00:00Listen, Mr. Sackali, you see the second year of the Brahmastra.
00:04Are you still starting this week?
00:10You can't tell us from the first time.
00:13If you have your name, you have to lose.
00:16If you have name it, you will have to lose.
00:19So you can say it is not just in the name of the Prophet.
00:23For us, we are in the film.
00:26The film is on the film, and we are still in front of him.
00:36So we are in the film.
00:40We are in the film.
00:44We are in the film.
00:47We will be able to get the trailer.
00:48This trailer is a film and is a film.
00:53This is a film for you.
00:56You have a lot of success.
00:58What are the reasons why the film is so great?
01:03It's a great deal.
01:07It's a great deal.
01:11It's a great deal.
01:13So, if you want to talk about it, you will have to talk about it.
01:20So, if you want to talk about it, you will have to talk about it.
01:24So, in that point, this is a very interesting cinema.
01:30In the 90's background, everyone is a big fan of it.
01:34You will have to talk about it, each other, you will have to talk about it.
01:38You can talk about it, it's a very big fan of it.
01:43It's a very big fan of it.
01:45You can talk about it in your eyes.
01:50When you talk about it, you will have to talk about it.
01:56It's a very important thing.
02:00They are all USP.
02:02They are the king of Kala.
02:05They are the king of Kala.
02:08I accept this.
02:11Our Govindraja is a good friend of the Nirmapakar.
02:13I am a friend of the Nirmapakar.
02:15I am a friend of the Nirmapakar.
02:25I am fascinated by this.
02:27An idea of this man can fix.
02:31This plot will even talk about cinema.
02:35Mr. Jai Shriastri telling you about the film.
02:39The film is the film, and is the film.
02:45I am already released from the film.
02:46The film is 1970 in the past.
02:49My name is Dr. Jai Shriastri.
02:50It is 2 years old.
02:52However, it was very difficult to announce that he was a group of people who were interested in the situation.
03:05It was a very difficult situation and they didn't get involved.
03:10They didn't get involved in every country.
03:11We have to be in a village.
03:14I've forgotten what we know.
03:17I don't think people are in the same place.
03:17This is a single thing.
03:19I can't change my mind.
03:25The movie is a single-time life.
03:30Since COVID-19, it is a bad thing.
03:36I can't change it, I don't care.
03:40.
03:42to shoot at a particular location.
03:46We get to see how close the shooting goes.
03:50However, we won't consider after shooting as we all done.
03:56So we can't get the point of the production area.
03:57We can't get the point of the film with each other.
03:59So we can't get the point of the film to go wherever we have.
04:00No one needs to be the film, we can't get the point of the film.
04:02So we can't get the point of the film, but again with the film,
04:08I think that the people who have come to the world are successful.
04:12So, what are your reactions?
04:14No sir. I don't think I'm going to ask you to ask you.
04:21I'm not going to ask you. I'm not going to ask you.
04:25You're not going to be content. You're not going to be content.
04:28You're going to be a challenge.
04:30Sir, it's not.
04:32Sir, I'm going to go to the hotel.
04:34I'm going to go to the hotel.
04:37I'm going to go to the hotel and I'm going to go to the hotel.
04:43That's why I'm here.
04:46The people who have come to the hotel are the most important thing.
04:47It's not even the only time to the hotel.
04:48I'm very happy to have a hotel.
04:50I'm happy to have a hotel room.
04:52I'm happy to have a hotel room.
04:54Trust me, I'm not going to be a hotel room.
04:57But I'm sure that...
04:59I have to say,
05:00I don't know.
05:02I have to say it.
05:02Generally, when you're a kid, you're a kid who's a kid, and you're a kid.
05:10You're a kid, you're a kid, you're a kid.
05:13I'm not sure if you're a kid, I'm not sure if you're a kid.
05:25I give the sound.
05:26No!
05:27If the people meet these young people in the world,
05:31I would like to see a certain person in this world.
05:32The point is that we understand this being.
05:34The cinema has broken up over the old days.
05:38The cinema is past many times.
05:40This is a pretty good thing.
05:41Even though the stories are changed by the old days,
05:44I believe there are two things in the theatre.
05:46The art of China and the Edinburgh.
05:47Parasite help me with this book.
05:48I asked you,
05:50I talked to you,
05:51I asked you,
05:52I asked you to do this one.
05:53That is the one of the people
05:55What about TV rights?
05:58It's not that safe.
06:00I don't know if I'm safe.
06:04I can't speak to you.
06:06I can't speak to TV rights and OTT.
06:12I have never heard of them.
06:14I got a film release on TV rights.
06:21The number is the airline.
06:23There are no rights.
06:27We are very happy to have the rights.
06:31We have a lot of audio rights.
06:35We have a lot of rights.
06:38We have a lot of music.
06:43We have a lot of music.
06:45We have a lot of music.
06:50But, it's very hard to see things in the park
06:51I Juliette, Luvita is on the whole place
06:57I'll be right back to the same feeling
06:58I've made it for me
06:59I'm a little bit energized
07:01I've been 50 years old
07:01I know that I'm good
07:01I'm a girl
07:02I'm a girl
07:04I'm a girl
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