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The Crown S02E04 [Full Movie] [Full Storyline]Full EP - Full
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00:00:01We are gathered together here in the sight of God and in the face of this congregation
00:00:06to join together this man and this woman in holy matter.
00:00:16Instituted of God in the time of man's innocence, signifying unto us the mystical union that
00:00:23is between Christ and his church. Therefore, it is not by any to be enterprised, nor taken
00:00:29in hand, unadvitedly, lightly or wantonly, to satisfy men's carnal lusts and appetites
00:00:37like brute beasts that understand nothing, but reverently, discreetly, advisedly, soberly,
00:00:46and in the fear of God, duly considering the causes for which matrimony was ordained.
00:00:55And now I've crowned you, my princess, though there's nothing in a name.
00:01:15Others would have sounded pretty tale
00:01:23If you were poorer
00:01:28I could be no sure
00:01:36That you're a princess
00:01:42May I call you princess
00:01:48If you say you love me
00:01:53Thank you very much
00:01:54Very, very fresh
00:01:55Full of vitality
00:01:56Thank you
00:01:57And we're going to do another one when we're ready
00:01:59And...
00:02:00Colleen, chill down a little bit
00:02:02Very much down a little bit
00:02:04Thank you
00:02:04And to me, everyone
00:02:06And...
00:02:06Flesh!
00:02:07Pride and grue
00:02:09Pride and grue
00:02:13Bloody awful things, weddings
00:02:16Dreadfully upsetting
00:02:18Unless it's one's own, of course
00:02:21Mmm
00:02:24Another couple offer to build a castle
00:02:27Lower the portcullis
00:02:28Pull up the drawbridge
00:02:29Well, how do you mean?
00:02:31Well, couples do that, don't they?
00:02:33They turn to each other and all we see is their backs
00:02:38So what am I to do, really?
00:02:43They all wants to take me on, apparently
00:02:48Through daunting a prospect
00:02:51I could keep it again
00:02:54Don't be silly, old friend
00:02:57Yes, but isn't that the first quality one should look for in a husband?
00:03:01In the olden days, people weren't confused
00:03:04People married for sensible reasons
00:03:06Marriage was a consolidation of assets
00:03:09Also of other things
00:03:11Also of other things
00:03:12Friendship
00:03:15Valued
00:03:17Outlooks
00:03:21We breed Derby women's
00:03:23Have an army of children
00:03:25Billy
00:03:27Look, I know the rules
00:03:30I know the rules
00:03:31I know the rules
00:03:31I know the rules
00:03:32Your family all know me
00:03:33And I think are not averse
00:03:36Oh, they adore you, honour
00:03:37And I, you
00:03:41Always have
00:03:45I'm your own faithful, after all
00:03:47And I'm your own faithful
00:03:47You
00:03:56One
00:03:57I know the rules
00:04:00But
00:04:00They are
00:04:00In the days
00:04:02They are
00:04:02In the days
00:04:07But
00:04:15They are
00:04:20¿Qué?
00:04:20Mamma dijo algo interesante el otro día.
00:04:23¿No?
00:04:26Ella dijo que los primeros 10 años de margen son un descanso.
00:04:32Y que hay muchas crisis en 10 años, pero luego trabajas y trabajas.
00:04:40Y es solo entonces que realmente llega a su estrategia.
00:04:44No.
00:04:48¿Puede que es lo que nos ha pasado?
00:04:53Possibly.
00:04:58¿Para qué pensamos?
00:05:00A big anniversary party this year.
00:05:05To celebrate hitting our stride.
00:05:14All right.
00:05:21Yes.
00:05:24All right.
00:05:28So how was it?
00:05:31Oh, it somehow managed to lift the spirits and make one want to kill oneself in equal measure.
00:05:37Took forever to get there.
00:05:39Mummy was a nightmare.
00:05:41Mercifully, they sent a helicopter to bring us back.
00:05:44Oh.
00:05:47And I had this horrible feeling that somewhere, in the middle of it all, I agreed to get married myself.
00:05:58What?
00:06:01To whom?
00:06:03Billy Wallace.
