- 2 giorni fa
- #autostima
- #lifestyle
- #wood
- #music
#autostima, #problemid'amore,#narcisismo#
narcissism #lifestyle #wood #works#game #music
narcissism #lifestyle #wood #works#game #music
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00:00:00Music
00:00:58Music
00:01:26Music
00:01:37Damn those legs
00:01:38Do you want to see me too?
00:01:42One, two, three
00:01:44One, two, three
00:01:46One, two, three
00:01:47Four, five
00:01:49Four, five
00:01:50Six, seven, eight, nine, ten, eleven
00:01:57Music
00:01:59Music
00:01:59One, two, three
00:02:01One and two
00:02:02One and two
00:02:06Grace
00:02:07Grace
00:02:10Brave
00:02:12Brave
00:02:15As
00:02:23Via
00:02:34Mr. Director
00:02:36Professor, professor
00:02:37We don't try to outdo each other
00:02:39Please, Mr. Director.
00:02:40There's more than a day left until the end of class
00:02:41It seems that it doesn't work today
00:02:43Your head that doesn't work
00:02:45Please, Mr. Director.
00:02:46My motto is conscience and seriousness
00:02:49Consciousness and seriousness
00:02:58Oh, who are you?
00:03:00It's been six months and always on time
00:03:02No
00:03:03Please
00:03:04I'm five minutes late today
00:03:08Good morning
00:03:10The rest is for you
00:03:17Nice day, huh?
00:03:19Really beautiful
00:03:20If it's not a bother, kind lady.
00:03:22I would like to ask you to deliver
00:03:24This synthetic
00:03:24Horizando floral tribute
00:03:26Personally to the young lady
00:03:27To Miss Laura
00:03:28Oh, I see.
00:03:29All right
00:03:29Thank you very much
00:03:31Two thousand thanks
00:03:32Maybe three
00:03:33I don't care
00:03:34They are two ears of corn
00:03:38Do you think that Mrs. Laura
00:03:40Do you think about me sometimes?
00:03:41Eh, he only thinks of you
00:03:42Truly?
00:03:43Hey, hold on.
00:03:45But what is this passing of crates?
00:03:47Counter cases
00:03:48Suitcases, suitcases?
00:03:49I don't know
00:03:51And do you think Mrs. Laura will come out today?
00:03:53Of course it will come out
00:03:54But not now
00:03:55He has guests
00:03:59This reproduction of the ape-man
00:04:01It was done by us
00:04:02On the data provided to us
00:04:03From the late Professor Berti
00:04:05Miss Laura's father
00:04:06Present here
00:04:08We will take with us
00:04:09This reproduction
00:04:10For the necessary somatic comparisons
00:04:13Hey you
00:04:15It has been calculated
00:04:16Who with the strength of his arms
00:04:18He can lift a weight
00:04:19Three times higher
00:04:21That of his body
00:04:22Equal to exactly seven times
00:04:25That of the human body
00:04:27As muscle mass
00:04:29And as for height
00:04:29He so clearly surpasses
00:04:31The prototype of Neanderthal man
00:04:32His agility
00:04:34And his ferocity
00:04:35They make it so
00:04:36Very difficult
00:04:37Not to mention impossible
00:04:38The capture
00:04:39Professor
00:04:39And how?
00:04:40So are you planning to tackle it?
00:04:41Ah, believe me
00:04:42I know my stuff
00:04:43The Beast Man
00:04:44It won't escape us
00:04:45And how will you do it?
00:04:46Tell us professor
00:04:47Maybe the technique
00:04:48He doesn't put it today
00:04:49At the service of science
00:04:50New weapons
00:04:52Infinite possibilities
00:04:53What are you referring to?
00:04:55At the cinema
00:04:56I understand
00:04:57You will fix the image
00:04:58If you fail to catch him
00:04:59Precisely
00:05:00Sorry professor.
00:05:02It's true that Miss Berti
00:05:03Will this be part of your expedition?
00:05:05Very true
00:05:05Miss Laura Berti
00:05:07Worthy daughter of the late
00:05:09And illustrious anthropologist
00:05:10It will be for me
00:05:11A lovely co-worker
00:05:15One last question
00:05:16There was talk of a prize
00:05:17Of three or four million
00:05:18Five please
00:05:19Five million
00:05:20Oh yes, a prize of five million
00:05:21Generously established
00:05:22From a patron
00:05:23The Marquis of Montalto
00:05:24Indeed
00:05:25And it will be attributed to the scientist
00:05:26Which will bring to completion
00:05:27The work of the great master
00:05:29Exact
00:05:49If I think about adventure
00:05:50Which we are going to meet
00:05:51It seems to me like I'm dreaming
00:05:52Of course
00:05:53Adventure has its sides
00:05:55Dangerous, so to speak
00:05:56But calm down
00:05:57Both me and Mrs. Palozzi
00:05:59We will watch over you
00:06:00And the will of the only daughter
00:06:02Of my great master
00:06:03It will be granted
00:06:04We will pay our last respects
00:06:06Of science
00:06:07On the place where the sacrifice was witnessed
00:06:08Of the illustrious Lorenzo Berni
00:06:10We have to succeed, professor.
00:06:13I feel like we can make it
00:06:14Certainly
00:06:15And then they were taken
00:06:17All necessary precautions
00:06:18It's true Dr. Palozzi
00:06:20Our health
00:06:21It's in your hands
00:06:22What's up?
00:06:23It's a little rheumatism
00:06:34Divine
00:06:36Celestial
00:06:37Heavenly
00:06:39Radiomarellica
00:06:42But don't you see that they're blowing it right under your eyes?
