- 22 hours ago
मुंबई, महाराष्ट्रा :आशा भोसले ने 12 अप्रैल को आखिरी सांस लेकर दुनिया को हमेशा के लिए अलविदा कह दिया। इसी बीच IANS ने दिवंगत लीजेंड्री सिंगर आशा ताई के ग्रैंडसन्स चिंटू और कहान (Kahaan) भोसले से खास बातचीत की। इस इंटरव्यू के दौरान चिंटू ने आशा ताई को अपने अंदाज में ट्रिब्यूट दिया। साथ ही उनके आखिरी लम्हों के बारे में बड़ी जानकारी शेयर की। इतना ही नहीं उन्होंने अपने नए गाने 'चलते-चलते' पर भी चर्चा की और बताया कि जब उन्होंने ये गाना आशा ताई को सुनाया तो उनका इस पर कैसा रिएक्शन था? वहीं, कहान ने शेयर किया कि म्यूजिकल फैमिली से ताल्लुक रखने पर उन्हें कैसा लगता है। इतना ही नहीं उन्होंने पुराने सोलफुल सॉन्ग और रीमिक्स कल्चर पर अपनी राय रखी-
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00:00I am Chidjo Ji. First of all, welcome to INS.
00:04And first of all, we want to go to Aasha Ji.
00:07How much do you miss Aasha Ji?
00:11This is a very difficult question.
00:17How much do you miss Aasha Ji?
00:21It hurts.
00:23It was very unexpected.
00:24It was very unexpected.
00:27She was elderly, of course.
00:2993, almost touching 93.
00:32We were talking about what we did in September.
00:35What do we do in September?
00:36How do we do?
00:37It was a discussion going on.
00:393-4 days ago, she had gone for a play.
00:43For a Marathi play.
00:45She was enjoying living life to the fullest.
00:50But what happened was very sudden.
00:53We had not expected it.
00:56However, having said that, I think,
00:59if there was something positive,
01:00the beauty of it was, it happened so fast.
01:04There was no pain.
01:05There was no suffering.
01:07If I had to say she went exactly as she lived life on her terms.
01:12So, the void is a very deep, deep void.
01:19And we are very, very, we don't know yet.
01:23We are coming to grasp dealing with what's happening.
01:26And what's happening.
01:27As we enter the house,
01:29Kahan and I and my family,
01:31we always go to her room.
01:33To say hi, to say hi.
01:34To say hi.
01:35To say hi.
01:35To say hi.
01:36To say hi.
01:37To say hi.
01:38To say hi.
01:48That's not right.
01:50It's very tasty.
01:52No she is right.
01:54Well, that's spirit from theищa.
01:54We can't do that anymore.
01:57It's weird to say.
01:58I, of course, understand
02:00but the fear of the nation
02:04is so deep
02:07because she has touched so many lives
02:10just with her magic, with her voice
02:12so much hope
02:15I think music is such a beautiful subject
02:18you are celebrating music
02:20you are sad music
02:22you are studying music
02:25you are in love, so music is a part of your life
02:29it is all encompassing
02:31so I can just imagine
02:33how much she has been with this whole country
02:36and this whole world through her music
02:37and you know, I think your pain may be far deeper than mine
02:42in that aspect
02:43but we will miss her
02:49Chindu ji, your new song
02:50which you have heard from Asha Tai
02:53it was emotional
02:54in that moment
02:55how much you can change as an artist
02:57or as a grandson
02:59so we have made a song called
03:03Chalte Chalte
03:05and I had played it to Asha Ai Singh
03:08this is a song
03:08you are your inspiration
03:10as always
03:11and the song is the song
03:13and the song is the song
03:15Chalte Chalte
03:16aage chalke
03:17na mudke
03:18na rukke
03:19akelie ye pagli chali
03:21kaha chali
03:22kya chali
03:50you know
04:18my father
04:21I have just finished it properly
04:23I have just finished it properly
04:24and recording
04:24and video shoot
04:26purely as a tribute to her
04:28we have made the moments we have shared together
04:33the moments we have shared together
04:47so that you can tell
04:48what song
04:49you want to show
04:50which side of the world
04:52that people have never seen
04:55you know
04:56this song is a very personal song
04:59it's a conversation
05:01generally
05:02there are all kinds of songs
05:03which is a formula
05:05which is memorable
05:06which is a repetition
05:08hook line
05:09so in this song
05:11I have written it like a story
05:13so
05:14probably
05:16you will not think
05:17that this is a hit song
05:19according to that
05:20so that it will be memorable
05:22it will be memorable
05:22hook line
05:23it will be remembered
05:25what we can do
05:27that is not
05:28so this song
05:29for me
05:29is a very personal song
05:31that I have written
05:32keeping something very specific
05:34in mind
05:35and in that regard
05:36the song has written
05:37it is very personal
05:39I have a ringside view
05:45I am giving you a peak
05:47into a very personal relationship
05:49between my grandmother
05:50and Mary Beach
05:52the way I am talking to her
05:55where the hell went
05:56you know
05:57that is the relationship
05:58we shared
05:59people say
05:59are you mad?
