she had one on him
07:39It doesn't mean that he was desperate enough to kill her
07:41And besides
07:43Insurance companies don't pay out immediately after a murder
07:47It's a long shot, Barney
07:48He was desperate enough to fake a ransom note to his father for his own daughter
07:52That's opportunistic
07:53It's not premeditated, Barney
07:55It's a key difference
07:55Not premeditated
07:56He knew that she was at home, alone
07:58With no CCTV
07:59He snuck out of the opera house
08:01He took his dad's car
08:02Master Wakefield in the nursery with a candlestick
08:05Julian, look
08:06He's definitely
08:08It's promising
08:09But Arthur is still in the frame
08:12Hold on
08:12Any luck enhancing the CCTV of Arthur Wakefield's car?
08:16Yeah, I sent her to tech
08:17But I'll show you some of them
08:18Yeah
08:20What?
08:23What exactly did she say?
08:24I haven't gone into any detail with her
08:25She just gave me the headline
08:26And I put her in here
08:32Chief Inspector, I came here to tell you that it was me driving Arthur's car from the opera house
08:47I slipped out from the stalls, took Arthur's keys from his coat pocket and drove back to the house to
08:53talk to Kate
08:53What about?
08:55Something she said before we left about Ellie Robson
08:59I presume Julian must have told her we'd been receiving threatening letters
09:03Why? What did Kate say?
09:05That she empathised with Ellie and that concerned me
09:10And then during Nonon Tremare o Perfido
09:13Sorry?
09:15Oh, do not tremble your treacherous one, Act 1, Scene 9
09:18It struck me that they may have been in contact with each other
09:22Okay, so you left, yeah?
09:24Mm-hmm
09:24Okay
09:25What happened when you got back to the annex?
09:27Well, we talked
09:28And I was right
09:30I mean, Ellie had convinced Kate that there was some great conspiracy
09:35That she was denied all this money
09:37And Kate was naive enough to believe her
09:41Okay, so an easy target for a vengeful woman
09:43Well, I'm sure Ellie was very convincing
09:47There's just one problem
09:49The usher told us that no one left the stalls before the interval
09:53Well, they're wrong
09:55I don't know
09:56And it doesn't seem inconceivable to me that you wouldn't step up and take one for the Wakefield team
10:02Was this Arthur's idea?
10:05That you would put yourself in the frame to save him?
10:08You're Petticoat showing, Chief Inspector
10:10I'm sorry?
10:12Your fixation with Arthur
10:16Okay
10:17For the sake of argument, then
10:18You go back to the annex
10:19Because Kate and Ellie are conspiring
10:23Conspiring to do what, exactly?
10:24Well, that's what I wanted to find out
10:26I mean, there isn't any proof
10:28So the best Kate could hope to do would be to, I don't know, undermine Arthur in some way
10:35Damage his profile, our profile
10:38I made it very clear that that would be a very, very bad idea
10:43And I left
10:44Right, and Kate was still alive?
10:49Yes, absolutely
10:50Why didn't you tell us this before?
10:52Because I knew how it would look
10:55And I didn't want Arthur grieving a daughter-in-law
10:59He was in effect stabbing him in the back
11:02But I can't stand by and watch Julian be incriminated, so...
11:06Kate thought there was proof
11:08I'm sorry?
11:09About the illegal purchase of our light serial cell
11:11You said there wasn't any proof
11:12Kate thought there was
11:13Their plan was Kate would go to the theatre
11:17Ellie would sneak into the house
11:18And go to Arthur's laptop
11:19And take all of the incriminating evidence
11:21And sneak out and take it to the press
11:23I mean, Kate had sent Ellie hand-drawn plans of the house
11:27The location of the laptop
11:28The passcode
11:29I see
11:29Ellie got cold feet
11:30Kate's last message to Ellie was
11:32If you won't expose Arthur, I will
11:36Kate feigned illness
11:37So she could get the information herself
11:41Where did this argument take place?
11:43It was more of a conversation
11:45Where did this conversation take place?
11:48In the nursery
11:49Lily was in her cot
11:51I need...
11:53I need to understand
11:56The conversation
11:57Where were you?
11:58Where was she?
11:59I was in the doorway
12:00Kate was by the fish tank
12:03Okay, this is what I don't get
12:05Why?
12:05Why would Kate put herself and her baby at risk
12:09By conspiring against Arthur Wakefield
12:11While under his roof?
