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05:14Altyazı mı?
05:34Altyazı mı?
05:34Altyazı mı?
05:41Altyazı mı?
05:46Altyazı mı?
06:52Altyazı mı?
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07:43Altyazı mı?
07:44Altyazı mı?
07:45Altyazı mı?
07:46Altyazı mı?
07:47Altyazı mı?
07:51Altyazı mı?
07:53Altyazı mı?
07:53Altyazı mı?
07:55Altyazı mı?
07:55Altyazı mı?
08:04Altyazı mı?
08:08Altyazı mı?
08:09Altyazı mı?
08:11Altyazı mı?
08:14Altyazı mı?
08:15Altyazı mı?
08:22Altyazı mı?
08:23Altyazı mı?
08:31Altyazı mı?
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09:54All I have to do is act naturally
10:08What the hell?
10:16You moving up?
10:20I thought you rafted five
10:25So you sneaking out?
10:32I'm just trying to prevent this from becoming a thing
10:36Why don't you show me pictures of rescue dogs last week
10:39And complaining I wasn't committing?
10:40Yeah, I'm sorry
10:43I'm just not happy Simon
10:44I know
10:45I just think you need to book something
10:48Things will turn around
10:50Come on Vivian, we're good together
10:54You never let me in Simon
10:57Not really
10:58It's a little late to start caring about this relationship
11:06It's a little late to start caring about this relationship
11:21It's a little late to start caring about this relationship
11:43Well, that's because Jerry wasn't there and I was
11:47I remember
11:48Yeah
11:49It was a python
11:50A giant bloody python
11:52I don't know if it was Burmese or not love
11:55I can't speak to that
11:57It was in the pool
11:58That's what bloody matters
12:00Maybe
12:01It had been
12:02Somebody's pet
12:03Wasn't looking for cuddles
12:04Oh, sorry love
12:06I can't today
12:08Auditions this afternoon
12:10Damn right it's big
12:11Biggest bloody movie of the year is all
12:13Hey man, do you mind?
12:15Give my love to Uma
12:17Smooches
12:19I'd never talk to you in the actual film
12:21Don't fret
12:25Hey, I'm sorry
12:26Aren't you
12:27Oh, yes
12:30I played the Mandarin
12:31But that was a bloody ten years ago
12:32And I was just a puppet
12:33And whatever theories you've seen
12:35On Reddit are totally false
12:37I had nothing to do with Pizzagate
12:38I'm not a member of the Illuminati
12:40And I did not have my hands replaced with baby hands
12:43First of all
12:45I always dug your performance as the Mandarin
12:47But I remember you from that omnibus episode you did in the 70s
12:52You played Edgar Allan Poe
12:54The Need for Nightmare
12:55Well, well, well
12:57Not too many people remember that old gem
12:59Including me
13:00How was I?
13:02Stole the episode
13:03And I should know
13:05I'm also an actor
13:05You don't say
13:07Yeah
13:07Do you mind?
13:09The movie's about to start
13:14I'll take the ten
13:16But when I take you over to see Mr. O'Daniel
13:18I'm gonna have to have another ten
13:20Just a couple of expenses, alright?
13:22Uh
13:22Come on
13:23I'll buy you a school after you, huh?
13:34Yeah, that's what I'll do
13:37Okay, Rico?
13:40Rico?
14:08Yeah, you don't like that
14:10You don't like that
14:12Oysağın.
14:14Kainal bir şey.
14:16Bu oda.
14:17Yeni bir şey.
14:19Bu bir şey.
14:21Bu bir şey.
14:23Çıklılığa bir tanıştı.
14:27Bu, o dağılıklı.
14:28Bu ne?
14:31Ne.
14:32Şehlizler'in değil,
14:34Şehlizler'in hiç bir şey.
14:34Bu, Ertuğrulay'ı dağıma.
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21:50You're a bloody mess.
21:52You can't go in like this.
21:56You trying to get in my head.
21:58I'm trying to help you, love.
22:00You know, some of us actually believe in supporting each other.
22:03Take it from someone who's eaten shit on stage more times than eating count.
22:07Not literally, mind you.
