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04:46Can I give you an exclusive?
04:48Or you will know that you will know before.
04:52Do you like coffee?
04:54I don't like coffee.
04:58You don't like coffee.
04:58You have to put it in.
05:01Okay, we'll get it.
05:32Okay, let's see.
05:43Ma'am, from the drug overdose, you can take 6-8 hours, before that, you can't give any statement before
05:51that.
05:51Okay.
05:55But...
06:27What did you say, Ma'am?
06:29Was it on the railway station, or how did you know about it?
06:34If you know about it, you know about it, Ma'am.
06:36And if you know about it, you can tell me about it, right?
06:38Hmm.
06:41Afzal is your man.
06:42Who is your man?
06:42Which Afzal?
06:43That Afzal, who was following the sergeant.
06:46Is he your man?
06:48What are you saying, Ma'am?
06:50Who doesn't understand me?
06:51I'm saying that you are going to conceal the sergeant's information from me.
06:54What do you do?
06:55Conce...
06:57Conce...
07:00Ma'am, my name is Ingra Ji not so good.
07:04Hmm.
07:05Why did I come from direct service?
07:12You are getting personal, Sathe.
07:17I don't agree.
07:22You are getting personal.
07:25You are getting personal.
07:25You should keep me without a case.
07:28You should keep my case.
07:34I am getting personal.
07:35You should keep me with a case.
07:49Sir, today I have told him. I have told him that I don't agree.
07:55Are you kidding me?
07:57What are you doing, Vikram?
08:00The media is complaining before and you are emotional.
08:04Sir, DCV is the first case.
08:06Sir, he is hiding here and you are telling me to be kidding me.
08:11No, I was telling him to be a child.
08:14Sir, how many years I have been working with you?
08:16I have gone wrong.
08:18My mother, sir, please, my mother, don't call me this case.
08:24He is a girl.
08:28You have to do whatever you do, tell me the final.
08:32I am going to go.
08:36You are going to go.
08:39I am going to go.
08:41Okay, sir, you are saying, then you will be going to be right.
08:46Yes, sir.
08:49I am going to go.
09:11Hi.
09:29Hoy no, I am going to write you down there.
09:30May I come and listen to it?
09:32No, sorry.
10:11Well done, Rita.
10:15So finally, Aditya bhi chala gaya na?
10:41How perfect this dress is.
10:45And you have failed her.
10:48Do you know everything?
10:51Look at me.
10:52You get me?
10:55That boy?
10:56He was perfect.
10:58You didn't know him.
10:59Why?
11:00Who are you giving me?
11:03Me or you?
11:04Huh?
11:07Don't I deserve any happiness, Rita?
11:09Don't I?
11:12I thought if your dad will run away from home, you will be dead.
11:16But no.
11:19You're just like him.
11:21You're a good for nothing idiot.
11:24No, you go.
11:25Go.
11:25Stop.
11:26You will never be happy.
11:29Never.
11:29Stop.
12:08Yes.
12:12Who is saying?
12:29Ravidesha.
12:30I am Ravidesha.
12:30I am Ravidesha.
12:32Who stole you all this?
12:34What?
12:34You are talking about this in social media.
12:38Bloody God.
12:39I am Ravidesha.
13:05It's not so exclusive.
13:09What?
13:24There are some other angles.
13:28Anand.
13:31There was another man with Sajid.
13:35His name is Anand.
13:40It's our coffee tending. Why?
13:49Were you okay?
13:50Yes, I just realized I'm really late.
13:53Sorry.
13:54Did I overstep?
13:56I'm very sorry.
13:57No!
13:58Don't be silly.
13:59I'll never come.
14:00For such sake.
14:07I think Sajik is the one.
14:09I feel like someone else's approving.
14:11Right?
14:12Why?
14:13Someone's finally here.
14:15Yeah.
14:16Unlike someone who's never been on the field.
14:19Facts.
14:21Shithij.
14:23Anita, we were jammed for an angle on the recent killings.
14:27Shithij.
14:27I think this serial killer is a classic case of the intersection of drug addiction and crime.
14:33Simple.
14:36Simple?