12:18She was leaving
12:20She was taking Lily and she was leaving
12:22That's why there was a half-packed bag in the nursery
12:24She was packing and she got interrupted
12:25And that was the ultimate kick in the teeth, wasn't it?
12:30After everything you and Arthur and Julian had done for her
12:32She was going to break up the Wakefield Empire
12:34Your surrogate family
12:35Run for the hills
12:36No wonder you lashed out
12:37No, that's not what happened
12:39This wasn't just about Arthur
12:40It was about you
12:42You'd given your whole life to this family
12:44To this company
12:45And this ungrateful bitch was going to destroy it all
12:47No, I told you what happened
12:51We talked
12:52I went back and we talked
12:55That's all
12:56I went to talk to her
13:01So, Margaret finds Kate about to leave
13:03With the intention of exposing Arthur Wakefield
13:05She tries to stop her
13:07It gets out of hand
13:08She bashes Kate over the head
13:09Unless Arthur has put pressure on Margaret
13:12To sacrifice herself in order to protect the family name
13:16Arthur will have told her about the speed cam picture of the car
13:19So, maybe she's come forward because she knows it's only a matter of time
13:23Before we identify her anyway
13:24And her story ties in with the time of death
13:27Julian and Arthur still don't have alibis
13:30And the usher said that no one left the stalls
13:32Get Simon to talk to the usher again
13:36If he still says no one left the auditorium
13:38Then we charge Julian Wakefield
13:41If he says he's not sure now
13:42Then it looks like Margaret's our killer
13:45Where are we with forensics?
13:46Finally came back this morning
13:47Other than the family, Mia and Margaret
13:49There are four unidentified DNA traces
13:52They did just have decorators in
13:53So we have to track them down so we can eliminate them
13:55This fucking guy, I swear to God
13:58I have to go
13:59Another lunch date, is it?
14:01Just there's stuff to do here
14:03Meeting with my therapist, actually
14:08You know, I would not say that he was the best advert
14:11For the effectiveness of therapy
14:12Thought you had stuff to do
14:38I'm so sorry to do this
14:40I was just in the area
14:42And I saw the for sale sign
14:44And I just couldn't resist asking for a sneaky peep
14:49Come on
14:52There's a lady here that wants a viewing
14:59Hi
15:00No viewings without an agent
15:02You could be anyone
15:02No, totally
15:04Absolutely fine, Alan
15:06I'll talk to you
15:09I've just been a bit reluctant
15:10To deal with agents
15:12You have to give over your details, don't you?
15:14And then you just become inundated
15:16Especially if you're a cash buyer
15:19And not in a chain
15:21But no
15:22So sorry to disturb you
15:26Wait
15:29All right
15:32Thank you
15:33Thank you so much
15:36Thank you
15:40Wow
15:42Original features
15:44Why are you selling up?
15:45Oh, we're going to live with our son Mark
15:48In Scotland
15:49Oh, lovely
15:52Is he your only child?
15:54Do you want a viewing or our life story?
15:57No
15:57Tea?
15:58Coffee?
15:59Coffee would be great
16:00Thanks
16:03Well, go on
16:05Oh, it's okay
16:10I can whiz round
16:13Save you
16:13I've been enough of a nuisance already
16:20You said that no one left the stalls during the first act
16:23Are you sure about that?
16:25Yeah, yeah
16:26No, definitely
16:27I need you to be certain
16:29Thing is, I'm not supposed to leave my post at the door
16:33Josh, if you're dead, that's not a criminal offence
16:36But withholding evidence is
16:41This girl
16:43That works here
16:45In the cloakroom
16:46She
16:48Uh
16:51She asked me to meet her in the storeroom
16:52Okay
16:53So I did
16:54And what time was it?
16:57This is really important, Josh
17:048.40
17:12How quick was this quickie?
17:17I was back in position for the interval at 9.20
17:229.20
17:23And you're telling me the truth this time?
