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In Other Words, I Love You [Full Movie] [Ranked]Full EP - Full
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00:00:02Ev Kraft
00:00:28Termineli
00:00:30İzlediğiniz için teşekkür ederim.
00:01:12İzlediğiniz için teşekkür ederim.
00:01:30God, why is she even?
00:01:32Quiet, Charles.
00:01:37İzlediğiniz için teşekkür ederim.
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00:04:38Kerlerden bir 화ca var?
00:04:46Evet.
00:04:48Bu şeyin yoktu.
00:04:49Bu ne?
00:04:50Bunun da bir yer ekip,
00:04:52bir yerden bir müzik,
00:04:54daha iyi kalanlıkla.
00:04:59Bu, yabancı.
00:05:01Bu, hakimlar.
00:05:09Bir de daha.
00:05:14Stephen King.
00:05:16First Edition!
00:05:26Breaking and entering now.
00:05:29How American of you.
00:05:31I...
00:05:52You can get up now.
00:05:54I... I'm trying.
00:05:56Wait!
00:05:58Are you serious?
00:06:00Well, you said you were trying.
00:06:03What is wrong with you?
00:06:05Funny.
00:06:06I was about to ask you the same thing.
00:06:08What are you doing in my house?
00:06:11You...
00:06:12Wait.
00:06:13Your house?
00:06:14My house.
00:06:16My library.
00:06:17And now, apparently,
00:06:19my unwanted guest.
00:06:22Ah, Master Charles.
00:06:24You must be Miss Alice, Anne's daughter.
00:06:26She said you'd be moving in today.
00:06:28She what?
00:06:29There... there's been some kind of misunderstanding.
00:06:32You see, I'm not actually moving in.
00:06:34Is that so?
00:06:36Yeah, I'm not staying here. Like, at all.
00:06:39That's a shame. Your mother seemed quite pleased with the arrangement.
00:06:41Well, I just don't think it's appropriate.
00:06:45Well, if you're sure, then absolutely not.
00:06:49Come on, Alice.
00:06:51You must stay.
00:06:54It'll be...
00:06:56fun.
00:06:57My dear...
00:06:59classmate.
00:07:01I'm dead.
00:07:02Like mentally, socially, and actually dead.
00:07:12Just trying to figure out how exactly my life went off the rails.
00:07:17Get it together, Alice Keaton.
00:07:19You've been through hell.
00:07:20I'd never find someone to make my head spin around.
00:07:24Actually, no.
00:07:25No one's ever gonna be the thing I need.
00:07:26They all just let me go.
00:07:27This is hell.
00:07:28But baby, you saved me.
00:07:30Hi.
00:07:31Good morning.
00:07:35Hi.
00:07:36Hi.
00:07:36Hi.
00:07:36Hi.
00:07:36Hi.
00:07:36Hi.
00:07:37Hi.
00:07:39Hi.
00:07:39Hi.
00:07:41Hi.
00:07:47Hi.
00:07:49Hi.
00:07:59Hi.
00:08:00Hi.
00:08:04Hi.
00:08:08Hi.
00:08:09Hi.
00:08:11Hi.
00:08:17Or die of exhaustion on the way.
00:08:21W-What are you doing here? Didn't you already leave?
00:08:26Wait, did you come back for me?
00:08:30Relax.
00:08:32I forgot my textbook. Don't flatter yourself.
00:08:36Wait!
00:08:39Since you're already here,
00:08:41maybe you could be a decent person and give me a ride?
00:08:47No.
00:08:49Seriously? Your car is huge!
00:08:52Yeah. And I'm not a fan of sharing.
00:08:56Says the guy who forced me to live in his house!
00:09:03Unbelievable!
00:09:14Ashford Institute, please. Thank you.
00:09:20Who needs that entitled brat anyway?
00:09:23Sir, you called the cab. Why not just give Miss Keaton a lift?
00:09:31Why not just give Miss Keaton a lift?
00:09:33And have the whole school go crazy.
00:09:36She's new. Everybody's already talking.
00:09:39So you're worried about her?
00:09:41You're overthinking. I just don't like drama.
00:09:50Asshole.
00:09:51Hey!
00:09:53Morning, Klaus.
00:09:55Back to Golding.
00:09:57Remind me what he's saying through Lord of the Flies.
00:10:04Mr. Kenwood, care to share what you found so amusing?
00:10:08Not particularly.
00:10:10Oh, I insist.