00:06:45You can't win women over with shyness.
00:06:47And follow her we go
00:06:48Yes you are right
00:06:49This is the time I'm going to take the plunge
00:06:50For goodness sake
00:06:51But sometimes not
00:06:52And I know women
00:06:54You want a nice bouquet of flowers
00:06:54You want flowers
00:06:55I am of flowers
00:06:56Soon
00:06:57I don't go shopping
00:06:59One moment
00:07:00Soon
00:07:01I can?
00:07:02Thank you
00:07:02And best wishes
00:07:04I mean, a man ruins himself for a woman
00:07:06The flowers
00:07:06Here they are
00:07:07Here they are
00:07:13Here they are
00:07:13Thank you
00:07:14My collaborator
00:07:15Gentlemen
00:07:17Please
00:07:38It seems like a dream to me
00:07:40To think how much I had to fight to make this expedition happen
00:07:44You were lucky
00:07:45You have found in me the man you needed.
00:07:48Miss Laura
00:07:49Under this rough appearance of mine hides a heart
00:07:52So to speak a heart that
00:07:54Excuse me
00:07:54What do you want?
00:07:55You made me call
00:07:56Oh yeah?
00:07:57Some tea?
00:07:59Make us some tea
00:08:12Some tea?
00:08:30Some tea?
00:09:01Laura
00:09:03Have you understood the language of my flowers that adorn your cabin?
00:09:07But yes of course
00:09:08Here you see
00:09:08You would find me
00:09:10A safe support
00:09:11A bulwark against life's adversities
00:09:13A bridge
00:09:14Towards your future
00:09:16And I dare say a bridge
00:09:19But Laura
00:09:20You don't listen to me?
00:09:22But yes
00:09:23You were talking about bridges
00:09:25It was needed
00:09:26A sip of cognac
00:09:27They call you a sip
00:09:30Tell me a little rather
00:09:31How do you feel here?
00:09:32Bad
00:09:32I don't want to know
00:09:34Who let you in?
00:09:39Love
00:09:40Love?
00:09:41I wouldn't be by chance
00:09:43In love with the professor's wife?
00:09:45Shoo
00:09:46Shoo
00:09:46For goodness sake
00:09:47My love is an angel
00:09:48A treasure
00:09:49A young girl
00:09:50With blue hair
00:09:52And with golden eyes
00:09:53Miss Laura?
00:09:55Yes
00:09:56Yes
00:09:57And it
00:09:58And it
00:10:00And it
00:10:01It is precisely and it
00:10:03Tell the truth
00:10:04I knew how to choose
00:10:06Yes I don't say no
00:10:07But the trouble is that he knew how to choose
00:10:08Even the main one
00:10:09Professor Smith
00:10:10You will understand
00:10:11He courts her mercilessly
00:10:12But then I want
00:10:14I want to commit suicide
00:10:15Of course
00:10:16Accidents like you're in love
00:10:20Leave me in here
00:10:21I want to die
00:10:22I want to die
00:10:23I want to freeze to death
00:10:25Yes
00:10:29On the contrary
00:10:29Before I finish this little trip
00:10:31I want to offer it to you
00:10:32The final farewell
00:10:33Let's take a trip
00:10:34If all goes well
00:10:35It will last a year
00:10:36A year?
00:10:37But this is not a trip
00:10:38You are not gypsies
00:10:40What gypsies
00:10:40This is an expedition
00:10:41Don't you know that the professor
00:10:42Professor Smith
00:10:43He makes shipments
00:10:44But then he's a freight forwarder
00:10:45But it goes inside
00:10:46But what if I think about it?
00:10:47In one year
00:10:48I could even talk about it
00:10:49Yes, but if the captain catches you
00:10:51You're having a bad time
00:10:52But you will help me
00:10:53I?
00:10:54You've never been in love
00:10:56In truth
00:10:56We don't touch certain helmets
00:10:57So if you have a heart
00:10:58Maybe half a heart
00:11:00You have to help me
00:11:02Otherwise
00:11:02Oh
00:11:03Otherwise
00:11:04I understand you
00:11:04Do yourself a favor
00:11:05You who are more practical
00:11:06You who are trained
00:11:07Kill me
00:11:08As I should
00:11:09Yes
00:11:09Behead me
00:11:10Listen, don't insist.
00:11:11It will be for another time
00:11:12No forward
00:11:13On
00:11:14Behead me
00:11:14All right
00:11:15I will help you
00:11:16You will help me
00:11:17I don't remember now
00:11:19We introduced ourselves again
00:11:21Agatino
00:11:23Very far away
00:11:24But it goes on and on
00:11:26And I
00:11:27Toto
00:11:27Professor
00:11:28Of dances
00:11:29Classics
00:11:31And my helper
00:11:33You know
00:11:33For shipping
00:11:34What school are you from?
00:11:36Classical dances
00:11:37Really not.
00:11:37I wanted to say
00:11:38I am trying to say
00:11:39Are you from the French school?
00:11:40It guides me
00:11:41Naturalma
00:11:43So you've been to Paris
00:11:45Working with the great Scoffier?
00:11:46Yes Scoffier
00:11:49What a man that is
00:11:50Of genius
00:11:51Ninth
00:11:52Of infantry
00:11:52Oh yes
00:11:56This is classified stuff
00:11:57You know he has a stomach
00:11:58Very delicate
00:11:59And you work it yourself
00:12:01To you
00:12:03Oh
00:12:05Don't you want any?
