00:06I was going to start recording some episodes of The Viuda Negra 2, and my manager of Mexico
00:12calls me and says, this is top secret, but you do a casting for Juan Gabriel, and it's
00:17the authoritative biography of him.
00:19So my manager calls me and says no, that Juan Gabriel decided no, that he wants to be a
00:26Mexican, and not Colombian, that the chief of casting and the director tell me that
00:30thank you very much, that they loved it, but that no.
00:32And at the 20 days, I call and say that yes, that yeah, that Luz Verde, I do my first
00:37day of recording, and the producers say no, you go from chapter 9 to chapter 13, because
00:44they wanted to do the 40, and they liked so much the work that they said no, you go from
00:49the 9 to the 13th.
00:50You will see the story of Alberto Aguilera, who is the man behind Juan Gabriel, since
00:56his parents knew him, since he was born to the 40, when he came from the prison, I am
01:01of 23 years old, even if you don't believe it, what he does in the makeup.
01:08It's impressive, I read it and said, this is serious, so when I started listening to him,
01:15where he tells these stories, and from there are the chapters, that is real.
01:18He could see it until the 4th, because he couldn't see it anymore, because he was
01:21and he was and he was and he was and he removed everything that he didn't want
01:26to remove it from 40 years ago.
01:28He asked that Dolores Heredia was her mom, for example, the actress who was her mom.
01:32So, he said that the introduction of Dolores to the mom that she had is impressive.
01:38How is it possible that this woman, without her, she was so close to her, to what she was
01:42her mom.
01:43She helped me a lot, my wife is Mexican, and I, when I was there, when I was there, we
01:49were on Skype, and then I read the scenes, and she said, look, can I change it?
01:53And she said, no, because that's very Colombian, so if you want to change this,
01:56so, more than, di this, and ta-ta-ta, and how is the accent?
02:00So, it's very good, you're eating the D's, you're not eating the D's, because the D's,
02:05ah, and I worked, and I listened to him a lot, and I got to work with the job a
02:11grab.
02:12The other advantage is that it's a nice to listen to Juan Gabriel, because it's a great
02:16cantor, the roles are wonderful.
02:18So, it's not difficult.
02:20It's not like when I took on the Reyes, that I took to listen to reggaeton for the character,
02:24and I hated it, and I had to listen to reggaeton, and I had to listen to reggaeton, and I
02:29had to listen to it,
02:29but it was a martyr, and I was like, what do I do?
02:32What do I do?
02:32I hope they receive it like we did, like we did, with a love, it's so beautiful the series,
02:37and, aparte, to all the people who say that it's all the products are narco,
02:42that it's all the shirts of the mafia, that it's all narco, narco, narco, narco,
02:45here's their product.
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