Totò, Peppino e le Fanatiche - - Video Dailymotion

Pratico

#autostima, #problemid'amore,#narcisismo# narcissism #lifestyle #wood #works#game #music

Transcript

00:00:09Music

00:00:38How beautiful my love to dream, to sigh like this

00:00:44Alone, alone in the shade listening to the calypso melody

00:00:51A happy tomorrow will dawn with the day

00:00:58And the music will repeat the calypso melody

00:01:04A halo of kisses will fly in the sky and they will know how to say those kisses

00:01:17To whoever has a heart all our love as beautiful love my dream

00:01:24Sighing like this, alone, alone in the shadows listening to the calypso melody

00:01:33The calypso melodi

00:01:37The calypso melodi

00:01:41The calypso melodi

00:02:03It took some good and some good

00:02:05Good, let's go

00:02:21Service

00:02:31Sigh

00:02:32And the calypso melodi

00:02:33The calypso melodi

00:02:33and the calypso melodi

00:02:33We'll go crazy too.

00:02:35But why is anyone who fills in Amiciano crazy?

00:02:37Do you see that he's starting to like each other?

00:02:39Hey, hey, hey, hey, hey, there's that journalist.

00:02:41Good morning.

00:02:42Good morning.

00:02:44She is the journalist.

00:02:45One moment.

00:02:47She is truly the authentic journalist.

00:02:49Yes, those who write in the newspaper with periods, commas, and little dragons.

00:02:52Of course, I'm a real journalist, why?

00:02:54One moment.

00:02:55Why should he take our cause to heart, though.

00:02:57What cause?

00:02:58The gentleman is not a lawyer.

00:02:59Mr. journalist, don't stop, they know.

00:03:01Leave her to him.

00:03:02Listen, sir, you should do us a favor.

00:03:04She should write an article in the newspaper

00:03:08so that the authorities take an interest in our case.

00:03:11Because we are not crazy, we want to get out.

00:03:13We are here because our families made us think we were crazy.

00:03:16Sure, okay, okay.

00:03:17I'm writing a nice article, don't forget it.

00:03:19Quiet, nice and clear.

00:03:21What's her name?

00:03:22Oh, in person?

00:03:23Yes.

00:03:25Antonio Vignanelli.

00:03:26Antonio Accountant.

00:03:27Vignanelli, he's an accountant, yes.

00:03:28And her?

00:03:30Peppino.

00:03:31Peppino.

00:03:31Peppino Caprioli.

00:03:33Peppino Caprioli, accountant.

00:03:35No, Sir.

00:03:36Knight, indeed.

00:03:37I am a parastatal.

00:03:38Not if you medicate yourself, parastatal.

00:03:40I am...

00:03:41No, paranero.

00:03:42Free.

00:03:42Yes.

00:03:42Parastatal.

00:03:43He writes it.

00:03:44Of course, he can see very well that you are not crazy.

00:03:47How crazy.

00:03:48It's clear.

00:03:48Don't worry.

00:03:49Thank you very much.

00:03:50Good morning.

00:03:51He writes it.

00:03:52Yes, yes.

00:03:53Let's forget about this.

00:03:59Come on, come on.

00:04:00You forget about it.

00:04:01No, you'll see that you won't forget about it.

00:04:04Good morning.

00:04:10Good morning.

00:04:11Yes?

00:04:12What do you want?

00:04:13Ah!

00:04:14You don't forget about it, okay?

00:04:16Yes.

00:04:20Yes.

00:04:21Hey, you two.

00:04:22Him too?

00:04:23He wants the director.

00:04:24Yes, both.

00:04:31After you!

00:04:32I'm going back now.

00:04:33Come on, come on.

00:04:34Good morning.

00:04:35Can we come forward or do we have to retreat?

00:04:37No, come, come.

00:04:38After you.

00:04:39So who would you be?

00:04:4084 and 51.

00:04:4145 and 12.

00:04:4345 first names, 12 last names.

00:04:45He was 78 and Maria Mastro was 5.

00:04:47Please, have a seat.

00:04:48Thank you.

00:04:49Please take a seat.

00:04:50Please take a seat.

00:04:51Yes, sir.

00:04:52Where?

00:04:52Are you?

00:04:53But come on, do you want to sit down or not?

00:04:54Do you want to give in or not?

00:04:55But where?

00:04:56But where do you want?

00:04:57Well, do you want to give in here?

00:04:58Do you want to give in there?

00:04:59I follow myself here.

00:05:00Thank you.

00:05:00I bet you came here to tell me you're not crazy.

00:05:04Oh, indeed.

00:05:05Are you healthy?

00:05:06Eh!

00:05:07One moment, one moment.

00:05:08I like to clarify things.

00:05:09I am healthy.

00:05:11How do I know?

00:05:12And to prove it to me, you sat on two chairs that aren't there.

00:05:16Do you see it?

00:05:16I knew it.

00:05:18He knew it too.

00:05:19I thought.

00:05:21The commentator.

00:05:22No, I am not a commentator.

00:05:24Are you a commentator?

00:05:24No, I'm not a commentator.

00:05:26Didn't they make him a commentator?

00:05:27Ninth.

00:05:27But what an injustice, look at that.

00:05:29But how do so many people comment?

00:05:30Well, it's a guy like him who needs to be an arch commentator.

00:05:34For us he is a commentator.

00:05:36Very good.

00:05:36Well, I thought, I say, you'll see that being among the madmen, he too has brains...

00:05:42No, no, no.

00:05:43This was an exam.

00:05:45The most common.

00:05:46Ah, a municipal exam, in short.

00:05:48Municipal.

00:05:49Joking.

00:05:49Seriously, seriously.

00:05:51Very serious.

00:05:52Yes, sir.

00:05:52The reflex test.

00:05:53Sir, sir.

00:05:54I'll explain later.

00:05:55Come forward.

00:05:57Come forward.

00:05:58I can?

00:05:58Yes, then.

00:06:00So, I'm going to light up this screen now.

00:06:02You have three seconds to stare...

00:06:05It is true?

00:06:06Secure?

00:06:06Yes, stare.

00:06:07Let there not even be one.

00:06:08I'll explain later.

00:06:08Fix the images that appear.

00:06:10Are you ready?

00:06:11Yes, three seconds.

00:06:12Three seconds.

00:06:12Do you have three seconds?

00:06:13Are you ready?

00:06:13I'm not saying, you have three seconds.

00:06:15Yes!

00:06:16Are you ready?

00:06:17Ready?

00:06:17Yes, sir.

00:06:18Ready?

00:06:19Hello, what are you talking about?

00:06:19The professor?

00:06:20Still?

00:06:21And what does he want?

00:06:21He wants to work for three seconds.

00:06:23Silence!

00:06:25Silence!

00:06:26That is, we have to fight it.

00:06:27Silence!

00:06:30One two three.

00:06:31What did you see?

00:06:32One two three.

00:06:32What did you see?

00:06:33One two three.

00:06:33What did you see?

00:06:34One two three.

00:06:35What did you see?

00:06:36What time?

00:06:37An accident?

00:06:37One two three.

00:06:37What did you see?

00:06:39Have you seen?

00:06:40Did you see what I saw?

00:06:41Yes, sir.

00:06:42One two three.

00:06:43What did you see?

00:06:43I saw a bicycle with a shoe.

00:06:47No, without.

00:06:47A bicycle without shoes.

00:06:48The bottle in the shoe.

00:06:49A bottle on a bicycle. A shoe and seven...

00:06:52One, two, three. I saw a car.

00:06:54A car. A car.

00:06:55Oh, me too. West.

00:06:57Because what does the car remind you of?

00:06:59Professor, we are victims of our families.

00:07:02I too had to suffer the imposition of my wife and daughter.

00:07:06Two crazy, unbridled women, two speed freaks.

00:07:08I, sedentary by nature, was dragged at supersonic speed

00:07:12camping on a beach on the Tyrrhenian Sea.

00:07:16We were going at two or three hundred kilometers an hour, I don't remember exactly now.

00:07:18I had been forced, against my will, to follow my crazy wife's lead.

00:07:21and that crazy son of mine at the Vermicino jazz festival.

00:07:24Go slowly!

00:07:25Come on, come on!

00:07:27Go slowly!

00:07:28Come on, step on the gas!

00:07:50Go slowly!

00:07:54Go slowly!

00:08:22No, no, no, no.

00:08:29No, no, no, no, no.

00:08:50No, no, no, no, no, no, no.

00:09:19I want to stay at home and peacefully read The Three Muskets.

00:09:22But look at these coincidences of ideas.

00:09:24At home, on Sundays at this time, I read Treasure Island.

00:09:28To whom?

00:09:29And only three things at least go down.

00:09:34Three things?

00:09:34Only three things that I don't like.

00:09:35Say, say, say.

00:09:36Weekend.

00:09:37Uuuh, goodbye, I feel like the weekend is in my head.

00:09:39Sea bathing.

00:09:41Camby.

00:09:42It's the gamby.

00:09:43You told the truth.

00:09:44It is true ?

00:09:46Excuse me, may I?

00:09:48Say!

00:09:49Who is ?

00:09:50But how do you tighten?

00:09:52Excuse me !

00:09:52How strong are you?

00:09:53In short, painful!

00:09:55I say, vignanelli!

00:09:57Accountant Vignanelli!

00:09:59Do you make wine?

00:09:59Yes, I make vignanelli!

00:10:01May I?

00:10:01And her?

00:10:02Roe deer!

00:10:03No!

00:10:03Yes !

00:10:06Where is it located?

00:10:07Yes !

00:10:07Can you make me one?

00:10:09About what?

00:10:09Of roe deer?

00:10:10But listen, who's talking about overtaking?

00:10:11There are people like you!

00:10:12He should be in jail!

00:10:13My mom said it right!

00:10:14To jail!

00:10:16No!

00:10:16Come on, look at our wives fighting!

00:10:19Let them kill each other, for heaven's sake!

00:10:22It's their fault we're in this situation!

00:10:24For their claims, reason!

00:10:26They're pretentious!

00:10:28Look what they did to me!

00:10:29Put on your sports jacket!

00:10:31Put on your sports hat!

00:10:33Look at this stuff!

00:10:34Riding, looking at it carefully, she is really ridiculous!

00:10:37Put the pen on the hat!

00:10:39You are ridiculous!

00:10:40If you saw yourself with this ricotta on your right!

00:10:43No, no, no!

00:10:44Of the two, she's the most ridiculous!

00:10:46No, no, no!

00:10:47Don't you believe it?

00:10:48You are ridiculous!

00:10:49Ride, you are ridiculous!

00:10:50Find out!

00:10:50I'll find out!

00:10:52Now we need to find someone here!

00:10:54For these machines!

00:10:55Ada!

00:10:56It's all his fault!

00:10:57Ada!

00:10:58We're going to find someone here who can help us with the cars!

00:11:01Here you are !

00:11:02Some people!

00:11:04Some rope!

00:11:04An ox!

00:11:05A horned animal!

00:11:07Well yes !

00:11:07Speaking of cuckold!

00:11:09Ride!

00:11:10I'm sorry if I posted a sign from the car first...

00:11:13Ah!

00:11:14Yes !

00:11:14You too, apologize for the fool!

00:11:16Oh no! What's up! What's up! And there's a fool here!

00:11:18!

00:11:18Only me!

00:11:19Exactly what I say!

00:11:19Stay down!

00:11:20Stay down!

00:11:21Stay down!

00:11:22Stay down!

00:11:25Oh!

00:11:26There's a guard over there!

00:11:27Let's go and ask!

00:11:27Let's go !

00:11:31Well, look at that!

00:11:32They even make wooden guards!

00:11:34Oh but...

00:11:35I feel tired!

00:11:37And her?

00:11:37Shall we sit down for a bit?

00:11:38But let's sit down!

00:11:39Oh!

00:11:40Ha ha!

00:11:41Ha ha!

00:11:42Ha ha!

00:11:44Dear Mr. Caprioli!

00:11:45This is life!

00:11:47Eh!

00:11:47This is life!

00:11:48Pignarelli!

00:11:49But do we want to go back?

00:11:51No!

00:11:51For goodness sake!

00:11:52And who does it?

00:11:53They're not doing so well here!

00:11:54Don't worry!

00:11:55In the middle of the countryside!

00:11:56Meanwhile our wives are fighting!

