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Watch Museum of Innocence Season 1 Episode 6 online in HD on Dailymotion (2026).
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Short filmTranscript
00:00You
00:23Brother Kamal, this is my husband Fetterton
00:26We got married five months ago
00:42Oh
00:44Pleased to meet you
00:49You're quite lucky, Mr. Ferdinand
00:52And not only did you marry this wonderful girl
00:55But she's the owner of this tricycle they brought
01:04Oh, sorry, you're just standing there
01:06We wanted to invite you to the wedding
01:07But we'd heard about your father's illness
01:11Please, come in
01:14Fasun, don't hide behind your husband
01:16Find a face for the beautiful roses, Mr. Kamal, Brian
01:19Come on
01:32Let's get these roses and some water
01:42Mr. Kamal
01:43Would you like to have her aqui?
01:45Oh, please, thank you
01:47Have some of this
01:48The cherries are delicious
01:51They look delicious by there
01:52So fresh
01:53Yes
02:04So, when is the baby coming?
02:10Uh, we're not planning on having one yet
02:13Maybe when we get a place of our own
02:23Kamal
02:24Of course, Ferdinand is quite young
02:26But
02:27He's the most sought-after screenwriter in all of Istanbul
02:29He wrote The Simit Cellar
02:31And not just that one
02:32I can't remember their names
02:34In a desperate gasp of hope
02:35I imagine that this marriage story was a joke
02:38That they had disguised a chubby neighbor as Fasun's husband
02:41Just to catch me off guard
02:42Fava beans?
02:44You love Fava beans?
02:45Thank you
02:49And he's a distant relative of Fasun on her father's side
02:59We used to ride bikes together when we were little kids
03:04How nice
03:12My only consolation was to sit across from her
03:15Gazing in silence
03:17As one reverently admires a painting
03:19Wow, it's really raining
03:22Thank God, listen to that
03:25It's easy picking up, doesn't it?
03:28What's that?
03:29The peril
03:29What?
03:30What happened?
03:31What's that sound?
03:38If it hits something
03:40Let me see
03:41That's really dangerous
03:42Look, let me see
03:44Now look at that
03:45What a mess
03:46I hope it doesn't hit anything
03:51Oh, maybe we should bring up something
03:53Look at that
03:54What a mess
03:56The wars don't get flooded
03:57Well, if the water reaches that point
04:00Wasn't it the same last year?
04:02It was exactly the same
04:03Yes
04:03Year after year
04:05It's such a shame for those people
04:06They suffer year after year
04:09Is that Hasebe's house?
04:10Which one?
04:11That one
04:12The lights are all
04:13Of course they are
04:15But I told them
04:15This isn't good
04:21Please forgive me, can you?
04:29I'm very sorry
04:30I'm sorry I couldn't attend
04:30Your father's funeral
04:34I thought you'd be there
04:40I thought so
04:42But it was impossible to come
04:45Well, isn't it true
04:46What they say by there?
04:48Yes
04:48Nothing can stand in the way of water
04:50Hey, did you see the grocer's
04:52Illegal awning has blown off?
04:53Yes, unfortunate
04:57Fasun?
05:02Fasun?
05:03Fasun?
05:04What's wrong?
05:04I still feel so sorry
05:06That I didn't attend
05:07Uncle Gantess funeral
05:08I'm just upset
05:09I loved it dearly
05:10Right
05:10These two used to play together
05:12As children as well
05:13Come on now
05:14Oh, my sweet girl
05:15Again, my condolences
05:16Don't cry here
05:18She loved you like father, you know
05:22Mr. Koal
05:25Another Aki, huh?
05:30Mr. Koal, be careful
05:32I'd like to wash my hands
05:34Sure
05:34Of course
05:35Fasun, honey
05:36Show Mr. Koal away
05:41Are you all right?
06:13Once again, it was clear
06:16That the two of us
06:17Have been made for one another
06:27No
06:27Come on
06:30Hello
06:30Hello
06:30Oh
06:42Hello
06:42Hello
06:44Hello
06:45Hello
06:46tablet
06:47I miss you
06:47know
06:48Todo
06:48roads
06:48Order
06:48расс
07:48How did I get out of the bathroom? How did I get back to the table? What did Mr. Jatin
07:53say when he coaxed me up?