00:10:12You seem very entertained by Golding.
00:10:15I'm not entertained by Golding, sir.
00:10:17On the contrary.
00:10:19I think his ending is...
00:10:22...weak.
00:10:23Wait, wait.
00:10:24Do I actually read it?
00:10:26Quiet.
00:10:28That's an interesting take. Explain.
00:10:32He had the set up for something brutal.
00:10:35Something honest.
00:10:37But in the end, he backed out.
00:10:39He could have left the boys on the island.
00:10:41Forced them to confront the collapsible morality.
00:10:43Let them choose survival.
00:10:45Or death.
00:10:47But instead, he gave them a rescue boat.
00:10:49Slapped a happily ever after on a book about savagery.
00:10:56It's a waste.
00:10:57Don't you think?
00:10:58I'm delightfully surprised, Charles.
00:11:00Didn't think you had such strong literary opinions.
00:11:03I'm always a model student, sir.
00:11:05Let's not get ahead of ourselves.
00:11:09So.
00:11:10A critique of Golding's mercy.
00:11:13Anyone disagree?
00:11:29I think Golding knew exactly what he was doing by ending the book that way.
00:11:33It's not mercy.
00:11:34It's irony.
00:11:35How so?
00:11:39The rescue isn't a happy ending.
00:11:41You don't just walk back into society and forget you're a monster.
00:11:45Golding didn't save them.
00:11:46He left us with the discomfort of pretending they could be saved.
00:11:49That's an interesting take, Miss Keeter.
00:11:51You still think it's a harsh critique?
00:11:53In some ways, but not harsh enough.
00:11:57Yes, it's a critique of toxic masculinity, but still, Golding sympathized with them.
00:12:03And the civilized world?
00:12:05Toxic, violent.
00:12:06He didn't call that out nearly as much.
00:12:08So yeah, I don't think Golding pushed far enough, but I think it's unfair to call it
00:12:12a happy ending.
00:12:16Thank you, Miss Keeter.
00:12:18Well said.
00:12:20Anyone else?
00:12:23Both opinions are valid.
00:12:25Okay, that's kind of epic.
00:12:27And let's not forget, Golding faced major backlash when he first published the book.
00:12:31Good literature will always divide opinions.
00:12:36What's happening to me?
00:12:43Okay, what is going on? Why is everyone staring at me?
00:12:47Well, you're new, and apparently had a thing with Charles.
00:12:50A what now?
00:12:52You two are in the middle of the most epic feud as your teen in years.
00:12:56We're not even fighting.
00:12:57Well, according to everyone, you confessed your love on day one, got rejected, begged to
00:13:02sit next to him, got rejected again.
00:13:04And today in class, you broke down crying about not believing in happy endings and stormed
00:13:10out in tears.
00:13:13You were there, Sherry. That is not what happened.
00:13:17Doesn't matter.
00:13:18People believe what they want to believe.
00:13:20And they want Charles to be flawless, untouchable.
00:13:24Wow.
00:13:25Is massage any like a rich kid thing or just a British specialty?
00:13:28Honestly, both.
00:13:30But seriously, Alice, some people already see you as a threat.
00:13:42Okay, loaded.
00:13:44Looks like the new girl's in for a rough first semester.
00:14:01Hello?
00:14:04Hello?
00:14:06Is somebody out there?
00:14:09Oh, come on!
00:14:23Fine.
00:14:38Seriously?
00:14:41Oh, shit.
00:14:47What the hell?
00:14:50Anne, I thought you were having dinner with Alice?
00:14:53She hasn't come home.
00:14:54Her phone is off.
00:14:55Maybe you've seen her this evening?
00:14:59Yikes.
00:15:00Looks like the new girl's in for a rough first semester.
00:15:09Shit.
00:15:14Alice!
00:15:15Alice!
00:15:16Mr. Pelton.
00:15:17Charles Kenwood here.
00:15:19I was wondering if I could get the timetable for Alice Keaton.
00:15:21She hasn't come home.
00:15:23I'll have it sent over.
00:15:25Check the common room in the library.
00:15:27I'll take the rest.
00:15:30Alice!
00:15:43Come on, Alice.
00:15:46Close your eyes and jump.
00:15:49It's fine.
00:15:50You're fine.
00:16:04You're fine.
00:16:24You're fine.
00:16:26I'll try it out.
00:16:26What are you doing here?
00:16:29Can you get off me first?
