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00:00His name is Jonathan Pine.
00:03You'll have support teams, identify them and deal with them.
00:07Yes, it's me.
00:08I have guests.
00:09I'll leave you my findings.
00:12For your hard work.
00:14Game over.
00:15What about the guarantees I asked for?
00:18I can't give you any of those.
00:19You played me.
00:21I wire Matthew Harris fifty million dollars to be a free man.
00:27Tomorrow morning, you'll agree to hand yourself in.
00:30If you don't, I will destroy you.
00:32I know Roper's your father.
00:34Did Roper tell you about his other son?
00:35He's used you, Tenny!
00:37There's a coup being planned in your country, Consuelo,
00:40and you're gonna help me stop it.
00:41It's an electromagnetic weapon.
00:43Tomorrow the weapon will be dropped by parachute.
00:45It'll fly to Cabrera's camp.
00:47You have to stop it from getting there.
00:49Your English friend has been listening in on the house,
00:52which means he's inside the operation.
00:54I want Jonathan Pine.
01:24to the open sea,
01:25I want him to keep in.
01:41To the open sea,
01:49and I'll find him.
01:50However this month-up continues,
01:51every day he took into the
01:51dark sky...
01:51As soon as the Af queen was left,
01:52I wanted to give him too much.
02:02Can we run the cow over?
02:06Ah, here he is.
02:08In water.
02:10Sit down, have a pastry.
02:12I'm not hungry.
02:14So, what's the very none?
02:16All is going to plan.
02:18I want you to go to the Cabreras and tell them.
02:21Deliveries tonight, bang on schedule.
02:24You leave in an hour, take one with you.
02:27Okay, and you?
02:29I will follow in due course.
02:31I have a small matter that requires my attention.
02:37I'll call the Cabreras to let them know.
02:47Okay, Lordo.
02:48Hi.
02:50How are you doing?
02:52I'm here with Mr. Gilberto.
02:54Necesito que le diga a Cabrera que todo va según el plan.
02:56Estamos.
02:57It's fine.
02:59Todo, todo.
03:01Be careful, Teddy.
03:02Ya voy para allá con el señor Carrascal.
03:05Nos vemos en el punto de encuentro.
03:08Listo.
03:15Don.
03:22Okay, I called Consuelo and she told me there's an abandoned firing range about 25 miles east of the city.
03:27It's called San Marco.
03:28We can land the plane there.
03:53Rumpelstiltskin.
03:55Prompt as ever.
03:56So, what do you say to my offer?
03:58Well, actually, I was more curious to know what you felt about mine.
04:0250 million.
04:04Join the party before it's too late.
04:08No deal.
04:10But I'll be seeing you.
04:11Soon, I hope.
04:13Sooner the better.
04:14I miss that smile.
04:43I miss that smile.
04:46I miss that smile.
04:52I miss that smile.
05:21Got it?
05:21Yeah.
05:27I'll be seeing you. Soon, I hope.
05:30The sooner the better.
05:31I miss that smile.
05:34Okay, Sally reopened the connection with London.
05:37Tell Basil we're diverting the plane, then pick up Consuelo.
05:40I want a reception committee on the ground.
05:42Colombian and international.
05:44I'm on it.
05:49I'll call you when it gets a teddy.
06:04How far is it?
06:05In any normal country, two hours.
06:08In Colombia, four.
06:16Roxana.
06:17Are you there? Can you hear me?
06:19Yes.
06:19Yeah, they found us. I got out.
06:20I'm on a bus headed toward someone at the...
06:22Help me. I need your help, Matt.
06:24What do you mean? Where's Tommy?
06:24I don't know. I don't know. He... He ran.
06:27I gotta go. I'll call you back.
06:28Roxana.
06:29Fuck.
06:30What happened?
06:31We need to make a detour.
06:49Oye, Juan, es que hablaban Gilberto esto en la mañana tan secretamente, ¿eh? ¿Se podrá saber?
06:55No, solo estábamos atando cabos, cabos sueltos.
07:02We need to make a poly sack.
07:19Where are you?
07:21I'm almost there.
07:22When you get off the bus, we'll come to the parking lot.
07:24I'll be able to see you.
07:31It's Matthew Ellis, right?
07:35You're a bitch, I've been killed when I was a bitch.
