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Watch Love Story Season 1 Episode 2 online in HD on Dailymotion (2026).
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00:27Good morning.
00:37How good was going on, I told you.
00:41Morning, guys.
00:58Well, can you call her Moscow rep?
00:59She can't close the show for us from Russia.
01:01Hi, I'm her assistant.
01:03She doesn't want the flowers.
01:04Will you take them back?
01:05No, she told me at the casting there were no problems with her visa.
01:27Never gonna get it.
01:29Never get it.
01:30Ooh, bop, bop, bop, bop.
01:42Why does she dress like a pilgrim?
01:45It's an officer's uniform from the Continental Army.
01:47You know what I mean.
01:49Colonial times.
01:50It's an homage to the birth of our democracy, but it's chic.
01:54Uh, we would obviously be featuring A-list celebrities.
01:58And, uh, think of the access.
02:00I mean, John's just about the only person on the planet who could pick up the phone and call anyone
02:04from, uh, Saddam Hussein to Heather Locklear.
02:08I don't know about that.
02:09Uh, maybe even, uh, Daryl Hannah? Huh? Yeah? She looked pretty good as a mermaid.
02:14Maybe we could put her in a sexy Salem witch outfit.
02:19That'd make some ad dollars.
02:21So you can see it then, right?
02:23All the fun and innovative ways that we could market this.
02:26I mean, the options in Rolodex are endless.
02:30Look.
02:32It's one thing for people to be sitting at home, watching the news, reading the paper.
02:36But I just don't see a world in which they're going out of their way to buy a magazine about
02:40politics.
02:42But that's because politics has always been presented the same way, which is just a bunch of old guys falling
02:47asleep on C-SPAN.
02:49I mean, I genuinely believe that with the right marketing, we can get people as engaged with politics as they
02:55are.
02:55The real selling point.
02:58If you did this magazine like Martha Stewart Living, you put yourself on every cover, that's a different story.
03:04And some free advice from people actually in the business?
03:08Your brand's only as strong as its name.
03:10Calling the magazine George after George Washington makes it feel like homework.
03:17I'm going to do another Malbec.
03:19Oh, there she is.
03:21My wife lives in the neighborhood.
03:22I told her to pop five.
03:23Hope that's all right.
03:25In the neighborhood.
03:27They live in Rye.
03:29You know, it was just so obvious that these guys had already made up their minds before they even stepped
03:33foot in the restaurant.
03:34It's like, why waste everybody's time?
03:36Because they want to be seen having lunch with you.
03:38You could have pitched them a magazine about hot dogs and they would have taken the meeting.
03:43And a part of you has to be okay with that because, no offense, this magazine does not come to
03:48fruition without your celebrity.
03:51Oh, really? I haven't heard.
03:52Look, I get it.
03:55You want to be taken seriously.
03:56You want to make your mark for you.
03:59Before what?
04:02I hadn't thought that far ahead.
04:03That's all you think about.
04:05That's why you never know where anything is.
04:07Just the hand cream or the soap.
04:08You know, I just want to create something of my own.
04:11From the ground up.
04:12I just think that if anyone can bridge the divide between politics and pop culture, it's me.
04:18Speaking of things coming together...
04:22You're not proposing, are you?
04:24What? To Daryl?
04:27I forgot I have to be more specific when it comes to your love life.
04:30Daryl was seen buying a wedding dress in a thrift shop in Santa Monica.
04:35I just thought it seemed weirdly specific.
04:41You know, you're supposed to be a refuge from all this noise and bullshit.
04:44Oh, my God.
04:45I'm sorry.
04:46I didn't know that was my role.
04:47Fuck off.
04:47No, no, no, please.
04:48Let me try again.
04:49Mr. Kennedy?
04:49I have your sister on the phone from Cornell Hospital.
04:59Calvin has to push the meeting with creative to two.
05:02Apparently, there's some kind of emergency.
05:09Do you think you should be reading tablets while you're at work?
05:11It's people.