00:16:31No.
00:16:33I don't.
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00:19:15.
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00:22:58abone ol.
00:22:59Abone ol.
00:23:05İzlediğiniz için teşekkür ederim.
00:23:06abone ol.
00:23:18İzlediğiniz için teşekkür ederim.
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00:23:24abone ol.
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00:23:30abone ol.
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00:24:18abone ol.
00:24:20abone ol.
00:24:21Çırınalık ve
00:24:22Fırınalık
00:24:23Ayrıca
00:24:27İnanılık
00:24:37Evde
00:24:49içindir
00:24:50Güzel bir gün.
00:24:52Zavallamın.
00:24:54Zavallı.
00:24:55Uyaz的 değil mi?
00:24:57M plaintl��
00:24:58Mhartı.因为
00:25:02100 lbs. Sadece
00:25:05mu ya? Most daha
00:25:06bir gün. Bu ne?
00:25:23Hey Alice, it's fine. You're fine.
00:25:33911, what's with your emergency?
00:25:39911, what's with your emergency?
00:25:41It's my dad. He needs help. He just had a stroke.
00:25:44Okay miss. Hurricane's constant traffic shut down.
00:25:47Get to you as soon as we can.
00:25:48Please, he's not well.
00:25:49I understand. Can you confirm your address?
00:25:54Dad, yes I'm right here.
00:25:56Hi. My daughter.
00:26:00Please stay with me dad, please.
00:26:06No. Please wake up.
00:26:13Dad, please. Please don't leave me.
00:26:47You...
00:26:48What are you doing here?
00:26:54You were crying.
00:26:56Loudly.
00:26:58Kind of hard to ignore.
00:27:00Right.
00:27:02Sorry for the night.
00:27:04Wait, no snarky come back?
00:27:06Not tonight, I'm too tired.
00:27:08If you're here to argue, knock yourself out.
00:27:13You were calling for your dad, right?
00:27:16Hurricane hit New York.
00:27:19Power went down, traffic froze.
00:27:22Dad had a stroke.
00:27:24But he couldn't get help in time.
00:27:28I sat there,
00:27:29with a candle,
00:27:31while he laid there.
00:27:34Peaceful.
00:27:36Like he was asleep.
00:27:39But he wasn't.
00:27:44So that's why you and your mum moved here?
00:27:47This used to be our hometown.
00:27:50After dad left,
00:27:52we had nowhere else to go.
00:27:59What are you doing?
00:28:04Come on.
00:28:20Wait, I thought the power was out.
00:28:23It is.
00:28:25We have our own generator.
00:28:26Wow, rich people houses her.
00:28:29Just for tonight,
00:28:31I'll allow it.
00:28:33Allow what?
00:28:35You can call this place your house.
00:28:36So enjoy it.
00:28:38Stephen King's first edition.
00:28:39Alan Gisberg's handwritten letters.
00:28:42Jane Austen's notes.
00:28:43All yours.
00:28:49This is your home.
00:28:52Alice Keaton.
00:28:58Careful.
00:28:59Almost sounded sweet.
00:29:01Don't push it.
00:29:02Okay then.
00:29:06I have...
00:29:07One request.
00:29:11What is it?
00:29:19Are you ever going to make a move?
00:29:21Wait.
00:29:21Give me a second.
00:29:23I'm thinking.
00:29:24You had one wish.
00:29:26Anything in the world.
00:29:28And in the middle of a thunderstorm,
00:29:30inside a literal mansion,
00:29:32you chose chess.
00:29:34Yeah.
00:29:35Got a problem?
00:29:36It's just so cool.
00:29:37Like, spies or genius villains in movies.
00:29:41It's literally a board game.
00:29:42Says the guy who owns a custom set.
00:29:45Wait.
00:29:46Does the knight go diagonally?
00:29:48For the tenth time,
00:29:49it moves in an L shape.
00:29:52One,
00:29:53two,
00:29:54then turn.
00:29:56There.
00:29:57Happy?
00:29:58Ecstatic.
00:30:01No.
00:30:02That's suicide.
00:30:04Or a brilliant long-term sacrifice.
00:30:06You are playing checkers at a chess board.
00:30:08Still beating you in sarcasm.
00:30:09You literally haven't won any past arguments.
00:30:11Golding disagrees.
00:30:13It's going to be a long night.
00:30:15Oh my-
00:30:15No.
00:30:16Why?
00:30:16What's wrong with that?