07:38Yeah, look at that. Everything is solved.
07:40What is it? What is it, Juan?
07:42Tell me.
07:43Relax.
07:53This operation is mine, Juan.
07:56I'll invent it.
07:58And I'm going to know what the hell is going on.
08:01So you're saying it, right?
08:04Our princess of Miami has come back to the game.
08:06That's all you have to know.
08:08And Gilberto confía in that bitch, really.
08:11Well, yes.
08:12You should be happy with her.
08:14Why, Juan?
08:15Why?
08:18Your father's English control with a single finger.
08:22Dale.
08:28Let's go.
08:29Let's go.
08:33Let's go.
08:34I'm going to take a look at it.
09:14I'm going to call Cabrera and tell them that we've arrived.
09:18Go ahead.
09:36Shall I get her?
09:38No.
09:39I'll go.
09:50Yeah.
09:55Okay.
09:56I'm delayed picking up Roxana.
10:28I can see you.
10:28Okay, I'm here.
10:29I can see you.
10:31Where are you?
10:34Matthew, where are you?
10:37Hello?
10:39I'm in the blue car to the left, about 30 yards from here.
10:43He's in the blue Opal Astra at the end of the car.
10:45Go, go.
10:58Goodbye, Roxana.
11:00And good luck.
11:03You're going to need it.
11:04Go.
11:15It's not in the car!
11:16Go, go, go.
11:34All right, Juan.
11:37What happened?
11:39Matthew Ellis escaped.
11:42And I think someone told me.
11:44And who, Juan?
11:47How long did the Cabrera arrive?
11:49How are you going to see it?
11:51Are you going to see it or what?
11:52Of course it is, Juan.
11:55Eduardo,
11:56do you have to call us Cabrera?
11:58No, I can't believe it.
12:01Muéstrame your phone.
12:02Of course it is.
12:03Your phone.
12:03That no.
12:06What do you do?
12:08Well, it's like you have to call me, right?
12:10No, Juan, it's necessary.
12:12No confies in me, really.
12:15Toma.
12:17Tómalo.
12:20Malparido.
12:27Levántate.
12:29Es una mierda, Juan.
12:30Malparido yo.
12:32¿Eh?
12:33Tú sabías el plan de Roper, ¿no?
12:35De ir a Inglaterra sin decirme nada y dejarme aquí.
12:38¡Mierda!
12:39Por supuesto que lo sabía.
12:41Es una mierda.
12:42Tú eres el único huevón que lo tenía, ni puta idea.
12:44Pero, por favor, por favor, escúchame a este y...
12:48No vales nada, mierda.
12:49Te lo suplico.
12:50¿Qué suplicas, Juan?
12:52No lo hagas, por favor.
12:52No te quiero matar.
12:53No lo hagas.
12:54Entonces, que tranquilo se me mete al carro.
12:56Está bien, por favor.
12:57Gracias.
12:58Tranquilo.
13:10Oh, my God.
13:29Ah...
13:32Ah...
13:33Ah...
13:34Ah...
13:35Ah...
13:35Ah...
13:36Ah!
13:53Photos and coordinates from Jim.
13:56You take the car.
13:57I'll find my own way.
14:02You've been kind to me, Martin.
14:04You didn't have to be.
14:09You've been kind...
14:10to our people.
14:13So anything I can do?
14:16Just find Tavo, okay?
14:18Okay.
14:19And let me know where you are.
14:41We have to postpone.
14:43Nothing is being postponed. I have a deadline and I intend to meet it.
14:47It's too risky.
14:49Until you find him, I'm pulling the operation.
14:52What did you say?
14:53You heard.
14:56Myra, darling, I wonder if you know how to cook a frog.
15:01If you chuck him into boiling water, the little bugger just jumps right back out again.
15:05But if you ease him in at room temperature and gradually crank up the heat, he doesn't notice a thing.
15:11Until his brain is gently boiling in its own juice.
15:16You're the frog in this analogy, in case you hadn't figured that out.
15:21You're going to regret speaking to me like that.
15:24Is that a threat, Myra?
15:27Are you pondering a spot of treachery?
15:29Well then, remember this.
15:30You ordered the killing of Rex Mayhew in his Surrey home.
15:34If I go down, I'll happily take you with me.
16:12Where is he?
16:18Help me.