00:12:09It's not enough
00:12:10And he goes away
00:12:11Society pays a lot
00:12:12Of geographical research
00:12:12So long live geography!
00:12:14Long live geography!
00:12:15But that's fine
00:12:16But when we get there
00:12:18Oh, it will be fine.
00:12:19I guarantee it to you.
00:12:22When I think of my little girl
00:12:24I wonder
00:12:25Why did I put myself
00:12:26In this adventure
00:12:27Almost almost
00:12:28At the first port of call
00:12:29I'm going to run away
00:12:30Listen, I'll try you
00:12:32The gentleman of the please
00:12:34Boys adonata
00:12:35Long live the geographical society!
00:12:36Let's not keep you waiting
00:12:38Mr. Professor
00:13:07Quas sale
00:13:08I am Hend mere
00:13:08Listen, I'll try you
00:13:18Microbe
00:13:19Sign up
00:13:20Knade
00:13:35...modern technique.
00:13:41Excuse me.
00:13:42It's a lavalliera cream. It was the boss's idea.
00:13:47It was a humerus. He says we ruined his stomach.
00:13:56You're finally here, huh? You're here.
00:14:00Have you seen my men trapped and reduced to nothing?
00:14:01You ruined your stomach.
00:14:03Forgive me, Mr. Professor.
00:14:05Forgive me, forgive me. You know very well that my stomach needs special care.
00:14:08And what about you?
00:14:20I'll skin you, me.
00:14:23You'll see.
00:14:27If I grab your helper, I'll tear him to pieces.
00:14:31Cheat.
00:14:33Or modern technique.
00:14:35And you believed it.
00:14:39But if I catch him, I'll roast him. My word of honor.
00:14:47And you believed it.
00:15:14He wants to skin me
00:15:17No, I'll do your skin for you
00:15:20He actually booked before you.
00:15:24Wretch, you poisoned the professor
00:15:28A little more and you'll match it
00:15:30Modern technique
00:15:32What misfortune would she have been in?
00:15:37Think you would have killed a great scientist
00:15:40But who?
00:15:41Professor Smith
00:15:42The Ape Man
00:15:45That the ape man
00:15:46Didn't you understand anything?
00:15:48He is studying the paratomy of synthetic man
00:15:51Humanitarian cells
00:15:53Did you understand?
00:15:55And now leave me my bunk
00:15:56As?
00:15:58My skins?
00:16:00What if they find me?
00:16:01I think I couldn't get closer to the classroom anymore
00:16:03I'd rather kill myself
00:16:05I'd rather kill myself
00:16:07Leave me
00:16:09Do you want to kill yourself?
00:16:10Don't do anything crazy
00:16:12I'll help you
00:16:13I'll help you
00:16:14I'll help you
00:16:17Modern technology, right?
00:16:19Feel my technique now
00:16:22Leave it
00:16:23Leave it
00:16:25Leave it
00:16:25When I have too much
00:16:28Go call our egg
00:16:33Leave it
00:16:35Leave it
00:16:41Leave it
00:16:43No, no, no, no, no, no, no.
00:17:12Look at the poisoner. And who is he?
00:17:15The poisonous aid.
00:17:19Mr. Cook, Mr. Cook, I forgot about your shoe.
00:17:23Who are you? Tell me your name.
00:17:26Oh yes, if I say it later, I'll be left without.
00:17:28Ah, a stowaway.
00:17:31Your name, take care of this individual.
00:17:33We will strictly apply Article 385 of the Maritime Code.
00:17:38Third paragraph. Go.
00:17:39Third paragraph? No.
00:17:40Ask for indulgence, indulgence.
00:17:43But this article from the recent 35 works.
00:17:46This is the law.
00:17:47The stowaway must be fed, put in the cabin and then...
00:17:51Then landed at the port of embarkation.
00:17:53I memorized it.
00:17:55You never know.
00:17:56But are you feeling sick?
00:17:58It's dizzying.
00:17:59Oh, and you often understand each other.
00:18:00As soon as I set foot on a ship.
00:18:02And why are you a ship's doctor?
00:18:04That's what I'm wondering too.
00:18:05We were also missing this expedition, damn the ape-man.
00:18:09The ape man?
00:18:10But why do you know him?
00:18:12But who?
00:18:12Ready?
00:18:13Ready?
00:18:14Who's speaking?
00:18:15It's me, the ape man.
00:18:16You, the doctor.
00:18:17There must be contact.
00:18:19I was talking about the fast man thing, that man who comes from...
00:18:22But theories, theories.
00:18:24Humans are thought to have descended from monkeys.
00:18:27Me too.
00:18:27And what are you, maybe recommended?
00:18:29You too are obsessed with this ape-man thing.
00:18:33He explained everything to me in Cadino.
00:18:34And what did he tell you?
00:18:36He told me that the monkey is not really a beast of the animal kingdom,
00:18:39but rather a volcanic metamorphosis of integral humanity.
00:18:42Synthetic human paratomy is a synthesis of human cells
00:18:46which, regardless of the male anatomical corpulence,
00:18:50excluding by agreement the abdominal part of the logical mucous membranes,
00:18:53we have the sympathetic nerve that suffers from antipathy and sympathy.
00:18:55So, calculating the epidermal distance between man and gorilla,
00:19:01we witness the specific case of your perfect resemblance to the chimpanzee.
00:19:06Is that clear?
00:19:09But...
00:19:09But are you feeling sick?
00:19:11Well yes.
00:19:12I'm a poor sick doctor.