00:30:17You can't do that.
00:30:18Oh my god.
00:30:20Oh my god.
00:30:21You had to shop a trip and about it all wrong.
00:30:24Tied to pull you in close as we're locked on your phone.
00:30:28All yourself work cause I'm moving on.
00:30:31Oh yeah.
00:30:33Showing up at my door.
00:30:36Holding your heart there inside your hands.
00:30:40Maybe...
00:30:41He's not so awful after all.
00:30:51Um, who are you?
00:30:57What are you doing here?
00:30:58Well your parents said you were still at home.
00:31:01Thank god you skipped that boring grand tour.
00:31:03Who needs Italy and France again, right?
00:31:06When did you get back?
00:31:07Last night.
00:31:08From Zurich.
00:31:09You didn't answer my messages.
00:31:12I missed you.
00:31:14Anyway, thought I'd come surprise you.
00:31:16Apparently, I'm transferring to Ashford.
00:31:19Your parents were so thrilled.
00:31:21They didn't tell me about this.
00:31:22I wanted to deliver the happy news myself.
00:31:24They said it'd be lovely for us to reconnect.
00:31:28You know, considering the engagement and all.
00:31:32Engagement.
00:31:33Oh, did no one tell you?
00:31:36He's promised.
00:31:38Old money stuff, very retro.
00:31:40I didn't agree to that.
00:31:41You didn't have to.
00:31:42It's never up to us.
00:31:45Where did you find this little toy?
00:31:48Serena.
00:31:48I can hear you, you know.
00:31:50Oh, an American.
00:31:53How refreshing.
00:31:58Goodbye.
00:31:59Wait.
00:32:15Where are you going?
00:32:17You still owe me breakfast.
00:32:19You only paid for dinner.
00:32:21I have homework.
00:32:22Goodbye.
00:32:26Your little toy has quite the temptation.
00:32:28Serena, can you please just stop?
00:32:30What?
00:32:31Teasing the help?
00:32:38That's her.
00:32:39That's the one from Kenwood's house.
00:32:41Was she like, the maid or something?
00:32:59Oh my god, what's wrong with people?
00:33:02They're saying you live with Charles.
00:33:04Oh, and Serena.
00:33:05What about her?
00:33:06Apparently she told everyone you were caught sneaking into his room.
00:33:10Of course she did.
00:33:24Careful, Alice.
00:33:25You're starting to look desperate.
00:33:39Come to the music room.
00:33:43Urgent.
00:33:44I just remembered, I need to check something.
00:33:47You guys go ahead.
00:33:48Yeah, okay.
00:33:55Hello, is someone there?
00:33:56Sir!
00:33:58This is getting old!
00:34:11Wait.
00:34:13Music room?
00:34:14What?
00:34:16James?
00:34:17Was anybody in here earlier?
00:34:19Just Miss Serena.
00:34:20Said she was waiting for you.
00:34:23Sir?
00:34:25Sir, it's raining!
00:34:37Come on, Alice.
00:34:38You're fine.
00:34:40You're not that girl again.
00:34:48Wait, can you remind me one more time?
00:34:50Okay.
00:34:53Okay.
00:34:53Rooks move in straight lines.
00:34:54Yeah.
00:34:55Bishops move diagonally.
00:34:57And knights...
00:34:58The knights the weird one.
00:35:04Rooks.
00:35:06Straight lines.
00:35:08Bishops.
00:35:10Diagonally.
00:35:12Hello?
00:35:31The text.
00:35:33Are you okay?
00:35:35Are you hurt?
00:35:36I...
00:35:37I'm okay.
00:35:38I saw the text and I thought...
00:35:40I...
00:35:40I didn't see the message.
00:35:42Serena took my phone.
00:35:43I...
00:35:43I didn't know.
00:35:44I'm sorry.
00:35:45I'm...
00:35:46Okay.
00:35:48You're gonna catch a cold.
00:35:49You're freezing.
00:35:50You didn't have to come.
00:35:52I...
00:35:53I...
00:35:53Don't tell me what I have to do.
00:35:56Give me hope that feels like hope...
00:36:19That wasn't a mistake.
00:36:20If that's what you're about to say.
00:36:23I...
00:36:24Wasn't going to.
00:36:37You're really bad at this, you know.
00:36:40What?
00:36:41Kissing?
00:36:41Hiding feelings.
00:36:43Like...
00:36:44I...
