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00:01A daughter lost, a son found, he is yours.
00:05We've had no Barwell?
00:08Since you have proven your commitment,
00:11Boston is now officially open for the importation of your merchandise.
00:15Jax has a few more weeks and you'll be free.
00:18The story's about you come up the canal once you walk fine along.
00:22Now you need a stick.
00:24He's died clean for two weeks.
00:25I'll write Linda another letter.
00:27Have you recently suffered seizures?
00:29It is tuberculoma.
00:31I am afraid it is inoperable.
01:07Check this website as remove every stroke or colon.
01:08Check this one!
01:08Check this one forï¿½ï¿½ê³ doctor!
01:09Check this one.
01:10Check it out!
01:12Check it out!
01:14Check it out!
01:16Check it out!
01:28Let's go.
01:55Mr Shelby, I only gave the opium to your brother because he gave me big trouble.
02:01He attacked my wife.
02:10I'd like a pot of green tea, please.
02:24It's taken me ten years to build this business.
02:27Business will be safe if you do what I say.
02:33How much opium do you have in your cellar?
02:37Five pounds.
02:39Bring it to me.
02:42Four minutes against the clock.
02:58Four minutes against the clock.
02:58Four minutes against the clock.
03:24It is my duty to take responsibility for the welfare of my constituents.
03:28The clock is still ticking.
03:29The consumption of opium is very prejudicial to health.
03:33Women give it to their children so they can leave them untended while they work in the factories.
03:38Men lose their jobs when they become addicted.
03:42From now on, you will sell only cigarettes, cake and tea.
03:50If I hear that you're selling opium again, time will indeed run out very quickly for you. Do you understand?
03:55Yes, I understand. I will stop. Mr Shelby, the clock is still ticking.
04:07Please tell your suppliers and your customers.
04:13From now on, there will be no more opium and small leaf. Only bored sleep. Thank you for the tea.
04:37I'm so nervous.
04:39It is a bad day.
04:40It's not a bad day.
04:47If you are taking care of yourself, you can come back.
04:48Look at me.
04:50Please say immediately.
04:52This is wrong.
04:53Let me go.
04:53You see?
04:53You see?
04:53Let me go.
04:53It's not a bad day.
05:02you can let him through now yes sir mr shelby
05:08you tell the pub and cafe owners of montague street there's any further trade in powder
05:13there will be no more montague street i'll have it demolished and replaced by apartments
05:17by order of the birmingham urban district council
05:35sorry i'm late closed montague street with a gas explosion or
05:45right well it would be nice if just one thing could happen in birmingham that wasn't our fault
05:54i gathered you all here today because there is news a bit of interest to the whole family
06:01first of all i'd like to welcome finn's new wife mary to the family
06:10right well i'm very glad that i dragged myself out of bed for this
06:15there is one more out of my business johnny don't
06:23man come on will you
06:32everyone
06:34this here is erasmus nobody calls me that i call him duke
06:4420 years ago at appleby horse fair i met a girl we shared the shade of a hazel tree
06:53nine months later this lad was born
06:59this is my son his mother died on the road up until now never tried to find him but i'm
07:07trying
07:08to look at life in a different way
07:12the child is a precious thing
07:16so i'm bringing him to the fucking family with a snap of his fingers
07:21no bringing him into the fold you'll have to earn membership of the family
07:27for the moment welcome son you have a seat you won't sit down here
07:37there's some mistakes i've made i can never address there's some i can
07:45some wounds i can try to heal new wounds you can open up
07:52anyway that's the business of the day is it too early for whiskey
08:04there you go
08:07shelby breakfast for usual i don't drink and i'm not shelby i'm a duke
08:16no fucking shelby all right i worry about that
08:21i think we need curly and a strong rope to break this one in some
08:26half it open up the shop with the kid here on the blackboard writing of the odds
08:31i can't write put the kid here on the blackboard wiping off the chalk
08:38i want some
08:40come on
08:59Is that busy?
09:02Come on.
09:09Our father was the Duke of Saxonshore.
09:12My mother was a Romany queen.
09:14Who told you that's your mum?
09:16I don't allow people to talk about my mother.
09:21Good for you.
09:23So let's get this right, then.