00:19:17The stowaway is that individual who was in the crate at the time of boarding,
00:19:21do you remember?
00:19:22Like a spy.
00:19:24Maybe you're right.
00:19:25What should we do?
00:19:27I'll give you an hour to get rid of him.
00:19:29Understood?
00:19:30One hour of time.
00:19:31In 60 minutes that man will no longer exist.
00:19:34You can count on my watch.
00:19:36Split the minute.
00:19:4133?
00:19:42But why would I say 33?
00:19:43But how come you spend your whole life making people say 33?
00:19:46and then you wonder if someone makes you say it?
00:19:48Ah, 33.
00:19:5033.
00:19:5143.
00:19:5243.
00:19:5353.
00:19:5453.
00:19:5573.
00:19:5673.
00:19:57Bingo.
00:19:58Bingo.
00:19:58I say bingo, here we are.
00:20:00You're missing an R.
00:20:02You suffer from chronic erophagia.
00:20:05Erophagia?
00:20:06Oh, yeah.
00:20:07I don't know this disease.
00:20:08Well, unfortunately many diseases are unknown.
00:20:11Yet they are there.
00:20:13On.
00:20:15Turn around.
00:20:16Should I undress?
00:20:17Ninth.
00:20:20Does it hurt here?
00:20:21No.
00:20:23Stopped?
00:20:25Stopped?
00:20:26But there is air.
00:20:28All right, some fresh air is good.
00:20:29silly.
00:20:34To you.
00:20:36So don't get agitated, stay calm.
00:20:39And I will visit you again soon.
00:20:42In fact, very soon.
00:20:44Please remember, especially the R.
00:20:49There's the colleague.
00:20:51There's the colleague.
00:21:34A little fresh air does good.
00:21:44What's the point then?
00:21:48Throw away my flowers, the colabella.
00:21:51But we'll see.
00:22:31What do you want? What are you doing here?
00:22:34Yes, don't be afraid. I am but a shadow, a larva, a gentle ghost, a past.
00:22:47A Romeo passing by, or rather an underpass, a wandering lover, a cry, just one cry,
00:22:55and you see this man who stands before you mad for having been able to disturb you by burning himself with self-destruction.
00:23:02And disappear into the darkness forever, yes.
00:23:09But can I know who you are and what you want?
00:23:12Who, who, who, I don't know. Anyway, don't be upset.
00:23:18Maybe I want to move near you, like this, without a moan, on an April night.
00:23:24The loin, with the rubber sounds. Yes, and the heart.
00:23:29Oh, the loin.
00:23:30You opened it again, but do these smitte want you in the hall?
00:23:34All right.
00:23:35Regardless, think of me. Before and after the step.
00:24:09Regardless, think of me.
00:24:34Help!
00:24:37Excuse me a moment.
00:24:48So he said he realized that you are a modern girl.
00:24:52Already.
00:24:53Hearts belong to the romantic past.
00:24:57You, on the other hand, prefer the new, the unexpected, the adventure.
00:25:00You should try to be clearer.
00:25:03And rather tell me who was that stranger who dared to enter my cabin.
00:25:06That stranger will never bother me again.
00:25:09I give you my word.
00:25:11So, do we want to do this 3-7 or not?
00:25:14It's a shame that there are only three of us who know how to play it.
00:25:16Don't worry, Peter.
00:25:19We'll play it dead.
00:25:43We'll play it dead.
00:25:58Let's go.
00:26:08Oh, fantastic.
00:26:13No, no, no, no.
00:26:58No, no, no, no.
00:27:05No, no, no, no.
00:27:30No, no, no, no.
00:27:53No, no, no, no.
00:28:18No, no, no, no.
00:28:22Of course, I saw it myself.
00:28:24For example, you see, here there is the sea.
00:28:27I know, well.
00:28:28There are these words, Indian Ocean.
00:28:31Naturally.
00:28:32Well, you wouldn't believe it, I've been looking at the sea for ten days.
00:28:35and these words are not there.
00:28:38Yet they are beautiful, big, eh.
00:28:49Good morning, Miss Laura.
00:28:50Good morning, professor.
00:28:57I advise you to be wary of that individual, a criminal of the worst kind.
00:29:02Possible.
00:29:08What's up?
00:29:09Sorry, I forgot something.
00:29:11And I don't remember what I forgot.
00:29:14Oh yes, I forgot.
00:29:18Young man, if you still have the courage, if you still have the courage to set foot in here again,
00:29:28I'm pointing you back to the sea.
00:29:33Go!
00:29:34On the contrary!
00:29:37Professor, I found the paper we were looking for.
00:29:39Oh, yeah?
00:29:40Here is the detail of the river.
00:29:41Indeed, it is very important and will be very useful to us.
00:29:48You again.
00:29:50But if I told you I'm throwing you...
00:29:53At sea, and so I adapted.
00:29:55But what else do you want?
00:29:56Sorry, I forgot something again.
00:29:58You do nothing but forget.
00:30:00By force.
00:30:01I travel to forget.
00:30:02If I hadn't forgotten, you say you haven't forgotten and you forget it.
00:30:05On the contrary, I don't want to forget and I'm forgetting what I've forgotten.
00:30:08Is that clear?
00:30:09Go away.
00:30:10Yes, sir.
00:30:20Go!
00:30:26Is it here?
00:30:27Oh God, here, in the cabin.
00:30:30Professor, are you feeling ill?
00:30:31Oh, fantastic!
00:30:36It's one!
00:30:37The professor is in the cabin!
00:30:38In the cabin, Mrs. Laura!