05:13Honey, I know you don't care, but my astrologer did see John and Daryl fighting at a Halloween store in
05:18the village.
05:19Like, screaming at each other.
05:21And she also said they're both Sagittarius's, which is like, Jesus, take the wheel.
05:25Yeah, well, I'm a Capricorn, so we probably wouldn't have fared much better.
05:28Also, maybe it's people like your astrologer peddling gossip about them that's a problem.
05:33Maybe if people left them alone, they'd thrive.
05:36You know, I know you're trying to take the high road, but I don't want to.
05:40Is that the press packet?
05:42Yeah.
05:43I love having to compile favorable press clippings from each beak in order to justify the entirety of the publicity
05:49department.
05:49I know he increased your clothing allowance when he got that promotion.
05:52I do not feel bad for you.
05:54Black paper clips.
05:55I couldn't find any.
05:57There's a Staples on 57th and 3rd.
06:00Serious?
06:00He's fired people for a whole lot less, and I would rather not lose you as an assistant.
06:05Okay, let's scrap this.
06:07He hates full body shots.
06:08He thinks he has chicken legs, and let's ditch the New York Magazine piece.
06:11He doesn't like being compared to Ralph.
06:13Lauren?
06:14No, Machio.
06:17A karate kid?
06:20You know what my dad told your father before we got married?
06:23Hmm.
06:24Keep a riding, and she'll always be in a good mood.
06:27See, I wish we would have known that.
06:29We would have installed a riding ring in your apartment.
06:32Still, I recommend you stay on two feet for a while.
06:35You said you had a headache before you were thrown from the horse.
06:37Were you experiencing any other symptoms?
06:39No, I was just tired.
06:41I didn't have much of an appetite, so I didn't eat breakfast, which is probably where all of this started
06:46in the first place.
06:47And as far as lifestyle?
06:49I'm as healthy as can be.
06:51I don't eat sweets.
06:52I exercise every day.
06:54Sometimes twice a day.
06:56Mom.
06:56She smokes.
06:57This is just retribution for making her meet with a nutritionist during recess.
07:02Yes, thank you again for neutralizing my sweet tooth at such a young and impressionable age.
07:06We'll need to keep you overnight as a precaution.
07:09Monitor your vitals.
07:10No, thank you.
07:11I will not sleep a wink in this place, and what I need is a good night's rest.
07:16If you do insist on leaving, you'll need to sign discharge papers stating that you left against the medical...
07:22I've spent my fair share of time in hospitals.
07:25I know how it works.
07:27Of course.
07:28I'll be back to check on you in a bit.
07:30Thank you, Dr. Moore.
07:39Why don't you and Maurice head to the cafeteria, I'd love a cup of tea?
07:43You think that'll be enough time for him to relay all your reservations about the magazine?
07:50Why don't you and I go get some tea?
07:51Enlist the fireworks.
07:55Please try to maintain inside voices.
08:04Well, I'm just trying to understand why you'd want to join the ranks of an industry that's profited off our
08:10family's misfortune for years. Generations, actually.
08:14Well, why is it any different from you working at Doubleday or Caroline writing books?
08:18Those are genuine interests of ours that we've cultivated over years. And this idea of seemingly out of nowhere. And
08:26you finally passed the bar exam. I mean, I just think you should...
08:30You should be a journalist. I mean, before Grandpa roped him into politics.
08:34Is that what all this is about? Wanting to feel closer to your dad come here?
08:41No. I'm just saying that, like, my interest isn't entirely out of nowhere. If Caroline wanted to start a magazine,
08:50no one would bat an eye at it. I'm just... I can't stand by waiting for...
08:57Now, will you please break me out of this place?
09:02The brawl culminated in blows being exchanged. Marky Mark was said to have punched Maverick record-labeled talent scout Guy
09:11Osiri. The fight spilled off onto the streets, but was eventually broken up by party orders.
09:16Who picks a fight with Madonna?
09:18Well, he also allegedly called a member of her entourage a homophobic slur.