00:37:04Dump those Ewok pyjamas.
00:37:07Oh, you wish.
00:37:10Seriously.
00:37:11It's a cock block.
00:37:12You...
00:37:14Kissed...
00:37:15Me.
00:37:15That's basically...
00:37:17Consent...
00:37:18To...
00:37:19Everything.
00:37:23Dangerous words, Keaton.
00:37:25I might hold you to that.
00:37:36You'll be working in pairs on your comparative essays.
00:37:39Guys.
00:37:39The list is on the board.
00:37:43One...
00:37:44Two...
00:37:44Three...
00:37:45Four...
00:37:45Paper planes...
00:37:48Are you okay?
00:37:49Fly me to outer space.
00:37:53That's where I'll see your face.
00:37:58And have you with me.
00:38:03It may seem dark.
00:38:07But you always...
00:38:10You're distracting.
00:38:18You're welcome.
00:38:22They're either enemies or secretly married.
00:38:26Honestly?
00:38:28Right?
00:38:31I was sure I'd never find someone to make my head spin around.
00:38:35No one's ever gonna be the thing I need.
00:38:37They all just let me down.
00:38:39But baby, you saved me.
00:38:42Time been new.
00:38:45Everything's so different now.
00:38:49So...
00:38:49The night goes in an L shape, right?
00:38:52Why is that the only one you remember?
00:38:55Because it's weird.
00:38:56And I like weird.
00:39:06Check.
00:39:12You're cheating.
00:39:14I'm winning.
00:39:15There's a difference.
00:39:16You are very distracting.
00:39:19And you like it.
00:39:20I will be before you all day.
00:39:23I'll be in the dark and space.
00:39:28Hold you in my arms...
00:39:30Charles!
00:39:31We need to talk.
00:39:40I expected poor judgement.
00:39:43But this in my house?
00:39:45It isn't what it looks like.
00:39:46No?
00:39:47Kissing a servant's daughter in the family library.
00:39:51Enlighten me then, Charles.
00:39:53We came back tonight after speaking with Serena.
00:39:55Imagine our surprise walking in on...
00:39:59This.
00:39:59She isn't just...
00:40:01You have no right to barge in.
00:40:03On my property.
00:40:07I care about her.
00:40:09I'm not ashamed of that.
00:40:10That's enough!
00:40:14Why do you care?
00:40:15We're protecting our son's future.
00:40:18And our name.
00:40:19You think this protects me?
00:40:21We think...
00:40:22She does not belong in your world.
00:40:28Then maybe I don't either.
00:40:31You're ready to give up everything?
00:40:33For a girl you barely know?
00:40:38Yes.
00:40:40Then...
00:40:40Are you sure...
00:40:42She's ready?
00:40:48I'm asking you...
00:40:50Do you think she's ready?
00:40:52To lose everything, regardless of how little that is...
00:40:55Just to be with you?
00:40:56What are you talking about?
00:40:58You left us no choice, son.
00:41:00You shouldn't disobey your father.
00:41:04Pelton.
00:41:05It's Frederick Kenwood.
00:41:07Ah, Mr. Kenwood.
00:41:09How can I help?
00:41:10If a scholarship student were to violate our behaviour...
00:41:13In a public setting, with photographic evidence...
00:41:17Would that warrant a review?
00:41:20Yes, sir.
00:41:24So...
00:41:25Answer me again.
00:41:27Do you think she's ready to lose everything...
00:41:29Just to be with you?
00:41:41Charles!
00:41:42What happened?
00:41:43Did your parents say something?
00:41:44Are they mad?
00:41:44Is everything okay?
00:41:46Pack your things.
00:41:49You can't stay here anymore.
00:41:51What?
00:41:53My parents fired your mother.
00:41:55She's leaving.
00:41:57So are you.
00:41:57Wait, what?
00:41:58Why?
00:41:59Is it because of us?
00:42:00We can fix this.
00:42:01I'll get a job, anything...
00:42:02Stop, stop it.
00:42:03You don't get it.
00:42:05If I don't walk away from this, they'll cut me off.
00:42:08Okay?
00:42:09No card.
00:42:10No trust.
00:42:11No support.
00:42:13Nothing.
00:42:14Then...
00:42:15Then we'll figure it out.
00:42:16We don't need all that.
00:42:18We can...
00:42:19Do you really think I'm going to live like that?
00:42:24What?
00:42:24So that's what this was.
00:42:26Just...