00:11:59And let them vent!

00:12:01Eh eh!

00:12:01Let them run out!

00:12:03This is the word!

00:12:04Sold out!

00:12:05Eh!

00:12:06Ah!

00:12:06There is peace here!

00:12:08Smell that scent!

00:12:09Head the grass!

00:12:10The aroma!

00:12:11This is aroma!

00:12:12Aroma!

00:12:14The song of the grey!

00:12:15Do you hear the song of the grey?

00:12:16Donkey!

00:12:17Donkey!

00:12:18Do I feel it?

00:12:18No!

00:12:19Not this donkey!

00:12:20I don't hear the sound of a donkey!

00:12:22It's better this way!

00:12:23It's better that way !

00:12:24We don't have a wine hassle!

00:12:26That little sound in the ear once is annoying but ultimately it's not!

00:12:30Joseph!

00:12:32Joseph!

00:12:33Joseph!

00:12:33But where could he have gone?

00:12:35And he made it here alone too!

00:12:38Cretin !

00:12:41Imbecile!

00:12:42Lady !

00:12:43Madam, I'm so sorry!

00:12:45We had an argument earlier!

00:12:47But now I like her, you know?

00:12:48Yes, because I see that you have the same opinion of your husband as I do of mine!

00:12:53Antonio!

00:12:54But where did you hide?

00:12:58Imbecile!

00:12:59Good !

00:13:01Good lady!

00:13:02Allow me to introduce myself!

00:13:04Ada Caprioli!

00:13:05Very happy madam!

00:13:06Anita Vignanello!

00:13:07Lady of the Charity and Joy circle!

00:13:09Do you know him?

00:13:10Yes yes!

00:13:11You don't hear me talking!

00:13:12Mr. Caprioli!

00:13:14I would say!

00:13:15Do we want to smoke a nice cigarette in peace?

00:13:18Eh!

00:13:19Eh!

00:13:19Let's smoke it!

00:13:23Eh!

00:13:23What was I saying!

00:13:24Do we want to smoke a nice cigarette in peace?

00:13:27Mr. Vignanello!

00:13:28I replied let's smoke it!

00:13:30Here you are !

00:13:30Oh I know!

00:13:31I replied let's smoke it!

00:13:32But if she doesn't offer it to me!

00:13:33Me who smokes!

00:13:34Ah!

00:13:35If I had it!

00:13:36And who has it!

00:13:37And do you think my wife gives me money to buy cigarettes?

00:13:40Yes !

00:13:41Stay cool!

00:13:41For goodness sake!

00:13:42You're in trouble!

00:13:44So I've smoked my last cigarette!

00:13:48At my son's baptism!

00:13:49Ah!

00:13:50This is good!

00:13:50At my son's baptism!

00:13:53But how?

00:13:54At the son's baptism!

00:13:57At the son's baptism!

00:13:58No!

00:13:58But Mr. Vignanello!

00:13:59Be patient!

00:14:00It's something that makes me laugh!

00:14:01I have to discuss!

00:14:02I am exuberant!

00:14:03You're hurting me!

00:14:05I think my wife was a bastard!

00:14:07But since I saw his!

00:14:09For goodness sake!

00:14:09But it must be a lot of fun!

00:14:11Yes, we have fun like this as a family!

00:14:12My daughter is also registered, you know!

00:14:14If you want, I can introduce you to Mrs. Maurizia, the president!

00:14:17But he will make more examples of it!

00:14:18I pay you a small fee and you become a member right away!

00:14:21Well, madam, I'm definitely counting on it!

00:14:23And look, then we'll exchange phones!

00:14:25Yes yes as you wish the phones ma'am!

00:14:27For goodness sake!

00:14:27But where will our husbands be?

00:14:29Antonio!

00:14:30Peppino!

00:14:31Idiots!

00:14:42A guard!

00:14:43So that they didn't start arguing again!

00:14:46I don't see why!

00:14:47Now it will be up to the traffic police or the magistrate to decide who is right!

00:14:52In my opinion, a psychiatrist would be enough!

00:14:54A driver's license shouldn't be given to a disabled person like you!

00:14:57Look, I'm not offended!

00:14:59If only we could take some pictures while waiting!

00:15:02Yes, some nice family groups!

00:15:05But how inconsistent!

00:15:06Ah!

00:15:07Then I'm the handicapped one, eh!

00:15:09I'm talking about car photos!

00:15:12To establish liability for insurance!

00:15:15But when it is like this!

00:15:16Excuse me !

00:15:17I have the camera!

00:15:19And does he know how to use it?

00:15:20But he has it!

00:15:22Ah!

00:15:22That's why he also has a car!

00:15:24How stupid!

00:15:44Oh, what are you looking at!

00:15:45You are enchanted!

00:15:46He has never seen a broken cone!

00:15:47I'm looking at her!

00:15:48But who sees her at all!

00:15:52Oh! It's about time!

00:15:53Finally after a long time a car passes by!

00:15:56Now I'll show them if the others don't look at me at all!

00:15:59As she says!

00:16:07What an exploit!

00:16:09Modern youth!

00:16:11They saw it!

00:16:14Turn around, you idiot!

00:16:17Oh my goodness what a day!

00:16:20Young man, there's little to laugh about here!

00:16:21This is where things get serious!

00:16:22Oh yes! Only one car passed by in three hours!

00:16:25And it didn't stop!

00:16:26Witty!

00:16:27But I have an idea, you know?

00:16:28Which ?

00:16:29It's getting dark here! Those two can't be seen!

00:16:30We have tents in the car!

00:16:32Let's find a place of art china and do the journey!

00:16:34What a great idea!

00:16:34I could take you under the stars

00:16:38And hold you tight to my heart

00:16:42Tell you many many beautiful things

00:16:46What true love can say

00:16:49But I just don't see you

00:16:54If you speak I don't believe you

00:16:57You're beautiful, I don't deny it, but what does it matter to me?

00:17:06You have such beautiful eyes

00:17:10You have gold in your hair

00:17:14Coral lips but what does it matter to me

00:17:22Yes !

00:17:24I'm looking for a girl who dreams and talks to me about love

00:17:30But let him keep sweetness in his eyes and tenderness in his heart

00:17:37But I don't see that in you.

00:17:41So I'm leaving

00:17:45So I'm leaving

00:17:45You're beautiful, I don't deny it, but

00:17:50What does it matter to me?

00:17:54What does it matter to me?

00:17:58What does it matter to me?

00:18:11What does it matter to me?

00:18:30She's a handsome little lady

00:18:30Here you are

00:18:31We're at the point of sentimentality

00:18:32I almost prefer it when you act rude.

00:18:35It's more spontaneous

00:18:36On

00:18:36You confess that deep down you like them.

00:18:38If you want I'll start singing again

00:18:40No

00:18:40She won't sing because if she tries

00:18:42A shoe hits her head

00:18:44I'm sure he won't

00:18:45It might hurt me

00:18:46And then she would be sorry

00:18:48But come on guys, don't start fighting again.

00:18:50And let's hope that those two ill-advised fathers of yours

00:18:53Let them come alive

00:18:54Is she going to sleep too?

00:18:56I'll tell her

00:18:56Hearing her sing made me sleepy

00:18:59Cute creature

00:19:00Anyway, Carlo, be good.

00:19:02We are dead tired

00:19:03And that's why I brought you tranquilizers.

00:19:05Hold on Giovano

00:19:06One for you

00:19:07You need it

00:19:07Thank you

00:19:08Fia mother son of the tranquilizer

00:19:10Daughter let's go up

00:19:11Lady

00:19:12Even the cannon shots won't wake her up with this.

00:19:14Thank you

00:19:15Now we three women will go to sleep in the big tent.

00:19:18And you in that little one

00:19:19And your fathers when they arrive

00:19:21They will fix it with this

00:19:23Good night

00:19:26Goodnight dear

00:19:37Oh dear

00:19:38We have arrived

00:19:39Ah I see his wife

00:19:40And that's why I said oh

00:19:42Oh, but what are you doing?

00:19:44Listen, please don't look at my wife's shadow.

00:19:47But listen, it could also be my wife's shadow, right?

00:19:50What do you say?

00:19:50Well yes

00:19:52Listen, your wife's shadow isn't bad at all, you know?

00:19:56But they are making plastic paintings

00:19:58Wives wives wives

00:20:01Ah finally

00:20:02Who doesn't die will see himself again?

00:20:04But are you alone?

00:20:05We've done more than thirty kilometers my daughter

00:20:07Thirty?

00:20:08About forty

00:20:09About forty kilometers without finding help

00:20:12Of course, but what could you expect from you?

00:20:14Oh what would it be like madam please

00:20:16Madam, please.

00:20:18But what is being done?

00:20:19Have you assembled the vents?

00:20:20And do you think we should have slept on the train?

00:20:22Instead of mounting the gearbox at Porta Ercole we mounted it here

00:20:26It's the same thing

00:20:27Naturally necessary virtue

00:20:29Oh yeah?

00:20:30Yes

00:20:30Ah, he called it virtue to me

00:20:31What are you doing?

00:20:32Here's your tent, put it up, okay?

00:20:34Good night

00:20:35Good night

00:20:36Good night

00:20:37Shall we pitch a tent?

00:20:39Eh

00:20:40Sir, you know how to put up the tent.

00:20:42Reason leave me alone

00:20:43Sir, you know how to put up a tent.

00:20:44Leave me alone

00:20:45But how can I leave you alone?

00:20:46Leave me alone

00:20:48Knight

00:20:49You're always right, either you're in the right mind or you're joking.

00:20:51Oh

00:20:52Nerves all the way to the hairline

00:20:54And for what?

00:20:54I can't sleep outside

00:20:55The doctor forbade it for me

00:20:56I suffer from rheumatism

00:20:58Of arthritis

00:20:59My liver hurts

00:21:00I have a little bronchitis

00:21:01A little asthma

00:21:02Then I have sinusitis

00:21:02Scabies and sweet feet

00:21:04Alright

00:21:04I do not know

00:21:05Do you have to?

00:21:06And you are the mess my son

00:21:08Poultice

00:21:08I'm of a certain age

00:21:10And I'm also looking for your age

00:21:11Yet I feel like a lion

00:21:12Oh

00:21:13Then I can tell you something secret.

00:21:15Eh

00:21:15A man in good standing

00:21:17I believe

00:21:17I am an accountant

00:21:18I

00:21:18I don't say

00:21:20What's the taste?

00:21:21To camp

00:21:22With their wives

00:21:23With the?

00:21:24With your own what?

00:21:26I can't scream

00:21:26With your own what?

00:21:27With their wives

00:21:28Ah with their wives

00:21:29Eh

00:21:30I agree with you

00:21:31Oh

00:21:32These campsites

00:21:33They are often frequented by foreigners

00:21:36Foreigners

00:21:36Beautiful foreigners

00:21:37Then one enjoys it

00:21:39Eh

00:21:40Cavalini

00:21:41Can I confide in you?

00:21:42You are

00:21:44Secret

00:21:45Foreigners to me

00:21:46Eh

00:21:47I like them a lot

00:21:48I like Dutch women

00:21:50Bravo

00:21:51Dutch

00:21:52Eh

00:21:52Cavalini

00:21:53That the Finnish

00:21:55Finnish

00:21:55Eh

00:21:55What are you doing like this?

00:21:56But why am I ugly, Finnish?

00:21:58But do we want to take a Finnish one?

00:21:59We want to throw it away

00:22:00No

00:22:01So let's throw away the Finnish one

00:22:02It's okay to make you happy

00:22:03Oh but you make that face

00:22:05But don't let them get on your nerves

00:22:06But have patience

00:22:06But what face?

00:22:07I propose you a Finnish one

00:22:08You make me sulk like that

00:22:09Fool

00:22:09But which Finnish?

00:22:10Where is this Finnish girl?

00:22:11But to call that there was

00:22:11Don't scream

00:22:13There is no

00:22:13Oh

00:22:14We do what we have to do

00:22:15What time is it?

00:22:16Oh, it's half past ten.

00:22:18And let's go

00:22:20At that time

00:22:20You will have here

00:22:21Eh

00:22:21Here

00:22:22Where is it?

00:22:23But what do we do?

00:22:25The zambognati

00:22:25Oh

00:22:27Yes

00:22:27Cavalini

00:22:28And what time is it now?