16:46What is going to happen to him?
16:49If all this works.
16:51You know what?
17:01I was there.
17:03In the office that night in Cartagena.
17:07I saw you.
17:09When you were alone.
17:11Hurting yourself.
17:16You shouldn't have seen that.
17:18You don't have to be that person, Teddy.
17:22You can disappear into those hills.
17:25Back to your sister.
17:28Be Eduardo Vidal again.
17:33No one will ever know he can be free.
17:41But not with him alive.
18:04When did you fall in love with him?
18:07Was it in London?
18:09Was it in London?
18:11Or was it when he pulled his Lazarus back here in Columbia?
18:15You fell into his arms and in his arms you stay.
18:18I didn't tip him off.
18:19I didn't tip him off.
18:20Well then how did he know?
18:21Who told him?
18:23Is there a plan?
18:24Is he coming here?
18:26On his white charger?
18:28Is that the lure?
18:30See Frisky and I have some experience in this area.
18:33If we want someone to share their secrets we tend to find a way.
18:36I didn't tip.
18:37Enough!
18:38Off!
18:39I warned you.
18:40I made it perfectly clear.
18:42Don't touch me.
18:42If you let me make something clear.
18:44You're right about Matthew Ellis.
18:46He is so easy to fall in love with.
18:48But I chose not to.
18:51Maybe I was wise to his true intentions.
18:53Or maybe I'm just not capable of love.
18:55But either way I didn't lose my heart to him.
18:58And if someone did, it wasn't me.
19:13Take it back to the house.
19:24Oh, you beauty.
19:29Ah, we are back.
19:50What a lantern was being taken because the hell días was passed away from one day.
19:51Tell him that he's right there came with us!
19:53Oh, that's awesome.
19:54Oh, you're home!
19:56What if you can do?
19:57We're here that means we do.
19:57You've arrived here.
19:57Get out of the way!
20:01Eduardo! Eduardo!
20:04Hey! Carlos!
20:17What's going on?
20:19Everything okay?
20:22Carlos.
20:25Carrascal.
20:27I have to show you, Jose.
20:29What?
20:30What's going on?
20:36Out.
20:38Out!
20:40What's going on?
20:45Who is this?
20:48Who is this?
20:49This gonorrea
20:51is called Matthew Ellis.
20:53The son of a bitch
20:53told us that he was an investor.
20:56He was an investor.
20:56Hace dos días
20:57lo puse en un avión para París.
20:59Lo que no entiendo, Jose,
21:01es como mierda estaba ayer desayunando con Rupert.
21:05Dice que lo siguieran.
21:06El imbécil manejó hasta acá
21:08y se alquiló una habitación de hotel aquí cerca.
21:10En el camino, el señor Carrascal lo intentó llamar.
21:13Me sacó un arma.
21:14Y por eso Juan ya no está con nosotros.
21:17Tráiganlo.
21:20Vamos.
21:25¡Fuera de ahí!
21:25¡Fuera de ahí!
21:26¡Fuera de ahí!
21:53¡Fuera de ahí!
22:00¡Fuera de ahí!
22:02¡Fuera de ahí!
22:06¡Fuera de ahí!
22:13¡Fuera de ahí!
22:20I'm at the rear exit. Orange Kia, now.
22:41I'll tie my hands down.
22:45Who are you, hmm?
22:47What's your name?
22:49You never mind.
22:50It's Matthew Ellis.
22:51Sorry?
22:52Matthew Ellis.
22:55What's your name?
22:58It's Matthew Ellis.
23:00Not according to this, Mr. Birch.
23:03Liar.
23:04You're supposed to be in Paris, Matthew.
23:07With your ex-wife and your beautiful little daughter.
23:10What the fuck were you doing yesterday, eh?
23:12Having run with this man.
23:14Preservation under Andrew Birch.
23:17Who is he?
23:19Answer!
23:20Who is he?
23:21He's just an old friend.
23:22His name's Giles Merriman.
23:25I promise you just...
23:30Wrong answer.
23:32Who the fuck is he, eh?
23:35Okay.
23:38One last chance.
23:40Who is he?
23:44His name...
23:46is Richard...
23:48Onslow...
23:49Roper.
23:50And why did you meet him?
23:52Just business.
23:53Ah, business.
23:54When you came here, you called him from the hotel phone.