09:25You can't read, you can't fucking write, nothing wrong with that.
09:28What can you do, eh?
09:30I can tell the time.
09:33Tell the time.
09:34Here, I can tell the time.
09:36Ain't that clever?
09:39It's a lot more than what you can fucking do.
09:44What did you just say to me?
09:47What time is it, Mr Shelby?
09:53That's what I can do.
09:55You little bastard.
09:59Here, keep it.
10:01Stop you from being late in the future.
10:31And who's the one who wants to be late in the future?
10:33Not for Arthur Shelby.
10:36No.
10:40But there may be forgiveness from God.
10:45And you will do God's work.
10:48God is interested in you as well, Tommy.
10:51God will be with you on your journey every step of the way.
10:58You may not need to take many steps.
11:14So tell me this, Linda.
11:18Is God interested in me?
11:21Or in my money?
11:27I believe you run a foundation.
11:30And that your foundation is many missions across the world.
11:32But in these times of financial crisis, funding is hard to come by.
11:37So perhaps your God's plan is a practical one.
11:41Perhaps he would like me to make a donation to your foundation.
11:45And in return, he would like you to help my brother on his road to redemption.
11:53Now I know that in a place of worship such as this, you would never ask how much.
11:57So I will tell you plainly.
12:00I will write your foundation a cheque for £10,000.
12:04Praise the Lord.
12:06If you agree to look kindly on Arthur and to help him, I need to look after everyone in the
12:13family.
12:16Do we have a deal?
12:21Your money will be spent to do good around the world.
12:25And a mission will be named after you.
12:30But I'm only agreeing to help him.
12:33Not to sleep with him.
12:35No.
12:37No, I imagine the negotiation for that particular favour would take a considerable amount of time.
12:44And I have an appointment.
12:47God bless.
13:12Apologies for your initial misunderstanding.
13:16My brother dealt with it.
13:25For the care you took.
13:28Even though I succumbed to temptation.
13:31Part of the reason my brother is back dealing with it is down to you.
13:36You spoke to him.
13:37As a comrade?
13:38The beating is still out to you.
13:40Do you still do that kind of work yourself, Thomas Shelby and Pete?
13:45Mr. Stagg.
13:46You see, I can use men like you.
13:51I have friends that are in need of guns.
13:55Soon there will be a shipment of Thompson submachine guns coming here from Boston.
14:02I need you to unload and store those weapons.
14:07There will also be ammunition.
14:10Like this.
14:13You have a good luck.
14:15And I need you to take better care of the guns and ammunition than you do to the powder.
14:22You understand?
14:26Previously, all of my import and export went through Belfast docks.
14:31Now we're dealing with Boston.
14:35I'm considering shifting my supply line to Liverpool.
14:40You'd be a very rich man.
14:46Don't you ever say thank you.
15:12Is that why you do it, Mr. Shelby?
15:16The way you keep all this going.
15:18It's why people say thank you.
15:21You could close all this down.
15:24You could leave the sport behind.
15:26You know you could live like an ordinary mortal man.
15:30On your gravestone.
15:32An ordinary mortal man.
15:35But instead, you still go down and collect and please and thank you.
15:40And sorry.
15:42And forgive me, Mr. Shelby.
15:45Is that what it's all for?
15:50I don't know.
15:52I don't know why I've carried on.
15:56All these years.
15:58It's so I can do this.
16:05And then, do this.
16:14Feel it.
16:17I feel it.
16:20Junk doesn't even come close.
16:27Soon, Mr. Stag, when my last bit of business is done, I will indeed be an ordinary mortal man.
16:42Have a good day.
16:51Arthur.
16:52We've got a problem with the referee.
16:54He's not taking the money.
16:56He's fucking religious or something.
16:57Jesus Christ.
17:01You've told me away.
17:03You're in charge of gambling, Arthur.
17:04What should we do?
17:06Arthur.
17:07And this, they said to him, that they may have some charge to bring against him.
17:12Arthur.
17:13This referee is threatening to go to the police in time.
17:16Jesus!
17:18Bent down.
17:19And with one finger, he wrote on the ground.
17:23Arthur.
17:25Arthur.
17:25Arthur.
17:27Arthur.
17:28And the people are laughing at you.