00:22:30Eh

00:22:30And half past midnight

00:22:32And we want to hurry up

00:22:33It's been two hours already

00:22:33We're still here without laughing

00:22:34Keep this one on

00:22:35And so

00:22:36On like this

00:22:37Yes sir

00:22:38And I'll take the other one

00:22:38When I lift it

00:22:41Yes sir

00:22:41You stick this in the ground

00:22:43I understand

00:22:43Yes sir

00:22:44It's ready

00:22:45You are

00:22:47Here it is

00:22:47No

00:22:48No

00:22:49Where are you?

00:22:50One moment

00:22:51Knight

00:22:52Eh

00:22:52Where are you?

00:22:53Here

00:22:53Knight

00:22:54Where are you?

00:22:56Is that you?

00:22:57I don't feel like it

00:22:59But what are you doing?

00:23:01Knight

00:23:02Here you are

00:23:02One moment

00:23:03Here

00:23:04Where are you?

00:23:05Here you are

00:23:06Don't stop it

00:23:07We're joking about it

00:23:08We'll screw it, you know

00:23:09You will nail it

00:23:10Let's go up

00:23:12Here

00:23:13Here

00:23:14This is the first one

00:23:15What should be put

00:23:15Yes sir

00:23:16So here

00:23:17Here it is

00:23:17Stay here well

00:23:19Here

00:23:20Up here?

00:23:20Yes

00:23:24Excuse me

00:23:25You don't have it

00:23:26On this side

00:23:28But you do it right

00:23:29But I don't do it right

00:23:29You put your finger underneath

00:23:30How do I know?

00:23:31Let's do it in order

00:23:33Yes

00:23:33Oh mama

00:23:35Take a peg there

00:23:36This

00:23:37Pin it here

00:23:38Here

00:23:38Where?

00:23:39Here

00:23:39Where is my foot?

00:23:40Here?

00:23:41Here

00:23:41But oven

00:23:42And where is your foot?

00:23:47How do I know?

00:23:48I won't do it to him anymore

00:23:49And I don't do it to him anymore either.

00:23:50Enough

00:23:50And I don't even do it to him anymore

00:23:52I won't do it to him anymore

00:23:54I want to mix it together

00:23:56Here you are

00:23:56Where are you?

00:23:57Here

00:23:58Knight

00:23:59I suffer

00:24:01Where are you?

00:24:02But you let us sleep

00:24:03It's a punishment from the devil

00:24:05But why are you making all this fuss?

00:24:06Why are you getting agitated?

00:24:07It's him who's getting agitated

00:24:08It's always me already

00:24:09Calm

00:24:09You have to stay calm

00:24:10And that's the calm

00:24:11Who has it and who doesn't have it

00:24:12And I lost it

00:24:13Because you made me lose it

00:24:14And that's why I brought you tranquilizers.

00:24:16Keep

00:24:16One for you

00:24:17And one for you

00:24:18What is this stuff?

00:24:19Tranquilizers

00:24:20Swallow it

00:24:21And let us sleep

00:24:22Listen to me

00:24:24Good night

00:24:25Until tomorrow

00:24:28The nerves

00:24:32But what the hell is this?

00:24:34Tranquilizers

00:24:35American pills

00:24:36That calm the nerve centers

00:24:38No, no, no

00:24:39I don't have confidence

00:24:40I don't have faith in it

00:24:41How can I not trust?

00:24:42I don't have confidence

00:24:42And this takes over the whole world

00:24:43No because

00:24:44I wasn't used to it

00:24:45My wife got me used to it

00:24:46I'm feeling great

00:24:47But yes, open your mouth

00:24:48Open your mouth

00:24:49Fairies

00:24:50She's a little red

00:24:53And that's the humidity

00:24:54Of course, on

00:24:54Open your mouth

00:24:56That's it

00:24:58Down, down

00:24:59Go down

00:25:00In the hole of the air

00:25:01In the?

00:25:02In the hole of the air

00:25:03And you are left with the air hole open

00:25:05Come on, come on

00:25:06As

00:25:07As

00:25:08Did it go?

00:25:08Oh

00:25:10Oh

00:25:11Do you hear it?

00:25:12But what?

00:25:13He arrives?

00:25:14The tranquility

00:25:15But what tranquility?

00:25:15The motorcycle

00:25:20Molière for that of this part

00:25:29Camping?

00:25:30Camping?

00:25:31Camping?

00:25:32Camping

00:25:33Camping?

00:25:33They ask if this is a campsite

00:25:34Camping?

00:25:35It's not a campsite

00:25:36But if you want you can also camp.

00:25:38I would advise you to camp at low cost

00:25:40Oh, shame

00:25:42But what?

00:25:44What?

00:25:45What?

00:25:45Too bad, we don't have a tent.

00:25:46Oh, when I'm sorry

00:25:48With permission

00:25:49One moment, eh?

00:25:50Knight

00:25:51The girls tell me

00:25:53That is, they let me know

00:25:54Who don't have the tent

00:25:55And they would like to camp

00:25:56Well, but

00:25:57Do we want to do our part?

00:25:59Eh

00:26:00But here near my wife's tent

00:26:02But it's already true

00:26:03I forgot about it

00:26:04You are married

00:26:05And you don't

00:26:05I

00:26:06But it's already true

00:26:07I'm married too

00:26:08So many years?

00:26:10Who do we want to build this tent for?

00:26:11No knight

00:26:12This is an opportunity

00:26:12It only happens once in a lifetime

00:26:14Let's do it for you

00:26:15Shall we do it?

00:26:16And let's do it

00:26:16But yes

00:26:17One thing comes to another

00:26:19And let's do it

00:26:20Attention

00:26:20That at a moment

00:26:22A surprise

00:26:32With a job

00:26:37Please

00:26:38Belly

00:26:39Belly

00:26:40Belly

00:26:41Pra turn me on

00:26:43Permit

00:26:43Turn on the light

00:26:45Please

00:26:46Good

00:26:47Good daughters

00:26:48You are married

00:26:49No

00:26:50Oh, no

00:26:51And you?

00:26:51We are bachelors

00:26:52Is

00:26:54Is

00:26:55I wanted to ask something

00:26:57Do you like Italy?

00:26:58Very

00:26:59Oh beautiful

00:27:00And the Italians

00:27:01Would you mind? Long live Italy!

00:27:03Long live Italy!

00:27:04Are you American dose grain?

00:27:06No, I didn't understand this one!

00:27:07And do you like German girls?

00:27:09Wow! Ask if we like German girls!

00:27:11I, personally, eat bread and Germans!

00:27:14I really like Dutch women!

00:27:16But leave the Dutch to their own devices! It was just an old dream!

00:27:18Capoliero, let the Dutch do their thing!

00:27:20Or then you are bachelors!

00:27:22We are bachelors!

00:27:23I would say...

00:27:24...why don't we have a nice getaway?

00:27:28Then from what?

00:27:30Something is born!

00:27:32Something is born!

00:27:33So what?

00:27:34Shall we combine these breadcrumbs, as they say?

00:27:38And then we need an encore!

00:27:40An encore!

00:27:40What encore?

00:27:41An encore!

00:27:42A kiss!

00:27:44Oh no!

00:27:45Here they can see!

00:27:46Oh yes, that's true!

00:27:47So what?

00:27:49Good night!

00:27:50Good night!

00:27:51Good night!

00:27:54Capoliero!

00:27:55Good night!

00:27:56Good night!

00:27:56What does goodnight mean?

00:27:58They were said in an inviting way!

00:27:59Are you sure?

00:28:00Safe?

00:28:01Good night!

00:28:03Hey!

00:28:04But you're hungry!

00:28:05But you're hungry!

00:28:06But you're hungry!

00:28:06Which means goodnight!

00:28:08Oh!

00:28:09So what do we do?

00:28:10Let freedom take over!

00:28:12What the hell?

00:28:13What the hell?

00:28:14Have you never seen a woman?

00:28:17Oh!

00:28:18And where are we going?

00:28:19Go!

00:28:20Oh no!

00:28:20Are you there?

00:28:22Vito?

00:28:23What are they doing?

00:28:24Vito!

00:28:25Vito!

00:28:26I see...

00:28:26Step!

00:28:27Anfimgate for me!

00:28:31Accountants!

00:28:31I can't see anything!

00:28:32If I put something...

00:28:34Which I'll leave you to see!

00:28:35XC

00:28:35I go...

00:28:36To test the waters!

00:28:38We need to test the waters!

00:28:39We need to feel both of them!

00:28:40Accountants, for now, I'll go!

00:28:42And I'm coming right behind!

00:28:44I'm coming right after!

00:28:47Am I allowed too?

00:28:49Live!

00:28:50I did not understand!

00:28:51Live, live!

00:28:52Do you want a viter?

00:28:53No, no, no!

00:28:54Aperitif afterwards?

00:28:55No, later, later!

00:28:56After, after!

00:28:57Knight, a little preparation!

00:28:59These are already prepared!

00:29:00I know, but by the way!

00:29:02We haven't asked what their names are yet!

00:29:05What are your names?

00:29:06Oh, I Brigitte Trude!

00:29:08Ah, Brigitte and Trude!

00:29:10I Pepe!

00:29:11But what Pepe!

00:29:12Ah, Pepe!

00:29:13And me, me, Toni!

00:29:14Toni, Toni, Pepe!

00:29:16Brughi, Brughi!

00:29:17Hooray!

00:29:17Hurray!

00:29:18Hurray!

00:29:19If she doesn't mind, I'd get engaged to Brigitte!

00:29:23And me with Trude!

00:29:24From what, axes what?

00:29:30Florin, and what is he doing there?

00:29:32Spectacles in front of the young lady!

00:29:34And you know it anyway, I know it!

00:29:36I know it's all heavy, my legs are heavy!

00:29:38My eyes are closing!

00:29:40Oh no, we have to open them, otherwise what kind of impression do we make?

00:29:42Eh, eh!

00:29:44Eh!

00:29:44At this time I always get sleepy, but with my wife it's a natural sleep, but now what?

00:29:49Oh!

00:29:50I found!

00:29:51The tranquilizers!

00:29:52Oh!

00:29:52And right now it must be cold!

00:29:55I wanted to take these tranquilizers!

00:29:58Eh!

00:30:00Cavalier!

00:30:01Italians have a beautiful name!

00:30:03He deserves credit!

00:30:05Toni!

00:30:05Eh!

00:30:06Eh!

00:30:09Senni!

00:30:10Eh!

00:30:10The seed is not Italian!

00:30:12Shame!

00:30:13Cavalier!

00:30:15Eh!

00:30:15All is lost!

00:30:17Honor too!

00:30:20Pepper?

00:30:21Pepper!

00:30:22Pepper!

00:30:22Goode act!

00:30:23Goode act!

00:30:25Goode act!

00:30:26Doctor, it was a disgrace that fell upon the entire nation!

00:30:30It's my wife's fault and her damn tranquilizers

00:30:34Here you are

00:30:34Excuse me doctor, don't keep him doing his thing.

00:30:37Is this the right leg or the left leg?

00:30:40The right, right?

00:30:42It looked like the left

00:30:42In fact, it's the tail

00:30:44The right tail or the left tail?

00:30:46Horses have only one tail

00:30:47She thinks she's healthy

00:30:49Listen, I'm interested in your case.

00:30:51But I don't see what what you told me has to do with it.

00:30:53With the very serious signs of mental imbalance of which you are victims

00:30:59Oh, but now she doesn't want to convert.

00:31:01Eh, doctor, our families are impossible

00:31:04Oh

00:31:06Who is it? Here

00:31:08Yes?

00:31:09Director, what you were waiting for has arrived, what should I do?

00:31:12Bring it over there and get ready, I'll be coming soon.

00:31:16What happens?

00:31:17Nothing, nothing, not on, the air conditioning is on

00:31:19So, so you were saying

00:31:21I was saying that it's our families' fault, one and two

00:31:24Oh, sorry but I didn't have time to shave this morning, eh

00:31:28Professor, but then you still haven't understood why we are here.

00:31:31He didn't understand

00:31:33Do you hear these noises?

00:31:34Eh

00:31:34Well these noises, compared to those of the household appliances in my house, are like bellyache

00:31:40Here you are

00:31:41Doctor, household appliances have contributed a lot

00:31:45We are in the atomic century and in our house we still dry our hair with a towel

00:31:49Don't worry, your mom has prepared a nice surprise for you, she's already thought of everything

00:31:54Eh, it's about time

00:31:55Marietta

00:31:56Marietta, what have you done?

