00:13In Colombia is the opportunity to connect with dreams and impossibility.
00:19It's like a constatation of humans fallent, carent and passengers.
00:26And that in this work we can approach all the traces of the dream,
00:36all the contradictions of human beings,
00:41that, as our peasants and peasants made their migration to the city,
00:48once they gave the opportunity to be in another part and to invent a world.
00:57In the 13th, in an Indian restaurant in Miami,
01:00I said to write a book about these people and she said,
01:04when? When? When? When? When? When?
01:07When? When? When? When? When?
01:08We were in New York in an winter, with a ferocious gripe.
01:11We were in the house of maps from the United States
01:15And I said to Cristina, forget that when we return to Colombia, we had 105 pages of work, and then
01:26they were in 35, 36.
01:34It has been a blessing of the sky, what has happened, I never imagined that many things would happen,
01:40and having me met with Cristina was the foundation of my existence,
01:51it was a blessing of the sky, and that is tattooed in my soul.
02:01I have a great gratitude to The Águila Descalza because it was my life,
02:06it was the opportunity to show me and to show the world that art art was a dignified opportunity,
02:17necessary opportunity, and it has also been the opportunity to tell a country,
02:22to show a dramaturgy that narrate us.
02:26Thank you very much.
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