17:32So I just found out holy referee again.
17:35He basically told me to fuck off.
17:38Not even basically, actually.
17:40He literally just told me to fuck off.
17:42Is that right?
17:45So, do you know?
17:47For fuck's sake.
17:48Do you know what he wrote on the ground?
17:51No. Do you know? You don't know, do you?
17:53No, I don't.
17:54Billy, do you know what he wrote on the ground?
17:56I...
17:56Do you know what Jesus wrote on the ground?
18:00He bent down and with one finger
18:02wrote on the fucking ground.
18:05Do you know? Do you know what he wrote?
18:07God. Billy.
18:09No. Arthur, what should we do?
18:12Go and give me the referee.
18:14Bring me the fucking referee.
18:33No. No.
18:40No. No.
18:42No. No.
18:47No. No.
18:49No. No.
18:51No. No.
18:53No. No.
19:11Oh, my God.
19:26Oh, I know she's here with us.
19:31Always.
19:38And still, it's just you and me.
19:48I thought it'd be good if we went in a different place.
19:53I hate that house now.
19:56We should blow it up.
20:08There was a time when we'd say nothing afterwards because we didn't have to say anything.
20:18No, we've got nothing left to say.
20:25It's business.
20:31It's business.
20:32What business?
20:36The American.
20:39He's coming to Birmingham.
20:42He's stopping over on his way to Liverpool.
20:45He's staying with us tomorrow night.
20:47But Francis knows she's making up a menu.
20:54And then we have to make a move.
21:02Do you want to know what that move is, Lizzie?
21:07No.
21:11I know enough.
21:16Your book of regrets.
21:2223, 24, 52, 55.
21:29Combination to the safe.
21:35Regrets.
21:37And I'm on there.
21:39I'm on the list.
21:41I'm on the very top of the list.
21:51Yeah.
21:53Miss, you are.
21:58I regret marrying you, Lizzie.
22:03Because I put you through so much.
22:06I put you through all of this.
22:09Ruby.
22:12Everything that is to come.
22:17When you married me, you married a man, and you married a curse.
22:22You have shared my fate.
22:27That is my regret.
22:33But know this, Lizzie.
22:36In this moment.
22:38In this room.
22:42I love you.
22:51You sound like you're ticking a fucking box, and I don't know what's inside the box.
22:58I don't know what's inside the box.
23:00I don't know what's inside the box.
23:00Never have you let me in.
23:05Even though I know the combination to the safe.
23:08I don't know if.
23:17I don't know.
23:28I don't know.
23:29I don't know.
23:30I don't know.
23:32I don't know.
23:34I don't know what you're talking about.
23:47Oh, this is him, is it?
23:49You're the one who likes to be fucking difficult, eh?
23:53When I leave this place, I'm going straight to the police.
23:56You are?
23:56This man pointed a gun at me.
23:58Oh, him there?
23:59Yeah.
24:02Well, let's find the place, eh?
24:05Go, eh?
24:07I'll have this seat now for me.
24:09Hello?
24:10Yes?
24:11Give me the police.
24:12Reports of a man with a revolver on Watery Lane.
24:16Here you go.
24:17And you ask for Inspector Moss.
24:20Chief.
24:22Superintendent Moss.
24:25He's in charge of Watery Lane.
24:27And boards the green.
24:29That's right.
24:31And you see this?
24:34That's his betting claim.
24:36With us.
24:37He makes a lot of money from football matches.
24:42Because we give him the results before the match.
24:56On Saturday afternoon, you take this whistle and you blow him.
25:01You give a penalty to Baringham City in the final minute.
25:04The goalkeeper will let the penalty go by him.
25:06And Baringham City will win 1-0.
25:09All you've got to do is...
25:14Baringham City will win 1-0.
25:19No.
25:22I won't do it.
25:23If the police won't listen, I'll go to the newspapers.
25:26I'm not afraid.
25:30I was in France.
25:32Phone Tommy Arthur.
25:35You shut up.
25:36We're not finding fucking Tommy.
25:39Oh, I'm doing this, okay?
25:41I'm leaving.
25:42You're not going fucking nowhere.
25:44It's time one of us stood up to you people.
25:46It's not right what's been happening.