00:42:27Fun until it got inconvenient.
00:42:30What did they promise you?
00:42:34Nothing.
00:42:38They just reminded me of what's real.
00:42:44Charles, I'm not stupid.
00:42:46You don't just turn into a cold stranger because of one conversation.
00:42:49What did they threaten you with?
00:42:56What did they threaten you with?
00:42:58This is the difference between me and you.
00:43:00What?
00:43:01You think you know me.
00:43:03Or what I have.
00:43:04You don't, Alice.
00:43:07You're still lying.
00:43:08I'm not, Alice.
00:43:10Look around you.
00:43:11This mansion you thought was a museum.
00:43:14It's my house.
00:43:16My world.
00:43:18I was bored into this.
00:43:20I am not choosing between this.
00:43:24And something I picked up for a moment of fun.
00:43:30Don't do this, Charles.
00:43:32You don't mean it.
00:43:33It was fine.
00:43:34But you?
00:43:37You don't compare to what I own.
00:43:40I'll survive the loss.
00:43:44Right.
00:43:47I should have known.
00:43:50Guys like you don't end up with girls like me.
00:43:55You play with them, then you throw them away.
00:43:59Go to sleep, Alice.
00:44:11This fall is a little more than I expected.
00:44:18In so deep I can barely see myself.
00:44:42OOPS
00:47:40Can...
00:47:40Can I meet them?
00:47:44I want to.
00:47:45Please.
00:47:47Or at least tell me a name.
00:47:52Sorry, they wish to stay in office.
00:47:53So they're only interested in work, not the person.
00:47:55I'd really like to meet them.
00:47:57I'm sorry, Miss Geekton.
00:47:58They were very good.
00:47:59I think the most generous offer we've ever given a disability rights to.
00:48:03I see.
00:48:04Congratulations again.
00:48:09Have you got the interview?
00:48:11It's just an interview.
00:48:11I haven't gotten it yet.
00:48:13Still, Alice Kean at Oxford.
00:48:15That's iconic.
00:48:25You okay?
00:48:27Yeah.
00:48:28I'm so excited!
00:48:42It's done, Mr. Kenwood.
00:48:44Miss Keaton signed the contract.
00:48:47Good.
00:48:48It's a generous deal.
00:48:49You sure you don't want her to know?
00:48:52No.
00:48:54No.
00:48:54It's better if I stay out of her life.
00:48:57I will be there for you, babe.
00:49:01I'll be there in your darkest days.
00:49:06Congratulations, Alice Keaton.
00:49:08Go live the life for you, babe.
00:49:09You were always meant to.
00:49:15Your engagement and announcement should align perfectly with the Foundation Gala.
00:49:20And the Browns already offered to host the London Reception.
00:49:25It's all coming together beautifully.
00:49:31I've lost my appetite.
00:49:35I'll go check on him.
00:49:42What's your problem, Charles?
00:49:48Disengagement is not happening.
00:49:50It's not up to you.
00:49:51You know that.
00:49:52Serena, we're not doing this.
00:49:55You've changed.
00:49:59Or maybe I finally just stopped pretending.
00:50:30You're the sponsor.
00:50:32You've been funding Alice Keaton this whole time.
00:50:37So?
00:50:38You lied to everyone, including her.
00:50:41I protected her.
00:50:45You loved her.
00:50:47Still do.
00:50:49Let it go, Serena.
00:50:52There's no point.
00:51:02I need a favour.
00:51:04Find out when the Oxford interview is.
00:51:07And make sure Alice Keaton won't show up.
00:51:14Anything with Lyra?
00:51:16She's not answering.
00:51:18The interview is almost over.
00:51:20Well, she won't just not show up.
00:51:22Something's wrong.
00:51:24Where's Alice?
00:51:26When was the last time you heard from her?
00:51:28Last night.
00:51:29She said she was prepping all evening.
00:51:34James.
00:51:35Track someone for me.
00:51:38Wait.
00:51:39Where are you going?
00:51:47Chill.
00:51:47Okay.
00:51:48We won't hurt you.
00:51:50Yeah.
00:51:51We're just supposed to keep you away from the interview.
00:51:53That's it.
00:52:01Shit!
00:52:02Come back!
00:52:31I remember how it meant.
00:52:35Didn't need a second guess.
00:52:40Hey, hey, hey, Alice.
00:52:42Alice?
00:52:43Alice, stay with me.