23:57Didn't you?
23:58Escuchen esto.
24:00Listen to this.
24:02When we meet again, the Cabreras will be dead.
24:05You and I will be on British soil.
24:07Not a mosquito or Colombian in sight.
24:11And Jose Cabrera?
24:12Their regrets?
24:14Jose Cabrera is a cowboy.
24:16He's not fit for civilized company.
24:18I'll be seeing you.
24:19Soon, I hope.
24:21Sooner, the better.
24:22I miss that smile.
24:36Who is the fucking mosquito?
24:39Who is the fucking mosquito?
24:42Speak!
24:42No!
24:53Alright.
24:54Okay.
24:55I work for British intelligence.
24:57How do you know Roper?
25:00Egypt.
25:01Nine years ago, I infiltrated an operation of his.
25:04I recruited him out of the counter.
25:05I've been working there ever since.
25:07What are you doing here?
25:10If I tell you, I want guarantees.
25:13I'll walk away when this is done.
25:14I'll fly back to London.
25:15Huh?
25:17Fuck!
25:19Fuck!
25:30Talk.
25:33You've been running weapons deals for the last two years.
25:36Six shipments.
25:37To support a rebel army.
25:40There's a military plane coming here tonight.
25:44You think it's gonna airdrop the last shipment.
25:47An electrical weapon.
25:49To ignite your war.
25:52There will be no weapon.
25:55What the fuck do you mean?
25:59It's a trap.
26:01It's Roper's idea.
26:02The plane will parachute in 50 combat paratroopers.
26:06It's...
26:06Special Forces Brigade, La Hungla.
26:08What will they do?
26:09Hmm?
26:13They'll kill every single one of you.
26:31It's important that the plane lands somewhere totally secure.
26:36No one knows about this place, right?
26:38No.
26:39The plane.
26:39It hasn't been used for decades.
26:45Okay.
26:57Call your team.
26:58Tell them to bring cameras and we're gonna make this a show.
27:14Come on, Basil.
27:16Don't let me down.
27:17Come on, Basil.
27:28Don't let me down.
27:39It'll be fine.
27:44Come on, Basil...
27:46I am a doctor at Arten.
27:52He's not here, but...
27:52You know what I mean.
27:55It's doctor at Arten.
27:56So...
27:58I can't make this a show for you.
27:59You know what I mean?
27:59Okay?
28:00Yeah.
28:01All good.
28:05Yeah, I just got back and I am absolutely knackered.
28:10I'm being taken to a flat they've got for me.
28:13Some bloody warehouse conversion and sodding battersy.
28:18I could come over and help you settle in.
28:20I would love that, but not tonight, my love.
28:24I am getting up at the crack house of sparrows tomorrow to go up to Oxford.
28:27But sure, I'm helping out an old friend.
28:31Well, how about I come over tomorrow instead?
28:34We can have dinner.
28:35Darling, I'll call you back.
28:36Excuse me, where the hell is this?
28:38The address all was given.
28:39It's what head office gave me.
28:41Well, clearly head office has ballsed up.
28:50Hold on.
28:52We'll just go and find out.
29:09Jesus!
29:10Evening, you lordship.
29:15Oh, God.
29:16Oh.
29:16Oh, I wouldn't bother trying to call Myra Cavendish if I were you.
29:19We've got half an army out there.
29:27What do you want?
29:29Well, first I've got something to show you.
29:31And then you and I can have a chat.
29:44Confirm chief, cargo's in the air.
29:46Fine.
29:50Victor, get the jeep ready. Five minutes.
29:53Yes, sir.
29:54Juan Miguel, would you be kind enough to book me a car to Bogota Airport tomorrow morning at 11am?
29:59Si, senor.
30:00Gracias.
30:19My mother was a woman of great economy.
30:23My father's auction house was struggling, as it often was in times of recession.
30:28She could change our lifestyle overnight.
30:31Out went the champagne, in came the cheap stuff from Italy.
30:36She once persuaded the local picker, who never drank champagne in his life, poor chap.
30:43A glass of Bulma's cider was actually Dom Perignon.
30:51She would start washing the sheets once a month.
30:55At boarding school, I got sandwiches instead of the roast beef.
30:59I pride myself on being an adaptable man.
31:04When circumstances demand, I shed a skin and pick up a new one.
