- 1 day ago
Category
🎥
Short filmTranscript
00:00:00Yes, I actually made it into Helgi's private auction.
00:00:03Oh, my stuff.
00:00:07Helgi is a scandalous billionaire artist who hides his face.
00:00:11I'd love to know what he looks like.
00:00:13But you're just a broke student, Freya.
00:00:16Stop dreaming.
00:00:20Interesting.
00:00:21Who are you, miss?
00:00:24The very few guests are here with my stuff.
00:00:29No, no, I'm sorry.
00:00:31I'm not a waitress.
00:00:33I'm Freya Davis.
00:00:34I'm working on my master's thesis and you accredited me yourself.
00:00:39You'd better not get on my nerves.
00:00:46Ladies and gentlemen,
00:00:48I present to you the latest masterpiece by Helgi.
00:00:54The highest talent living artist.
00:00:58Setting price,
00:01:003 million dollars.
00:01:02And then, something happened that no one expected.
00:01:06And it changed my life forever.
00:01:09Oh, no.
00:01:10I ruined a Helgi painting.
00:01:12William!
00:01:13This stupid beast won the page.
00:01:17Go away.
00:01:29Are you hurt?
00:01:31Wait.
00:01:32Do I know him?
00:01:38It's okay.
00:01:43it's okay look at me first brush your lips like this
00:01:56take a deep breath
00:02:00okay let's try something else
00:02:02close your lips
00:02:15and come back into your body
00:02:17why does it feel so good i want more than that
00:02:25i remember you you're that psychologist the one from television right
00:02:34this is the insurance report the wine soaked into a canvas
00:02:37the damage is five million dollars
00:02:41bring this girl to me i want to see her now
00:02:47it's him him he wants to see
00:02:50so i'm meeting helby right after i ruined his painting
00:03:03is anybody here
00:03:11don't turn the rail
00:03:14such a good girl if you only knew what i'm thinking right now you'd run
00:03:20but you don't have a chance anymore angel because soon you're going to be mine
00:03:27are you that scary of publicity
00:03:32put both your hands together behind you
00:03:34but why
00:03:35too many questions
00:03:38freya
00:03:38you know my name
00:03:40i have the guest list
00:03:43hands
00:03:49why are you doing that so you don't get the urge to take off the blind phone
00:03:53that's all
00:03:58god she's breathtaking
00:04:00i can feel her trembling
00:04:02don't worry angel
00:04:04i'll be gentle
00:04:05you are shaking
00:04:10why are you so scared
00:04:12are you kidding
00:04:14i already have to do that and
00:04:16and now i owe five million for the painting i
00:04:20i have no idea where i'll get that kind of money
00:04:24you could
00:04:26sell something
00:04:30i don't have an apartment
00:04:33or diamonds
00:04:35what should i sell
00:04:40what about your virginity
00:04:46so
00:04:48what do you think about the idea of selling your virginity
00:04:51what the hell do you think you are doing
00:04:53you're pervert and
00:04:55and what makes you think that i'm
00:04:56a virgin
00:04:58because of your dress
00:05:01quite modest
00:05:03even in the knee you seem to feel
00:05:05too exposed
00:05:07as if you were apologizing for your sexuality
00:05:15to grab you
00:05:18slide a hand
00:05:21between your thighs
00:05:24push you against the table
00:05:30lift
00:05:39and take you very hard
00:05:40like an animal
00:05:44that's what men
00:05:45are thinking about
00:05:49while you hide
00:05:50your bare shoulders
00:05:52beneath those innocent cures
00:05:56like an erotic fanfic
00:05:58hidden behind
00:05:59a paper cover in your back
00:06:02am i wrong
00:06:05maybe
00:06:07but that doesn't mean i'll
00:06:08give myself for the first stranger i met
00:06:11even if you forgive my death
00:06:14no freya i don't need sex from you
00:06:17you misunderstand my offer
00:06:19then explain it
00:06:20mister mystery
00:06:22your
00:06:24purity
00:06:25inspires me
00:06:26so here's the deal
00:06:28you live at my place
00:06:30for a month
00:06:31and pose for my paintings
00:06:34and pose for my paintings
00:06:34but in all your paintings
00:06:36the women are
00:06:38naked
00:06:39that's exactly why you will be my muse
00:06:41i will satisfy your part of you
00:06:44only
00:06:45if you obey
00:06:46i know that's scary
00:06:49freya
00:06:50i won't make you do anything
00:06:52against your will
00:06:55my professional relationship
00:06:57are clearly regulated
00:07:00i don't sleep
00:07:01with my mothers
00:07:02okay
00:07:03okay i agree
00:07:05but we are adding one clause
00:07:08i'm listening
00:07:10i want the right to write about my experience from my
00:07:13master's thesis
00:07:15a face like that
00:07:16and a mind to match
00:07:18cards is hard to resist
00:07:20deal
00:07:30ready
00:07:32she did exactly as i said
00:07:34my good girl
00:07:36belongs to me now
00:07:45oh no
00:07:47no no no
00:07:48it can't be you
00:07:50how does it even work
00:07:53during the day
00:07:54you are a tv psychologist
00:07:56and at night
00:07:57you are a mysterious artist
00:07:59with questionable reputation
00:08:01well it's a little bit more complicated than that
00:08:04oh
00:08:04let's explain it
00:08:06let's go
00:08:10time to work on that contract
00:08:13come here
00:08:18oh god
00:08:19he's so intense
00:08:21how am i supposed to stay calm
00:08:22so
00:08:24while we are driving
00:08:25maybe you can explain
00:08:27where that switch comes from
00:08:29what switch
00:08:30the one that flips you
00:08:32from one personality to another
00:08:35it's all me
00:08:40if you're one of us
00:08:41have a pot
00:08:43we'd rather other residency
00:08:46you think you don't
00:08:47oh no
00:08:48i don't have bipolar disorder
00:08:50bipolar disorder has nothing to do with it
00:08:54look
00:08:55imagine
00:08:55imagine
00:08:56this
00:08:57this little freya
00:08:59she can't walk anywhere
00:09:00but for some reason
00:09:01she's drawn
00:09:02to a dark
00:09:04klumi cave
00:09:06scary
00:09:07she's afraid to go
00:09:10she goes anywhere
00:09:14should i keep going
00:09:17i know
00:09:18i understand
00:09:19this idea in general
00:09:30i will be in the studio
00:09:32take off what you are wearing
