00:05Well, I always say that getting to the characters is a kind of miracle that is produced.
00:11There are certain work-related connections that allow you to get a test for a person.
00:19And this was the case. I give you, I send you from here to Alexandra Restrepo a huge hug,
00:27because in some way, or in great way, the first connection to interpret Montenegro was his fault.
00:40So that was it. In the Goya Awards here in Spain, we coincided, we knew from before,
00:52and I remember perfectly how she looked at me and told me,
00:57there is a character that is for you.
01:00And I said, and I asked, would you go to Colombia to work?
01:06And I said, of course, tell me everything.
01:10And, indeed, they were already doing the casting of the series,
01:13and they were looking for Montenegro.
01:16And she, fortunately, who also has a very good energy,
01:21she controls a lot of those things,
01:24I saw it very clear and I said, I'm not going to take it away.
01:27So, later, I did a test from here, from Spain, that we had to record.
01:33And, well, I did it with a lot of ilusion and with a lot of desire to do a good
01:38job.
01:39And it stayed.
01:40And the next thing was, well, the next thing was the pandemic.
01:45The next thing was a positive response.
01:49The next thing was a pandemic.
01:51The next thing was, here, something called,
01:53like a terrible storm in Spain, that it was all in Spain.
01:58Filomena, right?
01:59Filomena, exactly.
02:02And, after all that,
02:09finally, I got to Bogotá and started to know,
02:14and to develop and to love this character,
02:19to José María Montenegro and to all my colleagues,
02:22to those who adore him.
02:29I, the truth, I try not to judge the characters,
02:32the characters that I interpret.
02:33I think it's interesting to find the human side,
02:36because there is no person that is not human.
02:39That's the reality.
02:42Montenegro is a type that has a lot of fear,
02:46that is very alone,
02:47and that is capable of anything for
02:51to achieve what he thinks that is good.
02:54Then, effectively,
02:56his criteria differ a lot from the other characters,
03:03but I don't have procured,
03:06I don't have wanted to do a bad thing,
03:08a bad thing.
03:09I think it's good to use images or cliches
03:16that we have in mind,
03:17how is a bad person?
03:19Well, I think Montenegro is a lot of things,
03:23and sometimes he lives as he can,
03:26and in his survival is able to escape
03:29from anything else.
03:30I would define it that way.
03:38I am enamored of Colombia.
03:39What I want to do now is to come back to Colombia,
03:42hopefully with new and wonderful projects,
03:46but I want to come back to them without the pandemic,
03:50without traveling, with tranquility.
03:53But I like to come back to Colombia,
03:54I like to come back to the gastronomy,
03:56I like to come back to Colombia.
04:00Colombia is overwhelming.
04:01I remember traveling to the outside locations,
04:04when we came back to the studio,
04:07and I didn't stop looking at the window,
04:09because everything is exuberant,
04:13everything is rich,
04:14there is water in all the places,
04:17even the cows are beautiful in Colombia.
04:20It's an impressive thing.
04:23And then, you,
04:26you, the Colombianans and Colombianas,
04:27you are people who are welcoming,
04:28we are family, we are brothers.
04:30I think Spain and Colombia
04:34have a lot of things in common,
04:36and also I think there are a lot of things
04:38to tell to the world.
04:41We tell stories, we have stories,
04:43and we tell them in a very special way,
04:46which I also perceive,
04:49with a lot of curiosity,
04:51and in other worlds,
04:54in the agrosajone world,
04:57in the European world,
04:57in the North America world.
04:58I think it interests our stories
05:00and interests the way we tell them.
05:03So, let's go.
05:04Let's go.
05:11I'm a actor that weighs 1,93,
05:14I'm a high actor,
05:15so finding a horse for me
05:18was not easy.
05:19Although I've seen,
05:21in Colombia you've seen
05:22wonderful caballos,
05:23but I have to find a horse
05:24determined,
05:25with a color determined,
05:27with a size determined,
05:28with a
05:29prestance,
05:31prestance,
05:32yeah,
05:32prestance,
05:33determined,
05:34and
05:36it was very complicated
05:37to find it.
05:38So, I would say that
05:40during the series
05:41we've had several
05:42horses,
05:42and that,
05:43as they are not exactly
05:44the same,
05:46we've had to
05:48maquillarlos
05:49and peinarlos
05:50of certain ways
05:51so that,
05:53the public
05:54understand
05:54that it is the same animal.
05:56That,
05:56by the way,
05:58the last one
05:59that I work
06:00I've been
06:01baptizing
06:02him as a son of the sun,
06:03and I hope
06:03that...
06:04and I see
06:12here in Spain,
06:14when I came back to Colombia,
06:16I had the chance
06:17to be in two
06:19cinematographic projects,
06:19two movies
06:20that I just finished,
06:21and now I'm going to play
06:22a series in English
06:25for Netflix,
06:26also in Barcelona,
06:30so everything goes well,
06:31we continue to be active
06:33and I still enjoy
06:35a lot of my work,
06:37so,
06:37nothing,
06:38and with
06:39much curiosity
06:40of what
06:41comes next to it,
06:42you know,
06:43so,
06:44everything is fine.
06:46Well,
06:47well,
06:48hello to all,
06:49I'm Rodrigo Poisson,
06:50I interpret the character
06:51of José María Montenegro,
06:53and I want to tell you
06:55that if I were you were,
06:57I would not miss
06:58any chapter
06:59of the Villamizar,
07:00from the lunes
07:01to the viernes
07:02at 9.30
07:03on Caracol Televisión.
07:06Hello,
07:07I'm Rodrigo Poisson
07:08and I invite you
07:08a huge hug
07:10from Spain
07:11to all the lecturers
07:12and followers
07:13of the revista
07:14Cromos.
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