06:01speak with respect
06:01I think this was the respect
06:03because she was so young
06:05in her outlook
06:06so young in the way she was
06:09she became a friend
06:10I mean of course
06:12she was a grandmother
06:12but she became a very close friend
06:14also
06:14and we
06:15you will not believe
06:16that we were discussing
06:17what we were discussing
06:18things which you probably
06:19don't discuss
06:20with friends
06:21we were discussing
06:42as a band of boys
06:47as a band of boys
06:52it is a very different side
06:53because when we are a band of
06:54it is a band of
06:54it is a band of
06:54it is a band of
06:57it is a band of
06:57it is a band of
07:26when you sing live
07:28when you sing live
07:29then of course
07:30there is a band of
07:31so forgive me
07:32but there is a band of
07:33but there is an audience
07:34there is a band of
07:35so what happens
07:37we get excited
07:38you know
07:39every artist
07:40there is a band of
07:41there is a band of
07:43people
07:43you want to get them
07:45on your side
07:46entertain them
07:46we sing with them
07:47so
07:51that used to take over
07:53so I was very excited
07:55I was walking on stage
07:57I was dancing
07:58I was dancing
07:59with the audience
07:59and the audience would dance
08:01with me
08:01so the band of
08:02obviously
08:03we are not gods
08:06so listening
08:06Aasha ji used to get very
08:08upset
08:11she used to look at me
08:18with a smile
08:19but Sur Hila and Hiltas
08:21obviously
08:22she would get very upset
08:23that brother
08:24whatever you do
08:25you want to do
08:27Sur Hila
08:27so we would have
08:28arguments
08:29that
08:30we are dancing
08:32we are dancing
08:33we are dancing
08:34she said
08:35that is why
08:35I am standing
08:36I said
08:37it is not
08:37you know
08:38the way y'all
08:39are dancing
08:41we are dancing
08:42we are dancing
08:44we are dancing
08:45we are dancing
08:45we are dancing
08:45and that is very important
08:46but
08:47this stage
08:48you know
08:50the stage
08:50is not on
08:52studio
08:53we are dancing
08:54in the studio
08:54we are dancing
08:55with the headphones
08:56we are dancing
08:57with the attention
08:59but the stage
08:59the energy
09:01the audience
09:01is so beautiful
09:03that
09:03you can't
09:05control it
09:05so she would get upset
09:07we had a lot of arguments
09:08and I think
09:10she would relent
09:10that
09:11okay
09:11but
09:12she had a lot
09:13then
09:14she would
09:15look at you
09:17and
09:19stop
09:20we are dancing
09:21we are dancing
09:21we are dancing
09:23we are dancing
09:24as your journey
09:25band of boys
09:25has evolved
09:27now
09:27so
09:27do you think
09:28that
09:28there is a legacy
09:31or pressure
09:36okay
09:37um
09:37so
09:38my band
09:39band of boys
09:40of course
09:41I come from a family of music
09:42Asha ji
09:43Lata ji
09:45uh
09:46many people ask
09:47that you don't have pressure
09:48that you are taking the legacy
09:50in this world
09:53honestly
09:53I will say
09:54really really honestly
09:55there was no pressure
09:57I have never seen myself
09:59that I
10:00have never seen
10:03because
10:03we are not
10:04like
10:05the
10:06the
10:06the
10:06the
10:07the
10:07the values
10:15they have done
10:20it's impossible
10:22it's impossible
10:23it's not possible
10:23it's not possible
10:24so fortunately
10:25when
10:25that is a different level
10:28pressure
10:29out of
10:30it was nothing to live up to
10:36as a band of boys
10:40it has not
10:43a color or touch
10:45on Asha ji and her music
10:46so that path is very different
10:49this path is very different
10:50and from the beginning
10:51I was very aware
10:55that I cannot take her legacy forward
10:58because her legacy
11:01is very different
11:02and she was also very surprised
11:08when I said
11:10that we have a legacy music
11:13and we want to take that legacy
11:19by touching the lives of children
11:21and we have formed this company
11:24its name is Sargams
11:26and Sargams is a foundation of Hindustani music
11:29Sargams is a very foundation
11:31so for our company
11:34there are four characters
11:37and we bring them alive
11:43with four real characters
11:45and we don't have a lot of characters
11:46so that we can influence the little children
11:49and we can influence the little children
11:51and we can think that Hindustani music
11:52is also very nice
11:53and we can do it
11:55and it is not
11:55that the culture
11:56is also very nice
11:57and when I teach music
12:24It's not possible, of course, there are people in this world who have that honor, but it is not possible
12:31in today's time and age for children to have that kind of focus.