22:08You can still turn this around.
22:09It's not too late.
22:10I know.
22:11There's a lot to memorize.
22:12No, but my memory isn't the problem.
22:14So what's wrong?
22:21I can't get old with a character.
22:24I've seen the original too many times.
22:26And I'm trying to come up with a backstory for his relationship with Barnaby, but it's not making sense.
22:31Well, trust the words.
22:32Just show up and say them.
22:33Be present.
22:35No, that's not my process.
22:37Well, your process can go blow a spider.
22:39Do you mind?
22:39Let me see this.
22:43Oh.
22:45Oh, this is your problem.
22:46You see, these nodes are garbage.
22:47Sorry.
22:48No, it's how I learned it.
22:49It's how I make my choices.
22:51Well, your choices are getting in the way.
22:53No one gives a fart about the subtext of the tales of the Invera people.
22:58We've got to get you out of your head.
23:01Then how do we do that?
23:02When you're in there, below every last bit of air, out of your lungs, hard and fast.
23:07With no air, any longer your body will go into shock.
23:09Shut down your frontal lobes.
23:10So, no more logic getting in the way.
23:12Then your amygdala kicks in and you'll be left with instinct.
23:15Simon Williams?
23:16Here.
23:19Don't think.
23:42You can slate whenever you're ready.
23:44Simon Williams, reading for Wonder Man.
23:54Everything okay?
23:59Okay.
24:13The Invera people believe if a soul fails to turn right after death, it ends up in a dark and
24:19treacherous place.
24:27Well, I've been to the void.
24:35I lived in that scream in silence.
24:40I know what it's like.
24:45I lost whatever part was left in me that makes a person a person.
24:56Until Barnaby pulled me out.
25:00No one else ever gave a damn.
25:03No one.
25:06It's too late for me.
25:09But you can still walk away.
25:14I'm asking you nicely.
25:16Just walk away.
25:20It's a wonderful thing.
25:22Not thinking too much.
25:24Served me well most of my life.
25:26I'm not sure I'd do it again.
25:28Why not?
25:29John Gilgood used to have me whipping with a belt across his bare ass every night before curtain up, and
25:35that was before we were friends.
25:37Then things got weird.
25:39Ayashi Neat and a Virgin Mary with extra horseradish.
25:43Thirteen years sober.
25:44Congrats.
25:45Thank you.
25:45But an actor needs to think to do the work.
25:51You have to fill in the backstory, in the character's psychology.
25:55If you don't understand it, how can you perform it?
25:59When we are born, we cry that we are come to this great stage of fools.
26:05Can you live?
26:07We'll spot it.
26:08Yeah.
26:10I had a run of it in Croydon back in the 80s.
26:13I really struggled with the role at first.
26:16Then I remembered that great speech from Hamlet.
26:20The purpose of playing is to hold us to the mirror up to nature.
26:29Never forget that.
26:31Nature, that's our job.
26:32To understand the world around us and ourselves within it.
26:40The real work isn't digging for subtext or passing a writer's intent.
26:47The real work is living.
26:55Let's probably get going.
26:57Of course.
26:58You're a young man with friends to see and important things to do.
27:02This one's on me.
27:04I think I'm going to do the wedge salad.
27:08Hey, let's keep in touch.
27:10Of course.
27:11Oh, Simon.
27:14I have a good feeling about today.
27:18Something faithful in the air.
27:44Is Trevor Slatter it?
27:46How are we drinks?
27:47Fifteen dollars for a Virgin Mary's bloody criminal.
27:50Trevor.
27:52Third contact was established.
27:53We don't call it third contact.
27:55He was at the matinee?
27:56Yes.
27:57And then you ran into each other at the audition?
28:00And then we had drinks.
28:02Third contact.
28:04Trevor, you need to take this seriously.
28:07Simon Williams is superpowered.
28:09He's unstable and incredibly dangerous.
28:12This country isn't safe until he's in my custody.
28:15You sure he's buying the act?
28:18Don't fret.
28:19I've got him right where I want him.
28:21Oh, boy.
28:41Oh, boy.
28:45Oh, boy.
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