00:06:06Goodness.
00:06:07Congratulations.
00:06:10Oh.
00:06:11Oh.
00:06:15So if I were to accept, it would be a yes from you?
00:06:23Yes, of course.
00:06:25Yes, of course.
00:06:25An emphatic yes.
00:06:27And Philip and I were just discussing having a party for our tenth wedding anniversary.
00:06:33And you and Billy could use the occasion to announce your engagement, if you wanted.
00:06:40That's a nice idea.
00:06:42Well, that's settled then.
00:06:45Thank you.
00:06:46My pleasure.
00:06:48Good night, Margaret.
00:06:51Let's meet.
00:06:51Thank you.
00:07:08Thanks a pleasure.
00:07:09Bye.
00:07:09Come on, everybody.
00:07:10Bye.
00:07:46Gracias por ver el video.
00:08:16Gracias por ver el video.
00:08:26Gracias por ver el video.
00:10:19¿Cómo se va a hacer esto?
00:10:21Creo que el motor se va a dejarme primero,
00:10:23y luego te va a ir a la station.
00:10:25Ojalá que esperar.
00:10:28No creo que eso sería wise.
00:10:32¿Por qué?
00:10:33¿Cómo necesitas con él?
00:10:37Un día.
00:10:38Un día.
00:10:40Maybe two.
00:10:42Es la última vez,
00:10:44lo prometo.
00:10:45No te mando promises.
00:10:47No, no.
00:10:48I'm determined to end it. It's time, now that you're Prime Minister.
00:10:54Yes, it is.
00:11:32With a one, two, three, flash. Oh, quite magnificent.
00:11:38Why does it always have to be Cecil Beaton taking my official Berkley portrait?
00:11:42What's wrong with Cecil? When it came out last year, everyone said how pretty you were.
00:11:47No, they said how much I look like you.
00:11:50Well, quite.
00:11:52Cecil does just one thing. Fairy tales.
00:11:56Yes, but he does it so well.
00:11:59And to me, Your Royal Highness, little less chin and...
00:12:06What do you think? I asked my new lady-in-waiting here today...
00:12:10Your Majesty.
00:12:11...to offer her opinion.
00:12:14Having at least one foot in the real world.
00:12:17I think birthday portraits should evolve and mature with age.
00:12:21Like the subject. Show change in the character.
00:12:25Complexity.
00:12:26Reality.
00:12:30No one wants complexity and reality from us.
00:12:34Do sit down.
00:12:37People have enough of that in their own lives.
00:12:40They want us to help them escape.
00:12:43Indeed, Your Majesty.
00:12:45Imagine this, if you will.
00:12:48A young woman.
00:12:49A commonplace creature.
00:12:51She sits in her drab little scullery.
00:12:53So much work to do.
00:12:55So much washing up.
00:12:57How she longs for comfort.
00:13:00How she longs for comfort.
00:13:00For hope.
00:13:01And again.
00:13:02One, two, three, and flash.
00:13:05She wants to believe her life has some meaning.
00:13:08Beyond chores.
00:13:09She opens a magazine and she sees her royal highness's photograph.
00:13:15For one glorious, transforming moment.
00:13:19She becomes a princess too.
00:13:22She is lifted out of her miserable, pitiful reality into a fantasy.
00:13:32Later, she will step out of her house in a new neckerchief, perhaps, for which she has saved.
00:13:41Oh, she will hold her head up high.
00:13:43She is renewed.
00:13:45And all thanks to you, Your Royal Highness.
00:13:49And to the ideal which you represent.
00:13:54And now with a one, two, three, and flash.
00:13:58Quite marvelous.
00:14:02¡Gracias!
00:14:47¡Gracias!
00:15:02¡Gracias!
00:15:06¡Gracias!
00:15:06Ma'am, Lord Blanford just telephoned to apologise and say that Mr. Wallace may be indisposed this evening.
00:15:11They can't be indisposed. We're announcing our engagement.
00:15:15Something about an injury. Rather a serious injury.
00:15:33¡Gracias!
00:15:34Where is he?