00:30:40Professor, are you feeling ill?
00:30:41Yes!
00:30:43Doctor, run to Mrs. Laura immediately.
00:30:45The professor is dead.
00:30:47I'm a doctor, I'm not Pompatula's impresario.
00:30:49Yes, I know, he's not dead yet.
00:30:51Oh God, we're right there, it's about to isolate.
00:30:53Doctor!
00:30:55Have you isolated?
00:31:00Chiacura!
00:31:01Chiacura!
00:31:02The professor is dead!
00:31:04Ugh!
00:31:04The professor is dead, he's dead, he's dead, he's dead, he's dead, he's dead.
00:31:27But big, I don't know, I don't know about the circle.
00:31:29Get ready!
00:31:33I want to save Laura.
00:31:35God save Laura!
00:31:36Laura!
00:31:38Laura!
00:31:38Laura!
00:31:39But you can go Laura, Laura!
00:31:43Laura!
00:31:58We have to do something, Sara.
00:32:00Of course, the coffers must be saved.
00:32:03Go, you too, go and save the coffers.
00:32:06And you, Peter, what's going on here? Help me out a bit.
00:32:08Come on, cold ones.
00:32:10What's up? What does he want, then?
00:32:13But do you have a heartbeat?
00:32:15Hey, stay!
00:32:16Hey, stay!
00:32:17Hey, stay!
00:32:18Hey, stay!
00:32:18Hey, stay!
00:32:22You're flowering, you're on the march!
00:32:39Hey, stay!
00:32:43There's mine!
00:32:45Hey, stay!
00:32:46Hey, stay!
00:32:47There's mine!
00:32:48Hey!
00:32:50Hey, stay!
00:32:51Hey, stay!
00:32:51I go to everyone on foot.
00:32:52Hey!
00:32:57Article 385.3.
00:33:00Stowaway disrupts navigation by simulating fire
00:33:04is subject to Article 486.18.
00:33:08Paragraph 18?
00:33:10Paragraph 18.
00:33:15Paragraph 18.
00:33:17Paragraph 18.
00:33:20In prison.
00:33:22I'm a professor, you understand?
00:33:24I'm not like you.
00:33:26My presence is here.
00:33:28You're aiming at it, what do you want?
00:33:29A long, very long love story.
00:33:32Yes, you are too young to understand certain things,
00:33:35but know that what I did, I did for love.
00:33:40Just for love.
00:33:41I am a professor!
00:33:43I want to go out!
00:33:49What's up?
00:33:50The prisoner is excited to the point of being frightening.
00:33:52We need a nice calming mistake.
00:33:54Oh, yeah?
00:33:54Eh, leave it to me.
00:34:01Good friend.
00:34:08Ah!
00:34:09Ah!
00:34:34Match.
00:34:38Laura.
00:34:40Match.
00:34:47Match.
00:35:05Watch out for the sausage.
00:35:24Watch out for the sausage.
00:35:50Eye.
00:36:24Watch out for the sausage.
00:36:44Watch out for the sausage.
00:36:53For whom? Like Laura won't come with us?
00:36:55No, and neither do you, ma'am.
00:36:57Oh, that's terrible.
00:36:59My men have scouted the forest for a wide radius.
00:37:02Well?
00:37:03It is not only populated by beasts and reptiles.
00:37:06There are also two very ferocious tribes that are always at war with each other.
00:37:10The few white people who were able to approach them called them the tribes of the beautiful and the ugly,
00:37:15for their opposite physical characteristics.
00:37:17In short, all of this requires the utmost caution.
00:37:23With permission.
00:37:27Professor, professor, you forget that my participation was an absolute condition for funding the trip.
00:37:32Your participation, but not your life.
00:37:36Then I warn you that I have always made myself obeyed,
00:37:38and it certainly won't be a woman, no matter how beautiful you are, who can impose her will on me.
00:37:43I cannot and must not expose you to certain risks.
00:37:46Excuse me.
00:37:49Excuse me.
00:38:20More agility, Giacomino.
00:38:23But what kind of writing are we doing?
00:38:24Sava, it doesn't go like that.
00:38:25Stop, stop.
00:38:26But I've been repeating the scene since this morning.
00:38:29I am tired.
00:38:30But how tired he is.
00:38:32You know that the cinematic document has to be perfect.
00:38:35We will repeat the scene over and over until it is perfect.
00:38:38Come, come.
00:38:41You have to pass through here.
00:38:44And remember, as soon as you leave, head towards the slope where the beast mechanisms are.
00:38:50And remember to step on the marked leaves to activate the snake.
00:38:56Understood?
00:38:57Oh, ready?
00:38:59Yes.
00:38:59Let's go.
00:39:04Peter, I recommend the roar.
00:39:40Ah!
00:39:42Ah!
00:39:53Oh, oh, oh, oh, oh, oh.
00:40:08Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
00:40:10Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
00:40:10I'm dead.
00:40:13High you.
00:40:14There's no point, you know, pretending to be a man, I know you're a beast anyway.
00:40:17High you.
00:40:18What, I don't care.
00:40:22Oh, it's you, huh?
00:40:23Now I'll fix you.
00:40:24Uuuuh, you can see it here.
00:40:26Did you save my skin?
00:40:28But what are you doing here?
00:40:29You ruined my dinner, you piece of imbecile.
00:40:31Piece of imbecile?
00:40:33Am I missing something, maybe?
00:40:34Uh, the lion with wheels
00:40:37I'll teach you how to ruin other people's work.
00:40:42Ah, you naughty little monkey
00:40:44Why did you come here?