00:09:34and put this on
00:09:40does he want me to wear this
00:09:43if i put it on
00:09:45i'm completely his
00:09:53you should see how divine you look right now
00:09:57it suits you
00:09:59step into the light
00:10:00estrogen waller
00:10:02get grip
00:10:03she's just a model
00:10:04but she's so
00:10:06no
00:10:07let's stop it
00:10:09i've never seen these paintings before
00:10:11whoa
00:10:12are these paintings
00:10:14no one's ever seen
00:10:15does she know my heart at home
00:10:18interesting
00:10:20so i'm
00:10:21the chosen one
00:10:27can i ask you something
00:10:28it's for my research
00:10:32why do you show the world
00:10:34only a few of your works
00:10:35if
00:10:36if you have this many
00:10:40life is not instagram
00:10:41freya
00:10:43i go public
00:10:45only with what really matter
00:10:47reminder
00:10:48i'm conducting a research
00:10:50i'm not writing for the gossip color
00:10:53and a truthful answer
00:10:54not a pretty one
00:10:58truth is banal
00:11:00and i'll believe the man and father
00:11:04all my life is set to me
00:11:07a job is done
00:11:11only when it's perfect
00:11:16sharpened to perfection
00:11:18enough to draw blood
00:11:21whoa
00:11:23is order
00:11:24really that important to you
00:11:26order
00:11:28and control
00:11:59once
00:12:04will you draw the lines
00:12:06from me too
00:12:08yes
00:12:10and i will use a ruler
00:12:11if you disobey
00:12:12was he joking
00:12:13or not
00:12:16focus
00:12:16think on the shadows
00:12:18to light
00:12:20i'll make this
00:12:21so delicate
00:12:22perfect for my hands
00:12:24i'm trying to know
00:12:25what's coming out of that
00:12:27step back
00:12:30why am i
00:12:31in a listen
00:12:33because you want
00:12:34to be told what to do
00:12:37you grew up
00:12:38overprotective
00:12:40i'm guessing you were raised
00:12:41by your grandparents
00:12:42right
00:12:45everything around you
00:12:46was safe
00:12:48predictable
00:12:49controlled
00:12:50they did their best
00:12:51but like most other people
00:12:52they didn't know
00:12:53how to talk to you
00:12:54about sex
00:12:56that's why
00:12:57at
00:13:00i'm 23
00:13:01i'm 23
00:13:04you've got a volcano
00:13:05of persian inside you
00:13:06but you still don't know
00:13:07how to let the leather out
00:13:09no
00:13:10no no
00:13:11don't touch anything
00:13:11on yourself
00:13:18remember this
00:13:19here
00:13:20you follow all my comments
00:13:21without question
00:13:26this
00:13:27need to go
00:13:28dying away
00:13:34now lower the other woman
00:13:35but then
00:13:37the dress will fall
00:13:38and i'll be
00:13:39i'll be naked
00:13:42lower it
00:13:44five million in debt
00:13:45on one side
00:13:46and posing youth
00:13:48for a world famous artist
00:13:50on the other
00:13:51what do i choose
00:13:59do you think you understand me
00:14:05do you promise
00:14:06to hold my hand
00:14:08what is she doing to me
00:14:10i can't let myself
00:14:12fill in love
00:14:13i want her to be mine
00:14:15completely
00:14:17i do
00:14:32lower your hands
00:14:38rest
00:14:39rest taking
00:14:40every shape
00:14:42every line of her body
00:14:43especially her hips
00:14:48the hollow of her waist
00:14:50every curve from shoulder to hip
00:14:53the line of her neck
00:14:54and all
00:14:56tells me
00:14:56she will be impossible
00:14:59to forget
00:15:19one look from him
00:15:21and i tremble
00:15:22i've never let a man touch me before
00:15:24but with him
00:15:26i'm not sure i can say no
00:15:28i have only one wish
00:15:32please
00:15:33don't stop
00:15:36relax
00:15:37let your body fall naturally
00:15:42easy
00:15:43let me guide you
00:15:44your eyes go here
00:15:46now
00:15:47give me just a bit of pressure
00:15:48now
00:15:50your hair
00:15:51it's turning
00:15:52but it needs to be painted back
00:15:59attempt
00:15:59not even can my nails truly bear outside
00:16:06so pure
00:16:08and untouched
00:16:09she is my perfect virgin use
00:16:30i've never been like this
00:16:32in front of a man
00:16:34maybe you'll say something
00:16:36don't move or talk
00:16:41i feel like i'm in the movie
00:16:43a contracted lock
00:16:52not that i didn't force you to live
00:16:56yet
00:16:57the way he handles me
00:16:59why does it turn me on
00:17:02why do i want more
00:17:05dinner's ready
00:17:07do you too
00:17:15we need to continue
00:17:18i'm not undressing again
00:17:21we can have dinner later
00:17:23no
00:17:24there must be order and everything
00:17:26and freya you undress
00:17:28as much as i say
00:17:41were you expecting something more
00:17:45than a fight to get on his schedule
00:17:49your gay preachers are sacred
00:18:02who was warwick genius
00:18:06she's just a girl like the others
00:18:09so why can i get her out of my head
00:18:14rhea thank you for your work
00:18:15you did well
00:18:17see you at dinner
00:18:23and one last thing about gabe's schedule
00:18:25i manage it
00:18:26so for the future
00:18:27you'll never be on it
00:18:29you're here for a month only
00:18:31until the contract ends
00:18:35i'll finish your life
00:18:37anyway
00:18:38yes confirm
00:18:39the artist is dropping all charges against miss davis
00:18:42why is my client so generous
00:18:45it's not my department
00:18:53no your city is there muse
00:18:55see the cross for me
00:19:24you'll never be on it
00:19:26That won't do.
00:19:32I don't need a starving mother.
00:19:43No.
00:19:45Alright, I'll do it myself.
00:19:48Okay, I trust your taste.
00:19:56Freya.
00:20:04Feeding her now.
00:20:06Are you planning on adopting her after this?
00:20:40I want you to stay in this house longer than a contract requires.
00:20:48I want you to stay in this house longer than a contract requires.
00:20:53To Gabe's new muse.
00:21:00To yet another experiment.
00:21:13Oh no, sweetheart.
00:21:16Not like that.
00:21:19Don't slouch.
00:21:23Gabe likes when color was sharp like shards of grass.
00:21:30She knows what I need better than anymore.
00:21:37Remember your place.
00:21:40You're a mannequin.
00:21:42I can test.
