00:00What was the first time of the song?
00:13That's true, in the time we, Bridget, the people of the accordion were corroncho,
00:18it was more on the coast than on the other side, corroncho, corroncho,
00:25it was not a social music, it was not a decent music.
00:30So we got the first, we were very discriminated,
00:36discriminated, because we were going to a party,
00:38and the musicians put us in a corner,
00:41we were drinking whiskey, and we gave us chirrins or roncañas,
00:45and then they ate, they ate, they ate, they ate, they ate, they ate,
00:50and they ate, but it didn't happen, because it was like that.
00:53But we grew up musically, the vallenato was spreading,
00:58especially, look, it's that the vallenato is known and is great,
01:01it's how it was built, how it was built, how it was built, how it was formed,
01:06what I said before, Juan Carlos, that this is poetry,
01:09this is living, compañeros,
01:11it's not plastic, it's not mechanical,
01:16no, but now the trade is for everything.
01:20You know what we have seen?
01:22We know the generation of the new ola,
01:27we know, we're young people,
01:29they're being dressed,
01:31they're being dressed, they're being dressed,
01:32they're being dressed in 50 million,
01:34they're being dressed in a car Mercedes-Benz,
01:35but there's nothing in the background,
01:38and the songs,
01:39you know, you see, you can see a song,
01:41you can hear a song,
01:42and you can hear a song,
01:44to see what they say, they put instruments of how much perendin there is, they put
01:52no, that is caja, bacharaca and acordeon, now, after they incursion a guitar and
01:59a tumbado, a tumbado, and that is what they do, now, there are passioners that have 40 musicians and the
02:09bandit has 10 assistants, hotels 5 stars, alfombra roja para llegar al escenario, avioneta,
02:18charter, and speaking of music, analyze, analyze, and they are epímeras, you can't sing, but
02:28I don't want to offend groups musicals, I like it, I like it, I like it, I like it, I
02:35like it,
02:38duré un año, en cambio, oye morenita me voy por la madrugada cuando pasa de moda
02:46ahí me lleva él o me lo llevo yo cuando pasa de moda un mediodía que estuve pensando en
02:56la mujer que me hace llorar cuando pasa de moda. La sangre y Lama, como tú me preguntas una
03:03musical, well, the radiography of a world, of a history, the radiography of
03:13some brothers who adoran that started humildemente and that, as they say,
03:20Miriam, they didn't think. I knew, like that is the verse, I knew that
03:28something could happen, so we didn't want to want to want to. Why? Because the blood...
03:36We knew that something could happen, we knew that something could happen, we knew that something could happen.
03:48.
03:48.
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