00:15:41Your Royal Highness, Princess Margaret.
00:15:44Out of my way.
00:15:45You must keep a leg up, sir.
00:15:48Billy?
00:15:49It's all right, Simpson.
00:16:01What's going on?
00:16:03It's our announcement this evening.
00:16:05Unforeseen cirques, I'm afraid.
00:16:07Rather a dust-up in the early hours.
00:16:10Are you drunk?
00:16:12Don't be like that.
00:16:13I had to do something for the pain.
00:16:15What happened?
00:16:17Wait till you hear. You'll laugh till you spit.
00:16:20Your friend Tennant rather took offence at something I did.
00:16:23You came to blaze with Colin.
00:16:25I believe the word duel was mentioned.
00:16:28A duel.
00:16:30Tennant issued the challenge.
00:16:32A little childish in this day and age, if you ask me.
00:16:35But a duel is a duel, so I stepped up to the mark.
00:16:40That's what a gentleman does.
00:16:47If I'm completely honest, a little drink had been taken during the night.
00:16:53But we faced the dawn with clear heads and strong hearts.
00:16:58Now Tennant wanted to motor up to Glen to get his father's old pistols.
00:17:02Would have been quite ridiculous, much too far away.
00:17:05So Blamford offered his.
00:17:07That was a bloody stupid mistake.
00:17:09A duel is not just a test of marksmanship.
00:17:13It's a test of character.
00:17:14Ten paces.
00:17:18One.
00:17:20Two.
00:17:22Three.
00:17:23Four.
00:17:25Five.
00:17:27Six.
00:17:28Seven.
00:17:30Eight.
00:17:32Nine.
00:17:33Ten.
00:17:37A fucker shot me in the leg.
00:17:40A bloody awful thing.
00:17:41Anyway, I survived with a small flesh wound.
00:17:46¿Y por qué fue él conmigo conmigo?
00:17:49Es lo que pasa, pero desde que se ha llegado a nuestro engajamiento,
00:17:53he encontrado a mí bastante el centro de atención.
00:17:56Es como si cada una buena chica en el mundo ha tomado la news
00:17:59como un gran desafío.
00:18:01No me acostumbré a la idea de ser un bello,
00:18:04mucho menos un catch.
00:18:06Seguimos a mi cabeza, más.
00:18:10Había un poco de un fumble en Blenheim.
00:18:12Era un bello.
00:18:14Era un film, era un actriz.
00:18:17Pero, Tenant se ha ido a la vez.
00:18:19Se ha ido a la vez.
00:18:24Sí, con razón.
00:18:32A pathetic,
00:18:35a weak, contemptible fool.
00:18:39No, no, ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni
00:18:41ni ni ni ni ni.
00:18:48No, ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni
00:18:53ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni
00:18:53ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni
00:18:59ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni
00:19:02ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni
00:19:03ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni
00:19:04ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni
00:19:04ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni
00:19:05ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni
00:19:05ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni
00:19:05ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni ni
00:19:06ni ni
00:19:06y disgust.
00:19:09Este es el look
00:19:10que cada mujer que se conoce
00:19:11va a tener que compartir.
00:19:14Este es lo que el próximo
00:19:1440 años de tu vida
00:19:16va a ser como.
00:19:26Margaret.
00:19:28Margaret.
00:19:40Gracias.
00:19:44Ma'am,
00:19:45I've been asked to tell you
00:19:46that Princess Margaret
00:19:47will not be announcing
00:19:48an engagement this evening.
00:19:51Our Royal Highness
00:19:52says she'll explain
00:19:52everything later.
00:19:53Yes, I'm sure she will.
00:19:54Thank you, Michael.
00:19:55Thank you.
00:20:19All right, all right.
00:20:20Settle down.
00:20:21So on my recent tour
00:20:22of the Pacific,
00:20:24I was introduced
00:20:25to a man who said to me,
00:20:27my wife is a doctor
00:20:29of philosophy
00:20:30and much more important
00:20:31than I am.
00:20:34To which
00:20:34I could only reply,
00:20:36ah, yes, sir,
00:20:37we have that trouble
00:20:38in our family too.