00:52:45Stay with me.
00:52:45Stay with me, Alice.
00:52:53You're awake?
00:52:55Where...
00:52:56Where am I?
00:52:57A local clinic.
00:52:58Passer-by brought you in.
00:53:01Passer-by.
00:53:02He found you on the side of the road.
00:53:04He had to leave.
00:53:05He didn't leave a name.
00:53:08Oh.
00:53:10The interview!
00:53:11What time is it?
00:53:12Easy.
00:53:13It's okay.
00:53:14Someone already contacted the university.
00:53:16Anne sent in your writing samples.
00:53:18They've rescheduled your interview for tomorrow.
00:53:20Wait, what? Who?
00:53:22No idea.
00:53:22But it's all taken care of.
00:53:26What did you say?
00:53:28Nothing.
00:53:30I just...
00:53:31had a dream.
00:53:40Yeah.
00:53:43Did you...
00:53:44I got in!
00:53:45Ah!
00:53:48Oh, I knew it!
00:53:50Too bad Charles isn't here to watch you crush it.
00:53:53He's not here.
00:53:55Oh, you...
00:53:56didn't know?
00:53:58Know what?
00:53:59He left.
00:54:00A few days ago, yeah.
00:54:02Everyone doesn't really know where he went.
00:54:04Honestly, Astra's been quieter without him.
00:54:07It's probably for the best.
00:54:08Come on.
00:54:14Alice?
00:54:18The summer I met Charles Kenward was loud.
00:54:22Chaotic.
00:54:24Unexpected.
00:54:27And with his absence...
00:54:29Come on!
00:54:30It ended quietly.
00:54:34Like summers always do.
00:54:49And joining us today, the decade's most unexpected literary phenomenon, Alice Keaton.
00:54:55Thank you for having me.
00:54:56Now, your words moved millions.
00:54:59They say your stories feel real, especially the ones about love.
00:55:04Thank you.
00:55:05Which brings us to the most obvious question.
00:55:08How's your dating life like these days?
00:55:10No comment.
00:55:11A little bird told me that the past four years has been just writing and working, not even a single
00:55:17date.
00:55:18Let me guess, a bird named Sherry.
00:55:19She caught me!
00:55:20Still no comment.
00:55:21Alright, alright.
00:55:23No matter what you say, you write love like someone who's lived it.
00:55:28If you're so real.
00:55:30Because once, I did.
00:55:31That's why today we're here sharing the story behind Alice Keaton's love.
00:55:36And no one ever quite matched the light after that.
00:55:38And let's give it up for Alice Keaton one more time.
00:55:52Congratulations, Alice. The numbers just came in. You broke your own record.
00:55:58That's... incredible.
00:56:00We're thinking celebration? Press? Photos? Maybe tonight?
00:56:04Actually, there's something I'd rather do.
00:56:08I'd like to meet with the person who believed in me first.
00:56:12My sponsor.
00:56:14You sure?
00:56:15Yeah.
00:56:16Just once.
00:56:17Tonight, 7pm.
00:56:29Good evening.
00:56:34Good evening.
00:56:38May I sit?
00:56:48Hi.
00:56:49Hi.
00:56:52You look well.
00:56:56And you look like you just stepped out of a GQ cover.
00:56:59You always did.
00:57:01You were expecting someone else.
00:57:04I was.
00:57:06hoping.
00:57:08But I guess I always knew.
00:57:10I didn't come here to confuse you.
00:57:13Or to reopen anything.
00:57:16I just wanted to say congratulations.
00:57:20Oh.
00:57:21Thank you.
00:57:24Didn't know you're still reading.
00:57:26You were rich enough not to do so.
00:57:29Always.
00:57:31Either way.
00:57:32Your sponsorship started my career.
00:57:35So.
00:57:35No.
00:57:36No.
00:57:37You've earned everything.
00:57:41Every word.
00:57:43Every page.
00:57:45Every reader.
00:57:47That's what I came to say.
00:57:53It was good to see you again.
00:57:54I hope.
00:57:55Charles.
00:57:57Can you just.
00:58:00Wait a little longer.
00:58:07I think I knew it was you.
00:58:10There was one email.
00:58:13You said something.
00:58:15It felt familiar.
00:58:16Really?
00:58:17Kinda had that.
00:58:18Rich asshole with a conscious energy.
00:58:21Very on brand.
00:58:23I should have anonymized my grammar.
00:58:25Too late.