00:31:58Did you mix the steam powder with the prize?

00:32:01Oh my goodness, it's here

00:32:03It's here, but

00:32:05But what have you done?

00:32:07What have you done?

00:32:08You put acetol powder in the water instead of avalanche

00:32:12But what do you expect me to understand with all these labels?

00:32:15Yet it's so simple

00:32:16Of course, Asetol, as the label says, is your sun in the house, so it is used for drying

00:32:22While with the avalanche, whiter and healthier fabric, therefore it is used for washing

00:32:27If you then add a pinch of UU, you wash faster and wash more

00:32:31Eh

00:32:31I confess to you, director, that I didn't care at all about the pinch of UU.

00:32:36The only pinch that could interest me was the pinch to give to Marietta

00:32:41But you don't understand anything at all.

00:32:43Listen, I'm exasperated.

00:32:44You try to explain to this idiot how to read the product instructions.

00:32:48Come with your mother, come

00:32:52The products, the instructions, what a mess, sir.

00:32:56Sir, sir

00:32:57Call me Tonino

00:32:59Your Tonino

00:33:00Tonino?

00:33:01Of course, your Tonino who will remain alone with you

00:33:03As soon as this agenda goes into a war

00:33:07And regarding the instructions, I'm thinking about destroying you properly there, you understand?

00:33:10Why should you, my daughter, take care of me?

00:33:12One man alone can be taken care of, don't you think?

00:33:17No, no, no, what does he make me do now?

00:33:20What do I make you do, what do I make you do, what would I do to you...

00:33:24Look, this is just for you, it's a little gift

00:33:26Seamless nylon stocking

00:33:28How beautiful, and what if the label is here too

00:33:32The socks of nine stars out of ten

00:33:34The tenth is you, star of Friuli

00:33:37From Polesine, sir

00:33:39Polesine, Po Delta

00:33:41Allugliorata pigliatieri, four

00:33:43And this is the soap powder

00:33:45If it settles on furniture it should be dusted immediately

00:33:47Otherwise the shirt remains

00:33:48Understand? Understand everything?

00:33:50I explained everything, I instructed her on the bike

00:33:53Now she knows what she has to do

00:33:55Girl, she's capable

00:33:57And willingly, she is also willing

00:33:59Understood?

00:34:03Hello, my dear

00:34:05I go to the office to earn bread for you and your daughter

00:34:09Why don't you eat?

00:34:11I don't eat bread, you know.

00:34:12I only eat chrysini

00:34:15Until we meet again

00:34:26Ready?

00:34:27Lectros Companies

00:34:29Can you bring that stuff?

00:34:31Yes, yes, right away

00:34:33Then go to my husband's office and sort everything out

00:34:35Please

00:34:36Until we meet again

00:34:44Alanti

00:34:48Accountant, copy on the balance sheets

00:34:49Do you want to sign them for me so the director can bring them?

00:34:51Yes, certainly.

00:34:53Signing with you is a pleasure

00:34:55I would sign for two or three years in a row

00:34:58Huh?

00:34:59I wanted to tell you something

00:35:01Some time

00:35:02Let's go away alone

00:35:04In a quiet environment to sign

00:35:05There is confusion here, telepra, things

00:35:07But what does the accountant say?

00:35:09Are you joking?

00:35:10No, no, I'm serious.

00:35:11What does an accountant do?

00:35:12Signature on the folder?

00:35:13The sheets are finished

00:35:14Uh, distracted

00:35:15When you come you distract me

00:35:16Oh, listen

00:35:17Sometimes you don't feel like coming to the office

00:35:20It does not matter

00:35:21I'll come to your house

00:35:22All right?

00:35:22I'll come to sign at your house

00:35:23What leads to what?

00:35:25We do the extraordinary

00:35:26But Accountant

00:35:27She could be my father

00:35:36Well, father no

00:35:40A stepbrother

00:35:41An older stepbrother

00:35:43Accountant

00:35:44There is a gentleman who is looking for him

00:35:45After you

00:35:47Thank you

00:35:49Good morning Accountant

00:35:50You don't know me, do you?

00:35:52I came to her for some signatures.

00:35:57Young man

00:35:58Sign with her?

00:35:59No

00:36:00But you see Accountant

00:36:01His wife sent me

00:36:02My wife?

00:36:03Yes, the lady came to our shop

00:36:05To buy some little things

00:36:07And she asked us to come to her

00:36:08For the signature of bills of exchange

00:36:09Bills of exchange?

00:36:10Some small routes

00:36:12Bills of exchange?

00:36:13But Giovanotti

00:36:14I don't know anything about it

00:36:14Ah, I understand.

00:36:15I understand

00:36:16The lady wanted to reserve them

00:36:17A little surprise

00:36:19And then I

00:36:20I won't tell you what it's about

00:36:22And how do I treat the trade?

00:36:23What if I don't know what it is?

00:36:24I will only say

00:36:25That the lady bought

00:36:28Fortune tellers

00:36:28And what do I know?

00:36:30Some heli

00:36:32Helicopters?

00:36:33No, ele?

00:36:34Elephants

00:36:35Oh, but how nice

00:36:41Appliances, yes

00:36:42Today butlers, maids, washerwomen

00:36:44They are all electrically replaced

00:36:48But what is replacing?

00:36:50We have Marietta our maid

00:36:52Let him see it

00:36:53It's a piece of super-enhanced physics

00:36:55That I have the little

00:36:56But the lady fired her just this morning

00:36:59Marietta?

00:37:00Marietta

00:37:00Fired?

00:37:01Fired, yes

00:37:02But these are things that have to be done.

00:37:03Without waiters

00:37:04But this is one thing

00:37:05Something else?

00:37:06But dear sir

00:37:07Today we are in the century of automation

00:37:09The waitress is no longer serving

00:37:10She says this

00:37:12The waitresses serve

00:37:13They are needed

00:37:13And how are they used?

00:37:15Once upon a time perhaps

00:37:16But today there are devices

00:37:17Who do all that

00:37:19What can Marietta do?

00:37:20You know?

00:37:21But go, go, go

00:37:22Do me a favour

00:37:22Everything Marietta does

00:37:24It's a word

00:37:25She speaks like this because she doesn't know her

00:37:26But I know her though

00:37:28And then today the waitresses are so expensive

00:37:31Oh yeah?

00:37:31Oh yeah

00:37:32Oh yes, because those sweets that you give

00:37:34Those are given away

00:37:35Almost, almost

00:37:35Why with the installment system

00:37:37Of the wide breath

00:37:38With a little something a month

00:37:40One doesn't even notice it

00:37:42And how much would this little thing be?

00:37:44That I shouldn't even notice?

00:37:45Oh here it is

00:37:45In his case they are

00:37:4648 installments

00:37:48At 30,000 lire

00:37:50Per month

00:37:51They make a million

00:37:53440,000 lire

00:37:54What did she see more?

00:37:58It's not much

00:37:59It's not much

00:38:0048 installments

00:38:0148 installments

00:38:02Young man

00:38:03I'm just curious to know

00:38:06Does she really pay everything in installments?

00:38:08All

00:38:08But everything, everything, everything, everything

00:38:10Everything, everything, everything

00:38:13Yes

00:38:14May I give you some advice?

00:38:15With pleasure

00:38:16If I may

00:38:17Please

00:38:17Let him go away

00:38:18If I don't give her a million and 400,000 cash kicks

00:38:21Did you understand?

00:38:22To me

00:38:22Go away

00:38:23But what manners are these?

00:38:24Go away

00:38:25I'm not used to being treated like that

00:38:26I get used to it

00:38:27Go away

00:38:29But back home

00:38:30He was greeted by an infernal noise

00:38:36I'm not used to being treated like that

00:38:41I'm not used to being treated like that

00:39:30I'm not used to being treated like that

00:39:38Dear Doctor, my house had become an electric curtain

00:39:42and he knows this too, take off your glasses

00:39:44Oh yes, yes, yes

00:39:45In fact, today it is the mania that most afflicts humanity.

00:39:49I can't blame her.

00:39:50Eh, the usual Maria

00:39:51The usual but...

00:39:52Huh?

00:39:52The usual Maria

00:39:53Which Mary?

00:39:54The usual Maria

00:39:55Mania, mania

00:39:56Ah, excuse me doctor, excuse me, you understood a little

00:40:00So, then we want to say it

00:40:02Long live the face of the coal stove

00:40:04Oh yes, yes, yes

00:40:05We want to say long live the face of the sorghum broom

00:40:07Oh yes, it is necessary

00:40:08We want to say long live the clothesline

00:40:10Oh let's say it

00:40:11Or let's say it

00:40:12Eh long live

00:40:14Yes?

00:40:15Professor, if you want to come in, everything is ready.

00:40:17I'm coming right away

00:40:24Madova, I'll tell you about some operations, surgical

00:40:26Sir, I have an urgent operation to do.

00:40:28What was I telling you?

00:40:29Three numbers, I guess

00:40:30But if they want to attend, I have not met anything

00:40:32But neither am I

00:40:33No, frankly, it makes me sick.

00:40:35My wife had a phalanx

00:40:37But what?

00:40:38But it's so much fun

00:40:40But it's so much fun

00:40:40Come, come, come

00:40:41Come, come, let's answer it

00:40:42Everything is ready, he gives it four hits

00:40:44And off we go

00:40:44This is a satik

00:40:47A sexual psychopath

00:40:49No, no, no

00:40:49Let's second it

00:40:49Ninth

00:40:50I don't think about it right away

00:40:51Once upon a time a wife

00:40:52My, but what am I missing?

00:40:53But what is he doing?

00:40:58But what is he doing?

00:41:00Open, open

00:41:00And leave me out

00:41:04Oh, it's the operation

00:41:06This is a kitchen

00:41:08It's one of those old fashioned ones

00:41:10No gas, no electricity

00:41:12Only coal

00:41:13Coal-fired

00:41:14I'm coal

00:41:15The seller

00:41:18Beans, beans

00:41:19Oh, how I like them

00:41:21And how do they look at them?

00:41:22Beans don't look

00:41:23How do they look at them?

00:41:24They are black-eyed peas

00:41:25I spend the happiest hours of my life here

00:41:28Yes

00:41:28Bravo

00:41:30Don't touch, don't touch

00:41:32What are you going to do?

00:41:34Fasci to see me

00:41:35Fasci to see me

00:41:37Can we help him?

00:41:38Please

00:41:39Allow me

00:41:39Thank you

00:41:40Interesting

00:41:41And if you move they can't have eggs

00:41:45Excuse me

00:41:46Interesting

00:41:47If only you knew how I like to make puff pastry

00:41:49Yes

00:41:50But do you have the rolling pin?

00:41:52Oh, what a question

00:41:54Eh, this is the environment, right?

00:41:56I knock on the door, the nurse goes away

00:41:58I want two or three rolling pins

00:41:59Do you like fettuccine alla poloniera?

00:42:01As?

00:42:02When I go to Venice

00:42:03I'll make it for a nice dish like this

00:42:05He has never been to Venice

00:42:06What do you know about it?

00:42:07Sure, a nice plate of fettuccine

00:42:09I really don't like them

00:42:11No

00:42:12No

00:42:12So we want to make a nice plate of spaghetti

00:42:15Who is Neapolitan for?

00:42:16Hey, what the hell?

00:42:18I didn't catch anyone

00:42:18Every day I prepare some delicious dishes for myself.

00:42:21Then maybe I'll throw them away

00:42:22I eat bread and cheese

00:42:23Yes, yes

00:42:24And it's my hobby, as the Anglo-Saxons say.

00:42:26Oh

00:42:27What's up?

00:42:28What happened?

00:42:29Here, here

00:42:29What happened?

00:42:30Ninth

00:42:30Let me see you

00:42:31I don't spoil

00:42:32Let me see

00:42:32State

00:42:33You have a potato

00:42:34Here you have a potato

00:42:35Lobby

00:42:36Lobby

00:42:37I lost my job because of the lobby.

00:42:39Why does she have lobbies too?

00:42:40Not me, not me

00:42:41I had my principal

00:42:45I didn't know my boss had it.