12:45The age in your performance, thinking about Asha Bosley's legacy, how much pressure do you feel and how much do
12:56you enjoy?
13:16And I can't wait to see how I can incorporate that in my life.
13:21Talking about your hobby also, it's like cooking. So you have made fresh sweets for biscuits for Asha Thai also.
13:32So tell us about her response.
13:35So honestly, one of the things I really appreciated about Asha Ai was her ability to be completely no sugar
13:43coating anything.
13:43If something was bad, she would say it. And I always appreciated how I could take her feedback and use
13:49it for the better.
13:51So when I have made her cookies or brownies and she's given me feedback, it has helped shape the recipe
13:57that I use today.
13:58And honestly, it's thanks to her that a lot of it tastes how it does. And I'm very happy to
14:05have had the opportunity to have just spoken to her about it.
14:10And eaten it with her and gotten her feedback.
14:13Chintuji, you would like to know that where it was performed. You can see your younger version.
14:19Or you feel that it's written a different approach for generation completely.
14:22That's why it's coming.
14:26What happens now?
14:28What happens now?
14:28Every generation is different.
14:30When they sing, perform, learn, feel, feel.
14:35I'm sure that Asha Ai would also feel that this is a time.
14:41Forget the brother.
14:42How did they learn their sons and daughters?
14:46Then I came.
14:48How did this happen?
14:50I'll pause.
14:53Her sons and daughters.
14:55Then I came.
14:56The brother.
14:57How does he sing?
14:58How does he sing?
14:59How does he sing?
15:00How does he sing?
15:00How does he sing?
15:02And now, what we call in Marathi.
15:04That is a great grandson.
15:08It's different.
15:09It's different.
15:10In fact, he used to sit with her.
15:17He was an English.
15:18And the song was also an English.
15:21The song was truly singing.
15:27When she used to sing, she used to sing.
15:35She used to sing.
15:37She used to sing.
15:38And the song is now the song.
15:40The song was singing.
15:41She used to sing English.
15:42It's English.
15:42I am not.
15:42We are all all Hungers.
15:53and they are attracted to that. So I said, I don't worry, it's not our culture, it's not our culture,
16:00but they like this culture, so when he used to sing in English, then she used to say,
16:09So, in fact, Kahan will tell you, she used to sing in the house.
16:37I will always remember, whenever I'm performing or anytime I'm singing, her words will always come to mind in her
16:44feedback.
16:45And when I've sat and done Riyas with her or sent her my Riyas and gotten her feedback.
16:50Kahan, when you used to perform at stage or in a competition, so consciously what you used to think is
17:00that you are from a musical family, do you represent a musical family or you just go on the stage
17:06and sing that, okay fine, let's keep this behind.
17:09So honestly, it was a mix of both. I would always sing keeping in mind that I, that like I've
17:16learnt from Asha Ai and I've, like I've learnt while sitting with her and singing with her.
17:22But also I would sing for the fun of, for the fun of it because I enjoyed it and because
17:28it was a hobby.
17:30But also there was, it was a bit of both that I am from a musical family and also because
17:37I enjoy it.
17:38Okay, you should go with both of them, that in this time when the remix culture and fast music trend
17:43is in the trend,
17:43so do you think that the space for the soulful and emotional music has become less and the audience can
17:52connect to it now?
17:54Now?
17:55In this case, where the remix is going, I'm sure Kahan's view and my view will be very different.
18:02So I will ask Kahan to give his views on what do you feel remixes are.
18:06I feel remixes are very creative and interesting ways to bring back old music and put it as part.