14:37Seriously?
14:40No one becomes an addict from his own.
14:42Have you been to an orphanage or a rehab?
14:44Anita, please.
14:46What's your angle?
14:47Guys, the crime branch has conducted a shoddy investigation and Sajid is the escape court.
14:52How do you know this?
14:54Sources.
14:54Please don't ask who.
14:55Kanika.
14:56Hmm?
14:57I got a call from this guy.
14:58Ex-cutter gang member.
15:01He's saying that he has some exclusive news about Sajid.
15:04What's your name?
15:06Chandu Nayak.
15:10Oh my God.
15:11Oh my God.
15:17Oh my God.
15:17Oh my God.
15:18Oh my God.
15:19Oh my God.
15:20Oh my God.
15:20Oh my God.
15:20Oh my God.
15:21Oh my God.
15:22Oh my God.
15:22Oh my God.
15:24Oh my God.
15:25Oh my God.
15:36Oh my God.
15:48Oh my God.
15:50Oh my God.
15:50Oh my God.
15:53What do you want to do here?
15:54Sajid.
15:57He said that if anything happens,
15:58you'll have to go to Chandu.
16:01He came here, Sajid.
16:04He took a full foot.
16:07He came to do it,
16:08and gave him a place to sleep.
16:12He was shot in the morning,
16:12and he was shot in the sleep.
16:14He was a belt, a belt,
16:16a belt.
16:17Tell him about it.
16:21He was a belt.
16:22He was not a belt.
16:25He was shot in the last year.
16:28Where did he go?
16:30He will be here.
16:31What was his name?
16:33Sita, Gita, Nashamukti Kindra.
16:38Hey, wait!
16:44Do you know about it?
16:46What's your name?
16:49What's your name?
16:51What's your name?
16:51Orphanage.
16:54Sajid didn't tell me.
16:57But I know everything.
16:59I know everything.
17:01I've seen a photo of Fernando's hand.
17:04I've seen a photo of Fernando's hand.
17:06I've seen a photo of Fernando's hand.
17:16Come, please.
17:18Try me.
17:36I'll be handling Rita.
17:41Tell me, sir.
17:42Just go get him.
17:43Okay, sir.
17:44Okay.
17:53Congratulations, Rita.
17:54Another big case solved.
17:55Well done.
17:56I don't think the case is solved.
17:58You said it yourself.
17:59It's not a serial kill.
18:00And we are just jumping to conclusions now, sir.
18:03Well, I was wrong.
18:04Anyway, let's close it.
18:06Listen.
18:07I called you for a favor.
18:09Don't pounce on me.
18:10Yeah.
18:11You want to meet the home minister of Kedhikar.
18:15He's a film grad and doing a video in Film City.
18:17Just hop in for some time, right?
18:20Please?
18:21For my sake?
18:22Sir, I would have loved to help you, but honestly, I have no time right now, sir.
18:25I'm sorry.
18:25Hey, Rita.
18:26Kedhikar has called me myself yesterday.
18:29And I could not say no.
18:31Neither can you, isn't it?
18:32Sir, we are in such an important case.
18:34For me, the case is not solved, sir.
18:36I'm really sorry.
18:37I can't do this.
18:37I can't do this.
18:38Yes, sir.
18:39I'll handle the problem.
18:40You just go and show your face.
18:42Okay?
18:47Fuck.
19:03Come on.
19:05Come on.
19:07Come on.
19:10Huh?
19:11Look at me.
19:19I'm going to talk with you.
19:25What on-screen presence are you, ma'am?
19:27You've got this character, this aura of this really powerful personality.
19:30By the way, my girlfriend is a huge fan of yours.
19:33So, I want to use this historic and iconic moment from the Pilawadi raid
19:37with the kid and you walking on the ramp with a beautiful picture.
19:42Me.
19:48We don't have all day, so please hurry.
19:50Okay, yeah, sure.
19:53Thank you, thank you.
19:55Guys.
19:59What do you think I don't have any idea of what he's trying to do?
20:05He's trying to give Vikram the lead on this case, Matre.
20:07Madam.
20:08Why did you give me a promotion?