25:48I will not take money to cheat.
25:52Fucking hell.
25:53In France, I ran at the wire.
25:56And I was not afraid.
26:00I am not afraid.
26:02I won't do a bad thing.
26:05I've seen too many bad things.
26:09I'm eating will make no difference.
26:12I know that.
26:14Because I can see it in your fucking eyes.
26:17Oh, fuck.
26:19In the bleak midwinter.
26:22Holy Mary, my dear God.
26:25What, Billy, what?
26:27You've been in the family long enough.
26:29Yeah.
26:31It's time for you to get blooded.
26:32Arthur, you can't.
26:34You've been with us for the widow.
26:35Fuck off.
26:36Jesus, go.
26:37I can't be that man, Arthur, please.
26:40Even two men die today, Billy.
26:43Or what?
26:43You fucking decide.
26:46It's him, Billy.
26:47It's him.
26:48You don't know him, Billy.
26:50He's fucking laughing at you.
26:51Come on.
26:52Come on.
26:53Arthur, you...
26:54Look, come in, in your eyes.
26:55Look, in your eyes.
26:56Yeah, yeah, yeah, yeah.
26:57In your eyes.
26:58Arthur, you...
26:59I'm sorry.
27:01Sorry.
27:03Come on.
27:15Enough.
27:16You don't feel it, no.
27:17No.
27:18It's all right.
27:19Billy, come on.
27:20Come on, shh.
27:24It's all right, it's all right, it's all right.
27:29Look at you, look, eh?
27:31Look at you, look.
27:36You're blooded now, Billy.
27:40You're blooded now.
27:43You're not going to heaven no more.
27:46I won't let you in.
27:52Zoya, you take him to the foundry, you ask for Mr Patches, all right?
27:56He said that we got some fuel for the face.
28:20Yes, sir?
28:25It doesn't work.
28:31Yes, sir?
28:40Good job.
28:46Toast a huge dog.
29:36I hear you're the informant inside the Shelby organisation, and who the fuck I am is the man you now
29:46work for.
29:50I have something I need you to do, and I want to impress upon you, to impress upon you the
29:56seriousness of my intent.
29:59Because you see, I used to do this kind of thing for a living.
30:03And sometimes, I kind of miss it.
30:07Just like Mr. Shelby, I miss the wave of electricity you get under your scalp.
30:12I miss the taste like metal on the tip of your tongue.
30:16I'm about to give you an instruction.
30:19You do as I say, you stay a man.
30:23Fail, and I will send people to serve your balls to you on a china plate.
30:30What did you say?
30:33Our decision's been taken.
30:36My associates are going to take care of Thomas Shelby, and you are going to give us up his brother,
30:42Arthur.
30:43Do you understand?
30:46Yes! Yes! Fucking yes! Please!
30:54Only information leading to the murder of Arthur Shelby will save you from an Italian death.
31:00Because it was the Italians that taught me that above God, above children, above his wife, and above his mother,
31:08most of all, a man loves his balls.
31:10Please, please, please, please, please, please.
31:42Please, please, please, please, please.
32:10Please, please, please, please, please, please.
32:21Hello, Arthur.
32:35I think we should pray.
32:39That's how we begin this.
32:40I need what to pray.
32:42The prayer I've chosen is the act of contrition in version 2.
32:48Are you Catholic now, Linda?
32:50You're Catholic.
32:52Quakers don't pray.
32:56Bow your head, Arthur, and close your eyes.
33:01And recite the prayer.
33:02You know it well from when you were a boy.
33:03Oh, my mind's all dried up with junk, though.
33:06It's shot full of f...
33:08Shot full of vows.
33:13Linda, please.
33:16It's in there somewhere, Arthur.
33:17It's like a song.
33:19Yeah.
33:21Somewhere.
33:22Together we'll find it.
33:24Digging for the words will help clean your soul.
33:28I'll begin it.
33:32Forgive me my sins, O Lord.
33:34Forgive me my sins.
33:35The sins of my youth.
33:37The sins of my age.
33:41The sins of my soul.
33:44The sins of my body.
33:47The sins I know.
33:48The sins I know not.
33:51The sins I have concealed for so long.
33:54For so...
33:56For so long.