31:09No regrets.
31:12No nostalgia for the past.
31:15Nothing is so precious that it can't be sacrificed.
31:19Nothing and no one.
31:22My father was sentimental.
31:26But you're not.
31:28No.
31:29No, his death cured me of that.
31:35I'm shedding a skin now.
31:38Next to you.
31:40Hm.
31:43What did I do?
31:53Victor, let's go.
31:56Arthur.
32:07What have you got yourself involved with, Sandy?
32:09Regime change on foreign soil?
32:12British diplomat being murdered in his own back garden?
32:16What's the parole board gonna say?
32:21I have no idea what you're talking about.
32:24Oh, how was the Columbia trip?
32:27Flying visit, I hear.
32:28Was it seeing the old man?
32:35You see, I already know about the coup.
32:37I know there are arms being smuggled.
32:39I know there's British money involved.
32:40But what I still haven't got is hard evidence connecting Richard Roper with Myra Cavendish and the Columbian plot.
32:48But you get me that.
32:50And you can walk away.
32:51Squeaky clean.
32:52You might even get to see your kids again.
32:54But you fail me on this.
32:57I will put you away for the rest of your fertile fucking life.
33:03Stop taking the bullet for Richard Roper, Sandy.
33:06Because I tell you this for free.
33:08He will never take one for you.
33:18Night-night.
33:35ablo.
33:41Darno.
33:42Dame un segundo con este malparido.
33:46Es personal, Carlos.
33:48Okay.
34:00Roper's on his way.
34:03Let me see.
34:19We went too far.
34:21It was necessary.
34:26Take it.
34:28Listen to me, okay?
34:30Deceiving Jose is one thing.
34:31Lying to Roper is another.
34:35When you're with him,
34:37you have to make him believe
34:39that you still love him.
34:42He's the man in the black car,
34:44the father you've always adored.
34:47You show him nothing less
34:49than the devotion he deserves.
34:54Like a dog.
34:57Like a dog.
35:06Just have faith.
35:12Goodbye, Matthew.
35:18Have faith.
35:24Okay?
35:26Let's go.
35:35Carlos!
35:56run away.
35:59No, no, no, no, no, no, no.
36:53No, no, no, no, no.
37:07No, no, no, no, no, no, no.
37:28I'm going to the drop zone to make sure it's ready.
37:33Bollocks.
37:38He's doing coke in the bushes somewhere.
37:41Probably.
37:42Let's go.
37:45Here's your army.
37:48Ready for action.
37:55How old are you?
37:57How old are you?
37:5813.
37:5913.
38:03Kings of America.
38:05That's just her.
38:07Kings of America.
38:10Libertad.
38:10Sangre, libertad.
38:22Come on, Richard.
38:23Have a seat.
38:25Well, thank you, Jose.
38:27Beer.
38:28Or something.
38:30Beer would be very nice.
38:31Yes, thank you.
38:32Buenas noches, señores.
38:34Buenas noches, consuelo.
38:36Muy bien, Trujillo.
38:37Me gusta su eficiencia.
38:38Quiero fotos de absolutamente todo.
38:40Quiero evidencia de esas armas inglesas en suelo colombiano.
38:56Now, look at that.
38:57Hang on time.
39:00Why don't you do the honors, Jose?
39:05This is Stout Cortez.
39:08Over.
39:10Over.
39:33How's that?
39:34How's that, eh?
39:39Shall we?
39:47Suelo, come here.
39:51The plane's turning east.
39:52He's heading our way.
39:55Okay.
39:56Vamos, señores.
39:57We need one of these over here.
39:58Let's make sure we get everything, please.
40:00Make it happen.
40:01Vamos a la zona entrenera.
40:05All right, Tiddy.
40:07You still angry with me?
40:08No.
40:12I was doing some thinking.
40:17I made a mistake with Matthew, at least.
40:19I'm sorry.
40:21Well, we've all done that sometimes, haven't we?
40:25All I ever wanted was to please you.
40:28And you do.
40:30We're here now.
40:31That's what matters.
40:33Let's take the jip.
40:35Well, why not?
40:37No sky like a jungle sky.
40:49Up.
40:50Let's go.
41:02I hope you've come along.
41:08I do have insurance policies in place.
41:15Where did you get that photograph?