09:24Well, wait a sec. He only called the guy a homo. I'm just saying, I think we all assumed he
09:31meant faggot.
09:33Yeah, he's practically Harvey Milk.
09:34Alright, settle down. You know what I meant. He's a loudmouth rapper from Boston. People don't give a shit if
09:40he's politically correct or not.
09:41And therefore neither should we? That's a hell of a mission statement.
09:45The campaign is a cultural phenomenon, and we're just getting out of the red.
09:50I don't think we can afford to kick him out of bed over a drunken indiscretion.
09:54Careful there, Todd. You're sounding a little guy.
09:56It might not be our call. According to his team, Mark feels the underwear campaign has overshadowed his burgeoning rap
10:05career.
10:06I didn't realize Marky Mark and the funky bunch were plotting global domination.
10:11They also said that he doesn't like all the attention that the campaign has brought him from gay men.
10:20Are you kidding me? I mean, he did everything short of dry humping the runway at the L.A. show.
10:25What, did he think all those men in the crowd were just huge fans of shitty hip-hop?
10:28Well, the partnership has clearly become untenable, so we need to replace him quickly and seamlessly.
10:36And let's also issue a statement condemning his bullshit.
10:41Will you be issuing that statement personally, or...?
10:47No.
10:51So, who do we like to replace him?
10:54We have Brad Pitt, Jason Priestley, Keanu Reeves...
10:59No, no, no, no, no, no, no, no.
11:02Well, I don't want to get involved with another established celebrity.
11:05I want someone who our customers can bestow their fantasies onto.
11:10I want a fresh face that will instantly ingrain itself into the public consciousness.
11:17You pluck Kate Moss from obscurity.
11:21If anyone can mint a star...
11:24It's you.
11:28You catch that little dig?
11:30Ugh, he knows full well that I'm known that fought for Kate Peely compared to a teenage boy.
11:34I know, but you can't let him rattle you.
11:37In fact, I think it probably turns him off.
11:39Telling me to settle down? Go fuck yourself.
11:41Can you imagine if Kate called someone a faggot and assaulted them? She'd be crucified.
11:44That, or young girls everywhere would be committing hate crimes.
11:48Anyway, I'll see you tonight?
11:50Yes, I'll be peddling your book like my life depends on it.
11:55I'm gonna have to go smuggle a model out of Moscow.
11:56Ah, you're doing God's work.
11:59Amen.
12:04Welcome to Heart of the City. I'm John Kennedy.
12:07Clean air, less traffic, adequate housing.
12:10Those are some of the things that New Yorkers only dream about.
12:13But some New Yorkers...
12:14Get the fuck out of the way, asshole!
12:18Cut!
12:19Let's take five, everybody.
12:21Get out of the street!
12:25Sorry about that, John.
12:27Sure you don't want to use that?
12:28We are highlighting the wonders of the city.
12:30You're doing great, by the way.
12:31Really?
12:32I feel like I'm in my head.
12:33I don't know.
12:34I will tell you.
12:35Okay.
12:36Okay, guys.
12:37On to the next...
12:38Hey, superstar!
12:41What are you doing here?
12:43The table read got postponed, so I thought I could see you in action.
12:46Well, I don't know how entertained you're gonna be.
12:49Oh, I love that I get to be the one behind the camera for once.
12:54Excuse me.
12:56Can I get you anything, Miss Hannah?
12:57Uh, coffee or tea?
13:00I'd love some candy, actually.
13:01Anything sour.
13:02Huge fan.
13:06Yeah.
13:06This is the whole crew?
13:09Yeah, we're just shooting a thing for PBS.
13:10I love it.
13:11It reminds me of my early days, doing guerrilla shoots.
13:14No permit.
13:15The sound guy's also doing the lighting.
13:17It's what real filmmaking should feel like.
13:19Community.
13:23What are you writing?
13:25I am just tinkering with the script.
13:27Can I hear it?
13:28Well, it's not like a monologue or anything.