00:42:48I just knew that at that time

00:42:49My salary was low

00:42:51And I needed a raise.

00:42:52I bet she

00:42:54Always think only about money

00:42:57Huh?

00:42:57At home, at the office

00:42:58With his wife

00:42:59She thinks about money

00:43:00Money, money

00:43:01It is true?

00:43:02But you're a fortune teller, director.

00:43:03Of course I think about money

00:43:05I have it as I eat

00:43:05Bad

00:43:06Very bad

00:43:07You don't have to think about it

00:43:09Eh, I'm thinking about it, director.

00:43:11Unfortunately it is my persecution

00:43:13Dear Pecorelli

00:43:14Hey, my name is Caprioli

00:43:15Eh, dear Caprioli

00:43:16I bet she

00:43:18He doesn't even have a small hobby

00:43:20Hobby?

00:43:20Eh

00:43:21Eh, hobby

00:43:22Eh, I can buy it

00:43:23What?

00:43:24Lobby, the tool

00:43:25You see, she doesn't even know what a hobby is.

00:43:28Lobby is something that is used to relax

00:43:31To relax

00:43:33Rest

00:43:34Oh, you see, dear Caprioli

00:43:36Each of us is forced to do a job we hate just to earn money

00:43:40While each of us would like to do something we like

00:43:44To unwind, to relax

00:43:46To rest

00:43:47Rest, relax

00:43:48That's true, director.

00:43:49It's true, it's true, it's true

00:43:50Who's stopping him?

00:43:51Eh, the money

00:43:52It's the money

00:43:52Why am I here?

00:43:53But there are millions

00:43:55Hobbies that can be done without money

00:43:57Yes

00:43:58Just choose, whatever you like

00:44:00She just has to choose

00:44:01What do you want to do?

00:44:02The cook, the carpenter, the blacksmith, the stranger

00:44:04Tell me, choose, what do you want to do?

00:44:06Well, I can say that, director.

00:44:07We are here

00:44:08The goalkeeper

00:44:09A nice concierge position

00:44:11The guardhouse area with the obbot

00:44:12Ah, I would console myself, director.

00:44:15Roe deer, excuse me.

00:44:15Director, no, you guessed right.

00:44:18Peconello

00:44:18No, Little Goats

00:44:19Alright

00:44:20What's my name?

00:44:20No, the important thing is

00:44:22Roe deer

00:44:22Roe deer, she must fly

00:44:24Fly

00:44:26Flying with imagination must fly

00:44:28Where am I flying to, director?

00:44:30Would you like to paint?

00:44:33Come on, painting

00:44:34Director, it's always been my dream

00:44:35My passion

00:44:36As a child

00:44:37They said I was transported

00:44:38That I had the tendency

00:44:40Where?

00:44:41And who's stopping him?

00:44:42Money, my blessed director

00:44:44The money, the money

00:44:45And me?

00:44:46What am I doing here?

00:44:48Well, why don't they send it to me?

00:44:50I'm sending it...

00:44:50Roe deer

00:44:52I was saying...

00:44:52I meant to say

00:44:53What am I doing here?

00:44:55I don't know, director.

00:44:56Let's look each other in the eye

00:44:59Don't think about the means

00:45:01I'll take care of everything

00:45:02Oh, yeah?

00:45:02Come to my house

00:45:03She will have everything she needs

00:45:04Old Government Street

00:45:0532

00:45:06What time, director?

00:45:07At 8

00:45:07Isn't it too early?

00:45:09The sooner it comes

00:45:10And the more he paints

00:45:11A roll

00:45:12And a relaxed one

00:45:14Oh, a roll

00:45:18And a relaxed one

00:45:20Oh, a nice relaxed one

00:45:22It promotes the relaxation of the nerves

00:45:24Yes, director

00:45:25It's interesting as a hobby

00:45:27But I wanted to say

00:45:29If you don't allow me

00:45:29I thought it was

00:45:31Of true painting

00:45:32The one with the easel

00:45:33True me sitting with the beret

00:45:34The velvet jacket

00:45:36Portraying a beautiful flowery meadow

00:45:38A woman's face

00:45:39A beautiful model

00:45:40Eh, if it were possible

00:45:42Ninth

00:45:42No

00:45:43And no, because that painting there

00:45:45Engage the mind

00:45:46It doesn't relax

00:45:47This painting here instead

00:45:48Engage the body

00:45:49Tired, so relax

00:45:50Oh yeah, yeah yeah

00:45:51But dear Caprioli

00:45:52We are still nervous

00:45:53Oh no, I'm nervous, yes

00:45:55Yes, I do, because I

00:45:56I got up early

00:45:57I've already done the kitchen

00:45:58So what?

00:45:59Do you trust me?

00:46:00Yes, I don't trust now

00:46:02But does he trust me?

00:46:03Yes

00:46:04Let's try to do it

00:46:04Two rolls and one relaxed

00:46:06Two rolls

00:46:07Two rolls and one relaxed

00:46:08And a relaxed one

00:46:09Oh

00:46:09All right

00:46:11Courage, eh

00:46:13A

00:46:15Two

00:46:17And a relaxed one

00:46:18Oh

00:46:20Do you have to?

00:46:21Director

00:46:22Huh?

00:46:22I couldn't do two relaxed

00:46:24And a roll

00:46:25As you wish

00:46:26Huh?

00:46:26As you wish

00:46:27But don't you get tired?

00:46:27Oh

00:46:28Roe deer, we have to get tired

00:46:30We have to

00:46:31We must die

00:46:32No?

00:46:32We have to get tired

00:46:33Yes, yes, I understand

00:46:34Otherwise what kind of hobby is it?

00:46:35Oh yeah

00:46:35She knows the hobbies

00:46:37I obey

00:46:38Here you are

00:46:38So what?

00:46:39Two rolls

00:46:41Two rolls

00:46:41A

00:46:43A

00:46:43Two

00:46:45Two

00:46:46And a relaxed one

00:46:47And while she relaxes

00:46:50I'm going to relax

00:46:52With my favorite hobby

00:46:54The solitary

00:46:59Oh, this is his hobby?

00:47:02Yes

00:47:02But I couldn't do it

00:47:05This hobby?

00:47:06Oh no

00:47:06A little hobby

00:47:07No

00:47:08Because each of us

00:47:09It must come with difficulty

00:47:11When choosing your hobby

00:47:13Whichever is most suitable

00:47:14To relaxation

00:47:15Oh

00:47:17But why does she have to stand up for them?

00:47:18This hobby?

00:47:19I don't tell her

00:47:20Yes

00:47:21Yes

00:47:21And to look

00:47:21A card

00:47:22And a relaxed one

00:47:24Eh

00:47:25A card

00:47:26A card

00:47:27And a relaxed one

00:47:28Look, look

00:47:29I feel sorry for him

00:47:30It makes me

00:47:30A card

00:47:31Poor thing

00:47:32And a relaxed one

00:47:34The four value

00:47:35Oh no, oh no

00:47:36She doesn't have to put it on

00:47:37She has her hobby

00:47:38Do your part

00:47:39That I do my part

00:47:40And everyone has their own hobbies.

00:47:42And then if she interrupts

00:47:43We will never get there

00:47:44To relaxation

00:47:45Please

00:47:45Go

00:47:46Yes

00:47:47Three rolls

00:47:47And a relaxed one

00:47:48Eh

00:47:48We weren't left with two

00:47:50Director

00:47:50Oh okay

00:47:50All right

00:47:51But it doesn't help her.

00:47:52Excuse me

00:47:52It doesn't help her

00:47:52After you

00:47:53Let's increase the dose

00:47:54Three rolls

00:47:55And a relaxed one

00:47:56Three rolls

00:47:58And a relaxed one

00:47:59I didn't know that

00:48:00That to relax

00:48:01It took a lot of rolling

00:48:03I only noticed it when

00:48:05Finished painting

00:48:06I had to put them in place

00:48:07The whole house

00:48:08To the

00:48:09Very good

00:48:10Very good

00:48:11Excellent

00:48:12Come on

00:48:12Come here

00:48:13Roe deer

00:48:13Excellent

00:48:14Now let's clean the windows

00:48:15Still?

00:48:16Oh yeah

00:48:16The glasses

00:48:17You are

00:48:18Do you feel the relaxation?

00:48:20Yes but I can't feel my legs anymore

00:48:21I don't feel the cline anymore

00:48:23I feel like I need to give up

00:48:24Legs to the stomach

00:48:25Can I sit down for a moment?

00:48:26It seems bad

00:48:27Come in

00:48:28Come here

00:48:28Enjoy it

00:48:29This is the most beautiful moment

00:48:31Below

00:48:31The relaxed one

00:48:32Oh

00:48:33Beautiful and relaxed

00:48:34Are you still thinking about the raise?

00:48:36Eh can I tell the truth?

00:48:37Say say let's free ourselves

00:48:39I still think about it

00:48:40Oh

00:48:40Hey, what's serious?

00:48:42It's serious

00:48:43She is incurable

00:48:44We did not find a suitable lobby

00:48:45But where are they?

00:48:47Here we are

00:48:47I found a lobby for her

00:48:49For her, a lobby is needed.

00:48:50Of the

00:48:51No lobbying by the president of the United States

00:48:54The president?

00:48:55Do you like horticulture?

00:48:56But I really like horticulture

00:48:58I'll put my little garden at your disposal.

00:49:01Bravo

00:49:02As

00:49:03A shovelful

00:49:05And a relaxed one

00:49:06A shovelful

00:49:09And a relaxed one

00:49:13Bravo

00:49:14Bravo

00:49:15Bravo

00:49:17It doesn't work

00:49:19Well

00:49:20But what's happening?

00:49:21It doesn't work

00:49:22It doesn't work

00:49:22I feel more dead than relaxed

00:49:25It doesn't work

00:49:26It doesn't work

00:49:27She needs a more efficient hobby

00:49:29But don't worry.

00:49:31Because I find it for him

00:49:32Thank you

00:49:35Here you are

00:49:36Here's director

00:49:37The shower works

00:49:39That's better

00:49:40Please note that I have worked with eight companies

00:49:42But don't get hurt Caprioli

00:49:44Thank you

00:49:44I no longer have any

00:49:46Can I belong to the family when I return home?

00:49:48Caprioli, without a doubt.

00:49:50Thank you

00:49:50First we fix the exhaust pipe

00:49:51Still

00:49:52Oh yeah

00:49:52The exhaust pipe

00:49:53The drain pipe does not work

00:49:54Below

00:49:55It does not work

00:49:55But you said however

00:49:56All right

00:49:57On

00:49:57Come on Caprioli

00:49:58Courage

00:49:59Hey

00:49:59Attention

00:50:00Be careful, Roe Deer

00:50:02At the head

00:50:02No

00:50:02At the sink

00:50:03Made of porcelain

00:50:04Yes

00:50:04At the head of meat

00:50:05Yes

00:50:05Come on Caprioli

00:50:06On

00:50:06And remember

00:50:07A crazy person

00:50:08And a relaxed one

00:50:09A crazy person

00:50:10And a relaxed one

00:50:11And I help him

00:50:12I'm going to get the pliers

00:50:14Yes

00:50:14Oh

00:50:15Oh

00:50:17Hello Gabriella

00:50:18What do you do?

00:50:19Ah the little saint

00:50:20We fired her

00:50:22Joseph too

00:50:23And they were no longer needed

00:50:24We use employees

00:50:26About my husband

00:50:27Under the guise of hobbies

00:50:28They do all the household chores

00:50:31Ah now we have

00:50:32An accountant

00:50:33Which is a wonder

00:50:34He does everything

00:50:35Whitewash the walls

00:50:36He digs the garden

00:50:37She does the laundry

00:50:38Repair drain pipes

00:50:40Oh

00:50:40He doesn't notice anything

00:50:42A saving

00:50:44Of one hundred thousand lire per person

00:50:45Too bad he doesn't cook well

00:50:48Oh nothing

00:50:49I'm telling you nothing

00:50:50They all believe in the hobby

00:50:54He thinks they are foolish

00:50:57Remember to have him carry the asphalt in the dog

00:50:59Of course

00:51:00You also take care of a whiskey

00:51:02Poor thing

00:51:03He needed air

00:51:04Think that yesterday he took her to the Capanelle

00:51:06Announce the return

00:51:07Help

00:51:08A drowned woman

00:51:09And you

00:51:09It's raining

00:51:10Help

00:51:11A drowned woman

00:51:11At this moment

00:51:12Help

00:51:14Help

00:51:15It's a descent

00:51:16It's a descent

00:51:17But what are they doing with the exchange?