17:26Yeah, look
17:39Coffee's ready
17:40I'll be down in a minute
17:42I'm not supposed to be down in a minute
17:44I'm not supposed to be down in a minute
17:46I'm not supposed to be down in a minute
17:49I'm not supposed to be down in a minute
17:56I'm not supposed to be down in a minute
17:57I'm not supposed to be down in a minute
17:58I'm not supposed to be down in a minute
17:58I'm not supposed to be down in a minute
17:59I'm not supposed to be down in a minute
18:00I'm not supposed to be down in a minute
18:00I'm not supposed to be down in a minute
18:01I'm not supposed to be down in a minute
18:02I'm not supposed to be down in a minute
18:02I'm not supposed to be down in a minute
18:03I'm not supposed to be down in a minute
18:04I'm not supposed to be down in a minute
18:05I'm not supposed to be down in a minute
18:11I'm not supposed to be down in a minute
18:18कर दो कर दो कर दो
18:41है कर दो कर दो कर दो में बड़कर दो कि दो कि अव्यारा के दो जो कि एका दो
18:47कर दो कर दोक्ती दो कि वहागों कॉपश्या है
19:34झाल झाल झाल
19:41itter-lead on a murder investigation
19:42Oh
19:44Well you're my priority
19:45Oh wow thanks Pete, I'm touched
19:50How did it go with Kim
19:53Not great
19:55We got interrupted
19:56Oh... because of the case?
19:58It does have a habit of doing that
20:01Well go on then
20:02What's this lead?
20:05Arthur Wayfields, looking less likely
20:07Margaret is PA, um...
20:10She caught Kate trying to leave the house the night she was killed.
20:13Kate was planning to expose Arthur for defrauding Jonathan Robson.
20:18She was working with his daughter Ellie.
20:21Everyone talks about Kate being weak and naive, gullible.
20:28But the Kate that sent messages to Ellie from her secret phone was sharp.
20:33She was confident, she was principled.
20:35There's so much about Kate's life that we don't know about.
20:38What's that graze on your knuckles?
20:40Oh, that's nothing.
20:43I punched a wall.
20:45It was quite restrained considering the alternative was John Blakely.
20:48Where did this happen?
20:50John's hostel.
20:51Yeah, I know.
20:53I know I shouldn't have gone there, but no damage done.
20:59Well, apart from to my hand.
21:01Why did you want to punch him?
21:03The point is, I didn't punch him.
21:05Why are you still hounding John Blakely?
21:09I...
21:09You know, this anger I'm picking up on, this lack of control...
21:13Ah, here we go.
21:13What if it's projection for the anger you feel at losing Rachel?
21:17You're hurling yourself into work to avoid dealing with your grief,
21:22and as a result, your emotions are getting displaced because you're not targeting the original source.
21:27Or maybe I'm doing it because I'm trying to find out who killed a young woman who was brave enough
21:30to bring that fucking tyrant down.
21:33Look, I need to find Kate's second phone, so let's just chat when her killer's been caught, yeah?
21:50I knew there was a reason I kept every charger I'd ever end.
21:55So you saw him then?
21:58How was mum?
22:01She seems...
22:03sad.
22:06Yeah.
22:07He won't let her reach out to me, he's a beast.
22:13There.
22:14There.
22:14You see?
22:15I...
22:16I took some photos that I was going to send to her father, but I never used this one.
22:20No, no, no.
22:20Go...
22:21Go back.
22:21You see through the window, that is...
22:22That is my father's red Metro.
22:24That's not my car.
22:25That is not the car that they planted the evidence in.
22:28That's Sophie Armstrong.
22:33You wanted proof, there it is.
22:35No, you said you were innocent.
22:37You lied to me.
22:38Not about Bergerac planting the evidence, it's...
22:41That was true.
22:42Look.
22:42She was a child.
22:45I'd have never pursued this if I'd known.
22:50Fine.
22:51Fine.
22:52Hmm.
22:53Just take a minute.
22:56I mean, you've met with her.
22:57She's fine, isn't she?
22:58She was a child.
23:00Look what you did to her.
23:01I served my sentence!
23:05He hasn't.
23:06I think we're done.
23:08Here.
23:12I fucking see you.
23:24Oh.
23:33Well?
23:36Oh.
23:38I, um...
23:39I've been charged with perverting the course of justice and bailed to attend court.
23:47Well, I'm, uh, sorry to hear that, Mark.
23:51Hmm.
23:55However, there is an upside.
23:57We know it wasn't Julian.
23:59Hmm.
24:02Why?
24:03What were you going to say?
24:05Well, they know I didn't do it.
24:08Well, I wouldn't be so sure.
24:10Bergerac's convinced I'm covering for you out of some sort of die-hard loyalty.
24:16Even when we're telling the bloody truth, you're determined to pin it on me.
24:19I'm telling you, the man's not well.
24:28You've got to tell him.
24:33Arthur, we were just talking about you.
24:35The Bergerac expose, enough dicking around, you run the story tomorrow.