00:21:44In the trash.
00:21:46Anytime.
00:21:47Time.
00:22:02You stand when the Gabe is finished.
00:22:06I need to sleep.
00:22:07I have my thesis pre-defense tomorrow.
00:22:10And I have to be at the university in the morning.
00:22:13Did Gabe give you permission to leave?
00:22:16I don't object.
00:22:22Fine, then the driver will take you in the morning.
00:22:24Not the driver.
00:22:27I will do it.
00:22:30We'll have to leave early in the morning.
00:22:32And I need to stop by campus too.
00:22:35To change.
00:22:38Okay.
00:22:39Not a problem.
00:22:45Of I'm sorry.
00:22:53She doesn't know that anything she does tell me.
00:22:56Even biting her lip.
00:23:05Why are you looking at me like that?
00:23:07I want to bite that lip
00:23:12So, should I stop doing it?
00:23:14No, keep doing it
00:23:15Just one day I might, not hold back
00:23:17You seem tense today, tell me why
00:23:19My physical supervisor is strict
00:23:21He's going to know right away I'm not prepared
00:23:24Not prepared?
00:23:26Mm-hmm
00:23:26You get a direct access to your research subject
00:23:28Who else can brag about that?
00:23:31That's not enough
00:23:32After auction I promised to prepare my demonstration materials
00:23:36And form scientific hypothesis
00:23:38And I have nothing
00:23:39See you
00:23:41Look back
00:23:42Maybe this will give you some confidence
00:23:52Painting?
00:23:54I can't believe it
00:23:55Are you serious?
00:23:56Yeah, sure
00:23:57It's yours
00:23:57And use it for your presentation
00:23:59If you need to
00:24:01This is
00:24:01Wow
00:24:03Everyone's going to die of envy
00:24:14Did I do something else?
00:24:16Everything is fine and just
00:24:18I think you're only late
00:24:19Seriously do?
00:24:21Why are you so cold?
00:24:25Well, you get an entire thesis to write about me
00:24:27So
00:24:28Maybe we'll find the answer at the end
00:24:33I wonder what it takes
00:24:35To break his perfect control
00:24:39Are you sure you want to write about him?
00:24:43What's wrong with Helgi?
00:24:45Leave her alone
00:24:46Maybe our innocent prayer wants
00:24:48To dive into the dark depths of the table
00:24:51Girls, you've been dramatic
00:24:54We haven't even started
00:24:55That Helgi has a hardcore sexist reputation
00:25:08Freya girls
00:25:08Please have a seat
00:25:09We're going to start class
00:25:12Something looks a little bit different about you
00:25:14Miss Davis
00:25:22And so
00:25:23How do we know that this painting here
00:25:24Was done by Helgi
00:25:25And not by one of its thousands of followers
00:25:29You don't need to worry about authorship
00:25:32I guarantee its authenticity
00:25:34Because that's me in this painting
00:25:42Well, well
00:25:43I hope by opposing you
00:25:45Have time to think of a scientific hypothesis
00:25:47Of course
00:25:49Of course
00:25:52And so what is your hypothesis, Miss Davis?
00:25:55So I assume that Helgi
00:25:58Most likely he has never known love in his life
00:26:05But you're trying to tell me
00:26:07That Helgi
00:26:08The world's best-selling modern artist
00:26:10Has never known love in his life?
00:26:12And what is that hypothesis based on?
00:26:15In all his works
00:26:16There is only one person
00:26:17And
00:26:18And always alone
00:26:24Helgi depicts the perfect body
00:26:26But
00:26:27Only anatomically
00:26:28There is no life in the body
00:26:31No emotions
00:26:32No vulnerability
00:26:34And most importantly
00:26:36Go home
00:26:37Let's hear it
00:26:38The absence of risk
00:26:39The author is afraid to appear weak
00:26:46Fragile
00:26:46And he seeks absolute control
00:26:49Over his feelings
00:26:53Was he just here?
00:26:55Did he really hear all of that?
00:26:58Thanks very much for the presentation
00:27:01Norse my comments by email
00:27:02Alright everybody
00:27:03That's it
00:27:04Have a great day
00:27:05We'll see you next time
00:27:12Miss Davis
00:27:13May I have a minute?
00:27:14Uh, yes, Professor?
00:27:16I wouldn't get too pleased with yourself
00:27:19Remember
00:27:19You're a scholar
00:27:20Not a mannequin
00:27:21I understand
00:27:24And I'll be waiting for your comments by email
00:27:27Listen
00:27:27Why don't we
00:27:29Meet in person
00:27:31That way I can
00:27:33Share my thoughts more closely
00:27:34Do you not agree?
00:27:36Please, Professor
00:27:37No, let's meet
00:27:38No, Professor, please
00:27:39No, no, please
00:27:39Please
00:27:43Get away from her
00:27:45Professor
00:27:45Please
00:27:46Please forgive me
00:27:47Sorry
00:27:48Stop
00:27:48Don't apologize for that
00:27:50Never
00:27:52I am very disappointed in you, Miss Davis
00:27:56Swallowed up by shallow society
00:27:59Posing for questionable artists
00:28:01Associating with pseudo-psychologists
00:28:04A star of second-rate TV shows
00:28:06You'll both regret this
00:28:08Both of you
00:28:10Get
00:28:13Why did he do that?
00:28:15He was pulling my mannequin
00:28:17So that was just an urge to claim me?
00:28:21What did you expect for someone who's never known love?
00:28:24You heard everything
00:28:25So what?
00:28:27Was my hypothesis right?
00:28:31You are not capable of love
00:28:32All right, Miss Abservent
00:28:34You think I'm incapable of love
00:28:36Give me your reason
00:28:39But
00:28:41All right, what you said at the podium
00:28:42It was subjective nonsense
00:28:44Stop
00:28:45I study here
00:28:46We are not in your studio
00:28:48Stand back
00:28:48I will
00:28:49As soon as you tell me why I'm incapable of love
00:28:53Okay
00:28:54Objectively
00:28:55You're so cold
00:28:56With women
00:28:58With me
00:28:59I can feel it
00:29:00Maybe you haven't tried hard enough
00:29:03Try
00:29:04Melting the eyes
00:29:16See?
00:29:17Solid proof
00:29:18So far
00:29:19All I can see is that
00:29:21You don't know how to kiss
00:29:23What?
00:29:24Say that again
00:29:26Do you want me to teach you
00:29:28How to kiss?
00:29:30Is this some kind of science?