00:51:19I plotted my hobby

00:51:20Drowned directors

00:51:25We are victims of these manias

00:51:27Well, there's mania and mania

00:51:29No

00:51:30Good

00:51:31Very good

00:51:31Eat a forkful

00:51:33Pine

00:51:34But how dare you?

00:51:39The professor doesn't eat them

00:51:41It makes them pose

00:51:43Oh capitalize

00:51:44Now what are we preparing?

00:51:46The Fiorentina is a beautiful steak

00:51:48Eh eh eh

00:51:49He called

00:51:50Yes yes but

00:51:50I can't take it anymore

00:51:52I can't take it anymore

00:51:53What happens?

00:51:54Pino look here

00:51:55Look here

00:51:56What happens?

00:51:56I am a victim

00:51:57You wonder what's happening

00:51:58I am a victim

00:51:59Everywhere I find these physical enhancements

00:52:02In the squares

00:52:03On the streets

00:52:04On the circular

00:52:04In the summer then

00:52:05Spring

00:52:06Let's not talk about it

00:52:07I can't take it anymore

00:52:08He knows it

00:52:08I can't take it anymore

00:52:09But how should I say it?

00:52:11You know, professor.

00:52:13That I am an accountant

00:52:14In an office

00:52:15I had to check

00:52:16Figures

00:52:17Ledgers

00:52:18I needed

00:52:19Of concentration

00:52:20Instead

00:52:21With these types of secretaries

00:52:23Which are going around nowadays

00:52:24For offices

00:52:25How can you concentrate?

00:52:27Director?

00:52:288.9

00:52:318,944

00:52:338,745

00:52:35Boys

00:52:36I have to close the budget

00:52:37What does accountant say?

00:52:38I have to close the budget

00:52:39Are you closing it?

00:52:40Oh

00:52:42Despite the active ingredient

00:52:44The burden of scape

00:52:46It makes us close the budget

00:52:47Always under 2 million

00:52:48Here it is

00:52:492 million

00:52:50Excuse me, accountant?

00:52:51Please

00:52:512 million

00:52:522 million

00:52:552 million

00:52:58Under 2 melons

00:53:00Under 2 melons

00:53:012 melons

00:53:03And 450 thousand lire

00:53:05But which melons?

00:53:06But our company

00:53:07It doesn't just deal with intubations

00:53:08Intubations

00:53:09Melons

00:53:10Oranges

00:53:10Mandarins

00:53:11Popori

00:53:11Etc. etc.

00:53:12Miss

00:53:12I'm playing a game

00:53:13Double

00:53:14And I'm already seeing double

00:53:15Let's move on to the active ingredient

00:53:17Then there was

00:53:19That new employee

00:53:20Hired last spring

00:53:22Dear Director

00:53:22That when he was beating in the car

00:53:24But it was a rumba

00:53:25A samba

00:53:26A calypso

00:53:27A rock and roll

00:53:27Which despite myself

00:53:28It made me lose my mind

00:53:33Go away go away

00:53:34Go away

00:53:35You were going

00:53:39With blinders and guini

00:53:41To avoid getting the numbers wrong

00:53:43You're reducing me to a nag

00:53:45Dear Director

00:53:46The fact is that

00:53:47We are not nags

00:53:48We are men

00:53:49No

00:53:49See her again as an accountant

00:53:51Good morning

00:53:52Good morning

00:53:54Enjoy your meal, accountant!

00:53:56Thank you

00:54:09Yes

00:54:11Yes immediately

00:54:12And for you, miss

00:54:13Who is?

00:54:13Her boyfriend

00:54:14Oh thanks

00:54:16Little Puccetto

00:54:18Good morning Nicolino

00:54:19Good morning Mrs. Minanelli

00:54:21My husband has already left

00:54:22It's inside

00:54:22Oh thank goodness

00:54:23Because today is his birthday

00:54:25Yes and I wanted to do it for him

00:54:26A surprise

00:54:27I bought some gifts for you

00:54:28See if you like them

00:54:30Look at those beautiful ties!

00:54:31Beautiful

00:54:32Beautiful

00:54:32And the color of the sweater

00:54:34Very nice

00:54:35And inside the sweater

00:54:36The clock object

00:54:36And it's beautiful

00:54:37The announcement immediately

00:54:38No no no

00:54:39Call me on the phone

00:54:40As you wish

00:54:44Thank you

00:54:44You're going down there

00:54:48Ready?

00:54:49Who's speaking?

00:54:50Vignanelli

00:54:51Excuse me

00:54:52And who am I talking to?

00:54:53She knows me little

00:54:54I am an employee

00:54:56The new employee

00:54:57The new employee

00:54:59Yes

00:55:01It's really her

00:55:02The new employee

00:55:04And what is the reason for this phone call?

00:55:07Today is his birthday

00:55:08Here you see

00:55:10He had already forgotten about it

00:55:11And since I know that you have been wanting a certain thing for a long time

00:55:15I have it here ready for her

00:55:17Yes

00:55:18Inside the golf

00:55:19And she has it ready so let's say

00:55:21In his golf

00:55:22For me

00:55:22But what a little thought

00:55:23Yes

00:55:24Everything for her

00:55:25As?

00:55:27I said for her

00:55:28Miss

00:55:29And she these things

00:55:30He tells me like this

00:55:32That's right.

00:55:34He didn't understand anymore

00:55:36Miss

00:55:37Please

00:55:38If I understand correctly

00:55:39And I didn't dream

00:55:40Give me another smile

00:55:42That I hold dear

00:55:43But nothing

00:55:44From the nearby office

00:55:45There's an idiot

00:55:46Who is looking at me

00:55:47He smiled at me

00:55:49It was a really terrible lesson.

00:56:02Excuse me

00:56:03Please

00:56:04We can feel

00:56:04Please

00:56:05Make yourself comfortable

00:56:05Thank you

00:56:06Ready

00:56:06Please

00:56:07I'm here

00:56:08Who is?

00:56:09Oh

00:56:09How is the Countess?

00:56:11Ah what a pleasure

00:56:13Like Countess?

00:56:17But I don't know how to thank her

00:56:20Countess

00:56:21If everyone was like her

00:56:23That the Countess

00:56:24How much suffering

00:56:25They would be relieved

00:56:26Yes when Countess wants

00:56:28Countess, of course.

00:56:31Thanks again Countess

00:56:33Yes good morning Countess

00:56:35Countess again

00:56:38Or are you here Countess

00:56:40She was a Countess

00:56:42Oh yes

00:56:43Yes, a lady who every now and then

00:56:45Send some help

00:56:46For our health home

00:56:48Here we are

00:56:49And you think he didn't run away?

00:56:51From Charity

00:56:51And it was just this

00:56:53Professor Charity

00:56:55Who gave us the push

00:56:56Here in the asylum

00:56:57How do you say

00:56:58The vase that made

00:57:00Draping the drop

00:57:01The vase after the drop

00:57:02The vase after the drop

00:57:03He understood

00:57:04He understood

00:57:05And already because my wife

00:57:06He has a mania

00:57:07Of the Charity Committees

00:57:09And what do they do?

00:57:10What do they do?

00:57:11In the evening they gather

00:57:13While preparing the Charity

00:57:16They eat

00:57:16And the more they eat

00:57:18And more they prepare Charity

00:57:20More prepare Charity

00:57:21And the more they eat

00:57:23Of course in these committees

00:57:25There is never a shortage of some genuine nobleman

00:57:27And some equally authentic crooks

00:57:29Seen like this certainly

00:57:31They didn't inspire much confidence

00:57:32But then on stage instead

00:57:34They didn't know how to do anything

00:57:36The only thing they knew how to do very well

00:57:39It was that of eating

00:57:40They ate like true professionals.

00:57:42They used the fork like their ancestors used the sword.

00:57:45They didn't shy away from any dish.

00:57:48Always ready to sacrifice themselves until the last agnolotto

00:57:51And it was precisely in one of these meetings

00:57:53Who decided to do the big charity show

00:57:56But tell me, have you thought about the orchestra?

00:57:59Already

00:57:59A small group of 3-4 people would be enough

00:58:01Susi di Motrone on the harp for example

00:58:03But what does the harp have to do with it?

00:58:04We need modern stuff, right?

00:58:06Trumpet, saxophone, trombone, drums

00:58:08Listen, I have an idea.

00:58:09What would you say about Carusone?

00:58:11But no, but Carusone doesn't come to work with amateurs

00:58:13Is that so?

00:58:14I think you accept

00:58:15He's a friend of mine

00:58:16I met him in Viareggio

00:58:17So why don't you try calling him?

00:58:19Yes, if you want

00:58:20I don't think he can say no to me.

00:58:21One moment

00:58:22Here if there is someone to talk to

00:58:24It's good that I think about it

00:58:25Don't worry

00:58:27He already said yes

00:58:28Let's hope so

00:58:29He's very good

00:58:30Phone the gray cat

00:58:31But it's natural

00:58:32Oh, if only he would come

00:58:33I would be so happy

00:58:34You'll be happy too

00:58:35Dear friends, all done

00:58:37Ah, that's good

00:58:38And who said that?

00:58:39He's not coming

00:58:40But why?

00:58:41How come he's not coming?

00:58:42But he told him in my name

00:58:43Yes, he said he still doesn't come to us

00:58:45It seems he's forgotten about it.

00:58:47Well, I say

00:58:48We don't want to lose ourselves over this, do we?

00:58:50With or without Carusone

00:58:51The show will take place

00:58:53I can assure you right now

00:58:54That everything is ready

00:58:55Alright

00:58:56In fact, tomorrow we can even start the pros

00:58:58Oh

00:58:59A moment for the scenes

00:59:00I have an appointment tomorrow at one o'clock.

00:59:02Where? At the theater?

00:59:03No, here at the restaurant

00:59:05Better if I'm the only one talking to him, eh?

00:59:06Then tomorrow evening

00:59:08I always see myself here at the restaurant

00:59:10With us?

00:59:10With the printer

00:59:11To have tickets printed

00:59:12By invitation?

00:59:13No, no invitation

00:59:15All paid

00:59:16Five thousand lire each

00:59:17But there won't be too many

00:59:19When it comes to charity

00:59:20It's never too much, sir.

00:59:21Each of you will receive ten tickets

00:59:24And he will undertake to place them

00:59:25Between relatives and friends, eh

00:59:27Agree?

00:59:28Agree

00:59:29Agree

00:59:30The higher the takings

00:59:31And the greater the gratitude will be

00:59:33Some poor orphans

00:59:35Who are already praying

00:59:37For their dear benefactors

00:59:38Indeed

00:59:39The poor orphans

00:59:40They really prayed

00:59:42For their benefactors

00:59:43They prayed and waited

00:59:50Boys sitting

00:59:52And now we wait

00:59:59For my daughter

01:00:00Manage to place the ten tickets

01:00:02About the show

01:00:02It was the simplest thing

01:00:04Of this world

01:00:05I put them in my pocket

01:00:06And he took away

01:00:07From my wallet

01:00:08The equivalent

01:00:09In cash

01:00:11He said so much

01:00:11Resell to your friends

01:00:13In a jiffy

01:00:14Okay

01:00:18Miss

01:00:20I would like to talk

01:00:21With the accountant

01:00:22Joseph Caprioli

01:00:24Look for it for me a bit

01:00:25On the alengo

01:00:25As soon as it's ready

01:00:26Pass it to me

01:00:27I am the device

01:00:32Accountant Caprioli

01:00:34Pass it to me

01:00:35Dear Don Antonio

01:00:36Dear Don Peppino

01:00:36How are you doing?

01:00:38Well

01:00:38He who does not die

01:00:39He takes offence, huh?

01:00:42Come in

01:00:42Excuse me

01:00:43Ready

01:00:43How is the family doing?

01:00:45Good, good

01:00:46The lady

01:00:47Is yours okay?

01:00:48Not bad

01:00:49Despite

01:00:50Excuse me, can't you see what I'm talking about?