13:30I'm just, uh, talking about the city.
13:32I know, but you're still on camera delivering lines.
13:35You still have to emote.
13:37I'm fine.
13:42You mad at me or something?
13:44No.
13:44No.
13:45I'm just trying to focus.
13:47I just thought you might want my input since I'm an actual actor.
13:50What the fuck?
13:54Did they follow you here?
13:56No.
13:57Maybe it was the giant film crew that tipped them off.
13:59You just said how small it was.
14:01All right.
14:02I'm gonna go.
14:04Listen, I'm sorry, all right?
14:05Yeah.
14:06I'm just trying to focus and do a good job.
14:08You're incapable of doing a bad one.
14:11I'm here.
14:12See you back at home?
14:13Yeah.
14:14I have an event tonight.
14:15It's a work thing.
14:16Tear your hair out.
14:17I'll see you after.
14:18Okay.
14:19Maybe, um, just give them a couple good shots on your way out.
14:22See if they'll fuck off.
14:23Okay.
14:23Bye.
14:25Daryl, this way.
14:26This way, please.
14:27Bye.
14:28Daryl, thank you.
14:32Daryl, thank you.
14:34Daryl.
14:53Daryl.
15:04Oh my God.
15:18You look so gorgeous.
15:20Nice.
15:21Oh my God.
15:41Okay.
15:47Is that for me?
15:53You know, I was hoping you wouldn't notice me
15:57It's hard not to
16:03This feels like one of those nightmares when you show up to school and realize you're naked
16:07Except you're getting paid
16:08Because unlike everybody else, people actually want to see you naked
16:11You should all be so lucky
16:15Why didn't you tell me you were working this?
16:19They don't really tell us what the events are
16:21They just give us a time and an address and a pair of underwear
16:25Plus I try not to make it a habit to call someone after I've left them like 50 voicemails
16:29No, I'm sorry
16:29I'm, work's been crazy
16:32No, you know what, it's fine
16:35You should get back to the party
16:37Hey, I'm working too
16:38Really?
16:39Then why don't you take off all of your clothes and grab a tray?
16:43For what it's worth, I think there's about five men in this city that can pull off that uniform
16:54I'll see you later, yeah?
16:55Have you seen the book?
16:57She did this all by herself
16:59I have nothing to do with it
17:01Thanks for having me here
17:02I'm loving to show you
17:06She did it all by herself
17:10I have nothing to do with it
17:14Relax, John, she's here
17:27Hi
17:28Hey
17:31How are you?
17:32Good
17:33It's nice to see you
17:34Yeah, you too
17:37I didn't realize Kelly was a photographer as well
17:41Yeah, you know, I don't think she actually took any of the photos
17:44I think she more, um, curated them
17:49Sorry, I wanted to come over earlier
17:50No, it's fine, I'm sure you have a lot of hands to shake
17:56You really know how to make an entrance, by the way
17:58Although I'm not gonna lie, I was sort of hoping it was Prince
18:01Oh, is Prince supposed to show tonight?
18:03Do you think Prince are OSVPs?
18:05That's a good point
18:12Did you get my flowers?
18:14Which ones?
18:15Well, you wouldn't call me back
18:17There wasn't much to say, it was one date
18:19I know, I just, um, I feel terrible about how everything transpired
18:23It's fine, multiple bouquets of flowers to my office
18:26It was really not necessary
18:29Did you like him at least?
18:32Calvin only allows white orchids in the office
18:34And my apartment's basically death row for vegetation
18:40I just, um, I can't seem to function knowing that you hate me
18:45I don't know you well enough to hate you
18:47Daryl and I were not together when you and I met
18:49You really, you don't have to do this, seriously
18:50It's not like you bamboozled me
18:52I knew what I was signing up for
18:53Well, what does that mean?