00:29:33Absolutely
00:29:35And you're talented
00:29:36You will learn
00:29:39Ready?
00:29:41Here?
00:29:42Yes
00:29:43Where else would you learn
00:29:44For that university?
00:29:46Where do we start?
00:29:49If this is just a lesson
00:29:51Why is my heart beating so fast?
00:29:54Part your lips
00:30:11Very good
00:30:13Just a little more
00:30:16Clouding the picture frame
00:30:19I could try to wipe my mind
00:30:22But it still wouldn't amaze the age
00:30:27It lives here in my veins
00:30:32What's wrong?
00:30:33Nothing
00:30:34It was just a kissing lesson
00:30:36And it seems you've learned
00:30:38But I want more
00:30:40Damn it
00:30:42She's going to ruin every role I have
00:30:44Pleasure isn't meant to be swallowed in one bite
00:30:48You need to sever it
00:30:50You need to sever it
00:30:55So are you going to live?
00:30:58What are you?
00:30:59Some kind of freak?
00:31:01If you are talking about my intimate tastes
00:31:03They are somewhat specific
00:31:07In what way?
00:31:09It's too soon for you to know
00:31:11Our contract isn't so long
00:31:13When exactly do you plan to tell me?
00:31:16We move step by step
00:31:17No rushing
00:31:17Right now
00:31:18We're going to buy you some new dresses
00:31:21For you to pose in
00:31:26You mean
00:31:27Dress
00:31:28I'll have to take off right away?
00:31:30What's the point?
00:31:35God
00:31:36I hate wasting time on this nonsense
00:31:39I hate choosing clothes
00:31:41You won't be choosing
00:31:43My paintings and my roots
00:31:45You're kidding, right?
00:31:51Are you ignoring me?
00:31:54Hmm
00:31:55No, no
00:31:56I just don't like standing in line
00:32:03He's an absolute controlling tyrant
00:32:05The manure in everything
00:32:09And yet
00:32:10That trait of his
00:32:12It turns me on
00:32:13I wonder
00:32:15What would happen
00:32:15If I had it over control of my life
00:32:17To someone like
00:32:19Gabe
00:32:20Ladies and gentlemen
00:32:21We apologize
00:32:22We're experiencing ventilation issues
00:32:25For your safety
00:32:26Please temporarily leave the premises
00:32:33What are you on?
00:32:34You didn't hear
00:32:35They asked everyone to leave
00:32:37They asked the others to leave
00:32:39For they wouldn't interfere with us
00:32:41Choosing clothes
00:32:43The boutique owner holds me
00:32:46So
00:32:46They closed whole store only
00:32:49For us?
00:32:52No
00:32:54For you
00:33:01Take it in the dressing room, please
00:33:09If I didn't know you
00:33:11I'd say it was almost romantic
00:33:17Is this how you usually act
00:33:19When you're having affairs?
00:33:22I don't do romance
00:33:26I want to do bad things
00:33:28I want to do bad things
00:33:32So
00:33:34What bad things were you talking about?
00:33:37What are you doing here?
00:33:39Came to help
00:33:42Okay
00:33:44Well
00:33:47Is something wrong?
00:33:49The dress is perfect
00:33:51The problem is
00:33:52Your hair
00:33:53Come here
00:33:57Relax
00:33:58According to our contract
00:34:00I can touch you in a romantic way
00:34:01What do you mean?
00:34:03You already did
00:34:05When you kissed me
00:34:07In the classroom
00:34:08It was a masterclass
00:34:09Nothing personal
00:34:11Mm-hmm
00:34:13It tickles
00:34:17Close your eyes
00:34:22It's not ticklish anymore
00:34:25It's nice
00:34:34Now you can look
00:34:36He acts so cold
00:34:38But his eyes are burning a hole through me
00:34:43You're looking at me like you want to break the contract
00:34:49Too ahead with the contract
00:35:03Excuse me?
00:35:05How do you like that dress?
00:35:07Shall I wrap it up?
00:35:08Oh, thank you, buddy
00:35:09Yeah, I want to take you to wrap it up
00:35:11Okay
00:35:25Take off your outerwear
00:35:38I thought I had rules
00:35:40She just walked right through them
00:35:42Wear the dress I told you to wear
00:35:44Oops
00:35:45I forgot
00:35:48Are you going to
00:35:50Vanish your student?
00:35:52Oh, if you were a minor
00:35:53You wouldn't be able to sit for a week
00:35:56What?
00:35:57Why not dress for him?
00:35:59You would have made me take it off anyway
00:36:03But if you need a ritual
00:36:07Paint a dress on me
00:36:10Come on, you're the artist
00:36:15Oh, no
00:36:16No turnbrush
00:36:18With the offenders
00:36:29This canvas is only yours
00:36:48His touch is so soft, so careful
00:36:50But every nerve in me burns
00:36:53For where those touches truly long to go
00:37:01Please
00:37:04Don't miss
00:37:05A single spot
00:37:08You don't give orders
00:37:10Only I get to do that
00:37:14And if I disobey
00:37:19Will you cut off our relationship?
00:37:29Relationships aren't my thing
00:37:31Oh, right
00:37:33Cause you have specific tastes
00:37:38Maybe you'll finally open up and tell me what you mean?
00:37:43Come on
00:37:44I'm not so easily scared as I see my depressed glance
00:37:54Take me into your cave
00:38:00You want to see the cave?
00:38:06Then get dressed
00:38:16This was his danger
00:38:19This was him
00:38:20His dark side
00:38:26What is this?
00:38:34So
00:38:34This is your
00:38:38Hobby?
00:38:43Have you ever tried the classics?
00:38:47Fishing
00:38:48Golf
00:38:49Pedal
00:38:50I get it
00:38:52You wouldn't make it
00:38:53His early found a partner
00:38:54But none of the hobbies you listed
00:38:56Turns me home
00:39:05So
00:39:06Question
00:39:06This hobby
00:39:08Does it fit within
00:39:10What a healthy person does?
00:39:13All of my dark side
00:39:14Stays within these walls
00:39:16And trust me
00:39:17If there were more
00:39:18Rooms like this in every home
00:39:21We'd have way fewer
00:39:22Episodes of domestic violence
00:39:24And murder
00:39:26So
00:39:26This is
00:39:28Where you are real?
00:39:29Yes
00:39:30And without understanding this
00:39:32Your research will be incomplete
00:39:38So
00:39:39None of this
00:39:40Scales you?