01:00:51Be patient

01:00:52Come in

01:00:52Ready

01:00:53My

01:00:53Despite his quirks

01:00:56For charity

01:00:57He's fine

01:00:58It's me who's feeling bad

01:01:00I am sorry

01:01:00For charity

01:01:02If only I knew too

01:01:03Don Peppino

01:01:03I urgently need it

01:01:06To see them immediately

01:01:07Oh, is it really urgent?

01:01:08Eh, yes, I should talk to you.

01:01:09About something very important

01:01:11Eh, if it's urgent

01:01:12Then you can see me

01:01:12Immediately

01:01:13I would like from you

01:01:14But I can't leave the office

01:01:16Because the boss is coming

01:01:16In a moment

01:01:17I believe it, I believe it

01:01:18You should come to me

01:01:20You should come to me

01:01:21But of course

01:01:22Leave the phone

01:01:23I'm coming right away

01:01:24A sprint

01:01:25Word of honor

01:01:26Word of honor

01:01:27I'm counting on it

01:01:27Contact us

01:01:29Thank you

01:01:30That's it

01:01:30How good

01:01:31How good

01:01:32And where did you get from?

01:01:34I was Nandoro

01:01:34But how come you weren't on your phone right now?

01:01:36But I was here, Don Nandoro

01:01:37Didn't you notice my presence?

01:01:39In the seal

01:01:39And I was talking to you

01:01:40I don't understand it

01:01:41It was you who...

01:01:42How are you?

01:01:43Well

01:01:43How beautiful

01:01:44You are an Easter

01:01:45You are a beauty

01:01:46May I?

01:01:47Please

01:01:47So, Don Peppino

01:01:49You see, I made you come here

01:01:51Because I had prepared a gift for you

01:01:53Me too

01:01:54You too?

01:01:55Yes, me too

01:01:56Say

01:01:56But when are you, dear

01:01:58May I hug you?

01:02:00But yes

01:02:01So, Don Nandoro

01:02:03I have prepared you

01:02:04A beautiful evening

01:02:06With music

01:02:06I sing and...

01:02:07Ninth

01:02:08If you allow yourself to be excused

01:02:10Excuse me

01:02:10I have prepared you

01:02:12A beautiful evening

01:02:13With music

01:02:14I sing and...

01:02:14No, no, no

01:02:15I understood everything

01:02:16And I understood too

01:02:18This is the foundation

01:02:18And this is mine

01:02:20How many do you have?

01:02:21Ten

01:02:22And you?

01:02:22Ten

01:02:23Who gave it to you?

01:02:23Your son?

01:02:24My...

01:02:24And you?

01:02:25My daughter?

01:02:26Five thousand lire the ticket

01:02:28But how is it done?

01:02:28But who recovers?

01:02:29But who are your loved ones?

01:02:30But who spends five thousand lire to go...

01:02:32I know

01:02:33Don Antonio

01:02:34But you should help me

01:02:35Right there

01:02:36If I may

01:02:36I pay homage to friendship

01:02:37You should get some of these.

01:02:39Alright, give me someone

01:02:41I...

01:02:41How much would you like to give me?

01:02:42I would like to give five

01:02:44You want them all, you say?

01:02:46No, no, no

01:02:46Five is enough

01:02:46But Don Peppino

01:02:48Excuse me

01:02:49Please

01:02:49You should do me a favor too

01:02:51That I find myself in the same conditions as you

01:02:53When I go home I'm in pain

01:02:55You should get five from me too

01:02:57Yes

01:02:58Huh?

01:02:58And take it

01:02:59A

01:03:00Two

01:03:00Three

01:03:01Four

01:03:02And five

01:03:03Here it is

01:03:04These are your tickets

01:03:05In good health

01:03:07Good evening

01:03:08Have fun

01:03:09Have fun

01:03:10You too

01:03:10Excuse me, accountant.

01:03:11I brought her some papers to sign.

01:03:13I'll leave them here for you so you can sign them at your leisure.

01:03:15Yes

01:03:16After the recall

01:03:17All right

01:03:17After the recall

01:03:19Don Antonio

01:03:21I had an idea

01:03:22But this one

01:03:23A 5,000 note

01:03:25We won't take it

01:03:25Dear Don Peppino

01:03:27On another occasion

01:03:28I offered her a 10,000 lire note

01:03:30Nothing to do

01:03:32And they're not wrong.

01:03:33They are not wrong

01:03:34Too expensive

01:03:35Here with two or three hundred lire

01:03:36He's going to see an American film

01:03:37With Kim Novak

01:03:38No

01:03:38Don't talk to me about Kim Novak

01:03:40I argued with him

01:03:41Do you know her?

01:03:42No

01:03:42I had an argument with my wife

01:03:43Oh

01:03:44Because I at night

01:03:45I'm talking to him

01:03:46With your wife?

01:03:47Hand

01:03:47With Kim Nova

01:03:49Kim with the golden arm

01:03:51Hey

01:03:51Only the arms

01:03:52He didn't go

01:03:53And the rest

01:03:54I know

01:03:56Let's go up

01:03:57Boys

01:03:57Wake up here

01:04:06How beautiful my love

01:04:08To dream

01:04:09Sigh like this

01:04:13Alone alone

01:04:14In the shadow to listen

01:04:16The Calypso Melody

01:04:19Tomorrow of happiness

01:04:23It will dawn with the Day

01:04:27And the music will repeat

01:04:30The Calypso Melody

01:04:34A halo of happiness

01:04:38One of happiness

01:04:39One of happiness

01:04:40It will fly in the sky

01:04:42And I will know how to say those kisses

01:04:45To those who have a heart

01:04:48All our love

01:04:49How beautiful my love dreams

01:04:52Sigh like this

01:04:54Alone alone

01:04:57Alone alone

01:04:57In the shadow to listen

01:04:59The Calypso Melody

01:05:01And the

01:05:03I like

01:05:05Catchy, right?

01:05:33How beautiful my love dreams

01:05:36Sigh like this

01:05:38Sigh like this

01:05:40Alone alone

01:05:41In the shadow to listen

01:05:43The Calypso Melody

01:05:45A tomorrow of happiness

01:05:50It will dawn with the Day

01:05:53And the music will repeat

01:05:56The Calypso Melody

01:05:59A halo of happiness

01:06:04A halo of happiness

01:06:05It will fly in the sky

01:06:08And I will know how to say those kisses

01:06:11To those who have a heart

01:06:14All our love

01:06:16How beautiful my love dreams

01:06:18Sigh like this

01:06:21Alone alone

01:06:24In the shadow to listen

01:06:26The Calypso Melody

01:06:30The Calypso Melody

01:06:33The Calypso Melody

01:06:35The Calypso Melody

01:06:40Not bad

01:06:41Maybe with a little study

01:06:42The voice might even come out

01:06:44Could you teach me?

01:06:45Listen, look rather

01:06:46So that I don't make a bad impression

01:06:47Am I making a bad impression?

01:06:48But you know that there will be ten of us

01:06:50In Italy to be...

01:06:50To be so presumptuous

01:06:52But how presumptuous?

01:06:53To play the drums

01:06:54In a wonderful way

01:06:55Too bad she isn't

01:06:56Neither a prince nor a king

01:06:57Why?

01:06:58Why it would have gone down in history

01:06:59Like Charles the Modest

01:07:03It's useless

01:07:04After our duet

01:07:04It takes to make another number

01:07:06Otherwise there is no material time

01:07:08To prepare the scene behind

01:07:09But sorry but there is no number

01:07:10Of our husbands

01:07:11Oh yeah

01:07:12It's already eleven past eleven

01:07:13And they still can't be seen

01:07:14Who knows where I ended up

01:07:16Those two unfortunates

01:07:17Oh sir, excuse me.

01:07:19Here they are

01:07:20They're coming

01:07:20Who are they?

01:07:21No substitutes

01:07:26Come come

01:07:27Oh here we are

01:07:29That's better

01:07:30Stop everyone

01:07:31Ten minute break

01:07:32The substitutes have arrived

01:07:33Give me one

01:07:34And give me one

01:07:38As usual

01:07:39I'm always late

01:07:39And this

01:07:40It didn't make me late

01:07:41We are all waiting for you

01:07:42I wonder

01:07:44These tickets

01:07:45These pro orphans

01:07:46One is forced to do certain things

01:07:48Two poor old men like us

01:07:50But which old people?

01:07:51Which old ones?

01:07:52I say

01:07:52We are forced to sell tickets

01:07:54Oh to sell

01:07:54To unload

01:07:55No okay but in the end

01:07:56They are squishies

01:07:57Optimal

01:07:58You need to prove your number

01:08:00Everything is ready

01:08:01All ready what?

01:08:03I don't know anything

01:08:04But you don't have to know anything

01:08:05Who do you want to know?

01:08:06No, I don't know how to do anything

01:08:07But you don't need to do anything

01:08:09You just have to follow me on stage

01:08:11I do everything myself

01:08:12Yours is just a simple collaboration

01:08:14Passive collaboration, is that clear?

01:08:16Let's put the dots on

01:08:17I don't do anything

01:08:19You don't have to do anything

01:08:19I don't take any risks

01:08:20No risk

01:08:24One for two

01:08:26Card

01:08:26One for two

01:08:29Authority

01:08:31But I say

01:08:32Nobody pays here

01:08:35Authority

01:08:37Company

01:08:38Gift

01:08:40Press

01:08:41Authority

01:08:42Giovanni Card

01:08:43Tickets ladies

01:08:44Relative

01:08:44As he said

01:08:45Relative

01:08:46Relative of whom?

01:08:46I'm the cousin

01:08:47Yes, but whose cousin?

01:08:49John's cousin

01:08:49And this is the cousin

01:08:50But who is Giovanni?

01:08:51It's me, Giovanni

01:08:53Luca gives me

01:08:53But you know Giovanni

01:08:55No, it's not her.

01:08:56I do not

01:08:59As it goes on stage

01:09:00Force

01:09:09Let's hope so

01:09:10There's an audience tonight

01:09:11But if no one paid

01:09:13Precisely for this reason I am more evil

01:09:16Let's go

01:09:16Let's go let's go

01:09:17But where is he going?

01:09:18Over here

01:09:23Listen, it's right, my little hairy one

01:09:24Permit?

01:09:26After you

01:09:27I wanted to wish you all the best for the show.

01:09:29I don't worry

01:09:30What she will always be there to save any situation

01:09:32Does that mean she's not even a little excited?

01:09:35No

01:09:36At all

01:09:36As you wish

01:09:37Since she's so calm

01:09:38I'll drink this cognac

01:09:40All right

01:09:41If you really want to know

01:09:42I'm scared to death

01:09:43I was sure

01:09:44But I wanted to hear him say it

01:09:45Listen, but there would be no remedy against this blessed fear.

01:09:49There is one that many consider infallible

01:09:51Then tell me

01:09:52What are you waiting for?

01:09:52Many great actors close their eyes before going on stage.

01:09:55They clench their fists and then repeat three times

01:09:57I am good and I will be successful

01:10:00I am good and I will be successful

01:10:02Eyes closed

01:10:03I am good and I will be successful

01:10:05I am good and I will be successful

01:10:08How good I am

01:10:09How beautiful you are

01:10:17And you have to be right

01:10:18Now I'm not afraid anymore

01:10:22Who's on stage?

01:10:26My mother and your mother

01:10:29We are being carefully targeted

01:10:35We always sing with great passion

01:10:39The guards

01:10:41It's a disaster

01:10:41The guards

01:10:43Give a greeting to the public like this

01:10:47The radio, the radio, the radio

01:10:55Mr. Damn, you were wrong.

01:10:57But not me

01:10:57The wrong orchestra you heard the outcome

01:11:00They didn't even applaud us

01:11:01But they didn't understand us

01:11:03And now ladies and gentlemen

01:11:08Two famous claus

01:11:09Tony and Pepe

01:11:21Let's hope these are a little better

01:11:22Let's hope so

01:11:23Ladies and gentlemen

01:11:25I have the honor of reciting a dramatic poem

01:11:29I saw it in Teresa

01:11:35A via fru

01:11:42Professor

01:11:43Professor

01:11:46Professor

01:11:47You can't play here

01:11:50New this

01:11:51Did you understand?

01:11:53All right

01:11:54After you

01:11:58The miserable Teresa

01:12:03A there

01:12:05He respects it

01:12:08Soon

01:12:15Young man

01:12:15Hey

01:12:17Professor

01:12:18You can't play here

01:12:20One moment

01:12:21You said you can't play there

01:12:24And you can play here too

01:12:25Why?