07:56I don't remember.
08:02I just remember that when I came back, there was silence.
08:07I don't know if they were silent because they could no longer ignore the shame seeping out of me, or
08:13if my crushing sense of failure had defeated me.
08:17The movies they make in Ishii Jatin are terrible, Mr. Jatin.
08:23And we are all aware of that, you know?
08:28But we're all so aware that Turkish people aren't crazy about movies.
08:34If you could find a dependable, wealthy investor who was also in it for the right reasons, I think...
08:41You could make a piece of art.
08:49I've heard the movie for bassoon to star in, actually.
08:56But, unfortunately, I can't find the funding.
09:04No matter how drunk we might be, there are moments when the clouds part and we catch a glimpse of
09:09the truth.
09:11Fassoon and her husband had only invited me tonight because they saw me as some wealthy relation who could bankroll
09:18their pipe dream.
09:21Fassoon wanted to be a movie star, she didn't need me, she needed my money.
09:51Fassoon wanted to be a movie star, she didn't need me, she didn't need me, she was crazy about me...
10:10Fassoon wanted to be a movie star, she didn't need me, she was the best.
10:11And her husband, she didn't need me, she didn't need any other films.
10:11And she saw me, I just saw the movie star, she would ask that, she was the best.
10:12I've been a movie star, she was the best.
10:31Brother Kamal, we'd love to see you.
10:33This is my husband.
10:34We'll expect you for dinner on May 19th.
10:35With our love and respect.
10:36If you can't come, please send word with Mr. Chetan.
10:39Please, please.
10:41I'm very sorry I couldn't attend your phone's table.
10:43You remember Bruna?
10:45Her youngest daughter, Ben-Yur, came back from Switzerland.
10:48She was educated there.
10:50She turned 18 last month and is apparently very beautiful.
10:54She writes for you.
10:55Are you even listening to me right now?
11:02The Daudelins' daughter finished high school in Switzerland.
11:05She turned 18 last month.
11:08And I hear she's beautiful, so...
11:12I would happily go meet her if you wanted.
11:19Yes, you can meet her if you want.
11:22Oh!
11:23Oh, God!
11:26It is so nice to hear you're ready for that, son.
11:39I would never see those people again.
11:41I couldn't care about someone who would bury herself alive in a ridiculous marriage.
11:53Are you all right, Mr. Kamal?
11:56My dear Anne, I'm very sorry to disturb your evening.
12:00You can't do this to me.
12:03It won't be good for me.
12:04It will be very bad.
12:06I don't want this life.
12:15Mr. Kamal!
12:17How are you?
12:20Welcome, sir.
12:21I'm sorry to disturb you.
12:23Not at all.
12:29Something's bothering me.
12:32I wanted to discuss it.
12:34Well, Mr. Kamal, I'm sorry, since her husband's not here, you...
12:37I don't want to have this filmmaker friends.
12:46I see.
12:50Well, uh...
12:52Have a seat, huh?
12:54And, uh, I'll bring in tea for us.
12:56Okay?
12:57Yeah?
12:57Okay.
13:01I would rather endure humiliations like this than the agony of not seeing her.
13:16But you didn't want to see me.
13:19I'm sorry.
13:23I didn't mean you any harm.
13:25I was drunk and left your earring next to your toothbrush.
13:28I meant to return it to you properly.
13:30The earring wasn't anywhere close to my toothbrush.
13:33What?
13:35Semolina pudding, Mr. Kamal.
13:37Oh, it's the kind with fruit.
13:40It's very nice.
13:42Thank you, Mr. Tariq.
13:47Mmm.
13:49This is delicious.
13:50This is wonderful, Aunt Nassabay.
13:53Enjoy it, dear.
13:54I didn't take it so long.
13:56It happened when my father was alive.
13:59And I thought...
14:01For the time's sake,
14:03we haven't been here in years.
14:06Look at that bird!
14:09I brought it.