18:17It's a nice mix of modern and old and I think it's very, it's a very interesting concept and it
18:23definitely is very nice to hear about and listen to.
18:31Lastly, you know, the generation gap between both of you, is there a gap between music and the gap between
18:38music and the gap between music and the gap between music?
18:52For example, Kahan is now making cookies and he wants to sell it and he wants to make money because
19:00he wants to buy a phone.
19:01We don't give a phone.
19:02He wants to buy a phone.
19:03I said, come and buy a phone.
19:05It's a blessing because she loves cooking.
19:09She loves your cookies.
19:10Now you have to do what you want to do.
19:12Then what is the packaging?
19:15What is the photo of the cookie?
19:17It's not good.
19:18It's good.
19:19I don't like it.
19:20I don't like it.
19:21I don't like it.
19:23So that is always a part of this thing.
19:25In the music, we keep arguing that I don't like it.
19:30But I like it.
19:31I don't like it.
19:34But I don't like it.
19:36So I think over time, it's been a lesson for me and a nice lesson to respect his point of
19:45view.
19:46Because for a long time, I felt that this is not good.
19:49But he was so convinced that this is good and I will do this.
19:54And by doing it, he's gone and won competitions.
19:57And then I felt that, oh, okay.
19:59My God.
20:00That means that my point of view was wrong.
20:02That, you know, I don't think the way youngsters think or the way youngsters enjoy the things youngsters enjoy.
20:09So I have learnt a lot from this generation and that's something I would like to think we've learnt from
20:14Asha Hai.
20:15Because she was never stuck.
20:17This is true.
20:18This is wrong.
20:19Okay.
20:20Does this happen?
20:21Why?
20:22What happens?
20:23Can you do this?
20:24Let me tell you why.
20:25And she would change her point of view.
20:28So, you know, we, I think, pick up from that and we keep reminding ourselves
20:32that at 93, if she could keep changing perspective,
20:37AI has also come.
20:38I don't need to sing.
20:39Wow.
20:40Okay.
20:40Interesting.
20:41Most singers say, hey, rubbish.
20:43Don't do this.
20:44Don't do this.
20:45Don't do anything.
20:46Don't do anything.
20:46She was not like that.
20:48Yes.
20:48I don't like it.
20:49But what is it?
20:50And when we tell some lyrics,
20:53or the old singers,
20:55who are not with us,
20:56their voices and their voices,
20:59they would listen to AI through.
21:00She would be very interested.
21:02Very interested.
21:04And I think we learnt from that.
21:05I learnt from that looking at him.
21:07Because I don't like it.
21:09I don't like it.
21:10it doesn't mean that it's wrong.
21:12It means that I need to change my perspective.
21:15Yeah.
21:15That's right.
21:16That you want to give a song to your attribute.
21:19I wrote a song called Chalte Chalte,
21:25and the other song is Chala.
21:27Both songs are about separation.
21:31Death.
21:32Going away.
21:33And when I wrote the song,
21:36I had to listen to her.
21:39And she heard it.
21:41And by that time,
21:42my father, Hemant,
21:44and my aunt, Varsha,
21:45both were dead.
21:47And she was very pained by that song.
21:51She loved the song.
21:53It was very good.
21:54But she said,
21:55I can't listen to this song again.
21:57Because I feel like crying.
21:59And I don't like that.
22:02So,
22:03the song was written,
22:04but it stayed.
22:06And,
22:08I would like to just pay a tribute to her
22:11at this point of time.
22:13The song's name is Chalte Chalte.
22:15And,
22:16it's a very personal conversation
22:18with Asha Ji.
22:21Like I was talking about,
22:23that's how the song has been written.
22:25So, it's not like typical song.
22:27You remember the song.
22:29You remember the song.
22:29You remember the song.
22:31It's a memorable melody.
22:33It's a story.
22:34And in that story,
22:35you know,
22:35you always go ahead and run.
22:37You never stop or stop.
22:39You only went down.
22:40You only went down.
22:41Why went down?
22:41You only went down.
22:42Why went down?
22:42You know?
22:44That's how we used to talk.
22:45People would say,
22:46You went down.
22:46How can you talk to your grandmother that way?
22:48But, that was our relationship.
22:49We were very close friends.
22:52We were Grandmother Grandson and we enjoyed a lot of fun and through this song I have used
22:59photographs of our personal moments when we were doing shows.
23:03Of course there were a lot of moments with other people in it, so I didn't use them.
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