00:40:46Is there a traffic ban?
00:40:47He was spying on us while we were filming The Lion's Dinner
00:40:49Yeah, uh, I saw the lion
00:40:50Magnificent, how well it is done
00:40:52And these toy manufacturers, they study them all
00:40:56That's right, they study them all.
00:40:59Dude, it doesn't work with me.
00:41:01Well, I know, it doesn't work with you because you're not his type.
00:41:05But who are you talking about?
00:41:06Her
00:41:07You wanted
00:41:09Chase him into the cave and don't let him escape
00:41:10Vio!
00:41:11Not the cave! Not the cave!
00:41:17Leave it to me, I'll try the way
00:41:19To stop him from talking anymore
00:41:32Not the cave!
00:42:24Gargatino!
00:42:28Agatha!
00:42:30Help! Help!
00:42:33Do you recognize me? Or do you think I'm a real hippopotamus?
00:42:38Oh, it's you! How scary!
00:42:40Say, you recognized me by my voice, didn't you?
00:42:44Yes!
00:42:45Help me clear my head!
00:42:48Yes!
00:42:57Who shouted?
00:42:59Ah, me!
00:43:00Who is it? Come on!
00:43:01And she!
00:43:03But what is this?
00:43:04I can't take my head off!
00:43:06But it's that simple!
00:43:08Oh, that's right! Thank you!
00:43:11You!
00:43:12You? I mean, me... No, you, yes...
00:43:15I say...
00:43:16Yes, I understand! With your permission!
00:43:19I don't know, there are so many of you!
00:43:22If you knew, when I'm happy you would have found it, you are like that!
00:43:26So? Do you understand?
00:43:27Not too much!
00:43:28But come on, do you have such delicate thoughts about toys?
00:43:31What toys?
00:43:32How modest!
00:43:33But I know that only you could bring toys to the children of savages!
00:43:38But are you sure I didn't bring any toys?
00:43:40It wasn't you!
00:43:41But then it must have been the doctor's wife!
00:43:43And they're beautiful, huh? Life-size!
00:43:46Life-size!
00:43:54Are you really sure about this?
00:43:55Absolutely! There are leopards, snakes...
00:43:58But the popotems are all removable!
00:44:01And all these toys, where did you see them?
00:44:03In the cave!
00:44:04In the cave!
00:44:05Yes, yes...
00:44:06In the forest!
00:44:09I'm starting to understand many things!
00:44:15Tonight let's escape together!
00:44:17The two of us?
00:44:18Yes!
00:44:18Together?
00:44:19Yes, it is necessary!
00:44:20But which one... you and I?
00:44:22Of course!
00:44:23But... you and me?
00:44:24Certain!
00:44:25I'm going to get ready!
00:44:26Get ready!
00:44:31Together!
00:44:32I'm happy!
00:44:37And what is it?
00:44:39We run away, we flee...
00:44:41Quick, prepare me a bag!
00:44:42Who is running away, who is fleeing?
00:44:44I!
00:44:45With her!
00:44:46Oh, are you kidnapping her?
00:44:47It's a rat!
00:44:48No, it's her who's kidnapping me!
00:44:50You understand?
00:44:51Oh, lady!
00:44:52She's the one who's ratting him!
00:44:53I told you so!
00:44:54You can't command your heart!
00:44:56She's in love, what!
00:45:08What is there?
00:45:10They are not yesterday!
00:45:11Piscuiglie!
00:45:30Don't be shocked!
00:45:42What's up?
00:45:43Let's watch the weather!
00:45:46I want to hear if it rains!
00:45:58Thunder, my foot!
00:45:59These are roars!
00:46:00Of lions?
00:46:01Oh, toys!
00:46:02It's Pietro, the beauty technician who invites the roars!
00:46:14Well, now you'll be more relaxed, eh!
00:46:16Come on, don't do anything crazy!
00:46:18You come up too!
00:46:19I'll show you how to dismantle toys!
00:46:22But for God's sake, hurry up!
00:46:23These are real roars!
00:46:26Trifles!
00:46:26They do a couple of farts in successive waves!
00:46:30I'll put the camp's appetites off me.
00:46:32to put you pa...
00:46:34fear!
00:46:35Oh, fear!
00:46:37The rope!
00:46:38Come on, quickly!
00:46:39Get on!
00:46:40Hold on to your rope!
00:46:48I didn't think I was so good!
00:46:49It was fear, huh?
00:46:50Yes!
00:46:51No, what fear?
00:46:55My vocabulary doesn't exist!
00:46:57This synthetic adjective!
00:47:01Force!
00:47:03For clarity!
00:47:03Don't let go of the rope!
00:47:07The lion was there!
00:47:12The lion was there!
00:47:19Unless it's a typo!
00:47:27They sat down!
00:47:28They are optimistic Leos!
00:47:31But now I'll take care of it!
00:47:33Wait!
00:47:57Good morning, miss!
00:47:59Good morning!
00:48:00Did you sleep well?
00:48:01Great, thank you!
00:48:02And you?
00:48:03Oh my God, I slept!
00:48:05And the lions?
00:48:06No, where am I?
00:48:07But no, I was asking you what happened to the lions!
00:48:10Ah, you were referring to those big mammals from last night!
00:48:14Or do you think that if you woke up and saw them still here you would be scared?
00:48:17and since then I shoo, shoo, shoo!
00:48:23I forgot!
00:48:24By the way, I picked some roses for you!
00:48:33Oh, thank you!
00:48:35What curious roses!