34:17Call him stealing a car.
34:19And he's got a stack of cash from the betting shop.
34:35The sins of my own.
34:36Steal from who you want.
34:38Don't steal from me.
34:41Here you are.
34:45Get a train.
34:46To wherever the fuck you want to go.
34:47Get out.
34:48I don't ride trains.
34:49Matter of fact.
34:53Well, Curly is a two-wheeled wagon.
34:56What am I, a tinker?
34:58I need four wheels.
35:00Right.
35:00And a horse.
35:01For the hills.
35:05Which hills?
35:07All of them.
35:09All the hills of England.
35:15Why do you want to leave?
35:21I didn't take to that work in the betting shop.
35:27Well, you heard him, surely.
35:29Get me dad's old four-wheeled wagon and two strong ponies.
35:33Fine.
35:34Curly!
35:35Get here!
35:42Before you go,
35:44do you want to know the truth about yourself?
35:48No.
35:49He does.
35:52Right, well, I'm going to tell you.
35:55That spring in Appleby Fair,
35:57your mother stole my watch and chain.
35:59You're from a long line of thieves.
36:01The watch
36:02had the words
36:03Saxon Shaw
36:04carved in it.
36:05It stole it myself
36:06when I was drunk
36:07when I was a kid.
36:09I imagine she told you
36:11your dad was the Duke
36:12of the Saxon Shore.
36:13Well,
36:15I am the Duke
36:16who was my watch.
36:18I'm your father.
36:22That's the truth.
36:24When her dad found out,
36:26he shot me in the chest
36:27with a squiddle gun.
36:29A scar,
36:31a stolen watch,
36:33and a story she made up.
36:36It's all you need to know
36:37about yourself
36:38before you get on the road.
36:52Esme tells me
36:53the spirits favour you.
36:56Now the spirit is in you.
36:58She tried to sell me
36:59like one of those horses,
37:00didn't she?
37:01How much did she pay for me?
37:05I've no use for gold anymore.
37:07But if you are a horse,
37:10you're in the right place.
37:13Curly!
37:16Curly!
37:17Hurry up!
37:18This boy has hills to climb.
37:23I remember that watch.
37:27Oh, yeah?
37:30She used to wear it
37:31over her heart.
37:35We buried it with her.
37:40Tom,
37:41the old wagon
37:42right front wheel
37:43is fucked, Tom.
37:44I can stand it in the wet.
37:46Put a new wheel on, Curly.
37:54Fixed wagons here.
37:57Good families
37:58come from the new forest.
38:01Get their wagons fixed.
38:02Fresh horses
38:03before the fairs.
38:08Yeah.
38:09Yeah, I like it here.
38:11I like it better
38:12than that betting shop.
38:16Why?
38:18People.
38:20People piss me off.
38:23There are a lot of people
38:25in that betting shop.
38:27So far here,
38:28what,
38:28I've only counted two.
38:30Mm-hmm.
38:32Charlie and Curly.
38:33The rest is dogs and horses.
38:35Curly is our force himself.
38:38Dogs are OK.
38:40Horses are better than people, Maud.
38:46There's work here for the man
38:47who knows horses.
38:52Unknown.
38:54I want to remain completely unknown.
38:57Well, they'd be in the right place
38:58for that as well.
38:59No one knows anyone here.
39:02Hey, mister, save that wheel a minute.
39:06Where would I stay?
39:08In the stables.
39:10With the other stallions.
39:13Now the Finners married off.
39:15Plenty of girls around here.
39:17The fathers are mostly unarmed.
39:24I have a future for you,
39:26Duke.
39:29You already have a son.
39:32My business is two sides.
39:35Light and dark.
39:37I'll need someone for each.
39:40And I'm dark.
39:41Am I?
39:44I've realised
39:44we don't get to choose
39:46which one we are.
39:48Dark knows dark.
39:51And my affairs,
39:52both light and dark,
39:55we'll need settling soon.
39:58Curly!
40:00Find a shovel
40:01with the Duke of the Saxon shore here.
40:04Get him shoveling shit.
40:06And put some petrol in the boat.
40:09We'll have to meet a lady
40:10in Solly Hall.