00:20:43You know,
00:20:44when I imagined
00:20:45our marriage
00:20:45in the early days,
00:20:46I imagined two people
00:20:48welded together
00:20:49into some sort
00:20:50of combined existence.
00:20:53Ten years.
00:20:55Ten years has taught me
00:20:58the secret
00:20:58of a successful marriage
00:21:00is actually
00:21:01to have different interests.
00:21:03Well,
00:21:04different interests,
00:21:05but not entirely different.
00:21:13It's a funny business.
00:21:16One sees the whole
00:21:17of the other person.
00:21:18You see even that part
00:21:19of them that they
00:21:20don't see themselves
00:21:21and presumably
00:21:23they see that
00:21:24hidden part of you.
00:21:27One ends up knowing
00:21:28more about one's partner
00:21:31than they know
00:21:31about themselves
00:21:33and it can be
00:21:34pretty tough
00:21:36to keep quiet about it
00:21:37so you have to
00:21:38you have to come
00:21:39to an accommodation,
00:21:41an arrangement,
00:21:43a deal,
00:21:45if you like,
00:21:46to take the rough
00:21:47with the smooth.
00:21:52But the extraordinary
00:21:53thing is
00:21:56down there in the rough
00:21:58in the long reeds
00:21:59of difficulty
00:22:00and pain.
00:22:04That is where
00:22:05you find the treasure.
00:22:10So I would like
00:22:10to propose a toast
00:22:14in the name of love,
00:22:18in the name of our
00:22:19beloved country,
00:22:21in the name of steadfastness,
00:22:24in the name of another
00:22:25ten marvellous years.
00:22:30I give you
00:22:32mon petit choux.
00:22:41Lilibet.
00:22:44Elizabeth.
00:22:48The Queen.
00:22:54The Queen.
00:22:55The Queen.
00:22:57The Queen.
00:22:58The Queen.
00:22:59The Queen.
00:23:00The Queen.
00:23:01The Queen.
00:23:02The Queen.
00:23:04The Queen.
00:23:05The Queen.
00:23:05The Queen.
00:23:06The Queen.
00:23:06The Queen.
00:23:06The Queen.
00:23:07The Queen.
00:23:09The Queen.
00:23:12The Queen.
00:23:14The Queen.
00:23:36No, no, no.
00:23:47No, no, no.
00:24:15No, no, no.
00:25:00No, no, no.
00:25:38No, no, no.
00:25:40No, no, no.
00:25:59No, no, no.
00:26:17No, no, no.
00:27:03No, no, no.
00:27:07No, no, no.
00:27:37No, no, no.
00:28:00No, no.
00:28:13No, no, no.
00:28:42No, no.
00:28:44No, no, no.
00:29:11No, no.
00:29:29No, no, no.
00:30:04No, no, no, no.
00:30:05No, no, no, no, no.
00:30:35No, no, no.
00:31:06No, no, no, no, no.
00:31:35No, no, no, no.
00:32:17No, no, no, no.
00:32:29No, no, no, no, no.
00:32:59No, no, no, no, no.
00:33:18No, no, no, no.
00:33:24No, no, no, no, no.
00:34:08No, no, no, no, no.
00:34:13No, no, no, no, no.
00:34:43No, no, no, no.
00:34:46No, no, no, no, no, no, no.
00:34:57No, no, no, no, no, no.
00:35:56No, no, no, no, no, no, no, no, no.
00:35:57No, no, no, no, no, no, no, no.
00:36:27No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:36:38no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:36:50no, no, no, no, no, no, no, no, no.
00:36:57...y do todo lo que yo veo.
00:37:00No te lo veas así.
00:37:03Estás matando, ¿no?
00:37:07¿Más matando para qué?
00:37:09Para ser un suplicante.
00:37:13¿Puedo decir?
00:37:19Es el primer lugar que yo he estado en donde nadie se levantó.
00:37:22Ya no me logew y siabas.
00:37:22Te he quedado, ¿no?
00:37:23...boued, curtsied.
00:37:25Some just carried on having conversations and I wasn't there at all.