01:12:26Because I have to work

01:12:27But I play

01:12:28He plays

01:12:29And wait

01:12:38I told you it would end badly.

01:12:40Here if there is not enough police

01:12:43Soon we'll all be back

01:12:46Where are you going?

01:12:47Let me do it

01:12:51And now gentlemen

01:12:52Let's move on to the most difficult experiment of the evening.

01:12:54No, that's enough, that's enough

01:12:55Silence

01:12:56Silence

01:12:57Eppi, can you read?

01:12:59Yes yes

01:13:00A newspaper

01:13:02Here it goes

01:13:03Here you are

01:13:04Light

01:13:05As

01:13:06As

01:13:07And don't think about anything

01:13:08Eh

01:13:09There you go!

01:13:11There you go!

01:13:12The June

01:13:13Where are you going?

01:13:14Stand still there

01:13:16That we must help the orphans

01:13:17No?

01:13:18For the orphans

01:13:19Eh

01:13:21Be careful dad

01:13:24Knight

01:13:25Assassin

01:13:25Damn you my wife

01:13:27Let me down

01:13:28Like me

01:13:29Yes

01:13:30Put something on me

01:13:33You put I don't see anything

01:13:34He lets himself go

01:13:37Yes yes

01:13:37At that time

01:13:43Madam, you hadn't told her this.

01:13:45Yes, calm down

01:13:46But what is killing him?

01:13:48Yes

01:13:49Peppi

01:13:49Yes

01:13:50Mr. Peppi

01:13:51Save

01:13:53Choreo

01:13:55Base flavors

01:13:57South American

01:13:58Tastes

01:13:59Cigars

01:13:59Avani

01:14:00A cam

01:14:00If the spades

01:14:01Bullfighter

01:14:02Bullfighter

01:14:03Ole

01:14:04Why did he refuse to come and play?

01:14:06Nobody called me

01:14:08Those hyacinths

01:14:09Then I beg you

01:14:10Come on

01:14:11It's all going to pieces

01:14:12But do it for me

01:14:13Miss Clara

01:14:14I'm working

01:14:15But please

01:14:16Let's wait a bit

01:14:17Oh bullfighter

01:14:19Base flavors

01:14:21South American

01:14:23Tastes

01:14:24Garya

01:14:25Vanagam

01:14:25If the spades

01:14:27Bullfighter

01:14:28Bullfighter

01:14:29Ole

01:14:31Ole

01:14:32Ole

01:14:34Ole

01:14:35Renato must come

01:14:36There's not a moment to lose

01:14:38But now it's too late

01:14:40No

01:14:40We'll come right away

01:14:41No

01:14:41Well

01:14:43Go to the theater

01:14:44Thank you

01:14:45Tell me a little

01:14:47Mr. Pepi

01:14:48What is this?

01:14:50I do not know

01:14:50I can't see it

01:14:51He can't see

01:14:52So let's do it like this

01:14:54What is this?

01:14:56The fire

01:14:58The correct answer

01:14:59And to put out the fire

01:15:01What does it take?

01:15:02The water

01:15:05There he is

01:15:09This experiment too

01:15:11He succeeded

01:15:14He succeeded

01:15:26He succeeded

01:15:31He succeeded

01:15:37I'm spending the summer

01:15:39In the

01:15:39By hand

01:15:43Has

01:15:43Ago

01:15:44Look

01:15:48You

01:15:49Ago

01:15:49The American

01:15:50American

01:15:51American

01:15:53You are with me

01:15:54Who

01:15:54Ago

01:15:55You

01:15:56You want

01:15:56Live

01:15:56There

01:15:57Fashion

01:15:57But

01:15:58If

01:15:58Drink

01:15:58Whiskey

01:15:59AND

01:15:59Soda

01:16:00Pot

01:16:01You are

01:16:01Disturbed

01:16:02You dance rock and roll, you play baseball, you smile for camel,

01:16:10who's going to give you mom's purse, you acted like an American, American, American.

01:16:17But you were born in Italy, you're with me, there's nothing to do,

01:16:21I have what a lack of political power, you acted like an American, you acted like an American, you acted like an American.

01:16:56Thank you all.

01:17:29Thank you all.

01:17:37You acted like an American, American, American, but you were born in Italy,

01:17:44you're with me, there's nothing to do, I have what a lack of political will, you acted like an American, you acted like a

01:17:50made the American.

01:17:55You did the American, you did the American, you did the American.

01:18:27Gentlemen, gentlemen, the numbers speak for themselves.

01:18:31Organizational expenses, sets, sketches one million eight hundred thousand, restaurant 600 thousand, flowers and supplì 220 thousand.

01:18:41But it's not expensive after all.

01:18:42Prison expenses, tips and taxes, total 4 million.

01:18:45Why do we send the orphans?

01:18:47No, you have to pay, otherwise you'll all end up in jail.

01:18:52But it's impossible, it's the collection.

01:18:53The proceeds, the proceeds were enough to buy drinks.

01:18:56And those poor orphans.

01:18:58Don't know how we can help orphans?

01:19:00Like we did last year.

01:19:06And while they were recovering, the poor, starving orphans waited.

01:19:14My daughter's wonderful idea was to collect funds for the orphans by going around selling

01:19:22the pins.

01:19:23And who should have paid the price for the pins, us, only us, all the time.

01:19:40Orphans, orphans, orphans, orphans, orphans.

01:19:47Dear knight, I am Dolori.

01:19:49How much did you make?

01:19:50And you?

01:19:51Almost.

01:19:52I don't understand why no one is interested in these orphans.

01:19:55Of course, it's a logical thing.

01:19:57Why?

01:19:57Sorry, they're orphans, no one gave them.

01:19:59No, at least ladies should be more generous.

01:20:02Do you want orphans, sir?

01:20:05Orphans, sir.

01:20:06Orphans, sir.

01:20:07Orphans, sir.

01:20:09But these children, what a satisfaction.

01:20:11God first makes them and then they mate from them.

01:20:15Orphans, sir.

01:20:17Madam, orphans.

01:20:18Orphans.

01:20:19The fact is that the passerby, Don Nandoli, does not collaborate with us.

01:20:22It's not that he comes close for pleasure.

01:20:23Let me buy a medal for the orphans.

01:20:26It's not that it's getting any closer.

01:20:27Look at the medallion.

01:20:28He pretends to go up, someone goes away.

01:20:30Don Capino, what's needed here is bold action, cool blood, and impetuosity.

01:20:34Audax fortuna iubat.

01:20:37Hello, sir.

01:20:39Orphans.

01:20:40Orphans, sir.

01:20:41We help orphans.

01:20:42Without parents, without father, without mother, children of orphans in their own right.

01:20:46Thank you on behalf of the orphans, sir.

01:20:47Thank you on behalf of the orphans, sir.

01:20:49Ten thousand thousand.

01:20:50Ten thousand thousand.

01:20:50Damn.

01:20:51We need to take them head on.

01:20:53I know.

01:20:54One moment, sir.

01:20:57But how?

01:20:58But barefoot.

01:20:59But how dare he?

01:21:00But barefoot.

01:21:01No, no, no.

01:21:02Shut up.

01:21:02There are ways here.

01:21:03Did you say chest?

01:21:04Head on, but not like this.

01:21:05I'm so sorry, sir.

01:21:06Be patient.

01:21:06Pretend it's a disaster, a disaster.

01:21:09Here, a puncture.

01:21:10If you want to get it back, we'll tell you right away and fix it.

01:21:13Do you have the jack?

01:21:13But what jack?

01:21:15You idiot parrot.

01:21:16If there was a guard, I would show them.

01:21:18You are right, sir.

01:21:18I'm so sorry.

01:21:19Don Beffi.

01:21:20You, but you, are grabbing me.

01:21:21But I did it to defend you, to meet you halfway, sorry.

01:21:24Encounter.

01:21:24Be patient.

01:21:29Don Beffi.

01:21:30I have a wonderful idea.

01:21:32Follow me.

01:21:32We will make not four, but 12.

01:21:34A good idea.

01:21:55A good idea.

01:22:04A good idea.

01:22:15Who was the professor?

01:22:17Do you understand?

01:22:17They thought we were crazy, they boxed us up and brought them here.

01:22:20I say, I took myself for crazy.

01:22:22And what do I have to do with it?

01:22:22I look like a crazy person.

01:22:23If you want to take someone, take him.

01:22:25To me?

01:22:26And he looked at it kindly.

01:22:27No.

01:22:28Yes.

01:22:31What's up, miss?

01:22:32The director, visiting hours.

01:22:33Oh, yeah?

01:22:34There are also the relatives of the gentlemen.

01:22:35No, for goodness sake.

01:22:36No, no, no.

01:22:37I don't want to see our relatives.

01:22:38No, no, no.

01:22:38I want to see them.

01:22:39Professor, protect us.

01:22:40Please shield us.

01:22:42Give us a shield.

01:22:44May he shield us, protect us.

01:22:46Calm down, calm down.

01:22:46My wife put her purse in there.

01:22:48He has the goals.

01:22:49Calm down, calm down, calm down.

01:22:50Don't lose your calm.

01:22:51It does you no good.

01:22:52We are not burned.

01:22:54Don't lose your calm.

01:22:55Think, professor, please.

01:22:56He said, let's not lose our cool.

01:22:58Listen to me.

01:22:58What is he doing?

01:22:59He's thinking.

01:23:04I know, but I say...

01:23:07You go to the visiting room now.

01:23:09Yes, in the visiting room.

01:23:10One moment.

01:23:11What's going on in the visiting room?

01:23:11What do you do in the visiting room?

01:23:12This is a question to ask yourself.

01:23:13We talk in the visiting room, right?

01:23:14But I would say, when we go to the visiting room,

01:23:16It's better if he and I keep quiet.

01:23:18So what are we going to do in the visiting room?

01:23:19Let it be.

01:23:19The professor knows what he wants.

01:23:21There you will find your wives and children.

01:23:23No, no, no, no, no, no, no, no, no.

01:23:26Of course not, of course not.

01:23:27No, no, no, no.

01:23:28I have no wives, I have no children.

01:23:29Professor, I don't have a wife.

01:23:31I make children.

01:23:32Professor, I'm sorry you say these things to me.

01:23:34I am a man of a certain age.

01:23:36And don't be children.

01:23:37And how do I make children?

01:23:38Here you go, guys.

01:23:39But are we there yet?

01:23:40You, you come in.

01:23:41Come in.

01:23:42Without children.

01:23:43Without children.

01:23:44You come closer.

01:23:46So, let's be kids and go.

01:23:48No, no, no, you have to pretend nothing is happening.

01:23:52Please.

01:23:53Thank you.

01:23:55Having to do it right away, for himself...

01:23:58They're coming now.

01:24:03How are you?

01:24:05How are you?

01:24:06Oh, no.

01:24:07You're fine, Antonio.

01:24:09Oh, no, no.

01:24:10Well done, well done.

01:24:12Well done, well done.

01:24:14Listen, the director.

01:24:16The director says we are cured.

01:24:23Go.

01:24:26Go.

01:24:27Go.

01:24:28Hello, hello, hello.

01:24:33But we are not crazy.

01:24:34And that maybe we were crazy.

01:24:37And now you leave us here.

01:24:38Let's go.

01:24:39A little bit each, doesn't hurt anyone.

01:24:43Let's go.

01:24:45Go.

01:24:49Oh, long live freedom.

01:24:50Oh, how peaceful.

01:24:52What a beautiful thing, huh.

01:24:53Antonio, do you have any preferences for this evening?

01:24:56Well, what do you want me to tell you?

01:24:58This evening I would opt for a nightclub.

01:25:01Well, I would opt for that too.

01:25:03I'm following you, Antonio.

01:25:05Hi beautiful.

01:25:06See you soon.

01:25:06How soon.

01:25:07Never.

01:25:09Hi beautiful.

01:25:10Hi beautiful.

01:25:11Hi beautiful.

01:25:13Hi beautiful.

01:25:14Hi beautiful.

01:25:15Hi beautiful.

01:25:16Hi beautiful.

01:25:18Hi beautiful.

01:25:19Hi beautiful.

01:25:20Hi beautiful.

01:25:24Hi beautiful.

01:25:25Thank you all

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