00:39:41No
00:39:43There is nothing I wouldn't do
00:39:45For the sake of my scientific research
00:39:48Stop
00:39:50Don't touch anything
00:39:52Until you know what you are selling up for
00:39:54What do you mean?
00:39:59For mothers
00:40:00Who are ready for deeper work
00:40:02With fear and control
00:40:04I have a special contract
00:40:05Do you have a contract
00:40:07For every situation in your life?
00:40:09Even when you are in bed
00:40:11With someone
00:40:18What?
00:40:19Did I say something?
00:40:20What?
00:40:28I don't make love
00:40:30I fuck
00:40:33Love
00:40:43Read carefully
00:40:45Every page
00:40:47I don't make love
00:40:48I don't make love
00:40:50I don't make love
00:40:52I don't make love
00:41:03I don't make love
00:41:03I don't make love
00:41:04I don't make love
00:41:05I don't make love
00:41:05I don't make love
00:41:05I don't make love
00:41:05I don't make love
00:41:05I don't make love
00:41:06I don't make love
00:41:07I don't make love
00:41:08I don't make love
00:41:08I don't make love
00:41:08I don't make love
00:41:09I don't make love
00:41:11I don't make love
00:41:16Well, well, well.
00:41:18What exactly threw you off?
00:41:21How to give a stop signal when your mouth is occupied?
00:41:28Rule number one.
00:41:30I set the boundaries.
00:41:31You follow them.
00:41:33I stop only when you demand.
00:41:36Until then, you move at my pace.
00:41:39You give up control not because you are weaker, but because I can hold it.
00:41:44Are you sure you want to involve me in this?
00:41:50I want you.
00:41:52Exactly as you want.
00:41:55How many more of these conditions are there?
00:41:57I'm tired.
00:41:59Look, I'm ready to go into this experiment.
00:42:02Strictly out of scientific interests.
00:42:05And I marked clothes you need to cross out.
00:42:10I want your insinger clothes.
00:42:13Either you sign everything or nothing happens.
00:42:31Yes, Professor?
00:42:32I started drafting my feedback on your hypothesis.
00:42:36And I realized that I can replace it with one word.
00:42:39What do you mean, Professor?
00:42:41Primitive.
00:42:42Your arguments, they're superficial.
00:42:44If you want your diploma, make sure your research has depth.
00:42:48Understand.
00:42:51All mothers who are ready for deeper work with fear and control, I have a special contract.
00:42:57I hope I am not making the biggest mistake of my life right now.
00:43:18Those two are about to break down next, tiring.
00:43:21With confirmation that a body sheet looks good on you.
00:43:25Basically, you're complimenting yourself.
00:43:27There isn't a single detail in me you didn't choose.
00:43:31People say I have good taste.
00:43:34Anyway, we are here because one artist has fallen as feedback on her...
00:43:41How can I call that?
00:43:44Layton drawings?
00:43:53You seem tense.
00:43:55Why?
00:44:00First, this body suit is uncomfortable.
00:44:03Second, I just signed a contract with a devil and we still don't understand all the terms.
00:44:09Okay.
00:44:11So what do you want to know?
00:44:13It's sad.
00:44:15The agreement takes effect after signing.
00:44:19I'm surprised.
00:44:21Nothing is happening.
00:44:28Are you sure it's nothing?
00:44:37What is this?
00:44:39The body suit.
00:44:40It's pulsing.
00:44:42What's wrong with this body suit, Gabe?
00:44:46Answer me.
00:44:48The body suit is lying with a delicate pulsing membrane.
00:44:52Build into it.
00:44:52Turn them off.
00:44:53I can't.
00:44:56I don't have a remote.
00:44:59Then how does it work?
00:45:01I'll program the timer.
00:45:03I thought it would happen in a car on the way home, but with traffic.
00:45:07I guess it's happening right now.
00:45:13Isn't it pleasant?
00:45:14It is.
00:45:17But let's play this game together.
00:45:27Is this against the contract?
00:45:29It is.
00:45:30But right now it is what you're saying.
00:45:35What's wrong?
00:45:37I don't.
00:45:38There's membranes everywhere.
00:45:41It's really not the time.
00:45:44Please.
00:45:45Let's move this somewhere less crowded.
00:45:48No, no, no, no.
00:45:49I don't see any complications.
00:45:51I don't know how it fits match in this ambience.
00:45:55Gabe, I'm serious.
00:45:58Something changed the mood.
00:46:05I can't barely keep it together.
00:46:09Should I stop?
00:46:12No.
00:46:14I just signed the contract.
00:46:18Good girl.
00:46:20You're starting to figure it out that now I decide everything.
00:46:23I am the dominant.
00:46:41Excuse me.
00:46:43Do we know each other?
00:46:45I wish I didn't know you about it, unfortunately.
00:46:49What are you talking about?
00:46:50About you and Gabe.
00:46:52You don't belong anywhere near him.
00:46:56Because you want that spot.
00:47:00You're old.
00:47:02Listen to a seasoned lady.
00:47:04Don't go back to him.
00:47:07Get moving.
00:47:07And don't look back.
00:47:11Are you talking like that?
00:47:12Because you used to be his muse.
00:47:14And lost the status.
00:47:17I'm not a model, sweetheart.
00:47:20Then who are you?
00:47:21You'll find out if you don't live in.
00:47:23But you should live.
00:47:26I'll make sure of this.
00:47:39It took a while.
00:47:41Oh, I had some small talk.
00:47:44But you love the lady.
00:47:47Oh, yeah?
00:47:48Yeah.
00:47:50Who?
00:47:51Oh, I mean...
00:47:52Hey, you actually came.
00:47:57Hey.
00:48:00Are you going to introduce this brave girl next to you?
00:48:04Sure.
00:48:06This is Freya.
00:48:07A young researcher.
00:48:08And I'm helping her with her work.
00:48:11Freya, this is Jess.
00:48:12The artist beyond these paintings.
00:48:15Oh.
00:48:16Okay.
00:48:17You disappoint me, Gabe.
00:48:19Is it really hard to find some warmer words for good old Jess?
00:48:25Then I'll introduce myself.
00:48:27The person who knows Gabe better than anyone in the world.
00:48:33Jess.
00:48:35His older sister.
00:48:38Is she really a sister?
00:48:42Yeah.
00:48:47So, what's your research about, Freya?
00:48:51Oh, it's about...
00:48:53Basically, it's about...
00:48:56About him.
00:48:59Oh.
00:49:00About Gabe.