00:48:36I'm certified, I'm certified!
00:48:39But I like these too!
00:48:40Yes, but it's just that each flower has its own linguistic language.
00:48:44and it is precisely through this language of his
00:48:48that the heart expresses itself with the echo of its enigmatic language
00:48:54Is that clear?
00:49:06We followed the tracks, but to no avail.
00:49:08We have entered the heart of the forest
00:49:11I fear all hope has been lost.
00:49:16Don't be so nervous, professor!
00:49:18If those two idiots make it home alive, we'll have to be afraid!
00:49:20No, nothing to fear!
00:49:21Then the forest does not forgive anyone, especially idiots!
00:49:24We will come back with some formidable documents
00:49:26And with the five million, professor, we will do...
00:49:36If we had a topographical map, everything would be easier.
00:49:39I have a topographical map!
00:49:41Then we're all set, let's consult it!
00:49:43What I'm looking for is my forte!
00:49:49So, so always straight
00:49:51Then right, then left
00:49:53There is a climb
00:49:55Once we've climbed up, we find ourselves in Piazza del Duomo.
00:49:58And do you see all this on your plant?
00:50:00Yes, ma'am.
00:50:00But what if this is the map of Milan?
00:50:02I know, but it's still a plant...
00:50:05How will we orient ourselves?
00:50:11Finding our way
00:50:17Orient ourselves?
00:50:18But you're my strong point!
00:50:20We will orient ourselves with the compass
00:50:22But do you have a compass?
00:50:23I don't have it, but we will soon.
00:50:25Yes, I attended evening orientation schools
00:50:27Look, practicality
00:50:34North
00:50:39South
00:50:42West
00:50:44East
00:51:08Have you found the way?
00:51:11Yes
00:51:15What do you see?
00:51:19I see the sea!
00:51:22The sea!
00:51:30Do you understand?
00:51:33I see the sea!
00:52:09Four
00:52:13Toto!
00:52:18Here I am!
00:52:21Toto!
00:52:23Miss Laura!
00:52:24Toto!
00:52:26Toto!
00:52:27Toto!
00:52:28Toto!
00:52:31Toto!
00:52:32Toto!
00:52:34Toto!
00:52:35Toto!
00:52:36Toto!
00:52:37Toto!
00:52:38Toto!
00:52:40Yes, yes, yes!
00:52:41Toto!
00:52:42Toto!
00:52:43Toto!
00:52:44Toto!
00:52:45Toto!
00:52:46Toto!
00:53:10Toto!
00:53:10The evil spirit has led you to our land
00:53:13But yes, I don't even know him
00:53:16Tell me why you have those non-standard horns?
00:53:19They are the sign of my dignity
00:53:21Ah yes, ah here, the sign of dignity
00:53:25Why then did the spirit of cheerfulness enter into you?
00:53:28It's not meant to be like this
00:53:30Come to the big boss
00:53:44Take the honors from the great chief
00:53:46Yes, sir.
00:53:54Big boss
00:53:55Here is a dweller of the wild lands that are beyond the great salt water
00:54:04Yes, sir.
00:54:28Before the great star of the night rises
00:54:31The savage who dared to cross the salt water to offend the belly
00:54:36Who will marry the great chief between two moons will have to sight the eternal immobility
00:55:05But do they understand?
00:55:07Huh?
00:55:07You?
00:55:08Eh...
00:55:09I was hoping to meet you but not in these conditions
00:55:11And why in these parts?
00:55:13Are you asking me?
00:55:14For me after your escape it would have been madness
00:55:17Stay with that rascal of a smitto
00:55:19The big boss wants to marry Laura in two moons
00:55:23Between two moons?
00:55:24That ugly guy?
00:55:26Big boss, how do you want to cook them in stew or salmon?
00:55:30Blank?
00:55:33Did you know I'm on a roll?
00:55:35And what happens?
00:55:38We eat, we dine
00:55:40Are we going?
00:55:41Desina, yes
00:55:53Nice party, huh?
00:55:56Really beautiful
00:55:58What are we eating today, fish?
00:56:00No, meat
00:56:02Today
00:56:03There is meat
00:56:05Before the stars light up in the sky
00:56:07You will stop talking
00:56:09And why are you acting?
00:56:12It sounds like silence
00:56:22There is meat
00:56:23There is meat
00:56:24There is meat
00:56:24There is meat
00:56:24There is meat
00:56:51There is meat
00:57:15There is meat
00:57:20There is meat
00:57:37There is meat
00:57:52There is meat
00:57:54There is meat
00:58:27There is meat
00:58:34There is meat
00:59:53There is meat
01:00:08There is meat
01:00:23There is meat
01:00:44There is meat
01:01:14There is meat
01:01:23There is meat
01:01:42There is meat
01:01:59There is meat
01:02:36There is meat
01:02:52There is meat
01:03:05There is meat
01:03:27There is meat
01:04:12There is meat
01:04:16There is meat
01:04:17There is meat
01:04:46There is meat
01:05:16There is meat
01:05:24There is meat
01:05:37There is meat
01:05:39There is meat
01:06:00There is meat
01:06:01There is meat
01:06:40This despicable man is yours
01:06:43If you give me the pale daughter of the stream
01:06:45No
01:06:46In exchange for this man I can give you another stranger
01:06:50And fifty arrows
01:06:51Fifty arrows?
01:06:52Then I'm for the dissalvo
01:06:55Do you accept?