41:18Oh, I've been busy, madam.
41:20Do you want to see what else I've got?
41:22The case for the prosecution.
41:25I've got emails for you to Adam Hollywell.
41:27I've got texts to Miami, Medellin.
41:31I've got phone records, alms lists,
41:35and a handwritten note from your luxurious London address,
41:39connecting you to Roper's dirty plot.
41:42All I need now is the shipment itself.
41:45And that's on its way, isn't it?
42:06There's a plane in the Columbia night sky right now
42:09with a shiny British weapon
42:11for Roper's rebel army,
42:14but Jonathan Pines sending it to me.
42:16And when it arrives,
42:17there's going to be an international scandal.
42:19Your operation will be exposed,
42:21your investors will be publicly shamed,
42:23and Richard Roper will be no more.
42:26And as for you,
42:27you ordered the execution of Rex Mayhew,
42:30one of the gentlest men to ever grace this earth.
42:33But my choice, you'd be home-drawn and courted
42:35on Westminster Bridge for all to see.
42:38But the service wouldn't survive that.
42:41So, tomorrow morning, I want you out.
42:44Resignation letter on the desk,
42:45and you can piss off.
43:10I despise your kind, do you know that?
43:12It's mutual.
43:13I've nothing to apologize for.
43:17I serve my country.
43:19I do the job asked of me,
43:21and I would happily do it again.
43:23Seriously, where the fuck is Karasko?
43:26On the hill?
43:28He will be the first one to see the plane.
43:30No, you do the honors, Richard.
43:32Like the welcome fires.
43:33Richard Roper is not a job you do.
43:37He's a choice you make.
43:38You get into bed with Roper,
43:40you get into bed with weapons of death,
43:42poison, gas,
43:43the murder of children who barely breathe God's air.
43:47You have condemned yourself to the lowest circle of hell,
43:50and I will take fucking pleasure in hearing you scream.
44:12Oh, you'll want to hear this.
44:14It'll be good.
44:15This is London.
44:17This is Consuelo Arbenz.
44:20Head of the Colombian Supreme Court.
44:23I have a visual on the plane.
44:25And we're ready to document the arrival of your British weapon.
44:32The plane's late.
44:35Maybe there's a headwind.
44:38There's no wind.
44:40He should be here.
44:42Maybe it won't come at all.
44:45What do you mean by that?
44:46Jose, if that's a joke,
44:48your timing is fucking awful.
44:50I wish it was.
44:57What are you just saying?
45:01What Englishman?
45:03Frank Andrew Birch.
45:05I'm sorry, Richard.
45:10They were watching us at the restaurant.
45:13They followed me here.
45:16They know everything.
45:19The second plane's another location.
45:21You are making a very big mistake.
45:23I don't know what this man has told you,
45:24but he is a British intelligence agent.
45:27I know who he is.
45:28No, you don't.
45:29I'm telling you, this is a trap.
45:30I know.
45:31You don't know anything.
45:32I know that if I allowed that plane to drop its cargo,
45:36I'd be a dead man.
45:38But you wouldn't care, would you?
45:40I'm just another Colombian mosquito.
45:46Give up, Dickie.
45:47Game's over.
45:48Shut the fuck up.
45:51All right, Jose.
45:52I'll give you that one.
45:53You're not to blame.
45:54But I want you to listen to me very carefully.
45:56That plane's cargo contains exactly what I promise,
46:00a state-of-the-art British electromagnetic pulse weapon.
46:03It took off from a military airfield this afternoon
46:05on its way here.
46:07Teddy, tell them.
46:12Teddy, tell them!
46:14What?
46:16What do you want me to say?
46:19That you lied to me about everything?
46:22That you've been using me?
46:26That you always plan to go back to England
46:30to your only son, Danny?
46:36The one that you love so much?
46:39Let me tell you something.
46:41That you will never see that kid ever again.
46:45You die tonight under my Colombian sky.
46:51And I will bury you myself.
47:05You are very good.
47:11Well, come on then, Teddy.
47:13Let's not disappoint Mr. Birch.
47:15He's come a long way for this.
47:17Show him what you're made of.
47:18Show him the blood you come from.
47:20If it were done when tis done,
47:22then twere well it were done quickly.
47:25Teddy, what?
47:25Why don't I count you down?