00:58:25Your semicolon usage gave you away.
00:58:28Still the only girl I know who flirts through punctuation.
00:58:31Still the only guy I know who uses wilds unironically.
00:58:37You've changed.
00:58:39But.
00:58:41Not really.
00:58:43You haven't changed.
00:58:46But.
00:58:47Maybe you've grown into who you really were.
00:58:51Anyway.
00:58:52I wanted to say.
00:58:54Thank you.
00:58:56And.
00:58:58Thanks for being here tonight.
00:59:00You didn't have to come.
00:59:02Don't tell me what I have to do.
00:59:07You didn't have to come.
00:59:09Don't tell me what I have to do.
00:59:13You didn't have to come.
00:59:19You didn't have to come.
00:59:26Don't tell me what I have to do.
00:59:31If you could go back, if you had the chance to do it all again, would you do anything differently?
00:59:42No.
00:59:47No.
00:59:52I see.
00:59:56I know my answer now.
00:59:57I didn't have the power back then.
01:00:00Not enough to protect you.
01:00:02I couldn't watch you get crushed because of me.
01:00:05Because of my name, my family.
01:00:10I didn't want to be the reason you lost everything.
01:00:13So you just disappeared, without a word.
01:00:18If you had the chance to see the world, without me weighing you down.
01:00:23If you still chose me after that.
01:00:29You keep saying you wanted to give me a choice.
01:00:32But you made a choice for me.
01:00:36Did it ever cross your mind that maybe...
01:00:41I would have chosen you anyway?
01:00:48I didn't think I was the smart choice.
01:00:50You weren't.
01:00:53But I never claimed to be that smart.
01:01:04This is me.
01:01:06Right.
01:01:14I'm still mad at you, you know.
01:01:18I'm still in love with you, you know.
01:01:28Do you want to come in for a bit?
01:01:32You're asking your ex, who you haven't seen in four years,
01:01:37to come into your hotel at approximately 11pm.
01:01:41You were right.
01:01:43You never were that smart.
01:01:45You don't have to come.
01:01:47Don't tell me what I have to do.
01:02:03Stop quoting yourself.
01:02:04I recycle.
01:02:05It saves energy.
01:02:08This feels wildly irresponsible.
01:02:10You sound like a disclaimer.
01:02:12You're the one who once called romance a distraction.
01:02:14I said that?
01:02:15Yeah.
01:02:16Before calling Wuthering Heights overrated.
01:02:18Still is.
01:02:20You're lucky you're a good kisser.
01:02:25That is cute to me.
01:02:27Don't you dare quote poetry.
01:02:29I wasn't going to.
01:02:30I forgot all of it the day you left.
01:02:33Then shut up.
01:02:35And prove it.
01:02:41I still can't believe this is happening.
01:02:43I told you that you're the worst enemies or secretly married.
01:02:47And I told you they're both.
01:02:52It's more than a night to night.
01:03:15I vow to always tell you the truth.
01:03:18Except for when you ask how you're cooking was.
01:03:21Then I lie.
01:03:23Respectfully.
01:03:25I vow to keep choosing you.
01:03:28Loudly.
01:03:30Quietly.
01:03:31Always.
01:03:33Even when you forget to do the laundry.
01:03:37Is he actually good at this?
01:03:39I mean, he did beat her at sarcasm.
01:03:45I vow to argue with you at least twice a week.
01:03:47Especially over Shakespeare.
01:03:50I vow to write you into every story.
01:03:53Even when I say I didn't.
01:03:55You will always be part of my life.
01:03:58If she quotes Austen in this toast, I'm out.
01:04:01No you're not.
01:04:01You're going to cry harder.
01:04:25I can't believe you picked Paris.
01:04:27It's such a cliche honeymoon destination.
01:04:31Guard your phone.
01:04:33Relax.
01:04:34Just don't dress like a walking inheritance and you'll be fine.
01:04:39You are not wearing that on our honeymoon.
01:04:43Please, Alice, go change.
01:04:45Don't tell me what I have to do.
01:04:51No.
01:04:52No, no, no, no.
01:04:53That is not an invitation to...
01:04:55Do not take off these clothes.
01:04:56I'm overroared.
01:04:57You look much better without them.
01:05:05To the ones who loved in silence, in chaos, in chapters, you will find your way home.
01:05:15Sometimes I want to be on my own.
01:05:19But I don't want to die alone.
01:05:21I need it.
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