14:11Why?
14:12The house was too quiet.
14:14Do you like it?
14:17It hasn't happened yet.
14:19Your name will be yellowing.
14:22I love you.
14:25I said I love you for the first time in my life.
14:30I'll wait for you, Kamal.
14:31As long as I breathe,
14:34the light in the green mansion will never go out.
14:40I'll get it.
14:41We all understand it, Sukron.
14:42That light will follow me in the mountains,
14:44in the hills,
14:45in the scorching deserts.
14:46Even if I go home...
14:47I'll be right back.
14:49You'll still see it.
14:50Hush, Kamal.
14:51I won't say goodbye.
14:52That way, it'll be like...
14:53Goodbye, then.
14:56I can't tell you how wonderful it was
14:58to host you once again in our home,
15:01dear Mr. Kamal.
15:08Don't pay attention to that long face of hers.
15:10Her father just worries her.
15:12She really is excited.
15:13Mother, stop it.
15:14That's enough now.
15:17Seeing you happy
15:18has given me all the happiness I ever wanted.
15:23Seeing you made us very happy as well.
15:26Now that you know where we are,
15:28I hope you'll visit often.
15:30I'm sorry.
15:30This will be my last time.
15:37Goodbye.
15:46Uncle Tariq, my mom...
15:47Good evening, Mr. Tariq.
15:49Good evening.
16:10Mr. Kamal.
16:13Mr. Federdin.
16:15What a pleasant surprise.
16:19I'm leaving your place.
16:20Oh, really?
16:22How great.
16:29By the way...
16:30Yes?
16:31I was thinking about your movie business idea.
16:34We should make art films in Turkey.
16:37Of course, since you were out,
16:38I didn't mention it to Fasun.
16:40Shall we talk about it one evening?
16:43Oh, I would love to.
16:45Shall I come and get you five o'clock on Tuesday?
16:48Fasun should come too, right?
16:49You can bring her along.
16:51Our intention is both to make an art film
16:53and for Fasun to have the leading role in my right-footedin.
16:58Good evening, Mr. Kamal.
16:59Have a nice night.
17:01You too.
17:06Like most Turkish men who lived in my world
17:08and found themselves in a situation like mine,
17:13I never stopped to wonder
17:14what the woman I was madly in love with was thinking,
17:17what her hopes were,
17:18what her dreams might be.
17:21I only fantasized about her incessantly.
17:25Enjoy, Mr. Kamal.
17:28For me, cinema is everything, Mr. Kamal.
17:32I'm only telling you this
17:33so you don't judge me by my age.
17:35I've been working in Yishicham for three years.
17:37I met everyone.
17:38I've done everything from PA to assistant directing.
17:41I've written 11 screenplays.
17:43And they were all successes.
17:44Each one was produced.
17:46Well, I'd love to see them.
17:48Sure, I'll take you.
17:49Most of them are playing in the summer cinemas.
17:51But I don't want to make those movies anymore.
17:54And thanks to you,
17:55the movies we make won't be anything like those.
17:58And what are those like?
17:59Oh, you know, for example,
18:01one of those films where a village girl
18:03comes to the big city
18:04and then a French governess
18:05turns her into a refined lady in three days.
18:09I would have fought with the governess anyway.
18:17She also won't be
18:18one of those poor relations
18:20with Cinderella wannabes.
18:25I wouldn't mind
18:26playing a poor relation, actually.
18:39So, do you watch
18:41any
18:43Turkish films nowadays?
18:45Not really.
18:47As soon as like that, too, you know.
18:48Mm-hmm.
18:49But now she loves
18:51Turkish movies.
19:00Can you teach me to love them, too, Mr. Faradon?
19:02Of course.
19:04Of course.
19:27Happiness is being close to the one you love.
19:30That's all.
19:32It is not always necessary
19:34to possess her.
20:25Between June and October 1976, the three of us saw more than 50 movies in Istanbul summer cinemas.
20:34I swear, if you marry that shop girl, you'll be disinherited and cast out of this family.
20:39I'm just a poor girl who works in a store, and you are the son of a very rich factory
20:45owner.