47:29One thousand!
47:30Teddy, come on!
47:32Nine hundred and...
47:38I do believe that's mine.
47:41Hey, hey, hey, hey!
47:43Don't fucking move!
47:44Don't move!
47:46Trust me, Hazel.
47:47This is a call you want me to take.
47:55Evening, Frisky.
47:57You're fucking late!
47:59Sorry, Chief.
48:00Bring her in, will you?
48:05Now, where were we?
48:16What's that?
48:18That, my friends, is an aeroplane.
48:30There are no soldiers, Jose.
48:32What is it doing here?
48:35I don't know.
48:36See?
48:37There are two sides to every story.
48:39Just as there are sometimes two aeroplanes with two very different cargos.
48:47Watch the cuffs, Jonathan.
48:51And the gunman, I, and me, and me, and me.
49:06Good boy.
49:07I'm going to go down on Kumbaya.
49:08I'm going to go down.
49:09I'm going to go down.
49:10Move, move, move, move.
49:11Move, move.
49:18It's the moment that's going to happen, right?
49:25But hold on, hold on, hold on!
49:28Quiet, quiet!
49:32Won't you go and open your present, Jose?
49:35You'll never doubt me again.
49:38Don't go there.
49:40I've found you stupid-ass traicioners.
49:42Quiet! Quiet!
49:52Quiet!
49:52Hello, I need to go.
49:53I need to go.
49:54I need to go.
50:17Dad, there's an alarm.
50:18As I promised.
50:33He sent us a fucking red rose.
50:41Case dismissed.
50:45Guess I'll see you around.
50:48Must visit you in France one day.
50:55You're a real big game hunter, aren't you, Jonathan?
51:01First my American sweetheart in Mallorca, now my very own son.
51:08Always the prize trophy, just like you're hell-bent on plunging a stake into my fucking heart.
51:17You demand love by tyranny.
51:22Richard, it'll only get you so far.
51:26Well, we'll see how far it gets me.
51:32As for you, Eduardo, when you were a baby, you had the face of an angel.
51:46No.
51:50Te perdono.
51:53I forgive your immortal soul.
52:00But not your mortal one.
52:02No.
52:03No.
52:12No!
52:17No!
52:18No!
52:19No!
52:19No!
52:21No!
52:22No!
52:38Just so you know, Jonathan, my alpha was real.
52:47We could have done so much together.
52:51Richard.
52:52Live that piss of shit to you.
53:04Find him!
53:07Tommy!
53:08Let's go, sir.
53:10Get in!
53:12What?
53:15Help.
53:24They're on us.
53:25I can't lose them.
53:26Hold on!
53:32Take it out.
53:33Get in!
53:38Get in!
53:39Get in!
53:40Get in!
53:42Get in!
53:43Get in!
53:48Get in!
53:56Go!
53:56Go! Go! Go!
53:58Go! Go!
53:59Go! Go!
54:25Go!
54:26Nothing is so precious that it can't be sacrificed.
54:29Nothing and no one.
54:32I'm shedding a skin now, next to you.
54:45I've dug deeper into the Hollywood files and there's something else. There's something beyond Roper.
54:50There's a bigger game, Mum.
54:53And I haven't...
55:11but...
55:27Homer!
55:28Hey, Homer!
56:40Hello, Danny.
56:43Hi.
56:47Miss your old man?
56:49Hmm?
57:05Christ, look at you.
57:06Yeah.
57:07What are they feeding you?
57:11Ready?
57:13Where are we going?
57:14Thought I'd bust you out of jail for the weekend.
57:17Give you a tour of the new place at Oxfordshire.
57:20Did Sandy show you the pictures?
57:21Yeah.
57:23Um...
57:24It looks cool.
57:26There's a tennis court at the back.
57:28Well, I should warn you, I've been practicing.
57:35See pup.
57:39Oh, Danny, there was something I wanted to ask you.
57:43How would you feel about us getting some dogs?
57:47Sounds good.
57:51In Colombia the death toll has risen to 600 overnight as civil war rages following Monday's sudden
57:57power cut.
57:58As thousands flee Medellin in panic, the army...
58:12No, you masters of war.
58:19You, that build all other guns.
58:26You that build the dead plains
58:32You that build the big bombs
58:39You that hide behind walls
58:46You that hide behind
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