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  • 5 weeks ago
অন্ধবিশ্বাসৰ বিৰুদ্ধে যুঁজ নে ৰহস্যৰ সন্ধান ? আহি আছে পৌৰাণিক শৈলীৰ হিন্দী ছবি ‘বাজিং খোৱাটাই’ ৷ ৮ মে’ত ছবিগৃহলৈ অসমীয়া শিল্পীৰে সমৃদ্ধ হিন্দী ছবিখন ৷

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00:00Oh
00:39How do you think about comedy cinema?
00:44It's very good.
00:45At the institute, there is a lot of acting.
00:49There is a lot of school.
00:56I'm a little bit concerned about comedy cinema.
01:13I'm a very good actor.
01:15I'm a very good actor.
01:17I'm a very good actor.
01:18I'm a very good actor.
01:21I've been a very good actor.
01:23Do you like the movie now in the early 20th?
01:31I do not know that watch with the cinema, but I am just going to live with the cinema.
01:38Why are you doing that?
01:40In the film, there are many different novels for a whole year.
01:41So many films that I had ever seen in the film, I mean, the film is basically a movie, but
01:49there is a movie, one film, the movie, the movie, the movie, the movie, the movie, the movie, the movie,
01:56the movie.
01:56So I was thinking that I was also thinking that I was a movie, which I was thinking of, and
02:08I was thinking about it.
02:12I stay in the next episode.
02:15I'm sorry when you're at home,
02:16I'm so sorry to plug into the network.
02:22What do you do?
02:26I don't think it's a fictional narrative.
02:30And the 90% crew is,
02:31the 80% who have developed actors, directors, writers, editors, sound recorders,
02:36all people are from the film institute in Pune.
02:38There are all students in cinema.
02:39cinema is a good cinema. This is a typical commercial cinema, which is not a cinema.
02:47In childhood, we used to listen to the stories of folklore, which are based on cinema.
02:55If you look at cinema, this film, this story, you will get a experience, which was probably
03:01in childhood. However, there was an adult rating. We wanted to see it in UAE, but
03:09we didn't have an adult rating. But with the very own risk of multiplication, we
03:16use a film. We have seen a film that is not a film that has given me, because we
03:20were with a film, because we found an adult preference, which is a film that is
03:29different. The film is a film that has been in the area. We have to get a film that
03:33in a restaurant, we have seen some of the pictures, that we are still in the
03:34world. Because we are in North East, we are in是啊, we are the
03:38The film is called Divine Energies.
03:40We call women and women,
03:42we call them the power of the women,
03:43we call them the power of the women,
03:43we call them the power of the women.
03:44I am from Calcutta,
03:46I was shooting at the Indian Institute of India,
03:49for 7 days.
03:51I wanted to call them the mother,
03:54and the father of the Bhagavati,
03:58the Favad, the Nilanchal,
03:59the Virajman,
04:01and the other people are the power of the Godess.
04:02This film also is called the Godess.
04:04we all have our own family in exchange
04:11so they are such a family
04:16one family they are such a family
04:17which is a particular tribal family
04:21which is a tribe which is a family
04:23which is a language that we have created
04:24it is an out-and-out fiction
04:26this is a fictional narrative
04:28now you understand this
04:29that one is the world
04:32is our people who come to us. We come to the nursery, we come to the KG,
04:36then we come to the graduation, we come to the job, we married,
04:41we come to the kids, we come to the house, and we come to the house.
04:43This is our life. This is our life. This is an accepted narrative.
04:49But this is our world in this world, which is our life.
04:55We don't know something like that. We don't know.
04:59If you go to the fallen lies, this is for 2 minutes.
05:04We start having the tears of the tears.
05:05This is like a friend, it is like the breakthrough.
05:13When you see this film, All Courtney, you find a kid with my mother.
05:23She is pregnant when she's her daughter, she dies.
05:39
06:25link
06:28I will see a film that you will see a film that you will see a film that you will
06:36see a
06:36experience because we are cinema students and we don't know a film.
06:43This is a film.
06:44Sir, Assam, this is an experience.
07:14I was so happy to have a good idea, I think I was so happy to have a good idea.
07:23We had a kitchen created, we had a supply of food, etc.
07:27So this could be possible to make this as a people who have been able to make this.
07:31When we had to release the bomb in the beginning of the day,
07:34we had a commercial mindset.
07:37We asked the note how much we will get here, what will we get here, business will happen.
07:41we are cinema students, we are businessmen, we are not here. We have decided to make a film where we
07:49have made,
07:49which actors are so many, we also worked with the actors, we were both working with it,
07:53we were saying, but we give the power of the soul to give the spirit.
07:58But the film doesn't remain any, but the film is our way, and the film is also talking about it.
08:03she was working on the same time.
08:05But in the meantime, she had not worked on the film.
08:08But finally, she was working on the film.
08:10And many of us have worked on the film.
08:12All the beautiful locations,
08:14the landscape of Assam,
08:15we had so much fun that we had to do 2-3
08:17places.
08:18We had to do 2-3 places.
08:20But when we were here,
08:22we had to do something about Assam.
08:26We had to do something.
08:27We had to do something.
08:28We had to go to the same place.
08:32towan تک گئے
08:33مگھالے تک گئے
08:34ہم نے کہاں کہاں گئے
08:35اور اسی لوکیشنز ہمیں ملی
08:36ہمیں کہاں اب تو فلم یہ نہیں بنے گی
08:38اور پھر آسمیز لوگوں نے
08:40اس فلم کو جو ہے possible کر کے دکھایا ہے
08:42یہ فلم آپ کو ایک joyride پہ لے کے جائے گی
08:44ایک experience دے گی
08:45جب آپ یہ theater سے نکلیں گے نا
08:47آپ کچھ دیر کے لئے بات نہیں کریں گے
08:50آپ شانت ہو جائیں گے
08:52آپ کو trailer سے کچھ اندازہ ہوا ہوگا
08:53کچھ feel ہوا ہوگا
08:55ایک دھمک ہے فلم کے اندر
09:03ابھی ہم ایس ایم میں ریلیز کر رہے ہیں
09:05ابھی کچھ decided نہیں کی ہے
09:06آپ شانت Eyez
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