20:46There is a joy in my heart, and I don't know why. I can't contain my excitement. I feel as
20:52light as a feather. I want to shout, shout, shout!
20:54The pleasure of sitting beside Fassoon was worth it all. That is, until the incident.
21:00I don't know if it counts for good news.
21:03They had so many other opportunities to touch each other. Why did they have to do it right next to
21:09me?
21:09The most beautiful of flowers. So that's why my heart was bursting. That's why I wanted to shout!
21:19Dear clouds! Dear sky! May hello to my baby!
21:34Thank you!
21:36Thank you!
21:53Are you enjoying it?
21:55What are yours?
21:56No.
21:57No mission.
21:58Come on.
21:59Do you want something?
22:02Sure.
22:03My buddy Joe's up there.
22:05What are you doing?
22:06Would you like a soda?
22:07Yes, please.
22:07Thank you, sweetheart.
22:20What's got you looking so serious?
22:24I was thinking how I love these films that I've always laughed at in the past.
22:29Do you really love these films now?
22:32Or are you pretending to, so we'll bring you to the movies?
22:35I wish I could say that sitting next to her was enough for me.
22:39No, no, no.
22:39Not at all.
22:40Most of the films we've seen this summer have really touched me.
22:43I mean, life isn't as simple as it is in these films, but it's fun to go.
22:48And I'm glad you've been coming with us.
22:51I'm glad to hear that.
22:56Four sodas, please.
22:57Miss.
22:58Miss.
22:59Miss.
23:00Are you an actress?
23:04Miss.
23:05But I saw you in a film.
23:06I know it.
23:07Which film was that?
23:08Autumn Butterflies.
23:09You were wearing that dress.
23:10Hmm.
23:11How much is it?
23:12What role was I?
23:15Uh, it was, maybe we should ask my husband.
23:18He knows all the films.
23:20What role was she?
23:27Look.
23:29There he is.
23:30The one waving is my husband.
23:33I promise I'll ask him for you, all right?
23:35Okay.
23:39I think he knows that our film will be made soon and you'll be a star.
23:43Are you really going to give Fetterdun the money to make this film?
23:47I'm sorry, Brother Kamal, but Fetterdun's too embarrassed to keep bringing it up.
23:51My husband and I feel like you're only wasting our time.
24:14Kamal, you need to read the script thoroughly.
24:16Do you understand?
24:19I believe in this script.
24:21And I trust you.
24:23Don't let me down.
24:26This film is as good as made.
24:37The pain of my love was easy.
24:41But it was the pain of humiliation that was rising again.
24:57There are always little resentments and heartbreaks, Mr. Kamal.
25:01Don't I know it?
25:04She suffered a lot.
25:06My dear Fasun was shattered.
25:10When you were young, you were patient with her.
25:12Will you indulge her?
25:15Of course.
25:16Of course.
25:16Of course I will.
25:17Soften her heart and do whatever she wants.
25:19Can you help her off this wrong path she's on?
25:23What wrong path is that?
25:27Before you got engaged, on the day of, and yes, afterwards, she suffered terribly.
25:38She stopped eating and drinking.
25:40She gave up on life.
25:43And this boy came to see her every day.
25:46Come on.
25:47Come on now.
25:48But nothing helped.
25:49She practically lost her mind with grief.
25:51So Tariq suggested they get married.
25:58Faridin had known her since she was 14.
26:01He was in love with her back then.
26:03Yet Fasun wasn't interested.
26:07But after what that girl had gone through...
26:14Even Fasun realized she should get married right away.
26:25Don't worry.
26:27He doesn't know about you.
26:35Mr. Kamal.
26:38Mr. Kamal.
26:40Faridin's a good-for-nothing, we know.
26:43Fasun deserves so much more than he'll ever give her.
26:46But those two are wet now.
26:49He wants to make his wife a movie star.
26:52He'll introduce her to some film people.
26:56If you love my daughter...
26:59Please watch over her.
27:01Protect her, Mr. Kamal.
27:03Of course, Anesimé.
27:06Now, Faridin is a sweet-tempered young man.