24:40I'm sorry, Arthur, but whatever Bergerac did to frame him, we have evidence that proves
24:44conclusively that Blakely did, in fact, abduct that girl.
24:47Yeah, right.
24:47But, I mean, you're not saying Bergerac didn't falsify evidence, are you?
24:52No, I'm saying I'm not jeopardizing my career or my reporters by printing a story that champions
24:58someone who abducts young girls.
25:02Fine.
25:03I'll be talking to the owner and the board.
25:05Be my guest.
25:05I'm sure they'll agree with me this isn't a story, it's a suicide note.
25:09Thank you for your time.
25:11Arthur, please.
25:12Please, just listen to me.
25:14All that Blakely cares about is hurting Bergerac.
25:17Now, I know that aligns with your objective, but Blakely, he's a very sick man, so take my
25:25advice.
25:25I have nothing more to do with him.
25:27He's toxic, Arthur.
25:28If you have to go after Bergerac, find another way.
25:32Noted.
25:36Yeah, I'm not.
25:39You know that, um, man you brought here to my house, John Blakely?
25:45Turns out he abducted the girl.
25:48So now they're not running the story.
25:50Well, I'm, I'm sorry.
25:52I thought he'd be able to help somehow.
25:57Just explain to me again, why were you in the Annex when Kate died?
26:03As you know, she'd been speaking with Ellie Robson and wanted to find out what they were
26:07planning.
26:09So you would have been the last person to see Kate alive.
26:14Bergerac was right, you were loyal to a fault.
26:18What's she saying, Arthur?
26:20Hmm?
26:21Oh no, no, no, no, just thinking aloud, that's all you know.
26:36One day someone's going to walk through that door, and it won't be about Jim.
26:42Every time I get close to a breakthrough, he talks about work.
26:46The lines between personal and professional are blurred.
26:50I think he's projecting his buried rage at losing Rachel onto his suspects.
26:55Yes, he was ranting about Arthur Wakefield this morning, again.
26:58And then there's John Blakely.
27:00Oh, that's sorted.
27:01He's no longer in the frame.
27:02Well, Jim went to see him last night, at his hostel, ended up punching a wall.
27:08Dickhead.
27:09Rather than being a healthy diversion, this case has become an addiction of sorts, a replacement
27:14for alcohol, which he'll do anything he can to perpetuate.
27:18Everyone can master a grief, but he that has it.
27:22Bumper sticker?
27:23Shakespeare.
27:25My bad.
27:28I'm going to have to take him off the case.
27:59Where, where are the, um, where are they?
28:02Okay, the, um, the, where are the photos of Kate Santayla Grobson?
28:05Oh, uh, under here.
28:17Are forensics still in the annex?
28:19Yes.
28:19No matter what.
28:26Yes.
28:36No matter what.
28:52ऴूप्पी झारी फूचिट मैं ये लिए। गजराग जे ।ब पूपके।
28:54पूपी, है ते लिए गभाराग के सूब पटाराग के में हैं?
28:55ये, ये लिए जे टो बुटा बूब ते नसरी
28:58वा रूब एुट अवा हैं?
28:59वा जे जो गो फटाम?
29:03ज Corn 유튜�ू कि अ जढंस समय पहरो
29:05अर यह इंनmud अर्ष्राइब इस बार्वे जलोबोले folks
29:10कि इनले खुष्ष rाव जो इंक और उतिन नकाeled में
29:15करश माल का थे और वे जुड़ करू है
29:17बष्षेज अ मझाल कि है कि आज को अंपकर को भूले ही जाया useful
29:28what are you doing?
29:31poppy? poppy talk to me
29:32I don't want to harm the fish
29:34No, the fish are fine. We can replace the fish
29:36okay enough
29:37Jim!!
29:37Jesus! Would you?!
29:39Wait!!!!
29:41Poppy?
29:53Nothing in the stones
29:54Er, what else?
29:55A log
29:56It's quite realistic for plastic
29:57Okay, can you pick that up? Can you look inside?
30:04Jim, hang up. I need to talk, now.
30:06Yeah, no, just hold on.
30:07Poppy, talk to me.
30:14There's like a freezer bag, and there's a phone in it.
30:17Yes! Yes, what?
30:19Excellent work, Poppy. I'm coming to pick it up now.
30:22We got it. We got Kate's second phone.
30:28Oh, Margaret said that Kate was by the fish tank.
30:30And, you know, I thought, um, she's not going to be feeding them, so why is she there?