20:10Because I'm a woman.
20:11He's made a fucking PR prop out of me.
20:15I'm looking for people.
20:19Open Fernando's case file.
20:21Open?
20:22Read Sajid's confession.
20:25What do you think Fernando?
20:27He was trying to do wrong with a girl.
20:28He was trying to work with a girl.
20:30He was trying to do wrong with a girl.
20:31He was trying to do wrong with a girl.
20:31And what did he write in the investigation file?
20:33It was a job of theft.
20:35Wallet was stolen.
20:36It's a botched up investigation, Matre.
20:38And it's very evident.
20:40What are you finding in Fernando's room?
20:42Wig, lipstick, Deities, perfume, talcum powder.
20:45Why?
20:47Why would Fernando keep this?
20:49Ma'am, your shot ready.
20:55this is it ma'am the pilawadi moment we're just gonna recreate that okay you just have to pick
20:58the kid up walk there and we're gonna crane up as soon as we crane up we're gonna see the
21:02expanse
21:04sorry okay oh god i'm at the monitor
21:26okay all right going for take come on
21:28ma'am we're going for take ma'am ma'am thank you
21:53what the hell rita you can't leave the truth just like that i gave kirker my word just go back
22:15oh
22:16hello
22:16ma'am
22:18madam
22:18who's brahbhat ke ghar jo hair sample bela na wogh gheri amada
22:24a couple of them are coming to me now and then keep a girl on anand larki
22:28So why are they wearing a mask?
22:37Take it, madam.
22:38Your commissioner is very sensitive.
22:40If you go to the hospital, you will have a lot of problems.
22:44Sorry, madam. I don't understand.
22:46What do you understand?
22:48Registered for girls from 2005 to 2015.
22:51Now.
22:52Just.
22:53Madam, this boy's orphanage is...
22:55Huh?
22:57When?
22:58From the beginning.
22:59It's written.
23:06I'm going to ban it.
23:07I'm going to ban it.
23:07I'm going to check it out.
23:09I'm going to check it out.
23:10I'm going to check it out.
23:10I'm going to check it out.
23:12I'm going to check it out.
23:13Then why did Sajid say that he was wrong with the girl?
23:20Check their records.
23:22If you get something, call me.
23:23Yes, madam.
23:28So.
23:46It's a teen.
23:47No.
23:48No.
23:49No.
23:50No.
23:51No, no.
23:51No, no.
23:52He did so!
23:52He worked wrong with Fernando.
23:54He had done anything wrong with his wife.
23:56He was a thief in the crime scene.
23:58What did he write in the investigation file?
24:00It was a job of theft.
24:03His job.
24:06He can't be the first person of Fernando.
24:08He's the first person.
24:11Don't kill me!
24:22Oh
24:27Sajid left hand cuttata
24:31Sajid lefty ever
24:49No
24:49Forensic report
24:51Sajid has a fingerprint
24:53But there is no record of the other fingerprint
24:56The hair sample from Prabhat
24:58The hair sample from Prabhat
25:00If Anant is a girl
25:02Why is she wearing a wig?
25:04It's a boy's orphanage
25:06Wig, women's perfume, calcium powder
25:09Why?
25:10With a girl
25:42Why?
25:43Why?
25:43Tell me, tell me, there's a lot of pain to you.
25:51You're killing the Prabhada, right?
25:54Tell me.
25:59You're so big.
26:05Tell me, you're killing the Prabhada.
26:10Tell me.
26:13Tell me.
26:14Tell me.
26:15Tell me.
26:16Oh my God!
26:43Tell me.
26:51Tell me.
26:56Tell me.
27:10Tell me.
27:13Tell me.
27:14Tell me.
27:14Tell me.
27:15Tell me.
27:16Tell me.
27:21Tell me.
27:22Tell me.
27:23Tell me.
27:50Tell me.
27:58Tell me.
28:01Tell me.
28:03Tell me.
28:05Tell me.
28:31Tell me.
28:44Tell me.
28:46Tell me.
29:31Tell me.
29:34Tell me.
29:35Tell me.
29:48Tell me.
29:50Tell me.
29:53Tell me.
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