27:08But the boy is worthless.
27:14But Fasun will leave him soon enough.
27:16Don't worry now.
27:19Of course, if you stay close to her, give her confidence, then you...
27:22No, my only wish now is to repair the damage I've caused Anesimé.
27:25Yes, dear.
27:26That's mine as well.
27:29And come by any night you want.
27:33Come by any night you want.
27:34Come back.
27:36Welcome back.
27:37After seven years and ten months, I went to Jakorjima to see Fasun for dinner.
27:42That meant 2,864 days and 1,593 dinners.
27:49I cherished each one of those dinners with Fasun, even the toughest, the most despairing, and the most pride-breaking,
27:57with immense joy.
28:01We named our company after the canary, Lemon, which was Fasun's idea.
28:061,200 liras will be transferred from my personal account to Lemon Films every month.
28:11Half of it will be your salary, Faridin.
28:12The rest will be used to pay the rent and cover production expenses.
28:18We need to submit the script to the censorship board and get it approved as soon as possible.
28:22But will we have to wait?
28:23We'll use the wait to get everything ready.
28:25But what if Blue Rain gets censored, then?
28:28Could that happen?
28:29We'll go to Dimir, the typewriter.
28:31Who's the typewriter?
28:32A magical writer who uses his famous typewriter to smooth the script's raw edges,
28:37softening the contrast between rich and poor, good and evil,
28:40and crafting a hero the audience and the censored board will fall in love with by the end of the
28:46film.
28:48Get ready.
28:49Tonight we're going out with some actors.
28:55And so, we started going to the notorious Pellor Bar,
29:00the regular haunt of the nouveau riche, up-and-coming directors,
29:04and aspiring producers all hoping to bingo with film stars.
29:07Get us a table.
29:10By the way, how about over there?
29:13What a coincidence.
29:15I've been looking for a raven-haired girl with an innocent face for my photo novel, Mrs. Susson.
29:21But film's my focus for you.
29:23I have a film that will start shooting very soon.
29:26My team and I are considering you for the lead role.
29:53You three need to watch yourselves from now on, Mr. Kamal.
29:57Sorry?
29:59That producer with the expensive suit and respectable mustache?
30:03You shouldn't even let Fusson speak to him.
30:09Everyone knows too well what happens to the girls who go to his office hoping to become stars.
30:15Or the one who got fetid and laughing at his jokes, who's over there.
30:22He bet his body's a bottle of black-market French champagne that he'd seduce for soon by the end of
30:28the month.
30:30Have I made myself clear enough, Mr. Kamal?
30:44Darling, let me take you away from here.
30:46We can leave this place right now.
31:07We'll drink to your commission.
31:08Good evening.
31:09Oh, here's a hunt.
31:10Good evening.
31:12Who is that?
31:15That's Greenrider's wife.
31:18They're saying they're going to make an art film.
31:21They're searching for the male lead to play opposite the girl.
31:25Are you producing it?
31:27Unfortunately, I'm not to hear, Tom.
31:28Oh, man.
31:29Look, that guy's the producer.
31:31Another dumb, well-meaning millionaire.
31:40Oh, I think that's Kamal Basmaki.
31:46We have two famous male actors interested in starring in our film, Mr. Kamal.
31:52But I don't trust those smooth-talking Lotharios.
31:54We must protect Fassoon from this dangerous film crowd.
31:57We can't let her get involved with those guys.
32:00If we go to Pelor, we should go alone.
32:02The meeting will be here at Lemon Films.
32:10You know Fassoon won't go for that.
32:15Just tell her it's improper for her to be going out at night with two men.
32:21Otherwise, she'll damage her family's reputation and her business.
32:28Welcome, Mr. Kamal.
32:30Thank you, Aunt Nesabay.
32:31You've gone to too much trouble again.
32:33Not at all. Don't mention it.
32:35I was craving pears, but didn't get it.
32:37I'll cut one up.
32:38Bassoon, how are you?
32:42I'm not eating tonight, Mom. I'm going to bed.
32:47Evidently, Fedor didn't have discussed the matter with his wife.