18:54It means there's your world
18:57And then there's mine
18:59That I inhabit with everyone else
19:00Look, I'm gonna
19:02It was nice to see you
19:04Enjoy the party
19:06Wait a second
19:29Carolyn
19:31Carolyn
19:32John, you have a girlfriend
19:34Hey, and I don't have to turn on the TV or open up a newspaper to know that you two
19:38are everywhere
19:38It's like we're all living in the John and Daryl fun house
19:41Look, she came back into my life in this very weird time
19:44And we have a lot of history together
19:46No, you don't
19:48You don't have to defend your relationship to me
19:50I get it
19:50There's obviously a reason you two keep finding your way back to each other
19:54Plus, she understands this weird fishbowl that you live in
19:59If I were you, I wouldn't want to throw that away either
20:01So let's just be friends
20:03Whatever stress or guilt you're feeling, you're absolved
20:07I promise
20:10I just wish I could explain to you how even the simplest things can become so complicated for me
20:17How badly I wish I was someone else when I met you
20:24It is what it is
20:29I'll see you now
20:56May I?
20:58Just ask me for a cigarette
21:00Oh, absolutely not
21:02It's disgusting
21:04You scared your husband's gonna catch you?
21:08Please, look at him
21:12I swear to God, they need a program for the partners of recovering addicts
21:16On how to cope with their newfound sanctimony
21:19The other day, he lectured me on the pitfalls of a Diet Coke
21:23I saw you talking to John earlier
21:25How was that?
21:27It was fine
21:28What, do I need to hand you out the window?
21:30Give me some details
21:32We're just gonna be friends
21:34Which we should have done from the beginning
21:35You don't want to be his friend
21:38Either way, that ship has sailed
21:40I don't blame him
21:41He's dating a beautiful movie star
21:43What's not to love?
21:45Well, look
21:46I love John
21:49But there's a lot of trade-offs being with someone like that
21:52I mean, there's a rush
21:53Walking into a room with someone everyone wants to talk to
21:56Feeling like
21:57Of all the people they could have on their arm
22:00They chose me
22:01I must be fascinating too
22:02But at the end of the day
22:04They may never really choose you
22:07You know
22:09Not in the way that you wish they would
22:11Shiny people like that
22:14They belong to everyone
22:17All I'm saying is
22:18It's better to be adored
22:23Than enamored
22:26I was growing up as you can imagine
22:29And I, um, I, I had some lessons
22:32In the very first lesson
22:37Hey
22:42I'm just grabbing some more rolling papers
22:44Do you need anything?
22:47I'm just grabbing some more rolling papers
22:50I'm just grabbing some more rolling papers
22:53Hey
22:54Hey brother
22:54How's it going?
22:56I think something's up with your stove
22:58I'm just getting like a ton of gas
23:02Come on, next
23:05Maybe turn off the stove first?
23:07Right
23:07Good looking out
23:08I'm fucking sucked the blow up
23:17Oh
23:20Hey
23:21You're here
23:22I think you know everyone
23:23Um
23:24Oh wait
23:25This is my friend Chandra
23:26From the retreat I did in Peru
23:27She's the one who knows your cousin Bobby
23:29How do you know him again?
23:31Uh
23:31I guess technically Riverkeeper
23:32Would you guys mind not?
23:35Oh
23:36Sorry
23:49Well, it's like a family thing
23:51The event tonight
23:52I think you're doing the event tonight
23:53No
23:54Why?
23:55I just didn't know if maybe your mom and sister were there
23:57And that's why you didn't invite me
23:58You have to stop with this narrative that you're like persona non grata, okay?
24:03It's not true
24:06Babe, you have Kennedy memorabilia everywhere
24:08It's not memorabilia, Daryl
24:10These are not baseball cards
24:12They're family heirlooms
24:17Well, can you hang out for a little?
24:18You've been out all night
24:19Exactly
24:21I'm exhausted
24:21From your work event
24:22You don't even have a job right now
24:29You know, maybe give me a heads up
24:31The next time you want to have people over at my place
24:32Your place?
24:34I live here too, John
24:35Do you ever notice how quickly it becomes your place
24:37Anytime anything remotely inconvenient happens?