40:12One silver dollar
40:15Bright silver dollar
40:18Changing hands
40:21Changing hands
40:25Spent for a bit of his trinket
40:29Won by a gambler's lust
40:33Pierced by an outlaw's bull
40:37And lost in the blood red dust
40:45One silver dollar
40:47One silver dollar
40:50Take a look at her.
40:51Changing hands
40:53Changing hands
40:54Now imagine ten people
40:55living on site.
40:58Step on, have a look inside.
41:05I've had a response
41:07from the Guinness Trust
41:08about building
41:10charitable housing
41:11and two sites
41:13along the canal network
41:14between London
41:16Birmingham and Liverpool
41:19This lock here
41:21would be one of the sites.
41:23I have the permission
41:25Just need the finance.
41:29I know that you and your husband
41:30at Brian Guinness
41:31are estranged
41:32But I understand you still have
41:34influence
41:34in the Guinness family.
41:37Your support
41:38might help them make that decision.
41:40Will you help me?
41:51I've booked a suite
41:52in a hotel a mile from here.
41:55My chauffeur will take us there.
41:58You look quite the thing
41:59dressed like that
42:00dressed like a working man.
42:02They'll probably show you
42:03to the coal house
42:04to make your delivery.
42:06Yeah, I probably will.
42:12Oswald has fucked your wife
42:13so my suggestion
42:15is about balance
42:15and proportion.
42:17It would be only fair.
42:22Can I assume
42:25I have your support?
42:30This isn't about
42:31charitable housing.
42:32This is about
42:33changing the world.
42:34It's about a different
42:36kind of trust.
42:38Absolute trust.
42:40We have important work
42:41ahead of us.
42:45It's much harder
42:46to lie with your body
42:46than with your words.
42:49Yes, I have learnt.
42:58Mostly I do
42:59whatever I want to do.
43:01Sometimes I do things
43:03for the cause.
43:04In this case
43:05it's both.
43:09Come.
43:36In the interests of absolute clarity
43:39that is simply
43:39the English aristocracy's
43:41way of shaking hands.
43:46So,
43:48welcome.
43:51Welcome.
43:59Welcome.
44:09Welcome.
44:11Welcome.
44:11Welcome.
44:11Welcome.
44:12Welcome.
44:43Come under my wings, little girl.
44:50Come under my wings, little girl.
44:58Come under my wings.
45:00Come under my wings.
45:30Come under my wings.
45:35And then back again.
45:42Swear there's nothing.
45:51I made it.
45:54I made it.
46:03I made it.
46:12I made it.
46:20I made it.
46:22I made it.
46:27I made it.
46:46I made it.
46:58I made it.
46:59I made it.
46:59I made it.
46:59I made it.
47:01I made it.
47:05I made it.
47:14I made it.
47:17I made it.
47:29I made it.
47:31I made it.
47:32I made it.
47:41I made it.
47:50I made it.
47:54I made it.
48:00What are those tablets?
48:02Doctor gave them, mate.
48:04Thank you, Liz.
48:05Yep.
48:07What pain?
48:09Any pain that comes, Lizzie.
48:34When you're ready, I want you to tell me everything that's going on.
48:41It's like the clock stopped ticking and I'm waiting for the bomb to explode.
48:49We're in that quiet minute.
48:57Tell me.
49:07That's where we live now.
49:11When I know everything, I will tell you everything.
49:33Oh no, Gina's running wild, you see. Harrods, dope, amphetamines and lords and ladies, you know, the whole English aristocracy
49:39thing. Fuck wine.
49:40Whiskey.
49:42Shelby, you having whiskey?
49:43I'll stay on wine.
49:45Fuck wine.
49:45More whiskey.
49:46I'm celebrating.
49:48Celebration, you know?
49:50Getting off this fucking island.
49:51You see, the thing with England, the currency here, it's not money. Nah, you got bored of money a long
49:57time ago.
49:59Cause you know, anyone can have money. You can fucking find money in the mud. You can forge money. Mr.
50:10Shelby, you can steal money, am I right?
50:12I mean, the currency here, it's blood. And Mr. Shelby knows that better than all of them. Bloodier is like
50:23wine, like vintage wine in that bottle. It's the label, it's the terroir, it's the grape that makes the wine
50:30who fucking cares about the glass around it.