30:35She was hiding her secret phone because someone was heading into the annex.
30:37And then I saw the waterproof bag in the corner of the photo that Kate sent to Ellie.
30:41I enlarged it. Why would Kate have a waterproof bag?
30:44For the phone in the fish tank. Thank you, and good night.
30:46That's actually very smart.
30:48Yeah, I know, right?
30:50Now we're going to find out who the real Kate is, because I think it's on there.
30:53Everything we need to know. Jim, we need to talk.
30:54Absolutely. I'm just going to pick up the phone and swing by once I'm done.
30:57I know you went to see John Blakely and punched his wall.
31:03Okay. Um, I didn't touch Blakely.
31:07Um, but no, look, I messed up. I appreciate that.
31:09But I swear, that will never happen again.
31:11It's harassment, Jim.
31:13Um...
31:15My God.
31:17You arrested Arthur Wakefield when I expressly told you not to.
31:20You took your daughter on an arrest, and now this.
31:22I took a huge risk on you.
31:25Yeah, and I just got us a massive breakthrough.
31:26Yes, and I need to secure a conviction.
31:28We can't risk some lawyer getting the case thrown out because you freestyled protocol.
31:33I'm sorry, Jim. I have no choice but to...
31:35No, no, no, no, no, no.
31:36Take you off the case.
31:39I found Kate's fault.
31:42And you can rest easy that Tech Forensics will help us with it.
31:46No.
31:47I never doubted your brilliance as a detective, Jim.
31:49Please, don't do this.
31:51Not now.
31:52Don't take this away. I need this.
31:55Take some time.
31:56Get your priorities straight.
31:58Go home.
32:00Be a dad.
32:05Right. Back to work, everyone.
32:07Thanks to Jim, we have Kate's phone.
32:10Our best lead so far.
32:47कर दो
33:21झाला हुआ।
33:44I am not silenced because of the darkness
33:47nor because the thick darkness covers my face
33:50God has made my heart faint
33:52He
33:58Fuck off, there's a good lad
34:09I won't stay long
34:11The last thing I need today is tetanus
34:15You haven't been quite straight with us, have you, son?
34:18No, I said Bergerac planted evidence to secure my conviction
34:22No, you weren't straight about who you are
34:25You failed to mention that you're a grubby little sicko
34:28that abducts young girls
34:31One
34:33Young girl?
34:36It's an interesting hill to die on
34:37Fine
34:39What can I do for you, sir?
34:42You wasted my time
34:43However, my forgiveness knows no bounds
34:46Nor does my generosity
34:52Bergerac's address
34:55And what am I expected to do with this?
34:58Use your imagination
35:02And what do I get in return?
35:03Well, he's as mature and amusing as mine
35:06You said he lost you, your job
35:09Well, we're always looking for fit, hardworking young men for our sights
35:12Fresh start
35:14Clean break
35:16Blah, blah, blah
35:21I'm not just an animal that you can let loose on someone
35:26Really?
35:28Because I think that's exactly what you are
35:40Hello, darling
35:41Oh
35:41How was your day?
35:42I didn't attend any arrests, you'll be glad to know
35:49Starting early, Gran?
35:52Maybe we have something to celebrate
35:54Oh, what?
35:56I don't want to trace a break to Corfu
35:57Very funny, I'm not that drunk
36:02I've seen this
36:04They do skiing trips
36:05They have a state-of-the-art music department
36:08Complete with a recording studio
36:12Places are like gold dust
36:13So I took the liberty of, uh, signing you up for next term
36:19What?
36:20Your grades are suffering
36:22They have a 98% pass rate
36:28Your GCSEs are coming up
36:40I have a thirst for knowledge
36:42And already possess a broad understanding
36:44Of the cultural, historical, and geographical
36:46Which makes me eager to discover more
36:51Is she AI generated?
36:53What about my friends?
36:55You'll keep your old ones and make new ones
36:57With these trots?
36:59Your mother, darling
37:00Was very happy there
37:02Why shall she agree?
37:05Think of it as a new adventure
37:09There's been enough change
37:11Darling, sweetheart, you were so keen before
37:14I was being nice
37:17It's my life
37:18My decision
37:20Dad was right
37:21About what?
37:23Don't you surprise me?
37:24You're trying to take over
37:26Because
37:28Right now, it seems
37:29I'm the only responsible adult in your life
37:33It's not me who keeps letting you down
37:36Remember that
37:58Granny's only gone and signing up to the posh private school
38:01It says I have to start next term
38:04What?