01:06:56I accept
01:06:57One moment, I, Kiki, do not accept
01:07:04The pole still awaits me
01:07:07The pole, no, the pole, show, show, to me, no
01:07:11It's an unforgettable celebration of peace
01:07:24It's an unforgettable celebration of peace
01:07:30When will your nights with the divine daughter of the sacred stream be?
01:07:36Today itself
01:07:48Little giant friend
01:07:49Who gave you such a beautiful gift?
01:07:54I took it from an evil spirit locked in a white body
01:07:57Little Giant
01:07:59I would like to adorn my neck on the occasion of the wedding
01:08:02Divine, the stranger with the long beard
01:08:05He needs it
01:08:06No
01:08:07The stranger with the long beard
01:08:11The stranger is alive
01:08:13Yes, divine
01:08:14I don't let him die because he cares for me
01:08:18I took it from an evil spirit locked in a white body
01:09:11Thank you all.
01:09:23Thank you all.
01:09:53Thank you all.
01:09:57There is a mirror.
01:10:00It's really him.
01:10:05Mrs. Laura, I have to die.
01:10:09I appoint you my universal heir.
01:10:15Here, everything I continue.
01:10:17It's not my fault if I continue with useless things.
01:10:22As usual, I forgot my toothbrush at home.
01:10:28Don't be sad.
01:10:31Distract yourself.
01:10:32Look at the stickers.
01:10:34The constellation of Pisces is so pretty.
01:10:59Now you will die.
01:11:04One moment.
01:11:08Big boss, you don't know who you're about to kill.
01:11:12You kill the man whom all the stars in the universe obey.
01:11:17You, you alone can darken the sun.
01:11:26Darken the sun?
01:11:28No one in the world could do that.
01:11:30Yes, only he can do it.
01:11:32The pure waters of the stream told me.
01:11:36You who are the king of the stars, darken the sun.
01:11:55Yes, only he can do it.
01:12:27Have you seen?
01:12:28Misunderstandings, trifles, trifles.
01:12:31Yes, thank the black beard.
01:12:35AND?
01:12:36Ah.
01:12:38My father is back.
01:12:39It's in Gadino.
01:12:40Both.
01:12:42Let's go.
01:12:56Thronement!
01:12:57The prisoners have escaped!
01:13:01Get into the forest now!
01:13:05Dad!
01:13:06Oh, my dad!
01:13:15No, man does not descend from the monkey, no.
01:13:20Yes, yes, man does not descend from the monkey, from the ape.
01:13:27Do something, I beg you, you must regain your mental faculties.
01:13:31We'll think about it later.
01:13:32Now we have to cut the rope.
01:13:33Quick, pack your bags.
01:13:34Yes, soon.
01:13:35Come on, Dad.
01:13:35And the bassiniera.
01:13:44And the bassiniera.
01:13:46But now, I'm going!
01:13:50Miss Laura, take the professor away!
01:13:54Dad, quick, let's go.
01:13:56On!
01:14:08But, now, now, now, now!
01:14:29But, now, now, now, now, now, now, now!
01:14:45But, now, now, now, now, now!
01:14:59But, now, now, now, now, now, now, now!
01:15:16But, now, now, now, now, now, now, now!
01:15:34The ape-man in his fury cast mourning over what I loved to call my family.
01:15:40My esteemed collaborator Laura Berti offered her young life to science.
01:15:46The same fate befell two humble and devoted members of the expedition.
01:15:50The names of the three victims remain and will remain forever written in the golden book of science.
01:16:00Now you will see the terrible specimen photographed in the wild.
01:16:11You idiot, you messed up the scene!
01:16:15Gentleman!
01:16:16Excuse me! Excuse me! Excuse me!
01:16:20But sir, be aware of me!
01:16:21I'm dead! Excuse me! Excuse me!
01:16:23What are you doing here?
01:16:24I'm dead! In fact, if I'd known I was dead, I would have dressed in mourning!
01:16:31But come on, damn it!
01:16:34Comment, Professor! One word!
01:16:38Fellow scientists, I have the honor of announcing to you that homocystis does not exist!
01:16:43Exists!
01:16:44Ah, here it is!
01:16:45It doesn't exist!
01:16:46Call me!
01:16:47Laura! Laura!
01:16:49Command!
01:16:49Homosexuality doesn't exist!
01:16:51It doesn't exist!
01:16:53It doesn't exist!
01:16:54It doesn't exist!
01:16:57It doesn't exist!
01:16:59It doesn't exist!
01:17:01It doesn't exist!
01:17:03It doesn't exist!
01:17:09Call the police station immediately, in the name of Professor Smith, and ask them to send some officers immediately!
01:17:13Soon!
01:17:14We are here!
01:17:14We have issued an arrest warrant for you and your worthy companions!
01:17:18Huh?
01:17:21It doesn't exist!
01:17:22It doesn't exist!
01:17:24It doesn't exist!
01:17:25It doesn't exist!
01:17:27It doesn't exist!
01:17:53Listen everyone, Professor Berti is here.
01:18:17I decide to introduce my greatest friend.
01:18:21And point out my greatest friend.
01:18:26The man who saved my life.
01:18:39This synthetic floral May speaks for me.
01:18:49Photo, what are you doing?
01:18:53Photo, what are you doing?
01:18:57Photo, what are you doing?
01:19:03Photo, what are you doing?
01:19:04Photo, what are you doing?
01:19:07Photo, what are you doing?
01:19:08Photo, what are you doing?
01:19:09Photo, what are you doing?
01:19:11Photo, what are you doing?
01:19:11Photo, what are you doing?
01:19:12Photo, what are you doing?
01:19:12Photo, what are you doing?
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