00:37:29Y those that did talk to me did with such indifference
00:37:32or nonchalance I verged on impertinence.
00:37:38There was this one in particular
00:37:41Tony.
00:37:42Anthony, surely?
00:37:43No, he insistent.
00:37:45Tony.
00:37:46Armstrong Jones.
00:37:47Esa es la fotografía.
00:37:50Mike Cecil?
00:37:50No, nada que Mike Cecil.
00:37:52He couldn't be less like Cecil.
00:37:54Bueno, maybe a bit like Cecil.
00:37:56Pero él es obviamente queer.
00:37:58Pero, interestingly, Elizabeth denies it.
00:38:00Elizabeth who?
00:38:02Cavendish.
00:38:03I called him cuando me quedó home last night
00:38:05interrogando lo que son las 5 más importantes cosas
00:38:07que necesitan saber de ese hombre.
00:38:09¿Por qué 5?
00:38:10No, no, no.
00:38:11No, no.
00:38:12No, no, no.
00:38:12It's not like the right number.
00:38:12Why not 3?
00:38:14It's more interesting than 3.
00:38:17So, what did she say?
00:38:191.
00:38:20It is Welsh.
00:38:21Is that interesting?
00:38:22No, not particularly.
00:38:25Well, he had polio as a child.
00:38:27That he has a passion for inventing things.
00:38:30And he would never dream of being anything
00:38:32as straightforward as simply queer.
00:38:35What on earth does that mean?
00:38:37Not altogether, sure.
00:39:06Pero...
00:39:08...for everything we represent.
00:39:14I actually think you'd like it.
00:39:17That's what's so dangerous about them.
00:39:21Upstairs!
00:40:00Upstairs!
00:40:06Upstairs!
00:40:07Wait down.
00:40:13Back in a minute.
00:40:32...
00:40:35...
00:40:42...
00:40:44...
00:40:44No, no, no.
00:41:28No, no, no.
00:41:59No, no, no.
00:42:22No, no.
00:42:51Don't smile like that.
00:42:54It's lovely.
00:42:55Pretend.
00:42:57Too lovely.
00:43:01For my taste, yes.
00:43:03Oh, I see.
00:43:04You prefer me to be unlovely.
00:43:08I prefer you to be yourself,
00:43:10though I realize it's asking the impossible.
00:43:13Why?
00:43:15Because I'm uncooperative.
00:43:17Because you have no idea who you are.
00:43:19Look to the window?
00:43:21I only perfectly will.
00:43:22No, not the faintest idea.
00:43:26Window.
00:43:39We don't know who you are either.
00:43:43The rest of us, outside the palace gates.
00:43:46That's because we keep feeding you the fairy tale.
00:43:56Like this.
00:43:58Like this.
00:44:19Always been good to the family.
00:44:22Why would you care about the family?
00:44:26Have they been good to you?
00:44:31They're my family.
00:44:39But my business with Peter Townsend.
00:44:46Cruel.
00:44:54Was he really as dreary as he seemed?
00:45:01He was decent and old-fashioned.
00:45:08Easy qualities to mock.
00:45:18Easy to miss, too.
00:45:47Easy.
00:46:14What's up, guys?
00:46:19Got it.
00:46:20Right.
00:46:21Back to my place for a drink.
00:46:25Your place?
00:46:26Where's that?
00:46:27Well, get dressed and I'll show you.
00:46:49So, this is home.
00:46:56It's marvelous.
00:47:04Whiskey or cinzana?
00:47:07Whiskey, please.
00:47:19Who's she?
00:47:23A friend.
00:47:25What kind of friend?
00:47:27A friend.
00:47:30And this one?
00:47:32Couldn't you cheer her up a little?
00:47:34That's Sarah McMillan, the Prime Minister's daughter.
00:47:37Or is she?
00:47:39Word is, it is not.
00:47:42She's Bob Boothby's love child.
00:47:44No.
00:47:4630 years, they say, the affair's been going on.
00:47:48Right under the PM's nose.
00:47:49Can you imagine?
00:47:53I don't think I'm ever going to get married.