00:49:08It's research.
00:49:10I'm...
00:49:11I agree to be his model.
00:49:13For a month.
00:49:15Oh.
00:49:17Sounds familiar.
00:49:20History repeats itself.
00:49:22Jess.
00:49:26I'm going to grab some drink for a toast.
00:49:29No, stop.
00:49:30I'll do it.
00:49:31I'll do it.
00:49:33I'll do it.
00:49:34I'll do it.
00:49:36I'll do it.
00:49:36I'll do it.
00:49:37I'll do it.
00:49:38Ask...
00:49:39Ask what?
00:49:41What you stayed back for.
00:49:43You pretended you wanted a drink, knowing that Gabe would get it instead.
00:49:48So, let's not waste time on stage awkwardness.
00:49:52Ask.
00:49:55Okay.
00:49:57What did you mean by history repeats itself?
00:50:03Let me show you something.
00:50:05What are you doing?
00:50:08Tell me, what do you see here?
00:50:12Who is that?
00:50:14She was my best friend.
00:50:19Yeah.
00:50:20She looks just like you.
00:50:21She was Gabe's muse, too.
00:50:25What happened to her?
00:50:29I didn't protect her.
00:50:31So, let me at least save you.
00:50:38You have to tell me what exactly happened.
00:50:41Gabe.
00:50:42Just like clockwork.
00:50:44Here you go.
00:50:45Here you are.
00:50:48I get why all those viewers are obsessed with you.
00:50:52So, let's drink to...
00:50:54Miss Tiffany.
00:50:56Let me, Rob.
00:50:59Let's drink to everyone's right to be the owner of their own fate.
00:51:06And to say stop in time, even when everything seems perfect.
00:51:14Let's go.
00:51:16Wait.
00:51:18I want to say goodbye to you, sister.
00:51:22Name?
00:51:23Giselle Peters.
00:51:24What?
00:51:25Giselle Peters.
00:51:27That's enough.
00:51:37Giselle Peters.
00:51:40I'll turn to you later.
00:51:42I'll finish up my research.
00:51:48I need to find out what happened to Giselle.
00:51:51And what secrets he's hiding.
00:52:04Are you serious?
00:52:05How dare you make Gabe wait?
00:52:09Did you know her?
00:52:12I can see you did.
00:52:14What happened to Giselle?
00:52:16None of your business.
00:52:19Gabe's waiting.
00:52:20Go fulfill the country.
00:52:22In the studio?
00:52:26In the cave.
00:52:27The cave.
00:52:28My instincts scream danger.
00:52:30But my heart needs to know what lurks inside.
00:52:40Freya.
00:52:44You're serious?
00:52:46It's my first time.
00:52:48A little lightness wouldn't hurt.
00:52:53Not for.
00:52:55She came.
00:52:57Just the nine years she moved.
00:52:58And her boundary has set for her.
00:53:01She's here.
00:53:03Just remember.
00:53:13The perfectionism I am.
00:53:28She's preparing me.
00:53:30For what I don't know.
00:53:32But I'm a willing captive.
00:53:34Shaking with a fear.
00:53:36I've never craved so much.
00:53:51Come to me.
00:53:54Don't be shy.
00:54:00Stop.
00:54:01What exactly is happening now?
00:54:03I want to teach you how to follow commands.
00:54:06Without question.
00:54:14Say yes.
00:54:16To what?
00:54:17To me, mine.
00:54:20Yes.
00:54:35Looks like you are warmed up.
00:54:37Now, take three steps forward.
00:54:42And press your palms again tomorrow.
00:54:44I want to tell you, me.
00:54:50I like the compliance.
00:54:53I'm just learning.
00:55:16You're mine.
00:55:17All my hands, too.
00:55:19Yes.
00:55:21Yes.
00:55:21Yes.
00:55:23Yes.
00:55:23Yes.
00:55:24Yes.
00:55:34I've seen you already.
00:55:49What did you take?
00:55:53Yes.
00:55:54Invite us soon.
00:56:03No!
00:56:04No, no, wait.
00:56:06Please stop.
00:56:09Are you sure?
00:56:11Yeah.
00:56:12Yeah.
00:56:15I'm not ready.
00:56:17Not today.
00:56:19Give me time.
00:56:21I'll get used to it.
00:56:24I can be useful in other ways.
00:56:29We can go back to the studio.
00:56:32I'll pause.
00:56:34As long as you want.
00:56:40Let me do.
00:56:41I need to talk to him.
00:56:43No need.
00:56:44The decision's already been made.
00:56:45What decision?
00:56:47He'll be waiting for you tomorrow in the studio.
00:56:51Okay.
00:56:52Which dress should I wear?
00:56:54He didn't say.
00:56:55Maybe you won't need one.
00:56:58Who knows?
00:56:59Maybe innocent Freya is no longer our genius's muse.
00:57:14So you guys cared?
00:57:16Why didn't you listen to us, Jess?
00:57:19Why ignore my warning?
00:57:21You're wrong.
00:57:23I...
00:57:23I've been thinking a lot about the girl you told me about.
00:57:26Giselle.
00:57:29He was obsessed with her.
00:57:31It was borderline sick.
00:57:33What are you talking about?
00:57:38For example, before posing,
00:57:41Gabe would get her aroused.
00:57:43But never let her climax.
00:57:46He wanted the studio filled with her special scent.
00:57:51Jess, please, huh?
00:57:52I'm already scared enough.
00:57:55What happened to Giselle?
00:57:58First she was lifted to the sky,
00:58:02then used,
00:58:03then thrown away.
00:58:06I...
00:58:06I don't understand anything.
00:58:09I need advice.
00:58:11A recipe.
00:58:12What should I do?
00:58:13Just...
00:58:14Either be like everyone else.
00:58:17Or...
00:58:18Or stay his muse.
00:58:20Plant the clouds.
00:58:22And wait for the...
00:58:24Inevitable.
00:58:27No.
00:58:28I can't be now.
00:58:30Not now.
00:58:31I have to finish the research.
00:58:34At any cost.
00:58:35I have to finish the research.
00:58:50It's fine.
00:58:54Before posing,
00:58:56Gabe would get her aroused.
00:58:58But never let her climax.
00:59:00You wanted this studio filled with first splash, Sam.
00:59:05Good.
00:59:06I wanted him to feel something else.
00:59:09My heat.
00:59:28Because you want to be told what to do.
00:59:32You've got a volcano of passion inside you,
00:59:34but you still don't know how to let the love her out.