24:39Remotely inconvenient?
24:40I don't even know who half these people are
24:42Yeah, because you don't even make an effort to get to know them
24:44Oh, I'm sorry
24:45Why don't we get Chandra over here
24:46And we can blow some lines off my dad's inaugural address
24:54I'm gonna crash
24:56It was nice to see all of you
25:01Hi
25:01Should we go?
25:03No, no, stay
25:04Are you sure?
25:05Yeah, he's just tired, you know
25:07No, stay
25:13That was so rude
25:15You're right
25:15Please, apologize to the coke den in my living room for my behavior
25:18I'm not sleeping here tonight if you're just gonna act like a fucking asshole
25:21Well, apparently I won't be sleeping here tonight either
25:23So please, let me know where you're gonna go
25:26Why did you want to get back together again if you're just gonna act like this?
25:30You came back to me
25:31On the condition of a clean slate which you agreed to
25:36And yet every time I look at you, your mind is clearly someplace else
25:41All I want is for you to need me as much as I need you
25:45I don't even know what that means
25:49That's because you're repressed, John
25:50Like, I say this with love, but between your lineage and your heritage
25:54You're like the poster child for emotional avoidance
25:58Between my lineage and my heritage?
26:00Yes
26:00Oh my god, this
26:02This, what we're doing in front of your friends right now
26:04Is exactly how we end up on the cover of People magazine every week
26:07Who cares?
26:08I'm trying to talk to you about real life
26:10Our relationship becoming a global punchline is real life, Daryl
26:13And if you can't see that, then I don't really know what to tell you
26:16Oh my god, I don't even know what to tell you about
26:32Cross over
26:41Enter
26:42Crest over
26:43Enter
26:53Hey.
26:55They let you keep that uniform.
26:58Ow.
27:00That didn't hurt.
27:02Didn't you play football in high school?
27:05So?
27:08So you're supposed to be tough.
27:16Why do you always like to do that?
27:18What, pinch you?
27:19Mm-hmm.
27:20I don't know.
27:20Do I do that often?
27:21Uh, yeah.
27:22I guess I didn't really notice.
27:25No, that's not, that's not true.
27:27I, um, when I was little, I was playing hide and go seek with my sister and her friends,
27:36and I was hiding in this little compartment in my stepdad's entertainment unit, you know,
27:42by the TV, and all of a sudden I started having all these really dark thoughts that something
27:49bad had happened to them.
27:53And I got scared, so I, I climbed out, and they were all just sitting there making friendship
28:00bracelets.
28:01Like, they all just, they all just stopped looking for me, and no one said anything, and
28:07I just, I lost it.
28:11And I started hyperventilating, and my mom was trying to calm me down, and she just kept
28:16telling me to pinch her arm.
28:18I think she wanted to have me focus on something else.
28:22Eventually I stopped crying.
28:28Well, if that was me, I would have never stopped looking for you.
28:40I'm gonna get a water.
28:42I can get it for you.
28:43No, no.
28:44It's fine, thank you.
29:04You okay?
29:06Yeah.
29:25John, tell me what it was about Governor Florio and his record that seemed to result
29:29in his winning the award this year.
29:31Well, for this year, the award was given on the basis of the governor's stand on gun.
29:37Yep.
29:44What?
29:47What if we did a little shopping?
29:52So, uh, are we allowed to be in here on the weekends?
29:58No, I'm serious.
29:59What happens if somebody walks through that door, then what are we gonna do?
30:02Uh, we split up and run like hell.
30:07What shoe size are you eating?
30:11Thirteen?
30:13Yeah.
30:15Why are you doing this for me?
30:18Hm?
30:18Because you're a good person.
30:20And you deserve more than you think you do.
30:22Hm.
30:27Plus, you gotta dress for the part you want, not the part you have.
30:30Right?
30:32I still know a few of their moves.
30:37Oh, Jesus.
30:40Don't act like you're not impressed.
30:44What's the opposite of an aphrodisiac?