50:32And you, my friend, you're an American. You fucking smash the glass, you spill the blood, and you spend their
50:40currency to get what you want. Am I right?
50:46When you come to America, I will show you things.
50:50You're going to America?
50:54To Canada, Lizzie, to collect payment for the shipment. I need to do it myself.
51:01And who will be going with you?
51:03Michael will be there to watch his back.
51:05Another journey, Tommy.
51:08Five million dollars, Mrs. Shelby, it's worth the little cruise, don't you think?
51:16You know, whiskey does talk. Mr. Nelson and sometimes whiskey is very eloquent.
51:25But five million dollars, Mr. Nelson, and that is a legacy.
51:34And when I come back, I will know everything.
51:40I see myself so clearly in you, Thomas Shelby.
51:47You are a man with a bright and glittering future.
51:53Mr. Shelby, there's a car coming up the drive. A Rolls-Royce.
51:58Were you expecting more guests?
52:01No.
52:10Excuse me.
52:19We were on our way to my constituency in Smethwick,
52:22and I heard our American friend was in Birmingham and that he was coming here.
52:27So, we came to say one last farewell.
52:33Champagne. We have much to celebrate.
52:43It isn't that I wasn't sure Mr. Shelby would give you an excellent send-off.
52:47I just felt, since telegrams and wires and letters can so easily be intercepted,
52:54we might confirm all that we've achieved during your visit over champagne.
53:00It is remarkable how quickly our relationships have developed.
53:03So many triangles in this room.
53:07Everyone except for Mr. Nelson is the point of a triangle.
53:11Am I part of a triangle?
53:13Mr. Nelson, you have all that you came for.
53:17I have confirmation that the future of Europe is in the hands of men like yourselves.
53:23And that urgent conversations between Washington, Rome, and, of course, Berlin can now begin.
53:31A two-week visit that may have changed the course of history.
53:35We all got what we wanted.
53:37Yes.
53:39And I got what I have wanted from the moment I set eyes on it.
53:49Elizabeth, you are a very lucky woman.
53:52To have each day what I have only sampled once.
54:19Forgive us, Mr. Nelson. That was a necessary bit of housekeeping.
54:30Thomas, we do so hate to be indiscreet, but we have told you many times, if you were to seek
54:36power in these days of shiny magazines and society photographs,
54:43Sooner or later you will have to find a spouse who is more suitable.
54:47A woman with Lizzie's past and personal history really isn't suitable.
54:55She doesn't deserve you, Mr. Shelby.
55:21You know, the thing is, Moseley, you're right.
55:28You're right, she doesn't deserve me.
55:35She doesn't deserve what I am.
55:40She doesn't deserve what I will become.
55:42What will you become?
55:45Truth is, I belong here at this table.
55:47With fuckers like you.
55:52She doesn't.
55:56But all I try to hide is.
56:01I'm just one of you.
56:06Could there be a sadder ending, aye?
56:09Take a little walk to the edge of town
56:14And go across the tracks
56:20Where the viaduct looms like a bird of doom
56:26As it shifts and cracks
56:32Where secrets lie
56:35In the border fires
56:38In the homing wires
56:42Hey, man.
56:45You know, you're never coming back
56:50Past the square, the bridge, past the mills and the stacks
56:57On a gathering storm
57:00Comes a tall, handsome man
57:03A dusty black coop
57:06With a red right hand
57:10I'm here on behalf of your wife, Gina
57:11And Jack Nelson
57:14Mr. Nelson's prepared to get you out of here
57:17But first he needs an answer to a question
57:21If the answer is yes
57:24He'll be released
57:27If the answer is no
57:30He'll stay
57:34I've consulted my mother
57:37Your mother's dead
57:41Nevertheless, I've consulted her
57:47And yes
57:49When I'm released
57:50It is my intention to kill Tommy Shelby
57:57He's a god
57:58He's a man
58:00He's a ghost
58:01A guru
58:03And they're whispering his name
58:07Through the disappearing land
58:11But hidden in his coat
58:15Is a red right hand thumb
58:28You don't have no money
58:31You don't have no money
58:32Well, he gets you some
58:35You don't have no car
58:39He gets you one
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