00:59:37What?
00:59:39This need to go.
00:59:41Dying away.
00:59:43You've got a feeling, too.
00:59:46Take it slow.
00:59:47Make it hot and smooth.
00:59:49Talk about how I want.
00:59:51I want.
00:59:52Huh?
00:59:54Huh?
00:59:55Huh?
00:59:56Huh?
00:59:56Huh?
00:59:58Huh?
00:59:58Huh?
01:00:01Huh?
01:00:09Did you think you were the center of the universe?
01:00:14There are others better than you.
01:00:18Obitant, disciplined.
01:00:20You mean convenient.
01:00:28Gabe,
01:00:30do we still have a contract?
01:00:38Look at this.
01:00:39Go down.
01:00:42You didn't finish your work.
01:00:45Paint.
01:00:47I'm your muse.
01:00:50If not,
01:00:53let's terminate the contract.
01:00:55I have nothing to lose.
01:00:58You never had anything.
01:01:00Gabe reached out of his hand
01:01:02when you were drowning
01:01:03in millions of deaths.
01:01:14You're a sadist.
01:01:17You don't see a person.
01:01:22To you.
01:01:24To you,
01:01:25to you,
01:01:25a woman is
01:01:28is clay.
01:01:37Look.
01:01:39Look,
01:01:39what have you done to me?
01:01:41Tears break me,
01:01:43but I'm going to witness
01:01:44I'll be consumed.
01:01:53I'll get you out of here.
01:01:55Stop.
01:02:02Freya.
01:02:05You are incredible.
01:02:09What happened?
01:02:13Did I ruin another painting?
01:02:17Look.
01:02:24The tears.
01:02:27The blood outline.
01:02:30You step beyond your limits.
01:02:33Are you mocking me?
01:02:44Everyone except Freya out.
01:02:51You need dinner, Gabe.
01:02:53I'll have the table set.
01:02:54I told you what to do.
01:02:58This.
01:03:00This is perfection.
01:03:04You are not new, Freya.
01:03:08You're under.
01:03:10Call the ocean house.
01:03:11This piece
01:03:12goes insane immediately.
01:03:19Freya.
01:03:22I knew he'd break you.
01:03:25I knew he'd break you.
01:03:26I knew he'd break you.
01:03:31I knew he'd break you.
01:03:52I knew he'd break you.
01:04:01work without exaggeration therefore the starting price for this masterpiece is
01:04:0810 million dollars
01:04:1910 million and that's just the starting price
01:04:24who offers more 11 no i just want to see how much they sell someone else
01:04:43you want to break me some you should know one detail this work was literally created with the
01:04:50model steers what 14 15
01:05:01what's happening here is far from reality giselle i told giselle about you that's why she's here
01:05:11you are following my pattern with your attention we all worship gabe gives you an amazing dose of
01:05:18dopamine it feels incredible you feel like you're the only one in the world
01:05:26but any small disobedience to the genius
01:05:31you're close to me
01:05:37then that dog was too late
01:05:39you begin chasing that familiar
01:05:43dopamine hit by any means possible
01:05:46wake up frame if you don't want to end up in the rehab like i did
01:05:51i don't need saving
01:05:53i post for gabe just for my research
01:05:57i don't care about fear
01:05:5830 million
01:06:02do you believe what you're saying
01:06:06all of this is just gabe's spill
01:06:10and you are just
01:06:11then i grab it in it
01:06:1445 million dollars going once
01:06:17what are you hoping for
01:06:21twice
01:06:22that he will be grateful for your inspiration and ask you to be his wife
01:06:27he is not capable of that
01:06:30you are used to material like me and dozens other girls
01:06:36tomorrow i'll go back to the campus and this will be over
01:06:4245 million dollars sold
01:06:49congratulations
01:06:50you just officially became a mysterious
01:06:53and finally lost your son
01:07:05so a month of research fully confirmed my scientific hypothesis
01:07:10now that was pretty obvious
01:07:13madame dean
01:07:14would you begin
01:07:15or would you rather not
01:07:16why not
01:07:18i would
01:07:19with pleasure
01:07:20this is
01:07:22one of the
01:07:25strongest works
01:07:26by our graduates that i have ever seen
01:07:30and so i think it would be a big mistake to let go of such a valuable asset to our
01:07:37alma mater
01:07:37so
01:07:38i would like to
01:07:41offer you a position
01:07:42at our university
01:07:44would you join us
01:07:46if you don't have any other plans of course
01:07:52no
01:07:53is that a no
01:07:55no
01:07:56no
01:07:57i'm sorry
01:07:58no i don't have other plans
01:08:01it was my dream
01:08:02thank you
01:08:03madame dean
01:08:04of course
01:08:06except
01:08:08well thank you
01:08:09well
01:08:10your regrets
01:08:16can we congratulate you
01:08:19honestly i still can't believe i'll be working in the university
01:08:23i'm not congratulating you with job
01:08:25open social media
01:08:26you're a star now
01:08:28what are you talking about
01:08:30someone launched a hashtag in your honor
01:08:32freyaism
01:08:33what does it mean
01:08:35read it
01:08:36thousands of women are sharing their stories about being fed fairy tales about how inspiring they were
01:08:43but in reality they were just used
01:08:45every post
01:08:46ends with the phrase
01:08:48don't be like freya
01:08:50don't confuse with harassment
01:08:52congrats
01:08:54you've become the most hated person in the country
01:09:06did you do this
01:09:07no
01:09:08but it's a fair ending
01:09:09i'm going to inform you that your contract has been terminated
01:09:13you've become a media target
01:09:14you can't stay near a gate
01:09:17you'll put him at risk
01:09:18back your things
01:09:19and get out
01:09:27remember
01:09:28class number one of your contract
01:09:30is keeping hangers real identity
01:09:37none outstanding debt obligations
01:09:43great
01:09:58that's it
01:10:00no
01:10:04i'm not ready to let her go
01:10:09move
01:10:09i need to talk to her
01:10:10no
01:10:11stop
01:10:12you can't help her now
01:10:13yes i can
01:10:14i'm a famous psychologist
01:10:17i sought after guests on talk show
01:10:18even at the white house charity events
01:10:20so of course i can
01:10:21that's exactly the point
01:10:23you're still everyone's beloved psychologist
01:10:26and that girl
01:10:28just lost herself
01:10:30have you read what they're writing about her