00:47:57Quite right.
00:47:59Ghastly business.
00:48:02Makes being happy so very difficult.
00:48:11Oh, what's this?
00:48:13Oh, it's something I'm working on.
00:48:15A design.
00:48:16It's fragile.
00:48:17Get off.
00:48:20Sorry.
00:48:24Yeah, come on, have a look at this.
00:48:26This might amuse you.
00:48:36What, people have signed their names?
00:48:38Oh, their nicknames, yes.
00:48:41Who's Tigger?
00:48:43Clear land.
00:48:47Snitch.
00:48:48Doug Bogart.
00:48:53Oh, look, you already have a princess.
00:48:55Hmm.
00:48:56That's Tony Richardson.
00:48:59Will you sign?
00:49:01I keep a diamond to the purpose.
00:49:05Go on.
00:49:07I'm not sure I've ever had a nickname.
00:49:10What shall I put?
00:49:12Something that'll throw them off the scent.
00:49:16Beryl.
00:49:18Beryl.
00:49:19Hmm.
00:49:21All right.
00:49:39Rhymes with peril.
00:49:41Peril.
00:49:43Peril.
00:49:45Peril.
00:49:46Put it back.
00:49:52Right.
00:49:55Shall we look at the photograph?
00:49:57Yes.
00:49:59Yes.
00:50:07All right.
00:50:08Maybe.
00:50:17Thanks.
00:50:21Bye.
00:50:22Bye.
00:50:23Bye.
00:50:24Bye.
00:50:25Bye.
00:50:26Bye.
00:50:26Bye.
00:50:46No, no, no.
00:50:57Right.
00:51:13First...
00:51:15the chemicals.
00:51:30You knew when we first knit, I was sure you were queer.
00:51:44Why?
00:51:47Just the way you talk to women.
00:51:49Understood women.
00:52:03Then you put it into the water.
00:52:10Here.
00:52:11Mm-hmm.
00:52:15Not to mention your tidy little hips.
00:52:18All vanity and fastidiousness.
00:52:21I'm not vain.
00:52:24You're insufferably vain.
00:52:29But now I see you're not queer.
00:52:35Then you...
00:52:36pushing us the fixer.
00:52:44This hill routine is hard to practice and well oiled.
00:52:49Woman after woman has been here before me.
00:52:55Beautiful women.
00:52:58Mm-hmm.
00:53:00Yeah.
00:53:07Will you hang her up?
00:53:21What do you think?
00:53:27The Margaret I've never seen before.
00:53:31No one's ever seen before.
00:53:34No.
00:53:38Because in this photo, you're not a princess anymore.
00:53:46There's someone I would like you to send her to.
00:53:50Can I give you an address?
00:53:54Sure.
00:53:57Then I must go.
00:54:04You, um...
00:54:05You want to stay a little longer?
00:54:09No.
00:54:11This is where the routine ends.
00:54:15For now.
00:54:18All right.
00:54:20You come with the driver?
00:54:23Yes.
00:54:24He's waiting outside.
00:54:26Good. Then he can follow us.
00:54:27Do you?
00:54:27Bye.
00:54:41We're so glad to become an addict in This pm.
00:54:47We're most honored to have a guest in Your Majesty's beautiful home.
00:54:51No, no, no, no, no, no, no, no.
00:55:22Thank you so much.
00:55:24It's been a pleasure.
00:55:26Thank you very much.
00:55:30God, I thought that would never end.
00:55:32Yes, it did go on rather.
00:55:34On and on and on and on.
00:56:07Definitely not queer.
00:56:13Keep it.
00:56:34My love must be a kind of blind love.
00:56:42I can't see anyone but you.
00:56:50Come on, come on.
00:56:54Come on, come on.
00:57:02Come on, come on.
01:00:08¡Ah!
01:00:24¡Ah!
01:00:24¡Ah!
01:00:34¡Ah!
01:00:36¿Qué es eso?
01:00:56No, no, no, no, no, no, no.
01:01:52No, no, no, no, no.
01:02:21No, no, no, no.
01:02:34No, no, no, no.
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