33:00What's funny?
33:01Nothing.
33:02You're laughing.
33:03I'm not?
33:05Yeah, sure.
33:06Want to hear something that'll make you laugh even more?
33:10Mehmet and Nurjihan, every day they go out together.
33:13They go out and listen to Fasil and other garbage music.
33:15Nurjihan?
33:16Mehmet and Nurjihan.
33:18Seven days a week.
33:19No, thank you.
33:20I had no idea Nurjihan was into that sort of...
33:22They're virgins.
33:24It's supposed to make sense.
33:26And how do you know?
33:27Nurjihan told me.
33:28She said the secret to having a marriage that lasts is not having sex before you get married.
33:33Yeah.
33:38Gotta tell you something else.
33:40Guess who I saw you?
33:41Zayim regaled me with tales of his exploits, sweetening the stories to lure me back into the fold.
33:46Again?
33:47I thought just then, what if she's mistaking me for someone else?
33:50But the only thing I wanted to do was be in Fassoon's apartment, at my beloved side.
34:00The young actress in the movie I'm about to start shooting is in the hospital after her jealous boyfriend beat
34:06her half to death.
34:10When I heard the news, I thought that perhaps Fassoon could take the role.
34:19I think it would be a fantastic opportunity for a lovely, cultured girl like Fassoon, huh?
34:24What do you think?
34:57It's a seagull, right?
34:59Yes.
35:01But I haven't been able to draw much lately, Kamal.
35:07What's wrong?
35:10Ferdinand didn't like to mirror the typewriter's revisions.
35:12He wants to do it.
35:14I spoke to him, but you should too, okay?
35:16Enough stalling.
35:17Let's make my movie already.
35:19I will.
35:20You drew the gold beautifully.
35:28Kamal, I know how it is.
35:29It'll take a while to make Ferdinand's art film.
35:32The censors won't give us permission that easily.
35:34They're suspicious of us.
35:42Mr. Muzaffer, he offered me a role the other day.
35:45A role in his new movie.
35:46Did Ferdinand tell you?
35:51You went to Pelor?
35:52Yes.
35:55Watch out for soon.
35:57All those men are wolves.
35:59Don't you worry, Kamal.
36:00We're very cautious.
36:14What's the story about?
36:16Who cares what?
36:19Muzaffer does those melodramatic love stories, right?
36:23I'm thinking I'm going to do the movie.
36:26Just think about it.
36:28I'm thinking about it.
36:29I'm thinking about it.
36:32What?
36:33They're not trustworthy.
36:36Ferdinand should handle it.
36:48I could easily see a producer like Muzaffer, making for soon famous all over Turkey with just one film.
36:55The cramped theaters packed with longing housewives, sex-starved single men.
37:01They would all be mesmerized by her beauty.
37:04If she became a famous movie star, I would lose her forever.
37:10Darling.
37:13What if we took your parents out to a restaurant on the river?
37:17That has nothing to do with this, Kamal.
37:21Well?
37:22Pick up Ferdinand Pelor, of course.
37:24Well?
37:30Ferdinand.
37:31We're going to the Huser restaurant in Tarabia.
37:33Mr. Tariq and I will sit in the front.
37:35You can sit in the back of the soon and remember.
37:36Sounds good.
37:37Mr. Kamal.
37:39Mr. Kamal.
37:41I'd love to go to Tarabia with all of you.
37:45I'm afraid there's no more room.
37:47I'm afraid there's no more room.
38:03I'm afraid there's no more room.
38:08To your house.
38:09Cheers.
38:09You just cheers.
38:11Ferdinand, can you pass the olives here?
38:22It was a great idea to eat here, Mr. Kamal.
38:25So wonderful.
38:26And we can come again.
38:28I'll take you.
38:30We'll come here from now on if you want.
38:32Hopefully.
38:33To your health.
38:35To your health.
38:35I'll come here, too.
38:36Cheers.
38:38Fasuni, would you like some more walnuts?
38:41Excuse me, sir?
38:43Waiter?
38:44This is delicious.
38:47So wonderful.
38:51Your friend got in a car and followed us to the restaurant.