01:10:32no
01:10:34today he paints with her tears
01:10:36and tomorrow with what
01:10:40millions of dollars
01:10:42is a nice compensation for trauma
01:10:44she stayed quiet
01:10:46so she consented
01:10:48come on
01:10:49this is just one word story at best
01:10:51okay
01:10:51and you know that
01:10:52then everybody will start talking about some
01:10:54wasted singer
01:10:55who fell asleep behind the wheel
01:10:57and that's all
01:10:57no
01:10:59no bro
01:10:59this is serious
01:11:01it's a smear campaign
01:11:02that could ruin that innocent girl
01:11:06exactly
01:11:07so only go near freya
01:11:09if you know how to protect her
01:11:12do you
01:11:29oh look there she is
01:11:31could have spoken up
01:11:32why very silent
01:11:33was opposing voluntary
01:11:34how much of hell did you pay for it
01:11:36did he pay it to keep it quiet
01:11:48tell us his name
01:11:51who is Helgi
01:11:52what did he do to make you cry
01:11:54is it sure that he hit you
01:11:56answer us
01:11:57speaking up will help you
01:11:59just say Helgi's real name
01:12:04will you tell us
01:12:05who he is
01:12:20I can't say that
01:12:21accomplice
01:12:22he's covering it up here
01:12:23bitch
01:12:28you love money don't you
01:12:29he stopped your mouth with it
01:12:40Freya wait wait
01:12:44Freya
01:12:45Freya stop
01:12:47stop
01:12:47please stop
01:12:48we need to talk
01:12:49right now you are warmed up
01:12:50you need to calm down
01:12:52calm down
01:12:53how
01:12:54how could you
01:12:57why did you do this to me
01:13:01I trust you
01:13:02I don't want to do this here
01:13:04so please let's go home
01:13:05I took calmly
01:13:06okay
01:13:07you still don't get it
01:13:10you betrayed me
01:13:12and you lost me
01:13:14forever
01:13:20that's it
01:13:23you will never see me again
01:13:36ladies and gentlemen
01:13:38I have a sensational comment
01:13:40you are psychologist right
01:13:41I don't think so
01:13:43just wait
01:13:44I am Helgi
01:13:52yes
01:13:53I take responsibility
01:13:54for what I did to Freya
01:13:57I am not hiding behind a heart
01:13:59I am not looking for excuses
01:14:00and I am not asking for forgiveness
01:14:03the only thing I am begging for
01:14:06leave Freya alone
01:14:08thank you
01:14:09thank you
01:14:17you are
01:14:26professor
01:14:28I have managed to convince the dean to
01:14:31hold off on our decision
01:14:33hold off on hiring me
01:14:35why
01:14:35Yeah, it's a question of, uh, reputational risks.
01:14:39Miss Davis, you've got a toxic trail behind you.
01:14:42Do you really want to hurt your alma mater?
01:14:44Huh?
01:14:45I need to talk with the dean.
01:14:47No, no, I'm sorry.
01:14:49That's impossible.
01:14:50She won't listen to you.
01:14:55But there is a solution.
01:14:57The dean.
01:14:58She really respects my judgment.
01:15:01And I can push her either way.
01:15:02If you're obedient, then, uh, I can whisper the, uh, right decision into her ear.
01:15:10The decision's already been made, professor.
01:15:15Here's the decision.
01:15:17You're suspended from all your duties effective immediately.
01:15:21All your courses will be transferred to other faculty members, including Miss Davis.
01:15:27And now, step away from Freya.
01:15:31You can't do this.
01:15:32I just did.
01:15:34Now.
01:15:41Are you okay?
01:15:43I...
01:15:45Unfortunately, I'm used to my shit.
01:15:47I'm so sorry, but I guess your nightmare's over.
01:15:52What do you mean?
01:15:53I was actually on my way to show you this.
01:15:58Yes.
01:15:59I take responsibility for what I did to Freya.
01:16:02I'm not hiding behind a heart.
01:16:03I'm not looking for excuses.
01:16:05And I'm not asking for forgiveness.
01:16:07The only thing I'm begging for, leave Freya alone.
01:16:18I'm going to bring you some cold water in the room now.
01:16:30I'm going to bring you some cold water in the room now.
01:16:42That's not heroism.
01:16:44It's a responsible.
01:16:46You've ruined more than just your own fate.
01:16:50I'm done too. Do you realize that?
01:16:53You had a good salary.
01:16:55I am the one who stole from.
01:17:02Goodbye.
01:17:09Yeah, goodbye.
01:17:27Can I get something, Miranda?
01:17:30Were you hoping it was Miranda?
01:17:43I saw your speeches at the university.
01:17:48It was brave.
01:17:50It was the only right decision.
01:17:53So you, you come towards my downfall?
01:17:58Now I'm here to ask you if you want to be with me.
01:18:08Unexpected.
01:18:12Yes.
01:18:14Yes, of course I want to be with you.
01:18:18But the real question is, do you want to be with someone like me?
01:18:23No.
01:18:25There can't be anything between me and the Gabe and you until today.
01:18:30But with the Gabe who admitted his mistake, maybe there is a chance.
01:18:41In your terms?
01:18:43No submission.
01:18:45And no contracts.
01:18:50Are you ready for everything to be voluntary?
01:18:54Or will you clean to be under control?
01:18:58No.
01:18:58No.
01:19:08For a long time I thought control was strength.
01:19:12And actually?
01:19:14No.
01:19:15It was fear.
01:19:17Fear of rejection.
01:19:21I already know.
01:19:22It felt like a punishment to me.
01:19:26So when you didn't accept my dark side, I felt real pain.
01:19:33and now
01:19:34now
01:19:35now my reputation is being torn apart
01:19:40all mining on every channel
01:19:44honestly I don't give a shit
01:19:47I don't care
01:19:48that I can control it
01:19:51because now
01:19:55something else matters
01:19:57go on
01:19:58I'm curious what
01:20:00strength is admitting a dark side
01:20:02and not letting it break anyone
01:20:04ever again
01:20:05do you believe I've changed
01:20:08words
01:20:10aren't enough for me
01:20:12you have my heart for you
01:20:16no one's ever done that before
01:20:20I love you
01:20:22my innocent engine
01:20:26and honestly I
01:20:27I don't know how else to provide
01:20:29I've changed
01:20:29there is a way
01:20:33to test that
01:20:35pretty easily
01:20:37mm-hmm
01:21:07Transcription by CastingWords
01:21:16Transcription by CastingWords
01:21:42Transcription by CastingWords