30:46I don't know.
30:47What is it?
30:49Yeah.
30:50Come on.
31:13I, uh, I read in the trades you're gonna be working with Ann-Margaret?
31:18Yeah.
31:20How cool.
31:28Your mother isn't feeling well.
31:31She'll be taking dinner in her room.
31:34But she sends her regrets.
31:45John.
32:02Daryl!
32:06Daryl!
32:10Have you ever asked yourself why your mother doesn't like me?
32:13She does like you.
32:14Why, she might have a tainted perception towards famous blonde actresses and St. Croix to connect the dots.
32:21You're really gonna do this now?
32:22She wants you to choose her.
32:24She wants you to find your Jackie, not-
32:27You barely even know her.
32:28And whose fault is that?
32:34Daryl!
32:37Daryl, come on.
32:53Thank you, Yogi.
33:00Is she gone yet?
33:10What are you doing?
33:11I can't stick around anymore hoping you're to change or start to give a shit.
33:15Give a shit? What do you think I'm doing here?
33:17It's not enough to just show up, John.
33:20You have to actually be with me when we're together.
33:27What is it that you're waiting for?
33:30What is it that I haven't proved to you yet?
33:34No one is gonna love you the way that I love you, John. Okay?
33:38No one is gonna be able to put up with all the cameras.
33:40And the tabloids in your family.
33:44And I mean, say what you will, but there's a reason the public is so invested in us.
33:48It's because they know we have something worth paying attention to.
33:52And you know, we've talked about how I feel like work has been kind of drying up for me.
33:58Or maybe that's just the universe making space for us.
34:02For me to be more to you in this next chapter of your life.
34:08Are you even still in love with me?
34:12Of course I love you.
34:23I'm done.
34:25Because I won't accept your marriage proposal when we're at each other's throats?
34:28This has been five years, John.
34:30If you wanted to marry me, you would have.
34:32If you really believed that, why'd your friends tell the press our engagement was imminent?
34:35What are you talking about?
34:37The convenient details of your wedding dress?
34:40What, did you think he could get through to me via the tabloids?
34:43See, this is where your family is fucked with your head.
34:47Not everything is a ploy, John, or an angle, or some machination of the Kennedy court.
34:59Where are you going?
35:02Back to LA.
35:04I don't want you to leave.
35:05I want to work through this.
35:09We'll be back in a few days.
35:12What, are you just going to leave him?
35:17You need to ask yourself what it is you really want.
35:20Not your family, not what you think people want, what you want.
35:38Can you confirm he's been submitted?
35:40It's the biggest modeling campaign in the world.
35:42Okay, just, um, do me a favor and flag his head driver Calvin.
35:47Wow, really done a 180 on this relationship, huh?
35:51I just think he'd be right for it.
35:52I mean, you said it yourself, he's gorgeous.
35:55Oh, so this is just strictly professional.
35:58Jules!
35:59What are you doing with this guy?
36:07You look very familiar.
36:10Where would I know you from?
36:13Uh...
36:16I'm not sure.
36:26Wow, looks like you have quite a few notes there.
36:28Hi.
36:29Hi.
36:30Oh, some of them are just words of encouragement.
36:34Hmm.
36:34I don't recall getting any of those when you gave me notes on my book.
36:37Oh, that's because praise makes you horribly uncomfortable.
36:45Have you ever thought about writing one?
36:48A memoir?
36:50No.
36:52Absolutely not.
36:53Well, don't you tell the authors you work with it's an opportunity to make sense of the past and reclaim
37:00the narrative?
37:01Some of them, yes, but not everyone's past should be revisited.
37:07Do you ever think about what your life might have looked like if you married somebody else?
37:11I did marry somebody else.
37:13I know.
37:14You still have his last name.
37:16I wasn't talking about Ari.
37:20You know, you never called him that until after he died.
37:24Our entire marriage, you refused to call him anything other than Mr. Onassis.