38:05Granny's trying to turn me into a version of mum
38:06That doesn't even exist
38:09You're right
38:09She's trying to take over
38:14Not on my watch, love
38:29Hey, it's just the one
38:32Fuck you, Dad
38:33Kim
38:34Stay away from me
38:36Kim
38:37Kim
38:38Kim, I'm sorry
38:39Leave me alone
38:40Just, please
38:41You just come back
38:42And we can talk
38:43It's not when you're pissed
38:44We can't
38:46Why did you have to prove Granny right?
39:01Kara, it's not a good time
39:02What?
39:09Kate only had two contacts in her phone
39:11Ellie Robson
39:13And someone called Fred
39:17Ellie's phone is Ellie's phone
39:18But Kate's and Fred's were page-you-go
39:20So untraceable
39:21And it looks like she deleted the messages about once a week
39:25So they don't go back very far
39:27But what she says is really interesting
39:32Um
39:38Margaret hates me
39:41Watching and listening
39:42Pretending to be on my side
39:45Right, and this is to the, uh, um, Fred
39:47Guy, straight woman
39:50Heart emoji is a reply
39:51Oh, um, the more I dream about breaking free
39:54The more she keeps tabs on me
39:56Margaret
39:57Fred says you can do this
40:01How many of these are there?
40:02Loads
40:03And this is just one week
40:04Almost all of them about Margaret
40:06Margaret
40:07Told me today how lucky I was
40:08To be welcomed into the family
40:10That I was adopted like Lily
40:11A stray
40:12Look at this
40:13A few days later
40:14Just had a big argument with Margaret
40:15She said Julian would be better off without me
40:17Then she said they'd all be better off without me
40:19I can't breathe, Fred
40:21And this
40:22The night she was killed
40:23They've all gone
40:24Tonight's the night
40:25Arthur needs to be exposed
40:26I just need the documents
40:27And then I go
40:30And then
40:31I couldn't resist saying something to Margaret though
40:34Which is probably silly
40:36Funny though
40:37Cry laughing and magic from Fred
40:39Then Kate says thank you
40:40I couldn't have done this without you
40:41Fred replies
40:42You did this all yourself
40:43What a joy it's been to know you
40:44Safe travels
40:46Kate was clearly terrified of Margaret
40:48What you said in her interview
40:49I think you were right
40:51She comes back to the annex
40:54She talks to Kate
40:56Kate tells her what she's planning to do
40:57And Margaret kills her
41:04Sorry I need to take this
41:07Charlie, look
41:08I need to talk to Kim
41:09I thought she was with you
41:11She ran away
41:12Hasn't gone to her violin class
41:13Her friends haven't seen her
41:14And now she's not answering her phone
41:16Um
41:18Look, I'm going to send you an address
41:20Meet me there
41:25I need to go
41:28Let me give you a lift
41:30You don't need to be breathalyzed
41:31On top of everything else
41:52I'd say she left mine
41:54Just after half past four
41:56I'm half an hour away on foot
41:58How long was she with you?
42:00About a minute
42:03Um
42:03Okay, find the nearest footage
42:06To my house
42:10There
42:10There she is, there
42:12Can you
42:14Where is she going?
42:16What have you got on King Street?
42:18Dry tomatsies
42:19There, is that her?
42:21What has she got?
42:22She's got flowers
42:24She didn't have those before
42:27She's going to the graveyard
42:29I adore champagne Charlie to do
42:31I'm a St. Bichadette school mum
42:33I know you were bullied there
42:35But were too nice to tell her
42:38I don't even know who knows you anymore
42:42I miss you
42:46I just want to hug you
42:49Hold on to you
43:09Where is she?
43:12Where is she?
43:13She was here
43:13She was here
43:14We saw her, we saw her just
43:16Just a minute ago
43:22Wait here
43:27Hey
43:32We'll find her
43:38Hey
43:39Hey
43:45Miss you
43:47Every day
43:49Kim left with a man
43:51Average height
43:51Fair hair
43:52Dark jumper
43:53He had his arm around her
43:53What?
43:55What?
43:56Who?
43:57Who?
43:58Who could hit me?
44:25Vengeance is mine
44:26Vengeance is mine
44:28I will repay
44:53I will repay
44:57Seaturing
45:03I will repay
45:05Vengeance is mine
45:05Was
45:05For
45:05I will repay
45:06You
45:11I will repay
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