38:56That man is not my friend.
38:58But he's the one who wanted to come with us when we left Palura, right?
39:00Yes, but he's not my friend.
39:02He does photo novels and some action movies here.
39:05I don't like him.
39:06So why did he follow us?
39:08Really?
39:09Oh, my dear.
39:10We were silent.
39:12Fasuni had heard the conversation and gotten tense.
39:18What are you afraid of?
39:20To hear?
39:20Wait a minute.
39:22Hey!
39:28Good evening.
39:30Forgive me, Mr. Kamal.
39:32I don't want to disturb you.
39:34What is it?
39:34I would like to speak with Fasuni's parents.
39:38Good evening, sir.
39:40I'd like to discuss something.
39:41Tariq, he's talking to you.
39:42I'm talking to you, too, ma'am.
39:44You're Fasuni's mother, is that true?
39:46And you, sir, are Fasuni's father?
39:47Yes, I am.
39:48The thing is, sir, two of the industry's greatest producers,
39:52Mr. Muzifer and Hiel Hayati,
39:54have offered your daughter a leading role.
39:56However, the offer was rejected because the film contained kissing scenes.
39:59That is not true.
40:01Oh, really?
40:09Mr. Tahir, we are having a family dinner tonight.
40:12We have no desire to discuss the movie business.
40:14You see, but I do.
40:16Mrs. Fasuni, what are you so afraid of?
40:18Why don't you tell them you want to act in our film?
40:20Stop right there.
40:22Tahir, come off.
40:23Come on.
40:24Tahir, calm down.
40:25Get easy.
40:25Let it go.
40:26Once been drinking, these things happen.
40:28Nothing to see here.
40:29Bring some fried mussels and mackerel to Mr. Kamal's table.
40:33Thank you, sir.
40:48Fasuni smoked her cigarette as if nothing had happened.
40:52In that moment, she made me feel like what she wanted out of life
40:56was far more dangerous than a drunk actor.
41:01This will be the headline, cinema and high society, a humble piece of advice.
41:07In Turkey, which boasts the world's third largest film industry, a new trend is emerging.
41:14Istanbul's wealthy art lovers aren't coming to Yishikhan to have affairs with actresses like they used to,
41:20but to make actresses out of girls they are already in love with.
41:24The latest example is the son of a very wealthy family,
41:28one of the most eligible bachelors in high society, Mr. K.
41:34He is so in love with the young married woman he refers to as his distant relative,
41:40that out of jealousy he wouldn't even allow the art film he had commissioned to be made.
41:46He reportedly said he couldn't bear to see her kissing someone else
41:50and shadows the young woman and her director husband wherever they go.
41:57A few years ago, this wealthy man got engaged to the lovely daughter of a retired diplomat
42:03in a ceremony at the Hilton attended by all of high society.
42:07But not long after, he broke off the engagement for the sake of his beautiful relative promising to make her
42:12a star.
42:19After casting a blight on the future of the refined diplomat's daughter who had been educated at the Sabon,
42:26we cannot sit idly by as this careless man does the same to the bright starlet Miss F.
42:32We offer to Mr. K. this humble advice.
42:40Mr. K. Abandon your foolish passion.
42:54Every encounter between a person and an object contains a story.
43:02The time I bought this white purse, the time I lost this earring,
43:07the time I saw this newspaper, there was a story.
43:10When I saw this crow out the window,
43:12when I washed my hands in the sink, tears streaming down my face,
43:16when I picked up this cigarette butt and kept it,
43:19I was in love with her.
43:20And then another cigarette butt.
43:22And then another.
43:27Every encounter between a person and an object contains a story.
43:53Every encounter between a person and an object contains a story.
43:56The time I saw thisithered piece at 348.
43:57That's very good.
44:15And I feel like as an object contains people who have been raised by at the saying,
44:16I'd be like, I don't know if I needed to have a husband.
44:20Writen is diffic었습 an takeaway.
44:20And to me, I think the favourite jetzt is that I have one another.
44:24The one amazing thing to get in the suite is that we are even jusqu'睡 tracker music.
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