37:29Well, I already had a father who didn't parade us around the Greek islands like he won us at an
37:33auction.
37:34That was because I think we needed it, whether you or the rest of the world liked it or not.
37:40Do you ever think about what if you had married somebody other than Dad, just lived a normal life?
37:47I think we both know if anyone had offered me anything normal, I would have been bored to death.
37:54Even knowing what you know now about some of the choices he made.
38:04All relationships have their disappointments.
38:08It's just a matter of how you're let down.
38:12What, you don't think your relationship has drawbacks?
38:16No, I don't.
38:18You might, but I didn't need the same things that you did.
38:21You've been nothing but supportive of your relationship.
38:24You acquiesced to my relationship.
38:26What? That was because I wanted to make sure you were marrying for the right reasons.
38:32What possible ulterior motive could I have had marrying Ed?
38:36Well, exactly.
38:38You made a stable choice.
38:41God forbid I choose a man I could actually depend on.
38:45At any rate, your brother, he was more overt at pressing my buttons, but you?
38:52Hmm.
38:54You weren't exactly an apple polisher.
38:57Not everything we do is in reaction to you.
39:00The same way your varied love life wasn't only a reaction to your mother.
39:07At the end of the day, your wounds informed your choices, just as mine did.
39:12And once I realized that Ed was the right one for you, I...
39:17shut my mouth, didn't I?
39:19I think you failed to contextualize who I was raised by.
39:24I mean, you know your grandmother, but you don't know my mother.
39:28Her only dream for me was...
39:32to become the most beautiful accessory to the most coveted man.
39:36And I think...
39:38Well, I think I exceeded those expectations.
39:48But I do realize that I've...
39:52might have gone about it in the wrong way at times.
39:58But I did have your best interests in mind, sweetheart.
40:04I know.
40:08Do you?
40:12I know.
40:12I know, Mom.
40:20I do need notes on my latest draft, by the way.
40:42I know.
40:43Delivery guy didn't want them.
40:47White orchids.
40:53Hi.
40:54Hey.
40:55Are you still good for lunch?
40:56Yeah.
40:57No, I'm starving.
41:01Those can stay at my desk.
41:07Come on, Hank.
41:09Come.
41:10This way.
41:10Can I get your autograph?
41:12Sure.
41:14Thanks, John.
41:16You won't.
41:17Hank!
41:18Hank!
41:19Hank!
41:21Hank!
41:23Hank!
41:23Hank!
41:24Hank!
41:31I'm so sorry.
41:33I...
41:34I understand.
41:36I...
41:39I'm on the next flight out.
41:42Well, I had to...
41:44wait for the ashes.
41:46All right.
41:47Listen, my car's downstairs, okay?
41:50I'll see you soon.
42:12Oh, hello, sweetheart.
42:14It's Mommy.
42:16Well, I just...
42:18was checking in to see...
42:20Well, I haven't...
42:23spoken to you since you left so abruptly the other night.
42:29Anyways...
42:31Call me.
42:33All right?
42:35Very good.
42:37Bye.
42:39It'll take a little time.
42:42Might take a little cry
42:45To come undone
42:48Now we'll try
42:50To stay blind
42:54To the hope and fear outside
42:59Hey, child
43:02Stay wilder than the wind
43:07And blow me into a cloud
43:13Who do you need?
43:16Who do you love?
43:19When you come undone
43:23Who do you need?
43:27Who do you love?
43:30When you come undone
43:37Lost
43:39In a snow-filled sky
43:42Lost
43:43We'll make it alright
43:45To come undone
43:48Now we'll try
43:51To stay blind
43:53To the hope and fear outside
43:59To stay blind
44:00Hey, child
44:02Hey, child
44:03Stay wilder than the wind
44:07And blow me into a cloud
44:10And blow me into a cloud
44:13Who do you need?
44:16Who do you love when you come on down?
44:24Who do you need?
44:27Who do you love when you come on down?
44:38Who do you need?
44:43Who do you love?
44:46Who do you love when you come on down?
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